One She’ll Never Forget

By aphrodite-in-nyc/Flickr
By aphrodite-in-nyc/Flickr

By Desiree Cooper

When I was a teenager, my mother and I were like sisters. If my date arrived more than fifteen minutes late, she would hide me upstairs and tell them I’d already left with someone else. Then we’d eat popcorn and watch movies.

I got married to my law school sweetheart in 1984. I’ll never forget waving good-bye to my family in Virginia and heading for Detroit to start my new life. I was a grown twenty-four-year-old, but I couldn’t imagine life without my mom nearby. I cried for the entire twelve-hour trip.

Over the years, we learned how to stay close despite the miles between us. We yakked on the phone constantly, me updating my mom on my life and the kids, my mom filling me in on her garden and the latest episode of Oprah (which she watched every day at four p.m.). We got together on holidays and family reunions. And, in the days before digital images, I sent her stacks and stacks of actual pictures to thumb through when she felt lonely. Nothing could keep us apart.

Except Alzheimer’s.

When she got the diagnosis in 2006 at the age of seventy-three, I was devastated. Immediately, I felt like I was railing against time. While tomorrow is promised to no one, it’s different when you know the days you have to love someone—and be loved in return—are numbered. We were both powerless in the face of this disease, but I had to do something—anything—to mark the time we had left.

And then it came to me. We’d make a memory that would be so profound, it would be permanently stamped into her DNA! It would be a memory that would even triumph over Alzheimer’s!

I would take my mother to The Oprah Show!

One problem: I had no idea how to get on the show. I started emailing and calling the producers, telling them about my beloved mother, her disease, and her abiding love for Oprah. But I never heard anything back.

I thought about WWOD? (What Would Oprah Do?) and started manifesting my intention. Everywhere. I told everyone I knew that I was going to take my mom to see Oprah, somehow, some way. This went on for months, until one day, a woman in my circle of associates said, “I can make it happen.”

I was ecstatic, but I didn’t tell my mom right away; I wanted everything to be certain first. Then on a Friday in February 2008, I got a call from my friend. “Can you and your mom get to Chicago on Wednesday?”

“YES!” I screamed into the phone. “Absolutely!”

And then I hung up the phone and wondered how the hell I was going to get my mother to The Oprah Show in four days. At the time, I was commuting from Detroit to work in St. Paul, Minnesota. My mother was living in Virginia. The family rallied and we got concurrent (expensive) flights to Detroit, and then a flight together to Chicago. When we sprung the news on my mom, she was shocked. Then came the uncertainty, “I don’t want to fly alone,” she said. “It’s too expensive.” But I wouldn’t take no for an answer. We were going, and that’s all there was to it.

My plane landed in Detroit an hour before Mom’s. That’s when I finally started to let myself get excited. I posed at the end of the jet way with my camera ready to capture the first glimpse of my euphoric mother running into my arms.

But instead of dashing forward, weeping at the prospect of meeting her lifelong idol, Mom rushed up to me and said, “Des! I want you to meet Maria!” She put her arms around a Philippina who had evidently been her seatmate on the plane. “She’s going on vacation now, but when she comes back, she and I are going to play bingo. Can you take our picture?”

That’s the cruelty of Alzheimer’s. If it were just about memory loss, that would be one thing. But before the memory goes, there’s a slow substitution of one person for another. Instead of being excited about the trip to see Oprah (or even just the tiniest bit excited about being with me), she was oddly focused on the stranger who’d been kind to her on the plane. Maybe she’d been afraid during the flight and mistook the woman’s kindness for friendship. Mom’s focus on the bigger picture was all but lost.

I was crestfallen, but I tried to be patient. I understood that this wasn’t my normal mother. I awkwardly took their purses and bags and snapped photos of mom and her baffled new friend.

My ego significantly bruised, I took a deep breath and schlepped us to our gate. I was annoyed that Mom had dragged along a carry-on; it was enough work to just keep track of her, much less her bags. We arrived at the gate early and were munching on sandwiches when announcement came. Our flight had been cancelled. Fog.

We waited anxiously as flight after flight was canceled. Finally, after about three hours of waiting, we were booked for a flight the next morning. The schedule would be tight, but I was sure that we were going to make it, come hell or high water.

We used a voucher to stay at the airport hotel. By then, I was totally frazzled, consumed with the fear that my plan had been too ambitious. Now that we’d been derailed, my mother began to lose focus again. “Why don’t we just go to your house so that I can see the grandkids?” she kept asking. I ignored her. She could see the kids anytime. This was our once-in-a-lifetime chance to see Oprah.

For moral support, I called the friend who’d gotten us into the show. And just like the voice of Oprah herself, she said, “Oh, no. You will be on that morning flight. It’s already done. It’s in God’s hands. You just show up for it.”

My resolve was bolstered, but it was no match for my mom’s grating mantra: “Let’s just go see the kids.” I was losing it, so I curled on my bed and pretended to sleep. Resisting the urge to smother myself with the pillow, I listened to my mother fumble around the room, zipping and unzipping her carry-on.

All of a sudden, I felt something cover me. I looked up and Mom was holding a pair of Valentine pajamas.

“Here, baby, I brought these for you.”

She even had bought a pair for herself. We put them on, and I curled up in the bed beside her, my arm around her waist. After a long time of listening to her breathe, I fell asleep.

The next morning, the weather was all clear. We were booked for the nine a.m. flight, but my mom was completely off kilter, confused by waking up in a strange place. She needed constant reminding that we were on an adventure. She couldn’t seem to get organized. I helped her, careful not to seem impatient.

When we arrived at security, the line was shambling and tedious. I began to wonder if we were going to miss our plane while standing in the airport. Mom started to complain about everything—the line, the expense of the trip, the temperature. At one point she said, “September 11 screwed up this country. That’s why I don’t like to fly anymore.”

I’d had it. I turned to her and yelled, “You’ve got to stop it! If you keep complaining, I’m going to lose my mind. We’re going to see Oprah, and we’re going to have a good time. You have to be positive from here on out.”

People in the line gawked in horror as the crazy daughter berated her dear, frail mother. But at that point, I didn’t care. After that, my mother, sufficiently cowed, withdrew into silence and followed my every command.

Once we got on the plane, our moods lifted. This was it! We were on our way to The Oprah Show!

We landed in Chicago with just enough time to make it to the taping. As we hopped into a cab, we should have been giving each other high fives. Instead, I pouted while my mom engaged with the Jamaican cab driver in an annoyingly detailed conversation about how he got his cabbie license.

When we arrived at the studio, it was a bland warehouse in an unimpressive part of town—not the Emerald City that both of us had expected. We queued up with about a hundred other members of the studio audience, and the staff stripped us of all cameras, cell phones, even paper and pens. We were not allowed to document The Oprah Show in any way.

The staff sat us thigh-to-thigh in rows of chairs like patients in a crowded doctor’s office and handed out boxed lunches—a sandwich, pasta salad, a cookie, and a soft drink. Then we were herded into the studio where I couldn’t believe our luck. My mom and I were seated right behind Oprah’s chair!

As we waited for the taping to begin, we eyed the studio and the set in front of us. In that moment I realized that perhaps I had ruined the illusion by bringing my mom to the show. The studio was smaller than it appeared on TV. The stage props seemed to be slap dash and temporary, mainly because they were. The pitch black walls made it feel like we were in a coffin. As the audience coordinator came on stage and congratulated us on wearing the requisite “Skittles” colors, I worried that perhaps mom would never love Oprah the same way again.

Then, She came out! Oprah was wearing a flowing top and slimming pants, and, to spare her notoriously bad feet, bedroom slippers. As she made her way through the audience to toward the stage, she stopped only once and that was to turn to my mother in a moment of strange recognition. A genuine smile broke across Oprah’s face. For a second, I thought she was going to speak my mother’s name. Instead, she took my mother’s hand and gave her a warm, “Hello.”

I couldn’t believe it. Out of all the people in the audience, only my mother got to shake Oprah’s hand!

We were still agog as Oprah bent to plop down in her seat. And that’s when we were graced with a peek at the royal plumber’s crack. That was followed by an upfront view of Oprah’s bunions as her staff came to shoehorn her feet into gorgeous pumps.

The next two hours are a blur. As we watched the show from the inside out, it was hard to digest that this was really happening. The show was called “The Secret Behind The Secret,” about the power of positive thinking. How what you intend will manifest. How every day, you create the world you want to live in. If you see life as a battle, then prepare for war. I sank into a contemplative silence; it seemed that the message had been tailor made for me. Maybe I wasn’t at war with time, or with my mother’s disease. Maybe it was time for me to settle down and accept the gift of the time we had left.

After the show, we had no time to process what we’d just witnessed. As a cab zipped us back to the airport, we held hands in tender silence. Aside from platitudes like “It was beautiful,” and “I’m glad I went,” and “Thank you, baby,” I didn’t hear my mother speak about the trip again.

A year later, I was visiting my parents and some friends came over for dinner. We were chatting when my mom piped in: “Did I ever tell you about the time my daughter took me to The Oprah Show?”

The room went silent. I looked at mom expectantly, wondering what she would remember from our great adventure to Chicago. But she only smiled and said, “My daughter is so sweet. She’s my best friend.”

•••

A 2015 Kresge Artist Fellow, DESIREE COOPER is the author of Know the Mother, a collection of flash fiction that dives into the intersection of racism and sexism to reveal what it means to be human. Her fiction and poetry have appeared in Callaloo, Detroit Noir, Best African American Fiction 2010 and Tidal Basin Review, among other online and print publications. Cooper was a founding board member of Cave Canem, a national residency for emerging black poets. She is currently a Kimbilio Fellow, a national residency for African American fiction writers. She lives in metro Detroit.

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Ordinary Artifacts

subway
By slgckgc/ Flickr

By Samantha Vincenty

My gym bag’s zipper is broken. The crinkled fabric’s worn through at the bottom and it’s time to throw it in the trash, but I can’t. Not yet.

My boyfriend finds me in a daze on our bedroom floor, my hands on the empty bag in my lap like I’m clinging to a dead pet.

“You don’t have to throw it away,” he says, crouching down to look at me. He knows what it means, why I hold the receptacle for my sweaty socks in such high regard.

My mother died four years ago, but I’d cleaned out her apartment a few years before that when it became dangerous for her to keep living alone—she was one more forgotten stovetop fire away from harming herself and the other tenants in her building. I’d held on to the bag, among other things, ever since.

The bag is bright fire-engine red, not auburn red like the hair I was born with and the hair my mother dyed to match mine. Mom bought it at New York & Company, that bastion of career separates, as uncool as (or marginally cooler than) Ann Taylor. The zipper pulls resemble MTA subway tokens with an identical “NYC” cutout logo and the words “The NYC Style Authority” wrapping around the circle. I wonder if these details are why she wanted the bag. Maybe the faux tokens reminded her of riding the IRT by her childhood home in the Bronx, or commuting to her nursing job at Columbia Presbyterian before she gave birth to me and we moved to the suburbs that made her so restless.

The New York City subway stopped accepting tokens in 2003. My mother’s early-onset Alzheimer’s diagnosis came into full, horrific bloom that same year. I quit my job to become her part-time caregiver, using subway tokens to ride from Brooklyn to Grand Central. Three times a week I’d take a commuter train to Yonkers so I could take her on walks, clean up all of the nonsensical piles and mysterious stains she’d made around the apartment, and cook us steaks on her George Foreman grill. The oven was now officially off limits, and it was important to stay on-message: Never ever turn it on.

In 2003 my mother, an artist for most of her life, cried because she could no longer sketch or paint realistic likenesses. She forgot to love some of her favorite things (Pet Shop Boys lyrics, romance novels, tweezing her immaculate eyebrows), but I liked how she also forgot to refuse things that she’d previously sworn off (cream soda, sushi, a ludicrous soap opera called Passions). I was twenty-four and envious of the career pursuits my friends described over syrupy-sweet cocktails at happy hour. I drank more than I needed. I drank quickly, too, to forget how exhausting it all was but also to make sure I was having the fun I thought I so richly deserved. In those days my mother would call me constantly to ask when I’d be back, sometimes just hours after I’d been there. Her thoughts were getting foggier by the day, and she hated being alone with them. She still remembered who I was.

By 2004, subway tokens were out of circulation, and I used a Metrocard to get to Grand Central. Mom didn’t want to move into a nursing home, but at twenty-five I had burned through my savings and needed to find a job. Worry, about my future and hers, stole hours of sleep from me at night. My mother needed full-time supervision—in addition to the stove fires and sink floods, she had started wandering the streets alone, forgetting where she lived. So I returned to Yonkers to sort my mother’s things into three piles: Discard, donate, or keep. I kept the red bag because I wanted something she’d used in her normal, pre-illness life. It served me well for a very long time, but now the bag’s demise feels like another ending.

I know I’m not alone. A colleague who lost his father two years ago recently told me that he rummages through his parents’ drawers just to touch his dad’s folded clothes. “I like, lay on his side of the bed and try to smell the pillow and shit, even though I know it’s been washed.”

We’ve talked about that connection we all yearn for, between a lost one’s tangible things and their memory. We need the artifacts. No, I don’t want my small New York apartment to be a Dead Mom Museum. But should I let go of something if it feels like a fresh burial?

I’m still not sure. So the bright red bag remains on the floor, unused and un-useful, while I figure out what feels right. I may turn one of the subway-token zipper pulls into a keychain, as a functional monument to a time that fundamentally shaped me as a person.

There are two zipper pulls, actually, and I’m keeping them both: One for me and one for the woman I remember.

•••

SAMANTHA VINCENTY is a freelance writer and editor living in Brooklyn. Her writing has appeared in The Hairpin, Fuse.tv and BUST, and she is currently at work on a memoir. She tweets about music, pop culture, and weird stuff she finds on the street as @shermanther.

Balloons

GohmannDad
Johanna with her father. By Ernesto Rodriguez

By Johanna Gohmann

Nine years ago, I am 27, and I am home in New Albany, Indiana visiting with my family. There is a birthday party for one of my seven siblings, and there are the usual hot dogs, and paper plates, and perspiring cans of soda. My mother has brought in a big bunch of brightly colored helium balloons as decoration.

The morning after the party, I am up in my childhood bedroom, and when I look out the window, I see my Dad standing in the front yard, alone in the quiet of a spring morning. The dewy grass is giving a sheen to his leather shoes, and he is holding the big bunch of balloons in his large hands. I watch as he struggles to carefully separate the strings, then he releases the balloons to the sky one at a time. He stares at each one as it drifts up and away, until it becomes just a tiny pinprick of color.

It is a rather odd sight—this 6”5, grandfatherly figure, clad in impeccable dress slacks and a sport coat, playing with a handful of children’s balloons. Watching him, I feel something inside me twist tightly. I slip on some shoes and go outside to join him. When he sees me, he smiles a distracted smile.

“I like watching these balloons float away, Josey.”

We stand together, and he releases the string on the last balloon. It drifts skyward, joining the other tiny dots of color in the sky. We watch silently as it sails up into the clouds, fading into the blue. It is a rare, quiet bit of togetherness for us, and should be a sweet moment. But watching those balloons drift away fills me with a strange, anxious kind of melancholy. I don’t like watching them go.

When I am 35, my Dad is diagnosed with Alzheimer’s. The diagnosis isn’t a surprise. He is 77, and I have seen the shift in him—his confusion with numbers and dates…the way he repeats stories within minutes of each other, sometimes transposing the names of people and places. And yet, when my oldest brother calls me with the news, it still feels improbable. As if my commanding, in charge father never would allow such a thing to happen to his solid, intelligent mind.

For a while, medication seems to slow things down, but then a full year later, it’s undeniable that my Dad is slowly coming uncoiled. It becomes the norm for him to appear wearing a shirt inside out, or sporting two pairs of pajama pants beneath his dress slacks, even in the heat of August. I buy him a beeping gadget to help him locate his constantly misplaced glasses and keys. He loses the gadget.

At 36, I am pregnant with my first child. When I talk on the phone to my Dad, I can feel my baby rolling back and forth in my belly, his strong kicks and punches occasionally making the fabric of my dress hitch and jerk. I listen to my father struggle through the conversation, and I try to float, relaxed and easy, through his tide of tangled words. I rub at the patch of flesh over my flailing baby, and I try to imagine my Dad holding my son as he did his other grandchildren—bouncing him gently on his knee, letting him teethe on his heavy silver wristwatch.

As I watch my Dad slowly lose bits and pieces of himself, I think about those long ago released balloons. I know the bright shades of my father are fading with each passing day. They are drifting further and further away from me. And I can feel myself scrabble to contain them…trying to grip the tangled strings of them tightly in my fists…struggling to somehow make them stay.

He spent his life as a successful insurance salesman. This makes him sound staid and dull, but in reality, he is a big, playful personality. His large blue eyes perch above a smirking mouth, and as a younger man, he bears a striking resemblance to Chevy Chase. As he grows older, his features crack and curl, and he suddenly begins to look and sound like Gene Hackman—the same knowing, smiling eyes—the same gruff voice. Once while watching a movie, I hear Gene Hackman tell someone to “shag ass”, and it’s as though my Dad has been transported to the big screen. Shag ass means “to hurry,” and the only other person I’ve ever heard say this is my father.

He has large, mitt-like hands, and their Shrek-like size renders certain tasks comical, such as when he struggles to use scissors, or when he reaches to pet his tiny terrier that he calls “Princess.” He has a tiny bit of shrapnel from the Korean War imbedded into the thumb of his right hand, and as children we probe this tiny black pellet with wide-eyed fascination.

He is, as my mother says, “full of foolishness.” In one of my favorite photos of him, he is in a Freddy Krueger hat and sweater, brandishing a pair of rubber knives, and giving a hilariously hideous snarl to the camera. As kids, he often tells us about pranks he pulled as a child. When he was a young boy, he and a friend took Limburger cheese (a product whose smell can only be described as fecal) and hid slices in their palms. They went up and down the stairs of their Catholic grade school, quietly greasing the banisters with the stink. When people came down the stairs, they walked away sniffing their hands with disgust.  As a little girl, I am enthralled by this prank, and my friends and I reenact it on our last day of school. The cheese is gooey and the smell makes me gag, but I love feeling mischievous like my father.

He likes teasing us—his children—most of all.  One warm May night we are all gathered watching “The Incredible Hulk”, and my Dad comes into the living room and looks at us with a grave, stricken face. He tells us that he’s just seen a special news report, and he has some terrible news. President Reagan has decided children simply aren’t learning enough, and he is cancelling summer vacation all across the United States. At first we just roll our eyes at him, but he keeps his face so stone cold serious, we become panicked.  We begin pacing the house and shouting. One of us anxiously flips through channels trying to find the “special report.” We groan on like this for almost half an hour, until some of us begin crying and shouting our hatred for stupid President Reagan. My Dad finally breaks down, and admits that he’s only joking. We pile on top of him—half furious, half laughing—and try to punch him with our tiny fists.

When we are young, he is gone a lot. He goes on business trips and golf trips, which are often one in the same. He leaves the house in a dark suit, toting a scuffed leather duffle and a rattling bag of clubs. When I kiss his cheek goodbye, my lips come away lightly greased with his aftershave.

When he is home for long stretches, it is an event, and the house buzzes nervously with his presence. At dinner, my six brothers and my sister and I sit around our large kitchen table passing plates of Shake and Bake pork chops and spilling milk. My Dad shouts out “reports!” Which means we are to share any interesting events from the day. My mind always goes blank at this, and I feel as if I never have anything worthy of reporting.

After dinner he helps my mother bathe us. We call bath time “souping”, because my Dad adores the nonsense words and nicknames that come out of our mouths as toddlers. When a little one refers to bathing as “souping”, he makes it part of our permanent lexicon. The same for “goosing”, which means teeth brushing.  He is forever asking us if we have “goosed our teeth.”

The best part of souping is when my Dad comes in, a giant bath towel in hand, and slings one of us inside the towel, then carries us on his back like a hobo sack. He hauls us to our respective rooms and deposits us on the bed with a bounce. We call this “geeking”, and we all beg to be “geeked.” When it is my turn, he drapes the rough towel beneath my underarms, then throws me over his broad shoulder. I travel down the long hallway bumping damply against his broad back, slick as a seal tucked into a papoose.

After our baths, he comes into my brothers’ bedroom and stretches his long frame out on the carpet. We excitedly cluster around him in footed pajamas, shouting for a story. He tells us made up, ghostly tales that are always designed to teach us a moral. There is the smug “Simon Cigarette”, who chokes to death on cigarette smoke. Or “Reginald Reservoir”, the bratty boy who ignores his parents’ pleas to never go near the deep reservoir, and of course meets a terrible fate. And then, the favorite, “Little Sally Go To Church”, about a little girl who doesn’t want to go to church, and instead wants to stay at home and eat junk food. Sally’s lack of piety is always punished by a visit from the Sunday Monster—a giant beast who jumps out of nowhere with a horrific roar. My Dad roars in his deep baritone, and we all scream with terrified delight, beg him to stop, then quickly beg him to do it again.

When I am small, he calls me “Josey Lamb”, because when I’m around the rowdy swirl of my siblings I appear shy and quiet: gentle as a lamb. He continues to call me this even after I am fully-grown, and have become loud and opinionated, and decidedly less lamb-like. But he does so ironically, with a glint in his eye.

He tears up easily. Which seems funny for a man with such a large, commanding presence.  But certain songs and movies leave his eyes pink-rimmed and glistening, and when I am growing up, I actually see him cry more times than my mother. On my wedding day I select “Someone to Watch Over Me” for our father-daughter dance, because it’s a song I know he likes. But he refuses to slow dance, and just keeps shimmying around the floor, making goofy faces. A few bars in I ask him what exactly is wrong and he says, “Josey! This music is too sad!” Flustered, I go up to the DJ and request that she instead put on Supertramp’s “The Logical Song”, another favorite of my father’s. He is thrilled, and in my wedding photos we are both spinning and laughing, giving high, jubilant kicks.

When I am in my 20s, I chafe at his politics, and what I consider his small-town small-mindedness. He is a staunch republican and extremely conservative, whereas I consider myself very liberal. We have heated arguments at the dinner table that leave us both red-faced and shouting, and make my mother flutter nervously around the kitchen. My other siblings never engage with my father in this way, and they find it hilarious the way we shout at each other about Clinton, and both Bushes.

Sometimes, to gall me, he tapes conservative news articles to the lamp hanging above my place at the table. I come down for breakfast and find Karl Rove’s smiling face torn from the paper, dangling in front of me from a piece of Scotch Tape. I sleepily look to my father, and he smirks at me over his bowl of Raisin Bran.

With the Alzheimer’s, the days of political debates and discussions come to an end. There is no longer any real, lasting talk of the present. My father’s mind becomes stuck in the past, like a wheel that can’t quite push over, and he speaks to me about long ago events, as though he is plucking dusty photos from an album in his mind, and holding them up to me, saying, “Here. See?”

He tells me several times about how his father once gifted him a new baseball glove. He says he loved the glove so much he oiled it every single night.

Or he recounts the time he found a dead body on the golf course. He describes how he and a friend were playing on New Year’s Day, and were the only ones stomping their spiked shoes though the frosted grass, knocking around balls. When my Dad rounded a sand trap, he spied the man—gray-faced and frozen, a bottle of whiskey at his side.

He talks about his time in the Korean War. About how frightened he was lying on the floor of a cargo plane, traveling further from his Indiana home than he’d ever been in his life. One night in camp he polished his army boots white, as a sort of goofy mini-protest, and he was soundly punished for it by the Colonel.

And he talks about Lynne Anne, the oldest child and sister I never knew. She died when she was five of meningitis. He fingers the tattered prayer card that he still, 38 years later, carries in his wallet, and he tells me in a low, quiet voice how delicate and beautiful her hands were. He talks about her golden hair.

I listen to him talk, and feel overwhelmed by how much there is about him that I don’t know, or can’t really fathom. His life stretches behind him full of heartbreaks and triumphs and mysteries that I will never really grasp. And through him, I learn that understanding people, and loving them, sometimes has very little to do with one another.

Now, when I am home visiting, he really likes to give me things. He has always delighted in giving gifts, but now, each time I am there, he gives me funny things—strange bits of odds and ends. He has taken to handing me the smallest of trinkets, the kinds of treasures a small child might hide away in a cigar box.

“Here Josey,” he says.  “You can take that home with you.”

And he hands me an old golf tee, or a tiny, pretty seedpod that he’s spied on the ground. A St. Anthony prayer card. Old fishing hooks. A tattered National Geographic. I save all of it. I bring it back to New York with me, and I tuck it into jewelry boxes and special drawers, hidden away like clues.

Losing someone in this way—this subtle losing, piece by piece—is its own unique kind of sadness. It’s a mean, cruel kind of grief that I feel could drag me under if I let it.  And so I try to focus on the fact that my father is still here with me. He still makes me laugh. He still loves to tell stories. And he still loves to tease. Even now, he still calls me up and holds the phone up to the radio, so that when I get back to my apartment I have a voicemail that is nothing but Rush Limbaugh ranting away. I play back these voicemails, and I picture my Dad huddling in the background, struggling to hold in his laughter. Just like the trinkets, I save these garbled voicemails. And I try to focus on the father I still have…on the bright shades of him that remain.

I can’t ever bring myself to think of when that final dot of color finally fades from sight, completely out of my view. Until then, I steadily train my eye on what I can still see. I take in every last glimpse.

•••

JOHANNA GOHMANN has written for Salon, The Morning News, xoJane, Scratch, Babble, and Curve, among othersShe is a regular contributor to Bust magazine. Her essays have been anthologized in A Moveable Feast: Life-Changing Food Adventures Around the WorldJoan Didion Crosses the StreetThe Best Women’s Travel Writing 2010The Best Sex Writing 2010, and The Best Women’s Travel Writing 2015. www.JohannaGohmann.com

 

Republished with permission. Johanna Gohmann’s “Balloons” is one of 25 personal essays by women writers writing about their fathers in Every Father’s Daughter, a new anthology edited by Margaret McMullan, including an introduction by Phillip Lopate. Contributors include Alice Munro, Jane Smiley, Jayne Anne Phillips, Alexandra Styron, Ann Hood, Bobbie Ann Mason, Maxine Hong Kingston, and others.