Surface

Photo By Gina Easley www.GinaEasley.com
Photo By Gina Easley www.GinaEasley.com

By Liz Lasiter

I found out I was pregnant while I was completing my training at a bourgeoisie swim school in the Presidio, a wealthy residential neighborhood in San Francisco. I was in my early twenties, fierce with rejections from graduate programs, and sleeping with men that weren’t my boyfriend.

After my final interview at the swim school, I walked back to my car with stacks of training homework, a complimentary tee-shirt, and a tight black one piece. I could feel the reality of my body, quickly taking on its new purpose despite my denial. My period: late. My infidelity: coming to the surface. There was a deep longing in my abdomen, a glow on my face. My body knew what it was doing and it didn’t care if I caught up.

During my lunch breaks at the swim school, I was always feeding myself like a starving animal. Salt and bread. Sour cream. Sauerkraut. Sourdough. On my way to the pool I’d stop and get myself Greek food, hummus and tahini cascading over the steering wheel. Sauce on the front of my complementary work shirt and in the seams of my front seat. I had an insatiable hunger. No matter how hard I tried, I could never be satisfied.

Why should I indulge myself? I’d ask myself during these moments of ferocious feeding. Guilty at the grandiose amounts of food. When I took a pregnancy test in the Walgreens bathroom near my house, I immediately decided I didn’t want to have it. I wanted an abortion. I was too hungry and restless to have a baby. I was too unsure of my relationships with men and relationship with myself. Despite my upcoming abortion, I decided to finish up the month of training at the swim school.

Each day I’d thread my ankles and thighs through the slick black suit, one leg at a time. I’d touch the acne on my face. My breasts felt raw and vulnerable under the spandex. My hair always smelled like chlorine, which caused me to retch in the bathroom next to happy whales painted on the walls and step stools for toddlers to reach the sink. The weight of my body was an anchor in the water.

During the lessons when I had to teach the kids to dive into the deep end, sometimes I just felt like sinking. In newborn swim training, they’d place plastic baby dolls in our arms. Treat them like they’re real, they’d say. Their plastic hands were reaching out to touch our faces, their backs curved in a perpetual cradle. In a circle, we would practice our songs, hand positions, and methods for dipping infant heads under the water without getting any in their noses. They told us babies are born natural swimmers. They told us babies learn to be scared of water as they get older.

Softly, I would take my doll through the water. I’d watch it while the waves bounced off of plastic hair rivets. The smell of plastic and chlorine on my skin was so overwhelming, it made me hungry and sick at the same time. It reminded me of being at the Little Rock public pool, where I’d swim for hours and devour anything I could get my hands on after I was through. Microwavable pizza. Half cooked hot dogs. When we were finished with the dolls, we placed them back in their coordinating bins.

During my first lesson away from an experienced instructor, I held the newborn, chubby arms afloat as the babies would try and paddle their malleable legs to the soft lullaby in my voice. I sang “Twinkle, Twinkle Little Sea Star”, matching my tired eyes to their curious ones. Their gazes were intoxicating. One parent would be in the pool as the other took photographs. I’d cup the back of their patchy haired heads and gently ooze them under water. In a second they’d emerge, delicate eyelashes sprinkled with pool water. Then I’d lead the fresh-faced infant back to the dad in the navy swimming trunks where he’d plant wet kisses on baby cheeks, cooing congratulatory words.

I was a stranger, a pregnant stranger, holding their baby just above the surface of the water. Would they have trusted the instructor in her sleek black swimsuit if they knew of insecurities of motherly instincts or lack thereof? Would they have judged her in the same way she was judging herself?

I couldn’t help but think of my own mother during this time. The instance she saw me take my floaties off at the public pool in Little Rock, eventually jumping in after I sunk to the bottom.

I took my instructor’s manual with me to my procedure. I held it over my face while a priest called me a murderer. It rolled off his tongue the same way cheater had when spoken by my ex-boyfriend. The priest’s clothes smelled like frankincense, and I remember it burning in the cathedral when I was young. Father Henry, the father I would see daily at my church school, had the same potent, peppery smell on his clothes.

My mentor at Planned Parenthood had a six year old child in my swim program. We just want to get him to the green ribbon, she said directly after the procedure was over. My voice trembled when I responded to my mentor. Her name was Sophie. She held my hand tightly when I’d welp in pain, sick from my stomach contracting. She rubbed my hair and put a heating pad on my back. She didn’t call me a murderer or a cheater. She was a woman, a person, who understood.

Tell him he has to move with his breath, I said as I threaded my ankles and thighs back into my underwear, one leg at a time. I didn’t have the heart to tell her I was going to quit once I got home. Sophie led me to a chocolate brown recliner. My weeps sounded like whispers. I felt lonely. I felt relieved. The curtains separated me from the other girls. I could hear them breathing slowly in between sips of water.

Back in the waiting room, I sat in another section for my antibiotics. When Sophie handed me my brown paper bag, I could hear the music as doors opened and closed. Familiar hymnals were playing at full volume out of an old portable stereo. Songs I knew by heart. We had to sing at my Catholic grade school. Somewhere deep inside of me I still knew all the lyrics, which prompted only admiration for what it is to know beautiful words, but also frustrated for making me feel I had to be a certain kind of woman when I was only a girl. A woman who only wore dresses in church and never thought about sex. A woman who can’t know anything bigger than her unless she does those things. A woman who should feel bad about her decisions and mistakes.

The surface outside was glowing under the Mission District sunlight. The man who had harassed me earlier leapt from his chair to yell into my ear. He followed me the entire way down the sidewalk, shoving pamphlets of how to heal, how not to go to hell, how it’s not too late for me. I threw the pamphlets in the trash.

In the distance I could hear the hymnal was at its chorus again. I thought about how it wasn’t too late for me. I thought about how I could still be a mother when it felt right. I thought about how I could still be spiritual even though I wasn’t religious. I thought about how kind strangers can be despite others who want to make me feel as bad as they do. I thought about the way water works to carry people onward to new beginnings and how this time I wasn’t going to let myself sink.

•••

LIZ LASITER was born and raised in Little Rock, Arkansas. She moved to the Bay Area in 2011 to complete her Bachelor’s in Philosophy. She holds an MFA in Creative Nonfiction from Saint Mary’s College of California. She currently works and resides in San Francisco.

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Writ in Water

water monster
By Gina Easley www.GinaEasley.com

By Antonia Malchik

This is one of my earliest memories: I am three or four years old, scrabbling for a hold on a fallen tree while a river repeatedly pulls me under. I paw at the bark. The water is cold, moving fast and strong. It churns along with my other memories: the overturned Coleman canoe beating against the tip of the log, my father’s orange cap as he reaches out to pull my mother’s arm. When he has her, she lets herself drift to the sucking water that tries to drag us under the tree. She encircles me with her free arm, holding me above the current. My older sister has been balancing on the log, trying to reach me.

“How old?” I ask my sister Sasha. She is in California, sunny Santa Cruz. I am in dreary, garbage-scented Boston.

“Well, maybe you were two,” she says. Running water and the clink of plates tell me she’s washing dishes. “It was the guy they asked for directions from. They wanted to take us canoeing on the Madison, but he gave them directions to the Jefferson. It was a lot wilder.”

“So the canoe turned over in the rapids and we all caught onto a half-submerged tree, and…”

“Papa got pushed to the bottom several times before he got up. I climbed up the end, but Mama lost her hold of you and both of you were going under.” If I was two at the time, she would have been seven or eight. It surprises me, that this half-figment of half-memory—was my father wearing an orange cap?—is real to someone, that my sister remembers me half-drowning with clarity.

“How awful,” I say, as if the accident had recently happened to someone else.

A few years after that conversation my husband and I are in France for a wedding, in a small town between Nice and Monaco. The small, scruffy beach is next to placid Mediterranean water of such clear, bright blue it feels unreal. No matter where you swim, the water is never murky, and the bottom looks immediate, like a hologram.

My husband wants to dive from the floating dock a little ways off, so we swim towards it, he, the stronger swimmer, in front.

Halfway there I stop swimming. The water is clear. I can see the bottom. The dock isn’t far away. I try to convince myself to keep going, but my heart pounds, terrified of the water, of the depths, of the powerful, gentle-looking mass of a sea that is just longing to pull me under.

I turn around and head back to the beach, crawling onto the sand like I’ve been saved from a wreck, not caring what I look like in my very American one-piece suit and ridiculously pale, freckled skin that’s slathered in sunscreen. I long to be in that beautiful water, but I’m terrified of it. I know it wants to take me back.

•••

It’s not just deep water. I’m afraid of the dark, too, and ghosts, and the monsters under the bed. Frisson-filled, gut-freezing fear that tells me these things are real. It’s their reality that terrifies me—ghosts drifting through my house, creatures beneath my box springs, the dark night as a monolith of unknowable worlds seen through acid trips. Other things that keep me lying in bed, staring into the dark and unable to move: the weeping angels in Doctor Who, ruthless alien races that might someday invade from another star system, a future like that in I, Legend, where most of the surviving human population has mutated into zombie-like beings due to pharmaceuticals gone wrong (I consume a lot of science fiction). And, ever since I read Stephen King’s book Lisey’s Story, mirrors.

Fears of pain, nonexistence, and the unknown. Water holds all of them. To die in water can mean one’s body slips out of sight, taken below on bright, sunny days of children’s laughter bouncing into jet skis’ obnoxious roars. Arms overhead, legs kicking, and then fear itself winding around the ankles to pull gently down. Hair floating upward to greenish light as the body is forced to lie among the muck that ancient glaciers left behind. My phobia makes this end feel like fate. A lingering death, a cold one, leaving not even footprints, just the water and sunshine, laughter and jet skis.

In Babylonian mythology, Tiamat is the goddess of the ocean. Her mate, Abzû, is the god of fresh water. Tiamat is the embodiment of primordial chaos. Or she is the embodiment of harmony, uniting salt and fresh water for all of creation. She is a serpent, an early form of dragon, or a goddess who made dragons filled with poison. She was killed by other deities, who created the world and heavens from her body. Her tears formed the mightiest rivers.

I’d love to connect my water phobia to ancient creation stories, to turn my human life into sensical narrative. But I do not believe in mythologies. I do not, in fact, believe in anything I can’t see or feel or sense or prove. I believe in mathematics. I do not believe in ghosts or the monsters that lurk in dark lake bottoms.

Why, then, am I terrified of them?

The word frisson describes a thrill of fear or excitement, a sense of foreboding that defies precision. The word’s very existence is proof of our fears. It acknowledges that we are terrified of things we cannot see or sense or know. Our minds are frightened of what our bodies can’t feel—or is it the other way around? Is it the mind’s fear and the body’s reaction, or the body’s fear and the mind’s reactions? Where does the experience of that wild river, the log, my family’s terror, reside in my body? Why does my mind insist there is something down there, in the non-empty spaces of dark matter between rocks and silt and sightless water?

I can see it now, in this barely-lit room where my children are sleeping. It’s sifting around the pine trees and the rustling aspens outside, a nameless something that awakens very real fear. Can you feel it?

•••

An unfinished book sits in my drawer—or, not in a drawer but in a file on my laptop, our new drawers. It’s only partly written, set aside after a cross-country move and a year of living in someone else’s home while adhering to an exhausting work and parenting schedule. I touch the thought of returning to the book and feel wary. I say I don’t have time, and it’s true, I don’t. Not the kind of long, luxurious hours that extended writing demands to achieve any kind of depth. The lack of time I have is crushing. It’s its own being, monstrous and impenetrable like the obelisk in 2001: A Space Odyssey. A weighty horror.

I fear drowning under the lack of time. It holds books that I will never write. In that space is where I will cease to exist, fade away. And yet, why should I feel that way? Why must our names be etched in more than our immediate lives if we are to feel real and whole? Are we so terrified of being forgotten?

(Yes. We are.)

But caution also keeps me from diving into it again. A book is a long, sustained effort. It requires stamina, willpower, a certain quality of fearlessness to keep going when it feels your words have landed you in the middle of nowhere. I’ve been there before; this is the fifth time I’ve headed into those wide-open, unpredictable waters.

I fear venturing out there this time, kicking off again, not sure when I’ll get to the other side, and the petrifying thought of what’s lurking beneath the surface. Writing a book can lead to dark, unexpected places, once you let the words start to flow. What if I get to the middle and run out of energy, and the monsters snake around me as I try to tread water? What if I disappear?

It’s so much easier to stay in the shallows near the shore, penning smaller things, where I can see others’ faces, hear their laughter and splashes, even jump in deep sometimes and come straight back to shore.

•••

My husband and I went scuba diving once on the Great Barrier Reef, back when we were living in Australia. A tour boat scooted us and a dozen or so others out from Port Douglas and the guide gave a perfunctory ten-minute lesson in dive symbols: up, okay, help, shark. I was the only person who had never even snorkeled.

“You a water baby?” he asked me in that brisk Aussie twang. “You love the water?”

“Yes.” I do, I really do. I grew up in Montana, where my family hiked all the time, preferably up into the mountains, where ice-cold lakes sat in tiny dips of valleys. Any hike where I can’t jump into a lake or at least soak my feet in a river at the end of it felt pointless. I would swim in a lake every day if I could.

When he toppled me in, wet-suited and oxygen-tanked, I took a few moments to get used to the mask, and ended up hyperventilating, heading towards panic, until I figured out how to breathe all the way out as well as all the way in. A thirty-second lesson with more impact than years of yoga.

Then I followed the group down, arms at my sides to keep down oxygen use, and I wasn’t scared. Nearly forty feet below the surface, where the monsters supposedly lived, I had no fear. The colors were just as bright as in photos—blue, orange, yellow corals and fish; big feathery growths of red; strange, enormous clams that closed as our shadows passed over. “Don’t put your hand in one of those,” he’d warned us before we left the boat. “You won’t get it out again.”

The water was cold, even through the wetsuit. I emerged hungry for lunch and eager for the afternoon dive. There was so much beauty there, none of the dark mystery that haunted the lakes of my home state.

•••

I’d like my fear of deep water to be about something else, to turn it into a metaphor—for writing a book, for example, or for life and the risks we do or don’t take. But the near-drowning of my two-year-old self and her family, the sucking, surging power of that swift-moving river, were very real. When I long to swim across a lake, and flinch back because the water has become too dark and the monsters are waiting to get me, it’s not about taking risks in life and venturing into the unknown. It’s because I’m afraid of being pulled under and drowning.

We humans, we’re always seeking meaning. We want our suffering to have purpose, our fears to shape into Jungian explanations, our gods to exist. We are storytellers, symbol-makers. We find it hard to accept that not everything can be about something more.

You almost drowned because of our stupidity, says my father.

I almost lost you, my mother says to my sister and me.

•••

The town I live in is built on a lake, and in the summer we take advantage of that fact several times a week. I swim out to the lake’s floating dock with my kids safely lumpy in life jackets. We climb up the dock and my son jumps off and climbs out again, over and over until he can barely keep his head above water. He’d do this until the stars pricked out overhead and the water became frigid, if I let him.

My daughter doesn’t want to go under. After years of swimming lessons, she’s still afraid of submersion and doesn’t like getting her face wet. It’s okay, I tell her, you don’t have to. I sit on the dock and stretch my legs out. She slides down them, gripping my hands, the life jacket keeping her cork-bobbing in the water.

I never learned to dive, so I stand at the edge and jump straight in. Underwater, the tiny bubbles I’ve made fizz around my ears, and I bob to the surface and swim to my kids, listening to the ripple-rill of water over my shoulders. I love this feeling so much, more than almost anything, the splashes of the lake, the mountains chaining the valley. My son wants to swim out farther together and we take off. He can’t see the constriction in my chest, the fear gnawing my toes. I don’t tell him there are monsters out there.

•••

ANTONIA MALCHIK has written for Aeon, GOOD magazine, 1966, and many other publications. She is a regular contributor to Full Grown People and the managing editor of STIR Journal. You can read more of her work through www.antoniamalchik.com.

Read more FGP essays by Antonia Malchik.