Under the Bridge

By Gina Easley www.GinaEasley.com
By Gina Easley www.GinaEasley.com

By Matthew Salesses

A Korean adoptee, I had just spent a month in my birth country teaching English for a school that wanted me to be white. In order to quit, I had to spend a day overseas, so I was in Japan because of visa laws. I figured I’d make a little trip of it. For three days and two nights, I wheeled a suitcase around Fukuoka, temple-watching and feeling sorry for myself.

I had only a hundred dollars in my bank account. Since I’d broken my contract in my first month, I hadn’t gotten paid. On the first night, I headed to the beach. It was still warm in October, and I lay on the hard sand and tried to sleep. After a few minutes, I moved to a bench instead. I was there for less than an hour when it started to rain. My clothes stuck muddily to my body, but when I unzipped my suitcase, I realized that the reason I could change outfits was because I was dragging my life behind me in a piece of luggage.

I had nowhere to go. I asked myself, What would a homeless person do? I made my way under an overpass. There I laid my head on my suitcase and attempted to cry myself to sleep. I wasn’t even thinking yet of how I had been left under a bridge in Seoul as an infant. I wasn’t ready to confront my adoption. I had only been in Asia for a month, and it was the first time since I was two years old. I didn’t make the leap to thinking that my birth mother might have left me under a bridge for the same reason I found a bridge in Japan—rain. I stayed under the overpass until the rain faded to mist, and then I dragged my suitcase back into the streets, planning to empty my bank account on a hotel room, call my parents, and tell them I needed to come home.

I might have done just that if I had found a single hotel in my one-hundred-dollar budget. When everything was too expensive, I made my way to a bar. In Korea bars stay open until early morning and I hoped the same would be the true in Japan. I took a table in the back, low to the floor, where people could sit cross-legged. I parked my bag there and ordered a single beer. I used the table as a pillow. Whenever anyone came by, I took a tiny sip to make the beer last. It had cost something like ten dollars.

Someone must have taken pity on me and let me sleep.

•••

In truth I might be mixing this memory up. I might have started in the bar and ended under the overpass. I wonder why I remember it in this order. Maybe I want to think that when I hit bottom, a stranger helped me—because that is how I have always thought about my adoption. Maybe I want to think that I made myself move on from the bridge, and not that I ended up there because I could go nowhere except my past.

•••

When I woke in the early morning in a closing bar in Fukuoka, I returned to the city with my suitcase and my shame, and I temple-watched again in a sleepless haze. I hated the city’s artificial cleanliness. My legs hurt—that was real pain. The malls were full and the temples empty. The desire to fly back to Connecticut grew stronger and stronger. But I didn’t call my parents. The real reason was that I had left a new girlfriend in Korea and I wasn’t ready to throw something away before I knew what it was.

I searched again for a hotel until I found a room that maxed out my account. As sad a place as it was, the hotel held plenty of wonders—there were slippers, a heated floor, a bidet built into the toilet seat. I had never seen a bidet before. I used everything in the room and took a long bath and got ready for bed. It was maybe six in the afternoon. Before I slept, I tried to find perspective. I wasn’t truly alone, of course—I could call my girlfriend and ask her to wire money, or I could call my parents and ask them bail me out. I didn’t know what it was to be truly alone—or I hadn’t since I was an orphan.

With a calling card, I phoned my girlfriend so that someone would feel bad for me, someone other than myself, and I told her about sleeping in the bar. I didn’t tell her about sleeping under the bridge—that seemed too much. She was more shocked than pitying. And soon I was defending myself. I couldn’t appear to be so poor that she wouldn’t want to date me. The phone shook against my ear. I said I had to go to sleep, and I listened for a minute or two to more shock that I would sleep before sunset. Eventually my girlfriend shamed me into actual perspective. I was simply being cheap or punishing myself. I wanted to appear as if I had a pitiable life, but I was just making choices she couldn’t understand.

She never wanted to save me. I let that sink in, in that hotel room in Japan, sleeping naked in a borrowed robe. Rescue hadn’t drawn my future wife, a Korean woman, to me, a Korean adoptee. That was my expectation. Those were my rules for myself. I felt oddly relieved—and oddly disappointed. I harbored the half-hope that she might still change her mind and I wouldn’t have to save myself. But of course I would.

•••

MATTHEW SALESSES is the author of The Hundred-Year Flood, which was named of the season’s best books by Buzzfeed, Refinery29, Gawker, and others, and was a Best Book of September and a Kindle First pick at Amazon. He has written for NPR, The New York Times, Salon, Glimmer Train, The Millions, and The Rumpus, among others. He is a Ph.D. candidate in Creative Writing & Literature at the University of Houston.

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6 thoughts on “Under the Bridge

  1. Well done, Matthew. I spent a year teaching in Korea and had many kyopo colleagues and friends; but beyond this particular commonality is the heartache at the center of this piece that we all share at one time or another. Getting the light on it like this always helps. Thank you.

  2. Fascinating, Matthew. I recently found a brother the my mother put up for adoption 18 months before I was born. Your essay provides some insight. Thank you for writing it.

  3. This is a wonderful essay. And it’s also wonderful to read about a “full-grown” adoptee experience, since so much representation of adopted people focuses on children and teenagers. (That’s changing, I know.)

    Elegant interweaving of the unconscious and insight in hindsight.

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