By Sarah Broussard Weaver
You can tell by the way his footsteps sound coming down the stairs if he’s having a grumpy morning or not. It’s okay—getting out of a warm bed sucks for you, too. Just don’t talk to each other until you’ve both had your coffee. The stronger the brew, the faster your moods improve. Talking while grumpy is always a bad idea. Kiss goodbye—a good kiss, not one of those ones you give your elderly relatives—when you separate for the day. A pat on the ass would be welcomed, too.
You can tell by the look in your child’s face how much her feelings were actually hurt. You clench your jaw so you don’t call the other kid a bad name. You know the other child’s mother might have done the same. Tomorrow they will be best friends again, and the rhododendrons are starting to bud, and your new kitten is getting so incredibly fluffy, and you plan to make a carrot cake with cream cheese frosting on Saturday. Life always goes on, but your child’s life has been too short for her to know that yet, so you must wrap her in the best furry blanket and cuddle her, until your words and touch permeate her being.
You can tell from the height of the bedside stack that you won’t ever have enough life to read all the books you need to read. There’s a sunny yellow puddle on the floor because you were too engrossed in the Abigail Thomas memoir to remember that you own dogs. Small dirty socks scatter across the floor because your children are real, not model children by any measure but the love they have for you, beyond what you’ve ever imagined receiving. The stately Mount Clean Clothes in your laundry room tells everyone you aren’t a good housekeeper. You smile when writing these words because you don’t care. Your husband is mostly silent when observing the laundry room (or any other room, honestly) so maybe he’s finally accepted that you’re not Marie Kondo or anyone like her. You can tell by your inner serenity in the house chaos that you aren’t willing to waste the life you have remaining on house perfection.
You can tell by your son’s jawline that he will be a man, sooner than can be tolerated, faster than is decent for a mother to have to endure. All you can do is hold him as long as he will allow it, patiently listen to his never-ending stories about things you care nothing about—the bad guys in Minecraft, the desire he has for a pocketknife, the funny thing his friend said which is really not funny at all, the newest Nerf machine guns that shoot foam bullets “ so super fast!” because it’s enough that he cares about them, and walk him to the basement—without complaining—to play video games because he won’t be scared to be alone forever.
You can tell by your daughter’s voice, attitude, face—all of her—that she has more confidence than you had at her age. Fourteen, and when she shrieks in laughter the entire cafeteria can hear and recognize it—no careful tittering for her. Her joy overtakes her and she roars, falls on the floor with its force, her mouth wide as the promise she holds. She stomps up to a boy who insulted her friend—not stopping her stomping until he is pinned to the wall like a fly on a corkboard—and informs him that what he did is not okay with her, and he will be apologizing now, and she claps her hands in front of him for emphasis. She radiates righteous anger. You are thrilled and you are jealous. You hope that she has more of all of it, of everything there is here, because surely no woman ever had as much of life as she deserves.
You can tell by your jeans button that you have gained weight. When you grasp your belly roll in both hands, marveling at its heft, at its rubbery texture, know that goddesses need solidity and heft, something to work with if they want to reign effectively. Just remember, you alone decide if you want to repaint or remodel your dwelling, and you alone can accomplish it. Whether the Venus of Willendorf was a fertility statue, a goddess, or ancient porn, she was made that way for a reason and so are you. Your breasts can and have nourished in more ways than one, and your children fight for your lap because it is cushioned for their needs. Praise yourself for your mightiness, for your strength, for your steadiness in a storm, knowing these things make you a sanctuary.
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SARAH BROUSSARD WEAVER is a Southern transplant living in Oregon, a spouse, a mother of four children, and an MFA candidate at the Rainier Writing Workshop. Her essays have been published in Hippocampus, The Bitter Southerner, and The Nervous Breakdown, among others. Find her at sbweaver.com or tweet her @sarahbweaver.
Just wonderful!!! Oh, how I loved the part with the 14-year-old daughter with righteous anger. What a lovely essay!
So lovely and heartfelt. I particularly love the section about the son: “You can tell by your son’s jawline that he will be a man, sooner than can be tolerated, faster than is decent for a mother to have to endure. All you can do is hold him as long as he will allow it, patiently listen to his never-ending stories about things you care nothing about.” This really spoke to me. Thank you for putting these feelings into words.
Your essay is the reason I read, and aspire to publish at, this site. Truly one of my favorite essays. I thought I was the only one with a daughter, who at ten, is the woman I am becoming at 42. I loved your depiction of your children. All of it is masterful. Brava!
All so very true. Thank you for mentioning the belly roll, hefty in your hands…. instead of judgement praise for its value.
The children of mine have also grown with an almost indecent speed and now I look back and I am filled with gladness and sit down and write my heart out.
Oh, my gosh. I love this.
Quite interesting to read, my children are all raised and now I can clean my house. Being available and involved in my children lives gave them a strong foundation to start adulthood.
So wonderful to be transported into all that we can notice and feel and respond to. A lovely and loving essay!
Love love love love love every bit of this. I want to print it out and pin it to my sweater. Beautiful truth. Thank you.
Fabulous. The essay and Gina’s photo.
This is so beautiful, Sarah.