Familiar

By Deborah Linder

I stand before the mirror in the hotel room with my legs planted wide and my arms outstretched in a V. I’ve never attempted a power pose before, but I’ve heard it’s a great way to boost your confidence. Apparently, just mimicking the stance of a powerful person can make a poser feel powerful, too. It’s also been suggested that the pose can raise testosterone and lower cortisol levels and that the subsequent hormonal adjustment will reduce anxiety. Since, at this moment, my mouth is parched, my palms are clammy, and my heart is palpitating wildly, anxiety reduction seems like an excellent idea.

I hold the pose for a full minute. It occurs to me that this is the body language equivalent of a positive affirmation, a fist-pump, a Go get ’em, Tiger. And while I’m normally skeptical of pep talks, tonight I’m willing to suspend disbelief.

As I stare at my expanded self in the mirror, I am reminded of the time I was hiking in Glacier National Park. Posted along the trails were warnings of mountain lion sightings and instructions on what to do when confronted with a big cat. “Make yourself appear as large as possible,” the signs directed. “Act defiant, not afraid.”

The three men I am about to meet are not mountain lions, I tell myself.

Nor am I easy prey.

Nonetheless, I have never felt more vulnerable.

Now I’m in the elevator, in a free fall of floors passing too quickly. Sixteen, fifteen, fourteen… I’m tempted to push all the buttons to buy time, to catch my breath. Somehow, even after decades of waiting, I’m still not ready.

But it’s too late: The elevator doors open onto the ornate marble lobby. I’d chosen this majestic old hotel for its substantial heft, its art-deco grandeur, its storied history and roster of illustrious guests. But Winston Churchill and Elvis Presley are no longer on the premises, and at this moment, I’m surprised by the seeming-ordinariness of the hotel.

Clusters of people stand laughing at the entrance of the restaurant, others peer at their phones from overstuffed chairs. The clerks behind the desk don’t even bother looking up as I stand alone for the last time. A neighboring elevator arrives with a ping! and I step out.

The inevitable awaits.

There, at the far end of the lobby, are my mystery dates. They are bigger than I expected, solid, strong presences, a triumvirate of maleness. Ruddy-complected. Short-cropped, grey-blond hair. Button-down shirts. Shifting stances. Anxious smiles.

And now I am walking towards them, a preordained gravitational pull, even as I am conscious that each step brings me closer to a place I’m not sure I want to be. The lobby feels, at that moment, insurmountably vast. As I finally approach them, I look quickly from one face to another, struck suddenly by the pairs of dark blue eyes regarding me. There’s something disconcertingly familiar about those eyes, the blue a hue I recognize, a hue I know from seeing it every day. Those eyes, their eyes, are the same as mine.

Because, after all, the men are my brothers.

To be precise, my half-brothers.

Now I am hugging them, one at a time, and they give good hugs, full squeezes, no holding back. They start to introduce themselves but there’s no need—I know them already. I’ve studied their faces, their photos, the images that have filled my computer and mind since all this began.

•••

A few months earlier I had sent three identical letters to three separate addresses:

“Dear ___,

I’m writing to you—and concurrently to your brothers—as your half-sister. I have no idea if you know of my existence; if not, I will explain that my mother was your father’s first wife. Their marriage was short and soon after my mother remarried it was decided that I should be adopted by my stepfather.”

In the letter I explained that I’d had no contact with anyone from my biological father’s family since the 1960s and that, in fact, I had done my best to obliterate reminders of my early life, specifically those relating to my father. It was only recently—when, surprising even myself—I’d spontaneously searched the Internet search and discovered his obituary.

What I didn’t explain was that I closed and re-opened the laptop three times before making it to the end of the death notice. The most difficult part to read? Not that my father had been young when he died or that his type of cancer would likely have been protracted and painful. No, the worst part was the list of survivors. Specifically, the absence of my name from that list. Could there be any wound deeper than a denial of my very existence? None perhaps, save the revelation of three other names, those of my father’s sons.

For a long while, I told no one of my discovery. It was too big. I was uncertain what to do with the information, uncertain, even, of how I felt. Yet I whispered the names of those unknown men to myself and I doodled their initials on the backs of envelopes, just as I’d done years earlier with my first crushes. According to the obituary, they all lived near one another, in the same state where my father had died. Other searches revealed little else. Who were these guys? What did they know about me? Why had they never been in touch? And, alarmingly, what else didn’t I know? I began to wonder if our paths had ever crossed. And if so, would we have recognized each other? Were there traits we shared? Interests, predilections, hopes, fears? Not even Detective Google could help me there.

I allowed myself to imagine what it could be like to reveal some version of the truth: Oh, yes, I have three brothers. I’m the eldest of four, with three younger brothers. Even though we live far apart, my brothers and I are very close.

Until one day, tired of imagining and yet preparing myself for the worst, I mailed them each a letter.

•••

Now we stand grinning at one another in the hotel lobby, talking at once about my trip and their traffic and how it was so easy to recognize me, until finally, it’s clear that somebody needs to take charge, and I guess that should be me because after all, I’m the oldest in the family and even though for my whole life—at least until now—I was an only child, one with a distinct lack of experience in birth order dynamics. I’ll do it, I’ll take charge. That is the role of the eldest, right? Which I hope does not come as too much of a surprise to the oldest brother, the one who’s used to taking charge in the family.

“Should we head out?” I say and we start toward the stairs before one of them asks, “Okay, where should we go?”

I find this deeply unsettling. They haven’t thought about this before now? We’d arranged this date nearly a month ago and yet no one has thought beyond this moment? It hasn’t occurred to them that something needs to happen, that we can’t all just remain here in the pretty lobby of this hotel in Cincinnati all evening?

Five minutes in, this sister is already exasperated with her brothers. And it occurs to me that perhaps this lack of planning is just the beginning of the things that are different about us.

“Well,” I say, “How about somewhere we can go for a drink?” It’s clear to me that one of us, at least, could really use a drink.

There’s a brief conference. It’s obvious that none of them frequents the bars in town, which is, I decide, probably a positive. There’s a little bit of bickering: “No, that place’s no good,” “Not on a Friday night,” “Nah, we’d have to get in the car to go there,” before the youngest says he knows a place a few blocks away. And so we step out into the warm spring evening.

Arranging ourselves on the sidewalk proves awkward. Demonstrating gentlemanly politeness, they all want me to go ahead. Or maybe they’re just afraid to walk with me. Finally, after a bit of jockeying, we pair off and start down the street.

“Man, you’re tall,” my walking partner says, and it’s true that at five feet eight, I’m not a small person. At this moment, though, standing next to his six-foot plus stature, I don’t feel tall at all. In fact, suddenly, I feel like a little girl.

And I’m reminded that the last time I was part of their family, I was a little girl.

What remains of that child wants to put our her hand to be held, to feel safe and reassured that taking this risk has been the right thing to do. But I don’t yet know that, nor do I really know these men and so instead, I tuck my hand into my pocket and try to keep up with them as we head down the street.

•••

As it turned out, my letters proved to be lit firecrackers that had landed in their mailboxes. No real damage was done, but a lot of commotion ensued. “It was quite a shock for me and still is,” one of them wrote. Another explained that, “I am … trying to face this as reality.” It was surprisingly reassuring to know that they had been unaware of the circumstances all these years, and to know, too, that unearthing that long-ago secret felt significant to them as well. A third wrote, “Your letter did indeed catch me and my brothers by surprise. We did not know any of this. We are all … trying to process this information.”

And thus began the exchange: emails, letters, photographs, confidences. Giddy, I sent off friendly notes and flattering photographs. There was so much to know, to discover. Like the little frisson that accompanies flirtation, it felt exciting and strange to have new people interested in my life story. And for those long-married men, I suspect it was similar. After all, when was the last time that anyone had expressed genuine curiosity about what they thought, how they felt, who they had wanted to be, and who, in fact, they were?

•••

We settle into a booth and order drinks. Thankfully, everyone is drinking, even the one with a medical condition that makes it unadvisable. “Except every now and then,” he tells me. I’m both glad that this is one of those times and worried that it’s a genetic disease I’ll eventually inherit.

They reminisce about the day my letters arrived. “Thought you were after Dad’s money,” one of them admits. “I thought there was no way this could be true,” one says. When confronted, their mother, my stepmother—a woman I vaguely remember meeting but had never really known—eventually confirmed my story. Their father hadn’t wanted them to know, she told them, although she now regrets having kept quiet. Dad was a very private person, the men tell me. Secretive, even.

We order another round of drinks.

I bring out a photo album I’ve put together, a highlights reel of my life. This photographic history seemed like a good idea when I was planning the trip, a way to catch them up on my last fifty years. There are pictures of what I now think of as my “real” family standing in front of houses in California, in Chicago, in St. Louis, and in Lancaster, Pennsylvania. And much earlier, worn snapshots from when I was a toddler, although none with our shared parent. I hear myself chattering a monologue, eager to fill them in, introduce them to everything I’ve been and have become. That’s me on study abroad, have you ever been to the south of France? And here’s my college graduation, and, oh, yes, that’s my wedding day. San Juan Capistrano? It’s in Southern California, where I was living at the time. And here’s Henry as a baby, what a rascal, and here he is holding Andrew at the hospital, nearly four years later. I know, they don’t look much alike. That black Lab? Let’s see, that would be Lucy, or maybe Stanley, hard to tell, but both really great dogs.

It suddenly occurs to me that this compilation of photographs will come in handy at my funeral some day. I’ve seen slide shows like that, Kodak moments commemorating a person already gone. Hell, maybe that’s happening right now. The person in the album has already disappeared, an only child replaced—tonight—by a woman with three (half) brothers.

The men flip through the album quickly, occasionally glancing up as if to check the resemblance of that younger person in the photo to the woman now sitting across from them. Stop turning the pages so fast and pay attention, I want to tell them. There will be a quiz. Who is my younger son named for? How did I meet my husband? Where did we last go on vacation? It worries me that they might not appreciate the importance of backstory.

But as the night goes on, the possibility of catching up with one another’s lives seems increasingly remote. As we continue talking I have a hard time remembering which one of their daughters is a karate black belt and which is studying to become a nurse. Whose job requires travel? How old are their boys again? Which one of them likes to ride motorcycles? (That one, at least, is easy: It turns out they all do.)

When we order food, I learn that one of the brothers has a shellfish allergy. For a moment, I marvel at the vagaries of biology. How is that the other two – and me – have been spared? Accustomed to singularity, I feel awakened to the idea of commonality.

One of them has ordered a Scotch egg as an appetizer and I am offered a bite. I hesitate, not wanting to be rude, yet reluctant to press my lips onto the same surface that his touched. Suddenly this all feels uncomfortably intimate. Dad was a very private person, I hear them say.

My husband has sent along a list of questions to keep the conversation flowing. What’s the scariest thing you’ve ever done? Is there a family tradition that’s meaningful to you? Which song do you play really loud when you’re alone in the car? As much as I’m grateful for his thoughtfulness, as much as I want this to be a light-hearted romp of a family outing, I can’t help but wonder if the situation is actually less comic than tragic.

For what does this meeting represent, anyway? The word “reunion” has such a cheery lilt. Are we reunifying? But we are not East and West Germany, although it strikes me as portentous that my separation from their family was approximately the same length of time as those two states spent apart. Nor are we a band that is getting back together thirty years after its records went golden. The cheesy lyrics to a song, “reunited and it feels so good,” float across my mind and I swat at them with an inward, Nope, not exactly. Which feels like a betrayal because the men sitting here with me right now are kind and decent. They are funny and sincere and, I suspect, dependable. They are, indeed, solid. I bet they’d help me build a backyard deck or teach me to shoot a gun. In fact, if there were a Dating Game equivalent for choosing a brother I would want to pick all of them. Plus they seem ready to welcome me into their clan. Maybe I’d like to bring my family to their Thanksgiving? I’m asked.

But when I try to imagine my husband and our two sons giving up our own holiday traditions—abandoning the neighbors with whom we always share the meal, relinquishing the special tortellini soup we have as our first course, foregoing the after-dinner walk, the cheese course, the assigned seating we’ve tweaked for years—the concept of What Might Have Been veers abruptly into What Will Never Be.

•••

When I was a girl, an only child growing up in a lonely house, I yearned for siblings. How much better life would be if I had someone to catch my Frisbee, to deflect my parents’ focus, to help me understand boys. I was aware of the sacrifices I’d have to make: the endless arguments about the bigger piece of cake, riding shotgun, or being the first to press the elevator buttons. I knew from friends that familial arguments would likely include the phrase, “That’s not fair!” and that, as an only child, I’d have to become less spoiled and more adept at sharing. That was all fine with me. I’d have traded my frilly canopy bed for one with bunks any day, especially if it came with a brother or sister to giggle with in middle of the night.

But I am no longer that girl.

While I like these men, and while I have tried so hard to make myself likeable, nay, loveable, to them, I’m not sure there’s a space we can all inhabit. I’m suddenly skeptical that the overlap between my life and theirs is enough for a real relationship to ever develop. Not now, not after so many years. Any scientist will tell you that blood is a weak binding agent. Without the underpinning of a shared history, does our kinship offer anything other than a possible source for a replacement kidney?

•••

Now the meal is over. Before we head out, I ask to take their picture. And because they’re still willing to humor me, they huddle together at one end of the table, pressed closely against one another and yet comfortable together. They smile and I click. Is it significant that the only photo I have from that night is one in which they are apart from me? No matter. I will text the photo to my family back home who are waiting to hear how my night has unfolded. “Those eyes!” my son will immediately text in response. “They’re your eyes!”

Later, back in the hotel elevator, a friendly couple will ask if I had a good evening. “Oh, you know,” I tell them. “Just a family thing. Out to dinner with my three brothers.” They nod and smile and I smile in return. I don’t acknowledge how long I have anticipated being able to speak those words or how exquisite they feel as they spill carelessly from my mouth.

And maybe, for now, that is enough.

•••

DEBORAH LINDER writes fiction and creative nonfiction in Ann Arbor, Michigan. Her work has appeared in The Washington Post, Remedy Quarterly, Rapportage, Elysian Fields Quarterly, Smithsonian.com, and the margins of her favorite cookbooks. More of her writing is at www.deborahlinder.com

Heartbreak Hotel

By Gail Griffin

Bob and I came together in middle age, embedded in distinct careers. Of our eighteen years together, we spent sixteen at different academic institutions in different time zones, so summers and Christmas counted heavily. But from the get-go Christmas was a site of struggle. He would have been happy to have nothing to do with the American version of The Holidays for the rest of his life. I convinced him that Christmas is like Christianity: not inherently loathsome, only rendered so in practice. So we reclaimed it. Gently but firmly we pushed families away and took our own direction. Once we were in a rented cabin in an unincorporated village—really more an accretion of ramshackle structures—eight thousand feet up in the Rockies. We found a tree stand among the junk piled up in a storeroom, bought a tree, and decorated it with white lights and pinecones edged in gold spray paint. Rustic chic at its best.

In 2003 we bought a cabin in northern Michigan, a kind of stake in future unity, and it became the obvious yuletide retreat. The snow was usually deep, the quiet unearthly. Four years after the purchase, Bob retired and moved to Michigan. That Christmas at the cabin was overshadowed slightly by our wedding a week afterward, whose unspoken theme was “Well, Finally.”

Four months and eight days later, as spring was making its slow, tentative appearance in northern Michigan, Bob drowned in the Manistee River, which ran far too close to the cabin. Through the fog of unreality, I heard doors slamming, books closing with a thud, windows being boarded up, all over my life.

•••

Once I went with Bob to San Antonio, where he had a conference. While he conferred, I wandered, scrutinizing the Alamo and hunting down Mexican ceramics and folk art, which I love. I’ve always been especially drawn to the calacas—the skeletal figures in two- and three-dimensional art, dressed brightly and placed in all manner of tableaux: a red-frocked singer fronts a band, a happy couple dances. Weddings and marriage constitute a common trope. The shifty irony embedded in the art form fascinates me. I can never figure out if death is being mocked or doing the mocking of human pretensions and institutions.

I bought a Christmas scene enclosed in a box, glass on its front and top. Six figures celebrate a fiesta de Navidad, four dressed elegantly, two utterly naked in their bones. All of them hold one hand out, as if grasping a nonexistent glass. A clock hangs on one wall, a radio on another. Lining the back wall are portraits of saints, the Holy Virgin, and the birthday boy himself, along with a large decorated wreath. A skeletal dog lies under a table spread with plates and bowls of food. Along its back edge are candles—and a skull, so that the dead can contemplate themselves, I guess.

As I move into the fall after that first dreadful summer without Bob, Christmas begins to look a lot like this.

I can’t imagine a way to endure this year’s holidays. The homes of family and friends are readily available to me, and also impossible. I would be doubly trapped, by my grief and by someone else’s routines, possessions, floor plan, kindness, traditions, and holiday cheer. I cannot bear any of it. So in late October I put Bob’s travel agent to work. The Caribbean, I say; maybe Jamaica.

Why? The Caribbean is not my place. My notion of a beautiful beach is Lake Michigan, and wonderful weather is between sixty and eighty degrees. I hate the whole concept of a resort, and I have never owned anything like the requisite wardrobe. I dislike sitting in the sun. Rum and tequila sicken me; in warm weather I drink gin and tonics, strong, sharp, and icy. But I went to Negril twenty years ago and what I crave now is what I experienced then (minus the unfortunate reaction to a brownie containing preternaturally potent local ganja). I want exactly that feeling of being not where I belonged but in Neverland. As usual, my critical mind interrupts, reminding me that Neverland is one of the imperialist fantasies that have played an insidious role in the history of those islands. That voice is acknowledged and overruled. I want to bury myself in what I can pretend is unreality until the freaking holidays go away.

It’s late to be booking for Christmas, but she knows the situation and finagles me ten exorbitant days at the mythic Jamaica Inn in Ocho Rios. I try to make a fiction of the trip, to think of myself as some kind of romantic refugee from darkness and horror fleeing to dissipation and mindlessness. My imagination has always saved me; maybe it will fly me right over the worst and land me in a new story.

•••

The night before I am to leave brings what is called in my neck of the woods “wintry mix”—precipitation combining with temperatures hovering around freezing to yield rainy snow, snowy slush, slushy ice. My flight is delayed and I miss my connection, in Memphis of all places. There will be no getting out of the country tonight. Memphis is gray and damp. The Holiday Inn near the airport turns out to be a strangely cavernous, grim place with very long hallways reaching in many directions. There seem to be few guests, and they appear to know each other; there is much talk and laughter in the lobby. My room is at the far end of one of the long, empty corridors. I drop onto the bed and feel myself float away from my body and dissipate. I’ve escaped my life all right, and now I’m in a Stephen King novel.

It’s a motel room, I tell myself, yanking my spirit back. The thing to do is get out of here. I consider the options on a dark near-Christmas day in Memphis. The blues seems appropriate. But a woman traveling alone, utterly ignorant of the city, probably shouldn’t head down to Beale Street for the evening. What else is in Memphis?

It takes me a few moments. Then I grab my second wind, hike to the lobby, go outside, hail a cab, and say, “Graceland.”

The car radio reports that an Iraqi journalist has thrown a shoe at President Bush at a Baghdad press conference two days ago. The driver and I emit simultaneous chuckles. On this trip I am reading Anne Lamott’s Plan B: “I feel that we began witnessing the end of the world in Slo Mo once George W. Bush became president.”

The end of the world, oblivion; what a comfort.

•••

It’s true: the first thing that strikes you is how small Graceland is. You were expecting Tara, and it’s more like the biggest house in a ritzy 1950s suburb called “Tara Hills.”

The weather and perhaps the holiday season have kept the tourists away except for me and a group of Japanese visitors. They’re working with a translator, leaving me essentially alone to wander and ponder. The house is glaring in its sheer ugliness, beginning with the white living room with royal blue and gold drapes and huge peacocks etched into the glass panels around the opening to the music room. In my embarrassment, I feel my northern middle-classness sharply: to Elvis, this was elegance. Gladys’s bedroom, white with heavy royal purple portieres and bedspread, was his way of crowning his mother queen of his universe.

My audio-tour headset features the princess of this weird kingdom, Lisa Marie herself, who shares reminiscences about particular rooms. In the living room she says she knew her father was coming downstairs by the jangling of his bling. In the kitchen, dark with ugly patterned carpeting, she fondly recalls him and his minions cooking up a storm in the middle of the night. What was she doing awake? I wonder. She tells her stories as if they were episodes of Ozzie and Harriet, as if her years in a vacuum-sealed funhouse operating in its own time zone constituted your typical American childhood.

After the luxurious whiteness of the front rooms and Gladys’s bedroom, the rest of Graceland reminds me of Disneyland—every room a different world. A half-flight of stairs down from the kitchen is the Jungle Room, a porch that Elvis enclosed and turned into an ugly little explosion of exoticism, all carved wood and faux-animal hide. Whether we’re in Africa or Asia or South America is irrelevant: we’re Elsewhere, carpeted in a sickly green. Lisa tells me that it later became a recording studio—hence the carpet on the ceiling.

Downstairs, on the basement level, are two rooms that constitute a man cave of sorts, Elvis’s playrooms. A startlingly black and yellow room harbors the bank of three TVs that Elvis used to shoot out on occasion. The room across the hall is mostly taken up by a pool table. What strikes me about both rooms is that, while they are in a basement, Elvis has taken pains to make them seem even more enclosed and bunker-like. The TV room has mirrored walls, which supposedly enlarge a small room, but to my eyes simply make it more claustrophobic: I’m trapped there with myself in an endless reiteration of that very room. The poolroom’s walls are covered in pleated print fabric, floor to ceiling, like one big curtain keeping something hidden. Possibly the décor is meant to suggest a private men’s club. If the front rooms announce the King, these lower spaces, disconnected from each other visually and emphatically self-enclosed, point to someone else, someone who wanted more than anything to hide. I can’t breathe down here, but I get it.

I head outside; the rain has let up. There are a passel of Elvis outbuildings to wander—Daddy Vernon’s office; buildings full of cars; the racquetball court now lined with gold records and awards; the reliquary of memorabilia that I will recall mostly as the Hall of White Jumpsuits, though it also contains the baggy gold blazer I always considered his coolest item. But I head for the Meditation Garden. Given the fountains, the towering granite Christ, the proliferating bright plastic flowers, the religious figurines, and the large pictures framed in sharp red and blue, it’s hard to imagine anybody meditating here for an instant. There is a quartet of graves—Vernon, Gladys, Elvis Aaron, and next to him Jesse Garon, stillborn a half-hour earlier. Does it mark you even in pre-consciousness, to be linked to a dead body as you float in the amniotic sea? What did it mean that Elvis was a surviving twin, one of that haunted fraternity who pass through life with the constant sense of someone missing?

Jesmyn Ward writes of “grief constant as a twin.”

I am trying to imagine my way into this strange life. The official narrative here is insistently triumphant, but I always see the Elvis story as a classic American tragedy. It feels utterly weird to be here where no one could possibly imagine I am. But something surreal in the place also feels right. Not Disneyland or Dreamland, and utterly sans Grace; more like Nowhereland. Making all my nowhere plans for nobody.

Are you lonesome tonight?

•••

Early the next afternoon my plane lowers into sunny, vibrant Montego Bay. A driver from the Jamaica Inn is there to retrieve me. It’s a nearly two-hour drive; I’m a day late, and having driven over yesterday to fetch me, he is not happy about it, as if I could have managed better. On the road to Ocho Rios along the north coast, there are white egrets near the water, goats everywhere. A town called Lilliput. A shop called Da Endz. The shops—huts of corrugated tin, mostly, with Coke signs—remind me of West Africa. The driver notes points of interest: “Discovery Bay,” he says, with italics. “Where Columbus landed.” And then its perfect complement, Runaway Bay, an escape route used by Africans fleeing Columbus’s heirs, the maroons, enslaved people who headed for the hills whence they organized their resistance.

For about fifteen minutes after arrival, my spirit lightens. The Jamaica Inn is stunning—long, low blue and white buildings facing a perfect little half-moon bay, open-air patios, arresting tilework. Built in 1950, the inn is for grown-ups. It is haunted by legendary guests: Noel Coward, Katherine Hepburn, Errol Flynn, Ian Fleming. Perhaps in honor of the latter, portions of Dr. No were filmed here. Marilyn Monroe and Arthur Miller honeymooned here. At one end of the wide white beach is the restaurant and bar, at the other, on a hill, the spa. My veranda suite consists of a sleeping space entirely swallowed up by a huge, heavenly bed, a bathroom, and an open-air living room with the front wall waist-high, open to the beach. Breakfast is dropped off here every morning. Beyond, a wide white strand, and then the curling, unnaturally turquoise surf.

“All wise people say the same thing,” Anne Lamott promises me: “that you are deserving of love, and that it’s all here now, everything you need.” Possibly this is what I was thinking when I booked—that I would treat myself as if I were a person deserving of comfort. Now I look around at this exquisite world, unreal and alien as Graceland. What is it I need? Why am I here? What exactly am I planning to do with ten days? I am going to write, of course, but I don’t, because I can’t manufacture sequence or sense or even interest.

Being waited upon by silent, impassive black people makes me just as uncomfortable as it should. Even the other guests make me anxious when I walk the beach. I imagine how I look, what they think I’m doing here, how pitiful and humiliating my aloneness is. On the night of the beach barbecue party for all guests, I hunker down, eying the blazing bonfire, fearing that someone might come to fetch me. I feel highly visible and completely invisible. Once day I submit to the spa and get an expensive facial that leaves me greasy. I don’t even visit the bar. Occasionally I go up to the restaurant for a meal; more often I order room service, along with fifths of Tanqueray at monstrous prices. A friend has given me an ancient iPod, which I’ve loaded with pulsing classic rock to chase out the wailing in my head. Reading has proven the single reliable antidote to waves of despair and sickening flashbacks to the night of Bob’s death, so I finish Lamott and plow through the other books I’ve brought. Usually water calms me, but when I watch the big, roiling breakers, I keep thinking of Edna Pontellier on the winter beach at Grande Isle. I wonder how far I’d have to swim before I was too tired either to keep going or to turn back.

A dynamic town pulses a few blocks outside the gate, but where am I going to go? With whom? And how? The prospect of venturing out alone in a taxi is so confusing that I quickly abandon it. I realize I feel trapped, paralyzed in paradise.

Flashback to another Christmas, in another tropical latitude. Bob was working in Massachusetts then. He rented a place in Marathon, halfway down the Florida Keys. I spent Christmas with my parents, planning to fly down to join him the next day. Out of nowhere some savage intestinal ailment attacked, and I spent Christmas day in the bathroom while it tore through my system. Refusing to consider postponing my flight, I loaded up on drugs and told myself it had been a twenty-four-hour demon.

Bob picked me up in Miami. After the long, slow drive down US 1, we arrived around dinnertime. I’d eaten nothing since noon on Christmas, so I was hungry.

“What about your stomach?” Bob asked.

“I’m fine! It’s over, really!” He looked doubtful. Damned if I was going to spend my first night on vacation in a motel room drinking microwaved chicken noodle soup.

At the seafood restaurant, I quickly decided that what was required was a banana daiquiri. Again, Bob looked skeptical. I was nearly done with the tomato bisque when I understood that Faulkner was right about the past. I went running for the rest room and made it just inside the door before my stomach took itself back to zero. Back at our table, Bob was already laughing, generating jokes about my having knocked over waiters and given it all up to a potted palm.

We spent a day strolling the street circus of Key West. We met friends there and toasted the sunset on the wharf. We visited Hemingway’s place and saw the six-toed cats. We rented a motorboat and took off across the silvery water. We talked to fishermen and ate conch fritters at a waterside bar. We made love in the afternoon on the big bed in the air-conditioning. Bob bought fresh-caught grouper and cooked it on the tiny oven in our closet-sized “kitchen.” We watched stars and water birds and other tourists.

Now I sit, watching the water, under a weird kind of house arrest. I’m a woman alone in the world again, unable to move with the security a man provides. Without the particular joy and comfort Bob generated. I will never move with that ease again. In seven months I have aged ten years; I feel shrunken and vulnerable.

And so I pass my ten days in Jamaica doing exactly what I did all summer at home: reading, staring out at the world, and drinking. I am in a place so beautiful that I feel like an oily blot on the landscape, a human sinkhole. A place so insanely romantic that it seems a cruel joke I’ve played on myself. I am lost. I need my little brick house urgently, viscerally. I want my cat, the television. Within the first two days I am counting down until I can go home. To Michigan, God love its dark, icy heart.

•••

Of course the January weather ensures that I my flight into Grand Rapids is rerouted to Detroit, where I arrive too late for anything but resigning myself to a night in the airport. I’m told I may not retrieve my luggage. It will go on to Grand Rapids without me. I wait around the airport all night, and just as the blue air is lightening to gray I phone Bob’s brother, who lives a half-hour away. He’s a very early riser and a true child of the Motor City in his eternal readiness to hop in the car and drive for hours. He scoops me up and ferries me across the state. In his car, with his solicitous, comical company, I breathe easier than I have in ten days.

My suitcase has not reached the airport in Grand Rapids; I’ll have to return for it the next day. Right now, climbing into my frozen Honda, I don’t even care. The thin sun has broken through, the mercury is up, the roads are dry, and I’m on my way home. I stagger into my house an hour later with a shudder of deep relief, like one who has narrowly escaped harm.

The world out there has changed on me. Its roads are peppered with explosives. Best to stay in, lock your doors, I tell myself. My house becomes my outer layer, and I pull it in around me. For a long time I don’t travel, and in the middle of even pleasant social engagements I find myself anticipating being home and what I’ll do when I get there.

It occurs to me that I have veered from escapism to agoraphobia, centripetal to centrifugal energy, in a very short space. But they amount to the same thing—running from danger versus cowering from it. I worry about myself: am I turning into a timorous old lady who lives behind her curtains with her cat? Will I never travel again? Is this quietude, this retreat, the beginning of decrepitude, step one of the death march? Is my life over too?

And I can’t do anything about any of this. This grief is a beast I must ride where it takes me, and then I must learn to live where it drops me. The fantasy of self-creation—so youthful, so American—has met its death blow. Profound grief is a formidable force; like a storm it reshapes the landscape. I’ll have to live it out and see what I have to work with.

In my misbegotten Christmas flight, I wound up in two successive havens, two dreamworlds, one lurid, one lovely, places where carefully crafted illusion offers itself to tourists for a price. Both were constructed as escapes or, depending on your angle of vision, retreats—from lives of enormous privilege and wealth within which nightmares lurked. I fled back to the solidity of my home with its earth tones and replacement windows and insulation, cardinals in the snowy trees outside and a zillion channels to choose from. It keeps me warm and dry and quiet and safe. I know it’s another illusion. Maybe a time will come when I can think about that.

•••

GAIL GRIFFIN is the author of three books of nonfiction. Her nonfiction and poetry have appeared widely. “Heartbreak Hotel” is part of a collection probing weird corners of what Mark Doty calls “grief’s country.” She lives and writes in southwestern Michigan.

Rebecca

By Kathleen Guthrie Woods

I’d recently moved in with my soon-to-be-husband when—“Hello, he-loo-oh!”—the lady from across the street hustled over to introduce herself.

“You look just like your sister!” she gushed.

“Uh, I think you have me confused with someone else.”

“Oh, no. You look just like her. Your sister!”

Actually, I don’t. My little sister stands a good four inches over me and got all the dark genes, while I got the “Irish” ones.

But my new neighbor insisted. “You know, I saw her, when she lived here. And then you came!”

Oh, sweet god, not again. For it wasn’t my sister she was comparing me to. It was my husband’s first wife. His beloved first wife. The one who died.

I’ve known from the start that my husband had a type: blonde hair, blue eyes, fair skin—what he calls “pasty.” But she was petite and I am tall. She was left-brained and I live in the right. “You’re funny,” my husband said when I asked how we were different, and I took that as a compliment. I believed him when he assured me he wasn’t marrying a memory.

In the early years of our relationship, friends asked me how it felt to be living with my own Rebecca, referring to the protagonist in Daphne De Maurier’s classic Gothic romance novel. In De Maurier’s sinister tale (and Alfred Hitchcock’s 1940 film), a nameless narrator marries a widower, moves into Manderley, his family estate, and is haunted by the memory of the beautiful, charming, apparently perfect first Mrs. De Winter. The new wife lives with a jealousy that eats away her self-esteem, if not sanity, until she learns the true character of the original lady of the house: cruel, selfish, manipulative.

My Rebecca was nothing like this.

It’s too bad our paths hadn’t crossed earlier in life, because I believe we could have been good friends. From her sisters I’ve learned my Rebecca was a “whiz in the kitchen” who had a passion for making pies from scratch. We might have bonded over a common mad love for our nieces and nephews or our affinity for Broadway musicals. We appreciated the value of a good man—a great man. A man who loves and appreciates feisty, strong, passionate, compassionate, and pasty women.

Pasty women who, to outsiders, apparently all look alike.

Like any new bride—and a forty-something bride with a previously married groom—I was prepared to be evaluated at first-time introductions. But in my odd case, navigating reactions could be painful. On a handful of occasions, I found myself an undeserving source of grief when my accusers realized the woman they thought I was had died. Should I try to comfort them? Express my sympathy? Sneak away under the pretext of refilling my wine glass so they can cry in private? No one tutored me in the appropriate etiquette for these scenarios.

In other settings I encountered a law school classmate of Rebecca’s who was offended I didn’t remember her from torts class, and a distant relative who introduced me to old friends gathered for a funeral as “Brad’s wife, Rebecca.” I swallowed the insult when no one blinked at the mistake and said, “Nice to meet you.”

At a retirement party, a woman I’d yet to meet got within inches of my face and announced to the small group around me, “You’re right. She does look like her. You can especially see it around the eyes.” It was as if she was critiquing a painting or sculpture or butterfly pinned in a display case, oblivious to the human being inside.

But it was almost worse when people couldn’t accept the reality in front of them. Like the woman who was convinced she remembered me from someone’s long-ago wedding: “But I know I know you!” Not wanting to embarrass her by announcing the news of my doppelgänger’s demise in front of other strangers, I tried to ease her into a neutral topic of conversation. But as my frustration grew, I was tempted to ask, “Do read Playboy? Perhaps you recognize me from there?” Before I could exercise my questionable wit, her son-in-law pulled her aside on some excuse. They moved almost—but not completely—out of range so that I heard: “Ohmygawd, she died?! THAT’S the new wife?”

Yes. “That” is me. I am wife number two. Not the replacement, not second best. Just me. I am here! I wanted to shout, with a stomp of my feet. I am still here! Please see me! But, unlike some people, my parents raised me to be polite.

Shortly after my run-in with the across-the-street neighbor, Brad gave me the green light to make his Manderley my own. I began by combining our kitchens, tossing the expired spices that lurked in the pantry’s shadows, keeping the best blender and donating the other two to Goodwill. I then moved through the house, making space in the living room for the cabinet my great-grandfather built by hand and transforming the sunny guest room into my home office.

Finally I made my way to the basement. I turned a storage closet into a wine cellar and hammered nails into a wall to hang our combined collection of gardening tools side by side.

I felt like I was shedding my independent single girl shell as I watched my queen-size bed and three-piece entertainment center being carted out as a donation; they had been my first major “real” furniture purchases as an adult. No turning back now, I thought.

With renewed gusto, I tackled clearing out the bonus room of the basement, thinking it could be the site of a future man cave or guest suite. I sorted or purged chairs with damaged legs, battered bags of softball gear and retired golf clubs, forgotten office files and outdated cell phones; junk, mostly, stood between me and the orderly home I envisioned.

I had understood that Brad had gone through Rebecca’s more personal belongings after she’d passed, so I was unprepared when I stumbled upon a notebook filled with To Do lists scribbled in her handwriting. I held my breath as I scanned the yellowed pages for anything worth saving, then stopped cold when her college ID card slipped out. For half a second I resisted flipping it over to study the photo, then gave into the temptation to settle the debate. There was no gasp of shock, no tingling sensation of facing my long-lost twin. Had I placed my old ID next to hers, I would agree that we kinda looked similar at that age, but not so much that I would have freaked out if I bumped into her on the street. I placed the notebook in the recycling bin and the ID card in a box of items for her sisters to unpack when they felt ready to reminisce.

With an hour stolen here and there, I made progress. But my world, and my heart, stopped the day I found the box with Rebecca’s wedding dress. I didn’t need to open it to imagine the carefully preserved white satin and lace, and I sensed her longing to one day share it with a daughter or niece. I continued to unearth treasures, and among the dog-eared novels destined for the library, I discovered gardening inspiration for the backyard she never got to plant; kitchen remodeling ideas for making her new house into a home; and picture guidebooks of Italy, Germany, and France, destinations for future romantic getaways. I found, buried deep below the fun stuff, workbooks for moving through the adoption process. Diagnoses, treatments, suffering, and early death eclipsed it all. Surrounded by all the remnants of Rebecca’s hopes for creating a family and a home, for living a full and “normal” life, I felt overwhelmed by the enormity of her losses. I sat in the corner of our basement and wept for all of her unrealized dreams.

And then I spent a few minutes weeping for myself. If only I’d met my husband when we were in our twenties, we might have naïvely bypassed our painful misfortunes. Among my own shattered dreams were dashed hopes of having children, and grandchildren, of creating a real family. I could have been Brad’s only bride, his only history. I cried over the possibility that when we all meet up in heaven, Rebecca will get first dibs. I wondered if he ever looked at me and wished I were her. And I hated myself for feeling jealous of a woman who had lost so much, and in the process, had given me everything.

Our husband will never fall out of love with Rebecca; he simply discovered that his heart was big enough to love again. And while I’m not The Love of his life, he is mine. Mine to build a future with, to fill the blank spaces on our walls with new photos of weddings, anniversaries, and vacations. I am sad for him, for the heartbreaking losses he has experienced, yet those same experiences also helped form the man I love. I am grateful for our second chances.

At times I still sense three souls in our marriage, but I believe it’s possible to embrace the “exes” and “formers”, I believe we can thrive when we choose to accept the past and live in the present. For today’s reality is Rebecca is gone, and I am here.

Meanwhile, I’ve grown to make peace with my role in our family dynamic, and I’ve learned to better anticipate the mistaken identity crises and respond in a way that feels appropriate to me.

“I don’t believe we’ve met before,” I say, “but I am pleased to meet you today. My name is Kathleen.”

•••

KATHLEEN GUTHRIE WOODS performed a version of this essay live for San Francisco’s Lit Crawl. She is currently wrapping up work on The Mother of All Dilemmas, a memoir about finding her worth as a woman in today’s world—whether or not she has children. See more of her work at http://kathleen-ink.com/articles/.

These Five Hours

By Amy E. Robillard

Steve and I head to bed at the same time in the same room with our two dogs. We kiss each other goodnight, assure each other of our love, and close our eyes to attend to our thoughts and memories, our worries and eventually our dreams. Steve has worn a CPAP since I’ve known him because he suffers from sleep apnea, and if he didn’t wear the hose and nose pillow that pushes forced air into his system as he sleeps, he might stop breathing and die.

We haven’t always slept in the same room. Only in the last three years, since we moved into the new house, have we been able to manage it. In the old house, the sound of the CPAP combined with the white noise machine Steve required to sleep was too much for me. I slept in a different room, in what I thought of as my own bed. I tried not to notice that these arrangements were exactly like the arrangements my mother had with my stepfather. As an adult, I recalled the times my mother would go into Warren’s room at night for a spell and then come back out to the couch-turned-bed she slept in every night. It embarrasses me to remember those times, even now, thirty years later. What did they do with Warren’s wooden leg?

When Steve and I moved into the new house, we got rid of the clunky old white noise machine, which wasn’t actually a white noise machine but an air purifier, and replaced it with a small, more reasonable white noise machine. We got a bigger bed. We put a white noise machine next to my side of the bed. And somehow we made it work. We all four slept in the same room. And it felt right.

But in the last year or so, it has stopped working. Ever since Steve came home from the hospital after his gallbladder surgery, something about the CPAP machine has been off. The hissing sound it makes is unbearable. We’ll fall asleep at the same time, but inevitably, I’ll wake up around twelve-thirty or one to use the bathroom and when I return, the hissing sound makes it impossible for me to fall asleep. I say his name to wake him, scaring the shit out of him in the process. He tells me I’m going to give him a heart attack. I tell him he’s going to kill me with that goddamn hissing. “Just adjust the nose piece, please.” He adjusts it. I roll over in bed. Ten seconds later it’s hissing again.

I tell my friend Hillary that if I ever do end up murdering my husband, my entire defense will consist of me imitating the CPAP hissing sound in court while others are trying to speak. I will drive everybody so crazy that they’ll find me not guilty. Psssssssssssssssssshhhhhhhhhhhhh. Take a breath. Psssssssssssssssssshhhhhhhhhhhhh. Repeat until they set me free.

•••

More than once Steve has told me this story: when he was a teenager on vacation at Myrtle Beach with his family, his mom vetoed his choice in a tee-shirt shop on the boardwalk. He wanted one that said, “The Ayatollah is a Assaholla.” (This was in June, 1980, at the height of the Iranian Hostage Crisis, so Steve had good reason to believe in the Ayatollah’s Assaholla-ness.) Interestingly enough, his mom didn’t have a problem with his getting one that said, “Football players do it in the end zone.”

For years, until so recently that I’m embarrassed to tell you, I thought that tee-shirt was ridiculous because, really, what a stupid pun. Oooh, a play on the words do it. So immature. And then a week or so ago, we got back on the subject of that story and I said something along the lines of how silly this shirt was. “Remember, I was barely sixteen,” Steve reminds me.

“I know, but still. You mom thinks it’s perfectly okay to get you a t-shirt with a really juvenile reference to sex but not one about the Ayatollah, who really was an assaholla. And besides, what does it even mean: football players do it in the end zone? Do they run into the end zone and suddenly celebrate by doing it right then and there?”

“I think it’s more about doing it in the end zone, you know, like anal sex?”

Pause.

“Oh my god. You mean that end zone?” And the uncontrollable laughter begins. I’m dying. I fall over on the couch. I can barely catch my breath, but when I am finally able to, I manage to spit out, “Your mother let you get a tee-shirt about anal sex but not about the Ayatollah?”

“I don’t think she realized it was about anal sex.”

“Did you?”

“Not until a few years ago.”

My stomach hurts from laughing so hard, so I cannot reply. Minutes pass.

I never met Steve’s mother. She died years before I met Steve, but what I do know about her is that she was unhappy. She did not delight in being a mother, she did not delight in Steve, and she rarely demonstrated affection toward him. I do not think I would have enjoyed meeting her. His father, though, was one of my favorite people on this earth. Kind-hearted, warm, funny, empathetic, and unashamed to eat blueberry pie with each meal because otherwise I or Steve might get to it first.

Finally, I find my voice. “What made you realize it was about anal sex?”

“I don’t know. I think I was telling someone the story and it just dawned on me.”

I don’t know how to write laughter. I don’t know how to tell you that my stomach hurt so badly from my laughing so hard at the absurdity of it all. Maybe it wasn’t that the story was all that funny. Maybe it had been too long since I’d had that kind of full-body laugh. Maybe my body needed that kind of embodied emotional experience.

“You do realize, of course, that that tee-shirt could very well be interpreted as being about gay sex, right?”

“Yeah, but it wasn’t the Ayatollah.”

•••

When I crawl into the bed in the guest room, the one with the memory foam mattress, I always squint at the clock to check the time. It’s usually between one and two a.m., which means I have about five hours before I need to get up. These five hours, I think. These five hours have to get me through.

Lately I’ve been noticing when I adjust myself in this bed, rolling over onto my stomach, that my left hip hurts. When I get out of bed in the morning, I have to take an extra second or two because of the pain.

•••

The few times I can remember an adult asking me what I wanted to be when I grew up, I can remember responding that I wanted to be either a fireman (masculine pronoun) or Little Red Riding Hood. I clearly had a thing for running into, not away from, danger.

•••

I teach undergraduate courses in rhetorical theory and the personal essay regularly, and one of the things I find myself telling students outright again and again, even though I know on some level that it is something they must learn for themselves from experience, is that the louder a person declares their strength or their smarts, the weaker or the less intelligent they actually are. A person who is strong or intelligent doesn’t need to announce her strength or her intelligence, I tell them. Pay attention to the quiet ones. They’re the strong ones.

I do this because I want to give students the benefit of knowing what, for years, I did not understand. I believed that the people in my life who shouted the loudest, “I’m strong, I’m strong, I’m strong!” actually were strong, and that I, who could never declare such a thing about myself, was weak.

When I tell students this, I characterize it as one of Dr. Robillard’s life rules.

•••

At first I attributed the hip pain to all the walking I do with our dogs, Wrigley and Essay. I’ve always walked a lot, even before I adopted my first dog in grad school, and the daily routine with the dogs now is two walks a day. A shorter one in the morning and a longer one in the late afternoon. I probably mentioned the pain to Steve once or twice, but even I will acknowledge that I’m a bit of the girl-who-cried-wolf when it comes to pointing out problems with my body. Having grown up in an abusive home, I have low expectations for this life and I’ve long been on the lookout for the thing that will kill me young. A particularly tenacious pimple becomes, in my telling, terminal cancer, and an upset stomach that lasts more than a couple hours is surely the first sign of stomach cancer. It is not, I am always reassuring Steve, that I want to die, but that I expect to die. It is hard for me to imagine a future for myself that stretches out very far. I understand now that people who have been abused know exactly what I’m talking about, and people who have not do not. People who have grown up in secure homes believe that I am a simply a pessimist or a hypochondriac because that is the easiest way of categorizing my beliefs.

But then one Saturday, the pain got significantly worse. It hurt to stand, it hurt to walk, it hurt to simply exist. I could feel my left lower abdominal area throbbing when I lay my hand on it. Eventually I began to limp. Steve walked the dogs on Sunday. I told him that if the pain persisted, I would see if I could get in to see the doctor on Monday. I began researching ovarian cancer symptoms.

When I was twenty-one, I had a very large ovarian cyst removed. We had discovered it in April, but my doctor had told me it would be okay to wait until I had graduated from college in late May and moved back home to do the surgery. By that time, though, the cyst I had named Henrietta had become impossible to remove by laser surgery, so they had to cut me open once she ruptured. I was in the hospital, miserable, for three days.

Now, at the age of forty-four, I had all the symptoms of ovarian cancer. Abdominal bloating or swelling. Check. Quickly feeling full when eating. Kind of. Discomfort in the pelvis area. Check. Changes in bowel habits, such as constipation. Not really. A frequent need to urinate. Always.

On Monday, the pain was worse. My primary care doctor listened as I told her that the pain had been there for at least a month, but I thought it was my hip. I could hear myself, could feel the narrative forming around my words as I spoke. You waited more than a month to see a doctor?

I pointed out where the pain was and she smiled. “That’s not your hip.”

“Yeah, I’ve figured that out by now.”

She ordered a pelvic ultrasound and told me that it could be another cyst. But she wanted to get this ultrasound done quickly, this week if possible.

“And then,” I’m telling Hillary on the phone, “she starts talking very quickly about how it could also be an abdominal muscle strain, but we both know she’s just talking to talk so that she doesn’t have to say the truth that we both know. This is ovarian cancer.”

•••

There is a feeling I get that I’m not sure I can do justice to in words, when I or those close to me are on the cusp of something dreaded. Where others might wish to run away, I want to run in, for I am most comfortable, I think, in the midst of suffering and pain. I want to hear others’ stories of suffering and pain. I want to see how they deal with it, how they cope. I am eager to live through the drama, if only to emerge on the other side with more strength, even if it’s only vicarious strength. Surviving dreaded situations is the only way I know how to develop strength.

•••

The results of the pelvic ultrasound were delayed. My doctor was supposed to get the results that same afternoon, a Tuesday. I didn’t hear back from her office until Wednesday morning. During that time, from about noon on Tuesday, after the ultrasound—when the head of ultrasound took what seemed like hundreds of pictures of my innards, sighed deeply, and wouldn’t look into my eyes—until Wednesday morning, I considered how I might react to a diagnosis of ovarian cancer.

And I surprised myself. I was actually afraid. I could tell that Hillary, the friend who has known me the longest, the friend who understands best my attitude toward life and death, the friend who also expected to be dead by now—she, too, was afraid.

I was afraid but I was resolved. I would do what I had to do. Steve offered to take time off from work to come to the doctor with me if she called and said she needed to see me (she had told me that she would only call me in only if it were bad news). I told Steve that he should save his time off for later, when things got real.

When things got real.

I think it’s time to get real. Rebecca Solnit, one of my favorite writers, says that “liberation is always in part a storytelling process: breaking stories, breaking silences, making new stories. A free person tells her own story. A valued person lives in a society in which her story has a place.”

It feels dangerous to admit that I enjoy my life and I want to continue living. It feels like I am being unfaithful to my story to acknowledge that I can imagine a future for myself. I want so badly, I have for so long wanted so badly, to look straight at reality rather than squeezing my life into the narratives our culture offers us. Narratives of overcoming or narratives of triumph. Bullshit narratives. I cherish the personal essay because it insists that I run right in. Jonathan Franzen writes that the essayist “has to be like the firefighter, whose job, while everyone else is fleeing the flames, is to run straight into them.” I can do that! I can look at the ugly, the shameful, the painful. I know I can!

But can I change the story? Can I acknowledge that I want to continue to live?

•••

Steve’s mother didn’t want to buy him a t-shirt that simplified a complicated political situation, so she let him get one with a juvenile sex joke instead. Who knows what her intentions were? It’s easy enough to change that story.

I’m forty-four years old and I’m just now realizing that maybe I want to continue to live. I’ve been afraid of admitting this because I’m afraid it will be taken from me. So much safer to say that I’m not afraid of dying, that I’ve got nothing to lose.

I’m coming to see that all this time I’ve been saying that it’s okay if I die young, that I don’t want or expect to live a long time, that I am not afraid to die, I was voicing my actual fears of dying in ways that could be heard and responded to by others. Maybe what I’ve been saying all along about the people who proclaim the loudest that they are strong actually being weak has been true of me all along, too: my proclaiming for years that I am not afraid to die and that I don’t expect to live a long time is evidence, in fact, that I am afraid.

Somewhere along the way I began to expect things from this life. And I allowed myself to accept that I expect things.

That is risky.

•••

Steve is easy to buy for. Lately I’ve taken to buying him tee-shirts with funny sayings on them. If it were up to him, he would wear shorts year-round, so I bought him a tee-shirt that says, “If I have to put on pants, then NO.” For Christmas one year, I bought him a tee-shirt that says, “Please don’t make me do stuff,” but he is dismayed that when he wears it, I still ask him to do things. And one of my recent favorites is the one that says, “I was told there would be cake.” I tell him he can wear that one whenever I make him go somewhere he doesn’t want to go. He can just point to his shirt and look around the room expectantly.

There’s a part of me, a part that is steadily atrophying, that believes that I deserve pain. Or rather, a part that believes that I don’t deserve good things. I’m beginning to understand that these beliefs are vestiges of an old story, one that began so very long ago in other people’s pain, but one that I now have control over. That control is not simple authorial control, the kind that allows me to open a file on a computer and delete a few words here, a couple paragraphs there and, voila, a new story emerges. Rather, the control comes in the willingness to reinterpret the stories that have been fossilized, the ones we think we know.

The pelvic ultrasound found uterine fibroids, but they aren’t causing the pain. They’re relatively small, but I didn’t know that right away. From Wednesday, when I learned about the fibroids, through Friday morning, when I learned that they weren’t the cause of the pain, I imagined a huge red slimy fibroid about to rupture on my left side. I could feel it throbbing. I was afraid to bend over to pick anything up for fear it would rupture. Once I learned that the biggest fibroid is only three centimeters and that the pain is probably coming from a pulled muscle, I could no longer feel the throbbing. I walked the dogs more carefully, holding both leashes with my right hand instead of my left.

The last time I ordered Steve a tee-shirt for his birthday, I ordered one for myself, too. “I just want to pet dogs and throw the sexists into the sun. Is that so much to ask,” it reads. It’s really not so much to ask.

I think I expect more.

•••

AMY E. ROBILLARD teaches writing at Illinois State University and essays regularly for Full Grown People. She and her husband are the guardians of two special mutts, one named Wrigley Field and one named Essay.

When the World Bends

Content warning: suicide. —ed.

By Amber Wong

Before the big splash, Elizabeth and I eased our sculling shells into the water and breathed deep the cool morning air. Fifty-four degrees, no wind: perfect Seattle weather for a Fourth of July row. Perfect timing, too. We’d be on the water at six-thirty and back before eight, so we’d beat the rush of pleasure boats—and their butt-soaking wakes—as they crowded into Lake Union for the night’s premier event, the 2017 Seafair Summer Fourth fireworks show. Up at Gas Works Park, where grassy mounds hid tons of hazardous waste that few Seattleites knew about, people would already be spreading out blankets, ready to wait out the day.

Overhead, high clouds began to blur and fade, turning blue skies even bluer, while freeway traffic rumbled across the Interstate-5 Ship Canal Bridge. Just beyond our dock, the narrow bend of water linking the lake to the bay smoothed out like a fan, rippling lightly at the edges. Conditions couldn’t be better, I thought, as I settled into a shell barely wider than my hips. My fingers tripped lightly along the dock edge as I readied to launch.

“To the Cut?” Elizabeth called out above the traffic din, and I nodded. The Montlake Cut, a crucial navigation link between the fresh water of Lake Washington and the salt water of Puget Sound, is the gateway to the University of Washington’s crew training course. Along the way we’d pass under two drawbridges that carried car, bike, and pedestrian traffic.

As I slid into the shadow of the Montlake Bridge, I felt my chest tighten. I stared at the stern of my boat, refusing to watch the parade of feet and undercarriages undulating overhead. My shoulders tensed when something—water? bird poop?—dripped on my cap. But I kept my hands loose. The moment I emerged back into sunlight, my lungs reopened. I gulped at the fresh rush of air.

Even after eight years, rowing under bridges still spooked me. I could almost ignore the steady drone of tires across the University Bridge’s steel deck grate, but not the teeth-clenching ka-chunk ka-CHUNK under the Montlake Bridge. The irregular thump of tires hitting uneven bridge joints, amplified by the concrete walls of the Montlake Cut, thundered in my head like a runaway train. But Elizabeth and I had an understanding. Over the years she’d talked me through enough rough water that I trusted her implicitly. In her encouraging banter—Relax your grip, I’ll never let you fall in—I heard a deadly serious promise.

Legs pumping, I pressed hard, pausing briefly to enjoy the blue heron standing, in perfect profile, on a rock outcrop. Overhead, our resident bald eagle—his light and dark plumage unmistakably outlined against blue sky—circled slowly, fishing for his next meal. When I reached the mouth of the lake, I lifted my oars and glided next to Elizabeth. We spun our boats and reached for our water bottles.

“Mountain’s not out today,” she announced, nodding to the south. Mount Rainier sat cloaked in clouds. A typical day.

Water traffic was picking up as we headed west back to the boathouse. As we approached the Montlake Cut, two motorboats overtook us, kicking up a wake. “Slow down,” we yelled, and in a rare bit of courtesy, they did. Emerging from the Montlake Cut, we skimmed past a cluster of rowers awaiting instructions from their coach. When we cruised into home stretch, we pulled to out of the boat lane and angled our boats south toward the dock. Under the roar of the bridge, we watched for east-west cross-traffic and waited for our turn to sprint the last forty feet across the waterway.

Elizabeth went first. Dashing south between a westbound motorboat and an eastbound eight-person shell, she approached the dock, then slowed to let another woman in a single scull and a standing paddleboarder cross in front of her. I watched over my shoulder, waiting for my opening.

Suddenly, just off the corner of the dock, I saw a huge splash. Heard a deep WHUMP. Waves burst from that point like an underwater depth charge, rebounding off the dock, colliding in a wild interference pattern. Barely five feet away, the sculler and paddleboarder struggled to keep from capsizing. Elizabeth, caught in the erratic water, quickly braced her oars.

What was that? I scanned the shoreline for clues. It was too big and too loud to be a coxswain, who by tradition gets tossed off the dock by teammates after a race. Even a hefty dog would never plunge that deep. As a dark, motionless blob slowly broke the water surface, I bit my lip to keep from gagging. Here was a person, prone and still, and the only place they could have come from was the Ship Canal Bridge, 182 feet overhead.

Disbelief paralyzed me. A suicide jumper? Here? Amidst the fractured waves I strained to see signs of life while my thoughts bounced like a rain squall on granite. They’re blocking my way to the dock! Can I slip by and not try to help? But if I take my hands off my oars I’ll flip over. Without a life jacket I could drown! Must I risk myself for a stranger who is trying to commit suicide? What’s my responsibility here?

Frantic shouts cut the terrible silence. “What was that? Some fireworks?”

“A cherry bomb? Who threw it!?”

“Oh my god, it’s a person! Who knows CPR?”

“I do,” said Elizabeth. “But…”

“Jump in and do CPR!”

A coaching launch zoomed by. I took a few strokes closer and saw no movement, then lost courage and gave the blob a wide berth. The launch slowed and stopped, drifting in the water for what seemed like minutes. Suddenly it made a tight U-turn and roared in close. Had the rowing coach seen something fall? Had she quickly deduced the horror of what had happened? Alone, on her knees, she leaned down to drag the limp body aboard but couldn’t get enough leverage. Still she held on, struggling to keep the person’s head above water.

From way too close a megaphone voice boomed, “Get out of the way!” I looked up in alarm as a crew team and its coach rounded the corner and bore down on us. Couldn’t they see the coaching launch? I couldn’t flag them down so I yelled for them to stop. They didn’t. I wasn’t lined up with the dock, but I took a big stroke so they wouldn’t hit me broadside. Someone on the dock reached out, grabbed my oar, and reeled me in. I cursed at the coach as he raced by.

Sirens wailed from both shores and from mid-channel, growing louder and louder, finally converging on this spot. Blue police lights flashed on the far shore, red fire truck lights on ours. Medics came running to our dock as a speeding Seattle Harbor Patrol boat cut its siren and pulled alongside the rescue launch. Within a minute the Harbor Patrol moved the body to the dock on the opposite side. Three—or was it four or five?—Seattle police officers stood ready. We crowded the edge of our dock but by then the rescue was shielded from view. Behind us, unsuspecting rowers carried their shells out of the boathouse and slid them into the water. The world had bent in a handful of minutes.

What else could we do? Nothing made sense. In a fog we wiped down our boats, put away our oars. As Elizabeth and I left the boathouse fifteen minutes later, another rower approached with an update.

“He’s alive. His eyes were open and he was breathing.”

Elizabeth and I sighed in relief. But I hated myself for my gut instinct for wondering, for how long?

“He was swinging a hatchet on the I-5 freeway. Drivers yelled at him to stop. He lost control of the hatchet. It dropped just before he did.”

•••

At sixteen I was an Explorer Scout, a division of the Boy Scouts. In 1972, Explorer troops were supposed to be all-male, but my friends and I exploited a loophole to start a co-ed troop of Medical Explorers. We scheduled lots of lectures and field trips because several dads, including mine, were doctors with connections. We even got to volunteer in our hospital’s emergency room. During one evening shift, I pressed fist-sized wads of sterile gauze on a motorcyclist’s leg as he lay moaning on a hallway gurney, then watched a doctor pull glass out of a screaming kid’s foot. I peeked around nurses and doctors as a silent Code Blue was whisked in and pumped for an hour before being wheeled to the morgue.

When the hospital pathologist invited us to watch an autopsy, I thought, oh, just another activity. But when I asked Dad to sign my permission slip, he shook his head.

His eyes were steel. He growled, “I don’t recommend it. That’s not something you want to see. Not at your age.” I was still hopeful, thinking, that’s not a flat denial. As if he’d read my mind, he continued, “I’m warning you for your own good!” His tone dropped ominously. “Because once you see it, you can never unsee it.”

•••

Two hours later, Elizabeth texted me. Feels a little surreal, huh?

I was home drinking coffee, eating a bagel, deciding whether to try to remember or try to forget. Turns out that’s a false choice.

I texted back. Yes. How are you doing?

Feels odd to just go on with your day. Concerned for the person of course. But it was a really close call for all of us. Need to just sit a bit.

Exactly. I’m still sitting.

Alone in my sunlit kitchen, I set down my coffee and choked back the sour in my throat. Elizabeth’s comment put me on edge. Right after the awful splash, my thoughts had flown to the jumper: How can I help? Will he survive? But in the silence of home I focused on me and my tribe, the rowers on the water. In one blind moment we could have been killed. We were open and unprotected. Any heavy mass from 182 feet—an errant chunk of concrete, a thrown backpack or garbage bag, a one-hundred-sixty pound person—would crush like a cannonball. The aftermath would have been gruesome as a bomb explosion. A war zone. I’d never seen one, but my husband and stepson had. Never would they unsee the horror.

I sipped the last of my cold coffee, tried to still the ache in my chest. Repeating the salient, immutable fact—none of us got hurt!—I walked to the kitchen window, away from mental carnage that didn’t exist. Below, the yard was drenched in shades of green. Beyond my neighbors’ rooftops I saw a glimmer of Lake Washington.

I imagined the view from the Ship Canal bridge deck: the 182-foot drop, the flatness of the water, and the vast three-dimensional space between. Images could get distorted, narrowed, especially through desperation’s lens. With boats large and small, from barges to sculls, did we move like targets in a video game? Factor in wind speed—after all, I’m a civil engineer—and the open water below the Ship Canal Bridge could constrict to a pinpoint. If the jumper intended to avoid us, he chose the slimmest margin of error. If not, that same margin of error was our salvation.

Would knowing the jumper’s intent have sharpened or blunted the horror?

Each day we live with incalculable risk. Animate and inanimate objects fall from the sky. Meteorites fall. People fall. No one really noticed, but hatchets fall too.

•••

“So did he die?”

Sitting around the kitchen table a day later with my mah-jongg group, four women I’d known well over twenty-five years, I lifted my glass of wine and felt a gnawing unease. Everyone’s first question was always about the jumper. Why did his presumed death garner so much sympathy? If he’d survived, would the tragedy seem more equal, both of us escaping death by inches? How does his willful jumping—and my sheer vulnerability—factor into the equation?

I gritted my teeth and shook my head. “I don’t know.” I’d searched the news but turned up nothing, so there’d be no resolution. As their voices grew louder, each person positing the jumper’s fate, I signaled “timeout” and interrupted. “The Seattle Times’s policy is not to write about suicide jumpers. Unless a lot of people witnessed it, that is.”

“Did a lot of people witness it?”

Tersely, “I don’t know.” Why did it matter? I had.

“How long was he in the water?”

“Ten minutes?” Why this unnecessary detail? My temples pounded in frustration.

“So how close was he?”

Finally. Like a fever breaking, a welcome relief—someone acknowledged my trauma, my anxiety over the random fragility of life. As I gestured across the length of the table, my voice turned unnaturally shrill. “About ten feet. He was so close! If he’d hit us, he could’ve killed us!”

There was a moment’s silence, followed by a quick chorus of retorts. Clearly my words hadn’t had the intended effect. Instead, I felt like I was being scolded.

“Whoa, you sound angry!”

“It’s wrong to blame him. Of course he wasn’t aiming at you.”

“Think of his horrendous mental pain! It must have been overwhelming!”

What I heard was this: What’s your problem? Don’t you have a heart?

•••

Four days later, Elizabeth and I eased our shells into the water. Earlier that morning I’d debated with myself—Get back on that horse! Or not…—but the weather promised to be perfect, a promise that Seattleites are unable to resist. I was kneeling on the dock securing my oar riggers when a motion high above caught my eye. My head jerked up. Elizabeth saw my reaction and glanced up too. On the bottom deck of the I-5 Bridge, a cherry picker bucket was slowly lowering two men just below the bridge deck. I sighed in relief. In their hard hats and orange vests, I pegged them as state highway inspectors, likely testing for loose concrete. The bucket stopped with a light bounce. I tilted my head, visually measuring their relation to the water. They were about ten feet south and twenty feet below the spot on the upper deck where the person must have jumped. I stared a little too long.

Elizabeth knew exactly what I was thinking. If they fell, would they hit us? With a forced laugh she said, “Well if it’s your time, it’s your time then.” I could hear the thinness in her voice.

I frowned. I didn’t want Fate to be so lazy. Nervously I snipped, “Nah, I think they’re okay.” As soon as I spoke I was sorry. Why was I so rattled? Was I truly afraid they’d hit us? Was I ashamed to be caught thinking only of myself?

Or was something submerged now coming to boil? Was I reacting to the suicide jumper, how furious I was at him for terrifying me, yet how constrained I felt about expressing that anger? Four days of talking to my husband and close friends hadn’t helped—their comments felt way off the mark, strangely off-putting. So because I was alive, physically unhurt, I was expected to stifle my rage, ignore my feelings, and cluck sympathetically about his plight? How much empathy could I muster? Was it better for me to think of him more like a falling chunk of concrete—an object with no agency—than a suicide bomber who launches himself with intent to kill? Must I absolve him at all? Even if he wasn’t trying to kill us, the fact remained: he terrorized us. I felt like screaming, “There’s more than one victim here!”

Could I never unsee that concussive splash just ten feet from where I was kneeling?

I rose to kick off my shoes and heard the gentle lap of water. Shielding my eyes from the sun, I looked out beyond the dock to the west. There, at the wind-induced open water line between chop and calm, was a sharp demarcation drawn by the form of the land, the bend of the water, and the face of the wind. A warning: do not cross this line. So we’d go east then. I scanned the familiar scene across the channel: the white ferry, the concrete bridge supports belted with graffiti, the row of boats comfortably tucked in their berths. Ivar’s outdoor dining deck, its red and blue table umbrellas snugged down for the night, its dock empty now. All as it should be.

Absently I pulled on my cap and threaded my ponytail through the hole in the back. I stretched my arms wide, felt the air fill my lungs with cool deliciousness. Suddenly I couldn’t wait to get to look for our eagle again. I grabbed my oar handles, centered myself down on my seat. As I pushed off the dock, an involuntary glance—up at the men in the bucket, and from there, to the upper bridge deck. The railing was empty. But from now on I would never stop looking.

“Annual inspection for bridge cracks?” I started at the unexpected sound of Elizabeth’s voice right beside me, her boat so close that our oars almost touched. I couldn’t mistake the drollness in her tone.

As her words slowly registered I began to laugh. She’d caught me looking up at the bridge again, searching for ghosts. Nested within her seemingly benign engineering question was a deeper concern: Are you okay?

Until that moment, I hadn’t quite realized how not okay I was. My feelings sat like a jumbled weight on my chest. Like Elizabeth, I’d always prided myself on my ability to stay calm and reason things out, yet these days I felt so roiled, so defeated. Silently I ranted, Why can’t I just get over this?

But with that laugh, that loosened eddy of air, the atmosphere suddenly changed. My internal smog cleared enough so I could see that she was troubled too. In our exclusive club of rowers-who-barely-missed-being-hit-by-a-suicide-jumper, we were virtually the only ones who could reassure each other, You’re not crazy, I was there, too. We had much to discuss. I would soon talk her through her fixation on the hatchet’s trajectory—I heard it splash, did it land right behind me? It wouldn’t fall blade first, would it? I’d feel her first flash of anger when she thought someone was throwing fireworks, trying to scare us. She’d wade with me through my swamp of guilt. Together we would reshape the story into something we could understand, something we could only arrive at after dissecting every detail and every “what if,” hailing our luck again and again, until the day lost its power to haunt us.

•••

AMBER WONG is an environmental engineer in Seattle who writes about culture, identity, and her firsthand knowledge about risks posed by hazardous waste sites. Recent work has been published in Lunch Ticket (Summer/Fall 2017 featured essayist), Slippery Elm, and Metaphorical Fruit, and her short piece, “How I Learned to Write,” won the Writer’s Connection essay contest. Amber earned an MFA from Lesley University and a master’s degree in civil engineering from Stanford University. She is working on a memoir.

Jack and Jill and the Memory Test

By Barbara E. Murphy

Jill is a stockbroker, my nurse practitioner begins, and I listen with attention not just because I’m a sucker for a story and will give any once-upon-a-time a chance to pick up steam but because this is an assessment—a test, really, but no one uses that word anymore—of my alertness and mental acuity. I’ve heard it referred to as The Montreal Test. This session is part of the protocol covered by my new health insurance, the kind of insurance that kicks in when you hang up your spurs or cleats depending on whether you rode or ran or sat—as I did, at conference tables or a desk—and move into the post-work phase of your life.

Jill, meanwhile, has fallen in love with and marries Jack and they move (from where, we aren’t told, though it’s the sort of detail that interests me) to Chicago. About him, we learn only that he is dazzlingly handsome. Really, that’s how he’s described. No more information than that and I risk distraction to wonder who wrote this? A doctor? A psychologist? Male or female? Before or after the recent election? And why does the stock market continue to do so well anyway? Not that dazzlingly handsome isn’t force enough to sway a woman to change her life. It is and dazzle can last a surprisingly long time but almost only if it comes with a good sense of humor and one or two other traits like skill at working the remotes and possession of a valid passport.

What come next are two children. We don’t learn whether they are twins or singletons, adopted or birthed by Jill. Did she have any trouble conceiving? Did Jill have an easy pregnancy or pregnancies? We don’t know her age or whether her insurance covered everything. We do learn that Jill left her job to stay home with her kids—we assume they switched to Jack’s insurance—and my nurse practitioner is silent on how Jill felt about stepping out of the work world. Was she happy beyond reason as a fulltime mother? Did she miss the companionship of her fellow brokers? The thrill of the buy and sell? And Jack: who knows what he was up to except it must have been pretty good work since he’s now supporting a family of four.

The story takes a turn when the kids become teenagers and Jill makes the decision to go back to work. Were she here, were she real, I could ask her to reconsider and hold out for a few more years. Driving them to middle school soccer practice is one thing; watching them get behind the wheel of your or, worse, their own car going who knows where is quite something else. They are about to start hanging out with those kids you told them to avoid, the ones whose parents are telling them not to hang out with your kids.

Risking further distraction—I know I’m going to have to recount this tale or answer some relevant questions—I can’t help but wonder if Jill returns to a diminished salary, how severely she is suffering the mom penalty after her absence from the workforce; I wonder if her technical skills have kept up, if she still thrills to the chase of the market.

And how does the change in family income affect the Jill-Jack household? Do they take more vacations, send the kids to private school, or does the money just get swallowed up and assert itself as the new normal? I’m guessing Door Three.

Jill’s return to the market marks the end of the story as told to me.

I am asked by my now slightly embarrassed practitioner—Jess, is her name —what Jill’s profession is, what made her leave work and when did she feel safe enough—my words, not Jess’s—to return to work. Then the trick question: what state does Jill live in? Funny how this remains exclusively Jill’s story. Maybe Jack’s fading dazzle lessens his role in the drama. The kids remain nameless and absent to us.

My recall is excellent, at least in this particular setting. And, I shine again as I name—freestyle, this time—twenty animals, zoo or farm categories both allowed. Jess does not seem interested in the fact that I cannot always recall the first names of my favorite poets, and increasingly I remember what I once knew as whole in fragments as if the world is repackaging itself in haiku not seamless narrative.

But the world is not seamless and it veers more toward lyrical than narrative. Stories don’t seem to proceed the way they used to: beginning, middle, then the earned ending. Most days, it seems to be all middle but with a blessedly generous supply of chances to begin again. And even the adventures you thought had ended—a career, a first marriage, your children’s childhoods—haven’t exactly finished. Jill will figure this out, too.

•••

BARBARA E. MURPHY is a poet and essayist whose work had appeared in publications including The Threepenny Review, Green Mountains Review, New England Review, and The New York Times. Her poetry collection Almost Too Much was published by Cervena Barva Press. She was a college president for twenty years in the Vermont State Colleges system.