By Andrea Jarrell

Susannah was murdered just before Christmas. I didn’t hear the terrible news until after New Year’s, when a friend called me on my way home from a family holiday out of town. The house where she’d been killed was just a hundred yards or so from ours, poking up from behind trees across the road. Nothing between us except our long driveway and adjacent pond. Not that I could have stopped what had happened, even if we’d been home. We probably would have been sitting in our living room watching TV or upstairs reading bedtime stories to our two kids. We probably wouldn’t even have heard the gunshots.

When it happened, the co-op preschool that her son and my son and daughter attended was already on the holiday break. My husband Brad and I had loaded up our SUV, bundled the kids into their car seats, and driven down to Portland—Maine, not Oregon. From there we’d flown to Michigan, to my in-laws’ house with its big Christmas tree and glittering ornaments. In the days before Facebook and Twitter, we’d remained blissfully cocooned and cut off from the rest of the world.

I didn’t understand at first why I reacted to the news of Susannah’s death the way that I did. Yes, there was the shocking violence of it. And the throat-catching sadness for her little boy, and the wrongness of anyone snatched from life, much less someone so young. But there was more to it than that. Especially when I admitted to myself that I hadn’t actually liked Susannah. Or, more accurately, I hadn’t allowed myself to like her.

The truth is, I’d always been a little afraid of her. After she was killed, I understood why.

Brad and I had been in Maine for a few years by then. In our early thirties, we were just starting out in our marriage and our life as parents. We’d always been city people before. Our move from Los Angeles to the idyllic town of Camden was the first of what we expected would be many adventures in our life together. Camden is the childhood home of Edna St. Vincent Millay, the town where the movie Peyton Place was filmed, and, rumor has it, a haven for retired CIA spies. Locals looking to move know to put their houses on the market during the summer, when tourists fall in love with the quaintness of it all: the harbor, the lupine-covered hills, the age-old stone walls, the black and white Oreo cows. But Maine winters are for a hardy few, and the smart lookey-loos come to their senses before any money changes hands.

We moved to Camden knowing what we were getting into. Brad had been offered a two-year gig at the Institute for Global Ethics, to work on a project about running positive political campaigns. I saw the move as a way to leave my workaday life as the PR director of a small college—to trade in my pantyhose and suits for jeans and sweaters and get back to writing. Fully expecting to return to L.A. in a couple of years, we found tenants for our small house. But the two-year project turned into two more, and five years after moving we finally unloaded the L.A. house, unsure if we would ever head west again.

Moving to Camden felt a little like we’d entered the witness protection program—so far from everyone we’d known, plunked down into a new life. I took to that life more easily than one might expect, embracing it with “pinch me” elation: pancakes on Sundays, a fully-stocked pantry with an extra freezer for meat, trips to the pumpkin patch, red wagons in the driveway, rain boots and slickers, mittens and parkas. This was the stuff of ordinary families, which I’d carefully observed during childhood sleepovers. Having grown up in small apartments with my single mother, who was much more interested in books and travel than picket fences and seasonal door wreathes, I kept waiting for the residents of Camden to discover that I didn’t belong.

Oh, I knew how to look the part at Mommy and Me music classes, or when it was my turn to handle a baking project at the preschool, or while hanging out under a wide- brimmed straw hat at the local beach, my kids appropriately slathered with sunscreen and playing with sand pails and shovels. But I still felt inferior, the way I had as a kid when I would tell friends and their parents that my mother was a lawyer rather than a legal secretary. I told that lie right up through college, even though the thought of being found out made me queasy.

Certain people hatched such lies in me—in Camden, people like Kim Tate and her husband Jack. Kim was a tall, athletic blond who’d gone to Yale. She’d met Jack—also tall, but dark and handsome enough—on the train between New Haven and New York City one afternoon when they were both in college. With their good looks and money, the Tates were small-town famous. Other mothers at our preschool had a crush on Jack, one of them going so far as to tell Kim that she looked forward to receiving their photo Christmas card so she could moon over him. I had more of a crush on Kim, whose three perfect little children were spaced a year and a half apart, lined up like cherub-faced Russian dolls in hand-knitted sweaters she’d designed and made.

Our oldest kids—Kim’s and mine—were in the fours and fives class at the co-op preschool along with Susannah’s son. If Kim was on the elite end of the social spectrum, Susannah was on the other. Or at least that’s where—I admit now—I put her. Almost from the moment I met her, something about Susannah made me steer clear. When I saw her faded, rust-colored Toyota in the school’s parking lot, I stayed in my own car, behind darkened windows. I waited to go inside until after she and her son emerged from the school—their fingers laced, the day’s artwork flapping in Susannah’s other hand.

She was one of those pretty girl-women—twenty-one, twenty-three, twenty-five? If she hadn’t been a mother, she might have seemed even younger, like a teenager with her whole life before her. I’d seen fathers at the preschool watching her, trying to be nonchalant as they homed in on her. You could tell that she’d grown up attracting such attention and was no longer surprised or moved by it. At first, I wondered if my impulse to avoid her was simple jealousy because she was younger and sexier than I was. Her short skirts and angled beret over long corn-silk hair displayed a confidence that I’d never had. Then I noticed that she avoided me and the other parents as well—never lingering to chat on the playground.

She smiled but hurried purposefully, gathering her son’s lunchbox, backpack, and coat. My mother had projected a similar defensive smile when she attended school events or collected me from a sleepover. Just we two, she used to say. It dawned on me then that Susannah’s confidence, like my mother’s, was designed to let other parents know she was doing fine, even though we outnumbered her two to one. I could feel how tightly Susannah’s hand grasped her son’s as they exited the preschool, holding on to each other and their place in the world.

The only time that I can remember even talking to her was at my daughter’s birthday party. It was July; all the preschool parents stood around on our wide green lawn as kids took turns barreling down the giant yellow Slip ’n Slide my husband had set up.

I happened to be standing next to Susannah when the gifts were opened. Her son’s present was a wooden fairy wand that his mother had painted dark blue and topped with a glitter-encrusted star. She’d written my daughter’s name in silver along the handle. We watched as my daughter opened the gift and ran her small hand along the scrolling letters of her name. Susannah leaned sideways to me, our shoulders touching, and said, “I knew she would like it. She’s such an artist.” I imagined them together in the co-op preschool on one of Susannah’s days to help. I could see her asking my daughter about the painting she was working on. Susannah would’ve bent down to be eye-level, pushing her long blond hair behind one shoulder as she did.

Then one day, as I pulled into the preschool lot, I noticed a man sitting in the passenger seat of Susannah’s car. He was my own neighbor—a fit, tanned man named Craig. He operated a moving, refuse, and antiques business out of his home and adjacent barn. When we first arrived from California, my husband had hired him to help move us in. Admiring his Yankee entrepreneurism, my husband marveled, “He’s got it covered. He’ll move it, dump it, or sell it.”

I remember being inordinately happy to see my neighbor in Susannah’s car, happier still when I passed her familiar Toyota parked in front of his house. It intrigued me to think of how they might have met. Perhaps he had hired her to answer the phones for his business. Or they’d struck up a conversation in Cappy’s bar on Main Street. There was no question of why Susannah would appeal to him. But I could also see why he would appeal to her. In his late forties, he was attractive in a town where single men were few and far between. She might have said to herself, try older, try wiser. He would be a good provider, a role model for her little boy. I pictured them together—sheets rumpled, his tanned workman’s hands on her milky skin. I imagined him thanking his lucky stars each day to have such a lovely girl on his arm.

I’d once imagined such meetings for my mother: a new client or lawyer in her firm, who would appear one day and change our lives. I wondered what Susannah’s secret was. How had she managed to find a partner and step into a new, safer life when my mother had not?

•••

Kim Tate was the one who caught me on my cell as my family and I drove home from the airport. “I didn’t know you two were close,” she said. “I’m so sorry,” she kept saying as I sobbed after hearing the news. Sobbing that I didn’t understand at first because, of course, we were not close at all.

In my mind’s eye, I could see Susannah sitting in my kitchen, drinking coffee with me. I imagined her son playing with my kids on the floor of our living room, but that had never happened. I hadn’t wanted them at our house. As cute as her son was, I’d written him off as damaged goods. Damaged the way I’d been at his age. Jealous of what my friends had, prone to elaborate lies and petty thefts, hitting and hair pulling when no one was looking.

It hadn’t been Susannah’s youth or prettiness that made me steer clear of her and her son. It had always been their aloneness and my fear that if I got too close, that old familiar just we two aloneness might rub off on me.

Like a bedtime story, my mother used to tell me of our escape into the world from my father. She’d light a cigarette, press it to her elegant lips, exhale, and begin. Benign stories at first. Later, the stories about his venereal disease and his cheating and her black eyes. But even in her early, seemingly innocent stories, there was always a little violence. Singeing her eyelashes and eyebrows trying to light the stove in their first apartment. My father breaking his arm in an arm-wrestle on his birthday—the bone splitting right through the camel hair jacket she’d given him. “His muscles were stronger than bone,” she’d said with a trace of true awe.

Our neighbor Craig was a mild man, nothing like my father. And yet he’d acted on the same jealousy and possessiveness that my mother had run away from. My mother had also been a girl-woman. At nineteen, the day she first felt me move inside her was the day she began plotting how to leave my father. Scared of what this man who slept beside her with a gun under his pillow might do to us one day when my crying got too much for him or when yet another man admired her beauty. Somehow I’d given her the courage.

Was it her little boy Susannah was thinking of when she told Craig it was over? It wasn’t hard to imagine Craig’s desperate pleading as he tried to make her stay. My mother told me that my father did the same, how he threatened to commit suicide if she ever left him. I could picture Craig grabbing Susannah’s arm. She would have tried to shake him off, her blond hair flying as she tossed the few things she’d brought to his house into an overnight bag. She would not have known that he’d gone to the barn to look for a gun.

My mother’s getaway car had been a teal blue Corvair. She’d literally and figuratively strapped me in beside her from then on—her precious cargo. How I wished Susannah had just gotten in that rust-colored Toyota and driven as far away from Craig as possible. How I wanted to run to her now and wrap my arms around her.

He shot her twice, using an antique pistol from his shop. According to the papers, after he killed her, he called his grown son and left a message on the son’s answering machine. “I’ve done something stupid,” he said. Then he hung up and killed himself.

As my family and I drove down our road, past Craig’s quiet house, I remembered the last time I’d seen Susannah’s car in his driveway. The sense of relief I’d had, thinking she’d found her happy ending. Thinking she could loosen the grip on her small son’s hand just a little because they were safe at last.

Passing our pond—frozen and covered in snow—I heard the car’s engine labor as it climbed our long driveway and saw the ice crystalized on branches of barren trees. How I wanted to rewind the film and change Susannah’s ending the way my mother had changed ours.

As we pulled into the garage, firewood neatly stacked and dry by the mudroom door, I told Brad I’d help him unload the suitcases in a minute. My fingers were already tapping out my mother’s telephone number. I waited, still in my coat in the car, pressing my phone to my ear, listening for her voice, waiting for us to talk, just us two.

•••

ANDREA JARRELL’s personal essays have appeared in The New York Times “Modern Love” column; Narrative Magazine; Brain, Child Magazine; Memoir; Literary Mama; The Washington Post; The Huffington Post, and the anthology My Other Ex: Women’s True Stories of Leaving and Losing Friendships, among other publications. She is at work on an essay collection.