For days after we sold our house, I felt uneasy. It felt like the house was still somehow attached to me like a phantom limb—heavy and itchy and restless—and I had to remind myself constantly that it was none of my concern anymore. I didn’t have to worry about shoveling the snow in the driveway or fixing the leaky window in the dining room, and I no longer had to grumble about the cold, creaky wooden floors.
We bought our house eight years ago, just weeks before the housing market collapsed. I don’t think it was love at first sight, but more like comfort at first sight. We could see ourselves living there, hidden among the trees of our wild backyard. We could imagine our furniture in the living room, our pots in the kitchen, our bed upstairs, a crib in the second bedroom. Our small family—not yet in existence—would fit in this small house neatly, comfortably.
Right before we signed the papers to buy the house, we ran into its owner, a middle-aged woman who inherited it from her mother. She lived there with a huge, white dog whose fur we’d keep finding in the most unusual places even years later. “This place really needs a young family,” she told us, waving towards the gray house behind her. I had never owned a house, but I knew what she meant. I knew that this was the place where it was all going to happen—where we would become a family, where we would settle down and be happy.
And it was mostly true. We were mostly happy, mostly settled. We battled with the wild raspberry bushes in the yard, with the ice leaking through the old roof, the paint chipping off the shingles. But the place was ours and I was surprised by how much that mattered to me and comforted me. I felt anchored, secure.
Then we decided to move to another state for a new job. The house was on the market for what seemed like decades, various strangers walking through our rooms critiquing everything from the ceilings, to the size of the kitchen, to its location. I felt insulted and protective of our little nest but also a bit resentful of its stubbornness. Why couldn’t it just let us go? Yet when we finally received an offer on the day the moving truck arrived to pack up our boxes, I felt no relief, no joy. The financial burden was lifted, the responsibility gone, the worry relieved.
Our tether gone, we were free to go. And yet…
I walked through the empty rooms one last time the day of the closing. I only cried when I got to my little boy’s room where he and I spent so much time awake in the middle of the night. I was taking the little boy with me obviously—he was sitting in the car outside—but I felt like a part of me was left behind among the soft yellow walls and the baby blue closet, and the view of the yard.
•••
I grew up in a large, cold, crumbling apartment in the center of Budapest. At one point my uncle, his wife, and their new baby lived with me, my brother, my parents, and my grandfather. There was nothing unusual about this—a lot of my friends lived with their extended families. Once my uncle and his family moved out, my brother and I no longer had to share the tiniest bedroom and my parents did not have to use the living room as their bedroom. These changes felt like huge luxuries, and my brother and I reveled in our new furniture in our bigger—still shared—bedroom. Our desks faced each other and we passed notes and giggled as we did our homework each evening.
My mother grew up in this apartment, rented from the local government. At one point each floor had just one apartment that was later chopped up into three. We lived on the third floor, in one of the larger places. The rooms had tall ceilings and windows and big, double doors. The bathroom was heated only by a gas heater on the wall, so whoever was the unlucky first person in the bathroom in the morning had to turn it on and wait for the temperature to become bearable for a shower. The kitchen was heated only by the oven so we always had to dress in layers for meals in the winter.
During the political changes in Hungary in the 1990s, our apartment building became sort of a no-man’s-land. The government no longer cared for it, but the occupants didn’t own their apartments yet, so maintenance was non-existent and the building declined slowly, paint chip by paint chip. I remember giving this explanation to many visitors before they figured out a polite way to ask about the state of hallways, the elevator, the courtyard.
My parents purchased our apartment after my grandfather’s death. That was the first time that my family owned real estate. Now at least the crumbling walls belonged to us.
When my parents moved to the U.S. a few years later, they first rented out the apartment then put it up for sale. It’s still on the market, along with dozens of similar apartments on our street. I think about it often—I think about buying it, renovating it, living there in some other life, finding comfort in the familiar neighborhood. But the place is a burden on my parents right now, and I wish for them to be rid of it. I wish I could be certain that selling it will feel like a relief—a lifetime of history and stuff packed up, thrown out, passed on to a stranger who can start there anew.
•••
“Is there anything you want out of your grandmother’s apartment?” my father asked a few months ago as he was distributing her belongings among his cousins and other relatives. She died the year before and, by the time I arrived to Hungary for her funeral and saw her apartment for the first time after her death, her clothes were already donated, including what I wanted the most: her red, flowery scarf and her big fur winter hat.
It seemed silly at the time to make a fuss about this—and it still does because I know that what I truly, really want can’t be mine: the smell of Wiener Schnitzel wafting from her apartment into the hallway on Sundays; the scent of freshly ironed linens as she opened a cabinet to pick a tablecloth for lunch; the tap-tapping of her slippers as she walked back and forth to the kitchen down a long, skinny hallway; the clinking of her china on the table; the gurgling of her ancient coffee pot; the cold air that swooshed into the apartment when she opened the balcony door to retrieve the fruit salad that she kept cold out there.
I couldn’t pack up any of these things.
Her apartment in Budapest sold almost the same day as my house in Maine. My parents traveled there to sign the closing papers, and I watched them unpack their suitcases just a few days later when they returned to Maine to their small, rental condo: Ten bottles of homemade jam, a metal key hook, a couple of framed drawings, books, a ceramic trivet, a decorative plate that used to hang in the kitchen.
•••
Lately I think a lot about these three pieces of real estate and about how they came, went, and yet somehow always stayed in my life. Are the walls they held around me just that? Does the weight of owning these walls matter? Do they just hold our stuff, or are they places where our life collects, that place where babies come home from the hospital, where dinner is cooked, where parties are held, where nothing or everything happens? Is there freedom to be had by not being attached to these structures, or does their absence weigh heavier?
I like our new—rented—apartment. It’s modern and much bigger than our little house was. Groundkeepers shovel the snow, salt the driveway, fix clogged pipes. Our furniture gets lost in the big rooms and under the tall ceilings. It’s easy to live here, detached from history, from responsibility, from what comes next.
But I miss the weight, the burden tying me firmly to one place to call home.
•••
ZSOFI MCMULLIN is a recent transplant to Connecticut. She works in publishing and blogs at www.zsofiwrites.com.
When my sister’s doctor recommended that she get a mammogram, Karren called me. “Do you want me to make an appointment for you, too?” she asked, as though scheduling a pedicure. I immediately agreed. She rarely needed medical interventions, and this might be her way of asking for support. And I was way overdue. As busy New Yorkers—Karren, at the time, an advertising creative director and yoga teacher, me a freelance writer and Brooklyn mom of a teen—unpleasant procedures weren’t high on our to-do lists. I also knew that going with Karren might make it seem a little fun.
We arrived together. It was a rainy Thursday. Wearing sweaters and jeans, my sister and I looked more alike than usual. “You ladies,” the doctor said when he looked up from his chart, “you look a lot alike—you could be twins.” Tall, dark-haired, and olive-skinned, Karren and I were often mistaken for twins. I noticed that the doctor could be Matt Damon’s stunt double.
“Thank you!” we replied in unison.
“We’re just sixteen months apart,” Karren said.
Like Borscht belt comedians, we had our routine down over years of telling. I might describe how my husband once confused us. Karren would joke that our mother couldn’t tell us apart on the phone. “That’s because,” my sister, who’d once been an actress, would continue cheerfully, “we have the same voice box.” This expression always baffled me. I imagined tiny, identical gramophones in our throats. But lately I thought it was a great way to explain what made us alike—something indefinable, as intimate as breathing, which our voices expressed.
•••
Looking at the doctor’s immaculate mahogany-grain wood desk reminded me of a similar room at Sloan Kettering Neurology Unit two years earlier where Karren, my husband Peter, and I had waited for a good hour to look at my brain scan. I’d been having seizures that left me temporarily speechless and with auditory hallucinations. On the neurologist’s wall were framed nature prints and an eye chart.
Like many doctor’s offices, it had the fake cozy vibe of a Holiday Inn. Pre-diagnosis, it was a neutral purgatory, the zero-point baseline where nothing was yet decided. We would stay in this innocent safe zone until the doctors arrived—and then with a diagnosis I’d either leap above the line into my treasured normal life or drop into some ring of hell.
We had run out of conversation and our worry hung in the air with the buzz of the fluorescent lights. With a sharp tap on the door, the neurologist burst in with his entourage of five interns. Insanely, I felt like I was in the middle of a Marx Brother’s movie (the neurologist was a little short), and I half expected someone to honk a horn. He did the usual double-take and made a tepid joke about our similarity (“Which one’s the patient?”).
In front of this audience of family and doctors I was asked to perform tests. The doctor read a list of random words for me to keep in the back of my head and repeat later. Then he asked me to walk a straight line. The crowd watched as I minced, heel to toe, along blue paint-tape, like a DUI suspect or a trapeze artist. I was told to count backwards by sevens from one hundred, a task I couldn’t handle reliably in my most sober moments. “What’s the name of the Vice President?” he asked. I couldn’t remember and almost began to cry. When I couldn’t replay the random words from ten minutes ago, through a blur of tears, I saw Karren mouthing the answers. We all practically cheered when my knee jolted from the reflex tap.
Finally, the doctor tacked a film up on a light box and we gathered around the image. It looked like a Google satellite map of two shadowy divided galaxies, with a white dot on the left side, lighting up like a population center. I wanted him to zoom in, to give me the details, to orient me. “It’s an enhancing lesion in your parietal lobe,” he explained. None of us knew what it meant. Karren gasped and reached for my hand. My husband Peter squeezed my shoulders. I thought the word “enhancing” had a soothing, upbeat sound to it. I was wrong (again).
“If it shows up bright on the scan, it’s active.” This was at once not enough and too much information. I couldn’t think of anything to say. The critical, investigative part of me shut down. I looked down at my kitten-heeled Mary Janes. Those Aerosoles were so darling and comfy. They had gotten me through our mother’s funeral a year before, through our father’s funeral the year before that. They were not lucky shoes. But they were the perfect mid-life shoes, cushioning me from the hard bricks of life. Comfort is what I sought more than anything.
The neurologist said that the lesion was pressing up against the speech center in my brain. It explained why I’d suddenly lost my ability to speak and started talking like a caveman a few weeks ago. And the auditory hallucinations. In one type of hallucination, everyone had a French accent. Another expression was the echo of voices and sounds. Once I heard a stroller clanging down a stairwell for close to half an hour, as though the stairs were endless and haunted.
The centimeter-sized dot shining hard in my brain suddenly became the center of my universe. I kept thinking of the palindrome, “rats live on no evil star.” It wasn’t true, I thought; awful things could live anywhere.
The doctors agreed that the lesion was too dangerously close to my speech nerves to biopsy. No surgery. They would watch it with MRIs and give me anti-seizure drugs for the speech and hearing problems. Desperate for any good news, we almost cheered again.
Somehow, we were starving after the appointment and found a coffee shop called, amazingly, The Silver Star. Karren and Peter sat across from me in the booth. I was the focus of their searching, gentle looks. They were waiting to follow my lead. “Well, at least I don’t have to get my head drilled,” I said.
They laughed a little. Peter put his hand on mine.
Karren looked at me, intently and kindly, and said, “I know you are going to be five hundred percent!”—a mantra she would repeat in the months to come. I didn’t want to argue. I wanted to believe that she saw something inside me that I couldn’t, some other force that could outshine and blot out the enhancing dot.
The waiter came. Pete ordered a western omelette. Karren said, “I’ll have two eggs over easy with whole wheat toast, and a slice of tomato.”
I said, “I’ll have exactly the same thing.”
Karren promised she would be with me at every appointment. And she was. We ate a lot of eggs over the next year until the dot faded, and we had no more use for the Silver Star.
•••
Ever since we used to eat TV dinners in front of Patty Duke Show reruns in our suburban split-level house, Karren and I have been charmed by the idea of being twins. Back then we looked nothing alike. She was petite and I was tall; she tanned and I burned. She had big brown eyes, and mine were hazel. But the closeness of our age and our dark hair gave our mother enough reason to push the likeness. She ordered matching haircuts—pixies as toddlers and Beatle cuts as tweens. She duplicated our smocked Peter Pan–collared dresses, mine red and Karren’s yellow.
I did not appreciate my little sister then. I saw her as an interloper. I resented having to watch her in the playground, help with her homework, slow down for her when we were riding bikes. Once, when she was two and I was four, I aimed a rock at her head and surprised myself by hitting her dead on. My satisfaction wilted within minutes. It was my first experience of guilt, and to this day, I can see her lying there in bed with a cold pack inches from her Bambi eyes.
I continued to resent and ignore her until I was about thirteen when I realized that not only was she very sweet and loved me, she was wise and hilarious. As we got older, we got closer and looked more alike. We became the sworn keepers of each other’s secrets, protecting our nervous mother from my pack-a-day habit and her relationship with an older man.
Sometimes our similarity almost got us into trouble. When I was nineteen, I went out with an acquaintance of hers who called me “Karren” all night long, but I was too embarrassed to correct him as he introduced me to his sophisticated friends. He was mad when he finally figured it out. Another time, Peter and I had been on just a few dates before he went on vacation; when he returned, Karren was standing at the top of the steps of our walkup apartment. Pete loves recalling how he saw the red-lipsticked smile and dark hair and thought it was me—but eerily different. He was ready to go with it until I stepped onto the landing beside her. “Hi!” we said, doppelgangers in stereo.
For the next two decades Karren and I moved in lockstep through life, sometimes criss-crossing and sometimes following the same paths, reflections of the other in an imperfect mirror. Karren moved to New York City after college, and I did too. She led me to my first writing job in advertising, and I led Karren to hers. I introduced her to her husband and to yoga. We lived together in a sky-lit Chelsea apartment where we threw great dance parties. More importantly, Karren and I had a strong spiritual curiosity that drew us beyond our Jewish background. Over the years, she inquired into Kabbalah and Kundalini yoga. I was suddenly the tag-along.
•••
Throughout the yearlong ordeal of trying to diagnose and treat my brain tumor, Karren kept her promise. She saw me through seven spinal taps and countless CT scans, brain scans, and MRIs. She was by my side during day-long infusions and anxious waits for lab results. Once, in a panic, I felt my eyes swimming in my head: the dizziness that forewarned of a seizure. Karren held my face in her hands and said, “Look at me, and breathe.” I stared into her sweet brown eyes and followed the slow count of her breathing, inhale and exhale, until I felt that her air was mine and, sufficiently infused, relaxed.
When the panic attacks recurred, I visualized her eyes, tuned my voice and breath to her frequency to guide me back to balance.
In Dr. Matt Damon’s waiting room while Karren was inside, I couldn’t believe how nervous I felt. Praying she would be okay gave me a sense of how she’d felt all of those months when my fate was in question. After it was over the doctor admitted, laughing, that he still wasn’t sure who had which appointment. It didn’t matter. The doctor read the results, giving us both a clean bill of health.
As we went our separate ways, Karren said goodbye one more time and I heard my own voice echoing back, leaving a doctor’s office with one less worry. I realized that I turned to Karren to connect with an essential part of myself that went deeper than illness. Hearing her voice, so similar to my own, had nourished my vitality. She helped keep my brain scan serenely unlit.
•••
MARIETTA BRILL lives in Brooklyn, NY, with her husband and teenaged son. She writes poetry, essays, and articles about books, art, health, food, and parenting. Her work has appeared in Brain, Child, The Brooklyn Rail, Hyperallergic.com, Parenting Magazine, and The Daily Forward. She blogs about cooking at swinginginthekitchen.blogspot.com.
My three-year old son and I are on the floor. Bless his occupational therapist, but her daily home-based tasks are killing us. I place blocks in a line and run a car over this road. “No!” Alex charges between me and the blocks and tries to rip the cars from my hands. “No! You don’t! I tell you!”
“Well, you can play your way”—I point to his pile of blocks—“But I will play this way. We can play differently.”
You and I are different, we are different people. His therapist (the “feelings” one, not Speech or OT) pushes me to say this, after I have explained the hairdryer battles, the sign-he-saw-that-I-didn’t-see, his new insistence that I have a penis, although he was fine before with me and my vagina for babies to be born out of. Babies like Alex? Did it hurt? Did we do it in a hospital?
But now his fears and his tantrums have settled around the truth that he and I do not always match. Over and over he tells me that I have a penis—I TOLD YOU, I TOLD YOU, as if his insisting on it will make it so. When I try, “We are different,” he goes crazy: “No! Not different! Not different! No! Please!” I reassure him that I love him, nothing is changing, we are already different, we are, after all—a bizarre sort of Platonic evidence I pull out of my ass—not always in the same place at the same time.
But the cars: “Alex will accept adult variations in his play.” He seems to know that this is an object lesson, a battle of reality paradigms, a showdown. “No! No! I’m so mad at you! I want to poke you in the eye [and does], I want to hit you [and does]!” And I hate my whole life. I hate every imaginary parent who has ever played cars with their imaginary child. I hate all my other imaginary children: those twenty eggs I saw on the ultrasound that month he was conceived. Nineteen other possible Alexes, but none of them here to help us, now.
Why? Why? Why no cars allowed on the road? And yet, the next day—“I want to play cars, Mommy”—he lines up the blocks, runs the car over the top, and eyes me carefully. “This car needs to wait his turn. Uh-oh! We can solve the problem! Look, relax and solve the problem!” Trying again. Showing me. So, what can we do to get second-day Alex on the first day? How do we beat down first-day Alex so second-day Alex can live, live, live?
If I had another child in my house, a child that picked up the car and ran it on the road, easily, heedless, I would backhand that child. I would sink my teeth into his shoulder and suck.
I tell my husband that, in my secret evil angry head, I call the therapy programs that are saving our lives—saving our son, by line items and inches—the Ghetto Where What You Wished Wouldn’t Happen Happened. That when I see the words “Special Needs” (especially if they are surrounded by rainbows or smiley faces), I think they should be renamed “Outrageous Needs.” That is how I think of Alex’s needs, on those days when he is just a bleat of screeching irrational anxiety—“Give me my blanket! No blanket! Take off my sock! No sock! [Hits me.] Mommy, I’m sorry! Mommy don’t go!” Outrageous needs!
And, I tell my husband, I am scared I have a worn spot in my mothering now that just won’t go away—a worn out, sagging, trampoline spot that other parents have time to patch up because it isn’t so often used, so outrageously. And it is holding—it has to hold, I have to make it hold. But what if it breaks? What if my love somehow leaks out?
The next day there is third-day Alex—not struggling, not overcompensating for having struggled, but just himself, total, complete. We have a great time at the park. We ride the swings and the slide and play pretend in the way that feels safest to him, in exaggerated fake voices, with the reminding anchor, “This is just pretend” sprinkled throughout. An old woman gives him a huge lollipop, spontaneously, and I let him take it, not thinking how close it is to Speech.
I spend the ride setting it up: “We will need to say goodbye to the lollipop, for Speech, but I promise it will be in the car when you get back.” And he does it voluntarily, giving it up, even waving the lollipop bye bye. But then he can’t hold it together. He lies down on the sidewalk, telling me with his body, I am overcome. He doesn’t want me to hold him, but I say I love him, touch his hand, and we count to ten and to ten again, calming.
After Speech, his therapist says, “He actually did great today—he used a big word, ‘promised’!” We look at each other, my son and I, co-conspirators.
Back at the car, the lollipop is waiting, and I grind it in for next time, the prophecy I’m determined, through all my human resentment and selfishness, to make true. “If Mommy promises, I will only promise when it is true. I will only promise if I am certain.”
And he says, sincerely, “Thank you mommy Alex promise.”
•••
NICOLE MATOS is a Chicago-based writer, professor, roller derby girl, and special needs mom. Her work has appeared in such publications as Salon, The Classical, The Rumpus, theNewerYork, The Atticus Review, Monkeybicycle, THE2NDHAND txt, berfrois, Chicago Literati, and many others. Follow her on Twitter at @nicole_matos2.
“What song do you want to dance to, Dad?” I asked, scrolling through lists of popular father-daughter dance songs.
Nothing seemed right. No Michael Buble or Paul Simon or Stevie Wonder would cut it; this, after all, was my father—my flannel-shirt-and-faded-blue-jeans, muddy-work-boots, calloused-hands, five-o’clock-shadow, “fetch-me-a-Miller” father. What qualified as “our song?” Maybe “Feed Jake.” Maybe “Friends in Low Places.” Maybe “Act Naturally.” Maybe “There’s a Tear in My Beer.” Hank and Garth and Buck and the Pirates of the Mississippi sang about misery, friends, beer, and mama; they didn’t sing anything about their daughters.
By the day of our wedding, Mom and Dad had settled on a song. “It’s a surprise,” they said.
Four months earlier, I had come home from college graduation with my boyfriend who they liked well enough but were still warming to, and an engagement ring. Brandon had asked my dad’s permission first, of course, out of my hearing the day before, and Dad had said yes—he hugged me extra-long before I left, cap and gown still on.
In the early planning days, Mom and Dad offered to write us a check instead: big party vs. down payment on a house. We waffled for a day or two, but in my head were visions of a white dress and a man in a tux waiting for me, dreams of dancing and spinning under a spotlight, all of our friends and family clapping and celebrating.
It was my day to plan, along with my mom, who navigated the wedding planning with me like she was my maid-of-honor. Mom and I picked the flowers—sunflowers and blue delphinium—the same that decorated the cake display we chose. We taste-tested the catering, got weepy-eyed over my bridal gown and veil, and designed the party favors together. The reception venue was our decision, too, even as my soon-to-be mother-in-law raised her eyebrows and said, “Really, a barn?”
After the father-daughter dance to whatever song Mom and Dad had picked, Rhonda and Brandon would get the party started. Rhonda’s choice for the mother-son dance was easy: Louie Armstrong would sing “What a Wonderful World” for thirty seconds, then the record would screech to a stop. Brandon and his mom would look confused for a second until Lou Bega’s “Mambo No. 5” would begin to play. It fit them perfectly.
I wrote the order of music and communion and rings; I designed the program and inscribed a poem; I recruited our friends as musicians. Brandon and I selected most of the songs and all of the Bible verses for the ceremony. We picked the pastor and the bridal party and the style of music to be played at the reception. We determined the flavor of this wedding, and this wedding would taste just like us.
The guest list: that was their decision—the parents—and it grew, and grew, and grew, until we all silently stared at it sitting on the kitchen counter. Who could we possibly cut? No one. Maybe there were a lot of other commitments that weekend, and the guest list would just… trim itself. Maybe in true Father of the Bride fashion, we could declare, “Well, cross them off, then!”
Also their decision: the alcohol. We toyed with the idea of a dry wedding for about a twelve-hour timespan because Brandon had just gotten a job at a new school, and we weren’t sure yet exactly how conservative they were. A few of his new employers made Round One of the guest list. It hadn’t been decided if they’d make the Round Two cuts.
“You want a what?!” Dad asked, his voice rising steadily. “We are not going to invite all of our friends to a wedding and not have alcohol. What kind of a party is that?”
“But, Da-ad,” I said. “We just thought, you know, the school… and maybe…” but it was no use. My excuses were weak, anyway; it wasn’t like Brandon and his family and our friends and our relatives never kicked back and drank a glass of wine or a can/ six-pack /case of beer, so why pretend otherwise and ruin a good time? Besides, it was Dad’s call. Dad’s decision. Dad’s lead.
So, okay, beer and wine, Dad. And yes, invite all of those people, even those people I won’t know when they come through the receiving line, and I’ll look at Brandon and he’ll look at me, and we’ll both smile and shake their hands and give them hugs and thank them for coming. And, okay, yes, pick our father-daughter dance.
•••
Down the aisle we went, Dad in his black tuxedo looking sharp, no John Deere hat to cover his balding head or shadow his features. His hand was tight in mine, tense against a few hundred sets of eyes that watched us while we two-stepped—left-together, right-together—our paces matched, the Fugman stride slow and easy like a mosey.
I saw only my future husband at the end of the aisle where Brandon waited for me. When we reached the pastor and he asked, “Who gives this woman to be married to this man?” Dad answered gruffly, “Her mother and I.” I turned my gaze back to him for just that second and wrapped my arms around his neck, and he held on, squeezed and squeezed, then released me to my groom, taking his seat in the sanctuary while I remained standing.
Later, after the bridal dance ended and I parted with a kiss from my new husband, our spunky blue-haired emcee called Dad onto the floor. Dad had donned his Father-of-the-Bride ball cap as soon as the wedding ended and wore it now as he met me for our dance. The bubbles from the bride and groom dance settled and popped on the dance floor. A slow piano, slide guitar, and light percussion played.
The cut-time of Mickey Gilley singing “True Love Ways” carried us along the hardwood, Dad’s calloused palm in my manicured hand. I smiled, even though the tune was unfamiliar to me. I guess it went to number one on the country charts in 1980, the year my parents started dating. Dad would sing it to her in the car as it played on the radio. So romantic, Mom says later. But this was our dance, our slow turn under the spotlight. It didn’t seem like the right fit—know true love’s ways—but what would have been?
Earlier in the afternoon, Dad gave me over, his daughter, his only daughter, his dazzled blue-eyed daughter grinning with confidence over the man she had chosen. I came into the sanctuary my father’s daughter. I walked out of the sanctuary my husband’s wife.
How long had I dreamed of becoming Mrs. Anyone? A boyfriend, a boyfriend, a boyfriend: I wanted one, as long as he would stay around. And then another one, and then I wanted that boyfriend to become a fiancé and that fiancé to become my husband, so I could become Mrs. Anyone. In college, that was the title that mattered: I wanted a partner. I wanted someone I could pour my heart into. That’s what I thought you did after high school and certainly after college. My mom and dad had grown up across the street from each other; she was nineteen when they married and twenty when she delivered her first baby: me. Today it’s ill-advised to marry young, trouble from the start, they don’t know what they’re getting into, a whole life ahead, plenty of time for that, but from where I stood, I felt behind already.
Yes, I also earned a bachelor’s degree. I sought out opportunities to lead and to stretch and to achieve, to do more, earn praise, perform. Dad always said Fugmans aren’t afraid of work, Fugmans are hard workers. He instilled this drive. He was the man who had been my guide. But Brandon was the man I had chosen to walk with me out of the sanctuary, the man who would walk beside me from the altar forward. He brought me a different sort of pride. We had weighed and measured our potential, considered our compatibility, discussed the ways we would raise children, established our priorities. In him, I had found a worthy Scrabble opponent, someone I could adventure with, a man who could say “I’m sorry,” a man who would forgive me, too. For all of that and more, I had chosen him.
Now, Dad held the hand and waist of Mrs. Brandon Wells as we danced. Far in the past, a little girl crawled across his chest and stole his John Deere cap, blue eyes grinning into the face of the camera. She asked for Hooper Humperdink at bedtime again, and now we can all recite it from memory—Pete and Pat and Pasternack, I bet they come by camel back! Back there, too, she watched her mom and dad spin slowly in the living room to “If We Make It Through December,” not knowing then the depth in that melody, not knowing then the weight behind eyes connecting and smiles, what it means to make it through December, together. He taught that little girl the cast of a rod, the slow click and reel after the bobber plunked onto the surface of the water, how to bait a hook with a squirming night crawler. He coached the in-and-out of orange construction cones for hours until she mastered how to parallel park before her final driving test. Whether intentionally or accidentally, he had been preparing me.
Now, we turned slow around the dance floor, each sway a step closer to the last note in the song. Gone was the night we stared up at the cloudless sky on the hill by the old maple and waited for the meteor shower. Evenings swaying in front of a fire pit, turning front ways then back to warm our bodies as we talked about God and faith and family and regret, until the coals flashed red and black, flames dying, then walking slowly into the house to bed. There would be no more creasing wrapping paper in the dry heat of the excavator’s shop on Christmas Eve with him, no more Dad topping off and lifting my bushel basket of corn from the end of a row and spilling it with ease into the bed of the red pickup truck, Dad gunning the accelerator of the snowmobile through the fields with me clinging to his coat toasty in my snowsuit and helmet, Dad showing me the slow slide of a cue stick between thumb and index finger and then the thrust that sent the cue ball breaking against the racked triangle of billiard balls.
All of life before that day squeezed between his dusty calloused hands and mine, a slow turning, slow turning until the end notes began to play. My fingers are my father’s; long and lean, rough along the palms from a summer shoveling mulch, tough where a pen had rubbed and formed a writer’s bump. They were made for work; they were made for pouring your sweat into the thing you loved.
Even over the black tuxedo, fresh trim, and aftershave, I could breathe him in when we embraced, the scent of sweat and sun and earth and oil, “I love you, Sare,” he said.
“I love you, too, Dad.”
“It is a beautiful song,” Mom tells me later, “and we chose it for a beautiful girl.” Sometimes we’ll sigh, sometimes we’ll cry, and we’ll know why, just you and I… Maybe it was perfect. As Mickey Gilley lulled a final “…know true love ways,” Dad spun me out, then pulled me back in, my white dress billowing, the bill of his father-of-the-bride cap shadowing his smile.
•••
SARAH M. WELLS is the author of Pruning Burning Bushes and a chapbook of poems, Acquiesce. Poems and essays by Wells have appeared recently in Ascent, Brevity, The Common, The Good Men Project, New Ohio Review, Poetry East, Puerto del Sol, River Teeth, and elsewhere. Sarah’s poetry and essays have been honored with three Pushcart Prize nominations. Two essays were listed as notable essays in the Best American Essays 2013 and 2012. Her memoir-in-progress on dads, husbands, and the girl between is tentatively titled American Honey. She is the Administrative Director of the Ashland University MFA Program and Managing Editor of the Ashland Poetry Press and River Teeth. http://sarahmwells.blogspot.com.
I wrote this story for you, but when I began it I had not realized that girls grow quicker than books. As a result you are already too old for fairy tales, and by the time it is printed and bound you will be older still. But some day you will be old enough to start reading fairy tales again. You can then take it down from some upper shelf, dust it, and tell me what you think of it. I shall probably be too deaf to hear, and too old to understand a word you say, but I shall still be
your affectionate Godfather, C. S. Lewis.
Introduction: The Lion, the Witch and the Wardrobe
I am packing for several days away from my family, away from my husband, Jonathan, and our three children. I am going to spend much of that time in a hospital, I know. I am preparing for this by carefully considering what I will need and what I need to leave behind. I stand before my closet, my Wardrobe, and consider my options. I pull out two skirts. They strike me as nicer than my typical jeans and perhaps they will somehow help me feel more comfortable, more grownup, more respectable in the hospital world I am about to enter. Maybe I’m reaching for a fur coat as I pass through the Wardrobe and into Narnia.
I move from the closet to my nightstand and gather my laptop and cell phone and coil up their power cords. I take several folders and books of work I am in the midst of. And then I grab a book of fiction, thinking I might have a lot of time on my hands, and I toss it into my shoulder bag. The one I grab is from the pile of middle-grade-reader books I have recently collected from the library for Julia, our daughter. Books that expose young readers to the world outside their family, with themes of the difficult but doable, dark but with a promise of a happy ending.
Julia and I are working our way through this stack, both of us happily devouring the stories. So perfect for her because she is nine. So perfect for me because apparently this is what I need right now. As I enter this new stage of my adult life and grow up a bit, and I reach for the fairy tales of my childhood to help me walk through this new terrain and find a path through the dark forest. Just as C.S. Lewis promised. They are my sustenance right now, and, like a gingerbread house, they have me enchanted and captivated.
So. Two skirts, a cell phone, and a child’s book to keep me company during a very adult journey. I register the irony, and also how it seems just right.
Somewhere within me, down deep, I know. I know it is very important what you select for a journey. In your bag will be the only things you will have when you face problems, uncertainties, riddles, witches, and wolves. What seems random, what seems thrown in for another purpose, or by chance? Could be what you trade for your very life.
At least that’s how it works in fairy tales.
•••
As with all great art, the fairy tale’s deepest meaning will be different for each person, and different for the same person at various moments in his life. The child will extract different meaning from the same fairy tale, depending on his interests and needs of the moment. When given the chance, he will return to the same tale when he is ready to enlarge on old meanings or replace them with new ones.
Bruno Bettelheim, The Uses of Enchantment
My father has been gone from the hospital’s surgical waiting room for quite a while. Really, for a long while. Though I am not sure this is actually true. It feels as though I have been here alone—alone but surrounded by strangers who are separated from me by their own internal struggles and worries about their own loved ones—for hours.
My mother is in surgery, a minor surgery, a surgery resulting from her age, a “tune up” as we explained it to our three children when I told them that I was going to be away for two nights in order to be with Grammie in the hospital. I am here just in case. Here to keep my father company. Here to try to make sure my mother moves more easily through the complicated sequences of hospital care. Here to get her home as quickly as possible.
I have come to that place in my life: I am caring for my own children, big enough to not need me at all moments of the day, but often needing me more, needing me to be figuring, wondering, considering with them in more complicated ways. This time of tending my children blurs and overlaps with the beginnings of tending my parents. Helping them out here and there.
And then, my father returns to the waiting room from a trip to the bathroom and from a walk out to the car to find something to pass the time. He gives me a small smile and walks over to our chairs with his lopsided gait, never quite having regained his surefootedness after his knee surgery a few years ago. He eases into the chair beside me and says, “I should have left a trail of breadcrumbs. I got a bit lost.”
I look at him, assessing his seriousness.
He does not seem upset. If he was lost, he seems to have handled it. And then, I look down at my hands in which I’m holding the fiction I grabbed as I packed at home. It had remained tucked away in my bag until, alone in this room, I had dug it out in order to help me ignore the pain and sadness of the people around me, to drown out the daytime talk shows blaring on the TV in the corner of the room. To hold my gaze so I could give myself and those around me a sense of false privacy.
Its title? Breadcrumbs, by Anne Ursu.
In this moment, I realize that this book is my Floo Powder, my portal between two worlds. My magic beans, my potion in a vial, my key tied around my neck opening the last door I need to pass through. From the moment I started to prepare for this journey, and really for every moment, every major event of my life, there is a steady undercurrent of story. Moving like a river that guides and explains, flowing under the surface of real life. These fairy tales and children’s stories—with their themes and roles and relationships, their adventure and struggle with maturation and separation and needs and desires. They are told to us when we are young and are here with us in every conscious moment. We retreat to them, draw upon them, quote them, and use them between us as a shared experience and vernacular to guide us.
Fairy tales, given their oral storytelling origins, hold common truths. In fact, they must. For in order for one narrator to decide to pass them along to another, tales had to have been deemed good stories. Had to hold themes and roles and problems and resolutions that resonated with their audiences. They were told again and again until eventually they were written down. And then read again and again, until they became a part of our cultural history, and of our personal narrative and compass for our own lives, internal and external.
I look over at my father, my former woodsman, to see if somehow he knows, if he is referencing my book’s title. But he is not and does not know that I am reading this modern fractured fairy tale. He is instead listening to his own internal map, relying on the network of story that is within him as well, trying to make meaning, trying to understand these unfamiliar woods by following the rules of those storied woods he does know and has visited before. Hoping that perhaps he will know what to do now.
He and I have been adjusting ourselves to each other in these past hours, figuring out who sits and who stands near my mother during admission. Who gets the first kiss goodbye as my mother is wheeled off to surgery. Who answers the phone when my mother’s name is called in the waiting room. Who pays for snacks from the cafeteria. Who is in the lead and who is following behind on this path. It used to be him leading, always. But today, as uncomfortable with and as ill-suited to the task as I may feel, I think it may be me. If my father is not the woodsman, then I may not be the little girl anymore. Even if these woods are dark, and the nurses and wolves are scaring me a bit.
My father, as many do who reference this story, seems to have forgotten that the trail of breadcrumbs was faulty. On their first trip to the woods, Hansel cleverly drops white pebbles to lead them home. It is on their second trip that he uses breadcrumbs, his only available material, and these impermanent, edible, and disappearing trail markers are what ultimately cause Hansel and Gretel to get lost in the woods, unable to return home. Only then, faced with this problem, does Gretel rise to the occasion and lead the way on her own self-determined path to their happy ending. Somehow it is troubling to me that my father has forgotten that we don’t want to leave breadcrumbs, that what he needs is something more permanent. And inedible.
So far? My role is to hold things. I have placed my mother’s car keys in my shoulder bag next to my cell phone and have tucked her wedding ring, the one they snipped off her finger in case there were complications, into my change purse. Before I did so, I checked the engraving. The nurse had not cut through the inscription, my parents’ initials, followed by the date of their wedding. Somehow I am relieved. And like any fairy tale, each item I collect has some kind of meaning, some kind of purpose, each statement a window into underlying wishes and needs.
•••
This is what happens on journeys—the things you find are not necessarily the things you have gone looking for.
Anne Ursu, Breadcrumbs
My phone vibrates, a text from my brother. He is at work, a doctor, several states away. He hasn’t heard from me. My father and I have been waiting here for six hours for what we were told would be a three-hour procedure. I have not texted my brother for a while with an update. Because I am trying to sit still, trying not to move. Movement might be interpreted as panic by the imaginary wolves of possibility in the room with me. I am waiting for some information. I have been hoping not to have to send a message admitting that I have no idea what is taking so long. I know right now where my father is, but I have lost my mother for a bit.
Despite the states separating us, my brother and I are here together in this new place. Trying to figure out how to make this shifting role with our parents work. And how it will work between us. Because we are still the same people, the same children. We are still on the same path, walking together, he the older brother, me the younger sister. Our roles, our history, the story of our childhood together cannot be ignored as we take these next steps.
My trickster brother, my fellow backseat rider, has grown into a brilliant and successful adult. He actually saves lives on a daily basis. In his role as Hansel, his focus is on the world in front of him, and he moves through it with strength, skill, and confidence. He expects, as darkness falls, for the white stones he wisely laid earlier to begin to glow, to keep us safe, and he expects to know the right thing to do.
I’m not sure he would ever leave a faulty trail of breadcrumbs. That’s my role. I am much more likely to leave behind a trail of the accidentally vanishing variety, birds eating the crumbs and making our way home impossible. And this mistake would not shock anyone who knows me. I have been given the role of observer, wanderer, emoter, but rarely leader. My ear is more likely pressed to the forest floor, listening to the rumblings and undercurrents and meanings that are held beneath the surface of the action above. When I try to walk the path that Hansel would blaze, I trip and stumble and get lost, because this is not my role and not the path I would choose for myself. But with my lifetime of poorly chosen materials, I am afforded the ability to laugh at myself and not be very surprised to find myself lost in the woods because I was listening to the rhythms below, with no plan for getting home. I look about the room. It is relatively empty. There is no one to ask for directions.
Some time later a nurse and then a doctor come to tell us everything has gone well. My mother is doing just fine and is in recovery. I am relieved. And a bit angry at the doctor for the frozen fitful slumber my father and I have been plunged into for the past three extra hours. I ask a few questions. My father is quiet but asks for reassurances that she is okay. My mother’s doctor looks tired. I try to forgive her. I tell her I hope she can go rest for a bit. She looks taken aback. I realize that this was not the thing to say here. She is the one doing the caring.
We are told we have another hour before she will be ready to be transferred to her room. I tell my father I will be right back, and I go to the bathroom. I text my brother and Jonathan from the stall. I need a few moments of aloneness with my relief.
I emerge and go to wash my hands. I look at myself in the mirror. I reach up to my hairline and pluck a grey hair from where it has been sticking straight up toward the florescent lights. I stare at my reflection for a few moments before another person enters the room.
Mirror, Mirror.
•••
She had done her best to be prepared, but had not anticipated crazy people.
Anne Ursu, Breadcrumbs
Despite all my preparation, packing, and collecting along the way, I had not expected to get into an elevator with my mother, pale and scared looking, still under the influence of anesthesia. Nor had I anticipated where this elevator would take us.
“Did you and Dad get some breakfast?”she asks when she sees me walking toward her. Despite the drugs, she knows her role, her lifetime as the Baker. I feel comforted that she seems lucid. This is a very typical question from her. I answer that yes, we have. And glance at my father. Should we tell her we’ve had lunch, too? I wonder through my eyes at him. He does not answer. Unlike in fairy tales, we cannot apparently speak with our minds.
I squeeze in beside her and hold her hand, lifting my large shoulder bag above the railing of her bed. I turn to her. She is focusing on me. Staring at me. The attention is unsettling. I crack a few jokes and then swallow more, realizing that the recovery room nurses in this incredibly small space with us might see my retreat to being silly as inappropriate. Or more likely, as the rantings of a heartless mad woman. My father is silent, making himself as skinny as possible, standing behind my mother’s head. I am not sure she knows he is there.
“I think I might be talking funny,” my mother says thickly, as though her face is numb and her tongue non-responsive. And then, “Did you and Dad get some breakfast?”Her eyes grow wide, and even more scared as I answerthat we have. And lunch, too. “Did something go wrong? Am I okay?” She’s garbling the words.
Her vulnerability is dawning on me. I respond by being overly cheery. I explain to her what the doctor told us, that it just took longer than they had anticipated, but that there had been no complications. I start trying to be funny again. My father can’t hear me. My mother is loopy and confused. The recovery room nurses just look at me. I am babbling.
“Did you and Dad get some breakfast?”she asks for the third time. I turn to my father, who either has not heard her or is really good at hiding his reaction. Are we trapped in some small circle of time together, sleeping in this moment for eternity while the rest of the world moves on without us? Or maybe I am just being childish and this is just something that happens when Moms come out of anesthesia?
This hospital. I was born here. And as if to make this all come full circle, I follow my mother’s wheeled bed out of the bank of elevators and onto the maternity ward. “Ah,” I say, “this is where we met.” I say it mostly to myself. But my groggy mother and her recovery room nurses look at me with equal amounts of confusion and concern.
•••
“Critics who treat ‘adult’ as a term of approval, instead of as a merely descriptive term, cannot be adult themselves. To be concerned about being grown up, to admire the grown up because it is grown up, to blush at the suspicion of being childish; these things are the marks of childhood and adolescence. And in childhood and adolescence they are, in moderation, healthy symptoms. Young things ought to want to grow. But to carry on into middle life or even into early manhood this concern about being adult is a mark of really arrested development. When I was ten, I read fairy tales in secret and would have been ashamed if I had been found doing so. Now that I am fifty I read them openly. When I became a man I put away childish things, including the fear of childishness and the desire to be very grown up.”
C.S. Lewis
Once we are settled into her room, we focus our efforts on the same things that I imagine my mother and father focused upon when we were last here all together forty years ago: eating, sleeping, and pooping. I notice families outside her door taking their first walks in the halls together, babies pushed before them in wheeled bassinets. I see lactation consultants come and go. I watch some newborns being cared for in the nursery. I run into tired fathers in the kitchenette downing coffee. I think of my children, and of my now-woodsman, Jonathan, to the north of here. And turn back to my parents.
I order my mother meals on the phone and I take my father for a third meal in the cafeteria. On my mother’s ward, the mothers’ ward, we pass by the newborn nursery at its center. I see myself there as a baby and see my own children being given their first baths in nurseries very similar to this one. I quietly register that I am now like my mother in another way: there will be no more newborns for me.
My mother is struggling with her lack of control, of being the one who now needs tending, and her mood is rolling in unexpected waves. As she wakes from her long slumber, we are cast as children, then as evil step-parents, pulled in and then pushed away. Her eyeglasses now returned to her, she holds them up, looks at me through them and then not through them. With glasses. Then without. Over and over. She sees me blurred followed by invisible, and I am not seen well in either case.
I step out and go for doughnuts. I nibble from the gingerbread house for a bit and bring back treats to my parents. Upon my return, I once again enter this shifting, muddy, dim terrain populated by the where and who and when we are, and by what we packed and who all of us have been up to this moment. We crash and bump and collide into all of these selves in the room together. The Woodsman and Gretel, the Snow Queen and the Gingerbread House Woman, the wolves and the birds. Hansel is on the phone, asking me about medications for which I do not know the names. I try to make light, but know that I should have asked about this already. I would like to talk to him about how full and noisy and messy it is here in the room with all of our past and present selves dancing about like wood nymphs. But I don’t. I just go find a nurse to answer his questions.
The chaos in that room. The spilling and boiling emotions. The things that have been felt and seen and said. My instinct is to talk, to process them, as I have awkwardly attempted to do throughout the day. But I choose to hold them instead. And not just hold them, but bottle them, thrust in a cork, and pop them into my bag. That is something I can offer all of us. For now, I will keep my awareness to myself so we can all continue moving forward together. I can wait to press my ear to the ground. I can choose to just keep walking.
•••
Now, the world is more than it seems to be. You know this, of course, because you read stories. You understand that there is the surface and then there are all the things that glimmer and shift underneath it. And you know that not everyone believes in those things, that there are people—a great many people—who believe the world cannot be any more than what they can see with their eyes. But we know better.
Anne Ursu, Breadcrumbs
Finally, I am heading home. My mother is doing well. My father is at the helm. My brother will be here later in the day. We have our happy ending. Yet I know I have now entered unfamiliar woods. And that I am going to have to walk around in them for some time now. And contend with the rustling noises.
When I get to my car, I notice that I have a message. From my father, to whom I have just said goodbye a few minutes before. I dial voicemail and set my phone on speaker. I begin my long drive back to my children, hoping to meet them outside their school, to hear about their days.
I just got outside and noticed there is a steady sleet coming out of the sky. The temperature is hovering at freezing. But as you drive north, it may be slippery. I don’t think it is going to accumulate, but I wanted to let you know. Please drive carefully.
The Woodsman has returned. So I grab a bite of turkish delight. Feel the fur coats brush against my face as I pass back through the Wardrobe. Flick the reins of my Subaru. And head north, toward home.
•••
REBECCA STETSON WERNER lives in Portland, Maine with her husband and three children. She has a doctorate in child psychology but uses it mostly to help her better understand all of her parenting blunders and to help her children choose good books. She has contributed to Taproot MagazineandGrounded Magazine and writes about parenting, children’s books, and life in their very old home at www.treetoriver.com.
My mother called today to tell me her dog died. She spoke in halting, measured tones; she expected me to be devastated. I should have been. After all, I had loved that dog and had chosen her myself from a motley litter of neglected pups shivering in a hole in some asshole’s backyard, a piece of plywood thrown over the top for shelter.
“Twenty bucks for her,” he’d said, then spit a stream of tobacco by my shoe. “Hell, take two. Ain’t got room for ’em pups. Second goddamn litter this year.”
I glared at him. I was fifteen, fearless. These puppies were no more than four weeks old; I could see that. The one I chose would probably be the only survivor. I scooped her out, a trembling golden pup with liquid brown eyes, a gift for my mother, although I was really the one who wanted a dog. Her belly, pink and soft, thrummed against my palm; she mewed like a kitten. I shoved money at the man, muttered thanks, and walked home with that tiny, trembling body tucked in my coat. I loved her already, of course. Her uncomplicated love would fill a void for both my mother and me: for me, she would provide affection and acceptance, and for my mother, she would be the perfectly yielding and submissive creature she’d longed to raise.
When I left home nine years ago, fleeing cool mountain air for desert sky, my only regret was seeing that cocked head poised at the front bay window, watching me drive away. I couldn’t explain to her that I wouldn’t be back that night, or the next, or maybe ever. She had slept piled on my feet for four years, but she was technically my mother’s dog. I’d driven away and left her there and, after a few days, stopped imagining her sitting at the window waiting for my return. It’s a talent I have. Out of sight, out of mind. But I did know this, from conversations I had with my mother over the phone, when conversation with her was still possible: the puppy I’d once rescued from a hole in the ground had grown old, couldn’t run anymore, couldn’t climb stairs, had gone blind in one eye, and suffered from bad hips. So maybe that’s why I didn’t cry. I knew it was just her time to go.
With my mother, it wasn’t so easy. I pictured her on the other end of the line, frowning, broken heart warring with bruised ego, waiting for me to offer her some form of compassion, or break down in tears, or anything to flood the dam between us. I could hear her questions in the silence. What happened? What did I do? I was grateful for her pride, which I knew would protect us both from the answers. She would never ask out loud.
•••
“Molly died,” I told my husband after dinner. Greg was at the kitchen sink, scraping leftover mashed potatoes and corn into a large coffee can. We’d recently begun composting, determined to transform our nutrient-depleted soil into something that could nurture a garden. That had been my idea. I had visions of sprawling zucchini, tomato plants with plump red fruit, flowering broccoli and crisp lettuce, thriving under the fierce desert sun. A garden against all odds. I soaked the hard ground and split it open, battling dry, unyielding earth with shovel, sweat, and stubborn will. I spread bags of musky fertilizer, breaking soft clumps against my gloves and sifting them through my fingers. I picked out stray bits of gravel and turned the soil until it was like silk, shaping perfect, even rows for sowing seeds.
The whole family planted together. My seven-year-old daughter methodically placed each seed according to the measurements on the packages, gently pressing a fresh layer of dirt on top. My son, who was two, dumped his seeds in a pile and brushed them roughly across his row, brow furrowed in concentration. Greg sprayed a fine mist of water across the plot, and we smiled at each other, hopeful. We watched the water sink in the ground, watched the ground deepen into rich, fertile black. The wet earth released pungent waves on the evening breeze, and the kids groaned, giggled, and pinched their noses.
Greg peered over the stove. “Who died?”
“Molly. My mother’s dog.”
“Awww. That’s too bad.”
He came back into the dining room, where I sat shoving food around my plate. The kids had already bolted to the backyard, Anne scattering bubbles across the lawn for the benefit of her little brother, who chased them maniacally, collapsing in laughter as they popped in his chubby hands. Greg leaned against the patio door and watched, grinning. “Look at those two. A ninety-nine cent bottle of detergent and they’re happy as clams. We could have wrapped some bottles for Christmas and saved a few hundred bucks.”
“Mmmm.”
He turned to me. “What’s wrong?”
“I told you. Molly died.”
“She was pretty sick, wasn’t she?”
“Sure. But still.” I pushed my plate away. “She was kind of my dog, you know, before I left home.” It was an accusation.
“You never told me that. I’m sorry, hon.” Greg tipped his head and smiled gently. “I’m sure it was for the best.”
I looked away from his sympathy, hating it. It felt better to chastise him instead of myself, for feeling nothing. I was a wonderful person. I stared past him, at our children playing. Anne stood like a gazelle, her legs long and graceful. When she had slid into the world, slick and purple and showered in blood, my heart had swallowed her whole. How exquisite, the relief that swept through me as I clutched her tiny body to mine, gasping at the final expulsion of my pregnancy and all its secret fears. You can love a daughter, I’d thought. You can be a good mother. There is nothing wrong with your heart.
•••
After Anne was born, we flew north to the little town nestled in the mountains where I’d grown up. Anne was my mother’s first grandchild; I wanted to give her every chance to form the bond with her granddaughter that had somehow eluded her with me. Perhaps the baby will even bring us closer, I thought on the plane. I imagined the hard lines of my mother softening as she watched me stroke my daughter’s smooth round cheek, sponge her tiny body clean, and swaddle her in soft towels; I imagined my mother gracefully relinquishing control and accepting her role as a grandmother.
The visit had been hell. She swooped in like a bat, folding Anne into her black embrace that was always more possession than affection. She pinned the baby against her shoulder while she stormed through the house collecting laundry; she clucked disapprovingly at Anne’s outfits, bundling her in blankets and whispering loudly to her husband, Tom, “The poor thing must be freezing!”
Tom would wink at me and shrug his shoulders. My anger at her dissolved into pity, for him. How could he stand it? But of course, he loved her. They had met and married shortly after I’d left home, eloping in Vegas in a move that shocked everyone. This woman who had never tolerated anyone. Tom was a good provider and she was able to quit working as a housekeeper; she took a part time job at a bookstore, spending her days quilting and working on her home. I was grateful that she had found someone she could live with; it relieved my burden of imagining how I would ever care for her later. It’s difficult to say who would be more miserable.
One morning on my way to the coffee pot, I glanced out the window and saw my mother feeding Anne a bottle of breast milk. She had spread a blanket on the grass and sat with the baby cradled in her arms, pressed against her bare chest where her button-down shirt fell open. Skin to skin contact. So Anne would know her smell. My stomach turned and bile burned my throat. You had your chance, I thought. I wanted to run out there, snatch my daughter away, and never return. Instead, I went back to bed, flinging myself down on the mattress she’d fitted with sheets from my childhood. I should never have come back here, I thought, and I began to cry, feeling all the ground I’d gained since leaving home shift underneath me, knocking me down.
•••
She’d come to visit us several times since then, alone; Tom hated to travel. The pattern was always the same. We began cautiously hopeful, skirting the landmines of each other’s egos. She lavished praise on my housekeeping, my children, my career. I stayed up longer than I wanted to, listening to her plans for the garage shelves, the arguments with her neighbors, the peace she finds in her rose garden. How badly I wanted to love her. In those first days, we even shared secrets. She once confided her recent lab results, and how she woke the next day facing her own mortality. I once admitted to feeling like an inadequate wife, never completely at ease with an ironing board or a skillet. We smiled at each other, tentative.
By the third day, our smiles had worn thin, and all efforts to reach each other receded in mutual irritation. Her compliments would grow louder, thinning and tapering into sharp points that punctured the air, her sincerity popping like a balloon.
“It’s so smart that you let Matthew eat whatever he wants! They’re only little once, so what if they’re chubby? It’s so cute at that age!”
“Anne certainly has her own mind, doesn’t she? My goodness, what a feisty thing! I guess the less you discipline your children, the better off they are, right? So they’re strong, independent. Yes, things are different now, and I’m sure it’s for the best.”
Only I understood her. My husband was oblivious, and my children didn’t recognize sarcasm. I remembered the secrets I’d shared with her, and I felt embarrassed and angry for giving her more ammunition. Soon I was slamming cupboards and taking long walks at night, carrying on imaginary conversations where I politely told her to go to hell. I didn’t have to say anything; she knew. When it was finally time for her to go, she would ask Greg to take her to the airport, and we’d stiffly nod our goodbyes on the porch.
The guilt set in instantly, a churning in my belly, a fist around my heart. I pictured her at the terminal, sitting stoic, jaw set, wiping away angry tears. I cursed my weaknesses. What would it cost to indulge her? Why couldn’t I take the higher road? In another six months, I promised myself, I’ll try again. I’ll invite her down, and we’ll watch Anne of Green Gables and The Sound of Music and go out for huge, dripping hot fudge sundaes and swap our best salsa recipes.
And so I would invite her, and she would accept, and the goddamned trip would be just the same. Until the last time when everything changed.
When my mother called to tell me about her dog, I hadn’t seen her in two years. My husband had stopped asking, but of course, Anne persisted, fueled by the lovely, blind innocence of children. “Why doesn’t Grandma come anymore? When can we see Grandma?” I kept telling her, “soon,” hoping the knowledge would one day sink in and leave me blameless, like the truth about Santa Claus.
•••
I stood to clear the table, glancing one more time at my son, chasing rainbows spun in soap bubbles that burst on the grass. I saw the breeze shift, saw the bubbles suddenly change course and drift toward the garden.
“No!”
The dishes clattered back to the table; I threw the patio door open just in time to watch Matthew crash through the freshly cultivated plot, crushing onion stalks beneath his knees as he tripped. His arms flung out, his fingers driving through the dirt and ripping out several newly-sprouted carrots. He stared at their exposed, spidery roots, then looked up at us, uncertain.
“Bubba,” he explained.
“Oh, honey.” I stepped gingerly between the rows, scooped him out, and brushed the dirt from his clothes.
“It’s not his fault,” I said to no one in particular. “I meant to get a little fence up.” Matthew twisted away and raced back to the yard. I knelt at the edge of the garden to survey the damage, careful to avoid my husband’s gaze. Warm tears were slipping down my cheeks and I dabbed at them with my sleeve, feeling ridiculous. Here were my baby carrot plants, torn from their cool, dark shelter, where their roots had already begun to spread hungrily. I picked one up and gently placed it back in the ground, securing it with a fresh mound of earth, hoping it might survive. Greg knelt beside me and began to do the same.
We worked quietly together as the sun began its slow descent and cast honey-colored shafts of light across the patio. I felt his gaze pass over me like a shadow. He had learned not to ask. After several years together, I still didn’t know what you could and couldn’t share with a husband. No one can hear the whole truth of a person, and not walk away.
Later we made love in the dark, and after, the tears came again. I sat up and pulled my knees to my chest, wrapped my body in the blanket. I told myself it was time. In the dark, I wouldn’t have to see his face.
I told him about the last time she came, right after Matthew was born, when Tom came with her. I told him how one day, when I turned the water off in the shower, I heard Matthew screaming from the bed. I told him how I rushed into the room, laid next to my baby and nursed him, dripping water on his cheek. How I jerked the sheet over my naked body when someone knocked on the bedroom door, and then entered. How Tom paused at the bathroom door, then turned back and asked if he could watch. “I’ve never seen a woman nurse a baby before,” he’d said, and I thought it was all right, he’ll just look for a minute, and I was covered up, the baby latched on.
I told my husband how I wasn’t prepared when Tom sat on the bed and found the baby’s leg under the sheet, how I was too shocked to protest when he began stroking Matthew’s leg, rubbing my thigh in the process. I told him how my throat locked, and it seemed like it went on forever but it was probably only a minute and then the baby let go and my breast was exposed, wet with milk, and Tom gasped and then he stood and walked stiffly to the bathroom without saying a word.
Greg was silent. And then he said, “But are you sure he—”
“Don’t,” I hissed. “Don’t you dare question me. That’s why women don’t tell. But I’m telling you. A woman knows.”
Later, Greg held me under the bright lights of our kitchen. He stroked my hair. He asked me what I wanted him to do.
And I told him. Nothing. Because she needs him more than she needs me. Because their marriage is worth more than our fractured relationship. Because it’s too late for her to start over. Because I think the best gift I can give her is to let her go.
•••
AMBER STEVENS is a pseudonym, for obvious reasons.
Ahh, the Pageant. My family’s greatest Christmas tradition was the product of my mother’s desperate struggle against in-laws for the rights to Christmas Eve. When the Pageant was born, twenty-five years ago, my brother Larkin and I were my mother’s only adult children who lived close enough for her to realistically expect to see us every Christmas. We both married into families with strong cultural and religious customs surrounding the holidays. Our new families always gathered Christmas Eve for tamales, empanadas, presents, and church. Both of our in-laws are Catholic, the divas of ritual and tradition. On Christmas Eve they attended midnight mass, complete with incense and holy water. Our own Christmas Eve traditions had been less predictable. We were raised Quakers, so we had no midnight mass of our own. Some years we crashed the service at one of the local churches; some years we didn’t. Most years my mother would try to coax us into singing Christmas carols, but once we became teenagers, Christmas Eve involved spiked eggnog and going out more than family togetherness. Not that my mother ever gave up trying. All in all, our family customs most certainly lacked the strength and conviction of our spouses’.
For the first several years of our marriages, Larkin and I tried to squeeze my mother into our holiday plans, but we rarely made it to her house on Christmas Eve to sing carols or drink hot cider. She was struggling against the bond between our spouses and their families, their mothers in particular. It was like pitting Elmer’s School Glue against Gorilla Glue, an unfair contest by any measure. However, my mother is the little bulldozer that could. She is, as she will often say, a problem solver. She wanted to ensure that we would feel the same inexorable pull to her at the holidays that our spouses felt towards their mothers. She understood that what she needed was a compelling event that could carry the weight of Mary in a manger, holding dear baby Jesus, five pounds, six ounces, wrapped in a swaddling cloth.
And so, the Pageant. It was the story of the Nativity, to be performed on the evening before Christmas Eve. It started off small. Just the family, a few bathrobes and ties around our heads for the shepherds, a nightgown and shawl for Mary, and a plastic gold crown for King Hared. And scripts. My mother had written scripts for each of us. But overall the production was quick, simple, no room at the inn, star rises in the east, Mary has a baby, sing a few carols, and it’s done.
The second year, my mother wanted to add depth and earnestness to the evening.
“Wouldn’t it be great if each of us brought a gift for Jesus?” she said enthusiastically. “Just like the wise men!
“I could tell a story! Larkin could play a song on his guitar!” she continued with truly disturbing glee. She was blind to the looks of horror on all of our faces.
My sister-in-law once removed (I believe that’s the technical term for the sister of a sister-in-law) was sixteen and a cheerleader at the time.
“Jen, how about you bring a cheer for baby Jesus?” my mother asked.
At sixteen, Jen did not yet have the wisdom or perspective see the golden opportunity in front of her. My beloved Never-Here-at-Christmas-Because-He-Lives-in Los-Angeles brother Josh, when told this story many years later, immediately rose to the occasion that Jen had passed over.
“Give me an ‘N’! Give me an ‘A’! Give me an ‘I’! Give me an ‘L’! Give me an ‘S’! What’s that spell? NAILS!!’“ Josh cheered as he flung himself against the wall in the shape of a crucifix. Josh is decidedly not Christian. My Catholic middle school–aged daughters nearly wet their pants at this, and instantly decided Uncle Josh was the coolest person they’d ever known. The nuns at their school were less taken with the cheer when the girls performed it for their friends at school after the holiday break.
But Jen was just a teenager at the time and could only roll her eyes and say, “Ah, yeah. Great. I’ll get right on that Mrs. Stallings.”
I wish I could say that we entered into this yearly production willingly, lovingly, and with true holiday spirit. The truth is there was much rolling of eyes from all of us and whispers of how bossy my mother can be. But despite our resistance, she never gave up and, in fact, her zeal and resolve seemed to grow with every passing year. So while there were no cheers for baby Jesus, we did put on the robes and the ties around our heads and said our lines with as much sincerity as we could muster. We siblings do like to amuse ourselves however, so we lightened our load by adding in lines like “And Mary rode Joseph’s ass all the way to Bethlehem,” and “We three kings of orient are, smoking on a loaded cigar.” My mother was too immersed in her role as director and producer to notice.
Over time the production became more and more elaborate. We invited friends, especially ones we could sucker into playing parts. We added real costumes with tunics and headpieces, feathered angel wings, sound effects (God on a boom box), and even a balloon star that did indeed rise … from behind the piano.
One year, ashamed of my bad attitude and failure to see the beauty in this humble play, I promised myself that my gift to my mother would be to surrender to the season and enter into the event with true love and kindness. I was doing well until we had to take a trip to the costume shop to buy new shepherd’s staffs and donkey masks and, for goodness sake, a new crown for Hared. The first store didn’t have good shepherd’s crooks and frankly their crowns looked cheap. We needed to go to the costume store on the other side of town. It was the height of the Christmas shopping season and traffic was snarled. Every station on the radio was playing stale Christmas carols sung by barking dogs. I desperately wanted to abandon the quest, but my mother was high on Pageant crack, and nothing was going to stop her.
I tried. I really tried. But I reached my limit, forgot my promised gift and screamed like a nasty teenager. “It’s a fucking pageant! A pageant we do in the fucking entry way of my house!” So much for true love and kindness.
My mother ignored my bad mood and on to the costume store we went.
As our children grew, much of the Pageant burden shifted to them. They advanced from sheep and donkeys to speaking parts. Heaven help the granddaughter foolish enough to bring home a boyfriend to play in our reindeer games because she was sure to be cast as Mary and her bewildered boyfriend as Joseph. Nothing cements a fragile adolescent romance like having to play an unwed pregnant teenager and her new baby daddy in front of an audience.
When the children were little, they looked forward to the Pageant and entered into it with joy. They were serious and studied their parts and had to be sure their costumes were just right. Then the grandchildren invariably hit an age where the only way to get them to participate was to say through clenched teeth, “Do you want to break Grandma Jane’s heart? Do you? Do you want to be the one to ruin Christmas?” Later they go would off to college and begin to miss the symbols of childhood, and return, ready to mock and make snarky remarks with the rest of us. The year my mother turned eighty, we took the Pageant on the road and performed it in a little community center in the rural California town where my mother had moved. We graduated beyond the entryway of my house to a theater with a real stage. Her birthday guests never knew what hit them.
The Pageant successfully fulfilled my mother’s purpose. For over two decades, she had a night all her own: a night that transcended Christmas Eve. She took it on like a Broadway pro. Each year she lovingly brought out and ironed the costumes, fluffed up the angel wings, and replaced the crooks that had been turned into swords or chewed by the dogs. She reviewed the scripts and assigned the parts and looked forward to an evening surrounded by family.
My mother is eighty-three this year, and travelling from California to Texas has become harder for her. For the last two years, she has lived in a retirement community where she has made a lovely circle of friends. This year, she told us she would not be coming at Christmas, and could we please send the costumes and scripts out to her. She has a whole new cast to direct, a group that will likely do much less eye rolling and complaining under their breath. I like to think of her and her elderly friends dressed as angels and shepherds and sheep. I wish I could be there to hear the lucky woman who gets to speak Mary’s line about never having been with a man. In spite of my pettiness, the Pageant has come to mean Christmas to me. It has been a constant in my children’s lives. Some years annoying, other years joyful, but always there. A thread that bound my family to my mother, year after year. I thought it was forever, just as I would like to believe my mother is forever.
Maybe this year I’ll try to guilt my teenagers into wearing bathrobes and scarves. I am not the powerhouse that my mother is, but it’s worth a try. I think I won’t ask them to make up any cheers. At least not this year.
•••
SHAUN ANZALDUA has a graduate degree from the University of California at Davis. She is a writer and real estate agent. Shaun currently lives in Houston with her three teenage children. She is a contributor to Brain, Child and is currently working on a collection of essays.
About thirteen years ago, my husband’s grandmother, Miss Elizabeth, was moved to an assisted care facility. Initially, it seemed surprisingly nifty. There were big screen televisions, prepared meals, and lots of friendly staff members. Except for the occasional funky smell and confused outburst, it felt a lot like a geriatric college dormitory setting. This was a happy surprise—I had anticipated grungy green walls, stained linoleum floors, and rows of abandoned bodies anchored to wheelchairs. Instead, I walked into an open, airy atrium, decorated with large, luxurious Boston ferns and a spacious bird cage, home to a few brightly colored finches. Two cheerful ladies sporting tight perms and meticulously coordinated track suits greeted me as I stopped to look more closely at the finches. I was not crippled by sadness, walking into this place: a genuine blessing under the circumstances.
All kinds of folks landed at Hillside House, as I’ll call the facility. Elizabeth had been diagnosed with some nasty “female” (it was, in fact, uterine) cancer six months earlier. She had most likely been ill for some time before the cancer had been detected, but she had ignored some symptoms, assisted by well-intentioned physicians along the way. By the time her illness was acknowledged and diagnosed, it was statistically unlikely that Elizabeth would recover. Her treatment plan was labeled “palliative,” designed to give maximum comfort and healing without subjecting her to rigorous procedures and quasi-lethal medications. Reluctantly, the family agreed that she could no longer live independently and Hillside House seemed the least-terrible option available. Which didn’t make it any less terrible for Elizabeth.
•••
When I first met Elizabeth, she was in her late fifties and I was engaged to her grandson, Ed. Ed and I had met in college, fallen quickly and completely in love, and caused our parents all kinds of consternation as a result. Especially Ed’s parents. My parents were divorced and disorganized and fairly unconcerned with societal expectations and judgments. Sure, they hoped Ed was not secretly a serial killer with a collection of severed Barbie doll heads under his bed, but he seemed respectable enough, with his gentle Southern accent and aspirations to become a high school English teacher. On the scale of crazy in our family, he was hardly a blip on the screen.
Ed had grown up in a small, rural community, where your life was fodder for community review sessions, courtesy of your friends, neighbors, and your very own respectable family members. What they knew was this: I had not been raised in Virginia, my (ahem…divorced) parents were both Yankees, and I had been baptized in the Catholic (aka “Papist”) church. I could have come with more familiar credentials, and certainly, a more civilized bloodline.
Still, Ed seemed to like me fine, and that was good enough for Elizabeth: she fed me right along with the rest of the family. Ed grew up three miles down the road from his grandparents and spent many happy days eating freshly fried chicken and as many ice cream sandwiches as he could manage at their kitchen table. Elizabeth didn’t talk about how she felt, or how you felt, or what was wrong with the world today; she was busy putting more potatoes on your plate and checking to see if you needed more chicken. She was a pragmatist, by necessity—dreamers in her time didn’t have a great survival rate. After all, there was too much work to do: there were parents, and grandparents, and if you were very, very lucky, children, to care for. Elizabeth did what was expected of her: she tucked her own dreams away and nurtured those of her children.
And Elizabeth loved children. She taught them handwriting and prayers and how to slaughter a chicken neatly. She fried piles and piles of salt fish and potatoes at four-thirty a.m. on winter mornings so “the boys” (she’d had two, three counting her husband) would have a good breakfast before they set out hunting. Both of her sons married spirited women who may have wanted their husbands home on chilly winter mornings, and as the years passed, Elizabeth found herself preparing fewer and fewer early-morning fish feasts.
When I came to the family, Elizabeth and I developed a heartfelt, if timid, affection for one another. We didn’t really speak one another’s language, but eventually I learned to shift my conversation to weather predictions and local news, and she learned that I was not judging her on the tenderness of her chicken or the tartness of her fig preserves. We became allies in the muddy world of multi-generational family allegiances, and by the time Elizabeth became a resident of Hillside House, she was much more like my own grandmother than any kind of in-law.
About three months before Elizabeth got sick enough for anyone to notice, I learned I was pregnant with my first child. This was a considerable relief to everyone involved. Initially, our families feared that our lickety-split trip to the altar indicated that a “six month” baby was on the way. After a year, there was no baby. Several years passed, in fact, with no baby, and family members began to wonder whether we were incapable of reproducing or just too selfish. Ed and I kind of wondered ourselves, so when we learned a wee one was on the way, we leaned into the future with happy resignation and notified our parents and grandparents accordingly. The ensuing excitement was tinged with achy sorrow as Elizabeth’s illness unfolded parallel to my pregnancy.
•••
So there we were: Elizabeth, wondering how she’d ended up in this silly establishment full of old people and food without nearly enough seasoning, and me, wondering kind of the same thing.
One afternoon, as we sat in a sunny spot on the back terrace, a tiny, hunched-over woman who I’ll call Miss Emily shuffled by. As she went back in, she threw us an accusing look, as if we’d just pelted her car with raw eggs or something like that.
“What’s wrong with her?” I asked. “Are we sitting at her table?”
Elizabeth snorted, coughing a little in the process. “Aw, don’t worry about her. She’s always on a tear.”
“Why?”
“I don’t rightly know, honey. She won’t talk to anybody. She just rushes around here like somebody’s after her.” Elizabeth sipped her chamomile tea. “It sure is aggravating, I’ll tell you that.”
I saw her point.
•••
A few weeks later, Hillside House had become much more familiar to me. It felt less like a college dormitory, and more like the set for an episode of The Twilight Zone. At first, everything had seemed pretty normal. Which I guess it was, since aging and death are normal realities. Still, it’s outside the norm to find a whole building purposed for housing folks in this chapter of life, and there was a certain sensibility that colored the residents and their visitors accordingly.
For example, we’d gotten used to a woman I’ll call Miss Agnes, who sat on the loveseat in the corner, singing, “I’m ready, I’m ready, I’m ready for my ice cream.” Sometimes she got a little pissed and sang louder, in a growly tenor: “I’m READY. READY. READY FOR ICE CREAM.” And so on. The nursing assistants spoke to Miss Agnes gently, and would sometimes guide her to the next activity or simply let her chant the day away, dreaming of ice cream.
One afternoon, Miss Emily skittered by the periphery of the room we were sitting in, and I asked Elizabeth if she had heard anything that might account for Miss Emily’s strange behavior
“Oh, honey,” Elizabeth sighed. “Miss Emily is nuttier than one of Grandma Sutton’s date bars.” That much I knew.
This was her story:
Miss Emily was a book thief. Since her first day at Hillside House, she’d been collecting printed materials. She started with a stash of brochures at the front desk and soon moved on to the large print Reader’s Digest magazines. Because she only took a few at a time, nobody noticed at first. God knows, no one ever saw the woman sitting, much less settled in with a good book. Two or three weeks into her residency, however, Miss Emily’s secret was uncovered. The staff tried to keep the old lady relatively happy, while quietly culling her print collection from time to time.
I was impressed. I wasn’t sure I’d be innovative enough to snatch reading materials like that.
Elizabeth let out a very soft harrumph and said, “Well, Jenny, I don’t know what in the world that crazy old woman is thinking. What is she going to do with all those foolish books anyway?” I said nothing in response, but thought I knew exactly what “that crazy old woman” was thinking. Exactly. And I tried not to hold it against Elizabeth.
•••
Books are not a nicety for me; they’re a necessity. Books have always been my friends. There were long periods of time in my childhood when I was surrounded by lots of unhappy adults and books and not much else. The books made excellent allies, even the duller ones. Also, since the adults involved were pretty busy being miserable, they didn’t have too much energy to squander policing my reading selections. I learned a lot about sex (a few choice scenes from Peter Benchley and Ken Follett) and frontier living (Laura Ingalls Wilder) and deeply disturbed loners (Edgar Allen Poe) at a tender age.
As I grew older, and mercifully, gained access to a broader selection of books, I glommed onto young adult fiction. At a certain point in time, I probably could have recited full chapters of Judy Blume books from memory. I loved a book called The Cat Ate My Gymsuit by Paula Danziger. I am still moved to tears by Madeleine L’Engle’s A Ring of Endless Light. The clueless (if loving and well-intentioned) adults in my life had very few helpful pointers for a chunky teen with poor social skills. If Judy Blume couldn’t teach me how to talk to boys, who could? Who would?
In the end, if you’re a reader, it doesn’t seem to matter so very much what you read. There is magic in seeing the world from another point of view, regardless of whose it is. And yet, there are some people who never quite get the magic. Elizabeth was one of those people. She read when obligated, but reading held no special pleasure for her. Maybe it correlates with the “no dreaming” environment she survived; her life had been shoved into external experience. Reading was an activity only the idle could afford, and she was too busy making sure that everyone was equipped with clean undies to read some trifling book. And hell, who really knows what batty Miss Emily was up to? Maybe she was just an elderly hoarder. She never said.
I like to think she read everything she took, though. Especially the Reader’s Digest. When it’s me, sitting in the determinedly cheerful atrium of Hillside House or Young at Heart, or wherever I end up in my final days, I hope I’ll have books to read, and I hope they’ll be my books, and not crappy little fliers and magazines stashed around the assisted care facility. I can see the fun in skittering around and snatching things too, though. It doesn’t matter if you call it a nursing home or an “assisted care facility” or the geezer house. What it means is, you can’t live by yourself anymore. Because you’re too old or too sick. And the next benchmark is not a new car or Hawaiian vacation. Even the crazy lady singing for ice cream had to know that. So you might as well enjoy the ice cream and read everything you can.
•••
I never did talk to Miss Emily, and Elizabeth lived for ten whole days after our baby was born. On the way home from the hospital, we stopped by Hillside House to introduce our new boy to Elizabeth. It was quite an event. Elizabeth was very sick by then, and spent her days drifting in and out of awareness.
Ed and I walked into the familiar atrium with the baby, hope and despair in equal measure bubbling around in our hearts. The old ladies gathered around to coo at the little one and to give us hugs. I was sobbing before we even got to Elizabeth’s room. The rush of raw joy and sadness coexisting made everything seem so terribly fragile.
We walked into her room. One of her sons sat beside her bed, holding her hand and quietly weeping. My husband and I sat down on the other side of the bed and she shifted her head slightly so she could see us.
“Oh, Jenny,” she said softly. “He’s just darlin’.” Then she managed a wink and a tiny chuckle. “Little boys are the best, you know.”
She was too weak to actually take the baby in her arms for long, but I put his tiny body down in the crook of her arm and he stayed like that for a minute or two. Then the spell broke and the baby cried and we had to leave.
We saw her one more time after that and the baby cried from the first moment we walked in. Finally, someone took the baby into another room, and Elizabeth took my hand.
“Jenny. Jenny, do you think I’m dying? Do you?”
In general, I like to think I’m okay being near very ill people. I think it’s because I am gifted in the finest nuances of denial and can carry on a quasi-normal conversation with the dying. I can discuss the weather, their medication, other family members, etc., etc. The problem is, I don’t want to scare the dying person. If they don’t know they’re dying, I don’t want to be the one to break the news.
I took a deep breath. “I don’t know. I think that’s between you and God, Elizabeth. I don’t know. But either way, it’ll be okay.”
Elizabeth coughed slightly and squeezed my hand. “I expect you’re right, Jenny. I expect you’re right.”
Just then, my husband walked in and reached for Elizabeth’s hand, resting his on top of mine. “Grandma, we’re going to have a little boy running around our hill again.” My chest caved in. She would never see our little boy run down the lovely, green hill that lay behind our house. It was the same hill she’d run down as a tiny girl, and that her children, and her grandchildren had called home. I thought I might smack my husband in the gut for reminding her of what would never be.
Of course, Ed was just as frightened as Elizabeth was, probably more so. And all he could imagine was how much she’d enjoy feeding another little blonde boy with an enormous appetite and smiling eyes. I think he was so happy and proud to have our little dumpling of a person to show his grandma that for a moment, he forgot that the story would go unfinished for her.
Elizabeth smiled again, the perfect grandma, wanting to comfort one of her boys one last time.
“Oh, Eddie,” she said softly. “I’ll dream of it.”
•••
JENNIFER JAMES lives with her husband and three children in rural Virginia. After graduating from William and Mary in 1989, Jennifer moved to Gloucester County, where she found work as a teacher’s assistant and veterinary receptionist until 2000, when her first child was born. After an approximate decade of diapers and interrupted sleep patterns, Jennifer started writing with purpose in 2010 and has been at it since. A good story is her favorite thing.
This is my sister Erin: As a child, she befriended the kids who were the outcasts so that they’d have at least one friend. In high school, we heard of a house fire; I donated some cast-off clothing, but Erin gathered up things that were still in rotation in her wardrobe. As an adult, she kept her door unlocked in case any of her friends dropped by and needed her. In the past couple of years, she has played host to a friend whose marriage needed some space, another friend going through detox, and another who was turned away from the psych ward although she was clearly in need some of mental health services. She stayed at Erin’s home, manic and wild, until her parents came to pick her up the next day.
Erin and I were born twenty-three months apart, summer babies, the children of school teachers. I’m older—I’m the oldest of the four of us sisters—but we each affected who the other became. As an adult, I’m expansive and generous and open to vulnerability; Erin taught me that. When I’m around her, though, I revert back to the same counter-balance that I’ve been all our lives: protective, suspicious of people who might take advantage of her giving nature, willing to fight her battles. I had a reputation, once, of someone not to fuck with, someone slightly crazy, aloof and unpredictable. I used to like that: it kept my sisters safe.
•••
Krissy, the third of us, called me. “Jeff died,” she said.
She’d called Erin earlier. Erin was gulping against her tears, more upset than Krissy had ever heard her. Erin’s husband, Jeff, had stopped breathing. Jill, our youngest sister, was on her way to Erin’s house where paramedics were working on him. In the next hour, there was confusion on Krissy’s and my part whether Jeff was actually dead. Maybe Erin meant that he died … but then someone had revived him!
She called Mom at work. “I think Jeff died,” she said.
“Krissy,” Mom said. “Did he die or not?”
“I don’t know.”
We were hopeful and inadvertently passed along that small hope to Mom, too, but no. They tried to save him. They didn’t.
(This is the part where I’m not going to write about Jeff, my handsome brother-in-law whom I’ve known since I was fourteen, the guy with whom I’ve laughed and bickered and grieved. This is the part where I’m going to keep up my denial that we’ve lost him. This is the part where my denial allows me to stay strong.)
The next day, Krissy drove up from Charlotte and picked me up in Charlottesville before continuing on. We stopped at a gas station for her to fuel up the car and for me to buy beer because I would need something to numb me. We’d been slap-happy on the drive up, too many hours in the car, and I stepped away to smoke a cigarette. The November sky in late afternoon was brilliant, cirrus clouds lit up pinky-orange by the setting sun. I don’t know why the sky is always important after a death, but it is. I can remember every sky after a death. When I came back to the car, Krissy was sobbing.
•••
We know how to get shit done.
Krissy and I got there too late to help make arrangements at the funeral home with Erin and their son Brit, but Mom and Andrew, Erin’s and Jeff’s friend, went; our Aunt Kathy met them up there. I was charged with writing Jeff’s obituary with heavy input from Erin and Brit. Jill took on making a playlist of songs to be played at the service. Krissy created a slide show that showed Jeff through the years, a slide show to which my eyes would wander the entire time at the funeral home.
Secretly, I had another mission: to determine who was a person there to surround Erin and Brit with support and love and who was a just a grief glommer.
The muscles of suspicion came back easily. After all, Erin was at the most vulnerable I’d ever seen her, lounging on the couch where Jeff slept, her big hazel eyes wet, veering wildly between intense grief and moments of okay. It was a testament to how open and welcoming Erin and Jeff were that so many people felt so close to them. Now, I eyed each one carefully.
In the aftermath of this tragedy—and this was a tragedy, Jeff only forty-two—our girl gang found the gamut. People are kind; people are misguided; people are completely inappropriate.
The first group was obvious. We found support in Erin and Jeff’s friends and our extended family, as well as in our own friends: food was brought, pictures were enlarged and framed, funeral deposits were made, alcohol was delivered.
I looked at the second group with some distance: the grief groupies. “I’m there for you,” although neither Erin for Jeff knew them, only knew of them. “If you need anything, call me—I’m not far away.” Yes, I thought at the time: Erin is going to call on near strangers to talk or maybe ask for help with the mortgage payment. Later, I could be more generous. I could see that these people were looking for a way to be important, looking for a way to make a difference. They were clumsy and maybe motivated by a hope that this was their chance to make a big impact on somebody’s world, but their impulses were benevolent. (Later still, some of these people would seem vaguely creepy to me, giving not only Erin but the rest of us too much personal attention.)
The last group, though, I still have nothing but disdain for. The grief looky-loos. They friend us on Facebook in the day or two Jeff’s death after not contacting us for twenty-some years without so much as an “I’m sorry for your loss,” and I have no idea why. You want to see what a family looks like when someone dies young? You want to see the face of raw mourning? You want to lick the salt of our tears? You want to see what Thanksgiving’s like this year? You want to hold my shuddering body as the baby-faced Army men fold a flag and present it to my sister? It’s not on Facebook. It’s here. Look close. You can call it schadenfreude, but it can happen to you.
•••
There was another category, though, and I’ll call her Liz. Liz was the friend who Erin and Jeff took in when she was turned away from the psychiatric ward. She claims to be bi-polar, but I suspect she’s schizophrenic; she abuses her medication so her condition isn’t controlled. I have loads of empathy for her in normal circumstances. She absolutely cannot help that she’s been dealt this illness, as debilitating as invasive cancer. But these were not normal circumstances.
Erin gets a text from Liz. She’s on her way up, she writes. She’s going to stay with Erin—permanently, if Erin would like! Erin, obviously, can’t take care of anyone at this point. Krissy offers to text back from Erin’s phone, to take one more thing off Erin’s plate, and we confer on the wording. Erin has a full house, Krissy texts, but we’re looking forward to seeing her at the funeral. At the last minute, Krissy asks me if she can change “Hi Liz, this is Krissy” to “Hi Liz, this is Jenny,” and I agree because this is what this is what the oldest is, the spokesperson and executive branch of The Family, charged with approving and enforcing the laws.
This is the place where I come home as a grieving sister-in-law and leave as the most hated alumna of my high school.
We’re plagued with other people posing the question: what happened? They come in droves, over the phone, on Facebook, in person. That evening, Jill and I drive the five minutes back to the home she shares with Mom and her daughter, and Jill tells me that everyone—all the sisters—are getting worn down. “What the fuck are they thinking?” she asks. “It’s not like we owe them anything.”
That night, I post on Facebook, “I know this is a hard time for everyone, but it’s especially hard for Jeff’s family. Please, please stop asking us what happened. What we know is that Jeff took a nap and died in his sleep. It’s maddening for us not to have more answers, too.” I tag my sisters, and, like that, the questions stop.
I tell my friend Tracy about this later, and she tells me that she thinks that there’s some part of people that looks for reassurance that death can’t happen to them. I agree, I agree, I agree, but can’t these people talk amongst themselves?
•••
The next day, I’m doing the day shift at Erin’s house. Our mom, Uncle Jimmy, and Grandma came by, but Erin fell asleep. Eventually, everyone leaves but Erin, Brit, and me, and, in the quiet, dim room, I watch her sleep while I read (not really, but it gives my eyes something to do) in the armchair.
The front door flies open. It seems unnaturally loud in the hush of the house. “Hello!”
A woman in sunglasses and a long, embroidered coat sweeps in the foyer. I get up from the armchair, and when she takes off her sunglasses, I see that it’s Liz.
“Liz!” I whisper. “So good to see you! Erin’s sleeping.”
“Oh, okay,” she says.
Brit comes in the room from upstairs, and she moves purposefully toward him, throws her arms around him, and cries, clinging to him, as if seeking comfort. Brit and I make eye contact.
No.
She releases Brit, asks me a few questions. She plays with the dogs for a little while. Serendipitously, another friend of Erin’s comes by. In the same whisper, I explain that Erin is sleeping, something that doesn’t come easily to my sister now. Liz asks me if she can hang out for a while. Brit interjects that Erin just fell asleep. “I’ll tell her that you came by,” I say. “I’m sure she’ll appreciate it. We’ll see you on Saturday.”
The two leave together.
But Liz comes back later that day, not on the day of Jeff’s funeral. She surprises us, showing up during the changing of the guard, when I’m going back to Mom’s, and Krissy and Jill are on their way over to spend the night with Erin.
In that time, Liz goes to the basement where Erin sits when she needs time to herself. I hear later that Erin talks to Liz, telling her how everyone has been so supportive: her family, Frank, Andrew… Liz starts arguing that she’s never heard of Andrew.
Really, she’s arguing for her own primacy in Erin’s life, which she cannot see simply doesn’t exist, although it’s no one’s fault.
Then Liz starts in on Erin’s decision to have an open casket. Erin tells her that she’s not going to argue about it, but Liz continues her rant. It finally falls on Brit—a man, but a young man, one who just lost his father—to stop her. “My aunts aren’t even here,” he says. “You need to leave.”
•••
We drive to the funeral home mostly in silence. I’m in the backseat with Jill and my niece. At every turn, I slide on the leather seat against their hips. The last time I spent any time squished in the backseat with family, we were going from our grandfather’s viewing to get something to eat. Then, Jeff drove us in his big truck. Now, my niece’s dad is driving.
I stare out the window at this part of Virginia to which I haven’t been since I was a teenager. There’s the strip mall where my best friend served frozen yogurt. There’s where The Black-Eyed Pea used to be, back when it was a restaurant and not a band. “Here,” Jill says. “Mike, turn here.”
“Jill,” he says quietly. “This used to be my playground.”
A grand old house with a broad porch has been converted to the funeral home. We help carry in what will be displayed: Jeff’s bass guitar, photos of him, trophies. The home is quiet and the wide wooden boards of the floor creak as we enter.
The funeral director’s name is Chad. Chad! Like a guy you know who maybe was a lifeguard in his youth and likes to party. But this Chad is soft-spoken and radiates kindness. He leads Erin and Brit into the chapel, where they spend some time together, alone, the three of them, the two of them.
When the private family time is over, people start arriving. In droves. Chad tells us later that since Jeff’s death, the phone at the funeral home had been ringing near-constantly with people trying to make sure they had the right time and place and day.
•••
The Niesslein sisters switch into full-on support mode.
Our parents’ divorce was a messy one, and although it’s been twenty-five years, some learned instinct—a prayer to no one: please keep it pleasant—kicks in for me when the two sides of the families come together—until now, just for graduations, marriages, and the births of grandchildren.
They’ve almost always kept it civil and sometimes downright pleasant, and they rise to the occasion again. I stand with my Dixie cup of water, wishing it were something stronger (a joke I’ll make a million times over the course of the day) and listen to chitchat between the two sides. Our cousin and his wife are wrangling their six-month-old son, a blue-eyed beauty whose heart belongs to anyone with a necklace to fiddle with. Our grandmother from the other side of the family notices him. “Bring me the baby,” she says from a wingback chair. She’s a little Godfather-like in her delivery, but this newest Niesslein brings both sides together in admiration of the little guy.
Family: check.
For the most part, Erin and Brit stay in the chapel, now crowded with people filling the pews, waiting in line to see Jeff’s body, wishing Erin and Brit their best. I look at Erin across the room, and I can’t even imagine how she’s still standing. I suppose that it’s a combination of denial and medication and the default mode of who she is: warm and loving.
As for the rest of us, we’re running around the place like the A.V. Club, asking Chad and his colleagues to turn off the music, turn up the mic, resume the music as people—Brit, Jeff’s friends, his musical buddies—give their tributes. People are spilling out of the rooms onto the porch, the driveway, the waiting room of the home’s office. Jeff and I graduated together, so his funeral is, in addition to being one of the most wrenching things we’ve ever gone through, an impromptu class reunion.
It’s crowded enough that we can quietly shun people who we know make Erin or Brit uncomfortable or who Jeff didn’t like. There is Liz, touching inside the coffin. There are a few other people who, when they look as if they might approach us, we busy ourselves, mostly by checking on one another. Occasionally, I sit down. I’m doing this when Jeff’s old bass teacher plays a lovely song as a tribute, and as I lean into the furniture, forgetting, I think, You know who’d like this? Jeff.
Like my other sisters, I usher Erin through the crowd to have a cigarette, take a break, abandon her smiling façade for a moment. I notice a crowd of our high school alumni gathered out front, talking and laughing. I can’t hold it against them—I’d done the same throughout the day. But looking at them, I realize that this is their final goodbye; they’d file Jeff away in their memories soon, a guy that they’d known and liked who died too soon. We were different. We—the people who loved and supported Erin and Brit—would be the Sherpas across their long chasm of grief, descending into it with them and climbing up, step by steep step.
•••
After the funeral, we head back to Mom’s and Jill’s house. Our extended family is already there, quietly providing a spread of food and drink. Erin and Brit had invited close friends and family to join us in the celebration of Jeff’s life, and soon the house is crowded.
I let down my guard and crack open a beer. I take off my boots and put on slippers. I hug—long, lingering hugs, inhaling nosefuls of scent—my husband and our son for whom I was so homesick the night before. I survey the group. This is the love and support that Erin and Brit deserve right now.
I use the bathroom off of Mom’s room, and when I come out, Grandma and our cousin Jordy are searching for Gram’s purse that she ferreted away somewhere deep in Mom’s closet. Jordy’s using his cell phone as a flashlight, and I’m clicking through the hangars when Jill bursts in.
“Liz is here,” she says.
I pause. Am I the person who’s going to bounce a deeply sick woman from the house? Yes, it turns out. Yes, I am.
In the living room, Liz is standing in bare feet, looking at the baby. “Liz,” I say. “Can I talk to you outside for a minute?”
Although the day had been warm, it’s freezing outside now, and I lead her to a place down the sidewalk, away from the people lingering with their cigarettes.
“I heard you weren’t very supportive of Erin last night,” I say. “I think you need to leave.”
“I respect that,” she says. She stares into my eyes for a long time without blinking. I’ve been drinking, but even I can see that she’s trying to intimidate me; we’re down to our most animal selves here. I stare back.
“I can’t believe after such a good friend I’ve been to Erin and Brit and Jeff that you’re asking me to leave—”
“I appreciate that, Liz.” No, I don’t—they’ve been good, amazing friends to her, but it hasn’t been, couldn’t be, completely reciprocal. “But that’s not my job here. My role is to make sure that they’re surrounded with love and support.”
She stares at me for another long time, and I don’t break her gaze. “Let’s go,” I say.
I head toward the front door as Grandma’s leaving. I make way for her and her walker. Liz, not seeing, tries to push past. I put my hand on her shoulder. “You need to wait. Our grandma’s leaving.” My tone is sharper than I intend, but maybe that comes with the territory of being a bouncer.
Eventually she locates the guy she came with, and they leave. I crack open another beer. The five of us—four sisters and our mom—find ourselves in the foyer sometime later, hugging each other in a circle, like a coven. Our cousin Mike snaps a picture, and that’s how I like to remember that night, each of us supported by the collective strength.
•••
It’s three weeks after Jeff’s death. I’ve been calling Erin every other day, Brit once in a while. Today, I’d gotten Erin’s voice mail, and she calls me back. She’s crying. “I just miss him so much,” she says. “It’s only been three weeks, and I have a lifetime of this.”
“Just an hour at a time, baby,” I say.
For the first time in my life, it hits me: I really can’t protect her. I can write this stupid, fucking, whiny essay in which I paint myself as some kind of hero, but it’s a distraction from what’s really going on. Jeff’s gone, and as much as I want to snatch the pain away from Erin and Brit, I can’t. I can steer away people who aren’t helpful, but I can’t alleviate this ache, this loss, one tiny bit. I don’t know what to do with this impotence.
When we were little, I’d ride my bike with my sisters, Erin in the banana seat in front of me, Krissy on the handlebars with her feet in the basket. There was a family down the street who kept a pack of dogs, half-crazy mutts, and when I saw the pack coming, I’d tell my sisters to get off the bike and get behind me. I’d walk the bike to our house, its shiny pink aluminum the shield between us and the Big, Terrible Thing.
I was wrong to say that we’re Sherpas. All of us will have to descend into that chasm of grief, alone, together, and climb out, alone, together. When the Big, Terrible Thing happens, it doesn’t matter that you’re the big sister. The shield is flimsy, and you are, despite your best hopes, simply a familiar body to cling to. You have to start believing that that is enough.
•••
JENNIFER NIESSLEIN is the founder and editor of Full Grown People. Her website is jenniferniesslein.com.
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