My Dead Father Shops at Trader Joe’s

ocean man
By Gina Easley www.GinaEasley.com

By C. Gregory Thompson

I see my dead father. Not in dreams, but physically, alive, out in the world. He’s always alone. I’ve seen him numerous times. He seems at peace, not lonely or struggling to understand his fate, his new whereabouts. Not laboring to return to the earthly plane. Problems endured alive, resolved; no longer important. On his own, no one else to answer to, to provide for, or support. Children, ex-wife, and wife number two no longer a responsibility or concern. Mistakes made, unmet expectations abandoned and not rectified. Unfulfilled and incomplete duties not complete and not fulfilled. Pain and sorrow, remorse and apology, lifted. A freedom he didn’t know in life. An aura of wonder surrounding him. He died on April 23, 2009, at age seventy-four, his cremains now interred at a cemetery in South San Francisco.

I saw him while on a Caribbean cruise in 2015. The ship docked at St. George’s, Grenada, and we had a half-day to explore the island. Walking back from Grand Anse Beach I noticed a man sitting on a pylon looking out to sea—my father, Ed. At least, it looked exactly like him. The bend of his back, the slope of his shoulders, the side-view of his face, his gray hair, even the clothes—K-Mart Bermuda shorts, a well-worn tee-shirt, brown leather fisherman sandals; his favored outfit. My father, Edward Willis Thompson. I did a double-take. I stopped and stared, studying, wondering, wanting, and needing. I wanted to go to him, but I did not. I wondered if it could actually be him, knowing—in my rational mind—it was not. In my fantastical mind, wishing it to be truth. I needed the healing that didn’t happen when he breathed.

He sat alone; no one else on the beach or near him. The way he gazed out at the water—as if he was there, on that pylon, permanently. Like he’d found his place to rest, to live out his eternity. Possibly, I was meant to pass him, to discover him there, at his final resting place. So I’d know he was okay, now at peace. The sereneness of my vision of him led me to believe this was the case—a communication from his beyond to my within. And it could have been him. Who’s to say it wasn’t? We don’t actually know where the dead go. Maybe “Heaven” is a favored place from life. The beach—any beach, especially a tropical one—Dad’s favorite place in the world.

Before the Caribbean sighting, I’d seen him a handful of times: in a Home Depot parking lot; in a crowd at the mall; on the street in Glendale, California, where we live. Each time I had the same experience, I thought: Jesus, that man looks exactly like my father. After the third sighting, I didn’t question whether it was or was not. For me, it was. Even if it’s as straightforward as me seeing my father’s corporeal doppelgangers, it was still him. This is not something ghostly. It is something else. Ghosts are fine, I like them, I have no problem with them, but these sightings are not phantasms. And it’s okay. I’m not sure I need to understand or label them. They simply are. I find them soothing and calming. Is he reaching out to me? Possibly.

•••

I was never all that close to my father. My parents divorced when I was five. He left the family and wasn’t around much when my sister and I were growing up. We’d see him on summer vacations, spending a week with him staying at a cheap motel in Avila Beach, California. The days filled with sun, sand, and water—and a whole lot of fun. He seemed to enjoy the time we spent together. He spoiled us rotten by buying us everything we wanted: ice cream at all hours; any toy we pleaded for; cash to spend ourselves. Standard absentee father conduct—making up for ever-present guilt. At the end of the week, he’d drop us off at home, our white skin now a dark brown, temporarily happy, father-sated yet sad all the same. We wanted him to park the car and come inside, return to our mother, to the family.

The vacations ceased when I was eight, the moment he married his second wife, Mabel. She wanted as little to do with us as possible. He went along with what she wanted. A strong-willed, opinionated woman married a weak-willed and lazy man. A mama’s boy, he wanted to be taken care of—the way his own mother had spoiled him. Mabel provided a clean, comfortable home, three squares a day, and her body at night. They had an unspoken understanding. He did what she wanted, and, pretty much—sadly too—only what she wanted. From that point on my interaction with him was sporadic at best.

•••

When he was sick and dying of lung cancer, I visited him in the hospital. A shell of the man I once knew, he recognized me despite his dementia; he knew I was there and was happy to see me. Dying in a hospital bed at the VA facility in Palo Alto, California, his six-foot-four frame, legs twisted yet still gangly long, slid down the hospital bed so his feet dangled uncomfortably off the edge. I only spent a couple of days visiting; there was little to do except be in his presence and pull him back up the bed so he didn’t dangle off—over and over. He’d move, or wiggle, or shift his body, and down the bed he slid. Due to dementia, his stage four lung cancer, and the medications he was on, holding a conversation with him was not possible. Expressing my anger and displeasure for the way he treated us—his two children—would not be happening. Instead, I sat close to the bed and held his hand, or helped him eat ice cream or his lunch or dinner, feeling sorry for him in so many ways. I hurt for him and for myself. I did my best to do the prescribed things a person does for another, a relative, a father, who is in the throes of dying. I told him I loved him. I wish I’d done all of it because I truly felt love for him.

And, I can’t say I felt much either when he died. Mostly, I was saddened by what we were unable to achieve: a loving father and son relationship. A seemingly ethereal idea foisted upon me by societal expectations, out of reach, a dream in our family—but something I still desperately wanted. I didn’t mourn his loss in the accepted ways one is supposed to when losing a loved one. My grief was tied to lost possibility, to what would never be, not to losing my “father,” my “Daddy.” I hadn’t spent enough time with the man for the type of familial intimacy to develop that would warrant true and deep feelings of grief over his loss. To add to my confusion and misery, his wife cremated and interred him without telling my sister or me. There was no viewing, no service, and no burial—at least none we were invited to. Even in his death, we were treated the same as when he lived—excluded like we didn’t belong or exist.

•••

A recent sighting took place at our local Trader Joe’s. Dad was putting groceries into the trunk of a car. I found myself thinking, there he is again. Like before, it looked exactly like him—the height, the build, his movements, the clothes, all Ed Thompson, my father. A rote calmness emanating from him—a task as mundane as grocery shopping joyful. Not a care in the world. Similar to the island pylon resting place, I’m left thinking he’s still in that Trader Joe’s parking lot, still loading groceries into his trunk, over and over, on a continuous, never-ending loop, stuck in time and not unhappy about it in the least. A chore no longer a chore but a happy task. A final resting place or action could be malleable, or exist in multiple places, couldn’t it? The world of the dead not curtailed by human, earthly barriers of time and space.

Observing him, I wondered if he was buying groceries for us. Like this father, the version I saw in the present day, might go back in time, and do the right thing. Was he going to bring groceries to help feed my sister and me? To add to our food stamp-supplied coffers? To remove some of the burdens on my overworked mother? To ease her financial strain? He’d bring the groceries when he came to pick us up for a weekend visit. Like a good father and ex-husband, he’d hand the bag of groceries to my mother and then help us with our suitcases. We’d drive off with him to a motel for another spoil-us-rotten weekend, momentarily forgetting how he wasn’t in our lives. Or, would this be one of the numerous occasions when he didn’t show up?

One of those times, my sister and I, dressed, coats zipped up, suitcases ready, waited patiently by the front door. Then, the allotted time passed and no Dad. Hours went by, still no Dad and no phone call. Our mother tried to locate him by making a series of calls. Her anger with him—for us, for herself—palpable. Coats removed, suitcases stashed, she wiped away our tears, and finally, a phone call came days later. He didn’t have money for gas, or his car broke down, or he had to work, or who knows what the fuck else of an excuse he’d come up with. Not once, but over and over this took place. Our childhood a never-ending, continuous loop of disappointment.

•••

How to explain simultaneous love and hate? Or concurrent joy and anger? Recently, since seeing my dead father out and about in the world, I realized how I felt about him: I loved him and hated him; he made me happy and so fucking mad. I now see my entire involvement with him existed on a yo-yo continuum. He could be the most charming man—father—in the entire world one day—bringing us gifts, taking us to the movies, showing us a good, fun, time. Through a child’s filter he loved us, he brought us happiness, and we loved him back. Followed by a long absence, a cancellation or a no-show when he was supposed to take us for the weekend, or some other equally injurious hurt. After one of these, the tears, the anger, and the hatred bubbled to the surface, polluting the prior felt love. This up and down, love to hate, joy to anger went on all through my childhood, into my adulthood, up to his death.

Buddy—the nickname he earned growing up with four siblings outside Oklahoma City—was a jokester and a kidder; a big, overgrown kid. Bighearted too, generous of spirit, he was kind to small children and animals. Without question, I know a gentle soul resided within the man. Social, he loved people, he loved his family; he had Okie and country blood in his veins. He used to sing Merle Haggard’s lyrics “I’m proud to be an Okie from Muskogee” over and over. And he meant it. From him, I learned to appreciate my Okie heritage. The salt of the earth, hardscrabble people my relatives were and still are; survivors. People and a place he evolved from.

But, there was another side to the man that didn’t jive with the Okie-identifying, softhearted big kid version. Life kicked him in the teeth over and over, and he took the hits. He didn’t fight back. His divorce from my mother. His unintended abandonment of his children. His failed career—stuck in middle management after earning an MBA. His second marriage to a horribly controlling woman. A woman who cut him off from his siblings, from his children, from his friends. The parts of him I hated were the results of him quitting, giving into life: his confusion about right and wrong when it came to us kids, his passivity, and laziness in not doing the right thing or allowing others to decide what he wanted, or even what he felt, and the selfishness all of this manifested. He ended up a depressed, inadequate, and indolent wimp, and he knew he was. And I hated him for it.

I now see the hatred overrides any love I may have felt. It is the stronger of the two emotions, and I don’t know if it is changeable. I have often wondered if it would have been easier not to have a father, to not know there was a man out there in the world, living and breathing, who was my so-called “father”—the man who gave me life. The mere fact he existed and ignored us feels more problematic, difficult,­ and painful than if he simply didn’t exist or had permanently disappeared. The hurting hurt over and over and over, and it still does. And, once dead, no going back. A door slammed shut, hard, in my face. I’d forever believed there would be enough time to fix it. Then, there was not.

•••

I have a French friend who, when she was a young girl, lost her mother to suicide. She once told me a story of walking along the crowded streets of midtown Manhattan where she lived during her early twenties and passing a woman who looked exactly like her long-dead mother. Her mother she hadn’t seen since childhood. She stopped and turned around to look for her, and when she did, the woman wasn’t there.

I understood why she told me the story. It gave me chills then, it still does now. Was the woman she saw her mother, a ghost, something else? Who can say? It’s not important. For her, it was real. Somehow, the woman who brushed past her and then vanished was her mother. I feel the same about my fatherly sightings. He can be real for me, there in the flesh, if I decide he is. He hasn’t ever come to me in my dreams, not that I remember or am aware of—only in these sightings. Unfinished business, it could be. I suppose we have quite a bit. I wanted something from him he could not give, and I know he was aware of failing my sister and me. I know he felt guilty and remorseful but not enough to fix it. That’s the unfinished business.

No matter the explanation or understanding of the sightings, they bring me comfort. These are unanswerable questions. I accept he might be somehow trying to reach me. Why would I ever not? Why would I cut myself off from that possibility, from any possibility? I wouldn’t and I won’t. After all, who truly knows the truth of what is out there, of how these things work? The dead versus the living. We should all be open, like a conduit, to all of it, to any possibility. Shouldn’t we?

•••

C. GREGORY THOMPSON lives in Los Angeles, California where he writes fiction, nonfiction, plays, and memoir. His work has appeared or is forthcoming in The Offbeat, Printers Row Journal, Reunion: The Dallas Review, Every Writer’s Resource, and 2paragraphs. He was named a finalist in the Tennessee Williams/New Orleans Literary Festival’s 2015 Fiction Contest. His short play Cherry won two playwriting awards. He earned an MFA in Creative Writing and Writing for the Performing Arts at the University of California, Riverside/Palm Desert. He is on Twitter as @cgregthompson.

Pin It

One She’ll Never Forget

By aphrodite-in-nyc/Flickr
By aphrodite-in-nyc/Flickr

By Desiree Cooper

When I was a teenager, my mother and I were like sisters. If my date arrived more than fifteen minutes late, she would hide me upstairs and tell them I’d already left with someone else. Then we’d eat popcorn and watch movies.

I got married to my law school sweetheart in 1984. I’ll never forget waving good-bye to my family in Virginia and heading for Detroit to start my new life. I was a grown twenty-four-year-old, but I couldn’t imagine life without my mom nearby. I cried for the entire twelve-hour trip.

Over the years, we learned how to stay close despite the miles between us. We yakked on the phone constantly, me updating my mom on my life and the kids, my mom filling me in on her garden and the latest episode of Oprah (which she watched every day at four p.m.). We got together on holidays and family reunions. And, in the days before digital images, I sent her stacks and stacks of actual pictures to thumb through when she felt lonely. Nothing could keep us apart.

Except Alzheimer’s.

When she got the diagnosis in 2006 at the age of seventy-three, I was devastated. Immediately, I felt like I was railing against time. While tomorrow is promised to no one, it’s different when you know the days you have to love someone—and be loved in return—are numbered. We were both powerless in the face of this disease, but I had to do something—anything—to mark the time we had left.

And then it came to me. We’d make a memory that would be so profound, it would be permanently stamped into her DNA! It would be a memory that would even triumph over Alzheimer’s!

I would take my mother to The Oprah Show!

One problem: I had no idea how to get on the show. I started emailing and calling the producers, telling them about my beloved mother, her disease, and her abiding love for Oprah. But I never heard anything back.

I thought about WWOD? (What Would Oprah Do?) and started manifesting my intention. Everywhere. I told everyone I knew that I was going to take my mom to see Oprah, somehow, some way. This went on for months, until one day, a woman in my circle of associates said, “I can make it happen.”

I was ecstatic, but I didn’t tell my mom right away; I wanted everything to be certain first. Then on a Friday in February 2008, I got a call from my friend. “Can you and your mom get to Chicago on Wednesday?”

“YES!” I screamed into the phone. “Absolutely!”

And then I hung up the phone and wondered how the hell I was going to get my mother to The Oprah Show in four days. At the time, I was commuting from Detroit to work in St. Paul, Minnesota. My mother was living in Virginia. The family rallied and we got concurrent (expensive) flights to Detroit, and then a flight together to Chicago. When we sprung the news on my mom, she was shocked. Then came the uncertainty, “I don’t want to fly alone,” she said. “It’s too expensive.” But I wouldn’t take no for an answer. We were going, and that’s all there was to it.

My plane landed in Detroit an hour before Mom’s. That’s when I finally started to let myself get excited. I posed at the end of the jet way with my camera ready to capture the first glimpse of my euphoric mother running into my arms.

But instead of dashing forward, weeping at the prospect of meeting her lifelong idol, Mom rushed up to me and said, “Des! I want you to meet Maria!” She put her arms around a Philippina who had evidently been her seatmate on the plane. “She’s going on vacation now, but when she comes back, she and I are going to play bingo. Can you take our picture?”

That’s the cruelty of Alzheimer’s. If it were just about memory loss, that would be one thing. But before the memory goes, there’s a slow substitution of one person for another. Instead of being excited about the trip to see Oprah (or even just the tiniest bit excited about being with me), she was oddly focused on the stranger who’d been kind to her on the plane. Maybe she’d been afraid during the flight and mistook the woman’s kindness for friendship. Mom’s focus on the bigger picture was all but lost.

I was crestfallen, but I tried to be patient. I understood that this wasn’t my normal mother. I awkwardly took their purses and bags and snapped photos of mom and her baffled new friend.

My ego significantly bruised, I took a deep breath and schlepped us to our gate. I was annoyed that Mom had dragged along a carry-on; it was enough work to just keep track of her, much less her bags. We arrived at the gate early and were munching on sandwiches when announcement came. Our flight had been cancelled. Fog.

We waited anxiously as flight after flight was canceled. Finally, after about three hours of waiting, we were booked for a flight the next morning. The schedule would be tight, but I was sure that we were going to make it, come hell or high water.

We used a voucher to stay at the airport hotel. By then, I was totally frazzled, consumed with the fear that my plan had been too ambitious. Now that we’d been derailed, my mother began to lose focus again. “Why don’t we just go to your house so that I can see the grandkids?” she kept asking. I ignored her. She could see the kids anytime. This was our once-in-a-lifetime chance to see Oprah.

For moral support, I called the friend who’d gotten us into the show. And just like the voice of Oprah herself, she said, “Oh, no. You will be on that morning flight. It’s already done. It’s in God’s hands. You just show up for it.”

My resolve was bolstered, but it was no match for my mom’s grating mantra: “Let’s just go see the kids.” I was losing it, so I curled on my bed and pretended to sleep. Resisting the urge to smother myself with the pillow, I listened to my mother fumble around the room, zipping and unzipping her carry-on.

All of a sudden, I felt something cover me. I looked up and Mom was holding a pair of Valentine pajamas.

“Here, baby, I brought these for you.”

She even had bought a pair for herself. We put them on, and I curled up in the bed beside her, my arm around her waist. After a long time of listening to her breathe, I fell asleep.

The next morning, the weather was all clear. We were booked for the nine a.m. flight, but my mom was completely off kilter, confused by waking up in a strange place. She needed constant reminding that we were on an adventure. She couldn’t seem to get organized. I helped her, careful not to seem impatient.

When we arrived at security, the line was shambling and tedious. I began to wonder if we were going to miss our plane while standing in the airport. Mom started to complain about everything—the line, the expense of the trip, the temperature. At one point she said, “September 11 screwed up this country. That’s why I don’t like to fly anymore.”

I’d had it. I turned to her and yelled, “You’ve got to stop it! If you keep complaining, I’m going to lose my mind. We’re going to see Oprah, and we’re going to have a good time. You have to be positive from here on out.”

People in the line gawked in horror as the crazy daughter berated her dear, frail mother. But at that point, I didn’t care. After that, my mother, sufficiently cowed, withdrew into silence and followed my every command.

Once we got on the plane, our moods lifted. This was it! We were on our way to The Oprah Show!

We landed in Chicago with just enough time to make it to the taping. As we hopped into a cab, we should have been giving each other high fives. Instead, I pouted while my mom engaged with the Jamaican cab driver in an annoyingly detailed conversation about how he got his cabbie license.

When we arrived at the studio, it was a bland warehouse in an unimpressive part of town—not the Emerald City that both of us had expected. We queued up with about a hundred other members of the studio audience, and the staff stripped us of all cameras, cell phones, even paper and pens. We were not allowed to document The Oprah Show in any way.

The staff sat us thigh-to-thigh in rows of chairs like patients in a crowded doctor’s office and handed out boxed lunches—a sandwich, pasta salad, a cookie, and a soft drink. Then we were herded into the studio where I couldn’t believe our luck. My mom and I were seated right behind Oprah’s chair!

As we waited for the taping to begin, we eyed the studio and the set in front of us. In that moment I realized that perhaps I had ruined the illusion by bringing my mom to the show. The studio was smaller than it appeared on TV. The stage props seemed to be slap dash and temporary, mainly because they were. The pitch black walls made it feel like we were in a coffin. As the audience coordinator came on stage and congratulated us on wearing the requisite “Skittles” colors, I worried that perhaps mom would never love Oprah the same way again.

Then, She came out! Oprah was wearing a flowing top and slimming pants, and, to spare her notoriously bad feet, bedroom slippers. As she made her way through the audience to toward the stage, she stopped only once and that was to turn to my mother in a moment of strange recognition. A genuine smile broke across Oprah’s face. For a second, I thought she was going to speak my mother’s name. Instead, she took my mother’s hand and gave her a warm, “Hello.”

I couldn’t believe it. Out of all the people in the audience, only my mother got to shake Oprah’s hand!

We were still agog as Oprah bent to plop down in her seat. And that’s when we were graced with a peek at the royal plumber’s crack. That was followed by an upfront view of Oprah’s bunions as her staff came to shoehorn her feet into gorgeous pumps.

The next two hours are a blur. As we watched the show from the inside out, it was hard to digest that this was really happening. The show was called “The Secret Behind The Secret,” about the power of positive thinking. How what you intend will manifest. How every day, you create the world you want to live in. If you see life as a battle, then prepare for war. I sank into a contemplative silence; it seemed that the message had been tailor made for me. Maybe I wasn’t at war with time, or with my mother’s disease. Maybe it was time for me to settle down and accept the gift of the time we had left.

After the show, we had no time to process what we’d just witnessed. As a cab zipped us back to the airport, we held hands in tender silence. Aside from platitudes like “It was beautiful,” and “I’m glad I went,” and “Thank you, baby,” I didn’t hear my mother speak about the trip again.

A year later, I was visiting my parents and some friends came over for dinner. We were chatting when my mom piped in: “Did I ever tell you about the time my daughter took me to The Oprah Show?”

The room went silent. I looked at mom expectantly, wondering what she would remember from our great adventure to Chicago. But she only smiled and said, “My daughter is so sweet. She’s my best friend.”

•••

A 2015 Kresge Artist Fellow, DESIREE COOPER is the author of Know the Mother, a collection of flash fiction that dives into the intersection of racism and sexism to reveal what it means to be human. Her fiction and poetry have appeared in Callaloo, Detroit Noir, Best African American Fiction 2010 and Tidal Basin Review, among other online and print publications. Cooper was a founding board member of Cave Canem, a national residency for emerging black poets. She is currently a Kimbilio Fellow, a national residency for African American fiction writers. She lives in metro Detroit.

A Eulogy, Despite

coverface
By Gina Easley www.GinaEasley.com

By Jacqueline Doyle

“Will anyone in the family want to speak?”

The silence in the sunlit office grows. The priest behind the desk, young and rosy-faced, looks expectant. My mother looks at my brother. My brother looks at the floor. Nobody looks at me.

I’m surprised by the priest’s question. I haven’t been to many funerals, and it hasn’t actually occurred to me until now that there will be a eulogy and someone will have to deliver it. I’m not surprised that my mother is looking at my brother. I’m the older and was closer to my father, but my brother’s the male and has always been her favorite.

“Would you like to think it over?” the priest asks, looking pointedly at my brother this time. The priest is new and has never met my father. My parents were not regular churchgoers, and for the past six months they were absorbed in treatments for my father’s cancer. Months of radiation therapy for a tumor in his mouth. Months when he couldn’t eat, liquids and yogurt dribbling out of his nose as he sucked on a straw.

The room we’re sitting in is lined with leather-bound books. They don’t look well thumbed or personal. I suspect they don’t belong to the priest, but probably just come with the office as clergy rotate in and out of the parish. Outside the window the autumn sky is deep blue. The lawn is littered with yellow and red leaves that shuffle and recombine with each gust of wind.

“I’ll talk about his birthday then,” the priest says. “How’s that?”

He’s decided to focus on my father’s long life in his own short eulogy after the homily, and the pending eighty-eighth birthday he didn’t quite reach. After talking to my mother the priest hasn’t found much more to say. “The man was a saint,” my mother keeps repeating. Not exactly something the priest can include. Not exactly true either.

•••

My brother didn’t say no to the priest right then, but he postponed his decision. A successful businessman, he nevertheless hates public speaking, and maybe that’s the reason he refused to give the eulogy. Or maybe it was more complicated than that, part of the damaged father-son relationship that no one ever faced in my family, as we refused to face so many things. I didn’t exactly say yes to the priest. I murmured that we’d get back to him.

Fretting over what I might say in the eulogy dominated my thoughts as my mother and I visited the mortuary, wrote and called in the obituaries, visited the florist to choose arrangements for the altar, went through decades of clothes crammed in her closet to choose her outfit for the funeral, and argued about her reasons for not calling any relatives. “It’s a long trip,” she insisted. “It’s just too expensive. I’ll tell them later.” My mother wanted to know how much she was supposed to pay the priest and the Ladies Auxiliary that was providing some food at the meager reception after the service. She wanted to give the lavish floral display she’d ordered to the church for their Sunday mass. “Might as well,” she said. “What am I going to do with it?”

•••

What I Considered Including in the Eulogy:

  1. My father’s love of Ireland
  2. His love of his job
  3. How much his employees loved him (at least according to my mother, but I think it was true)
  4. His engineering accomplishments, drafting abilities, passion for math
  5. His carpentry skills, and all the work he invested in our eighty-year-old house
  6. His love of literature (a long time ago, really)
  7. His love of music (ditto)
  8. His love of art (ditto)
  9. His love of his family (despite)

No, not despite. I couldn’t include that.

•••

I can see him in his wing chair in front of the fireplace reading my high school report card. He’s wearing a maroon polo shirt, beige Bermuda shorts, dark brown nylon knee socks and slippers, his feet stretched out in front of him on the wicker footstool. I’ve gotten all As and a C in Phys. Ed. “What’s this C in Phys. Ed.?” There’s a bit of a twinkle there, but he’s also partly serious.

My brother’s hovering in the hall, his report card crammed in his pocket. He’s going to get in trouble and he knows it. At the very least he’ll be grounded for his grades. My father will force him to quit the football team. Sports are not important, in my father’s opinion. Grades are important.

When my brother responds by flunking half his classes, my father roughs him up in the downstairs hall. I hang over the second floor banister while my father shoves my brother against the wall and my mother wails. Somehow my brother manages to graduate with a good enough GPA to get into the engineering program at Lehigh, but he drops out of Lehigh, and then out of the University of Wisconsin, and then out of Middlebury, and then out of the University of Wisconsin again.

He stays there, marries a local girl, bowls and golfs and drinks a lot of beer. His grammar changes. He starts to say “ain’t.” He builds an enormous house to impress my father, who’s not impressed. My father never revises his original blueprint for my brother’s achievements. After he dies I find a folder with my brother’s name on it in one of my father’s file cabinets. He’d preserved all the bad report cards from school and college. There’s an article on college failure rates, with statistics showing that boys are more likely to fail than girls. He’d underlined whole sections of the article in red ink.

•••

Never unconditional love. Always qualified. Years of barely suppressed rage because my brother failed to finish his college degree. “He broke your father’s heart,” my mother repeated, for decades. Years of festering anger because I fell in love with the wrong men—wrong race, wrong politics, wrong ethnicity, wrong profession, wrong income bracket. Not the conservative, Ivy-educated, white brain surgeon he’d had in mind for me to marry. Not the dazzling professional job in a big engineering firm he’d envisioned for my brother. My father’s Horatio Alger story prematurely concluded in one generation when we failed to follow the scripts for upward mobility he’d written even before we were born.

•••

A scholarship boy in the engineering program at Cooper Union, a privately funded college in New York City, my father wanted my brother and me to go to private colleges and to climb the intellectual and social ladder he’d barely begun to ascend himself. He was professionally successful, working his way up from copy boy to draftsman to junior engineer to senior engineer to vice president and member of the board. He was proud of that. He would have wanted those achievements in the eulogy. But he never felt socially accepted. He never saw other men in management (there were no women) outside the office.

I didn’t comprehend the depth of his isolation until shortly before he died. He’d pretty much ignored my half Mexican American son until Ben got an early acceptance to Harvard. Then he showed an interest.

We were sitting on the tiny balcony of their independent living apartment in their retirement complex in North Carolina.

“The perfect son,” he said, his voice vibrating with emotion.

It was so clear he felt he hadn’t had the perfect son.

He wanted to know more about Ben’s victories in cross-country and track. I was surprised he cared at all.

“I never fit in. I didn’t play golf or tennis.” I could hear all the yearning of a bookish, working-class kid who’d spent his high school years in the dark room developing photographs, who’d started working full time at seventeen and done his college classes in night school. Who’d never played sports, or enjoyed the privilege of leisure.

“Ben doesn’t play golf or tennis either, Dad.”

“But he could, couldn’t he. He could learn. I couldn’t.” The longing in his eyes was almost unbearable.

•••

My mother didn’t want my husband and son to come to the funeral in North Carolina. My husband was teaching in California. Ben had just started his freshman year in Massachusetts, and he was running in a cross-country meet that weekend. She didn’t think it was worth making the trip. “Money doesn’t grow on trees,” she said.

I didn’t realize how much that hurt my husband until he told me later. At the time it just seemed part of my mother’s insane thrift and determination not to make a big deal about the funeral arrangements.

So my husband and son didn’t attend. Partly because I was acceding to my mother’s wishes. Partly because I inherited some of my mother’s insane thrift. We’d just spent money flying out East to see our son off to college. We’d just paid our first tuition installment.

But they should have been there. Looking back, I can see that. The few relatives who might have come should have been there, too. Not for my father, who was dead. Not for my mother, who didn’t care. Maybe for me, so I wouldn’t be looking back now at the nearly empty church and a ceremony that felt so incomplete. But for something larger too. For the occasion. For all of us and our deep-seated need to mark the significance of a loved one’s life and death in a fully realized communal ritual. Our hope that we, too, won’t pass unnoticed.

•••

The eulogy was botched in a number of ways. Before the service, I told the priest that the three of us wanted to go up to the pulpit to say goodbye at the end. I was thinking I might even deliver a full eulogy then, but I was still not sure, still turning over the possibilities in my mind. The priest didn’t call us up. It might have been because the Catholic funeral service was so emphatically directed at the joys of the afterlife and not saying goodbye. Or he just forgot.

I ended up extemporizing a eulogy at the entrance of the parish hall, with the handful of mourners standing in the vestibule. I put my hand on the coffin, which was being wheeled out of the church by the mortuary attendants, who stopped and stood back. I cleared my throat. “I’d like to say a few words.”

I kept the eulogy short, and positive. I talked about inheritance. How my father had passed on his love of Ireland and literature to me. His ability to build and repair things to my brother. His mathematical and scientific skills to my son. I don’t know why I gave the eulogy at all, under such awkward circumstances, to my parents’ cleaning lady and a small group of acquaintances from their retirement complex. People who barely knew my father, and certainly didn’t mourn his passing. My mother was misty eyed, my brother stolid. The rest of them milled in the vestibule of the empty church, respectful smiles pasted on their faces, waiting for me to finish. The daughter who’d flown in from California. “Did you know she’s a professor?” I heard one of my mother’s bridge partners say afterwards. “Isn’t it funny, Peggy never mentioned that.”

I could see them eyeing the trays of sliced cheese and cold cuts on folding tables in the parish hall behind me. The white-haired volunteers from the Catholic Ladies Auxiliary were putting out paper plates and Styrofoam cups and plastic knives and forks. The bitter smell of boiled coffee filled the air.

•••

Tips for Writing and Delivering a Eulogy that the Internet Would Have Provided, If I’d Looked:

  1. Think about the person and your relationship to the person.
  2. Gather information, including special accomplishments, career, hobbies, family anecdotes. Look for humorous and touching memories.
  3. Decide whether your tone will be light or serious. Look for appropriate religious quotations if your eulogy is serious.
  4. Organize your information and create an outline.
  5. Write, review, and revise.
  6. Rehearse.
  7. Have tissues and a bottle of water handy. Take a deep breath before you begin. Remember to speak slowly and distinctly.

•••

I’m used to public speaking, in the classroom at least. I was composed, and spoke slowly and distinctly. I was choked up but didn’t cry. I didn’t gather any information beforehand or tell any anecdotes, though I did mentally rehearse what I was going to say. I don’t know how useful the Internet tips would have been. Even if I had located them and proceeded in an orderly fashion, I would have been stalled on the first one.

“Think about the person and your relationship to that person.” How to express my mixed feelings about the father who nurtured my creativity and intellectual development and then turned his back on me and the choices I made? Who strong-armed me into transferring to another college by threatening to cut off my funds after he learned of my African-American boyfriend? Who thought I traveled too much, lived abroad too long, stayed in school too long? Who never fully accepted my Mexican American husband or our son? “Look for humorous and touching memories.” How far back would I have to go? I could have said more about his job. There was a lot I left out, and a lot I couldn’t say, not that anyone there would have cared.

•••

What I Did Not Include in the Eulogy:

  1. My father’s rages when we were children
  2. His anger and resentment later
  3. His silences
  4. The burden of his expectations
  5. The fact that I’d lived in California for almost twenty-five years and he’d never once visited
  6. How I felt about that

•••

My mother was pleased with the eulogy, and six months later asked me to send a copy to her. It hadn’t been written to begin with, but I typed up what I remembered. It seemed sparse and inadequate to the man and my feelings about him.

I didn’t keep a copy for myself.

•••

“I’ve lived longer than anyone in my family tree,” he said more than once, so perhaps the priest was right to emphasize his age. The fact that the priest focused his eulogy on something my father didn’t reach—his eighty-eighth birthday—fits the man, whose expectations exceeded his grasp, whose youthful dreams dominated a life where nothing was enough.

He was a man who held on to his ambitions, even to his detriment. Whose sense of duty never flagged. Who worked hard. Who retreated into angry solitude when he felt others had failed him. Who couldn’t look past his son’s failure to finish his degree. Who may have been proud of his daughter’s Ivy League Ph.D., but never said so. Who fought constantly with his wife but may have derived more from their bond than an outsider, even his own daughter, could fathom.

When they got the news that his tumor had spread beyond the possibility of further treatment, “We just lay on the bed,” my mother told me, “holding hands. We didn’t say anything. Just held hands.”

I hold on to that. I like to think he found some comfort amid so many disappointments, some companionship in his alienation.

•••

What I Would Include, If I Were Asked to Deliver His Eulogy Today:

After eight years, I still don’t know. I stare at the blank computer screen in my home office, fingers frozen on the keys. My wooden desk chair, a swivel chair that my father bought as a young man in Greenwich Village, creaks as I lean forward. I review my directions from the Internet, stuck on the first point. “Think about the person and your relationship to the person.” I write:

“My father had big dreams for his future and his family’s. They weren’t my dreams.”

It’s all I’ve come up with, after years of writing, so much of it about my father. I’m like him, meticulous, critical, socially awkward, a hoarder of memories and books and souvenirs of the past. Obsessive in my quests—obsessive in this quest to write something that would express the man and our complicated history together.

To eulogize is to forgive, James Baldwin writes in “Notes of a Native Son,” a better guide than the Internet to the enormity of the task. Everyone hopes that upon death he too “would be eulogized,” Baldwin writes, “which is to say forgiven, and that all of his lapses, greeds, errors, and strayings from the truth would be invested with coherence and looked upon with charity.” I continue to seek that truth and coherence, labor to forgive the unforgiving, to find the words that no one in my family wants to speak.

My father’s dreams died with him. His disappointment and anger died with him. His love did not.

•••

JACQUELINE DOYLE’s creative nonfiction has appeared in South Dakota Review, Waccamaw, Southern Indiana Review, Cold Mountain Review, Under the Sun, and elsewhere. Her essays have earned Pushcart nominations from Southern Humanities Review and South Loop Review, and Notable Essay citations in Best American Essays 2013 and Best American Essays 2015. She lives in the San Francisco Bay Area. Find her online at www.facebook.com/authorjacquelinedoyle

For Now, the Pond Is Still

poet
By Gina Easley www.GinaEasley.com

Meeting My Mother in Her Poems

By David Ebenbach

My mother burned all her appointment books. It was a ritual, something she did at the end of every year; she would sit with the book—usually a spiral-bound week-by-week one with a nature photo on the left side and the dates on the right—and she’d look through all the appointments and commitments she’d had, taking the time to reflect on the things she’d done over the previous year. Then she’d burn it. I don’t know how or where she did that—in the bathtub, out in back of her house—but I suppose I do know why.

My mother wasn’t at home in time.

What I mean is that she struggled with time. My mother struggled with the present moment, for example, because it was generally a disappointment, characterized as it usually was by isolation, too much work, and not enough money. The future, on the other hand, was promising but often hinged on improbable things, like a windfall from who knows where. The future never seemed to arrive, or at least not the promising one she was hoping for; instead it just turned into a series of disappointing present moments. And the past—the past was worst of all.

My mother didn’t like to think about the past, let alone talk about it, and, on those rare occasions that she did talk about it, you got the sense that you weren’t supposed to ask too many questions—sometimes she said so explicitly—and you weren’t supposed to bring it up again later. “Anyway,” she would say, when she wanted to change the subject to something more comfortable. This was the psychological counterpart to the annual appointment book ritual: One’s personal history sometimes surfaced, but it was best to turn those memories to ash afterward.

And so my mother was homeless in time, disconnected from past, present, and future—or so it seemed to me.

Naturally, when my mother died in 2013—in November, a month she hated for its darkness—my sister and I weren’t expecting her to have left behind a tell-all memoir. There were memories in the form of photos—old photos of our childhood, for starters, and, from more recent years, some very beautiful nature photos that she’d taken herself—but we figured what little she may have written down about herself would be long gone.

We certainly weren’t expecting to find, among her things, a folder labeled “Poetry.” But that’s what my sister did find, one day when she was looking through things; she was looking to see if there was anything in there that I might want to keep as a remembrance.

I’d been having trouble imagining anything I’d want to keep. I wasn’t sure there was any object, any thing, that was going to mean much to me. What can an object mean? Your mother’s gone and, in the face of that, the things—all the things—are actually nothing. But then Karla found this folder.

The folder—a regular manila one—held a bunch of poems on pages and partial pages torn out of newspapers and magazines and a couple printed out from the web. Wislawa Szymborska, Jorge Luis Borges, Rosanna Warren, Yehuda Amichai, Richard Wilbur, Anna Akhmatova, others. There was even one poem—“The Darkling Thrush” by Thomas Hardy—that I’d given to her, because it meant something to me at a time when things were dark for me, and I thought it would mean something to her, too. Apparently it did. She had plenty of her own dark times, of course. It struck me, too, that there weren’t any of my poems in that folder. I think my poems would have changed the collection, made it something it wasn’t supposed to be.

What really arrested me, though, were the ones that were in her handwriting—the ones she’d written. My mother wrote poetry. And I’d had no idea.

Think about that: I’m a poet myself; my mother had been watching me write poetry since I was a kid, had been listening to me talk about it for years. Meanwhile, here she was, writing her own poems—and she never shared them with me. Never brought them into any of those conversations about poetry. She never even told me they existed.

They say you often learn new things about people after they’re gone; you keep getting to know them. It’s true.

When I got the folder, I read all the poems with feverish attention—the ones by other people and, especially, the ones by her. I read hers many times. I wrote about them in my journal. I typed them up so I could (almost) feel what it was like to write them myself, letter by letter, word by word. I savored and inhabited them.

And for sure I recognized the woman who did the writing. There’s sadness there, for one thing. She writes:

the wind finds its way

through every crack in this

old house

And:

the loneliness

spreads through

my body like a

massive ink blot

I know this woman. Honestly, I know those feelings. Sometimes the wind does find its way in.

And there’s my mother’s familiar desire to relocate to a particular kind of future—pleasant, better, and out of reach, though in these poems not necessarily impossible:

I

think I would feel better

if I could sit under a tree and

look at the mountain….

I’d wait for peace

to come down the mountain—

Or:

Anything green would be welcome,

a patch of grass would do.

I am waiting for spring

in its own good time

But it’s not all yearning, my mother’s poetry. There’s something else there that I didn’t expect. She wrote about nature, mostly, and moments of stillness—and what she did is she froze these things in place. She looked right at the present moment, in other words, and held on to it.

For now the pond is still.

Even the frogs are quiet.

And:

shadows of

clouds on the

wooded mountainsides

Even when the moment was complicated, she held on to it:

Gloriosa daisies and

Day lilies

Long shadows on

the lawn.

the aching beauty of

August

Even when the moment was hard, she held on to it, and sometimes transformed it:

there’s a slight

feeling of melancholy but

there is a sweetness to it.

Most surprising, sometimes she actually wanted to keep the past with her:

On leaving.

trying to remember

it all.

There’s one pair of poems that especially move me. They’re both about the same moment where she was outdoors and a rabbit hopped out from beneath a hedge. Something about this touched my mother profoundly. She wrote about it in a beautiful eleven-line poem. Then, on the next page of her notebook, unwilling to turn from the instant—needing, in fact, to go further into it—she wrote the experience over again, this time in twenty-nine even more attentive lines.

Right, I thought. This is what we do as poets, I thought. We see something and we can’t bear the idea of losing it, so we write about what we’re seeing in order just to hold it. Richard Wilbur’s blackberries; Rosanna Warren’s mother between the bed rails; Thomas Hardy’s blast-beruffled thrush. We’re the people who don’t let go.

And my mother was one of us.

For my mother, any given present moment was tough, if she stepped back to take it all in. Things generally hadn’t turned out the way she expected; she was living alone, working too hard, post-dating checks, eventually ailing, watching November come in with its shorter and shorter days. The big picture was sometimes understandably hard for her to look at.

But what if the focus was smaller? Closer?

In these poems I met a woman who made peace with time, a woman who managed to split minutes and seconds into instants tiny enough for her to embrace them—tiny enough to allow her to be at home. I didn’t really know this woman when she was alive. I have to say I’m upset about that; there’s a loss there, beyond the original loss of losing the mother I did know.

But I’m glad she didn’t burn these poems. I’m glad that I’m starting to know her now—starting to know a woman who over and over again did make herself a home, who was able to make it out of what she had at hand.

I am sitting, just

sitting and aware

of everything

and wide awake

•••

DAVID EBENBACH is the author of five books of poetry, fiction, and non-fiction, including the poetry collection We Were the People Who Moved (Tebot Bach) and the short story collection Into the Wilderness (Washington Writers’ Publishing House). Ebenbach has a PhD in Psychology from the University of Wisconsin-Madison and an MFA in Writing from the Vermont College of Fine Arts. Find out more at www.davidebenbach.com.

 

Birds

watch birds
By Gina Easley www.GinaEasley.com

By Daisy Alpert Florin

When my mother found out she had cancer, she said she wanted to do two things when she got better: learn to play the piano and get a bird.

“A bird? Why?” I asked, remembering the nasty parakeets I’d had as a child who kicked feathers and birdseed shells into my underwear drawer.

“Well, I have a friend who has this really beautiful bird, and I’d like to have a bird like that.”

I rolled my eyes, a childish act, that, at twenty-seven, I was probably too old to still be doing. It was so typical of my mother to want something simply because it was beautiful: bird as objet dart. Her desire—requirement, really—for things to be aesthetically pleasing was not a trait we shared.

In the emotionally chaotic days after her cancer diagnosis, it still seemed reasonable to make plans for the future. My mother would stagger her chemotherapy treatments with her schedule at work. We located the city’s best wig store. She ordered shelving for her new apartment. And she was going to break up with her boyfriend, Steven, because, although he was nice, she said, “Nice is not enough.” She would stop postponing joy and make the time for things she always seemed to be putting off. So if a bird was part of the life she imagined for herself in her post-cancer future, who was I to argue?

•••

Can we ever think of our mothers as unfinished? When we are children, they are whole and entire. Everything that was meant to be for them has come to pass because it has brought them to us. But in time, we come to see our mothers as women with paths not taken, connections not made, choices left somewhere in the dust of the past. After my mother’s death, I often imagined the turns her life might have taken had she lived: a new man, maybe not so nice but right; weekly piano lessons in her apartment surrounded by her lovely things; a beautiful bird inspiring her. It was all so close, and yet beyond her reach.

•••

I walked into the garage to grab a box of waffles from the freezer. The birds—barn swallows, we’d learned from Google images—were flying in and out, tending to the nest they built in our garage each spring. My children and I loved to watch their life cycle play out, while my husband, Ken, was less tolerant of the feathers and the mess. Every morning he ran out in his suit and tie with a bottle of Windex and a roll of paper towel tucked under his arm to clean the poop off his car. But he softened eventually, as he did with most things involving his family.

On this particular morning, the baby birds were chirping frantically, opening their tiny beaks so wide the nest looked like one big mouth. There were five babies this time, the most we’d ever had, and the parents seemed more agitated than usual, if such a feeling could be ascribed to barn swallows. Every time I walked through the garage, they swooped down at me, coming so close I was afraid of an Alfred Hitchcock-like encounter.

I stepped over a pile of desiccated dragonflies and saw that one of the baby birds was lying on the ground. I was surprised to see it there, like I’d somehow forgotten that these birds weren’t here for my family’s amusement alone; this was the circle of life, the universal struggle for survival writ small, the real deal. The bird looked dead, so I grabbed a shovel to scoop it up. But as soon as I touched it, it scooted away. Fuck, I thought. A sick or injured bird seemed far worse to me than a dead one. If it were dead, I could toss it into a bush. But a bird in crisis: That shit needed to be dealt with.

I went inside and Googled, “how to get bird back in nest.” I read that birds don’t always fly straight from the nest. Sometimes they need to hop around for a few days on the ground or on low branches while getting acclimated to flight. Since the parents were still around and the bird was fully feathered, I should just leave it alone. Leaving things alone and letting them sort themselves out—that I could do.

When I returned to the garage, the bird was still on the ground. I looked up at the nest and saw the four tiny faces of its siblings poking over the edge, the tips of their beaks joined together in a line of collective worry.

•••

My mother learned she had cancer on a Monday. A colonoscopy she’d had the week before had revealed a large mass in her colon, and she was scheduled for surgery that Friday, the day before Memorial Day weekend. Looking back, the speed with which her surgery was scheduled, plus the fact that it was happening in a New York hospital the day before a holiday weekend, should have clued me in to the urgency of the situation. But, like most things involving my mother’s illness and death, I only made sense of things later, when everything was over.

My mother spent the week before her operation organizing and making plans as if she were getting ready to go on a trip instead of to the hospital for a bowel resection. I stopped by every night, bringing Chinese food, which only I ate, and searching endless iterations of “stage three colon cancer” on her computer while she sat on the couch with our cat, Firecracker. What I read scared me: The five-year survival rate for my mother’s disease was low, less than fifty percent, depending on how many lymph nodes were involved, which we still didn’t know. But if my mother was concerned, she kept it to herself, placing the bulk of her worry on the cat instead. He was lethargic, not eating that much. She brushed him over and over until the wire bristles were matted with thick tufts of silvery grey hair. Then she would throw the wad in the trash and start again.

I had burst into tears when my mother first told me, over the phone, that she had cancer. I could tell my reaction had frightened her—such an outward display of emotion was uncommon in my family—so I pulled myself together and tried to ask clear-headed questions about next steps. I decided to act as though everything was going to be fine and that this was just a temporary inconvenience, something to get through. My mother acted the same way, as did the rest of our small nuclear family: my father—from whom she was separated but still close—my younger brother, my mother’s sister, Marianne. If privately we were frightened, we kept it to ourselves. We worried about the cat.

One night, as I walked to my mother’s apartment, I saw a dead pigeon lying in the middle of the sidewalk. It was in a fetal position, although I wasn’t sure that term could be applied to pigeons. What did they look like as fetuses anyway? All I knew was that in all my years living in New York, I had never seen a dead pigeon. I thought immediately of the bird my mother had just spoken about. I didn’t believe in omens, but I was convinced this was one. I looked at the bird for a few moments and then continued down the block. I didn’t tell my mother about what I had seen.

•••

An hour after I found the first baby bird, all five were on the ground, huddled together near the freezer. I called Ken.

“Can you get them back in the nest?” he asked. I could hear  street sounds in the background placing him in the city, far away from the life-and-death struggle taking place in our garage.

“Are you kidding?” The nest was a good ten feet off the ground. “I’ll kill myself getting up there. Besides, they’re fully feathered. They’re supposed to be flying.”

After my mother’s death, I became extremely sensitive to birds. If I saw a dead one lying in the road, I would become certain that something terrible was going to happen. Ken would have to grab me and say, “It’s just a bird, Daisy. It doesn’t always mean anything.” And after a while, I convinced myself he was right: It was just a bird. And yet, standing here with broken birds at my feet, that feeling of doom flooded over me again. Perhaps Ken sensed my old worries surfacing and was trying to calm me down.

But there was also a part of me that was annoyed by the entire scene. I wanted the birds to do what they were supposed to do, without my help. They were supposed to jump out of the nest and fly, not cower pathetically on my garage floor.

“Well, what do you think we should do?” he asked.

“I don’t think we should do anything. If they can’t even make it out of the nest, they have no chance in the wild. There’s nothing I can do.”

•••

When I was nine years old, I found out that my mother had been engaged to someone before she’d met my father. His name was Leif, and he was Swedish, like her. “If you had married Leif,” I said to her, “I’d be Swedish!” This felt like magic. If only I could be Swedish like her, I’d know how to knit and crochet and speak Swedish, that secret language she spoke only with my aunt or with the au pairs who lived in the room off our kitchen. If my mother had married Leif, I would finally have access to the part of her that had always been a mystery to me: the her that existed before I did.

“If I had married Leif,” she said, bringing her long, thin cigarette to her lips, “you wouldn’t exist.”

•••

After ten days in the hospital, my mother came home. The surgery was grueling, but she didn’t have to wear a colostomy bag, which pleased her. She wasn’t well enough to return to work or to begin chemotherapy. She didn’t talk about getting the bird anymore, and Steven—poor guy—was still around.

We were taking things day by day, absorbing one bit of bad news at a time, nibbling on it like a dry biscuit, and then opening our mouths for the next bite. The mood in her apartment was somber. My fifty-six-year-old mother, who a few months earlier had celebrated New Year’s Eve with friends in St. Barth’s, needed help getting in and out of the bathtub.

“You have to get her over to Sloan-Kettering,” her friends told me, certain that the right doctors would be able to help her. They didn’t understand how sick she was, I said. She didn’t have the time or strength to doctor-shop. The ways things were going, it didn’t seem like anyone could make it better, maybe just different versions of bad. I was tired of listening to these pushy New Yorkers who thought they could control everything, that I could control everything. I didn’t want control, not over this. I wanted someone to tell me what to do. So I focused on managing her pain medications and sticking to the doctors’ instructions. Try this, then that, they said, and I did. I was always good at following the rules.

One night, while Marianne was visiting, Firecracker, the cat, collapsed.

“Do something!” my mother shouted, so Marianne shoved him into his cat carrier and raced across town in a taxi to the emergency vet. He was dead by the time she got there. Marianne, always so fragile, was traumatized, weeping as she told us how she had looked into the carrier and seen Firecracker lying on his side, his eyes bulging, tongue protruding from his mouth. I wanted to kill her.

“I think he died instead of me,” my mother told me the next day, a shadow of hope passing across her face. Her high cheekbones were as hard as rails beneath her pale skin. I was surprised to hear her speak so magically, surprised also to hear her mention the possibility of her own death. But maybe she was right. Maybe Firecracker and the dead bird hadn’t been bad omens but offerings. This made perfect sense.

•••

After school, I took Ellie and Sam to the garage to see the baby birds. They were still on the floor, tucked beneath the curve of my car’s tires. I could tell, although the kids couldn’t, that two of the birds had died. The once-charming experiment was no longer so charming.

“Why won’t they fly?” Ellie asked, her eyes wide with concern.

“I don’t know,” I said. “But they have to. If they don’t, they’ll die.”

When Ellie and Sam went back inside, I tossed the dead birds into a bush. I wasn’t sure what to do with the other three. If I left the garage door open over night, the parents could tend to them, but I was worried about predators. I decided to close the door and hope for the best. Would they really starve in one night? I brought out an aluminum tray of water, although I wasn’t sure if they needed it or if they could even reach over the lip of the tray. I watched them as they sat there, not even moving toward the water, and I decided I didn’t like them anymore. I wished in equal measure that they would leave or die, anything so that I didn’t have to deal with them anymore. I just wanted it to be over.

•••

By July, my mother was back in the hospital. After several tests to determine why she wasn’t getting better, the doctors discovered that the diagnosis of colon cancer had been wrong. She had neuroendocrine tumor, a rare and aggressive form of cancer that had spread throughout the lining of her abdomen, including into her colon. We had lost precious time fighting the wrong cancer.

During this time, Ken and I left my mother in the hospital to go to a Yankees game. My mother was on the phone with J. Crew ordering a birthday present for Steven, and I lingered in the doorway listening to her chat pleasantly with the woman taking her order. I doubted she had any idea my mother was calling from a hospital room or that she would die so soon after the clothing arrived that Steven would be too shaken up to ever wear it. I worried for a moment about leaving, but my mother waved me off. “Go,” she said, the phone tucked between her shoulder and her ear. “I’m fine.”

Ken and I took the train up to the Bronx and, as we walked down from the subway platform, we saw a pigeon lying on the stairs with its wings spread open like a book. The crowds of people on their way to the stadium stepped carefully around it.

I stopped walking as soon as I saw the bird, tears streaming down my cheeks. “Oh, Jesus,” I said to Ken. I doubled over, suddenly out of breath. “What the fuck is that?”

He calmed me down, and we stayed for part of the game. But when we walked back a couple of hours later, the bird was still there, still breathing, its tiny chest rising and falling with great difficulty. Someone had propped a piece of newspaper around it, a tiny version of a hospital curtain. I wanted to smash my foot down on its ribcage. It was the most horrible thing I’d ever seen.

We went straight back to the hospital and found my mother talking to one of her doctors, the only one who had known her before she got sick. The steady drip of pain medication had improved her mood, and she seemed closer to her usual, upbeat self. On his way out, the doctor pulled me into the hallway.

“Do you know how serious this is?” he asked, and I think I kind of nodded, although I really have no idea. And then he apologized to me, either for what had already happened or for what was still to come; I think he had tears in his eyes. But he didn’t go any further. Perhaps he could tell that I couldn’t grasp what he was saying, that his words had barely touched the protective net of my consciousness. Everything I came to understand about that conversation, I filled in later.

•••

The next morning, I walked into the garage brandishing a snow shovel. I tapped the ground next to the birds and shouted, “Let’s go!” It was a beautiful, sunny spring day, and I had decided it was time for them to fly.

With me and my shovel behind them, the three birds hopped out of the garage, across the driveway and onto the grass. Just seeing them against the backdrop of green, with a little sun on their faces, made them look better. One of the birds kept moving away from me, picking up speed until it was off the ground and flying. Not very high, and not very strong, but flying. I watched it cut a jagged line across the lawn and out of my view.

I crouched down next to the other birds. They looked terrified, shocked, their spindly feet as delicate as toothpicks, their coats more fluff than feather, and I realized I wasn’t scared of them anymore. They weren’t a bad omen or a harbinger of death at all. If they represented anything— and I wasn’t sure they did—it was the future my mother had planned for, the one in which she got an exotic bird and redid her kitchen and lived to see her grandchildren. It’s just what we do, plan for a future we know is not guaranteed because we can’t live any other way. And look how fucking fragile it is.

•••

Shelley was the astrologer for British Vogue and a friend of a friend of my mother’s. When she came to New York, my mother sometimes went to her for a reading. A couple of months after she died, Shelley offered to read my chart, gratis. I asked her if she had been able to see my mother’s death on her chart during her final reading. I was pretty sure I knew the answer, but I wanted to hear what Shelley would say.

“Not exactly,” she said. “We might be able to see that there will be a transition, but we can’t tell if that transition will be death or not because in astrological terms, everything is continuous.”

•••

Despite everything, my mother’s death, when it finally came, surprised us all. Just the day before, her oncologist had ordered a course of chemotherapy. A young resident had come by earlier that week to refill a prescription for the eye drops she used to control her glaucoma. Now they were telling us there was nothing else they could do.

It was evening, about eight o’clock. The hospital air-conditioning was on full blast, and I was freezing. My mother lay in bed, unconscious, surrounded by photographs I had taped to the wall behind her, proof to everyone who cared for her that she really had once been a person. One of the pictures had been taken on New Year’s Eve. In it, my mother stood with one foot crossed in front of the other like an actress posing on the red carpet. Her painted toenails peeked out of her pink, sequined slide.

My mother was really gone by then, her breathing labored, the smells appalling and vile. We had already sat in another room with her doctors and hospital administrators who had reviewed her DNR orders. I was the only one who spoke. I signed whatever it was we were supposed to sign. My father seemed folded in on himself, my younger brother shocked into silence.

We went back into her room. Steven and Marianne were there; Ken, too. There weren’t enough places for all of us to sit so I leaned awkwardly against the side of the bed, stroking my mother’s hand. I wondered if I was supposed to stay there until she died. I became acutely aware of the woman she was sharing a room with and thought how terrible it must be to room with someone so close to dying. Then I was annoyed with myself for worrying about her when I should have been thinking about my mother. The thought of staying in that room until my mother died became unbearable. My teeth were chattering, and all I wanted to do was lie down. So I kissed my mother goodbye and walked out into the hot, humid July evening. I planned to come back in the morning, although by then she was dead.

•••

The birds didn’t seem in any rush to go anywhere, so I sat there, letting the weak spring sun warm my back. I thought about how tenuous our hold on life is, how easily the thread is snapped, despite everything we think holds us here. We fall from the nest, unable to fly, powerless to fight the gravity that pulls us down; if we’re lucky, our parents stick around to feed us dead insects. Perhaps there are no omens, nothing to let us know that bad luck—or worse—is around the bend. Nothing had prepared me for my mother’s death; the only signs were the ones I had chosen to ignore.

Then I stood up and walked away, leaving the birds on the grass. I needed them to do what they were supposed to do, without me, just as I had needed my mother to complete her journey so that I could continue mine. She never got the bird she planned for, but I got five of them, birds that grew in the cradle of my garage. Some died early, others clung to the earth beneath their feet. But one flew.

•••

DAISY ALPERT FLORIN is a writer and editor. Her essays have appeared in Under the Gum Tree, Halfway Down the Stairs and Brain, Child, among other publications. She lives in Connecticut with her family. Read more at www.daisyflorin.com.

4×6, 5×7, 8×10

photos
By Gina Easley www.GinaEasley.com

By Kathleen McKitty Harris

My father doesn’t want the pictures anymore. When he finds them in drawers or old shoeboxes, he passes them on to me—in used mailing envelopes bearing his new address, or in secondhand shopping bags printed with the names of retail stores long defunct, with curlicued fonts that spell names like “Bambergers” or “Gimbels.” When he does so, I am struck by the incongruence of my childhood memories, grouped together in no particular order.

The pictures usually make me cry when I take a moment to look at them later by myself. They guide me back to living rooms in houses long since packed up and sold, to the feel of scratchy rompers and dresses sewn by my mother from McCall’s patterns, and to the smell of my grandmother’s Chanel No. 5 perfume, cloying and comforting on hot July days in Brooklyn backyards. They return me, quite viscerally, to the freedom of childhood summers, to the comfort of love and acceptance craved by an only child and bestowed by a dysfunctional—albeit well-meaning—extended family, to days when what has become would never have been foreseeable or possible.

My parents divorced ten years ago, after more than thirty-five years of marriage. They were high school sweethearts, who amassed decades of memories between them. These pictures are markers of what once was and what never should have been, of what cannot be fixed, and what will never return. So they’re put aside, someplace dark, and tucked away.

I was thirty-five, in my own marriage for nearly ten years, as I witnessed the dissolution of my parents’ union. The small, lacquered coffee table, the Pfaltzgraff dishes, the Christmas ornaments, the kitchen chairs with cane seats—all once merely functional items—were now essential to my mother and father, after passing through their lives largely unnoticed. They were life rafts, and my parents clung to them, alone and adrift, as they became unmoored from the weight of their married life. It was jarring to visit each of them in their makeshift apartments and see the physical objects of our former home, now unmatched and without their counterparts. Tables without chairs. Couches without pillows. Cherished collections, now halved.

The photographs, however, were largely left by the wayside. Who wants the wedding album from the marriage that didn’t survive? Who needs the box of Kodachrome slides from the honeymoon in late-sixties-era Kauai, that Christmas in the first apartment in Manhattan, the first ride in the new car, or the time we went on that trip north to Vermont and stopped along the way for fruit pies to take home? Who wants to remember that there was good there, even if it was only as bright and brief as the flash of light capturing it? Who wants visual proof of the dour, cold faces, the spark gone from someone’s eyes, the distant body language, the signs, all the signs—long before the other had awakened to it?

Most of our family photographs remain in a storage unit that my mother has rented for too long in Connecticut, because she still can’t bring herself to sort through everything. When her promised dates of delivery come and go unfulfilled, I don’t press her for them, out of kindness. My father has a few in his possession, and he offers them to me when he thinks of it. When he does, I discover moments I’d forgotten, or that I had never been cognizant of, given my age in the photos.

There are familiar memories, new to me again from alternate angles of relatives’ cameras. I sift through shots of birthday cakes and party hats, cellophane-wrapped Easter baskets, tricycles with streamers, toys long since lost or sold at garage sales, presents stacked under tinseled Christmas trees, and every-day moments on outerborough summer streets and in backyard pools. There are blurry ones, many poorly framed, with ripped edges and creases. They were captured with cameras that we no longer own — my parents’ old Instamatic with the blinding flash bulb box, from my uncle’s old Nikon, or from the Polaroid we kept for a while around the house.

Sometimes, they humble me as I realize how little we had—and how much there still was to go around. We all lived in close quarters, seemingly on top of each other, in two-family houses and apartments and row houses. We were together. Often. This explains why several relatives often usually weren’t speaking to each other, my desire to have borne my husband more children, and why I yearn for a houseful of people yelling and clattering together on any given holiday.

One photograph will never be returned to me. It’s a vertical shot of me in cap and gown, bearing a broad, white smile, at my college commencement. I’ve taken my glasses off, for vanity’s sake, which ironically worsened my look with the tight squint of near-sighted eyes. I can sense that my father is there somewhere before me, squeezing the shutter button, but I’m not exactly sure of anything except his shadowy shape.

I was the first woman in my family to graduate with a bachelor’s degree from college, and the first person to go away to college at all. My parents were proud of my accomplishments, and of their numerous sacrifices to get me there. After my graduation, my mother had a large print of the photograph framed to suit the decor of my father’s office. It matched the cherry credenza behind his desk, and he displayed it there for several years in his midtown Manhattan office.

When my father’s company moved downtown to the World Trade Center in the mid-nineties, he brought the picture to adorn his new office on the 92nd floor. On September 11, the day the towers fell, he survived because he was simply late to work that morning, and had not yet arrived at his desk.

In the weeks that followed, I thought of the photograph’s journey and wondered what its fate had been. Had it fluttered out to the murky Hudson River? Had it incinerated in the collapse? Would it be recovered in someone’s backyard in Brooklyn, clinging to a chain-link fence and wrongly labeled as the photo of a 9/11 victim? The thought process was my irrational way of distancing from the physical horrors that had occurred. The thought would surface when I could only focus on the chaotic flight path of flimsy photo paper, unable to humanize the abject pain and fear that took place on that day.

Photographs are small truths. They house our past. They help us to remember who we once were, when we have strayed so far from our beginnings.

•••

KATHLEEN MCKITTY HARRIS is a writer and native New Yorker, living in northern New Jersey with her husband and two children. Some of her work has appeared or is forthcoming in Creative Nonfiction, The Rumpus, Literary Mama, Brain, Child, and McSweeneys. She has also been named as a Glimmer Train Press short story finalist and as a three-time finalist at the Woodstock Writers’ Festival Story Slam. Her website is sweetjesilu.com.

 

Leftovers

By Gina Easley www.GinaEasley.com
By Gina Easley www.GinaEasley.com

By Jennifer D. Munro

“It’s too soon,” I hissed at Richard, on the phone with his mom.

Millie planned to fly in for Thanksgiving, less than three months after six-year-old Ben had been placed with us. We were still navigating a precarious new existence as a nuclear family. Nuclear bomb was more like it. But Millie had waited two decades since our wedding for us to produce a grandchild and her ensuing visit was inevitable, like ptomaine after eating undercooked poultry.

“Sure, you can stay here,” Richard said to Millie.

I waved at Richard like the guy with the light wands on the airport tarmac, trying to prevent a jumbo jet from crushing a baggage handler. “Where?” I mouthed.

Richard and I took turns sleeping on the daybed in my office next to Ben’s room so that one of us would be near if he woke up disoriented. We were his twelfth family. He’d recently fallen asleep in his booster seat on the way to see Kung Fu Panda, and when I nudged him awake in the theater’s parking lot, he wailed in terror, having no initial remembrance of who I was: his newest mother.

Richard turned his back on me to finish the phone conversation, then hung up and faced me. “She’ll cook the whole Thanksgiving dinner. She’ll make Ben his own special pie.”

“You know what we were told in all of the foster-adoption training sessions, over and over, about new families and holidays.” Keep it mellow and uneventful, trainers droned around their ubiquitous cough drops. We’d practically been tattooed with Beware the Holidays, as full of triggers as an NRA rally. Had Ben eaten turkey or ham for Thanksgiving with his most significant foster families? Said a prayer or made fart jokes? Football game on or off? Canned or fresh cranberry sauce? Sat at a formal table like Richard’s family, or, like mine, eaten off doubled paper plates balanced on our knees?

“Look how relevant the rest of the training’s been,” Richard pointed out. True, I never referred to the training binders. Instead, I scrawled WILD ANIMAL TRAINER in my notebook and jotted down techniques after coming across a nature article and thinking: That’s what I am. Not a parent. I’m that killer whale trainer who gets seized by her ponytail, pulled into the tank, and worried to death.

But the adoption trainers were onto something with their dire predictions about trip-wired family celebrations. After a dinner out for my October birthday, Ben had refused to get in the car with us. He’d stood on the sidewalk between the car and the restaurant and hocked loogies at the windshield in front of my face. Nothing had gone wrong to set him off: I was simply the most recent in a long line of mothers, being honored though I, too, would surely send him packing. Only time would show him he wasn’t going anywhere.

“What should we do?” I’d asked Richard as Ben paced, working up more spit wads, swearing like a Pulp Fiction character while the diners inside looked on. My heart rate had escalated and my margaritas grandes had blared in my bladder like a mariachi trumpet as I’d prepared to exit the car and navigate a public scene without getting arrested.

“Hit the wipers.” Richard, slouching, had flipped the switch. Not reacting came easier to him than to me. Provoking him was like trying to get a rise out of a thermometer with no mercury. He was so laid back that a doctor once told him his blood pressure was so low he should be dead.

The rubber blades had swished the ooze trails across the safety glass—would that our fragile new family hold together as well under impact.

We’d laughed—surprising Ben. Our mixture of pragmatism and gallows humor enabled us to survive each day and face the next. All of Ben’s other parents had caved in or kicked him out in response to his behaviors. We were the first to put a replacement pair of eyeglasses on his face within twenty-four hours of his snapping the first pair in his fists, and he knew he’d lost that battle. The first who kept a patch on his lazy eye, like keeping a cone on a feral cat. To deny him dessert until he ate his vegetables; we learned that Brussels sprouts float after he tried to flush them. Unconditional love, maybe, but with a steel backbone. Ben needed boundaries. He needed parents, not buddies. I would have failed had I not had a spouse as unflappable as a manatee.

Ben had seen us laughing and got in the car.

Now Millie—a mother who had let her children roam safely free in their Midwestern suburb every afternoon until she rang the dinner bell, who never disciplined her kids, whose teeth I’d never seen behind her close-mouthed smiles—was going to land in the middle of our Pythonesque reformatory.

Land mines littered our upcoming Thanksgiving tableau, and who knew which one a corncob might set off? I needed more tension in the house like I needed a bucket of gasoline to douse a fire.

But Richard could not refuse his mother her visit. We both knew that. He continued placating me, repeating her promises to him: “She’ll do all the cooking that whole week. And watch Ben during the days so you can work.”

I hesitated. Another ugly parenting surprise had blindsided us: the local schools shut down for the entire Thanksgiving week. I was telecommuting while on partial maternal leave, a complicated arrangement; Richard worked late several nights per week; we were both wracked with deep, hacking coughs but had no time or energy to manage a doctor’s visit; and I dreaded the fifteen-hour stretches alone with Ben. Much the same as I felt about being alone with Millie. Over the decades, we’d managed to overcome our embarrassingly clichéd history of discord by keeping things as shallow as a cookie sheet. Living two thousand miles away from each other helped.

Richard shrugged. “It’ll all work out. Don’t worry.”

Easy for him to say. Millie liked to say that her pet peeve was turning off light switches. I refrained from correcting her that her pet peeve was really people leaving lights on. The problem was that Millie turned off lights when I was still in the room.

Millie had raised her firstborn alone for a few years after leaving her first husband and returning home with a newborn to the Midwest and her grim mother. In his mid-forties, Richard still could do no wrong in her eyes—other than having married me, her only palatable explanation for his living his entire adult life on the other side of the continent.

I would be sandwiched between Millie’s and Ben’s hostility like slaw in a shredded pork grinder.

“And she’ll hem Ben’s pants,” Richard added.

“Dirty pool.” I’d begun to hope that saggy-pants, with resultant dragging hems, would last through Ben’s adolescence, so I wouldn’t have to learn to work the borrowed sewing machine, as perplexing to me as busy moms looking stylish at PTA meetings; shaved armpits and clean underwear meant a presentable day for me.

I sighed, defeated with that last bit of blackmail. When I first traveled to Millie’s house as a newlywed, she commanded me to scrub off my hand lotion; she was allergic to the smell. With a long arm and pointed finger, she sent me from the room, which she aired to erase any trace of me. She’d never learned to spell the last name I’d kept when we’d married.

Yet here was an olive branch in the form of domestic help, of wanting to be a grandmother. Millie’s highway anxiety had grown so pronounced that she could no longer drive except on her suburb’s local roads, so this was no spindly peace offering, this offer to fly solo, cross-country, to welcome her newest family member.

•••

In advance of her arrival, Millie began shipping low-fat, low-salt, special diet ingredients for allergies I’ve never understood, such as adverse reactions to all ice cream except Haagen-Dazs. At a restaurant once, she ordered plain spaghetti—no sauce, no oil, no cheese, just coagulating noodles.

With no holiday planning of my own to do now, I came around quickly to the idea of a handy mother-in-law underfoot, and I readjusted my attitude to look forward to her arrival. After all, she had managed to birth and raise a pretty decent fellow I called my husband.

We rented a bed for her and used rugs, curtains, and wall hangings to soften and decorate Richard’s den, which had once been a garage. Quirky, makeshift lodging symbolized risk and adventure to Richard and me. But Millie’s home décor was beige and could pass as a dentist’s waiting room, lovely in a nondescript way.

Millie arrived with massive amounts of baggage for a stay of less than a week.

At a glance, she diagnosed Ben as having her same food allergies. I didn’t protest, figuring her bland ingredients wouldn’t hurt him for a week. The cook got carte blanche on the menu, as far as I was concerned.

We muddled through the days pleasantly. I was a mother now, a visible person with substance. Millie was Ben’s grandmother and great with kids. Two decades of sandpaper relations had worn down our splinters. Maybe we weren’t lustrous mahogany, but veneer would do.

I gladly shopped for everything on Millie’s list and chewed (and chewed) her spice- and additive-free dinners, where the color and taste of all three food groups resembled tree bark. I loved and appreciated every morsel and frequently requested seconds. Ben learned to say, “Yum,” before asking, “What is it?” To be fair, he asked me this question nightly, remaining suspicious of anything that didn’t come from a McDonald’s bag, and I’m no Julia Child.

Hell, I would have adopted Charles Manson years earlier if I’d known it would bond me and Millie. I’d finally discovered the hidden plus-side to in-laws. My only job was to keep out of her way as she took over my kitchen and complained about my pans and stale sage, which didn’t bother me. No less than a birth mother with a newborn, I welcomed her gift of sustenance and nourishment, and her presence was a relief rather than a thorn.

But a few days after her arrival and the day before Thanksgiving, Millie woke up and declared that she had a sore throat and was staying in bed. No cooking. No Thanksgiving prep. No childcare. I placed a distress call to the community center where Ben now went after school so he could work on social skills and I could roll out my yoga mat but watch hockey highlights on my laptop instead. The community center took Ben for the day. Ben had never been there for a full day, and I didn’t know I was supposed to pack him a lunch. The other kids and counselors all shared their food with him, a scene straight out of a TV holiday drama.

Millie would never have made such a mistake.

When Richard got home from work early that afternoon, Millie announced that she was packing her bags and taking the first flight home, possibly before Ben got home from day camp to say goodbye.

Richard took me aside. “What happened between you two while I was gone?” he yawned.

“Nothing! I liked having her here! I was working! I left her totally alone except when I asked her if she needed anything from the drugstore.” I thought Millie preferred me invisible. “I was in the canned food aisle forever yesterday trying to find that special salmon she asked for.” I had come home with the wrong thing, but she still had been gracious.

She told Richard that she missed her husband, who had stayed home to care for the Shi-Tzu-Poodles, and hated her bed and room. It was cold in Seattle, and she needed the Florida sun (their snowbird home) to recuperate. She needed The Price is Right, which she called The Drew Carey Show, but we’d gotten rid of our television when Ben moved in, to keep a calm and quiet environment. She repeated that she had a sore throat.

“Sore throat?” Richard shouted at Millie. “Sore THROAT? SORE THROAT? Boo-fucking-hoo! I’ve been sick for three months and it doesn’t fucking matter! You’ve been promising Ben his own pie, and you’re going to stay and bake him a fucking pie!”

Boo-fucking-hoo? Ah, bittersweet moment. I’d been waiting since the Bee Gees were at the top of the Billboard charts for Richard to stand up to his mother, too much to expect. It’s difficult even for me to voice concerns in my loudmouthed family, and Richard’s family doesn’t quarrel. Millie leads a quiet family discussion, and then everyone does what Millie decides. No voices raised, problem buried—except that cow patties continue to emit methane. Easy to criticize, yet Richard is one of the few people I know who describes his childhood as happy.

Richard’s crazed yodeling to his mother continued: “This is about Ben, not you, you got that? You are not going to let this child down! He’s had too much of that already from too many people! He’s six, and you’re sixty-six. Grow the fuck up!”

Suddenly, Richard had a button. He’d never had one, much as I’d tried over the years to sew one on. He was now a Dad: Do not mess with his kid.

But then the world tilted further on its axis when it turned out that Millie’s problem was not me, nor Ben’s troubling behaviors.

The problem was Richard—no longer the easygoing man often mistaken for The Dude, but the strict disciplinarian he had become in order to keep ourselves and our son safe. A black-and-white-rules parent—the parent his child needed, not the parent he’d always thought he’d be.

When Ben weakly punched Richard’s stomach at a party, Richard moved out of reach, reprimanded him, and followed through with the consequence of immediately leaving a party barely started.

When Ben threw a scooter at us, Richard confiscated the scooter.

When an angry Ben took a crayon to the table, Richard handed him cleaning supplies.

I was as firm as tofu and would later be sent to specialized parenting training for wimps, but Richard had a monolith spine.

When Richard told Ben’s therapist about the lenient, lackadaisical kind of dad he’d like to go back to being someday soon, with a motto of love them and let them be—the kind of parents he had—the therapist shook his head and said, “I find that kind of parenting just does not work at all for these kinds of kids.”

Millie called Richard a dictator. She called him Hitler. She phoned her husband to say she was being held hostage. She got two digits in to 9-1-1 to report a domestic violence incident though Richard had come nowhere near her. Downstairs, I pressed myself flat to the wall (okay, sort of bow-shaped, since my fanny won’t quite allow flat) to stay out of it.

Richard had never in his forty-five years spoken an unkind word or raised his voice to his mother. Although I had longed for—and sometimes insisted upon—this moment, there was nothing joyous in finally hearing Richard tell his mother off. That he was this near to the edge was no victory. He backed down and apologized to her, immediately, sincerely, and repeatedly. He moved her into our bedroom.

When Richard and I flew to the Midwest for Christmas one year, Millie spent three days cooking the holiday meal, filling the entire upstairs and downstairs refrigerators, pantries, and freezers. Millie’s mother sampled her dinner plate, then pushed it away, saying, “My daughter never could cook.”

Her gesture symbolized her feelings for a fatherless baby she can’t have wanted—“She doesn’t talk about it,” Millie cut me off when I once asked them for the story—and never demonstrated loving or appreciating. Yet that daughter took care of her for years, all through a slow, aggrieved decline, dropping everything, time and time again, to respond to her needs.

Millie broke the cycle of bitterness by bestowing unconditional love and nary a critical word upon her children, instilling in them a strong sense of confidence. A self-assurance that allows her son to follow his unerring instinct on what is best for his child, for whom unconditional love is simply not enough.

•••

Millie awoke early Thanksgiving morning to make Ben his pie and salvage the meal. She blended and boiled, the salt can nowhere in sight. Swamp water under the bridge, I thought with relief, but she and Richard tangled again, this time in hushed shouts over what I think was a pan of gravy, though it was difficult to distinguish from the other dishes. Ben was home, so they kept it down.

Still, the tension transmitted itself through the house like the urine fumes that soon followed. Our Labrador peed on the floor. Ben peed on the floor. They peed upstairs, downstairs, and on the stairs. I dashed between them with rags.

I inserted myself between Richard and his mother. If I never expected Richard to give his mother a piece of his mind, I expected even less that I would stop him if he ever did. “You two need to stop. You’re traumatizing Ben.”

“You will not do this to my family,” Richard hissed at his mother over my head. “You need to leave. Right now.”

Richard’s “family” had always to him meant his birth family, the people he’d grown up with and then left at age nineteen, never to return. Unable to have children despite trying for ten years, I insisted that he and I were a family, nonetheless, but he could not agree. “We are a couple, not a family,” he maintained. Pets didn’t count. No amount of crying or arguing could dissuade him from this belief. I couldn’t change his feelings, and he couldn’t change his feelings, although he knew they hurt me. We’d been round and round that mulberry bush multiple times.

Now, suddenly, Ben and I were his family, and I knew he would protect us with his caveman’s club even if he died in the attempt.

For that I was thankful.

Millie’s last words to Richard as she wrestled her baggage out the door was, “Well, your wife didn’t want me here, anyway.”

“No, wait! I wanted you here! I liked having you here!” I wanted to protest.

My words wouldn’t have made a bit of difference. She punted her words of reproach to my corner of the triangle rather than finding fault with her own child—which her mother had done too much of.

She cherished her kids, even when she’d brought her first baby back home without its father—exactly repeating her resentful mother’s young single motherhood scenario but choosing to adore her baby instead. Reading Ben’s two-thousand-page case history that filled an entire IBM box, I had a clear understanding of how hard it is to break family cycles, but this she had done. Just as Richard was now a different type of parent than the limp-noodle variety she’d modeled.

“What do I say to Ben?” I asked instead.

“Tell Ben I’m dead,” she said.

But something else had died: the notion of the parents we thought we’d be, the type of children we had once been, and the parents we thought we had.

Richard drove his mother in silence to the airport Hyatt while I threw her turkey in the oven and tried to figure out what the rest of the tan dishes were supposed to be.

We told Ben that Millie left because she was sick, but Ben knew better. Everyone in Ben’s life had left him, and now Ben’s new grandmother had left him, too.

I’d always gotten bone-deep satisfaction from sucking up drippings with the turkey baster and squirting hot fat over the browning carcass, a primal urge straight out of the Iliad’s sacrifice scenes. But this year, I never opened the oven door. I didn’t interfere in what was best left with me out of it.

Millie’s bird was perfect. Crisp on the outside, succulent on the inside.

That evening I set out the salt shaker and my grandmother’s plates, and my family sat down to give thanks.

I always regretted not stepping to Millie’s defense that Christmas when her mother criticized Millie’s meal. I had waited for someone else in her family to say something, but nobody had.

I wish she could have heard the praise for the meal she prepared for us before flying the coop.

I steeled myself for Ben’s certain meltdown, but he seemed newly centered. Someone else had been sent packing, but Ben stayed. His father had stood his ground to fulfill the promise made to his son.

We let Ben eat his pie first.

•••

JENNIFER D. MUNRO is a freelance editor whose blog, StraightNoChaserMom.com, is the First Place Winner in the 2015 National Society of Newspaper Columnists blog competition (under 100,000 monthly readers category). She was also a Top Ten Finalist in the Erma Bombeck Global Humor competition. She’s a regular contributor to Full Grown People, and her work has also been featured in Salon; Brain, Child; Literary Mama; Best American Erotica; and The Bigger the Better the Tighter the Sweater: 21 Funny Women on Beauty and Body Image. Her humorous stories about sex and the sexes are collected in The Erotica Writer’s Husband. Website: JenniferDMunro.com.

About a Ring

By Gautier Poupeau/ Flickr
By Gautier Poupeau/ Flickr

By Nikki Schulak

“This essay doesn’t have to be about our affair,” my boyfriend, who’s also a writer, told me.

This can just be a story about a ring.

•••

My son Max turns fourteen next month. He was sprawled on the couch watching a YouTube video—that viral Bruno Mars lip-dub marriage proposal that took place in Portland—when my husband and I came in from walking the dog.

David and I were in the middle of having the Why Don’t You Take Drum Lessons bicker. This is the one where I nag at him to find a hobby, and he says, “It’s not your responsibility to organize my life” and then I say, “I just want you to get out more, and be happy,” and then I get pouty, and he gets mad, and then I get mad that he’s mad.

Max looked up from his phone like he’d just realized we were in the room. “How did you—you know—propose to Mom?” he asked.

David and I stopped our bickering and collected ourselves.

I answered Max’s question even though I knew it was meant for David. “He got down on his knee. He gave me a dozen roses.”

“Yeah, everybody does that,” Max said. “I mean, what did he do that was special?

“Knee bending and roses are romantic,” I explained.

David spoke up. “Well, son.” He lowered his voice in the name of drama. “I chased her—from the Upper East side to the Upper West side—by cab.”

“You did?” This was more the kind of story Max had expected. Put some music behind it, and you’ve got a YouTube video.

Our whole engagement story is in fact special, but not the kind of special I’m ready to share with my teenager. I didn’t tell Max, for instance, that I’d bullied David into marrying me. Maybe “bullied” is too strong a word. I’d said something along the lines of, “David, we have to get married as soon as possible.”

And he said, “Why?”

And I said, “Because my parents are going to die soon, and it’s important to me that they see me get married.” My father had late stage diabetes. My mother’s breast cancer had metastasized to her bones. Then I added, “I love you, honey. But if you aren’t ready to get married, then we’re going to have to break up because I need to find someone who is.”

After that, our conversation went on so long, I had to take a taxi to my psychiatrist’s appointment on the West side instead of the cross-town bus.

When I told the psychiatrist about my marriage proposal, she said, “Sometimes women are ready to get married before men are. Give him a little time.” My session lasted another twenty minutes. And, sure enough, when I walked out of the building, there was David waiting on the sidewalk. He did get down on a knee and handed me a dozen roses and said, “Nikki, I realize now if I don’t marry you, it will be the biggest mistake of my life.”

Then we walked along Central Park West holding hands until we found a pay phone and I called my mother. “Mom,” I said. “David and I are getting married!”

“Oh, Nikki, thank God!”

Then she asked, “When?”

“This summer, I think, Mom. On the farm.”

And she started to cry.

When we called David’s parents, his mother said, “Oh my goodness.” I couldn’t tell if she was excited or appalled.

•••

A few months after we’d announced our engagement, David and I gathered in the dining room of his Grandmother Kaska’s house with his parents, Anton and Margaret, and my parents, Bernie and Esther, and David’s sister. We couldn’t gather in the living room because it was full with two grand pianos. Kaska had trained at a conservatory in Switzerland before the war, and had then taught piano in Queens for more than forty years.

The china cabinet in the dining room was filled with ivory figurines from China and silver sugar bowls with silver tongs and bottles of liquor dating back to the fifties. On the walls were oil painted scenes of Paris, and Brussels, and also a few dark portraits.

I hadn’t expected an engagement ring. David and I had never discussed it, and it wasn’t something I had ever dreamed about. So when his family gave me the diamond, I was surprised. My hands are not beautiful. I garden without gloves and at the time I worked with animals, cleaning cages, and my nails are thin and tear easily and I bite them. After I started wearing the diamond, I tried to take better care of my hands. I’d quit biting for a while, months at a time, but then, I’d be at the movies, and the film would be suspenseful, and before I knew it, my nails would be raw and my cuticles would bleed.

Grandmother Kaska sat at the head of the table. On the wall behind her was a portrait of a woman who could have easily been mistaken for a man. Kaska said, “Nikki, I’m going to tell you a story.

“This”—she turned and pointed to the portrait, her eighty year old fingers bent and swollen from arthritis—“was Vera. Vera was my mother-in-law, Rajmund’s mother. She was the first to wear the ring.” Everyone in the room looked at the portrait of Vera, who looked back at us. “Vera’s husband worked in the diamond industry and he made the ring for her, in Amsterdam.

“When I became engaged to Rajmund, Vera took the ring off her finger and put it on mine. I wore that ring to Cuba when we couldn’t get into the United States. Three years later, I wore it to Ellis Island.” Kaska took a sip of tea. “When Margaret got engaged to my son, I took the ring off my finger and put it on hers.” Now Kaska looked at the ring on Margaret’s finger, so we all did.

My mother once told me, “Remember, when you get married, you’re marrying a whole family.”

Then Margaret got up from the table. She came and stood between David and me, and she took the ring off her finger. “I have to admit,” she said, “I thought I’d wear this ring a few more years.” She handed the ring to David, and he slipped it on my finger. Actually, he didn’t slip the ring on my finger, because it wasn’t a perfect fit, although by the time we got married in August, and I’d lost my bride pounds, the ring did fit just fine.

Margaret sat back down. “Go ahead and get a new setting if you don’t like this one,” she said. “I know you’re hard on your hands.” Everyone at the table looked at my hands. “But then, of course, with a new setting, it would no longer be the same ring.”

David’s sister, who was in high school at the time, said, “It’s weird to see it on your hand, Nikki. I’ll always associate it with my mother.”

My mother said, “I can’t believe my daughter is going to wear a diamond.”

I told this story to my girlfriend Penny. Penny has many diamonds, and I told her how the ring on my finger is ceremonially passed from mother-in-law to daughter-in-law in each generation, and that the expectation is that someday, I will give this ring to my son’s fiancée. Penny, who’s husband recently gave her some $2500 Kiki de Montparnasse pearl restraints and the accompanying 24K dipped handcuffs with key and chain for Mother’s Day, said, “Give your diamond engagement ring away to your daughter-in-law? Darling, I think that’s assuming an awful lot.”

I do wonder, though, who will I give it to? Because my son and my daughter both currently date girls, it’s possible I’ll have more than one daughter-in-law. Then what? Does it go to the spouse of the child who marries first? Or the one I like best? This is confusing, perhaps, but the important thing is this: the ring has been handed from one generation to the next, from mother-in-law to daughter-in-law for over one hundred years; it was on my finger that the ring broke.

•••

When I had the affair, then came out about it to David, I explained to him that I didn’t want to end the relationship with my boyfriend and I didn’t want to stop being a wife, either, and that was the beginning of our open marriage.

The transition was not elegant. David was hurt, and angry, and surprised. I became the family pariah, which of course, every family needs. David and I went to counseling, first just the two of us, then, my boyfriend, too. We called it tri-therapy, and it went on long enough that we couldn’t afford to rent a place at the beach that summer because our entire vacation budget was going to the therapist.

Near the same time we were becoming a truple, we had a step-niece who was divorcing after four years of marriage. Our kids had been in the wedding—a big wedding, at a vineyard in the Willamette Valley. The family opinion was that the divorce was unfortunate, especially given the twins, but still, much more socially acceptable than what David and I were choosing to do.

“It’s not like they get to vote,” David said.

“An open marriage?” David’s mother said to us. “What the hell am I supposed to tell people?”

“Tell people we love each other,” I answered. “And tell them that we love parenting our kids together in the same house.”

“But you cheated on him,” Margaret said.

“Tell them our sex life had irreconcilable differences. Tell them David’s dating lots of nice women. He’s doing just fine for himself.”

She considered this. “Why didn’t you come to us sooner? Maybe we could have helped.” Then she bestowed some advice: “Lots of married couples don’t have sex. After a while, in a marriage, sex doesn’t matter.”

“For me it matters,” I said to her. “It matters to me. And believe me, it matters to your son.”

What I didn’t tell her was that David hadn’t gone down on me in twenty years; that he’d confessed in couple’s therapy that he’d “never been that attracted to me,” but he thought it didn’t matter. I had tried to make myself more attractive to him. I lost weight, I dyed my hair, I wore sexy clothes and lingerie, but nothing I did made him want me the way I wanted to be wanted.

•••

I asked my step-niece out for lunch. Sadie is the one member of my family who didn’t treat me like a pariah at the family gatherings we still got invited to. I admired her, and I trusted her to give me the straight story.

“Sadie, I feel a little paranoid. It’s been more than a year since you got divorced, and I came out about the affair, and I get this sense like everybody in the family is still just talking about me behind my back.”

“You aren’t paranoid. Everybody is still talking about you behind your back.” She took a big bite of her turkey reuben. “We have parties you aren’t invited to.”

“I know about the parties. What are they saying about me?”

“I knew you’d ask, so I brought some notes.” She took her Smart Phone out of her purse. “Do you want me to read them to you now, or do you want me to send them to you in an e-mail?”

“Oh my God, Sadie. Just read them.” The ice was melting in my tea.

I’ll never get over that she lied to us. It’s shameful.

I can forgive her for the affair. It’s the fact that she hasn’t stopped with that boyfriend.

If her parents were alive, they would be embarrassed by her choices.

She should take off that family ring and give it back to Margaret. Of course now no one will ever want to wear it.

And my personal favorite:

They should take their daughter out of St Mary’s and put her in the public schools.

Sadie closed her phone and finished her sandwich. “I’m sorry, Nikki. I’ve got about five more minutes and then I have to head back to the office. Let’s have dinner soon.”

“Listen. I don’t want to have to explain about us anymore. Neither does David. We’re always on the defensive. I want us all to be able to be in the same room at Thanksgiving this year. I really want to know: What do you think we should do?” Sadie freshened her lipstick. She took her keys out of her purse and set them on the table.

“You’re the ones who’ve chosen the morally ambiguous path. You owe them more education.”

I know Sadie hated selling their bungalow after the divorce. She hates the shared custody. She hates the way her kids come back from weekends with their dad all tense and frazzled.

My boyfriend is a good man. He and David get along. The kids like him. So does the dog. He makes homemade burgers that our son describes as “the best he’s ever eaten.” He was our daughter’s preferred driving instructor this summer.

“What we’re doing isn’t destructive,” I say. “It’s not simple, or easy, but it’s working for us.”

“Don’t tell me,” she said. “Tell them.”

•••

I did not take the ring off out of shame or as a protest. The shank split just as we were preparing for a big family trip, and when we got back, I was busy and it sat in a box on a shelf in my bedroom for six months. The jeweler I took it to for repair called the split a “stress fracture” and told me it wasn’t my fault. He said the solder line had worn down from years of rubbing and normal wear. He asked me when I’d had it resized.

“Never. I think my mother-in-law had it resized when she gave it to me—more than twenty years ago.”

The jeweler nodded his head as if that explained everything, and he studied the ring with his loupe. “This diamond isn’t particularly brilliant, but it’s charming. I’d estimate it was cut sometime between 1790 and 1820.”

“1790? It’s older than I thought.”

The jeweler looked up at me.

“Old?” He kept a straight face. “This diamond was formed in the earth more than a billion years ago.” He looked back at the diamond and added, “This is an old European Cut. It’s got a high crown, a small table, and a large, flat culet. It also has a circular girdle, and—take a look here—it has fifty-eight facets.”

“That’s interesting,” I said. “The family tells a different story.”

He shrugged, then he pointed out that there was some prong failure. He got out a little envelope, dropped the ring in, and wrote out a claim slip. “I’ll have it done by next Saturday.”

When I got back home from the jeweler, I texted David.

Me: The ring was made by Vera’s husband and given to her, right? Because the according to the jeweler, the diamond is actually older than we thought. Can you ask your dad about this?

David: Actually, I think the ring was originally forged by Sauron. In Mordor.

Me: And can you ask your dad what his grandfather’s name was? And what year did he and Vera marry?

David: Why don’t you just ask my dad yourself?

So I sent my father-in-law a quick, casual e-mail, asking about the ring. He still hasn’t replied.

•••

When I picked up the ring, the band sparkled in a way I’d never noticed. The jeweler asked if I’d like my other rings cleaned as well. I didn’t know that gold needed to be cleaned. I handed him the two other rings I wear: my mother’s wedding ring, that I’ve worn since she died nineteen years ago, and my wedding ring, which I’ve never had cleaned in the twenty-one years I’ve worn it. He didn’t comment on my mother’s simple gold band, but he admired my wedding ring. “This is old, too,” he said, impressed. “I’d estimate 1820s—because of the Lily of the Valley pattern, and the quality of the gold. Is it eighteen carat?”

“I don’t think so…”

“Is it English?”

“I don’t think so…”

He looked inside the band and found the inscription “David and Nikki 1994”. David’s wedding band has the same inscription as mine, except in his ring, my name comes first. We had asked the woman who designed the rings for us to copy an old pattern. We wanted them to look seasoned, like they’d seen a lot of love.

The jeweler shrugged.

Despite the family’s opinions, I don’t have any intentions of returning the engagement ring early. Partly, this is because I like the way it looks on my hand now that I’ve discovered a good gel manicure holds up for weeks, and partly because my boyfriend whispers sexy things in my ear when I’m wearing it, and partly because I won’t be shamed. I want my kids to associate this ring with my finger. Someday, I want them to reflect on the fact that I didn’t take it off.

•••

NIKKI SCHULAK writes and performs comedy about bodies and relationships. Her work has been published in numerous journals and websites. Her essay “On Not Seeing Whales” (Bellevue Literary Review) was chosen as a Notable Selection in Best American Essays 2013. She lives in Portland, Oregon, with her teenagers, her husband, her boyfriend, and her beloved dog, Calvin.

 

Something Happened While I Was Away

By Saundi Wilson/ Flickr
By Saundi Wilson/ Flickr

By Jacob Margolies

We’re waiting in front of the building, under the canopy and protected from the rain, when the town car pulls up. It’s a chilly early morning. I’m going to the airport and should be in Seattle by the afternoon. My wife’s friend, Sarah, who has been staying with us, is heading home to Maine, and we’re sharing the ride to JFK.

Our driver is an elderly Korean man. All the drivers from this car service are Korean. “You can take Atlantic or Linden. Whatever way you think is faster,” I tell him.

He drives slowly. His hands, gripping the wheel, are trembling, and every few seconds he lifts up his right hand and glances at it before smacking it down on the wheel.

The old man heads down Coney Island Avenue and passes Caton. When I let him know he’s missed the turn, he points to the GPS. “You’re going the wrong way. Turn around,” I say. Again, he points to the GPS and drives straight ahead.

It’s out of our way, but we’re going out to take the Belt and ride alongside the shoreline. It’s the scenic route. There’s almost no traffic on the parkway. We can see glimpses of marsh adjacent to the water. Cordgrass and common reeds, the ocean on one side and Jamaica Bay on the other. In the sky, flocks of birds are flying in formation. At this hour, with the rain coming down, it’s possible to imagine the New York Island in its natural state before the salt marshlands were drained and filled in with buildings, highways, and airports. In my still-drowsy state, these intimations of a physical world untouched by human activity strike me as startlingly beautiful, an impression punctuated by our driver’s periodic and emphatic slaps on his steering wheel.

We drop Sarah off at the Jet Blue Terminal. She says something about how lucky we are to have missed the storm, although, even if it hits, it’s not going to reach New York until late the following day. We’ll see. Weather forecasters are always hyping storms that usually end up veering off course and being less than advertised.

The plane lands in Seattle on time. I’m there to attend a conference on interactive media. There will be panels on social media, advertising, online commerce, and digital storytelling. Representatives from Facebook, AOL, Hulu, Amazon, and hundreds of smaller digital media outfits are attending.

The Japanese newspaper where I work has about ten million print subscribers, and its leaders are suspicious of the digital onslaught and new media carnival barkers. For fifteen years, I’ve been taking around colleagues, who are visiting from Japan, to American digital media companies claiming to have discovered the secret to a bright electronic future. Many of those businesses no longer exist. For over a decade, as American newspapers were blithely putting their publications on the Internet for free, their Japanese counterparts always insisted that anyone reading their stories online pay the same price as a print subscriber. Bolstered by a network of zealous sales agents and a reliable home delivery system, newspapers in Japan remain a staple of daily life. But since the 2008 Great Recession, Japanese newspapers have been facing the same afflictions battering print news publications in the United States. The Japanese, like Americans, are glued to their phones, and the handwriting on the wall says that before long, most of them will be reading the news on a digital device. So I have come to Seattle to attend panels and meet with whoever will talk to me, and I hope I’ll learn something that I can report back to Tokyo.

The next morning, as I’m heading out of the hotel lobby for the Convention Center, the rain is coming down hard. A smiling concierge is distributing sturdy extra-large umbrellas to guests. When I ask him if he wants my room number, he tells me it isn’t necessary. “We trust you,” he says. For some reason, I find this unsettling. An umbrella is something you buy on a misty street corner for three dollars from a Senegalese street vendor, or from a South Asian immigrant at a newsstand, or at a shoe repair store from a Russian guy who doesn’t speak English. This thing I’ve been handed is a piece of furniture. It seems so durable that I’d feel guilty about losing it.

Across the street from the hotel, there’s a cafe. I’m running late, but figure I can get a cup to go. At this place there’s a ritual around ordering coffee that I don’t understand and an elaborate art to making it. After answering series of questions from an extremely friendly barista, I wait and wait. It’s not yet nine in the morning and Seattle already has me rattled.

This is some of what I write in my notebook on my first day attending the 2012 Seattle Interactive conference.

News is getting faster and smaller. It travels at the speed of light. There is more news. There are more sources.

The story is reported before the media gets there. Cameras are everywhere. Everyone is covering the news. We get our information in different contexts. How do we know if something is true?

What does it mean to tell a story? Trust your community. Connect. Embrace the share. Storytelling is a narrative to which people surrender.

Interactive is nonlinear. Multiplatform deployments. Epic mix.

Amygdala hijack leads to an immediate overwhelming reaction, disproportionate to the stimulus, triggering a deep emotional reaction. Storytelling is an interaction. A single story builds on emotional connection and triggers long-term memory.

Forces of nature are reshaping the world. Waves of technology are eroding our foundation. This transformation is happening and we must adapt to survive.

When I get back to my hotel room that evening and turn on the computer, I see that just a couple of hours earlier, the big storm that had been approaching the east coast the day before has struck New York City. This one did not veer off course. Hurricane Sandy has made landfall. There has been flooding and an explosion at a Con Edison substation, and the southern part of the island of Manhattan has gone dark.

On YouTube, I see a video of cars floating down Avenue C, just two blocks over from the Lower East Side building where my parents live. It immediately occurs to me that they are prisoners in their tenth floor apartment. My father is eighty-seven years old and has Parkinson’s disease. In recent years, he’s had a series of falls, and every step he takes has become an adventure. There’s no way he’s going to make it up and down ten flights of stairs. It’s too late to call New York. In anticipation of the storm, my wife’s company had given everyone the day off. We live in Brooklyn on higher ground, so I guess that things aren’t too bad for her. I’ll check in with everyone tomorrow.

The next morning my eighty-year-old mother assures me that despite the lack of power and water, everything is fine. Neighbors are checking on them, she tells me. Later on she’s going to take the stairs and try to buy batteries from the hardware store.

The second day of the Seattle Interactive Conference is a lot like the day before. A chorus of warning from casually dressed marketing mavens to the survivors of a news industry decimated by the digital revolution. “Change or die” is their message. The electronic acolytes are exultant. There is a universe of possibility. The neophyte presenters have their beady eyes on the future. There are no elegies here for all that has been washed away.

I have lunch at a Vietnamese place with my friend Claire who has attended a morning presentation by someone named Shingy who works for AOL and has the job title Digital Prophet. She tells me Shingy’s got a space alien look with big electrified hair and that he’s very fond of certain words—mobile, leverage, social, branding. He’s a showman. Evangelical, but in a wink-wink way. A hustle here, a hustle there. She’s charmed by his audacity.

“I thought that all the digital prophets had left AOL and migrated to a different platform long ago,” I tell her.

“Not all of them. He’s a minor prophet,” she explains.

“Did he say anything about the flood in New York?”

“Nothing, I’m afraid. But he’s only a minor prophet.”

I call home that afternoon. My wife Joanne says if the power stays down she’ll drive into Manhattan and pick up my parents. They can stay with us until they get electricity back. But the car needs gas, so she’s going to have to deal with long lines of panicked drivers at gas stations. I’m not sure my dad will be able to make it down the stairs, but if they go very slowly maybe it can be done.

Later on, I speak again to my parents. “Any looting going on yet?” I ask, remembering the 1977 blackout when local kids broke into stores on Avenue B and on Delancey Street. The Sneaker King was especially popular on that night.

“Don’t be ridiculous,” my mother tells me. She is English, from the town of Banbury in Oxfordshire, and moved to New York in the 1950s. “Everyone is being very friendly. Hassan, the super, knocked on our door to see if we were all right. When I went outside, it reminded me of the war. The long lines. All the blackout periods we had. We could be fined if even the glimmer of a light escaped our home because it might aid the German war planes.”

I tell her that Joanne will pick them up tomorrow if the lights are still out. “Really, that isn’t necessary—we’re fine,” she says.

After the second day’s final panel, I go back at my hotel room and look at the New York Times web site and catch up on what has been happening. Subway stations and the tunnels under the East River are flooded. The South Ferry stop is covered track to ceiling with sewage. More than one hundred houses burned to the ground in Breezy Point. Two hundred fifteen patients were evacuated from NYU Hospital after the backup generators failed. There are photographs of garbage and debris in the streets, sandbags surrounding the Goldman Sachs building, a flooded plaza on Water Street, a parking lot with hundreds of partially submerged yellow cabs, and free pizza being handed out on Avenue B.

I read a story about some of the dead. A twenty-three-year old makeup artist in Queens electrocuted by a severed power line. An old man swept away from his house by flooding waters. A young couple in Brooklyn walking their dog, crushed by a falling tree. A father and his thirteen-year-old daughter drowning in their Staten Island home.

I talk with our newspaper’s New York Bureau Chief Yuji Yoshikata. He lives on the twenty-sixth floor of an apartment on East 39th Street that has lost power, and over the past twelve hours he has rushed up and down the stairs several times. There are interviews to be done and photos to be taken. Japanese daily newspapers have both morning and evening editions. So there are facts that need to be gathered, and context and history that must be provided. Deadlines must be met. For the Japanese, the March 11, 2011, tsunami that killed over 15,000 and left hundreds of thousands without homes will be the lens for understanding what is happening in New York. And for Yoshikata, who spent ten days in Haiti in the days after the 2010 earthquake there, the events in New York, will be filtered through his own recent memories.

There’s an email from a friend who has just gotten back from a Brooklyn bike ride through the destruction. He’s checked up on another friend who lives on a barge docked on a pier and writes about seeing fish onshore where the water has receded and cars that have been moved several hundred feet. People with gas-powered pumps are draining their basements.

I speak again to Joanne. She tells me they’ve set up shelters for displaced people at the big Armory by our house and a nearby high school. She’s been trying to contact our friends in Red Hook. They have lived for twenty-five years on Van Brunt Street in a house that, over many years, they renovated themselves. There are photographs online of terrible flooding on that block. “If they need a place to sleep, they should stay with us,” I tell her. She tells me she’s going to drive over the bridge and see my parents in the morning.

The two-day conference is over, but I have another day and night in Seattle. In the afternoon, I’m supposed to talk to some people at Amazon about putting newspapers on the Kindle. I call my airline to see about an earlier flight back to New York, but I give up after spending time on hold listening to recorded music. At 3:00 am, I wake up and can’t get back to sleep. Lying in bed, insipid platitudes that I’ve heard over the last two days keep running through my mind. Paradigm shift. Game changer. Ride the wave. I pick up my phone and open up the laptop on the bedside table and check Twitter and Facebook. A flooded basement in the Rockaways. Scroll down. Houses in flames. Swipe. An outdoor Staten Island Red Cross station. Tap. People on cots in a makeshift shelter at the Armory. Click. The digitization of catastrophe recorded in real time on my news feed.

After my meeting with the Amazonians, I call home. Joanne’s upset. After waiting for two hours on a gas station line that hardly moved, she gave up and went home. She feels bad about my parents. “You did your best. They’ll be okay,” I tell her.

Later I speak to my mother who tells me that tomorrow, if they can make it down the stairs and manage to flag down a cab, they are going to stay with their friends George and Peggy in Hell’s Kitchen, where electricity was never lost and life has returned to something close to normal. “Peggy said your father can sleep on their massage table and I am going to be on something called a futon,” she says brightly. I’m sitting outside along the waterfront near the ferry terminal as we talk. It’s October 31st. Halloween. On the street there are people walking around in costume. Witches, superheroes, Mitt Romney, oompa loompas, Elton John. In New York the big parade has been cancelled.

Fortunately, my flight back to New York the next day takes off on schedule. My car service driver meets me at the baggage claim area, and I’m surprised to see it’s the same old man who drove me out to JFK five days earlier. This time we take Atlantic Avenue, and about half way home everything comes to a complete stop. The westbound traffic has somehow gotten tangled up with a long line of cars waiting to use a Shell station. “Very hard to get gas today,” the driver says. I tell him I wasn’t sure there’d be anyone to meet me at the airport. “Very hard,” he says. “Everything going up. Gasoline, insurance, taxes. And less work, much less work. Very bad since Lee Min Shok. I very angry at Lee Min Shok.”

I wonder if he’s talking about a new owner of Green Light Limo, or perhaps a dispatcher who’s giving him a hard time. After sitting in traffic for about twenty minutes, I realize he’s talking about the cascade of cataclysmic events connected to the day four years earlier when Lehman Brothers declared bankruptcy. In East Asia and, especially in Japan, these misfortunes are often referred to as Lehman Shock. It’s no wonder this poor guy keeps smacking the steering wheel. Some disasters are natural and others are manmade. Eventually the traffic clears and we make it onto Eastern Parkway, then up Prospect West, and finally, as night falls, home.

I speak to my parents. They successfully navigated the stairs, got a taxi, made it uptown to their friends’ apartment, and spent the night there. “The futon was very comfortable,” my mom says. My dad, who is on the other line says, “Don’t believe your mother. She’s just being nice Sleeping on the massage table wasn’t so great either.”

There’s still no train service into Manhattan. I tell my parents I am going to take a bus into Manhattan and walk around the old neighborhood. I’ll let them know what I see.

Later that day after waiting in a long queue, I catch the bus on Atlantic Avenue by the new arena. It travels over the Manhattan Bridge. I get off on the Bowery south of Houston Street and start walking. Just north of Houston, two kids with cans of spray paint are tagging a solid metal bar grate covering a storefront. It’s the first time I’ve seen someone doing that since I was in high school. On St. Marks between 2nd and 3rd, which is usually packed, there are fewer than a dozen people the entire length of the block.

I head over to Avenue B. Nearly all the boutiques and restaurants are closed. For this one week at least, the Avenue has been reclaimed by poor people. Many of them are black or brown. There are elderly people pushing shopping carts and bohemian types who would not have seemed out of place in grittier times. The streets are a ghost land of times past. I find I’m sliding into a 1970s reverie, looking at strangers and exchanging with them the head nod of recognition, which involves the slightest tilt of the chin upward. The Lower East Side head nod is a vestige of yesteryear. Its unspoken message was, “You know I belong here and I know you belong here, so we’re okay, right?” If accentuated with a tilt in a particular direction, it was also understood to mean, “Can you believe this shit?” The shit in question being the existential condition at that moment, which might have been expressed by the sound of a siren from a fire truck clambering along the avenue or a warning about those troublemakers down the block. So much communicated in a tilt of the head.

But now it’s November 2, 2012, and this head nod is acknowledging that there have been four full days without electricity, which is triggering in those of us who are old enough to remember some kind of supernatural time travel, or maybe just a new hyper awareness of the fragility and impermanence of everything. And walking here, after the flood of instantaneous digital images and audio from these same streets that I absorbed just days ago from three thousand miles away, there is a deeper conjuring up of emotion and associations. What does it mean to tell a story? How do you know if it’s true?

Hooking back to Avenue A, I pass shuttered storefronts that once were Ukrainian coffee shops. Pirogi reveries. On the corner of 7th Street, long-gone Leshkos, where a girlfriend once threw a glass of water in my face and stormed out, leaving a plate of food that I finished because I was hungry. Sour cream memories.

One more block west at 1st and 7th Street there is a collection of bedraggled fair-skinned young adults huddled together. The hardware store on the corner is open, lit by candles, and as I get closer I see those gathered under the chilly gray sky are taking advantage of a portable generator to charge their phones. Looking to connect and share. They remind me of junkies, who forty years earlier, lined up on nearby street corners waiting impatiently, desperate to make a different kind of connection. Then and now, searching for a rainbow and an escape from being alone.

Up to 14th Street and then east and back to Avenue B. On the corner of 11th Street a large congregation of young people has come together in front of Congresswoman Velazquez’s District Office. They are loading cases of bottled water, blankets, and canned food into vans. A woman with a clipboard is asking if anyone speaks Mandarin or Spanish. “How’d you hear about this?” I overhear one of the volunteers, a young man, asking a woman.

“Facebook,” she says, making it sound like more of a question than a statement.

They’re being dispatched to deliver aid to the elderly and infirm trapped in their apartments. From this catastrophe, something unusual is happening. A communion between these fortunate good Samaritans and their often invisible neighbors, the tens of thousands cordoned off in the neighborhood’s flood zone, the brown brick shadow city of public housing developments running south and west along the FDR Drive. Each project has its distinct history and character. Wald, Riis, Baruch, Smith, LaGuardia, Rutgers, Gompers, Campos Plaza. The long narrow strip is the last bastion for the Lower East Side’s destitute and working class.

Gathered on this corner, the volunteers appear calm, resolute, and cheerful. While I’m aimlessly walking the streets, these kids, unburdened by the curse of memory, are actually helping people. These streets belong to them now. They have the run of the place. They’re the ones who will have the challenge of living on the island as tides are rising. Maybe someone among them will help figure something out. Wind, solar, fertilizing the ocean to capture carbon. Science could be our salvation. Or maybe the deluge swallows everything. These kids though, they are all right. They’ve set up a makeshift assembly line and are passing along pallets of bottled liquid from one person to another to another. Up close, I read the labels. Poland Spring. “People are thirsty and need water,” someone says.

•••

JACOB MARGOLIES works in the New York Bureau of The Yomiuri Shimbun, Japan’s largest newspaper. In addition to his work as a journalist, his writing has recently appeared in Project Syndicate, Vol. 1 Brooklyn, Mr. Beller’s Neighborhood, and The Summerset Review.