Manning the Tollbooth

By Jon Magidsohn

It’s a cement and gray-brick structure, unnaturally square, six stories of uniformly tinted windows, compartmentalized and looming large over the winding driveway. Wide, sliding glass doors open onto a pale foyer large enough to park several ambulances. On the right, busy administrators in matching navy-blue jackets sit behind a registration desk; on the left, a café with odors staler than the bodily smells upstairs in the wards. An unused staircase hugs the wall as visitors and faceless figures in teal-green pyjamas crowd the elevators. Blue and silver signs point toward mysteriously withdrawing wings named after equally mysterious benefactors. The ceiling is speckled with plate-sized pot-lights casting a ghostly glow that leaves no shadow along the grey corridors.

It could be any hospital anywhere in the world. A monument to Marie Curie. But this one is in Bangalore, India—where my family and I have lived for the last year and a half—squeezed into a parcel of land between a shopping mall, a community college, and a housing estate all served by a dusty four-lane highway that connects the airport to the center of town. Outside, the road is lined with crumbling pavement and idling auto-rickshaws; inside, it’s eerily absent of indistinguishable announcements or “Code-Reds,” and everybody seems unusually comfortable being there. Both inside and out, like on any Indian street, there are people everywhere.

Never has a hospital seemed so frighteningly familiar yet shaded with a disquieting foreignness. Not the most comforting scenario in which to bring my unwell son.

He’s scheduled for an endoscopy, admittedly not the most intrusive of procedures but not without concern considering the involvement of general anaesthesia. The source of his debilitating stomach aches needs to be found, now several years—and three hospitals in as many countries—after the pains first surfaced.

A few weeks earlier, the scan and blood tests all came back normal. Six months prior, we’d eliminated gluten from his diet, before that dairy. Four years ago, we ruled out IBS and Crohn’s. The endoscopy should show us, once and for all, what we are dealing with.

How many possible conclusions could be left, I wonder?

•••

Like many people, I have a natural inclination to find blame whenever the opportunity presents itself. If I can’t (or won’t) admit responsibility, then I can at least outsource it. The soup shouldn’t have been so hot; poorly-poured cement caused me to stumble on the sidewalk; the teacher withheld vital information—that’s why I failed the exam. Surely someone is to blame.

What about my empty bank account? Gimpy knee? Lack of a publishing contract? Most days I can spin it so that these gray areas tilt more definitively toward the black or the white. Not my fault.

Got cancer? It must be because of the polluted drinking water, unsavory lifestyle, or bad habits. But what if the disease should find random homes in healthy, rural-dwelling, non-smoking, teetotal vegetarians? Or children? Who do I blame then?

Some people insist everything happens for a reason. Others believe that we are all at the mercy of fate. All I know is that when you’ve been as close to cancer as I have, you stop looking for the smoking gun.

If my son, Myles, were to climb the two branches of his family tree, he’d discover signs of cancer before he reached the first bifurcation. From my side, he inherits the genes that betrayed my father and my aunt. On the other side, the woman that brought him into this world was taken by cancer before Myles was old enough to know who she was.

If my son gets cancer, I need look for blame no further than to the disease itself.

When Myles was still just a grainy, faceless pre-human on an ultrasound scan, he was exposed to a cocktail of drugs aimed at reducing the accelerating tumor in his mother’s left breast. With the information available to the team of specialists at the time, they determined that the mild course of chemotherapy would keep the cancer at bay until the baby was born, after which the treatment would be amplified. By all accounts, the placenta did its job well, filtering out all the invasive chemicals designed to target fast-growing cells. Our unborn baby was all fast-growing cells.

Myles was born healthy and strong and has remained so for the past twelve years. So healthy and strong, in fact, that I’ve often wondered if perhaps the anti-cancer chemicals zapped him with invulnerability to a Marvel Comics degree. As a baby, he’d crawl over gravel without scratching his knees; carrying him through the house, I’d clumsily knock his head against a doorframe without so much as waking him up.

But his superhuman tolerance of injury hasn’t pre-empted any of my fears for his long-term wellbeing. When, at thirteen months, he got his first cold, I thought it must be a symptom of something greater. Headaches, allergic reactions, and bruises must certainly be symptomatic of some malevolent intruder. When he complained of stomach aches, I envisioned the tumor burrowing into his abdominal organs. There could only have been one explanation.

Like most parents, I’d peek into Myles’ crib at night to make sure I heard the comforting whispers of his breath during his sound sleep. Now that he’s nearly a teenager, he still sleeps as soundly and I’m still responsible for waking him up in the morning. But after I unceremoniously swipe the covers off him and open his curtains, what if he doesn’t wake up? What if that malicious interloper has taken him from me during the night?

Farfetched, maybe. But to those of us who have witnessed it, cancer is always there, sitting just over everyone’s shoulder in various personae like those imaginary little angels and devils. But nobody is quite sure which one to listen to.

The word itself looms large in the lexicon of our unconscious as one that dare not be spoken. It is at once sacrosanct and taboo, as if saying the word might somehow curse the person who has it or pass it on to someone within earshot. When people do actually speak the word it is uttered quietly, almost politely so as not to aggravate the temperamental God of Terminal Illnesses. It is inherently self-editing, the harsh sound of the first ‘c’ muted by the disapproving sibilance of the second one. “Comeheregoaway,” it says in a radio-static whisper.

When Myles’ mother died, the cancer remained. It floated around me like steam from a boiling kettle. It nosed its way between the pages of my book and under my pillow. It hid between the floorboards or behind my cereal bowl. Sometimes it hung from the wall like a giant tapestry and sometimes it sat lazily in the teaspoon jar. It never taunted or pointed its ugly finger. It didn’t have to.

Through it all I manned the tollbooth at the edge of the cancer highway. Everything had to get through me first: the flowers in a beautiful garden were muted, grayer as seen through my eyes; the conversation that made me laugh was not quite as funny after I hung up the phone; good news was soured, bad news inconsequential. The world was cancer-coloured.

Time has healed the grief, but cancer lingers like dirt under my fingernails. It makes me wonder who the real cancer victim is.

•••

“Dad, I’m nervous,” Myles says after changing into the unflattering hospital gown.

“There’s nothing to be nervous about, Superman.” I try to take heed of my own advice. Until the final results of the endoscopy are in, nervousness is the least of my worries. Besides, I can’t let my son know that there is any risk or discomfort involved in Dr. Dinesh sliding a camera down his throat. Myles will be asleep the entire time.

“But they’ll have to give me a needle,” he says, sitting patiently with his bare toes curled against the freezing floor tiles. “That’s gonna hurt.” I long for the days when the thing I feared most was a prickly jab in my hand.

I wait in the under-stocked, over-priced hospital café, nursing a cup of tea and clinging to my son’s glasses while he’s put to sleep and his insides are probed by the latest inhuman instruments offered by medical technology. I wonder if Dr. Dinesh is looking at the rapidly-growing tumor in my son’s stomach, trying to determine the best course of action before breaking the news to the patient’s father. I plan ahead, ensuring I’m aware of all nearby doorknobs and railings lest I require something to break my fall as I faint after hearing the doctor’s report.

Within an hour I am at Myles’ bedside in the recovery room, holding his hand and counting the blips on the heart monitor. I recall the day of his birth, two weeks earlier than we’d expected, when I sat by the incubator for three hours with the same pings and peeps providing the soundtrack to the Cinemascopic vision that was my new son. Six months later, another hospital where his mother lay dying attached to another monitor. The only benefit of Myles being so young at the time was that I didn’t have to explain to him what flat-lining meant. The sensation never withers, especially when I’m forced to revisit the scenario.

The smoking gun.

•••

Let’s assume that there is no such thing as randomness; that we are forced to bear things like disease and anguish because our predestined fortunes have demanded it of us. If this were so, I might welcome my fate while condemning it at the same time. I might still find blame in circumstance or poor choices while gladly laying guilt with God or the Devil. Someone must be at fault.

But life doesn’t work that way. At least mine doesn’t. No god I’d be inclined to pray to would allow the kind of physical or emotional suffering I’ve seen some people endure. Why would any benevolent source allow itself to be culpable for something that unwittingly assaults people from the inside and lingers immortally in the minds of those who have witnessed it? There is nobody and nothing to which I can point the finger.

Randomness is all around me. From the car that turns the corner as I’m trying to cross the street to running into an old friend at a movie theatre to the pulled muscle in my back. From there, anything can happen; it’s the Sliding Doors syndrome. I choose to believe that we can only prepare for so much; that considering all of the careful choices we make, we are not in as much control of our lives as we might think. Sometimes life just happens to us.

I worry because I am a father; because I am human. I worry because I anticipate the hissing tongue of cancer to taunt me again without warning. I hope for the best and anticipate the worst. I keep my eye on the roulette wheel’s persistent silver ball lest it fall arbitrarily on my number.

When someone I love exercises their hyperbolic prerogative to illustrate a point, I am often short-fused.

“It’s so hot … I’m dying.”

“You’re not dying.”

“No, but … I mean …”

“You’re not dying.”

I don’t cut people much slack. It’s a figure of speech—I get that. Besides, we’re all going to die some day. But I’ve become a hypochondriac by proxy, convinced that all my loved ones will die around me while I remain here to live without them.

•••

Five interminable days after the endoscopy, the results, including tissue biopsies, return normal. No ulcers. No abnormalities. No cancer. The only imaginable explanation for the stomach aches, according to Dr. Dinesh, is a minor hiatal hernia, which many people tolerate without ever suffering from any pain, and slightly raised stomach acid. Eventually, he suggests, Myles will outgrow the excruciating interludes completely.

It’s the good news we’d hoped for. We’ve dodged the bullet. Just a stomach ache. My irrational fears have been soothed once more, and I will myself to be patient until the day we say goodbye to these episodes altogether. Hopefully this is the last time we see the inside of an Indian hospital. Or any hospital.

I don’t consider how bad the outcome could have been until the next morning when I pull the blankets off my son’s sleeping body and wait for him to stir. Short-lived relief bolsters me for another day.

•••

JON MAGIDSOHN, originally from Toronto, Canada, has been featured in The Guardian, The Bangalore Mirror, Brevity, Hippocampus, Full Grown People, Chicago Literati, and currently publishes three blogs. He’s also written about fatherhood for dadzclub.com, The Good Men Project and Today’s Parent magazine. He has an MA in Creative Nonfiction from City University, London. Jon’s memoir, Immortal Highway: Songs From the Healing Tour, is currently crowdfunding toward publishing in September, 2015. Rewards include a copy of Full Grown People: Greatest Hits, Volume One. www.jonmagidsohn.com

How Gender Works

By Gina Easley www.GinaEasley.com

By Alex Myers

Exhibit A

It is 2003, and my wife and I have moved to Florida. I’ve been taking testosterone for a few months. I’d been living as a man for over seven years at that point, but it had been getting harder to pass—I was twenty-four but still looked like a fifteen-year-old boy.

We moved to the Gulf Coast of the state, the conservative side, and I remember sitting in the very-empty living room of our brand-new rental home, calling endocrinologists, trying to find someone who would treat me. I’d dial a number and say to the receptionist: I’m a transgender person looking to continue my hormone therapy under a doctor’s care. Is that something Dr. So-and-so can assist me with?

That afternoon, I got every answer from the professionals but clear: That’s not his area of expertise. To the curt: No. To the shocked: Is this a joke? You’re sick. And others that were ruder. At last, a sympathetic receptionist told me: Try calling someone over in Miami. I ended up with a doctor in the Fort Lauderdale area.

I remember sitting there, on the beige carpet, leaning against the gleaming white wall, thinking that I would never come out in this place.

Our second year in Florida, we moved to an older neighborhood, a little more run-down, but in a good way. Our neighbor was a lesbian who flew a rainbow flag off her back deck, a short woman with spiky blond hair and the fierce energy of a former collegiate lacrosse player. After we’d known her for a few months, we had her over to dinner and, with the slight awkwardness that always accompanies coming out, told her that I was transgender and that my wife, Ilona, was bisexual.

I knew it! she crowed.

How did you know?

She pointed at Ilona. Gaydar. I just knew you weren’t straight. Then she pointed at me. And you—I knew because when that dog was attacking your wife, you chased it with a broom.

She was alluding to an incident that occurred not long after we moved in. Another neighbor had a pit bull that was both mean and always getting loose. One weekend afternoon, I was sweeping the house, and Ilona was outside gardening. I heard her scream and looked out the window to see the pit bull in our yard, growling at her. I ran out the door, brandishing the broom. At that moment, our lesbian neighbor happened to drive by and stopped her car. Taking in the scene, she first called animal control and then picked up a handful of rocks from the roadside and began to throw them at the dog. The pit bull, which had largely ignored my broom waving, responded to the rocks and ran off.

What man fights a dog with a broom? our neighbor insisted.

Exhibit B

It is 1998; I am an undergraduate in college, and I need a physical on short notice for a summer job with the Audubon Society. The doctor I normally saw at Harvard’s clinic didn’t have any open appointments, so I was put with a provider I didn’t know, an older man.

In the little examination room, I handed him the paperwork. I was nineteen, in good health. I expected this to be a mere formality, a matter of checking the boxes off. And at first, it was. Reflexes, blood pressure, peering into my ears. Then the stethoscope, snaked up under my shirt to listen to my heart and lungs: Deep breath. Again. I thought that he might figure it out then, that he might feel my breasts as he placed the cold metal disc against my flesh, but, no, he didn’t. Check, check, check. Immunizations, up to date. In between the components of the exam, he asked small questions about my studies, about the job. Where was the bird sanctuary that I’d be working in? He flipped the page on the form. Okay. Now I’ll need to examine your testicles.

I’m sorry, I told him. I don’t have any. I’m transgender. I was born female, but now I live as a man.

It may have been the most awkward coming out that I’d managed yet.

The doctor just blinked at me. What’s that?

I’m transgender. I’m female. Biologically and genetically female. I was raised as a girl. Now I live as a man.

Oh. So no testicles?

I shook my head.

He looked at the sheets of paper, flipped one over, made a mark. I tried to imagine what he was writing—or what he was looking for. He proceeded with the rest of the exam and then flipped through the pages again before peering at me.

No testicles.

It was half-question, half-statement.

No testicles. I affirmed. I waited, wondering if there was some other test he needed to do in lieu of the testicular exam, wondering if he would need to ask what I had instead of testicles. But he said nothing, just looking at me and then looking at the pages in front of him.

And you’re what, again?

Transgender. I’m biologically and genetically female. I live as a man.

His eyes brightened as he gave a small sigh and smile. Ah! I understand. You’re a woman with short hair.

Exhibit C

It is 1995. I have been out for less than a week. It is an evening in July, and I am at a mixer for GLBT youth. The music is thumping, and I am avoiding the dance floor. There seems to be no good place for me—the lesbians are not interested now that I’m living as a guy; the gay boys are bound to be disappointed once they find out. So I am leaning against the wall, watching the scene.

She comes over to me—round glasses, dangling earrings, and she says: I don’t mean to be rude, but I’m just trying to figure out if you’re a boy or girl.

Me, too, I tell her.

That night, we laugh and talk and even, I think, try to dance for a song or two, unaware that in seven years we will be married, that in all our years together we will never find a better understanding of gender, of who we are, than at that moment.

•••

ALEX MYERS was born and raised in Paris, Maine. For most of his adult life, he has taught English to high school students. In January 2014, Simon & Schuster published his debut novel, Revolutionary. In addition to teaching, he works as an educator and advocate around transgender identity. He lives in Washington, DC, with his wife and two cats.

Like Mother, Like Daughter

By Lesléa Newman

A slim, tattered volume of verse with a dark stain on its gold cover is one of my most prized possessions. The book is called Poems for the Little Ones, written by Edie Scobie and published in 1925. The poems in it are rather dreadful:

I’ve dot a lovely dolly

Her name is Violet May

I always take her wiv me

When I go out to play.

It’s not what’s in the book that I treasure; it’s the book itself, which I received from my mother for my eighth birthday. When I opened it, I learned that my mother had also received the same volume for her eighth birthday. Given by her brother, my uncle Arthur, who was eleven years older than my mother, it is inscribed:

To Florence, from Arthur

January 25, 1935

A foundation stone for your future literary castle

Like me, my mother always knew that she wanted to be a writer. Unlike me, her dream never came true.

Even though I always knew in the back of my mind that my mother had once had literary aspirations, I didn’t think much about it. Growing up, my mother was just my mother: the person who put food in front of me, told me to clean my room, and took me shopping for school clothes every fall. When I became a teenager, my mother was someone to fight with about my short skirts, my long hair, and my militant vegetarian eating habits. As a young woman/budding feminist, I saw my stay-at-home mom as the symbol of everything there was to rebel against. And as a not-so-young woman, I relegated my mother to the sidelines of my life as I pursued my goal of being an author.

Though we always mentioned my writing career during our brief, once-a-month phone calls, my mother didn’t know the whole story. I sent home copies of my books that I knew she’d enjoy and could show off to her friends: picture books like Where Is Bear?, Skunk’s Spring Surprise, A Sweet Passover, and Runaway Dreidel! I did not send home books of mine that I knew she’d find upsetting, the thinly disguised autobiographical novels, short story and poetry collections: Nobody’s Mother, The Reluctant Daughter, Secrets, Jailbait, Just Like a Woman, Pillow Talk. These books starred the same protagonist (though she went by different names) who at various times struggled with an eating disorder, found herself in abusive relationships with men, came out as a lesbian, and always viewed her mother with an unforgiving disdain.

More of my books were published, more years went by, and then my mother got sick. She collapsed on a cruise ship and had to be airlifted to a hospital where she remained on life support for ten days. I flew across the country and remained at her side until she was well enough to come home. For hours on end I sat in her hospital room watching her sleep and contemplating our relationship. Our lack of closeness was something that I had always found extremely painful. And I had always blamed my mother for it. But of course it wasn’t all her fault. What could I do to bring us closer? I decided, though it was rather late in the game, to extend the hand of friendship and try to get to know her better.

A month after my mother was settled back home, I went to visit her. After lunch, I peppered her with questions. I wanted to know about her life as a young woman, if she’d dated anyone before she met my father, and whatever happened to her “future literary castle”?

“It’s not important,” my mother said, dismissing my questions with a wave of one manicured hand. Then she changed the subject. “Do you believe all this rain we’ve been having lately? Well, at least it isn’t snow.”

Since my mother was not forthcoming (to say the least) I called my “aunt” Phyllis, who had been my mother’s best friend since they were both ten.

“Oh, your mother was a very good writer,” Aunt Phyllis told me. “I still remember the story she published in Cargoes, Lincoln High School’s literary magazine.”

What? My mother had never told me she had written, let alone published a short story. Luckily my aunt never throws anything away and is very organized. Two days after we had this conversation, a copy of the story arrived in the mail.

I dropped everything and sat down to read, “M is for….” by Florence Levin.

All in all, it had been a pretty rotten day. If only I hadn’t shot my mouth off. It didn’t do any good. It never did. It only made things worse.

Whoa. My mother had written a thinly disguised autobiographical short story about shooting off her mouth? I read on. “Florence” is at the Sweet Shoppe where, “The rain poked an inquisitive finger through the doorway” and the “stool squealed in protest.” Florence, alone, and too upset to order a snack, watches the rain and remembers a recent fight she had with her mother. A huge fight that ends with the narrator thinking, “It’s a difficult thing to admit, even to oneself, that you hate your mother… ”

I had to put the pages down and ponder that sentence for a long time.

When I picked up the story again, it picked up with Florence remembering another recent fight she and her mother had:

“Look at her. She’s sitting there like a princess and I’m doing the dishes.”

“Please, momma. I’m doing my homework.”

“Oh so you’re doing your homework. So I suppose we’ll have to tiptoe around the house until you finish your homework. Pretty soon maybe we won’t be able to breathe if it disturbs you.”

“Oh, momma, please.”

“Oh momma, please. Oh momma, please again. A fine racket she’s got. She sits like a prima donna while I work until I’m ready to drop and nobody lifts a finger to help me….”

And the fight ends with Florence screaming words I had thought, but never dared to say aloud to my own mother: “I hate you, do you hear? I hate you! I hate you!”

Wow.

As Florence sits in the Sweet Shoppe alone with her memories, an “errant tear chased a freckle down [her] nose.” She studies photos pinned to a bulletin board of “Lincolnites” who are in the military and thinks of all the boys “over there” on Iwo Jima and in Germany.

I picked out the smiling face of my sergeant brother among the bevy of others…..Bob with his white teeth and broad shoulders. Bob who had set feminine hearts aflutter before the days of Tarawa: Before the mail stopped coming. Poor momma. It was such a long time between letters. She must be so terribly worried….

Why my mother chose to change her brother’s name but not her own remains a mystery to me. But no matter. The story ends with Florence coming to a new understanding of her mother.

I thought I had troubles. Troubles—why compared to momma—momma whose eyes had been reddened lately. Momma, who needed comfort so desperately lately. Momma, momma darling.

And as Florence comes to a better understanding of her mother, she suddenly realizes that she is hungry.

My mother’s story absolutely blew me away. It’s extremely well written for a high school student, full of sensory imagery, telling detail, authentic-sounding dialogue, and original metaphor. It makes good use of flashbacks. It has a clear beginning, middle, and end. Something happens. And in addition to literary merit, I was astonished by the similarities between my mother and her mother, and my mother and me.

Of course I had to telephone my mother right away. After we chatted a bit, I said, “Aunt Phyllis gave me a copy of Cargoes. I read your story.”

It got very quiet on the other end of the phone.

“It’s a wonderful story,” I went on. “You’ve got a lot of talent.”

More silence. And then my mother said, “Thank you.”

“So,” I said, going for a casual tone, “why didn’t you ever tell me about it?”

“I didn’t think it was important.”

“What else did you write?” I asked.

“I stopped writing after that.”

“Why?”

I could almost hear my mother shrug. “I didn’t see the need to pursue it.”

A thought occurred to me. “Did Grandma ever read the story?”

My mother paused. “She did.”

“What did she say when you showed it to her?”

“I didn’t show it to her. She found it. And she wasn’t pleased.”

I wondered if my mother could hear me nodding as I thought about what to say next. “You know, Mom,” I said, “I’ve written some stories similar to this one. Stories I’ve never showed you. Stories that might upset you.”

“So what?” my mother asked. “A lot of things upset me. Then I get over them.”

“Even stories about me and you?” I asked.

“Darling,” my mother said in a gentle voice, “don’t you know I’ve read everything you’ve written?”

“You have?” I asked, my heart pounding.

“Of course I have.”

“And?”

“And I think you’re a very fine writer.”

I started to cry. “But what about the stories where you and I—”

“It doesn’t matter.” My mother cut me off. “What matters is that you tell the truth. That’s what’s important.”

As I wept, it dawned on me: my grandmother must have said or done something to thwart my mother’s writing career. And my mother was not going to do the same thing to me.

“I love you, Mom,” was all I could say.

“I love you to pieces,” was how she answered.

From that point on, I showed my mother everything I wrote. She was generous with both praise and criticism. She had a good editor’s eye and often pointed out weaknesses in my writing that had slipped by me, the members of my writers group, my agent, and my editor.

Then she got sick again.

During my mother’s final hospital stay, she beckoned me to her bedside. “I’m giving you permission to write about all this,” she waved her hand around the room, “under one condition.”

“What’s that?” I asked.

“Promise me I’ll never have to read it.”

I promised.

After my mother died, I felt her presence most acutely while I was writing about her. My mother loved poetry, and I could feel her sitting beside me as I wrote sonnets, haiku, villanelles, and sestinas about her illness and death, and my own grief. Formal poetry provided the firm container I needed to hold my unwieldy grief. Two and a half years after my mother died, my book of poetry I Carry My Mother was published. As I held the first copy in my hand, I stared at the cover with its painting of red high heeled shoes (my mother loved shoes as much as I do) and my sorrow at being unable to show it to her was palpable. I like to think that wherever my mother is, somehow she knows that I made good on my promise. And that she is very proud.

•••

LESLÉA NEWMAN is the author of sixty-five books for readers of all ages including the short story collection, A Letter to Harvey Milk, the novel-in-verse, October Mourning: A Song for Matthew Shepard, and the children’s classic, Heather Has Two Mommies. A former poet laureate of Northampton, Massachusetts, she currently teaches at Spalding University’s low-residency MFA in Writing program. Her newest poetry collection, I Carry My Mother, explores a daughter’s journey through her mother’s illness and death and her own grief.

You Never Know Just How You Look in Other People’s Eyes

train passenger — By Gina Easley www.GinaEasley.com

By Nicole Walker

There are several ways to get to Siena, Italy. For Erik and me, to get out of Lecce, a town notched in the heel of the boot of Italy, and into Siena, where, if these boots had laces, you would tie the knot, we had to take a car, then a train, then a taxi, then a plane, and then another train and then walk straight up hill to the medieval city that is like Florence if Florence had not become heart-of-the-Renaissance-Florence. We took our first train from Lecce, through Brindisi, to Bari.

We are competent train takers. We take the subway when we’re in New York. We know you can sit forward or backward. We don’t get motion sickness. We can walk up and down the aisle. We know it is not like a car or a plane, but, admittedly, even though the Burlington Northern and Amtrak make us wait at the crossing in our Flagstaff hometown twice a day, we know trains as occasions, not everyday transportations.

The train from Lecce into Bari was late. We got into the cab to head to the airport. I told the driver, “We are late,” in whatever pretend Italian I knew then and have since forgotten. We were blond and carrying rolly suitcases. In Lecce, no one pretended to know English like I pretended to know Italian. But in Bari, the cab driver pretended to understand. Maybe I showed him the plane ticket. It was 11:40. Our flight left at 12:15. The train station is nowhere near the airport. I know he understood me because he spoke the international language of late-for-the-airport. He drove on the sidewalk. He took a left in a lane marked “right turns only.” His tires scraped curb. He stepped on the accelerator to speed around a bus to turn in front of it, bus honking, breaks squealing.

Now might have been a good time to tell the cab driver I was pregnant. Being pregnant shifts your perspective. Suddenly, your life, as protector of fetus, becomes much more precious, even if it’s a pregnancy you’re ambivalent about—it’s hard to be pregnant in wine country. Unlike normal times, making the plane on time seemed less important than surviving the cab-ride. But I did not know the word for pregnant and, although my perspective had shifted slightly, I didn’t want to bug the driver who was concentrating very hard to make a third lane for the taxi-cab where two lanes only existed.

•••

We thought we missed our flight. But then we read the arrivals and departures wrong. We had time to make it to the gate where we had prepaid for assigned seats. In Europe, people who fly Ryan Air rush like Barian cab drivers across the tarmac, suit coats flying, hand holding hat, to get their seats. Erik and I fly in America where our seats are assigned, and we board as soon as possible because sitting in a too-small seat ensures on on-time departure. In Bari, I walked to my seat like a pretend-calm person even though I did not understand why there were two staircases leading up to one airplane. The flight attendants had opened the back door of the plane to let us board. I did not know planes had back doors although I did know, thanks to my desperate attempt to keep the plane from crashing by listening attentively to the safety speech at the beginning of every flight that “the nearest exit may be behind you.” That an exit can also be an entrance is a very European idea.

After that, easy peasy, as Max, who was then only a two-month-old fetus, would say as a five-year-old now. He lived. We lived. The flight. The cab ride. I did not know how dangerous knowing only iPod Italian might be. When we arrived in Siena, our host spoke English. The knot that had been in my stomach, squishing fetus Max, unwound. I would give anything for a host for forever, someone to take me to a foreign country, find the airport on time, speak Italian to the taxi driver, explain why Americans don’t use two staircases to board the airplane from the front and the back.

•••

It’s impossible to know how high the seas will rise. Maybe they won’t rise much at all. Maybe whale poop will sequester the carbon. Maybe the mushrooms will. But some maps predict a bleaker future. In Grist Magazine, Greg Hansom describes pictures of sunken cities, newly named reliefs like Sea of San Diego and Archipelago of Bainbridge. San Joaquin Peninsula is all that’s left of Orange County. The coast we know now probably won’t disappear in our lifetime but in the next or the next or maybe sooner if the coal keeps burning and the cars keep driving.

I say “the cars” and “the coal” as if I am not sitting in a house, typing on a coal-burning laptop as the heater kicks on and pours naturally gassed heat upon me. As if the “the” means I won’t drive my Honda CRV to pick up my kids from school. Another article in the same magazine claimed that it’s liberals as much as Republicans who are the problem. We blame them for denying what we believe is there. But somebody else’s denial is necessary for us to believe that we liberals are doing the right thing, which is a whole lot of nothing. Nobody wants to be blamed for the Santa Monica pier falling into the ocean, but no one also wants to turn the heat down to fifty-five degrees in the winter or the air-conditioning to eighty in the summer. Heck, I have a dream to drive Route 66 all the way from Santa Monica to Chicago, Illinois. I wish I’d driven my car to Italy. Cars are a host country, like a planet. Every gum wrapper and seat print is our own. Our dreams are our cars. They take us out of here without it having to feel the pain of the unfamiliar. But, as the seas rise, perhaps we should get familiar with the boat.

•••

In Siena, the Palio happens twice a summer. Around the Piazza del Campo, horses race. Men, called Camparsa, in medieval outfits parade flags from their district through the streets toward the piazza. The streets, lined with nearly black cobblestones, are bordered by tall, connected houses from the 1300s, red flags, black stone, a Duomo, the Siena Cathedral.

The food in Siena was not the food of Puglia, which was dominated by broccoli rabe and orchiette, a whole-grain pasta. Siena had pizza. It had gelato. It had the food of the American Italian Vacation and it had wine I couldn’t drink. Like a proper tourist, I bought a scarf for ten euros. Like a tourist full of regrets, I should have bought a hundred. We stayed in a hotel that overlooked a garden. The piazza formed a circle where, during the parade, the horses rode around and the centuries swirled around and everything was stone which is how you make a city last—make it stone, make it circular to keep the art inside and the pillagers out. You keep the Renaissance at bay by keeping Florence down the street. You keep nature managed by turning it into a vineyard called Tuscany. Italy is a land of circles made by square painting frames and plots of grape and tomato vines. In Siena, you can’t see far because of the tall houses and the circling streets. It is easy to get lost although most of the time, the Duomo is in sight but the middle of the Duomo too is round and so if you end up on the wrong side of it, you might never know.

And I didn’t know, when we were on our way back to Lecce, to return to Zoe, the already-born kid, who was being watched by her attentive but window-opening grandparents who didn’t know about the Vape that you plug into the wall and emits some mosquito death vapor—and who could know of them? They, like we, are from the United States where we have DEET but no Vapes and so invited a thousand or so mosquitoes into their cottage to feast upon our already barely-alive daughter. She wasn’t really barely alive, but she had the Bad Lungs and the RSV and the inhaler broke the minute we plugged it into the wrong wall adapter. We adapt less well to the foreign world. We have made mistakes. We repeat them. Mosquitoes can sting more than once.

•••

The mosquitoes are getting worse. The Natural Resources Defense Council reports that mosquito-borne diseases are already spreading more rapidly. In the regular times, like the eighties, at seven-thousand feet elevation, people are safe from mosquitoes carrying Dengue Fever. Dengue-fever-carrying mosquitoes once didn’t travel higher than 3,200 feet. But it’s getting warm up here. Mosquitoes don’t suffer from altitude sickness, just the cold. Which it is not. Not even in December. Scientific American, in a September 27, 2013 article notes that incidences of Chikungunya, a disease carried by the Tiger mosquito, which causes high fevers and rashes, is on the rise in Western Europe. Zanahoria, Italian for mosquito, was a word we all knew when we left Italy. Chikungunya is a word we do not know but maybe experienced that long night in Lecce when Zoe couldn’t sleep.

•••

Erik and I wouldn’t be late for the plane this time. We made it to the Siena train station early. I read the schedule. Or, I tried to read the schedule. Pisa CSE, Pisa Centrale. Trenitalia. One stop in Empoli. Isn’t there a nonstop?

Erik and I peered through the glass, the train schedule old and blurry. Our phones didn’t work then, in Italy. The computer, as the nebulizer adapter died when we plugged it in, died on the plane in from Rome. If it were 1960 and Erik and I were on the platform, perhaps then things would have made more sense. We would have studied the book harder, not being so lulled into submission by easy info access on our smartish phones. We would have taken trains more often, understanding that Centrale and One Stop were the same idea. Perhaps, in the 1960s, when the mosquitoes were happy at 3,200 feet and San Diego was confident of its shores, we would have been more versed in chivalry. Perhaps it would have been a time when Erik understood One Stop and Centrale to be the same destination, I would have trusted him. Perhaps if all our verses had been written in 1960s chivalry, he would have waited for me while I was in the bathroom instead of getting on the train without me. Perhaps I would have trusted him and his new British friends as they all waved to me to get on the damn train. Perhaps my 1960-self would have been more credulous. Of course Erik made new British friends and boarded a train without me. If only we could go back in time and then, again, in time, because it keeps coming, time, perhaps I would have jumped on that train, full of belief and trust in trains I did not know and toward the only Pisa that could have been waiting for me.

•••

We use the word “believe” when we talk about climate change. Fox News doesn’t believe it. Members of the National Resources Defense Council do believe it. Readers of Scientific American mostly believe it. Belief is the word you use when you cannot be sure about the future. And the scientists aren’t sure how high the mosquitoes will fly. They aren’t sure how high the oceans will rise. Belief, though, whether you do it or not, only worries about the future. When you believe in God, you pray to him to make good things happen. When you believe in climate change, you believe that maybe good things don’t. One of my mentors believes science will save us—big carbon scrubbers in the sky. How is hope different than belief?

•••

Instead, I did not get on the train. Erik did not get off the train. I stood on the platform as the train pulled away. Erik stared at me through the train window. Incredulity is another word for stubborn. I sat down on the concrete platform, underneath the schedule that predicted when Erik would come back. I’d figured out the train schedule by then but not my husband. I figured out that he might have been right about all trains leading to Pisa but that didn’t necessarily make me wrong. I waited as one train came back. Two trains. Three trains. He was not on any of them. I figured out that maybe sometimes it’s important to just go with the person you are with rather than let your butt get cold on the concrete platform of the Tranitalia Empoli station. Longing is another word for not knowing what to do next.

•••

If I had a house on the Olympic Peninsula, built fifty feet behind the neighbor’s property, which reaches out to the shore of the Puget Sound, how long would I have to wait until I could claim millionaire status for my now-ocean front property? When the water swallowed the neighbor’s strangely-suburban lawn? When the water lapped at my neighbor’s duck-dotted welcome mat? When the country duck hanging as a welcome sign is as wet as the doormat? When the roof of my neighbor’s house makes a nice fishing dock? You are silly to think oceanfront property will mean anything when you have to stay indoors to keep the mosquitoes from injecting their malarial parasite near the now-warm waters of the Puget Sound.

•••

Eventually, I got on a train to Pisa. Eventually, Erik came back. Our trains must have passed each other. When I got to Pisa, he wasn’t there. I went back to Empoli. He wasn’t there either.

•••

The seas have risen far enough to turn Queen Anne into an island at least once before, Jurassicly. They can do it again. Of course, the pretend house I built on the Sound will be under water by then, but, then, the sea doesn’t mind the taste of human constructs.

•••

Finally, our flight back to Bari, back to our mosquito-ridden daughter, back to our flight back to Rome that would get us out of Italy nearly departing, I rode the train back to Pisa. I had the plane tickets. He had to be there. And he was. He stood at the edge of the platform. If this had been a movie, I would have run to him. He would have run to me. Open arms.

•••

I am a good swimmer. If not a good reader of schedules or husbands. I am ready for you, warm waters of the Puget Sound. I know it would be too much to ask for you, dear ocean, to leave me any oysters.

•••

But this is not a movie. His arms are folded. Crossed. I’m so happy to see him. My heart thrills. I am home. But still. I cannot believe that he left me behind.

He says, “I cannot believe you.”

Which I take to mean, I cannot believe in you.

But I say, “You can’t believe me? I can’t believe you!”

I touch my arms. My hair. I am here.

“You’re the one that left me,” I say.

“You never trust me,” he says.

“I’m the one who speaks Italian,” I say.

“You cannot read a map,” he says.

“I came to you. Twice.” I say.

“I went back for you,” he says.

We each folded our arms because no one wants to believe they misunderstood a schedule, a wave, a bathroom break, a pregnancy, a train-trip to somewhere so beautiful so badly. If this were an O’Henry story, this would have been a love story. But this is not O’Henry. Erik was raised by a single-mom who did everything by herself—made peanut butter and jellies, went to work, paid the mortgage, bought a car, hiked in the desert, took the kids to the dentist, mopped the floors. He doesn’t believe that just because I had to pee, just because I was pregnant, just because I wanted to be convinced by the signage, that I shouldn’t have just gotten it together, got on the next train, and met him in Pisa. A feminist is the guy who figures his wife will figure it out. His mom could have done it herself. And, on my side, I don’t believe I should have just trusted him, just gotten on the train just because he said so, without even talking to me. I’m a feminist who doesn’t believe anybody should tell me what to do, even if that means I wait on the platform for two hours to be rescued by some chivalrous husband who does not believe in chivalry. Two stubborn faces staring through the window. There’s no way to know how to go back. I sing a version of the Charlie on the MTA song,

Did he ever return, no he never returned
And his fate is still unlearned
He may ride forever ‘neath the streets of Pisa
He’s the man who never returned.

Erik doesn’t laugh. And then he does.

•••

You can know a few things. You can know this: No one is going to rescue us. We are going to miss our flight from Pisa to Bari. We are going to miss seeing our kid, with her mosquito bites, harboring a virus we cannot pronounce. We are going to spend the rest of our lives passing our traveling companions on the train from Pisa to Empoli, from Empoli to Pisa. But we won’t know what it feels like until we open the windows and actually touch the water. Until then, all we will see is our warped faces, reflected back at us. Duck decorations can’t swim. I should have believed Erik instead of staying put and hoping he’d come back to save me.

They say with time, you look back and laugh. For Erik, that’s not so long. For the island of San Diego, it’s too soon to know.

•••

NICOLE WALKER’s Quench Your Thirst with Salt won the Zone 3 Award for Creative Nonfiction and was released in June 2013. She is the author of a collection of poems, This Noisy Egg (Barrow Street 2010) and edited, with Margot Singer, Bending Genre: Essays on Creative Nonfiction, (Bloomsbury, 2013) and with Rebecca Campbell—7 Artists, 7 Rings—an Artist’s Game of Telephone for the Huffington Post. A recipient of a fellowship from the National Endowment from the Arts, she’s nonfiction editor at Diagram and Associate Professor at Northern Arizona University where she will host the 2015 NonfictioNOW Conference in Flagstaff, Arizona where it rains like the Pacific Northwest, but only in July.

The Detour Path

dune — By Gina Easley www.GinaEasley.com

By Powell Berger

You started skydiving in college, a dare at first, then an obsession, and now an escape. You like standing on the step of the airplane, clinging to the wing strut, still tethered to the airplane but in just one leap, one moment’s push from the metal sliver holding you, you fall away, the plane banking and disappearing above you. You feel the wind blast against your face, your cheeks pushed flat against your cheekbones, no sounds audible against the wind screaming past you. You revel in the shock of opening your parachute, pulling the little pod tucked on the back of your leg-strap that initiates the sudden stop, yanking you from free-fall, jerking you from your plummeting dive into a quiet, suspended hover above the hues of greens and blues and browns beneath. The rustling sound of the parachute above your head as you glide towards earth fulfills you. In those moments, you are free, certain, invincible.

You pack everything you own in your rattletrap white Chevette—except for the bookshelf that your grandfather built because it’s too big to stuff in the car and you feel bad about leaving it behind but you tell yourself you’ll come back for it—and you drive south. You are in love. Not a man—you’re still too wounded, too raw for that—but a lifestyle, a sport, an escape hatch. You know this isn’t your “real” life, but rather a detour before you head down that inevitable path of career and Washington politics and all things you’ve always known you’ll do. But now, this opportunity beckons, and you can’t say no.

You spent most of your college holidays in Florida—Thanksgiving, spring break, Easter—encamped at the biggest, baddest, best skydiving center in all the world, learning from the sport’s luminaries, trying to hone your skills. World champions congregate there, and you wanted to learn to do the complicated freefall acrobatics like they do, the ones you’ve seen in the magazines. Now they want you to manage this legendary drop zone, and you are only twenty years old. You! You can’t say no, and while you know it won’t be forever, it will be for now.

You drive the eight-hour trek from Atlanta with all your books, your skydiving rig (the one you bought by pawning your beloved flute and hoarding waitressing tips) and your blue jeans and tee shirts and gauzy cotton skirts shoved in the back of the Chevette that your mother gave you when you left home. You start your new job. The pilots like you because you pay them on time. Most of the other skydivers like you well enough, too. They largely ignore that you still don’t have the skydiving expertise that they have. You’re not fooling yourself. You understand your skydiving skills are mediocre, but you love it in spite of your lagging abilities and you appreciate the attention when the skydivers you’ve read about take time to jump with you, to teach you. And you love the scene, alive with risk and money and big dreams. And drugs, planeloads of drugs. It is Florida in the 1980s where planes no longer deemed fit for drug-running haul skydivers. Including you.

You meet a guy—a man, really—and you start dating, and soon you move in together. He’s fifteen years older than you, but somehow that seems okay and he’s part of skydiving’s “it” crowd and you like that. And you like him. Between you, you know all the best skydivers in the world and all the best coke dealers and where all the best parties are. Sometimes you host the parties. The sport’s glitterati turn out for your parties, and your life is full and you forget the bookshelf that you said you’d retrieve, the tongue and groove mitered corners dinged by Nancy Drew and history texts and political science theories. Your mother entrusted you with it when you left for college, and you know that she’d be disappointed to discover you’d left it behind. But you are young and alive and happy and the open hole in your soul left by the boyfriend who died your freshman year is slowly scabbing over and you feel alive again.

•••

The man is cutting the grass in the late Friday afternoon sun when you finally summon the courage to pee on the stick. You are twenty-two now and beginning to forget that this is your detour life with its skydiving and parties and cocaine and life lived large. Until your nipples get tender and your period doesn’t come. You bought the stick at the drugstore where you rarely go, hoping not to be recognized, and hid it until this moment so you can face the stick alone. You open the box and read the small print instructions, studying the clinical sketches illustrating the proper wipe-and-catch peeing position, and you realize you have never done this before. You curse yourself for forgetting the pill so many times, always taking two the next day—or three sometimes—and believing it would still work out. You feel stupid and ashamed and you wish you hadn’t left the bookshelf, hadn’t left that life at all.

Now you pee on the stick and watch the lines appear in a faint plus that bleeds to dark and decisive. You slip out and go back to the drugstore and spend another twenty dollars that you don’t really have for another stick, even though the first one left little room for uncertainty. And again, back in the bathroom you share with the man, the lines cross in the certain plus and your head feels light and the tiny bathroom with his comb and shaving cream and toothbrush on the counter feels cold and prison-like.

You stare at the two sticks, now lined up next to the toothbrush and shaving cream. A fetus grows inside you, maybe six or seven weeks along, the product of this man and you and your life on the detour path. You always said that you didn’t want children, mostly because your now-dead college boyfriend couldn’t have them because the chemo had racked his body and stripped him of heirs, and so you held his hand and agreed that children would not be part of your life. Your life together. But now he is gone and finally, finally after the months of anguish and anger and emptiness, you have moved on to a happier place, on the detour path, and you feel complete again. Although you still talk to him almost every day—tell him stories of your detour life (which he only pretends to understand) and assure him that you are okay— but only when the man is working or sleeping so he won’t know you still live with the ghost of the life that will never be.

The man comes in from mowing the grass and showers and opens a beer. You show him the sticks and wince as the pain crawls across his brow. You sit together on the couch and recount the last six weeks—the all-night parties steeped in alcohol and pot and coke, the meals you’ve not eaten, the sleep you’ve not gotten. You know the first few weeks of development are important, and you know you’ve not behaved well. You are ashamed, and he knows it, but he does not judge.

You talk about the detour life and the future that’s yet to begin—the career, the dreams, the possibilities. He tells you he knows that you never meant to stay and that he supports you, whatever you decide. No one is angry. No one cries.

•••

On Monday, you make the phone calls to find the best doctor, the best place to go. You choose someone who practices at a local hospital and is known to be a good doctor, one who cares about his patients. He assures you it will be simple and that you will be able to have children one day, when you are ready.

It will cost $2500—or maybe it is $1500 or $25,000. Whatever the number, it is money that you and the man don’t have, so he goes to the bank and gets a loan. You wonder what he told the bank, but you don’t ask.

You don’t know that finding a doctor who practices in a real hospital and who takes care to make it simple and sterile and makes sure you are able to conceive and bear children again is not a universal thing. You don’t know that other women don’t have the same options and that you just happen to live in a state where, at least for now, the decision is yours to make. You just know you don’t tell your mother, or your friends, or anyone really, except for the nice lady at the doctor’s office, and she looks at you with understanding and sadness.

You arrive on Thursday morning as directed, and the man waits in the lobby strewn with copies of Time and Newsweek, Ronald Reagan splayed on the covers, while you change and go to the procedure room. You are scared and glad that the man took the day off to be with you. It is as the doctor told you, simple and relatively painless, although the machine makes a sucking sound and you don’t want to think about why. The stirrups are cold and the speculum is uncomfortable and the doctor keeps reminding you to relax your knees as he moves from the sucking machine to his tray of silver probes and scrapers and devices.

The assistant is kind and holds your hand, asking if you are okay when you blink back a welling tear. You are, you assure her, and you feel relieved that it is done yet sad that it had to be.

You sleep all day on Thursday while the man follows the doctor’s instructions to make sure the bleeding isn’t too excessive and that you remain coherent. He brings you a tray of food in the afternoon, which you eat gratefully before slipping again into fitful dreams.

On Monday, the bleeding finally slowed and the pain subsided, the man returns to work. You make phone calls to your friends in Washington, where your real life is supposed to be, and schedule interviews.

•••

In a few weeks, the man will propose to you, sitting at an oceanfront table at sunset, and you will say yes. You will sell your little Chevette—it only starts sometimes now, though it was your faithful friend on the detour journey. The man will join you on your trek to Washington—where you always knew you’d be—uprooting his life so he can be with you as you pursue the career you always meant to follow, and you will build a life together. He will keep skydiving, but you sell your rig while holding tight to the strength found flying free, untethered and so certain.

You and the man will not last forever—the detour too great, your difference too vast—but you will have a son and you will both raise him and cherish him. You will break barriers and your career will flourish, just as you had imagined. Occasionally, usually on starry nights when you feel particularly wistful, you will still talk to that first love—the one who died so young—and you will hope that he’s not disappointed. You will eventually remarry and move again, pursuing your next chapter. The man will remain in Washington, a life he chose because of you, and while you know he is happy, you feel guilty about uprooting him.

Just as the doctor promised, you will have other children—another son and a daughter, who, with your oldest child, form a trifecta of sibling unity, something you cherish because you know it will outlast you, as it should, and you are grateful. They ask about your skydiving days and you smile, remembering the freefall, the invincibility. And every doctor’s visit, every check-up, every test—those routine visits that become part of life as time passes—every time you fill out one of those standard medical forms that ask about your pregnancies, you will flinch and remember. And you will wonder whether to count that first one, so long ago.

•••

POWELL BERGER is a freelance writer living in Honolulu with her two teenagers and two cats, where she revels in their havoc and joy in equal measures. She spends every July as a Program Fellow at the Paris American Academy’s Creative Writing Workshop and dreams of one day living there. Besides her essays for Full Grown People, her work has appeared in various print and online publications, including Travelati, Hawaii Business, and Inside Out Hawaii. Her writing world is housed at www.powellberger.com.

Ordinary Artifacts

By Samantha Vincenty

My gym bag’s zipper is broken. The crinkled fabric’s worn through at the bottom and it’s time to throw it in the trash, but I can’t. Not yet.

My boyfriend finds me in a daze on our bedroom floor, my hands on the empty bag in my lap like I’m clinging to a dead pet.

“You don’t have to throw it away,” he says, crouching down to look at me. He knows what it means, why I hold the receptacle for my sweaty socks in such high regard.

My mother died four years ago, but I’d cleaned out her apartment a few years before that when it became dangerous for her to keep living alone—she was one more forgotten stovetop fire away from harming herself and the other tenants in her building. I’d held on to the bag, among other things, ever since.

The bag is bright fire-engine red, not auburn red like the hair I was born with and the hair my mother dyed to match mine. Mom bought it at New York & Company, that bastion of career separates, as uncool as (or marginally cooler than) Ann Taylor. The zipper pulls resemble MTA subway tokens with an identical “NYC” cutout logo and the words “The NYC Style Authority” wrapping around the circle. I wonder if these details are why she wanted the bag. Maybe the faux tokens reminded her of riding the IRT by her childhood home in the Bronx, or commuting to her nursing job at Columbia Presbyterian before she gave birth to me and we moved to the suburbs that made her so restless.

The New York City subway stopped accepting tokens in 2003. My mother’s early-onset Alzheimer’s diagnosis came into full, horrific bloom that same year. I quit my job to become her part-time caregiver, using subway tokens to ride from Brooklyn to Grand Central. Three times a week I’d take a commuter train to Yonkers so I could take her on walks, clean up all of the nonsensical piles and mysterious stains she’d made around the apartment, and cook us steaks on her George Foreman grill. The oven was now officially off limits, and it was important to stay on-message: Never ever turn it on.

In 2003 my mother, an artist for most of her life, cried because she could no longer sketch or paint realistic likenesses. She forgot to love some of her favorite things (Pet Shop Boys lyrics, romance novels, tweezing her immaculate eyebrows), but I liked how she also forgot to refuse things that she’d previously sworn off (cream soda, sushi, a ludicrous soap opera called Passions). I was twenty-four and envious of the career pursuits my friends described over syrupy-sweet cocktails at happy hour. I drank more than I needed. I drank quickly, too, to forget how exhausting it all was but also to make sure I was having the fun I thought I so richly deserved. In those days my mother would call me constantly to ask when I’d be back, sometimes just hours after I’d been there. Her thoughts were getting foggier by the day, and she hated being alone with them. She still remembered who I was.

By 2004, subway tokens were out of circulation, and I used a Metrocard to get to Grand Central. Mom didn’t want to move into a nursing home, but at twenty-five I had burned through my savings and needed to find a job. Worry, about my future and hers, stole hours of sleep from me at night. My mother needed full-time supervision—in addition to the stove fires and sink floods, she had started wandering the streets alone, forgetting where she lived. So I returned to Yonkers to sort my mother’s things into three piles: Discard, donate, or keep. I kept the red bag because I wanted something she’d used in her normal, pre-illness life. It served me well for a very long time, but now the bag’s demise feels like another ending.

I know I’m not alone. A colleague who lost his father two years ago recently told me that he rummages through his parents’ drawers just to touch his dad’s folded clothes. “I like, lay on his side of the bed and try to smell the pillow and shit, even though I know it’s been washed.”

We’ve talked about that connection we all yearn for, between a lost one’s tangible things and their memory. We need the artifacts. No, I don’t want my small New York apartment to be a Dead Mom Museum. But should I let go of something if it feels like a fresh burial?

I’m still not sure. So the bright red bag remains on the floor, unused and un-useful, while I figure out what feels right. I may turn one of the subway-token zipper pulls into a keychain, as a functional monument to a time that fundamentally shaped me as a person.

There are two zipper pulls, actually, and I’m keeping them both: One for me and one for the woman I remember.

•••

SAMANTHA VINCENTY is a freelance writer and editor living in Brooklyn. Her writing has appeared in The Hairpin, Fuse.tv and BUST, and she is currently at work on a memoir. She tweets about music, pop culture, and weird stuff she finds on the street as @shermanther.

Finding Muchness

blackheart1 (1271x1280) — By Gina Easley www.GinaEasley.com

By McKel Jensen

On my first night living alone, I found myself in a room containing only a bed, a nightstand, and a single Tiffany-style lamp—the only thing I requested as inheritance from my aunt who passed away just over a year before.

It was Wednesday. Monday I had been in court petitioning an end to our marriage. Tuesday I had closed on a house. It was late at night and the next day my sister and parents would be coming up from Salt Lake and St. George to my little townhome in West Haven, Utah, to spend Thanksgiving with me. There would be no turkey cooking in my oven that year, but I was thankful they came all the way to spend it with me.

I’d received the keys to my house just hours before, and I stayed up late that night prepping the walls of my new bedroom with blue tape, getting ready for a fresh coat of paint. I chose a dark brown color named “Bay Colt” from the Martha Stewart line of colors. It was a comfortable color, grounded, and it would contrast perfectly with my new heavy, red bedspread that I had my eye on buying in the next couple of days. I painted accent walls that included the wall behind my bed. A healthy, rich soil color was perfect as a place to replant myself. Besides, the designer Vera Wang, three-hundred-dollar bedspread would be my way of being seductively mischievous (if only for myself!).

•••

Just two days before, I sat in a courtroom with Jim, two bailiffs, the court stenographer, our lawyer, and the judge. All the gallery seats behind us were empty. Once the proceeding started, life’s reality began to settle in and the tears were uncontrollably escaping, enough that the bailiff brought me a box of tissues. I tasted the saline as the tears dripped past my lips. I had to swear the truth, the whole truth, and I had to convince the judge to grant an annulment to a marriage that could have/should have been annulled four years prior. Though Jim didn’t have to go under oath, he was there and nodded in agreement at the implications of an unconsummated marriage. The judgment was final. It was as if Jim and I were never married.

I never understood the phrase as if you were never married. That’s what our lawyer said an annulment legally meant. How can someone say that a marriage didn’t happen? I experienced it. I was there. It existed to me. Legally, however, it never happened.

Remarkably, I never felt like a failure. Even on that day in my empty bedroom, I was exhausted and relieved. It was finally over. I had done everything I could think of to save my marriage—twice. We’d consulted with therapists (good and bad), physicians, energy healers, and clergy, but none could give us an answer or a cure.

I never gave up until I knew we were done. It was over when the truth that he didn’t even want to want me finally resonated with me. If Jim did not want to want me, then there was no practitioner or prayer that could change his desire. So what was the purpose of discussing big purchases or planning future trips? What else could we get out of this relationship besides frustrated companionship? Those years felt like pedaling a bike on a treadmill, working so hard to go nowhere. There was no progression. If anything, I wished I had caught on sooner that this was a doomed marriage from the start.

We followed our belief to stay chaste before we were married. For a long time, I thought that if I hadn’t been so strict in practicing my religion, I would have known. When we dated, he often told me he was uncomfortable with my forwardness. I thought I was the one whose sexual perspective was skewed due to a handsy ex-boyfriend. After we were married, I felt justified to find a way to ease the frustration outside of the marriage. I could have cheated on him and felt I could defend my actions, but I’m thankful I never strayed. Ironically, there were times I hoped that he would cheat on me so I would be angry enough to call it quits and feel justified to call off a God-sanctioned marriage. Other times, I would entertain the thought of getting him drunk and taking advantage of his stupor. Damn our religion. No sex outside of marriage and no drinking.

After so many years of silence, never telling anyone outside a professional few, I finally opened up. No more secrets from society. My mom lost a lot of her hair trying to take in what I told her. When it grew back in, it wouldn’t hold the color as it did before. She had been caught up in our myth of perfection. Opening up also meant answering a lot of questions. Answering questions about that marriage has always been complicated. To those casual friends or acquaintances I would simply answer the question of “what happened?” with “It just didn’t work”—only sometimes divulging the secret pun on the word “it.” “It just didn’t work” and it didn’t. Others that got more detail would ask, “Is he gay?” or “Was it pornography?” Having been his wife, I could honestly answer “no” to each of those. I wished I had the answer as to why it didn’t work.

•••

That day in my new bedroom was the beginning of my new life. I was McKel Nobody and I could be me and love me and want to be me. And, although I was surviving the trauma of an upturned life, I was going to be selfish for once.

After I moved in, I had a point of realization: this was my house, and I had complete, creative control. There was no compromising, no rationalizing, no male opinion, no collaboration of details. I was going for it. The color: Brazilian Blush. The room: my home office.

I then found a can of bright white, semi-gloss paint that I had used to paint floorboards in another house. I dabbed paint onto a small sponge and pat it onto a stencil of a butterfly. Instead of following straight lines as the stencil intended, I rotated each butterfly, one at a time. I worked myself around the room. I even hid a couple behind the door knowing I would be one of a select few who would get the secret.

By the end, I had a room full of butterflies gliding over my desk and around the black bookcases filled with books, over and around the window and above the closet. The idea of one butterfly being alone made me sad, so each butterfly was paired off with a companion or in families. “Well,” I thought, “only this one can fly alone.” So I let one independent butterfly have her space to prove that she could make it.

•••

About a year into our marriage, Jim finally sat me down to explain what he saw was going on. We sat in our 1975 split-level home that we bought a month before we were married. It had fake hardwood floors that were installed incorrectly by the previous owners.

“I, uh,” he staggered to get the words. “I’ve been praying a lot about us.”

My breath slowed.

“I’ve known I’ve needed to tell you for a while, but…” He stopped again. I thought we had a relationship where we could share anything, but his delay of telling me something made me uncomfortably aware that this wasn’t going to be a fun conversation.

He then proceeded to tell me in the most logically constructed way that he could. “I am not physically attracted to you.”

“What?”

This is where friends would say, “Well, why did he marry you?!” But it would be a few more years before I would ask that question and when I did, he replied, “I didn’t want to be shallow.” At this time, though, my mind processed everything slowly, methodically. I needed to obtain every bit of information I could to make a valid judgment.

“I am not physically attracted to you.” Maybe I needed it repeated because the first one didn’t take. “I see girls on campus that dress immodestly, and I instantly get excited,” he confessed. “I don’t get excited with you.”

I sat there, honestly not knowing what to make of the information he was telling me.

“I think it has something to do with chemistry. We don’t have any chemistry.”

Chemistry. Sex is sex. What does chemistry have to do with it? Besides, isn’t compatibility more important in a relationship than chemistry?

He sat there relieved, grateful that he was finally freed from the weight of his confession. I sat there heavy, burdened and wondering when the tears would start. They didn’t for another twelve hours.

“Well, what do we do now?”

Jim was the one that suggested going to a therapist. When we arrived, we met with a tall, thin man who seemed as if he rode his bike to work and wasn’t willing to make mid-morning appointments because it interrupted his morning ritual. I had no idea how to find a therapist that could help us, especially when we weren’t asking for referrals from friends. I found him on an internet search on a whim. His name wasn’t worth remembering.

“So, tell me what’s going on?” he asked us.

The two of us sat closely on the couch, our arms crossing as we held on to the other’s thigh. Jim explained our situation due to lack of chemistry, that thing that couples have that makes you bubble inside and want to jump on each other. “We don’t have chemistry,” he said. “I don’t want to have sex with my wife.” It never got easier to hear, although at the time I was thankful that I didn’t have to guess what he was thinking.

The therapist smiled as if Jim had made a joke. “You don’t need chemistry.” He then continued with a question to Jim, “What do you not find attractive about her?”

Jim squirmed, “Nothing. I think she’s beautiful.” If he thought I was beautiful, why did we have a problem?

“There is nothing you would change about her to make her attractive to you?” He asked again as if I wasn’t sitting right in front of him.

Ironically, I was hoping he would state something, anything—give this therapist some meat to work with! “No. Nothing,” he admitted again.

I sensed the therapist and I had the same idea; he needed more than just crumbs, “What do you find attractive in a woman?”

“Well, I like redheads,” he stammered.

At this point, the therapist turned to me and asked, “Have you tried dying your hair red?”

Apparently he thought that a year’s worth of sexual incompetency would be remedied by a ten-dollar bottle of L’Oreal. “No,” I said, though secretly wondering if it would work—if only for a second.

It was becoming painfully clear that all the therapist saw were two overweight virgins who got married and now couldn’t figure out how sex worked. “We’re asking for help, not to be your entertainment,” I wanted to say but didn’t. We scheduled two more appointments with that man.

•••

After that, we had a handful of therapists before I settled on one for myself. Her name was Tam, and she was there during my transition from as-if-it-never-happened to single. As I was preparing for my new house, she was the only one that didn’t think I was silly for losing sleep over wall colors and furniture placement. “This is all part of your process for coping,” she said. “You are focusing on your future, and that’s good.” If she had visited me in my house and saw the boldness I expressed in that blushing pink room, she would have been proud.

Although that room was my home office, I referred to it as my Alice in Wonderland room. I spent the following weeks and months finding trinkets and sayings that would fit into the theme. I handcrafted phrases such as “Why, this clock is exactly two days slow!” and “Off with your head!” and placed them on my bookshelves. Displayed on the far wall first seen when you walk were three black frames each holding a word in the phase “Whoo are you” and a fourth frame holding the tailing question mark. There was a time that Alice didn’t know who she was either. Throughout the following months, I added a ceramic tea set, a large Mad-Hatter hat, ceramic mushrooms, a black, old-fashioned alarm clock and a caterpillar on a mushroom.

My fascination with Alice in Wonderland started one year before when Jim and I went to see the new Tim Burton movie in the theatre. Two months before the film’s opening, I found myself forty pounds overweight (trying to fill my emptiness) with back, hip, and neck problems that caused serious discomfort and lots of chiropractic bills. That night at the theatre I was two months into my progressive goals of losing weight and obtaining therapy for myself and not for him (or us). Perhaps that is why I was so open to receive the messages of the film and why the Mad Hatter’s line to Alice—“You have lost your muchness”—resonated with me. Alice couldn’t remember who she was.

Two weeks later, friends and family from both sides descended on our house to celebrate my thirtieth birthday. And since I was born in 1980, what better way to celebrate than by a 1980s theme? Guests arrived in leg warmers, side ponytails of crimped hair, blue eye shadow, brightly colored mixed-matched socks, jelly shoes, upturned shirt collars, and the macho style single earrings that would make George Michael proud. My brother wore his letterman’s jacket from high school that was a little tighter than he remembered. Jim wore a thick, black glamour rock wig and a Goonies t-shirt. People were smiling. I was smiling. The smell of freshly grilled hamburgers hung in the air as my family presented me with a cake with six-inch long candles jetting out of it.

Before the smoke from the extinguished candles reached my nose, I remember thinking, “This year will either be the best year of my life or the worst.” Things would either begin to work or they wouldn’t. I knew a change was coming. I had thought this during the weeks leading up to the dreaded thirtieth birthday, and I added it to my broken-record thought collection which already included the lyrics of the song “I Want You to Want Me” from the band Cheap Trick. That song had been on repeat for over a year already. No one knew about my thought collection. Surrounded by people that truly loved me, I knew that they couldn’t hear my thoughts just as I knew that they couldn’t see the gaping hole hidden behind my new “Everyone loves an ’80’s girl” tee-shirt. McKel had lost her muchness.

•••

The pinkness of that butterfly-filled Alice in Wonderland room proved that I hadn’t quite lost everything. I had made a place for myself. I was still undecided if my thirtieth year was the best or the worst year of my life. It was certainly one of the hardest but deciding to leave that marriage was a relief. For the first time in years, I felt like I could finally progress, even on my own.

As the months followed, I finished painting my house—except one room. It was the third bedroom, between the Alice in Wonderland room and the second bathroom. My L-shaped couch was wall-to-wall without an inch to spare. I dubbed this room the “makeout room,” mainly as a joke. Having been married to a man who couldn’t perform and wouldn’t accept me (and a lousy kisser, at that), I figured, as the phrase goes, “If I build it, they will come.” Pun intended. It must have worked because once, while making out with a guy, the man suddenly jumped up, said, “I’ve got to go,” and ran out of my house. I never got an explanation.

That house served its purpose well through the seventeen months that I lived there. I healed in that house. I started grad school and did my homework while in that house. My husband, Daniel, and I found chemistry in that house while we were dating.

I met Daniel six months after moving in. He was from Brigham City, thirty minutes north of West Haven, and the thought that I almost bought a house closer to Salt Lake made me wince with what-ifs:

“What if I had bought a house farther away from you? We may not have met!”

“I would have found you,” he replied.

Nearly a year after Daniel and I started dating, we were married. And while preserving the sacredness of my marriage with him, I will confess that it is blissfully normal and that it works.

•••

McKEL JENSEN is a newbie to the world of published personal essays. She has worked behind the scenes in the non-fiction book publishing industry and currently works as a technical writer/editor for a large manufacturing company in Utah. She has recently received her MA in English from Weber State University, where she was selected to be commencement speaker for her graduating class. She lives in northern Utah with her wonderful husband and ever-curious son.

Jacket Required

By Jody Mace

At the retirement community where my dad lives, on Sundays at 11:30 a.m., they have a buffet. It’s a special event, more special even than Japanese Food Night or BBQ Outside Afternoon. There’s a dress code. Men have to wear jackets and ladies have to wear a dress, a skirt and a top, or a pants suit.

It was the dress code that led my dad to boycott the Sunday buffet for the first eight months he lived here. Because nobody was going to tell him to put on a jacket. I kept on saying “What’s the big deal? It’s just a jacket,” but it was the principle of the thing.

Then one day he called me and told me every Sunday they have a buffet, and he went to it and it was wonderful. They had prime rib! He said this as if it was the first time I’d heard about it.

He said, “I don’t know why I haven’t been going to this!”

I said, “I know exactly why. It’s because you didn’t want them to tell you to put on a jacket.”

He invited us for the following Sunday, and my husband Stan and I leapt at the chance to go. I put on a skirt and top, not having a pants suit in my closet, and my husband and seventeen-year-old son happily put on jackets. We stopped at my dad’s apartment in the complex to pick him up, and he was wearing a powder blue jacket and looked great.

We got there a few minutes before 11:30 and a line was forming. Stan, our son, and I were thrilled because we love a brunch buffet, plus my dad was paying, but in general the mood was dark. There were several reasons for the discontent:

The line was too long.
Sometimes they did not open the doors right at 11:30, despite the published start time.
Sometimes the wait staff was not as responsive as desired.
Undisclosed reasons.

As we stood in line a friendly woman approached me and eyed my dad, husband and son appreciatively.

“Are you with all these men?” she asked.

“I am.”

“They’re all good-looking,” she noted. “And all different ages.”

Then she looked a little bit too long at my son. “Mm, mm, mm.”

Another woman came up to her and asked “Who are you with?” and she nodded at us and said, “I’m with them.”

Meanwhile another woman, noting that it was almost 11:30, tried to cut to the front of the line. She was turned away.

She muttered “JESUS CHRIST!” and stomped off.

When we got to the front of the line, the woman working the desk wrote down my dad’s room number. This took too long for the woman who had been eyeing my men, and she whisper-shouted, “It’s like she’s writing an encycloPEdia!”

Even with the litany of complaints, there was something special about the Sunday brunch buffet. Everyone was dressed up. There were different stations for food. It was like going to dinner on a slightly threadbare cruise ship or an old Victorian-era resort hotel that had hobbled into the twenty-first century. I loved it.

We were told to sit at Table 18. This was a good table because it was near the omelet station. There, two men were making omelets to order, with a wide range of fillings. These guys were pros. They did the thing where they each picked up two omelet pans, one in each hand, and flipped both omelets at the same time. It was a professional operation. Also there was French toast, link sausages, and bacon.

While I was waiting to order my omelet, the two women in front of me lamented about the choir they sing in.

“We need new sopranos,” one said.

“I know!” agreed the other. “I can stand right next to them and I still can’t hear them!”

“What kind of cheese would you like?” the omelet man asked the second woman.

“What?”

Besides the omelet station, there were three other buffet areas. There was a salad bar, a lunch buffet, which included a carving station, chicken, fish, breads, and vegetables, and a dessert table, which included slices of cakes and pies, half of them in a section called “SF,” which I learned meant “sugar free.”

There was a problem at the dessert table. The pecan pie was all gone, leading to a heightened sense of discontent and some raised voices. My dad did snag a slice of sugar free pecan pie but said it was horrible. He went back to try to find some chocolate pie but it was all gone, too. He implored one of the wait staff for help, and, probably familiar with the rate with which the tenor of his complaints have been known to rise, she went into the kitchen to investigate. She emerged with a slice of chocolate cake and that calmed him down a little.

Meanwhile at the salad bar, a man with a walker was despondent. They had bagels and lox, and I’m talking really good-looking lox, no brown patches, and a lot of it. But they had run out of cream cheese, or had failed to replenish it in a timely manner.

“How can I eat my bagel without cream cheese?” he asked nobody. “How can I eat my bagel without cream cheese?”

The buffet had been a success. We loved it. In a family too often lacking in traditions, I thought this could be one. Every Sunday morning we would put on our finery, drive to my dad’s retirement community, where we’d pick him up at his apartment. He’d be more congenial than usual, or would at least seem that way, wearing his powder-blue blazer. We’d socialize in the lounge area, amidst the grand piano and sofas. Maybe my son would play a little “Rhapsody in Blue” when he learned more of it. We’d get to know the other residents as we reconnected every week. It was totally worth getting dressed up. Even our son didn’t mind putting on a jacket because he liked the bacon.

My own life sometimes seems so complicated. Taxes, college bills, vet appointments, trying to make a living. The seemingly endless demands on my time. People are always saying they don’t want to go into a “home.” If I can afford one like this, sign me up. I liked everything about the retirement community. The weekly schedule of activities. The planned trips to shows and museums. The happy hour. Bingo. And especially the Sunday buffet.

We decided to return the next week, and this time we’d bring our daughter too, because she’d be home from college for spring break. I felt kind of bad that she’d miss the tradition that was about to start. It had started too late. Kind of like when my parents joined a country club the summer after I’d started going to sleep-away camp. (Strangely they stopped after I quit camp.) I still hear all about how much fun the swimming pool was from my sister, who seems to always forget that I missed out on the whole thing.

I texted my daughter:

Me: Let’s go to Grandpa’s Sunday brunch when you’re home. It’s awesome. It’s like brunch-theater. But there’s a dress code. Make sure to bring home a skirt or a pants suit.

Daughter: I’m not wearing a “pants suit.”

Me: That’s just one option.

When we arrived there was some confusion over the change to Daylight Savings Time.

“Why are you here so early?” my dad asked.

“I’m not,” I said. “Daylight Savings time started this morning.”

“They didn’t tell me about Daylight Savings Time!” he protested. “Nobody told me!”

This time he suggested a different approach to check-in. We got to the check-in counter before the crowd. He checked in and got a table assignment, and then we relaxed on the couches in the lounge while the others lined up. When the clock struck 11:30 a.m., we walked right in, right past that line. Suckers.

Those people were pissed off.

Generally, you don’t want to get between old people and the Sunday buffet. They’re hungrier than you are, they’re meaner, and they’ve got nothing to lose.

I heard murmurs rising in volume as the whole line realized that we had played them. But I didn’t care. I was getting into the spirit of things. I might not be elderly yet but I was learning that I had an inner battle-ax.

As we entered the dining hall, I passed on some valuable advice to my daughter.

“When you walk in, stop at the dessert table. Take what you want. You don’t have to eat it right away but if you don’t take it now you’ll end up with sugar-free pecan pie.”

This time instead of bagels and lox there was shrimp cocktail. Big shrimp. And instead of French toast there were blintzes. Blintzes!

There was one old guy who wasn’t wearing a jacket. He was wearing a big slouchy red tee-shirt and I found myself feeling judgmental about him. Didn’t he know this was Sunday brunch? What was he doing on my cruise ship looking like a schlub?

I felt not only that I belonged there, at the retirement community’s Sunday brunch, but that he didn’t. One of the elderly women looked at him, then at me, and shook her head a little. I shook mine back. It was as if crotchetiness was contagious.

God, I loved the Sunday brunch.

The next day my dad called me. “Well, they’re doing away with the Sunday buffet.”

“What? Why?”

“Nobody liked it.”

“What do you mean nobody liked it? It was awesome! They were all fighting to get in! Who didn’t like it?”

“The people who went to the meeting and voted.”

“Well, this sucks,” I said.

Those old people were infuriating. They were living in this beautiful retirement community, being served great food. The omelet guys were flipping made-to-order omelets two at a time! And all they did was complain. They could go to lectures, concerts, poker night. Other people took care of it all for them. They didn’t have to do anything but show up. But their favorite activity, hands-down, was complaining.

“They’ll still have a brunch, just not a buffet,” my dad told me, trying to cheer me up. “It’ll still be nice. They might still have the omelet station. I don’t know. Maybe they’ll still have the bagels and lox.”

“You think?” I asked.

“But I’m going to bring my own bagels,” he said. “Their bagels are hard as rocks.”

•••

JODY MACE is a freelance writer living in North Carolina. Her essays have appeared in O Magazine, Brain, Child, The Washington Post, and many other publications, as well as several anthologies. Her website is jodymace.com. She publishes the website Charlotte on the Cheap in Charlotte, North Carolina. She is a regular contributor to Full Grown People.

Read more FGP essays by Jody Mace.

Why We Left

boxes — By Gina Easley www.GinaEasley.com

By Sara Bir

Two years ago, my husband and I moved away from Portland, Oregon, on purpose. We left behind friends, career prospects, and a two-bedroom rental house that cost a mere $875 a month. And we loaded our dog and kid into our Outback and drove as fast as a ’99 Subaru can go all the way to Marietta, Ohio, the town where I grew up.

“We just need to be closer to family,” I told people in the perplexed silences that inevitably followed when they heard our plans to relocate. What illustrious family could possibly woo us away from an artsy Eden on the Willamette?

The family thing was true and untrue. We needed to be closer to them because we were perpetually broke, and the broke-ness had become such that it was time to deploy the emergency move-in-with-my-folks plan.

But there was also an ache that hadn’t gone away despite five years of gamely trying to adore that adorable city where we fit in so well, in so many ways. Portland loved me, and I could not love it back, and I felt like a shithead because of it.

We arrived in Portland in 2007, three mayors and at least two ultra-bougie New Seasons food markets ago. Before that, we lived in New York City, and in comparison Portland seemed preposterously quaint and manageable. Our first months in Oregon, my husband and I would admire the downtown skyline and the conifer-studded hills rising behind it and coo, “Oh, look—it thinks it’s a city!”

The intensity of city life was what we moved to escape, and our new no-name strip of neighborhood between I-205 and the used car lots of Southeast 82^nd Avenue struck us as a quiet haven of playgrounds and modest houses, with a few hookers thrown in for color. Two greasy old-school Chinese joints bordered us, Hung Far Low to the south and Chinese Garden to the north. We had a spacious backyard, where I doggedly pruned an overgrown apple tree and hacked away at diseased lilac bushes. We got a dog from the Humane Society. My husband joined a few bands. On heady Portland summer days when the sun cascaded down like a shot of heroin, he haunted a skate spot under the Hawthorne Bridge. Though magazines and newspapers in New York barely gave me the time of day, in Portland I wrote freelance stories for the food section of Portland’s major news daily, eventually worked in their test kitchen, and also taught cooking classes on nights and weekends. My husband had a string of long-term temp assignments in administrative offices. It was almost enough to keep us afloat.

All the while, we looked for better jobs. And looked and looked and looked. There were two main problems we grappled with in Portland: rain and money. Too much of one, and never enough of the other.

•••

Let me tell you about Marietta, Ohio. Founded in 1788, the first permanent settlement in the Northwest Territory. Situated at the confluence of the Ohio and Muskingum rivers, which means it’s in spitting distance of West Virginia. It’s an Appalachian Interzone, at once very Midwestern and not Midwestern at all; a generous pinch of twang runs through the local speech. The population is staggeringly white, though there might be about twenty black residents now, and if memory serves, back when I was in high school there were maybe five. So that’s improvement. As for other ethnicities, if you live here and you’re Asian, you’re probably a doctor. There’s one shop that serves decent coffee, but it’s a nutritional supplement store/smoothie bar that doesn’t open until nine in the morning. Vietnamese food? A taqueria? Fat chance.

Portland feels like another universe in comparison. I still struggle to define the charms and drawbacks of each place. Both are defined by the big, dirty rivers that run through them. Portland had innumerable food carts and strip clubs; Marietta has innumerable churches and fracking rigs. You’ll have to wait for hours to score a table at Portland’s Tasty n’ Sons for breakfast on a Sunday, but in Marietta, the Busy Bee Diner offers immediate seating and a waitress who wears her hair in, yes, a beehive. Sure, Portland has scads of idealistic youths engaged in civic activism—but you’d never guess how many grumpy retirees in Marietta volunteer their time for charitable causes. Instead of laptops, they might carry concealed weapons. John Deere pajama bottoms worn as all-purpose outerwear are a common fashion statement, true, but the population overwhelmingly accepts proven science and public health—that is, you don’t see citizens coming together against fluoridated water that way they do in Portland.

Living here is a bit like going back in time. After my high school experience as the resident misfit weirdo, I skipped town with a happy shrug, never suspecting that decades later I’d come to crave Marietta, with its scenic bridges and dozens of historical markers and goofy festivals and rickety, underfunded little museums. It’s an all-American community with a picturesque downtown of antique stores and brick streets. The thrift shops and flea markets are great, because the records and mid-century furniture aren’t all picked over. Baby boomers abound, as do minimum-wage positions in nursing homes. Among the ladies there’s an unfortunately popular haircut, this wedged-in-the-back/spiked-in-the-front chemical-drenched thing with streaky highlights that my husband and I call “crispy hair.”

And I have to be slightly more mindful of what I say in mixed company. In Portland, most people likely lean Democratic, or support reproductive rights. In Marietta, I have friends who vote for Tea Party candidates.

Free from the confines of that infamous Portland bubble, I like walking around and not running into endless clones of myself and my political views. I feel like I have a better understanding of what the rest of America is like, and a window into the goodness of people who don’t think like me. “You’re not from around here, are you?” I’d get asked when we first moved back to Marietta. The old guard here clings to a deeply ingrained Midwestern/Appalachian skepticism of outsiders, and they are reluctant to embrace change, even small ones, like installing pedestrian crosswalks on the busiest street downtown.

“I grew up here, actually,” I delight in replying. Not fitting in is my comfort zone. I’m used to it. I’m comfortable in Marietta.

•••

My California-bred husband still wakes up dazed upon realizing that he resides in the ass-end of Appalachia. He loves record stores, ethnic food, post-rock bands, and independent movie theaters. He’s trying to be a good sport.

But once we had our daughter, those things phased out of our Portland lives, anyway. By then I’d veered away from my culinary career, landed job with the county library, and was thoroughly enjoying the best employee benefits of my life.

Which was great, because we needed those funds to cover childcare. It became apparent that raising Frances in Portland would present increasingly complex logistical problems. For our one-car family, Frances’s daycare had to be reasonably close to my library. Both Joe and I worked until six many nights, and nearly all daycare centers closed before then. Through desperate combings of Craigslist we found a few options, but there was precious middle ground between total sketch-fests that reeked of sour milk and tiny palaces of early childhood education where the tuition was higher than my paycheck.

When my husband’s temp gig with a Portland city agency ended, even though he wanted to work, we realized we couldn’t afford it. We reluctantly pulled Frances out of the loving daycare we’d been lucky to find and had him stay home with her, collecting unemployment until he got a job offer high enough for us to clear her monthly fees.

That put us more in touch with the day-to-day struggles of the working class than we were comfortable admitting. We could have chosen housing that was even lower-cost than our moldy house of sadness, where I had to make wiping the backs of our bookcases down with bleach water a weekly task. I developed a ceaseless runny nose that eventually blossomed into massive sneezing attacks, ones that disappeared once I walked out our door, and I realized I was allergic to our own home. We knew we had food, a roof over our heads, and a bank account that was barely ever overdrawn.

The biggest ache was a battle we raged with our privileged identity. We’re educated, liberal, and artsy. People like us are supposed to gentrify neighborhoods, not get pushed out of them. For extra money, I picked up sub shifts at public library branches; eventually, I worked at least once at all eighteen branches in the county system, the grand slam. It was a great way to see the parts of city that the alluring travel features in magazines don’t show you. That was the Portland I ultimately fell in love with, the one that didn’t trump itself up. I saw a lot of meth teeth and smelled the stench of urine wafting from clothes that had not been washed in years, sure, but I also saw people who were more or less…normal. People who needed jobs and barely had any tech literacy, so I’d have to walk them through filling out a resume online as they raced to submit it before their allotted time for the day ran out on the library’s public computer. People who needed referrals for free legal services, or were trying to locate their parent’s birth records, or who just wanted recommendations for a good book.

To a casual observer, I looked like the Portland dream: The librarian-writer! With nerdy glasses! Who used to be a chef! But really, I was one of them, the other Portlanders. The ones who constantly did the utility bill/paycheck triage. The ones whose shady landlord, when asked to take down the 1970s wood paneling because it’s housing a robust colony of mildew, replies “But if I take down the paneling, it’ll expose the hole in the wall!” The ones who shopped at the discount grocer not because thrift is trendy, but because thrift is necessary. A few strokes of massive bad luck and I could have been the urine-reeking patron, or the patron who lived in her car, or the patron who lost visiting privileges with her kid.

We were tearing our hair out, working with a tiny margin of error from month to month, with no bright future in sight. We cobbled together our work schedules for Frances-watching duties, doing that frantic parent-to-parent handoff as one of us headed out the door; I worked every weekend, and we rarely had relaxed family time together. What’s the point of living in an amazing city when you can’t access its best attributes?

“You know that feeling you get when your plane descends to land in Portland, and you look at the city below and think, ‘I’m home’?” A friend posed this question, and I had to confess I’d never once felt that way. It was more like, “Huh. Here we are again.”

The love that Portlanders have for their city borders on romantic. I felt like a third wheel, immune to the giddiness. While tall bikes and food carts made out on the couch, I skulked in the corner of the rec room, alone. I became cantankerous about the stupidest things, hundreds of soggy twigs to fuel the brush fire of animosity shouldering inside me. I think of myself as a person with pluck, a problem-solver who deals with the situation at hand, but I’d somehow let my circumstances neuter that part of me. On I went, pruning the apple tree. Bleaching the furniture. Polishing a turd.

But really, I was angry for us at not getting it together enough to thrive in one of the most livable cities in the country. Portland was often good to us. We had lovely friends, and I adored my library job. Every morning I’d wake up and resolve to bloom where we’d planted ourselves, and then the sad numbness would settle in, and it became impossible to suss out which part of that sadness was Portland’s fault and which was mine.

There’s that TV show. You know the one I’m talking about—it pokes affectionate but absurdist, sketch-comedy fun at Portland and its charming yet maddening idiosyncrasies. It’s big there; it’s very Portland not to get enough of Portland. If you live, or once lived, in Portland, people will inevitably bring up That Show.

Please don’t bring it up with me. I can’t watch it. Not because I don’t like it, but because it’s too close. Why watch a parody of something that felt like a parody the first time around, in real life? “Come sit with me,” my husband implored as he sat on the sofa a lifetime later, in Marietta, enjoying That Show. He says it reminds him of bygone times, times when it was unlikely that he would have a co-worker named Delmus who wore a t-shirt that read “Dicky-Doo Champion: My Tummy Stick Out More Than My Dicky Do!”

I recognized all of the spots on That Show that Portland people recognize, the cutesy storefronts and brunch places and busy intersections, and I felt both so glad to be rid of them and so idiotic for my inability to flourish there. That Show is a little like my past punching me in my gut.

We had a big garden in our Portland backyard, which I spent many pleasant hours tending, and we curated a collection of the jagged, dirt-crusted bits of metal and plastic and glass that perpetually worked themselves to the surface of the soil in an ornery dis to gravity. It was not a pretty garden, but it produced enough vegetables that it created a decent dent in our grocery bill during the summer months, and yanking at its prolific weeds was an excellent outlet for the bad juju I carried around. Besides, I love to be outside in the sun. With three dependable months of it, I had to soak up as many Pacific Northwest rays as I could.

One day, Frances, who was out playing with the broken Fischer-Price farm I found for free on someone’s curb, called out, “Mama, look at what Scooter did.” I looked up from my weedy reverie and saw a bloody rat between the parsley and Swiss chard. Our dog looked up at me, beaming over his fresh kill. The rat, I assume, had been nosing around in our compost heap. I dug a shallow hole at the base of our fruitless apple tree to bury the thing, and in the process unearthed two corroded AA batteries. Who knows how long they’d been lurking down there? It was nothing, really, but after that, I was done with Portland. The rat-battery incident was my final straw.

I was poised to score a coveted Library Assistant position at the library, one that would nearly double my pay. But I didn’t have it in me to hold out any longer. I couldn’t be content in a saggy dump of a poorly-insulated house, donning two sweaters indoors to stay warm and buying organic spinach and avocados on our credit card. We aged out of that, but couldn’t get it together to bring in the income for necessary creative-class trappings we saw our friends enjoy: Waldorf preschool, annual beach house rentals, February trips to Hawaii in order to remain sane until mid-June, a compact, tidy home in a cute neighborhood within walking distance of a bar full of synth music and unevenly executed vegan menu options. Portland is a shitty place to be broke, though I guess you could say that of any city.

Still, on most days, Marietta squeaks ahead as a less shitty place to be broke. We lived with my parents until we found a house that does not give me allergy attacks. Its rent matches what they raised the rent to in our old Portland dump after we moved out. To the new tenants of the putty-colored house on SE 89^th Avenue with the collapsing back patio: I hope the apple tree’s fruiting now. The flower pot of rusty nails and glass shards you found in the shed are the spoils of my unintentional garden archeology digs. Let me know if you ever accidentally encounter that rat.

Sometimes in Marietta, I look at the lazy bends of the Ohio River’s familiar brown muck, and waves of profound contentment wash over me, a strange mixture of bliss and relief. We came back to Portland in July for a visit, our first since moving to Ohio. I rode busses all over town, savored frequent cups of expertly-brewed coffee, and enjoyed the absence of crispy hairdos. At the tail end, I started getting a twinge of the coolness fatigue I had when we lived there. Boutiques selling tiny terrariums, bars built to resemble libraries, movie theaters selling rosé by the glass. In Marietta, maybe a dozen things are cool, and half of those are cool because they are utterly not cool at all. It’s special to be cool.

When we got back to Ohio, our cherry tomatoes were ready to pick. The first sweet corn of the season hit the farm stands. Vinyl banners advertising dozens of vacation bible schools crinkled in the breeze. My daughter returned to her preschool, where she played with classmates named Kolton and Kaylee instead of Mabel and Forester.

The flight back was uneventful. The plane took off and I looked out the window at the familiar vista below, crisply outlined in the magical Portland summer sun, and I thought, “There it is. That was my city.” Keep on loving it for me, okay?

•••

SARA BIR is the food editor of Paste Magazine and a regular contributor to Full Grown People. “Smelted”, her essay from this site, appeared in Best Food Writing 2014. She lives in southeast Ohio with her husband and daughter.

Read more FGP essays by Sara Bir.

Balloons

GohmannDad — Johanna with her father. By Ernesto Rodriguez

By Johanna Gohmann

Nine years ago, I am 27, and I am home in New Albany, Indiana visiting with my family. There is a birthday party for one of my seven siblings, and there are the usual hot dogs, and paper plates, and perspiring cans of soda. My mother has brought in a big bunch of brightly colored helium balloons as decoration.

The morning after the party, I am up in my childhood bedroom, and when I look out the window, I see my Dad standing in the front yard, alone in the quiet of a spring morning. The dewy grass is giving a sheen to his leather shoes, and he is holding the big bunch of balloons in his large hands. I watch as he struggles to carefully separate the strings, then he releases the balloons to the sky one at a time. He stares at each one as it drifts up and away, until it becomes just a tiny pinprick of color.

It is a rather odd sight—this 6”5, grandfatherly figure, clad in impeccable dress slacks and a sport coat, playing with a handful of children’s balloons. Watching him, I feel something inside me twist tightly. I slip on some shoes and go outside to join him. When he sees me, he smiles a distracted smile.

“I like watching these balloons float away, Josey.”

We stand together, and he releases the string on the last balloon. It drifts skyward, joining the other tiny dots of color in the sky. We watch silently as it sails up into the clouds, fading into the blue. It is a rare, quiet bit of togetherness for us, and should be a sweet moment. But watching those balloons drift away fills me with a strange, anxious kind of melancholy. I don’t like watching them go.

When I am 35, my Dad is diagnosed with Alzheimer’s. The diagnosis isn’t a surprise. He is 77, and I have seen the shift in him—his confusion with numbers and dates…the way he repeats stories within minutes of each other, sometimes transposing the names of people and places. And yet, when my oldest brother calls me with the news, it still feels improbable. As if my commanding, in charge father never would allow such a thing to happen to his solid, intelligent mind.

For a while, medication seems to slow things down, but then a full year later, it’s undeniable that my Dad is slowly coming uncoiled. It becomes the norm for him to appear wearing a shirt inside out, or sporting two pairs of pajama pants beneath his dress slacks, even in the heat of August. I buy him a beeping gadget to help him locate his constantly misplaced glasses and keys. He loses the gadget.

At 36, I am pregnant with my first child. When I talk on the phone to my Dad, I can feel my baby rolling back and forth in my belly, his strong kicks and punches occasionally making the fabric of my dress hitch and jerk. I listen to my father struggle through the conversation, and I try to float, relaxed and easy, through his tide of tangled words. I rub at the patch of flesh over my flailing baby, and I try to imagine my Dad holding my son as he did his other grandchildren—bouncing him gently on his knee, letting him teethe on his heavy silver wristwatch.

As I watch my Dad slowly lose bits and pieces of himself, I think about those long ago released balloons. I know the bright shades of my father are fading with each passing day. They are drifting further and further away from me. And I can feel myself scrabble to contain them…trying to grip the tangled strings of them tightly in my fists…struggling to somehow make them stay.

He spent his life as a successful insurance salesman. This makes him sound staid and dull, but in reality, he is a big, playful personality. His large blue eyes perch above a smirking mouth, and as a younger man, he bears a striking resemblance to Chevy Chase. As he grows older, his features crack and curl, and he suddenly begins to look and sound like Gene Hackman—the same knowing, smiling eyes—the same gruff voice. Once while watching a movie, I hear Gene Hackman tell someone to “shag ass”, and it’s as though my Dad has been transported to the big screen. Shag ass means “to hurry,” and the only other person I’ve ever heard say this is my father.

He has large, mitt-like hands, and their Shrek-like size renders certain tasks comical, such as when he struggles to use scissors, or when he reaches to pet his tiny terrier that he calls “Princess.” He has a tiny bit of shrapnel from the Korean War imbedded into the thumb of his right hand, and as children we probe this tiny black pellet with wide-eyed fascination.

He is, as my mother says, “full of foolishness.” In one of my favorite photos of him, he is in a Freddy Krueger hat and sweater, brandishing a pair of rubber knives, and giving a hilariously hideous snarl to the camera. As kids, he often tells us about pranks he pulled as a child. When he was a young boy, he and a friend took Limburger cheese (a product whose smell can only be described as fecal) and hid slices in their palms. They went up and down the stairs of their Catholic grade school, quietly greasing the banisters with the stink. When people came down the stairs, they walked away sniffing their hands with disgust. As a little girl, I am enthralled by this prank, and my friends and I reenact it on our last day of school. The cheese is gooey and the smell makes me gag, but I love feeling mischievous like my father.

He likes teasing us—his children—most of all. One warm May night we are all gathered watching “The Incredible Hulk”, and my Dad comes into the living room and looks at us with a grave, stricken face. He tells us that he’s just seen a special news report, and he has some terrible news. President Reagan has decided children simply aren’t learning enough, and he is cancelling summer vacation all across the United States. At first we just roll our eyes at him, but he keeps his face so stone cold serious, we become panicked. We begin pacing the house and shouting. One of us anxiously flips through channels trying to find the “special report.” We groan on like this for almost half an hour, until some of us begin crying and shouting our hatred for stupid President Reagan. My Dad finally breaks down, and admits that he’s only joking. We pile on top of him—half furious, half laughing—and try to punch him with our tiny fists.

When we are young, he is gone a lot. He goes on business trips and golf trips, which are often one in the same. He leaves the house in a dark suit, toting a scuffed leather duffle and a rattling bag of clubs. When I kiss his cheek goodbye, my lips come away lightly greased with his aftershave.

When he is home for long stretches, it is an event, and the house buzzes nervously with his presence. At dinner, my six brothers and my sister and I sit around our large kitchen table passing plates of Shake and Bake pork chops and spilling milk. My Dad shouts out “reports!” Which means we are to share any interesting events from the day. My mind always goes blank at this, and I feel as if I never have anything worthy of reporting.

After dinner he helps my mother bathe us. We call bath time “souping”, because my Dad adores the nonsense words and nicknames that come out of our mouths as toddlers. When a little one refers to bathing as “souping”, he makes it part of our permanent lexicon. The same for “goosing”, which means teeth brushing. He is forever asking us if we have “goosed our teeth.”

The best part of souping is when my Dad comes in, a giant bath towel in hand, and slings one of us inside the towel, then carries us on his back like a hobo sack. He hauls us to our respective rooms and deposits us on the bed with a bounce. We call this “geeking”, and we all beg to be “geeked.” When it is my turn, he drapes the rough towel beneath my underarms, then throws me over his broad shoulder. I travel down the long hallway bumping damply against his broad back, slick as a seal tucked into a papoose.

After our baths, he comes into my brothers’ bedroom and stretches his long frame out on the carpet. We excitedly cluster around him in footed pajamas, shouting for a story. He tells us made up, ghostly tales that are always designed to teach us a moral. There is the smug “Simon Cigarette”, who chokes to death on cigarette smoke. Or “Reginald Reservoir”, the bratty boy who ignores his parents’ pleas to never go near the deep reservoir, and of course meets a terrible fate. And then, the favorite, “Little Sally Go To Church”, about a little girl who doesn’t want to go to church, and instead wants to stay at home and eat junk food. Sally’s lack of piety is always punished by a visit from the Sunday Monster—a giant beast who jumps out of nowhere with a horrific roar. My Dad roars in his deep baritone, and we all scream with terrified delight, beg him to stop, then quickly beg him to do it again.

When I am small, he calls me “Josey Lamb”, because when I’m around the rowdy swirl of my siblings I appear shy and quiet: gentle as a lamb. He continues to call me this even after I am fully-grown, and have become loud and opinionated, and decidedly less lamb-like. But he does so ironically, with a glint in his eye.

He tears up easily. Which seems funny for a man with such a large, commanding presence. But certain songs and movies leave his eyes pink-rimmed and glistening, and when I am growing up, I actually see him cry more times than my mother. On my wedding day I select “Someone to Watch Over Me” for our father-daughter dance, because it’s a song I know he likes. But he refuses to slow dance, and just keeps shimmying around the floor, making goofy faces. A few bars in I ask him what exactly is wrong and he says, “Josey! This music is too sad!” Flustered, I go up to the DJ and request that she instead put on Supertramp’s “The Logical Song”, another favorite of my father’s. He is thrilled, and in my wedding photos we are both spinning and laughing, giving high, jubilant kicks.

When I am in my 20s, I chafe at his politics, and what I consider his small-town small-mindedness. He is a staunch republican and extremely conservative, whereas I consider myself very liberal. We have heated arguments at the dinner table that leave us both red-faced and shouting, and make my mother flutter nervously around the kitchen. My other siblings never engage with my father in this way, and they find it hilarious the way we shout at each other about Clinton, and both Bushes.

Sometimes, to gall me, he tapes conservative news articles to the lamp hanging above my place at the table. I come down for breakfast and find Karl Rove’s smiling face torn from the paper, dangling in front of me from a piece of Scotch Tape. I sleepily look to my father, and he smirks at me over his bowl of Raisin Bran.

With the Alzheimer’s, the days of political debates and discussions come to an end. There is no longer any real, lasting talk of the present. My father’s mind becomes stuck in the past, like a wheel that can’t quite push over, and he speaks to me about long ago events, as though he is plucking dusty photos from an album in his mind, and holding them up to me, saying, “Here. See?”

He tells me several times about how his father once gifted him a new baseball glove. He says he loved the glove so much he oiled it every single night.

Or he recounts the time he found a dead body on the golf course. He describes how he and a friend were playing on New Year’s Day, and were the only ones stomping their spiked shoes though the frosted grass, knocking around balls. When my Dad rounded a sand trap, he spied the man—gray-faced and frozen, a bottle of whiskey at his side.

He talks about his time in the Korean War. About how frightened he was lying on the floor of a cargo plane, traveling further from his Indiana home than he’d ever been in his life. One night in camp he polished his army boots white, as a sort of goofy mini-protest, and he was soundly punished for it by the Colonel.

And he talks about Lynne Anne, the oldest child and sister I never knew. She died when she was five of meningitis. He fingers the tattered prayer card that he still, 38 years later, carries in his wallet, and he tells me in a low, quiet voice how delicate and beautiful her hands were. He talks about her golden hair.

I listen to him talk, and feel overwhelmed by how much there is about him that I don’t know, or can’t really fathom. His life stretches behind him full of heartbreaks and triumphs and mysteries that I will never really grasp. And through him, I learn that understanding people, and loving them, sometimes has very little to do with one another.

Now, when I am home visiting, he really likes to give me things. He has always delighted in giving gifts, but now, each time I am there, he gives me funny things—strange bits of odds and ends. He has taken to handing me the smallest of trinkets, the kinds of treasures a small child might hide away in a cigar box.

“Here Josey,” he says. “You can take that home with you.”

And he hands me an old golf tee, or a tiny, pretty seedpod that he’s spied on the ground. A St. Anthony prayer card. Old fishing hooks. A tattered National Geographic. I save all of it. I bring it back to New York with me, and I tuck it into jewelry boxes and special drawers, hidden away like clues.

Losing someone in this way—this subtle losing, piece by piece—is its own unique kind of sadness. It’s a mean, cruel kind of grief that I feel could drag me under if I let it. And so I try to focus on the fact that my father is still here with me. He still makes me laugh. He still loves to tell stories. And he still loves to tease. Even now, he still calls me up and holds the phone up to the radio, so that when I get back to my apartment I have a voicemail that is nothing but Rush Limbaugh ranting away. I play back these voicemails, and I picture my Dad huddling in the background, struggling to hold in his laughter. Just like the trinkets, I save these garbled voicemails. And I try to focus on the father I still have…on the bright shades of him that remain.

I can’t ever bring myself to think of when that final dot of color finally fades from sight, completely out of my view. Until then, I steadily train my eye on what I can still see. I take in every last glimpse.

•••

JOHANNA GOHMANN has written for Salon, The Morning News, xoJane, Scratch, Babble, and Curve, among others. She is a regular contributor to Bust magazine. Her essays have been anthologized in A Moveable Feast: Life-Changing Food Adventures Around the World, Joan Didion Crosses the Street, The Best Women’s Travel Writing 2010, The Best Sex Writing 2010, and The Best Women’s Travel Writing 2015. www.JohannaGohmann.com

Republished with permission. Johanna Gohmann’s “Balloons” is one of 25 personal essays by women writers writing about their fathers in Every Father’s Daughter, a new anthology edited by Margaret McMullan, including an introduction by Phillip Lopate. Contributors include Alice Munro, Jane Smiley, Jayne Anne Phillips, Alexandra Styron, Ann Hood, Bobbie Ann Mason, Maxine Hong Kingston, and others.