My mother burned all her appointment books. It was a ritual, something she did at the end of every year; she would sit with the book—usually a spiral-bound week-by-week one with a nature photo on the left side and the dates on the right—and she’d look through all the appointments and commitments she’d had, taking the time to reflect on the things she’d done over the previous year. Then she’d burn it. I don’t know how or where she did that—in the bathtub, out in back of her house—but I suppose I do know why.
My mother wasn’t at home in time.
What I mean is that she struggled with time. My mother struggled with the present moment, for example, because it was generally a disappointment, characterized as it usually was by isolation, too much work, and not enough money. The future, on the other hand, was promising but often hinged on improbable things, like a windfall from who knows where. The future never seemed to arrive, or at least not the promising one she was hoping for; instead it just turned into a series of disappointing present moments. And the past—the past was worst of all.
My mother didn’t like to think about the past, let alone talk about it, and, on those rare occasions that she did talk about it, you got the sense that you weren’t supposed to ask too many questions—sometimes she said so explicitly—and you weren’t supposed to bring it up again later. “Anyway,” she would say, when she wanted to change the subject to something more comfortable. This was the psychological counterpart to the annual appointment book ritual: One’s personal history sometimes surfaced, but it was best to turn those memories to ash afterward.
And so my mother was homeless in time, disconnected from past, present, and future—or so it seemed to me.
Naturally, when my mother died in 2013—in November, a month she hated for its darkness—my sister and I weren’t expecting her to have left behind a tell-all memoir. There were memories in the form of photos—old photos of our childhood, for starters, and, from more recent years, some very beautiful nature photos that she’d taken herself—but we figured what little she may have written down about herself would be long gone.
We certainly weren’t expecting to find, among her things, a folder labeled “Poetry.” But that’s what my sister did find, one day when she was looking through things; she was looking to see if there was anything in there that I might want to keep as a remembrance.
I’d been having trouble imagining anything I’d want to keep. I wasn’t sure there was any object, any thing, that was going to mean much to me. What can an object mean? Your mother’s gone and, in the face of that, the things—all the things—are actually nothing. But then Karla found this folder.
The folder—a regular manila one—held a bunch of poems on pages and partial pages torn out of newspapers and magazines and a couple printed out from the web. Wislawa Szymborska, Jorge Luis Borges, Rosanna Warren, Yehuda Amichai, Richard Wilbur, Anna Akhmatova, others. There was even one poem—“The Darkling Thrush” by Thomas Hardy—that I’d given to her, because it meant something to me at a time when things were dark for me, and I thought it would mean something to her, too. Apparently it did. She had plenty of her own dark times, of course. It struck me, too, that there weren’t any of my poems in that folder. I think my poems would have changed the collection, made it something it wasn’t supposed to be.
What really arrested me, though, were the ones that were in her handwriting—the ones she’d written. My mother wrote poetry. And I’d had no idea.
Think about that: I’m a poet myself; my mother had been watching me write poetry since I was a kid, had been listening to me talk about it for years. Meanwhile, here she was, writing her own poems—and she never shared them with me. Never brought them into any of those conversations about poetry. She never even told me they existed.
They say you often learn new things about people after they’re gone; you keep getting to know them. It’s true.
When I got the folder, I read all the poems with feverish attention—the ones by other people and, especially, the ones by her. I read hers many times. I wrote about them in my journal. I typed them up so I could (almost) feel what it was like to write them myself, letter by letter, word by word. I savored and inhabited them.
And for sure I recognized the woman who did the writing. There’s sadness there, for one thing. She writes:
the wind finds its way
through every crack in this
old house
And:
the loneliness
spreads through
my body like a
massive ink blot
I know this woman. Honestly, I know those feelings. Sometimes the wind does find its way in.
And there’s my mother’s familiar desire to relocate to a particular kind of future—pleasant, better, and out of reach, though in these poems not necessarily impossible:
I
think I would feel better
if I could sit under a tree and
look at the mountain….
I’d wait for peace
to come down the mountain—
Or:
Anything green would be welcome,
a patch of grass would do.
I am waiting for spring
in its own good time
But it’s not all yearning, my mother’s poetry. There’s something else there that I didn’t expect. She wrote about nature, mostly, and moments of stillness—and what she did is she froze these things in place. She looked right at the present moment, in other words, and held on to it.
For now the pond is still.
Even the frogs are quiet.
And:
shadows of
clouds on the
wooded mountainsides
Even when the moment was complicated, she held on to it:
Gloriosa daisies and
Day lilies
Long shadows on
the lawn.
the aching beauty of
August
Even when the moment was hard, she held on to it, and sometimes transformed it:
there’s a slight
feeling of melancholy but
there is a sweetness to it.
Most surprising, sometimes she actually wanted to keep the past with her:
On leaving.
trying to remember
it all.
There’s one pair of poems that especially move me. They’re both about the same moment where she was outdoors and a rabbit hopped out from beneath a hedge. Something about this touched my mother profoundly. She wrote about it in a beautiful eleven-line poem. Then, on the next page of her notebook, unwilling to turn from the instant—needing, in fact, to go further into it—she wrote the experience over again, this time in twenty-nine even more attentive lines.
Right, I thought. This is what we do as poets, I thought. We see something and we can’t bear the idea of losing it, so we write about what we’re seeing in order just to hold it. Richard Wilbur’s blackberries; Rosanna Warren’s mother between the bed rails; Thomas Hardy’s blast-beruffled thrush. We’re the people who don’t let go.
And my mother was one of us.
For my mother, any given present moment was tough, if she stepped back to take it all in. Things generally hadn’t turned out the way she expected; she was living alone, working too hard, post-dating checks, eventually ailing, watching November come in with its shorter and shorter days. The big picture was sometimes understandably hard for her to look at.
But what if the focus was smaller? Closer?
In these poems I met a woman who made peace with time, a woman who managed to split minutes and seconds into instants tiny enough for her to embrace them—tiny enough to allow her to be at home. I didn’t really know this woman when she was alive. I have to say I’m upset about that; there’s a loss there, beyond the original loss of losing the mother I did know.
But I’m glad she didn’t burn these poems. I’m glad that I’m starting to know her now—starting to know a woman who over and over again did make herself a home, who was able to make it out of what she had at hand.
I am sitting, just
sitting and aware
of everything
and wide awake
•••
DAVID EBENBACH is the author of five books of poetry, fiction, and non-fiction, including the poetry collection We Were the People Who Moved (Tebot Bach) and the short story collection Into the Wilderness (Washington Writers’ Publishing House). Ebenbach has a PhD in Psychology from the University of Wisconsin-Madison and an MFA in Writing from the Vermont College of Fine Arts. Find out more at www.davidebenbach.com.
When my mother found out she had cancer, she said she wanted to do two things when she got better: learn to play the piano and get a bird.
“A bird? Why?” I asked, remembering the nasty parakeets I’d had as a child who kicked feathers and birdseed shells into my underwear drawer.
“Well, I have a friend who has this really beautiful bird, and I’d like to have a bird like that.”
I rolled my eyes, a childish act, that, at twenty-seven, I was probably too old to still be doing. It was so typical of my mother to want something simply because it was beautiful: bird as objet d’art. Her desire—requirement, really—for things to be aesthetically pleasing was not a trait we shared.
In the emotionally chaotic days after her cancer diagnosis, it still seemed reasonable to make plans for the future. My mother would stagger her chemotherapy treatments with her schedule at work. We located the city’s best wig store. She ordered shelving for her new apartment. And she was going to break up with her boyfriend, Steven, because, although he was nice, she said, “Nice is not enough.” She would stop postponing joy and make the time for things she always seemed to be putting off. So if a bird was part of the life she imagined for herself in her post-cancer future, who was I to argue?
•••
Can we ever think of our mothers as unfinished? When we are children, they are whole and entire. Everything that was meant to be for them has come to pass because it has brought them to us. But in time, we come to see our mothers as women with paths not taken, connections not made, choices left somewhere in the dust of the past. After my mother’s death, I often imagined the turns her life might have taken had she lived: a new man, maybe not so nice but right; weekly piano lessons in her apartment surrounded by her lovely things; a beautiful bird inspiring her. It was all so close, and yet beyond her reach.
•••
I walked into the garage to grab a box of waffles from the freezer. The birds—barn swallows, we’d learned from Google images—were flying in and out, tending to the nest they built in our garage each spring. My children and I loved to watch their life cycle play out, while my husband, Ken, was less tolerant of the feathers and the mess. Every morning he ran out in his suit and tie with a bottle of Windex and a roll of paper towel tucked under his arm to clean the poop off his car. But he softened eventually, as he did with most things involving his family.
On this particular morning, the baby birds were chirping frantically, opening their tiny beaks so wide the nest looked like one big mouth. There were five babies this time, the most we’d ever had, and the parents seemed more agitated than usual, if such a feeling could be ascribed to barn swallows. Every time I walked through the garage, they swooped down at me, coming so close I was afraid of an Alfred Hitchcock-like encounter.
I stepped over a pile of desiccated dragonflies and saw that one of the baby birds was lying on the ground. I was surprised to see it there, like I’d somehow forgotten that these birds weren’t here for my family’s amusement alone; this was the circle of life, the universal struggle for survival writ small, the real deal. The bird looked dead, so I grabbed a shovel to scoop it up. But as soon as I touched it, it scooted away. Fuck, I thought. A sick or injured bird seemed far worse to me than a dead one. If it were dead, I could toss it into a bush. But a bird in crisis: That shit needed to be dealt with.
I went inside and Googled, “how to get bird back in nest.” I read that birds don’t always fly straight from the nest. Sometimes they need to hop around for a few days on the ground or on low branches while getting acclimated to flight. Since the parents were still around and the bird was fully feathered, I should just leave it alone. Leaving things alone and letting them sort themselves out—that I could do.
When I returned to the garage, the bird was still on the ground. I looked up at the nest and saw the four tiny faces of its siblings poking over the edge, the tips of their beaks joined together in a line of collective worry.
•••
My mother learned she had cancer on a Monday. A colonoscopy she’d had the week before had revealed a large mass in her colon, and she was scheduled for surgery that Friday, the day before Memorial Day weekend. Looking back, the speed with which her surgery was scheduled, plus the fact that it was happening in a New York hospital the day before a holiday weekend, should have clued me in to the urgency of the situation. But, like most things involving my mother’s illness and death, I only made sense of things later, when everything was over.
My mother spent the week before her operation organizing and making plans as if she were getting ready to go on a trip instead of to the hospital for a bowel resection. I stopped by every night, bringing Chinese food, which only I ate, and searching endless iterations of “stage three colon cancer” on her computer while she sat on the couch with our cat, Firecracker. What I read scared me: The five-year survival rate for my mother’s disease was low, less than fifty percent, depending on how many lymph nodes were involved, which we still didn’t know. But if my mother was concerned, she kept it to herself, placing the bulk of her worry on the cat instead. He was lethargic, not eating that much. She brushed him over and over until the wire bristles were matted with thick tufts of silvery grey hair. Then she would throw the wad in the trash and start again.
I had burst into tears when my mother first told me, over the phone, that she had cancer. I could tell my reaction had frightened her—such an outward display of emotion was uncommon in my family—so I pulled myself together and tried to ask clear-headed questions about next steps. I decided to act as though everything was going to be fine and that this was just a temporary inconvenience, something to get through. My mother acted the same way, as did the rest of our small nuclear family: my father—from whom she was separated but still close—my younger brother, my mother’s sister, Marianne. If privately we were frightened, we kept it to ourselves. We worried about the cat.
One night, as I walked to my mother’s apartment, I saw a dead pigeon lying in the middle of the sidewalk. It was in a fetal position, although I wasn’t sure that term could be applied to pigeons. What did they look like as fetuses anyway? All I knew was that in all my years living in New York, I had never seen a dead pigeon. I thought immediately of the bird my mother had just spoken about. I didn’t believe in omens, but I was convinced this was one. I looked at the bird for a few moments and then continued down the block. I didn’t tell my mother about what I had seen.
•••
An hour after I found the first baby bird, all five were on the ground, huddled together near the freezer. I called Ken.
“Can you get them back in the nest?” he asked. I could hear street sounds in the background placing him in the city, far away from the life-and-death struggle taking place in our garage.
“Are you kidding?” The nest was a good ten feet off the ground. “I’ll kill myself getting up there. Besides, they’re fully feathered. They’re supposed to be flying.”
After my mother’s death, I became extremely sensitive to birds. If I saw a dead one lying in the road, I would become certain that something terrible was going to happen. Ken would have to grab me and say, “It’s just a bird, Daisy. It doesn’t always mean anything.” And after a while, I convinced myself he was right: It was just a bird. And yet, standing here with broken birds at my feet, that feeling of doom flooded over me again. Perhaps Ken sensed my old worries surfacing and was trying to calm me down.
But there was also a part of me that was annoyed by the entire scene. I wanted the birds to do what they were supposed to do, without my help. They were supposed to jump out of the nest and fly, not cower pathetically on my garage floor.
“Well, what do you think we should do?” he asked.
“I don’t think we should do anything. If they can’t even make it out of the nest, they have no chance in the wild. There’s nothing I can do.”
•••
When I was nine years old, I found out that my mother had been engaged to someone before she’d met my father. His name was Leif, and he was Swedish, like her. “If you had married Leif,” I said to her, “I’d be Swedish!” This felt like magic. If only I could be Swedish like her, I’d know how to knit and crochet and speak Swedish, that secret language she spoke only with my aunt or with the au pairs who lived in the room off our kitchen. If my mother had married Leif, I would finally have access to the part of her that had always been a mystery to me: the her that existed before I did.
“If I had married Leif,” she said, bringing her long, thin cigarette to her lips, “you wouldn’t exist.”
•••
After ten days in the hospital, my mother came home. The surgery was grueling, but she didn’t have to wear a colostomy bag, which pleased her. She wasn’t well enough to return to work or to begin chemotherapy. She didn’t talk about getting the bird anymore, and Steven—poor guy—was still around.
We were taking things day by day, absorbing one bit of bad news at a time, nibbling on it like a dry biscuit, and then opening our mouths for the next bite. The mood in her apartment was somber. My fifty-six-year-old mother, who a few months earlier had celebrated New Year’s Eve with friends in St. Barth’s, needed help getting in and out of the bathtub.
“You have to get her over to Sloan-Kettering,” her friends told me, certain that the right doctors would be able to help her. They didn’t understand how sick she was, I said. She didn’t have the time or strength to doctor-shop. The ways things were going, it didn’t seem like anyone could make it better, maybe just different versions of bad. I was tired of listening to these pushy New Yorkers who thought they could control everything, that I could control everything. I didn’t want control, not over this. I wanted someone to tell me what to do. So I focused on managing her pain medications and sticking to the doctors’ instructions. Try this, then that, they said, and I did. I was always good at following the rules.
One night, while Marianne was visiting, Firecracker, the cat, collapsed.
“Do something!” my mother shouted, so Marianne shoved him into his cat carrier and raced across town in a taxi to the emergency vet. He was dead by the time she got there. Marianne, always so fragile, was traumatized, weeping as she told us how she had looked into the carrier and seen Firecracker lying on his side, his eyes bulging, tongue protruding from his mouth. I wanted to kill her.
“I think he died instead of me,” my mother told me the next day, a shadow of hope passing across her face. Her high cheekbones were as hard as rails beneath her pale skin. I was surprised to hear her speak so magically, surprised also to hear her mention the possibility of her own death. But maybe she was right. Maybe Firecracker and the dead bird hadn’t been bad omens but offerings. This made perfect sense.
•••
After school, I took Ellie and Sam to the garage to see the baby birds. They were still on the floor, tucked beneath the curve of my car’s tires. I could tell, although the kids couldn’t, that two of the birds had died. The once-charming experiment was no longer so charming.
“Why won’t they fly?” Ellie asked, her eyes wide with concern.
“I don’t know,” I said. “But they have to. If they don’t, they’ll die.”
When Ellie and Sam went back inside, I tossed the dead birds into a bush. I wasn’t sure what to do with the other three. If I left the garage door open over night, the parents could tend to them, but I was worried about predators. I decided to close the door and hope for the best. Would they really starve in one night? I brought out an aluminum tray of water, although I wasn’t sure if they needed it or if they could even reach over the lip of the tray. I watched them as they sat there, not even moving toward the water, and I decided I didn’t like them anymore. I wished in equal measure that they would leave or die, anything so that I didn’t have to deal with them anymore. I just wanted it to be over.
•••
By July, my mother was back in the hospital. After several tests to determine why she wasn’t getting better, the doctors discovered that the diagnosis of colon cancer had been wrong. She had neuroendocrine tumor, a rare and aggressive form of cancer that had spread throughout the lining of her abdomen, including into her colon. We had lost precious time fighting the wrong cancer.
During this time, Ken and I left my mother in the hospital to go to a Yankees game. My mother was on the phone with J. Crew ordering a birthday present for Steven, and I lingered in the doorway listening to her chat pleasantly with the woman taking her order. I doubted she had any idea my mother was calling from a hospital room or that she would die so soon after the clothing arrived that Steven would be too shaken up to ever wear it. I worried for a moment about leaving, but my mother waved me off. “Go,” she said, the phone tucked between her shoulder and her ear. “I’m fine.”
Ken and I took the train up to the Bronx and, as we walked down from the subway platform, we saw a pigeon lying on the stairs with its wings spread open like a book. The crowds of people on their way to the stadium stepped carefully around it.
I stopped walking as soon as I saw the bird, tears streaming down my cheeks. “Oh, Jesus,” I said to Ken. I doubled over, suddenly out of breath. “What the fuck is that?”
He calmed me down, and we stayed for part of the game. But when we walked back a couple of hours later, the bird was still there, still breathing, its tiny chest rising and falling with great difficulty. Someone had propped a piece of newspaper around it, a tiny version of a hospital curtain. I wanted to smash my foot down on its ribcage. It was the most horrible thing I’d ever seen.
We went straight back to the hospital and found my mother talking to one of her doctors, the only one who had known her before she got sick. The steady drip of pain medication had improved her mood, and she seemed closer to her usual, upbeat self. On his way out, the doctor pulled me into the hallway.
“Do you know how serious this is?” he asked, and I think I kind of nodded, although I really have no idea. And then he apologized to me, either for what had already happened or for what was still to come; I think he had tears in his eyes. But he didn’t go any further. Perhaps he could tell that I couldn’t grasp what he was saying, that his words had barely touched the protective net of my consciousness. Everything I came to understand about that conversation, I filled in later.
•••
The next morning, I walked into the garage brandishing a snow shovel. I tapped the ground next to the birds and shouted, “Let’s go!” It was a beautiful, sunny spring day, and I had decided it was time for them to fly.
With me and my shovel behind them, the three birds hopped out of the garage, across the driveway and onto the grass. Just seeing them against the backdrop of green, with a little sun on their faces, made them look better. One of the birds kept moving away from me, picking up speed until it was off the ground and flying. Not very high, and not very strong, but flying. I watched it cut a jagged line across the lawn and out of my view.
I crouched down next to the other birds. They looked terrified, shocked, their spindly feet as delicate as toothpicks, their coats more fluff than feather, and I realized I wasn’t scared of them anymore. They weren’t a bad omen or a harbinger of death at all. If they represented anything— and I wasn’t sure they did—it was the future my mother had planned for, the one in which she got an exotic bird and redid her kitchen and lived to see her grandchildren. It’s just what we do, plan for a future we know is not guaranteed because we can’t live any other way. And look how fucking fragile it is.
•••
Shelley was the astrologer for British Vogue and a friend of a friend of my mother’s. When she came to New York, my mother sometimes went to her for a reading. A couple of months after she died, Shelley offered to read my chart, gratis. I asked her if she had been able to see my mother’s death on her chart during her final reading. I was pretty sure I knew the answer, but I wanted to hear what Shelley would say.
“Not exactly,” she said. “We might be able to see that there will be a transition, but we can’t tell if that transition will be death or not because in astrological terms, everything is continuous.”
•••
Despite everything, my mother’s death, when it finally came, surprised us all. Just the day before, her oncologist had ordered a course of chemotherapy. A young resident had come by earlier that week to refill a prescription for the eye drops she used to control her glaucoma. Now they were telling us there was nothing else they could do.
It was evening, about eight o’clock. The hospital air-conditioning was on full blast, and I was freezing. My mother lay in bed, unconscious, surrounded by photographs I had taped to the wall behind her, proof to everyone who cared for her that she really had once been a person. One of the pictures had been taken on New Year’s Eve. In it, my mother stood with one foot crossed in front of the other like an actress posing on the red carpet. Her painted toenails peeked out of her pink, sequined slide.
My mother was really gone by then, her breathing labored, the smells appalling and vile. We had already sat in another room with her doctors and hospital administrators who had reviewed her DNR orders. I was the only one who spoke. I signed whatever it was we were supposed to sign. My father seemed folded in on himself, my younger brother shocked into silence.
We went back into her room. Steven and Marianne were there; Ken, too. There weren’t enough places for all of us to sit so I leaned awkwardly against the side of the bed, stroking my mother’s hand. I wondered if I was supposed to stay there until she died. I became acutely aware of the woman she was sharing a room with and thought how terrible it must be to room with someone so close to dying. Then I was annoyed with myself for worrying about her when I should have been thinking about my mother. The thought of staying in that room until my mother died became unbearable. My teeth were chattering, and all I wanted to do was lie down. So I kissed my mother goodbye and walked out into the hot, humid July evening. I planned to come back in the morning, although by then she was dead.
•••
The birds didn’t seem in any rush to go anywhere, so I sat there, letting the weak spring sun warm my back. I thought about how tenuous our hold on life is, how easily the thread is snapped, despite everything we think holds us here. We fall from the nest, unable to fly, powerless to fight the gravity that pulls us down; if we’re lucky, our parents stick around to feed us dead insects. Perhaps there are no omens, nothing to let us know that bad luck—or worse—is around the bend. Nothing had prepared me for my mother’s death; the only signs were the ones I had chosen to ignore.
Then I stood up and walked away, leaving the birds on the grass. I needed them to do what they were supposed to do, without me, just as I had needed my mother to complete her journey so that I could continue mine. She never got the bird she planned for, but I got five of them, birds that grew in the cradle of my garage. Some died early, others clung to the earth beneath their feet. But one flew.
•••
DAISY ALPERT FLORIN is a writer and editor. Her essays have appeared in Under the Gum Tree, Halfway Down the Stairs and Brain, Child, among other publications. She lives in Connecticut with her family. Read more at www.daisyflorin.com.
In high school after lunch I goofed off in the library with my misfit friends Richard and Joel. Richard: grubby, overweight, and indifferent, with taped-together glasses that sat crooked on his head. Joel: milk-white skin, wispy hair, and translucent, vaguely bluish eyes, like an alien. Voice so deep it was almost inaudible. My boys.
On this day, I was getting over a bad cold. My entire face hurt. We sat at one of those round study tables. Joel, who would die of a rare disease a few years after graduation, said something unexpectedly funny and I laughed—really more like a snort, with unintended oomph.
My entire sinus cavity … disgorged.
There was a lot.
The result was not something that could be discreetly nostrilled up, like a worm that poked from its hole (maybe they saw, maybe they didn’t). It was a hot, greenish-yellow blob, like something from another world that covered my lips, and half my chin, and was advancing. The jackpot of snot.
As teenage boys we reveled in bodily functions, of course, but in the seconds after my blast each of us knew in his own way that I had gone too far, albeit helplessly and by surprise. Richard and Joel gaped. They cackled. I did the only thing I could think of.
With a cupped paw, I wiped away the seeping, viscous wad. Then I chased Richard and Joel around the library with it, my handful of disgrace. We howled with a kind of weird joy, they scrambling, me in pursuit as the masters of world literature gazed down at us from the shelves, disdainfully.
Fast-forward a decade or so. Joel was no longer among us, and I’d lost track of Richard, as one often does after high school. I was getting married. In those days, state law required emissions tests not only for cars but that, too. The doctor used one of those cotton-swab sticks, like a Q-tip but about nine inches long. It didn’t have to be that long.
“Wait,” I said. “Why is this even necessary? My fiancé is the only person I’ve ever had sex with.” This was true. Go ahead and feel sad for me here if you want. I felt a little sad for myself.
AIDS wasn’t around back then, but herpes was, and syphilis, and gonorrhea. Also human papillomavirus, or HPV. I read the other day that every sexually active person will come into contact with HPV at some point, if not one of the others. Think of it. An ordinary person’s loins are seething with contagion. Maybe you’ll meet someone new tonight.
The doctor muttered something about public health. “We just want to keep you honest,” he said, and I realized, possibly for the first time in my stupid existence, that I could lie but my body would tell the truth.
Next I was a new husband, with a job: photographer for the weekly newspaper in our northern Illinois town. One day my editor sent me to shoot the girl’s swim team at the high school, which had won some kind of award. I arrived at the appointed hour during practice, everybody out of the pool, lined up. Thanks to a powerful strobe flash on the camera, I was able to stand far enough back to fit all of these nubile beauties into the frame. I left the school feeling good. I’ve always felt good, leaving schools.
In the parking lot I heard distant sirens, then closer, and then a line of squad cars followed by an ambulance heading into the cemetery across the street.
Because I was a newsman, I followed them. To the body, which lay face-down on a grave in front of the headstone. I captured that image, and next the overall scene, then zoom: the lad’s half-open mouth, tousled hair, the cassette player near his elbow.
A guy came over yelling and waving his arms. Owner of the cemetery, private property, get out, no pictures, get out get out. Because I was a newsman, I photographed that guy, teeth bared and veins bulging on his forehead.
Later he phoned the office and apologized for his rage. Just came out in the moment, he said. I lost control. But he also threatened to sue if we used the pictures. A boy who lost his girlfriend, as people like to call it, in a traffic accident had shot himself on her resting place while their favorite song played.
We consulted our lawyer. Yes, any cemetery is private property. But the usual rules don’t apply when an event of public concern takes place on it. An event, he said, of public concern.
We didn’t use the pictures.
I peered over my editor’s shoulder at the prints of the swim team. It must have been the strobe flash, the water still on the girls fresh out of the pool, and the weave of their nylon suits. Two rows of beaming maidens faced us looking—except for the faintest shadows of what they wore—as naked as newborns, albeit more interesting. “Nice,” my editor said. “We can’t use these either.”
Fast-forward another ten years into my starter marriage, as people like to say afterward. Let’s extend the housing metaphor and say it was a fixer-upper. Let’s say it had a weak foundation, and was falling down around us. It did.
They say the body is the house for the soul, the body that secretes and excretes and blurts. The body that things come out of, not always planned, and can’t be put back in. The body that’s cut and bruised in wrecks of all kinds. The body that’s brokenhearted. That might be hidden, and—in a flash—exposed.
Wikipedia defines flesh as “the soft substance of the body of a living thing.” The body: private property we have no choice about showing other people, since the body is where we meet them, in our mutually arranged or accidental events of public concern. It’s the site of inevitable trespass, too, at least until the house is foreclosed on, emptied, and then gone altogether.
I still think about that swim team.
•••
RANDY OSBORNE’s writing has appeared in various online literary magazines. In 2014, his work was nominated three times for the Pushcart Prize, as well as Best of the Net. One of his pieces, which first appeared in Full Grown People, is listed in the Notable section of Best American Essays 2015. He lives in Atlanta, where he is finishing a book of personal essays.
We are clearing out his apartment, sorting papers and photographs, and bottles upon bottles of medication when my sister, Rebecca, asks for one more favor. The mortuary has called and said her ex-husband’s ashes are ready for pick-up. Can we please go with her? She isn’t up for a solo trip.
It’s two days after her wedding, which was one week after her first husband’s memorial service. The entire family is still reeling from the juxtaposition—it was all we’d talked about before, during, and after the actual wedding celebration. In conversation we’d put air quotes around “celebration.” We used anger and sarcasm to mask our sorrow and confusion.
Rebecca hadn’t known her ex-husband was going to die the week before her wedding when she’d planned it, of course. She’d gotten engaged almost immediately after the divorce had been finalized, while Charles was undergoing chemotherapy; but she was living with her boyfriend already. We all knew a wedding would happen sooner or later. “But why couldn’t it have been later?” our mother had asked me, crying, the day before the wedding. “Much, much later?”
I had no good answer to give her.
Now, two days after living through the wedding, we go out to lunch first before visiting the mortuary to pick up Charles’s ashes. While we eat Rebecca wants to talk about her wedding. What did Mom think? Did it go okay? I take a big bite of fish and chew, ruthlessly leaving my mother to answer.
“That was the most beautiful wedding dress I’ve ever seen,” our mom says tactfully. She always starts with a positive statement unless we’ve really pissed her off. I shove in a bite of mixed vegetables because the critical portion of Mom’s sentence is about to arrive and I want a physical excuse (my mouth is full!) not to intervene.
Focusing on my food helps me not think about Charles. Two weeks after his death I’m still accustoming myself to not thinking about him. While he was sick, then sicker, then dying, he took up so much space in my thoughts. My life was planned around chemo trips, emergency visits to the doctor or the ER or just the grocery store and pharmacy runs. For the last few months, whenever the phone rang, my heart filled with hot liquid and my fingertips would go numb.
It wasn’t just worry for him, dread for the end; I was so damn tired—it was dread that it would never end that seized me. Sometimes I’d worry that I’d never stop feeling guilt for my relief at it ending and anger for my guilt—it was much easier to be angry at my sister. It is much easier to keep eating instead of acknowledging how I feel at all.
They have stopped discussing the wedding dress. It was a beautiful dress, like something a classy lounge singer would wear in the 1940s. If Rebecca and I had figures even remotely similar—she got the butt, I the boobs—I’d steal that dress, dye it black or scarlet and wear it to her next wedding. But the conversation has moved on from the dress. My mother is expressing her displeasure with the ceremony. “It was all Cheshire, all the time.”
Our family wasn’t included in any aspect. The groom’s niece and nephew sang. The groom’s sister (not our eldest sister) was Matron of Honor. The groom’s family composed two-thirds of the guests and as for those speeches… Well, “inappropriate” is too mild a word. Did Rebecca know that the two of her kids who’d come to the wedding (her oldest daughter flat-out refused) wept through the Best Man’s speech when he’d revealed that my sister’s affair with her new husband had been going on for two years longer than anyone had known?
“I didn’t know the kids cried!” my sister says. Here’s the weird thing, though—she isn’t upset that Mom is displeased with her. Normally Rebecca does not take criticism well. Off-hand comments that our other sister or I would shrug off have been known to send her, this new bride, into her closet to indulge in angry weeping. A chance directive from our mother, something about keeping cats as indoor pets, led to my sister not speaking to Mom for two years. Two years of silence for saying, “Keep your cat away from Rachel, she’s allergic.” But bashing the wedding as inappropriate, liquor-soaked, and hurtful? My sister is fine with it. No, it is weirder than that. My sister seems pleased.
Don’t get me wrong—she’s not happy. She defends the liquor consumption. She defends the inappropriate speech by blaming the liquor consumption, and she defends the lack of her family’s inclusion by offering, “Well, everyone is so sad because Charles died—I didn’t think they’d want to be included.”
Choking laughter overtakes me. I cover my mouth with a napkin. My mother slides my water glass closer, and my sister pats my back. I laugh harder. Tears are running from my eyes. They start to laugh, too. Other restaurant patrons are staring.
None of us wanted to be included, I don’t tell Rebecca. None of us wanted to fucking be there at all. Her daughter was the only honest one. We’re all wiping our eyes now and we don’t have to say anything.
We don’t have to say that we are angry that my sister remarried a week after her ex-husband’s funeral because she knows. I don’t have to say that I’m laughing because her reasoning is always so self-centeredly skewed because they both know. She doesn’t say that she’s pleased that Mom is unhappy with her and critical of her wedding and her general behavior these last few years because we know. Rebecca knows that we forgive her and she knows that we forgive her because we know that she is never going to forgive herself.
After a lunch like that, it’s understandable when we get in the car and Rebecca starts it, she has a brief freak-out. “Oh my god! I don’t know where we’re going! I mean, I know where the mortuary is, but not how to get there!” There is a shrill lining of panic around her words, and the air in the car tastes like chewing on aluminum foil.
Our mom pats her shoulder, not knowing what to say, what directions to offer, but recognizing panic. I back-seat-drive to the location. From spending time with Mom when she lived here, as well as Charles, I am more familiar with Hemet than my sister.
It’s an ugly city. The cracked, ill-kempt streets are laid out in a tidy grid, but it seems that if one drives too far in any direction, one hits the same boggy agricultural field. The air is brown and fetid from smog and pesticides trapped in this weird little valley populated mostly by the elderly. Traffic is both slow and erratically dangerous. Sometimes in my dreams, I drive the city’s streets, a sick animal in the backseat that I can’t clearly see or reach to comfort, its whimpers of pain forcing me to wake myself up to avoid crying myself.
When we reach the mortuary, there is an atrium filled with birds. A faux-desert scene houses little pheasants, and tiny roadrunners wander forlornly, glassed in on all four sides. They can never not be on display, but Rebecca is happy to see them. She likes birds. Watching them calms her. We wait in a musty room. I poke around, examining the literature, how the place is decorated, and what is stored in the credenza against the wall (mostly off-brand tissue boxes and religious bookmark looking things I don’t understand). I am writing a novel that is set in a mortuary; I can use this.
A man comes and shows us to a room where a wooden box sits on a table, shrine-like. We all back up. We put our hands behind our backs. No one wants to take it. We engage the man in conversation, admiring the box without actually looking at it. We all three flirt with the man; we are expert flirters. My mother and sister share a flirting style, I see for the first time. They cajole and flatter; there is a tone in their voices not normally heard, like jollying a petulant child out of his mood.
Finally, Mom tries to take the box. She is the brave one. It is too heavy for her. I help the man set it into a red velvet bag and he puts in into my sister’s arms. She does not look comfortable with this. We walk out to the car and I get my mother settled in the front passenger seat, and my sister sets the bag containing the box on my mother’s lap. My mother rhythmically pats it, as if comforting a fussy baby.
Mom agrees to take the box home with her and put it in her closet next to our stepfather. They can hang out. No one mentions that they never really got along while they were alive. At Charles’s sadly empty apartment, where Rebecca drops us off and Mom and I climb into my car, I belt the box into my back seat and start home.
Mom is unusually silent. This is understandable, I think, and a bit of a relief after the tense day. Up in the mountains she says, “You’ve come full circle. You were his ride when he found out he was sick. Now you’re his ride home.”
We are in the highest part of the mountains. We have been climbing the twisting, looping, steep, two-lane road, and then the top opened up to a stunning view—any way we look is stark California mountain. Here, on this flat opening amongst them, we seem higher yet still protected by ranges surrounding us.
I pull over because I can’t see out of my tear-filled eyes and am having trouble getting air. I’m parked on the side of the road, gasping, feeling like I’m about to vomit. My mother is apologizing and I look out the window and realize where I am. This is where I stopped to talk to Rebecca on the phone that horrible day. This is where I talked to Charles after her, reassuring him it wasn’t all a nightmare, the cancer wasn’t a mistake that my sister had the power to make him “take back.” Years before that, this is where I used to stop and vomit when my body was flush with hormones, natural and injected during my decade of infertility treatments. I am beginning to hate this beautiful spot.
“I am ready to go home,” I say. “I am ready to be done.”
2.
My sister puts her head through the open passenger side window and says, “My husband was always a pain in the ass. Why should he be any different now that he is dead?” And she gestures to the backseat where the wooden casket containing his ashes has been sitting all this long, hot afternoon, carefully belted in.
This is the fourth stop we’ve made in our search for a decent spot to illegally scatter his ashes. Charles chose this road in a remote part of Riverside County, telling everyone who’d listen he wanted to be “thrown to the wind” here. But he never went into specifics. He never said exactly where, he never said why, and we’re wondering if maybe chemo brain was responsible for his decision because this is a damn-awful place to drift into the wind.
August is the worst of the summer months in Southern California. June and July have sucked any moisture gone, so August is lip-cracking dry and the intense heat casts a yellow glare over the afternoon. It feels like the sun is personally angry at us, driving all over these dusty roads, and has persuaded the wind to join him in tormenting us as it swirls and eddies in mini-dirt devils, flinging gravel at our toes exposed by inappropriate sandals when we dare to leave our vehicles.
The first stop we made was above a house surrounded by dead cars and some very mean looking dogs. The second stop was next to a gun range where armed rednecks were actively shooting. The third stop, we realized was outside of Charles’s specified location and his three grown children got into an argument over whether proximity mattered.
This fourth stop is a dirt fire road clinging precariously to the side of a slippery, dusty mountain, ruts and boulders line the edges. We are caravanning and my sedan doesn’t fit on the road. I am perched half in the two-lane, busy highway. My elderly mother is in the passenger seat. Even with the a/c turned all the way up, she is red and sweaty.
“Are you getting out?” Rebecca asks. I think our mother is about to cry.
“Take the ashes,” I tell my sister, leaning into the backseat to pop the seat belt loose. “I’m taking Mom home.”
“You’re not staying?”
“We’re not?” Mom asks, and she smiles at me in relief. Her back is to my sister, who doesn’t see the smile.
“I can’t drive up that road, Mom can’t walk it, and look at her”—Rebecca does and my mother flips open the visor mirror to see herself. “I think she has heatstroke. She’s seventy-four. She’s too old for this shit.”
My sister laughs while my mother nods seriously. “I am too old for this shit.” She starts to cry and my sister hugs her through the open window and kisses her goodbye.
My sister won’t take the ashes. She calls for her middle child, who calls for her boyfriend to carry the pretty little casket. I loan them my pocket knife. They look confused.
“There is a plastic zip tie on the baggy inside,” I explain. “You’ll have to cut it loose.”
I discovered this at the first stop when everyone except my oldest niece’s husband ran to look over the edge of a cliff rather than deal with the ashes. My nephew-in-law, a sweet boy from Kansas, only shrugged when I snarled, “Why the hell are we the ones dealing with this?”
I was shocked out of my irritation by the contents of the baggy. What had once been Charles was now strangely dry, chalky dust with surprisingly large shards of bone in it. I shifted the sealed bag in my hands, listening to the rustling, slushing noise, examining the end sum of my friend. When I was growing up, Charles was so handsome, he was the standard by which I judged all male beauty. Now that beauty, whittled away by his cancer, is reduced to the contents of this gallon-sized plastic bag.
There was one shard of bone, not quite arrowhead shaped, a littler smaller than my littlest finger. I planned on slipping it into my pocket when no one was looking. I wanted to keep it. I wanted to carry it in my mouth.
But Charles’s children decided to move on—they didn’t like the junk-yard look of this stop and I had to force the ash-baggy back into its covering box, shaking it roughly like a colander of pasta to make it fit. Several family members watched, but no one offered to help.
By the fourth stop, by the side of the road, I am ready to hand over the ashes. I am ready to go home. We call good-byes and love-yous out the window and drive away. “I’m sorry to make you miss it,” our mom says.
“I’m not,” I reply. “I’ve done what I could. I did what I could for him while he was alive. My duty is to the living. You look like hell.”
“Gee, thanks,” she says and points the last air vent at her face. All the air vents now hitting her, she rummages in my purse.
I place the back of my hand on the hot window at my side. “I’ve done what I could,” I say, but to myself.
My mother pulls a red lipstick out of my bag. “How ‘bout I put on some lipstick and you take me out to dinner?”
“All right,” I agree. A cool, dark restaurant would be soothing. My hand is still on the burning glass.
3.
We are sitting around Rebecca’s new kitchen table, eating lunch, reading aloud from a book about healthy cholesterol levels, when she expresses how angry she is at her husband. My mother looks up. “Which one?”
I laugh. My sister does not. Her face is tight, but then crumples as I watch.
“Charles never did anything to help himself and then he got sick and his family never did anything to help and never brought his father to see him before he died. And his bitch sister had the audacity to hint to my little girl, at her daddy’s funeral, that we should reimburse Grandpa for the money he paid to the private nurse.” Rebecca is crying so her speech is almost unintelligible, and her “little girl” is twenty-five, but I take her point.
Our mother cries in sympathy. I bring them tissues and make cups of tea and pat them on the back occasionally. I don’t cry. I am tired. I think about the shards of bone in the bag of chalky dust that used to be Charles. I think about my stepfather’s ashes in the pirate chest in my mother’s closet. I remember that my mother has filled in paperwork naming me responsible for her ashes when the time comes. I wonder who will deal with my chalky dust when I am dead.
On the drive home my mother asks if my sister does that often, cries out of anger with her dead husband. I think Rebecca must clean up her emotions when talking to our mother alone.
“She didn’t deal with her anger at the time,” I say, feeling enlightened. “She took off. So she’s gonna have to deal with that for the rest of her life.”
“You’re right,” my mother nods her head, begins to cry once more. “You’re right.”
At that moment I see a Starbucks up ahead. I’m about to offer to pull in, buy a vente pumpkin spice latte (damn whatever the seasonal cut-off date might be) to cheer her up, but then I remember that it’s my mom in the car next to me. My mom hates Starbucks and doesn’t drink much coffee at all. It isn’t her panacea. Now who is confused? Now who is angry? Now who is unenlightened?
Months later, my throat feels choked when I see a Starbucks. I want to go in and order a pumpkin spice latte, but I want my brother-in-law back with me. I want him healthy or at least not actively dying. I want the coffee klatch to be for fun, not a treatment for the chemo shakes and sickness. I want too much, I know.
I have a terrible suspicion that I will never be able to drink coffee again. I am angry about that. I am angry about a lot of things. I am okay with this anger.
•••
SARA MARCHANT received her Master of Fine Arts in Creative Writing and Writing for the Performing Arts from the University of California, Riverside/ Palm Desert. Her work has appeared on The Manifest-Station and Every Writer’s Resource. She lives in the high desert of California with her husband and varying amounts of poultry.
“This, honey, is crabgrass. It’s the stuff that’s been driving me nuts all summer,” I say to Steve as I point with my foot to a particularly large weed. “It’s all over our front yard and I pull it up and it leaves a huge hole and I could do it for hours, but at some point I just stand up and walk away ’cause I know it’s a hopeless fight.”
We’re walking to the hospital’s parking lot. I’ve just had a CT scan of my brain. Steve has taken a couple hours off work on this Thursday morning to drive me to the hospital because I’m so shaky from the migraine that I’m not sure I can do it myself. I drove myself to my doctor’s office this morning, but the drive to the hospital and the waiting in the waiting room and the potential need for food and drink all seemed too much at once, so I called Steve and asked him to meet me at home. I got home first and, while I waited, I Googled “brain aneurysm” and learned that what we normally think of as a brain aneurysm—the kind that kill people—is actually a burst brain aneurysm. So I could have a brain aneurysm right now without knowing it and it could be the cause of this excruciating migraine.
•••
There’s something so satisfying about pulling up crabgrass because it all comes up at once. Find the center, gather the tendrils, and yank. At first I’d used the super duper fancy stand-up weeder I bought earlier this summer, with its eject button, but it turned out to be too slow. I wanted to be on my hands and knees pulling more than one weed up at once, digging into the earth, ridding it of the intruder that, for so many years, had passed for grass for me.
Until we moved into this house, the first house I’ve ever chosen, I paid little attention to the grass except to mow it. I always made sure that we kept the lawn mowed. There was a deep satisfaction that came from seeing the immediate transformation from unkempt to kempt. And surely at the old house we had crabgrass. But it had been Steve’s house before I moved in and I didn’t feel the same sense of ownership that I do here. The crabgrass here is maddening.
I sometimes worry that my neighbors, walking their dogs, judge us the way that I, walking our dogs, judge neighbors whose lawn has been taken over by weeds. Last year, our first summer in the new house, I quickly identified the house in the neighborhood with the tallest weeds. They were like a huge “fuck you” to the rest of us who pulled the ugliest and most obvious weeds. It doesn’t help that we live next door to a woman whose yard and garden are damn near perfect. I imagine conversations with her in which I defend the state of our yard by pointing to the work I do as a professor and a writer. While you’re out here perfecting your yard, I imagine saying, I’m inside prepping my classes or writing an important piece of scholarship. All she does in this scenario is look down at my feet, where the freshly mown crabgrass taunts. And on the afternoons when I find myself outside on my hands and knees pulling crabgrass, I imagine her shaking her head and telling me that I’ll never win. I know I’ll never win, but still, it’s so satisfying. When the entire weed comes up like a mop of hair, there’s nothing else like it. No other weed offers such a huge reward.
•••
I’ve always been the kind of person who immediately jumps to the worst possible conclusion. Recently when our dog Wrigley began limping, I assumed it was bone cancer. When the anti-inflammatories helped, I relaxed. When the limp came back a month later much worse, I spent the night imagining our lives with a three-legged dog. Dogs recover from these things much better than people do, I told myself. We see it all the time. It’s the people who are taken aback by a dog with a missing leg. The dog herself is usually fine, running and playing like any other dog. Steve, on the other hand, always thinks the best, minimizing what I take to be life-threatening situations. For Steve, Wrigley’s diagnosis of severe arthritis on both hips was a shock. He thought for sure she’d just pulled something.
When I was a kid, I didn’t expect to live much past my late twenties. It’s not that I thought something terrible might happen to me; rather, I knew something terrible would happen to me. It’s a mindset born from years of abuse. The trauma theorist Kai Erikson wrote that traumatized people calculate life’s chances differently.
So when the doctor told me she wanted a CT scan of my brain because of the frequency and severity of the migraines, I immediately jumped to the worst possible scenario. “I’m convinced I have a brain tumor,” I said as she examined my ears.
“It’s not a brain tumor I’m worried about,” she said. “Usually with a brain tumor, a patient will come in very confused, unsure how they got here. What I’m more worried about—and I don’t want to give you more to worry about—but I worry about an aneurysm.”
Despite the migraine, I chuckled a bit. I couldn’t help it. I didn’t know enough about the brain to imagine the worst-case scenario. I was an amateur at this thinking-the-worst business, it seemed.
•••
One afternoon when I was outside with the weeder pulling up crabgrass, the UPS guy stopped by to deliver a package. “Are you pulling crabgrass?” he asked.
“Yep. It’s hopeless, I know.”
“Can I hire you?”
“I think I’ve got more than my share here, thanks.”
He shook his head and smiled as he got back into his truck.
What am I doing? I thought. I should be inside writing important scholarship.
•••
I woke that morning with the headache. It seemed manageable for the first hour or so I was awake. But then my head really started pounding. I took a couple tramadol. Nothing. I tried to imagine going in to school, teaching my class, talking with any coherence about anything. I started crying, holding my head with both hands, massaging my temples with my fingers. It had never been this bad before. My first migraine lasted a month, my second one three days, and the last couple just a day because I’d finally gotten medicine that helped. But with this one it was too late to take an Imitrex and the tramadol wasn’t helping and I understood what it was like to want to die. I couldn’t escape myself. I couldn’t think. I canceled class for the day and called my doctor.
In the radiology waiting room, Steve and I sit quietly until my name is called. The radiology technician asks me for all of my vital info, checks the name on my paper bracelet, and asks me whether I’m pregnant. “No,” I say.
“How can I be sure of that?”
“My husband had a vasectomy.”
“I’m still gonna need you to sign a form before we do the scan.”
I shrug my shoulders. Fine with me. As he walks across the room to find the form, I say, “I’m too old to be pregnant anyway.”
He tells me that they’re now required to ask women up to age fifty-five about pregnancy.
“Ha! I can just imagine some of the answers you must get.”
“Oh, I’ve gotten some good ones. At first it was hard for me to ask, but now I just laugh about it.”
“You should write an essay about those responses.”
On the ride home, I realize that being the passenger is making me nauseous, so I ask Steve to pull over and I take over at the wheel. Somehow I feel a little better after the scan. Maybe it’s the promise of certainty. We’ll finally know how I’m going to die. Steve, of course, is convinced it’s just migraines. “If it’s just migraines, it’s gonna take years to figure out the right medication and I’m just not up for that,” I tell him.
My doctor and the radiology tech both told me that they’ll have an answer for me within an hour and a half. By the time we get home, I figure it’s more like an hour. Steve goes back to work and I sit on the couch with the dogs, imagining how this will play itself out. As the minutes and then the hours pass, the scenarios become bleaker.
I have a brain aneurysm and I need immediate brain surgery to clip it. They’ll have to shave my head. My department chair will have to find someone to take over my classes for the rest of the semester. I might die. If I die, I’ll get to see my beloved dog Annabelle again.
I have a brain aneurysm but surgery is too risky, so I must walk around for the rest of my days knowing it could burst any time.
What they’ve found is so bad that they call Steve first, tell him to come home and get me, and we go to the doctor’s office to learn that I have weeks to live.
They don’t find an aneurysm or a tumor, but they do find plaque and I’m diagnosed with early-onset Alzheimer’s.
•••
At night sometimes, I close my eyes and I see crabgrass, its white webbed center with its blades growing in all directions. I open my eyes and try to concentrate on something else, but it’s no use. I close my eyes and the crabgrass taunts me. It knows I’ll never get it all. It will always win.
It occurs to me now that crabgrass is like cancer in that they’re both named for the crab. Cancer comes from the Greek karkinos because the tumor with its surrounding vessels resembled the shape of a crab. And the most common genus of crabgrass is digitaria, a name that likens the tendrils to fingers reaching out in all directions.
•••
It’s not that I want to die or that I want a brain tumor or an aneurysm. It’s not that I want attention, that most obvious of explanations. I think when I imagine these scenarios what I also imagine is the freedom that comes with knowing.
After my beloved dog Annabelle died, none of the day-to-day stuff mattered anymore. What mattered was that I no longer had my Annabelle and I no longer knew who I was. But I knew who I wasn’t. I wasn’t a person who cared about who in the department was dating whom or which professor had a crush on which graduate student. I wasn’t a person who cared about the way that the people I had thought were my friends couldn’t find it in themselves to support me. I wasn’t a person who cared about who liked me or who loathed me or who didn’t know I existed. I’d lost my girl. Nothing else mattered. I wanted that clarity again, the clarity of tremendous, soul-crushing grief.
•••
My doctor’s office called after about two and a half hours. My CT was normal. I’m normal. When she told me this, she pulled it all up at once, all of my imaginings about the end, all of the repercussions of the scenarios that allowed me the freedom that comes only with certainty. Like I do with a particularly gnarly crabgrass weed, she yanked it all and left a gaping hole.
•••
AMY E. ROBILLARD is becoming increasingly torn between her identities as Associate Professor of English at Illinois State University, where she specializes in rhetoric and composition and the personal essay, and as essayist whose work resists academic categorization. Her nonfiction can also be found on The Rumpus.
I have a ten o’clock hair appointment with Barb, who lives a quarter-mile from my house. Before she moved here three years ago, I had to drive thirty miles for a cut. Now, as I walk down the leaf-strewn gravel road, the day is cool, but the sun warms my back under a crystal blue sky.
Barb is standing on her front deck, tapping on her smartphone. She’s wearing a nice dress, instead of her usual slacks and loose tunic. Her sister, Cindy, pulls up in her SUV, and she’s dressed up, too.
“Our father just passed away,” Barb calls to me, filling the words with her usual mix of calm and intensity, the kind that I always associate with an emergency preparedness drill. “Come on in.”
I halt in the yard and hold both hands up. “No,” I say, “No hair cut today.” I think of Cecil, the farmer, and how, if you closed your eyes, you’d swear it was Andy Griffith talking to you. The last time I saw him, he was stick thin, out mowing his field in the late summer sun. He waved to me from his tractor. I waved back.
In a way, his death is not unexpected. Everyone on our road knows that hospice has been on the scene for the last few months. I look up the hill toward Cecil’s house and picture him laid out on his bed, waiting for the coroner.
“There is nothing for us to do,” Barb says, “He’s dead now.”
“We don’t have anything else to do,” Cindy agrees.
“You have a million things to do,” I say from my place in the yard, hands till held in the stop position. “A million phone calls, a million arrangements. This stuff is hard.”
I figure that it hasn’t really hit them yet.
Cindy comes around from her side of the car. I put my arm around her shoulders. She puts her arm around my waist and guides me toward the steps.
“No, really,” I say again. But they act like they’ll be more upset if I leave, so I don’t.
“How do you stay so small?” Cindy asks me. Her father just died and she’s asking me about my figure?
I give her my standard reply. “Genes, I guess. I have my mother’s build.”
“You hold her down,” Barb says to Cindy. “And I’ll scratch her eyes out.”
We all laugh, and they escort me into the house. This feels wrong. Their father has just died. You can see his house from here. His house seems different now; it has a dead person inside it. But inside Barb’s house, it’s as though no one has died. She wants to cut my hair, just like always.
Cindy heads for the kitchen and Barb calls after her. “The cereal’s in the pantry. You’ll have to open a new carton of milk.” Barb ushers me into the bedroom-turned-salon, complete with shampoo sink and swivel chair. “What are we doing today?” she asks as she swoops the leopard print smock across my front and fastens it at the back of my neck. Someone has just died, I think. What are we doing, indeed?
I dissolved in tears the day my father died. He still felt so warm when I arrived at the Assisted Living, that I asked a nurse to double check, which she did. Then I sat crying and holding Daddy’s hand as his body gradually cooled, then stiffened.
I consider the mental anguish Barb must be feeling even though it doesn’t show, and the shameful part of me wonders—can she really concentrate enough to give me a good cut?
“My son is getting married in two weeks,” I say. “I still get compliments on the cut you gave in August. So let’s just shape it up a bit.”
She wets my hair down and begins. “A wedding. How wonderful.”
She runs the comb through my hair, pulls a damp swatch up between her index and middle fingers, and snips off the ends. “Where are they getting married?”
Just then, her Smartphone chirps from the counter and Barb steps over to tap it. A voice on speakerphone says, “Mom? Mom, is that you?”
“It’s me,” Barb says. We endure a five-second silence. Barb says, “What is it, dear?”
A sarcastic half-laugh fills the room. “Granddaddy dies and you text me?”
“Well, honey, I just found out myself.”
“You text me?” The disembodied voice climbs to a higher pitch. “At work?”
I fiddle with my hands beneath the smock, and I consider stepping out to give them some privacy. But Barb put the call on speaker after all, so I figure I’m meant to hear this.
“Sweetie, I texted you as soon as I heard,” Barb says, by way of explanation.
More disbelieving laughter. This is how you talk to your mother on the day her father dies? I think. I try to imbue respect into the voice on the phone, using my powers of telepathy.
“Honey, I’m in the middle of a haircut right now.” A brief embarrassed pause follows, as if the daughter all of a sudden gets how self-involved she sounds. An attempt at recovery: “Well Mom, how are you? Are you okay?”
That’s more like it, I think.
“I’m fine, honey.”
“Well … call me when you get free,” the daughter says in a tiny voice.
Barb returns to the chair and the snipping. “Why the drama? She’s seen her grandfather maybe three times over the last year,” she says in her low register, with her calm intensity. “She told me not to call her unless it was a 9-1-1 emergency. Anything else, and she only wanted a text.”
I keep thinking that I should say something, but it’s not like I know Barb that well. She’s just a pleasant person who lives up the road who occasionally cuts my hair. Still, I feel as though I should address the situation somehow.
“You must have a lot of happy memories of your father,” I say.
“I don’t have any happy memories of him,” Barb says. “You part your hair on the left, don’t you?”
I nod.
“He tried to molest me,” she adds, matter-of-factly. She takes the two sections on either side of my face and looks in the mirror as she pulls them down, checking for evenness. “This length looks good,” she says. “Let’s just shape up the rest from here.” Then it’s pull and snip, pull and snip.
I think of Daddy, and how in his last days he asked me to marry him. He couldn’t remember my name, or even that I was his daughter. He wasn’t a child molester. He just knew that I was someone very special who he wanted to spend the rest of his life with. It only made me love him more.
“Besides,” Barb continues. “He’s not really my father.” She ruffs my hair, peers at it in the mirror, then combs it again. “He’s none of our father.” She uses a razor device now. It makes scritch, scritch, scritchy sounds as she carves layers on my head. The cut is really looking pretty good. “Mom confessed to that on her deathbed.”
I know how that goes. My mother made a few confessions of her own over the years—extramarital affairs, a child given up for adoption, family deaths that were really suicides—just your garden-variety Southern Gothic sorts of things.
“We’ll just tidy this up.” Barb takes the electric trimmer and shaves the hair up the back of my neck. “Our actual father lives in Kentucky. He was already married and had a family.”
“Is he still alive?” I ask. “Have you ever met him?”
“I know who he is,” she says, “but I’ve never tried to get in touch with him.”
“I have a half-brother I’ve never met,” I tell her over the noise of the blow dryer. “I just found him.” She swivels the chair around so I can look in the mirror. The cut is wonderful.
Barb nods. “Our mothers lived in different times.” She swishes the stray snippets of hair off the back of my neck with a big soft brush. It feels delicious. “There’s nothing like a good cut to take the weight off,” she says.
“The usual?” I ask as I take out my checkbook. The floor around the salon chair is littered with the damp brown spikes of my hair.
“Same as last time.” She makes notes in her haircut notebook, then she pauses and looks at me. “All I feel is relief,” she says. Her eyes do not fill with expected tears.
Suddenly I’m in mind of the day that my mother gave my brother-in-law her old .38 special. “This is the gun Daddy used to kill himself.” He stood wide-eyed and speechless, but Mama said this with the same lack of emotion she showed when heating up leftovers. She was just a girl when her father molested her.
“It’s different for everybody,” I say to Barb as I hand her my check. “Don’t let anyone tell you how you should feel.”
Because now I get it. Why the weight of her father’s gun did not drive my mother to her knees. How she must have felt when she got the call that he was dead.
I hug Barb good-bye and say so long to Cindy. I leave the way I came and walk back across the yard to the road. Behind me a car starts up and I turn to see the sisters driving up the road to Cecil’s house, finally relieved of their burdens.
Some names have been changed to protect privacy. —ed.
•••
LINDA L. CROWE lives in central Virginia. Her work has appeared in Virginia Forests magazine, Slaughterhouse, Blue Ridge Literary Prose, and River Teeth’s Beautiful Things column. She blogs occasionally at www.lindalcrowe.wordpress.com.
The Cupcake Man was, at first, innocuous. He was part of an activity my daughter Charlotte devised with two girls—children of dear friends. For several years we had been spending time together as families: dinners at each others’ homes, throwing birthday parties, working on political campaigns, and eventually vacationing together. We camped on Cape Cod one summer and then took a holiday to Washington, D.C., over spring break. We stayed in a large glass hotel in adjoining rooms, taking the Metro into the city each day. It was then, I would later learn, during some interlude between Washington Monument and Smithsonian Museum touring, that the Cupcake Man was invented. It would take the aftermath of tragedy for me to understand this.
Many parents know that children can be captivated by something borne by a group of kids, but for one child, it can take hold and take longer to let go. It’s a benign experience, this, but it can make you cringe: soon your daughter may see that she has held onto the Cupcake Man longer than the others. She might face the hurt that she is now alone with her love for this character, this game.
One recent night, I told Charlotte that we’d be having dinner with her friends Lisa and Ellie, and she lit up, collecting materials for the Cupcake Man’s fiftieth birthday party celebration. She said that it was an event the three girls had been planning for late January. Today it was January 24: perfect! She found the bags of balloons that we had purchased weeks ago, plus other signs and stories they had written during recent dinner get-togethers. She even cried when she thought she had lost the illustrated story, one I could picture but had never really read. We found it, and still I hoped that the other girls were as into this as Charlotte.
We kept our same basic dinner routine that we’ve had for years: the girls ate together in the kitchen at the high table, chattering and devising an activity culminating in a show. The grown-ups sat in the living room, eating vegetarian pasta out of plates on our laps, splitting a bottle of red wine. We could now talk, unencumbered by children’s ears. We knew we’d ultimately be thrust in the middle of the Cupcake Man’s fiftieth birthday party celebration, but we’d stave that off as long as possible. I felt mild relief at the buzzing in the other room, with Ellie stringing up streamers and Lisa creating makeshift cupcakes out of buttercrunch ice cream globs, graham cracker crumbs, and candy bits. Charlotte was not alone in this. Whew.
•••
Six months before the Cupcake Man’s fiftieth birthday party celebration, my husband Dave—Charlotte’s father—died suddenly one summer morning at home after having an acute cerebral aneurysm. Only moments earlier, he was peeling plums and toasting bagels with Charlotte at the kitchen table. We had just returned from a vacation in Maine and were gearing up for a day of settling back in. Before taking our dog out for a walk and picking up the Sunday Times, I reached over Dave’s shoulder and took two casual bites out of his bagel slathered with cream cheese. I failed to kiss him then or say goodbye.
I returned from my walk and began playing a game of pretend with Charlotte as I had promised. Nothing seemed amiss and Dave was apparently upstairs. When he did not appear downstairs after a period of time, I checked on him, gasping at what I saw: my once vibrant husband, whose profile I had admired on a mountain just days before, was lying on our bathroom floor.
“Something’s wrong with Daddy,” I said to Charlotte as I raced to the phone. “I have to call 9-1-1.” As the police, paramedics, and fire truck arrived moments later, the only clear-headed thought I had was that now permanent memories were being formed in my eight-year-old daughter’s heart. I had to protect her. “I’m very worried,” I said, my voice shaking. “This is very serious. But we are going to be okay.”
•••
This is the charge, after all, of a parent who now presides over her grieving child: to make it okay. To let your child be a child amid a tragedy, knowing that her mourning will be the mourning of little girl and not the grown-up sorrow that is accompanied by planning a funeral, re-negotiating work schedules, selling the car, applying for survivors’ benefits, and arranging a make-shift child care and dog walking schedule. My grief is consciously ebbing or flowing as I find a way to have a decent supper preceded by saying grace, draw a warm bath, and tuck Charlotte into bed at night, now without my mate, her father.
In the early weeks in particular, just a day or two after Dave’s death, Charlotte needed to play, and play hard. Quickly, she surveyed the sudden influx of weeping visitors armed with flowers and food and books on grieving children, and she was having none of it. She was grateful to be scooped up by friends and family to go swimming, visit an art studio, and run around in various backyards. Meanwhile, I stumbled through the fog of the constant doorbell, the hugs, and the tears, alternately collapsing alone in the heat of summer on my bed, fan spinning above me. Each of us, then, did what we had to do.
During our funeral for Dave, Charlotte bent down her head and drew pictures on a clipboard of paper while I sat rapt, clinging to every person, word, psalm, and hymn. All throughout the reception, she ran around with her friends and cousins, making up games. I was front and center in a receiving line of grievers, embracing hundreds who endured the awkward wait to search for the right words, the gentle touch. I needed to be there, and Charlotte needed to be elsewhere. She seems to have such fond memories of this that she has asked me several times when her cousins can return to finish the game they played in the church basement. That was so much fun.
•••
I know that most grievers think that their lost one is special, that he or she possessed qualities that will be unsurpassed by any other living being. For Charlotte and me, this is beyond truth, the very reason we miss this man. He was the great creator of stories, mostly as a way of transitioning to the next fine thing. When Charlotte was a toddler, Dave would wake her up to “cat stories.” They would sit on her bed for long stretches, and he would tell an ongoing tale of the many stuffed kittens Charlotte had collected. Meanwhile, I was downstairs grinding coffee beans and scrambling eggs, so that the three of us could sit at the kitchen table for a cozy breakfast.
Dave was the inventor of games at all of Charlotte’s birthday parties, gathering the kids around the playroom floor, introducing musical hula-hoops, pin the whiskers on the kitty, What’s Different, and scavenger hunts. He also took Charlotte sledding on a huge hill near a local college. As they flew down the slope and marched back up its snowy paths, Dave made up a story. There would be a narrative flowing and this would guide their journeys as they made the arduous walk uphill. All this for the glory of the flight to the bottom. Whheeee!
•••
Charlotte’s way of mourning is mysterious to me. It’s evident in her anxiety at night, when she asks me to feel her heart and mine, making sure they are beating well, and when she staggers into my room, asking me if I am alive. In the early weeks, it poured forth in the deep dark of night when she would all of a sudden let out a wail like I’ve never heard before. Mostly though, it’s tucked away someplace, in her foul mood on a Saturday morning or in her defiance over small things: brushing her hair, locating her socks, completing her nightly homework.
The Cupcake Man’s fiftieth birthday party celebration might possess clues into Charlotte’s broken heart, and also, perhaps, her path through the loss of the man who invented him. The night we had supper at our friends’ house, the swirl of activity over the character picking up speed, my friend Jill said, “I think this whole Cupcake Man thing is intense.”
This is when I first realized that this game had special significance. My initial instinct was shame at the exposed neediness, my daughter’s sorrow as well as mine. Jill said that her daughters played the game now because they thought Charlotte wanted to, but they didn’t mind. She reminded me of its origin: it happened during some transitional period along the Washington Mall, where we had been the spring before. Maybe it was when we were waiting for the double-decker bus tour—though my memory then is of Dave organizing an impromtu soccer game with the three girls on an open green space. It was sunny and warm, and he had, somehow, carried with him a soccer ball, just waiting for time between activities.
Perhaps the tale was told just before we entered the cool marble space and gazed up at Abraham Lincoln on his throne. I had barely noticed it because my beloved was always inventing stories during down time. I adored that he did this, but paid precious little attention to the details.
At first, I thought it was odd, too. I suddenly fancied this ongoing game as a problematic expression of grief, a resistance to letting go of something and someone forever gone. Now this once-benign character took on an ominous tone, like a creepy clown. As we, the grown-ups, one of whom was now missing, reluctantly filed into the kitchen filled with streamers and balloons, eating the ice cream globs and singing Happy Birthday to the Cupcake Man, I thought I would die of sadness, right then and there. I cried silently to myself as Charlotte and I drove home in the dark. She, on the other hand, chattered happily in the back seat. She had had such a good time.
At bedtime, after Charlotte had me feel her heart and mine, making sure, once again, that they were beating well, she told me that she loved the Cupcake Man. “Why?” I asked. “Because he’s fun,” she said. “Because he’s all about celebration, and that’s fun.” I kissed her goodnight, and went into the bathroom to brush my teeth. Standing at the counter, I lifted a paper there, one that had been evident for weeks and weeks. I had seen it, but never read it. The paper included the by-lines and introduction to the Cupcake Man. It was written in Charlotte’s tell-tale perfect penmanship with sprinkles of misspellings. It read:
Cup Cake Man
By: Charlotte lisa Ellie
And help with Jill Sam and kate
An arigenle started
by Dave
Cup cakes all over the world have been sold Vanila too, Chocolate
too blue red purple
and orange and yello
and green and brown
and White
But, the Cup Cake Man — Yea, Yay.
He was a good, good man.
I can see him now: dancing around a fountain with the kids, near lunchtime, when we are idle. Abraham Lincoln presides over us at the end of the mall, on his throne, and words inscribed in his shrine tell us a story. Nearby, there is a place filled with soldiers’ names etched into a low-lying wall—each has a narrative all of his or her own. People file through to read the names and pay respect to the unspoken histories.
Meanwhile, Dave’s forty-three-year-old self is smiling, his graying hair is sparkling, his imagination brimming over. I could have been anywhere, really, which may account for my dim recollection of the Cupcake Man’s creation: stealing away for a solitary look again at Julia Child’s kitchen, the Greensboro lunch counter, or the sculptures of Louise Bourgouis. Maybe I was seeking stocking-stuffing treasures in some museum store, while my mate distracted our daughter. Most likely, I was right there, watching the whole character unfold and without seeing the specifics; I simply saw Dave, Charlotte’s father, leaping around the gleaming water. All I felt was unfettered joy. Maybe.
For my child, grieving over the inventor of such a sweet presence, I wish for her an ongoing celebration, without the burden of it being strange. Cupcakes all over the world. Monuments, history. He was, indeed, a good, good man.
•••
KATE BANIGAN-WHITE is a clinical social worker living in western Massachusetts with her family. She grew up in Louisville, KY. She has had essays published in The Daily Hampshire Gazette, Hampshire Life, Patchwork Farm Journal, and the anthology Not What I Expected, published by Perugia Press.
Standing at the podium, I felt numb with shock. I thought my grief would have subsided a little by now, because three weeks had passed. Three weeks. I had that lost feeling you get when you dream, where you know it can’t be real, but you’re still going through the motions in an altered world. There I was again, in front of a crowd of mourners whose eyes were all focused on me. My palms were wet and my heart raced. I shook, as if pure caffeine were running through my veins, and then in the next moment, I shivered from a cold that only I could feel.
Here, in Pennsylvania, the audience was more familiar to me than it had been at the funeral in Michigan. It was filled with my brother’s closest friends, members of our family, and my children, who sat in the front row. I hadn’t brought them to the Michigan funeral. At the time, they were still in school, and I was in no condition to be a parent. I was doing this all again for them. It was the least I could do; I’d kept them away from their uncle for almost two years.
Edmund had adored my children. Although he didn’t have any of his own, he truly loved kids. He spoiled mine with attention and presents, until he couldn’t anymore. Even after circumstances changed for him, I don’t think that the kids ever really noticed that the gifts and the attention slowed. To them, he was still their loud and gregarious uncle. He remained a steady presence and influence in their lives, until his demons got in the way. Until he didn’t look the same. Until his speech became incoherent. Until their mother made her decision.
In the months prior to his passing, I’d had a feeling that perhaps time was running out. There had been previous hospital stays, and during the last one, doctors suggested nursing care. I had no idea that things had gotten so dire. I called a friend who’s a nurse and she was brutally honest, and I panicked. I was familiar with Edmund’s disease, because it was the same one that had afflicted my parents. It’s the one you get from having a good time. From being the life of the party. From being the person everyone wants to hang out with. That is, until the disease flips the script and no one’s having a good time. And family and friends no longer want to hang out with you. I knew what the outcome would be, although I’d imagined years not weeks. I called my brother and planned a trip. As soon as school got out, the kids and I were headed to Michigan.
During the last few years of my brother’s life, I grew accustomed to late night phone calls. I didn’t enjoy waking to the ringing phone in the middle of the night, but at least I heard his voice and knew where he was. When the calls started, I would wake with fright, instinctively reluctant to pick up the phone, remembering the old adage about bad things happening in the middle of the night. The relief that I felt upon hearing his voice and the he’s okay feeling would soon turn to sadness when I realized that I couldn’t understand anything he was saying.
When the last call came, I wasn’t asleep. It was late, but I’d been restless, tossing and turning, my mind racing over all I had to do in the weeks leading up to the end of school. I jumped out of bed on the first ring, but I also rolled my eyes as I reached for the phone. I assumed he was hoping to get a “Happy Mother’s Day” in, just under the wire. But then I saw Kelly’s number. Kelly, my sweet sister-in-law who never called in the middle of the night. A lump formed in my throat as I answered. Adrenaline started pumping through me because it wasn’t Kelly’s voice that I heard, although her tears echoed in the background and pricked the surface of my skin as an unfamiliar voice said, “This is Lisa, Kelly’s neighbor…”
Almost two years before, I’d made the decision to keep my kids away from my brother on the heels of one of our many heart-to-heart discussions. During Edmund’s last visit we sat at the breakfast bar in my kitchen. He had become a different person and it scared me. He’d lost weight and moved slowly. He looked like a young man, but his gait was labored and wobbly. His speech was hesitant, as if pronouncing each word was difficult. His once bellowing voice was reduced to a hoarse whisper and he was uncharacteristically gentle.
I made my case and used all the clichés you do when you feel helpless. “I’m very worried about you.” “You have to stop.” “I don’t understand.” “You know what can happen.”
He was a master of deflection; he didn’t want to talk about the elephant in the room. Instead, he wanted to talk about my kids. He told me how much he loved them and that if anything happened to me or my husband, he wanted them. Then he took a slow sip of his poison, claiming it was innocuous because it was beer. I was nauseated as I felt the inevitability of history repeating itself. He was going to lose the battle, just as our parents had. With a shaky voice, I tried to explain the fear I had of having to tell my kids one day that he was dead. He promised me, “No, no, you won’t.” But he didn’t look at me and I did not believe him.
The year and a half that followed was a roller coaster, one that I navigated on the fly. There were rough moments, many of which led to months of radio silence between us. The kids would talk about him, but less frequently. Bear broke his foot and appeared on television with his class. Hunter graduated from elementary school and learned to play the trumpet. Audrey was accepted into the Company Ballet Program and received her First Communion. Camden learned to talk and joined a soccer team. Our life went on, minus Uncle Eggie. It was quieter, for sure, but also drama-free.
But when things deteriorated with Edmund’s condition, I had second thoughts. I changed my mind.
My kids missed the reunion with their uncle by sixteen days. Sixteen days.
I didn’t bring them to the funeral. I just couldn’t. I’d never felt grief like this before. Never. I cried constantly and was so dehydrated that no amount of water could satisfy my thirst. I lost ten pounds in four days. I couldn’t sleep. I couldn’t stop shaking. I was heartbroken. And angry. And guilt-ridden. I wanted to be alone, and yet people were everywhere. I had to help plan my baby brother’s funeral. There was no way that I would have been able to comfort my children, and I didn’t want them to see me in that condition. I knew that seeing my brother at the funeral would haunt me forever, and I couldn’t risk letting that happen to them.
When I learned that my brother’s friends in Pennsylvania were having a memorial service, I decided to take the children. I wanted them to have an opportunity for closure, although I didn’t know what that would mean.
Edmund was a Marine and a Gulf War veteran. His funeral and memorial service were attended by an honor guard. Watching the Marines fold a flag and ceremoniously give it to his widow wasn’t any easier the second time. As the mournful melody filled the room, my son Hunter sat straighter, filled with pride. Audrey crumbled in tears. Cammy, wide-eyed, stared at the soldiers, not fully comprehending the significance, but watched the ceremony with the awe that only a five-year-old can possess. Barrett, my child with autism, was on a computer in an adjoining room and occasionally made his presence known with giggles.
When I spoke during the service, I felt a stab of pain each time I made eye contact with my children. Hunter had the anguished expression that he gets when tries not cry, but Audrey made no such effort. She was weeping in my Aunt Ginny’s arms. Cammy looked around at me, his siblings and his aunts with profound confusion. As I spoke, I was desperate to connect my kids with Edmund. I reminisced about how each of them reminded me of him in their own ways. Barrett exudes his innate cockiness. Hunter is emotional and wears his heart on his sleeve. Audrey possesses his dance moves and the need to be the center of attention. Cammy has his charm and his way with the ladies.
I was so worried about the kids. I wanted them to feel the loss, but not the pain. As I watched their carefree innocence at the reception, I knew they were going to be okay.
I’m not okay. Grief aside, I still have much to resolve. If I could do it all over again, knowing how and when it would end, I would do it so differently. I would answer every phone call, I would visit every chance we had. I would say, “I love you” over and over again. I would accept that it is what it is—sometimes people can’t get better and it’s not their fault. I would make the most of the time we had left with him.
I’m so afraid that my kids won’t remember their uncle. I carry the burden of wondering if this will prove to be even more difficult because of the two years they lost with him. I thought I’d made the right decision for my children, to keep Edmund out of their lives. But was it? Or was it my ego and forty-one years of sibling history that drove my decision?
I have beaten myself up for this, talked it to death, forgiven myself, and then repeated the cycle all over again. I have been down the road of unsaid apologies and good-byes that were too late before.
I can claim that events, unfortunately, played out in the manner that I predicted. I knew that he was going to die from the disease, and I was right. Yet I so wish I hadn’t been right. I honestly, naively, thought it would have taken longer for him to succumb, but his body was done. At forty-one years old. In the immediate aftermath of my brother’s passing I doubted my choices. With the passage of time, I’m not so sure. What would have been the cost to my children if I had? What if he’d collapsed in front of them, or been incoherent? Would they have been scared? Or what if they’d laughed at him, not understanding that he wasn’t trying to be funny? As it is now, they smile when they talk about Edmund, which they do quite a bit. Would that have been the case had they seen him at his worst?
I followed my gut and did what I thought was best for my kids. Maybe I did the right thing, but it still hurts and that’s a pain I’ll have to live with, but at least they won’t.
•••
ALLIE SMITH lives in suburban Atlanta and is a wife and mother of four children, with twins and special needs in the mix. She writes about parenting, autism and the journey of motherhood at www.thelatchkeymom.com. She also writes book reviews for Chick Lit Plus. During the summers, Allie takes epic road trips with her children, exploring the wonders of our country. These adventures are documented in a travel column for My Forsyth magazine.
Last winter, my friend Pete gave me a pair of Vic Firth 5A drumsticks. They were beginner’s sticks, but this would be my first drum lesson: he the teacher, me the novice. I was ready: I’d diligently watched You Tube videos demonstrating Ringo Starr’s and Stevie Wonder’s drumming and listened closely to the drum parts on my favorite CDs. The sticks were surprisingly light, awkward to hold, and pleasantly dinged up. They made me nervous.
I’d agreed to spend a weekend participating in a rock camp for women, a fundraiser for national group empowering teen girls through playing music. I’ve always been a music lover: my very first concert was The Beatles at Shea, even though I was five and the frustratingly sonically obscured objects of my adoration sang from my parents’ portable black and white Zenith television. My younger sister Susie and I listened to our recording of “Peter and The Wolf” on the turntable and acted out the roles. At six, I was the bassoon grandfather, and she, not quite two years younger, the clarinet cat. As I grew, I learned to lose myself in vocals; first John and Paul’s tricky harmonies and later, Mick Jagger’s sneering whine.
My youngest sister Sarah played Satie gymnopedies and Bach for four hands on the piano with Mom. Dad bellowed Dylan as he drove. As a teen, I played guitar reasonably well, piano terribly. I learned all the words to “Stairway to Heaven.” In my thirties, I auditioned once as a singer for a local band; I wiped out not because I couldn’t sing, but because I can’t read music.
And all along, I secretly banged on things. Hard. Usually myself. In elementary school, I beat my head on my bedroom floor until I was dizzy. I tore out handfuls of my hair to distract myself from the way my skin felt, rippling in anger. Enraged and inconsolable in my teens, I punched plaster walls and slammed car doors. In high school, I quietly broke my own finger in an effort to suppress boiling rage and brokenhearted sorrow. And no one ever knew.
My sisters were dying and then dead; first Susie, at eight from leukemia, and then, Sarah twenty-three years later, from an illness related to the rare blood disorder she’d been born with. Our father muted his sorrow with anger, drugs, and alcohol before he left for a job in another country and then a new life. Mom remained determined, loving, and honestly joyful about the best moments of our lives.
When I checked the box beside “drums” on the camp registration form, forty-four years had passed since Susie died, and twenty-two since Sarah’s death. Dad died in 2002, and Mom two years ago. That frantic and sudden need for a physical outlet for my pain and sorrow still lurked close to my surface. I know that self-harm, like hitting or, for others, cutting, is an attempt to seek relief for emotional pain: simple reading tells me that, but I sensed as much when I was ten. Now that I’m grown, reasonably competent, and happily married, my hitting myself until I bruised, or once, driving so fast that I pinned the red on my Honda’s speedometer, freaked my husband out. I didn’t blame him. My periods of desolation were awful for me to live with, too. But banging on drums in a band scared me almost as much. I worried about what I might unleash.
Mickey and I met and fell in love shortly after my sister Sarah died. I was working as a production manager for television programs, and he wrote and produced promos. We didn’t work together, so he only heard from me about the time I blew up and threw a stapler at an assistant. (I missed, thank heavens.) He already knew my reputation on the job as a screamer and a yeller. With him, I was never those things. He calmed me and made me feel safe and loved enough. Music mattered to him, too, even though he never remembered lyrics.
The camp took place over three days on a Valentine’s weekend. The schedule would be full, leaving no time for flowers or chocolates (neither of which I wanted) or a good dinner out (which I did.) My husband and I like Valentine’s Day, and I felt that I’d cheated us a little by the commitment I’d made to occupy myself without him that weekend.
In an empty middle school classroom, five other grown women and I met our loaner drum kits; bass drum and kick pedal, high-hats, snares, floor tom and rack toms, and our own sets of sticks. After running us through the basics of our grips, keeping time on pancake-sized practice pads, the instructor—a rock drummer with indie cred—put on a recording of Queen’s “We Will Rock You.” We had to follow along in four/four time. The first two beats came from the bass drum. I stepped on the kick pedal, and the drum responded timidly. This irritated me, too, and the child who flailed in anger and sorrow rose up in me. With her foot, I stepped down hard twice, making two deep, satisfying thuds. With her hands, I snapped my right-hand stick onto the rack tom.
Some rhythms are as simple as breathing, but others require perception far beyond the usual. Children dying before their parents is a peculiar rhythm called reverse order of death. The terror and grief of the surviving sibling was rarely addressed when I was a child. As an adult, behind my first drum kit, I created a basic, steady pulse. Hitting the toms, the snare, stepping on the kick pedal, I pounded out a steady groove. I heard no sorrow; just myself, playing in time.
Camp ended with a raucous showcase at a neighborhood coffee house. While bands played, I slipped my arm through Mickey’s, and we drank our beer and bobbed along to the music. When the time came for my makeshift band to take the stage, I kissed my husband and clutched my drumsticks, fighting the urge to careen alone into the night. I’m ridiculous, I thought. I can’t really channel my thumping anger outward, make music with it, or learn to maintain an even pace on which I can rely. But I took the stage with my bandmates, and in the blinding candy-yellow of the spotlight, held my loaner sticks over my head and counted us in. The bass player responded in time, then the singer, then the two guitarists, just as we’d rehearsed. For about two and a half minutes, I hit and I kicked objects built for striking, and as terrible as I’m sure I sounded, I didn’t feel the way I usually did at a moment of impact. I didn’t feel like weeping. I wanted, instead, to shout with glee.
When we finished, the applause was loud and not unexpected—everyone there was friends or family with someone in a band—and from behind the drum kit, I searched the audience for Mickey. He was at the lip of the stage, his hands raised in victory.
Six months have gone by, with me occasionally practicing to videos, my loaner drum sticks beating couch cushions. This year, I turn fifty-five, and I’ve promised myself to keep my hands and heart away from my own skin during my dissonant outbursts of grief. Mickey bought me a birthday present. I’m starting drum lessons. With Pete, who says it’s time for me to keep those drumsticks he loaned me last winter.
•••
JESSICA HANDLER is the author of Braving the Fire: A Guide to Writing About Grief and Loss (St. Martins Press, December 2013.) Her first book, Invisible Sisters: A Memoir (Public Affairs, 2009) was named by the Georgia Center for the Book one of the “Twenty Five Books All Georgians Should Read.” Atlanta Magazine called it the “Best Memoir of 2009.” Her nonfiction has appeared on NPR, in Tin House, Brevity.com, Newsweek, The Washington Post,More Magazine, and elsewhere. Honors include a 2011 and 2012 residency at the Josef and Anni Albers Foundation, a 2010 Emerging Writer Fellowship from The Writers Center, the 2009 Peter Taylor Nonfiction Fellowship for the Kenyon Review Writers’ Workshop, and special mention for a 2008 Pushcart Prize. www.jessicahandler.com.
Executor. That word has defined me and followed my signature on documents for over a year. I’m ready to put it to rest.
I’ve balanced the books on Kath’s account—down to the penny. She, the CPA, would be pleased. Or depending on her mood, she might make fun of me, pretend to be amazed that I—the writer, the teacher of writing—could do basic math. She would ignore—deny even—the story that numbers tell. I listen to them all. Months of unpaid invoices from the ambulance service—two to three rescues a week toward the end. Hundreds of dollars for online games. Enormous vet bills for the cat (sent to a shelter by the Sheriff of Santa Cruz County when he found Kath’s body).
The detailed billing from Mehl’s Colonial Chapel tells its own story. Of the many services offered, we choose the simplest: Direct Cremation.
No traditional funeral service. No cremation funeral service. No memorial service.
I have a hard time explaining this to our father’s family, who call from New Mexico, Texas, Louisiana, Oklahoma—places where the traditional roots of his family are sown. They want to know where to send flowers.
Nowhere.
No flowers?
No service.
A wreath then, offers Uncle Jerry, Dad’s little brother, loudmouth, big spender—someone Kath loved. She maintained close ties with our father’s family after our parents divorced. I did not. And I don’t want to talk about my sister’s death with any of them.
I listen while Uncle Jerry recounts his plan to take Kath on a drive down Highway 1, the Pacific Coast Highway, from her home in Santa Cruz to Fountain Valley where his daughter lives near Disneyland. For over twenty years, I’ve heard Kath describe this imagined journey, sometimes as though she had actually taken it.
With this story he wants to claim some part of her, declare a bond. Kath told the story for the same reason: to let me know that she was connected to him—to our father, to that family, those roots—in a way that I never would be, something that has always been clear.
My father’s family is not subtle. Kath was like a baby sister to Dad’s youngest siblings; Uncle Jerry just eight when she was born. Diagnosed with Type 1 diabetes when she was four, Kath required a lot of attention.
My brother Johnny—two years younger than I—was the first grandson, a sweet, funny boy, a troubled man, and ultimately a disappointment, but male, an heir to the significance they’ve attached to their family name. (My name, too.)
But Kath and Johnny are both dead, so Uncle Jerry spills out his funeral fantasy to me. She liked lilies and roses, he tells me, like it is something I don’t know.
A floating wreath. Put candles on it.
He directs the service.
As the sun sets, walk to the beach near Nancy’s house. (He calls my mother by name; my father refers to her as your mother.)
Sprinkle ashes upon the wreath.
Place it in the waves.
Watch it float out to sea, tiny lights disappearing along the horizon.
He chokes himself up imagining something like the final scene of The Descendants, the last movie Kath saw in a theater. Not that Uncle Jerry would know that. It was our stepfather, Jim, who took Kath to that movie and watched with her as handsome George Clooney and his lovely daughters sprinkled mother-wife ashes into a warm Hawaiian sea.
Here it’s January. The Pacific waters of the Monterey Bay are cold. Waves break hard upon a beach largely abandoned in winter.
Sure, I say, send it to my mother’s house.
No wreath arrives. We fly kites.
It’s something that Kath loved to do, my younger sister Diane reminds those of us who have gathered: me, my youngest sister Libby (my half-sister if you want to get biological, but we don’t in this family), our folks, my children.
We take the kites from Kath’s laundry room to the beach. There is very little wind, but Diane is determined and chugs up and down the beach, churning enough breeze to keep aloft the small yellow triangle with black and white cartoon eyes. We applaud. Cheer. Mom says silly things about Kath looking down upon us. Mostly we pay attention to my niece, Libby’s baby girl. We build a sandcastle. Decorate it with sea gull feathers, tiny shells, and bits of sea glass. Mom and Jim take their young granddaughter by the hand and toddle her to the water’s edge where, delighted, she pounds her tiny feet into the cold sea foam. Around her chubby legs wrap strands of sea kelp, their bulbs sputtering last gasps as they come to rest upon the shore. My two children, young men in their twenties, toss a Frisbee with Libby’s husband. We wish Diane’s family were here, but for work and school, they have stayed in Austin where they live.
The wreath that Uncle Jerry never sent floats, unwelcome, into my awareness that we are avoiding more than memorializing. Kath’s ashes—surprisingly heavy packed into a Tupperware tub by Mehl’s—sit in the garage. For the past few days, with the baby and my two boys here, Mom has been more attentive grandmother to the living than grieving mother of the dead. We don’t mention it for fear it will raise the specter of relief, something we are all feeling but cannot yet admit.
•••
My children and I are the first to depart; then Libby and her family return to Portland. Diane stays a few days longer. From Mom’s carefully cultivated collection, she chooses purple orchids for a car ride down Highway 1. Mom wraps Kath’s Tupperwared remains in a blanket and cradles her oldest child in her arms as Jim drives down the Pacific Coast to Big Sur—not Disneyland—and they have a quiet picnic.
Months later, however, there is still the matter of Kath’s ashes.
I decide to sprinkle some of them around New Mexico, Land of Enchantment, land of our childhood. For the distribution, Mom has purchased several cheap plastic tubes in an array of lollipop colors. When I tell her they look like dildos, she blushes, suddenly prudish as she approaches eighty, this woman who once enlisted the help of her children in decoupaging onto thin pieces of wood pictures of bare-breasted Playboy Bunnies she’d ripped from magazines. We boxed the Bunny plaques up with candy bars and socks and mailed them off to soldiers in Vietnam. My stepfather among them.
I choose the purple one and fill it with Kath. Preparing for our journey, I check airline regulations for rules about transporting ashes but find none. I carry her in my backpack where she rolls along the conveyor belt and is x-rayed—greasy fat, thin skin, tiny shards of bone—along with camera, laptop, cell phone. I go upright skeleton, arms above head, through the body scanner. Can the TSA agent see that I have only one kidney? The other I gave to Kath twenty-five years ago.
•••
I fly into record heat, the entire state of New Mexico in the second year of a terrible drought, pick up a rental car in Albuquerque, put Kath in the shade on the passenger-side floor, and adjust the air-conditioner vents to keep her cool. I don’t want that cheap tube melting in the sun, fusing her forever into a lewd purple conglomeration of plastic and ash. Then we hit the long hot highway, as we have done many times. Trips from Albuquerque, where we both attended the University of New Mexico, to Roswell before we followed Mom’s migration to California. Drives to see Dad and his family—Lawton, Amarillo, Carlsbad, Monroe. Roads stretched out before us then. Any destination possible.
I enter the Village of Capitan along U. S. 380 at one end of the Billy the Kid Trail. Across it hangs a banner reading, “Jesus Christ Lord over Capitan.” I react as though it says “No Sinners Allowed” and hit the brake hard. Kath rolls forward then back and under the seat, hiding. She doesn’t want to be here. And suddenly neither do I.
Capitan, New Mexico: population 1485; twenty churches; 3.2 square miles; home of Smokey Bear. Dad is mayor. The last time I was here with Kath, it was Christmas—the 1970s were about to become the 1980s; we were both getting divorces. We received matching gifts: beige sweaters with suede panels down the front, a big zipper up the middle. Laughing, we put them on under the identical plaid ponchos we got the year before.
Once in the eighties, I persuaded Diane to meet me at Dad’s for a couple of days in the summer—I didn’t want to make the obligatory visit alone.
Once in the nineties, I brought my sons—then five and seven—to meet their grandfather.
It’s been almost twenty years since I’ve visited Dad’s house. He’s never been to mine. In 2008 we all gathered at Kath’s condo in Santa Cruz when we feared she would die, hospitalized in a coma for reasons that have never been entirely clear to me.
I am here because she is not.
After I unload my suitcase and settle into the spare bedroom, I ask Dad and my stepmother, Ellen, if they want to drive over to where Mom’s cabin once stood in Noisy Water Canyon and sprinkle some of Kath’s ashes in the Ruidoso River. They look at me like I’ve shit on their shoes. Jesus Christ lords over Capitan, and, apparently he takes a dim view of cremation. Or perhaps it is the spreading of ashes. No one says a word.
Alone, I drive to the canyon, passing miles and miles of blackened trees and charred earth. The Little Bear Fire, the most destructive in New Mexico’s history, burned for weeks and has been out for little over a month. Ruidoso, once a small, charming village, has bulged into a chaotic mix of ugly pre-fab structures standing right next to the old split log and wooden buildings. It’s summer, so the horses are running at Ruidoso Downs and the traffic is hobbled by gigantic SUVs, RVs, and customized pickup trucks that crowd the narrow two-lane street. I’m happy to leave the center of town and head down into Noisy Water Canyon, sad to see that the wooden plank bridge that once crossed the Ruidoso River has been replaced by a paved over metal culvert. The river is so low that water just creeps around large exposed rocks and boulders.
I drive the short distance to where the cabin, demolished several years ago, once stood, and I park in the dirt driveway. The air is filled with dust and the scent of dangerously dry trees and grasses. The wild raspberries are not growing, the woodpeckers are not pecking, the pine cones on the ground hold no piñones. I had planned to hike along the river and leave some of Kath’s ashes on the big rocks we used to climb on. But I feel trapped in the canyon and panic, thinking about the fire hazard signs along the road as I drove here, Smokey Bear pointing to the red color bar designating extreme conditions. The canyon road is a dead end at the border of the Mescalero Apache Indian Reservation. So I retrace the path that led me here and return with Kath’s ashes to Dad’s house where he sits watching the Olympics.
Over the next four days I spend a lot of time riding the Billy the Kid Trail in my rental car. From the Inn of the Mountain Gods Casino to the historic town of Lincoln for visits to the Tunstall-McSween Store, the Lincoln County Courthouse, the old cemetery. One day I make the trek to my hometown: Roswell, a place I haven’t been since the last time I visited Dad.
I follow familiar streets that lead south of town out into the countryside, but I can barely make my way to the farm where I grew up, so much of the landscape now a hideous agro-industrial parking lot and dumping ground. The house I lived in is almost unidentifiable, the lawn Mom struggled to keep green indistinguishable from the gravel driveway, which blends into parched brown fields.
“Catfish for Sale” reads a sign in the yard. The swimming pool is now a fishpond. My eyes full of tears, I get out to take pictures. The car fills with gigantic sticky horseflies. They land and linger on my face and lips; they snuggle in my hair. I snap a couple of sad shots before driving to the cemetery to sprinkle Kath’s ashes on the grave of the stillborn baby she had her first year in college. Pregnant and unmarried, she dropped out, losing her National Merit Scholarship. Banished from our home on the farm, Kath was sent to live in Carlsbad with Dad and his parents, undeserved punishment I thought even then.
In 1970 it was risky for Type 1 diabetics to have children, the monitoring required extensive, the chances of a healthy birth low. Kath’s doctor went on vacation two weeks before her due date. When she hadn’t felt the baby move for a couple of days, she drove herself to the hospital where the absence of life was confirmed. Labor was induced.
I was in high school then and left classes early one afternoon to attend the baby’s funeral. I joined my parents, stepparents, all of our grandparents, and a great-aunt at the little gravesite where a small spray of mini carnations and baby’s breath stood near a tiny white coffin; both were startling, unseemly in both size and luster. I don’t remember if my younger siblings were there. Kath was not. I didn’t question it at the time when Dad said she wasn’t feeling well and couldn’t be present. Only many years later, after giving birth to two sons of my own, could I even begin to imagine how horribly unwell she must have felt. But I remember wondering at the time if she was still in the hospital. Alone while all of us—her family—were at South Park Cemetery out on the highway between our farm and Roswell.
When I arrive at the cemetery with the ashes of Steven Christopher Hammons’ mother kept cool in purple plastic, I go to the office to ask directions to the grave. The secretary, one cigarette in her hand, another burning to ash in a ceramic dish on her desk, filling the air with smoke that makes me nauseated, takes her time finding a map. She draws a slow circle around the exact location with her red pen. When she hands it to me, she says Hammons aloud and takes a long look at me. If this were a movie, we’d figure out who we were. Biology class, cheerleaders, annual staff. But we’re old now, and I haven’t lived in Roswell since I graduated from high school. If my last name rings a bell with her, it’s not a very loud or long one. I hurry out the door.
Driving directly to the baby’s grave, I avoid the others that cry for my attention: my mother’s two sisters and a brother, all dead in infancy; my mother’s mother and father; my great-grandmother and two great aunts, women I adored as a child, their husbands. Somewhere, not too far from where generations of my mother’s family are buried, is the grave of my best friend’s brother. He and Kath had dated in high school. I was dating him when he was murdered at age twenty-three. My brother is not buried here. His daughter keeps his ashes with her in an urn. But he is on my mind. All of them are, these dead people.
I sprinkle Kath’s dense ashes and slivers of bone around the granite marker denoting a life never lived.
Then I take a picture of it with the iPad I bought to document this journey, sending my mother, stepfather, sisters, and children photographs of the places where I’ve left Kath’s ashes as I travel around the state for reasons of my own. Kath did not ask this of me as Executor or sister. Maybe she doesn’t even want to mark the territory of our youth with her remains. I snag the cemetery’s wi-fi and email the photo to Mom. Immediately she replies in all caps, multiple exclamation points screaming:
WHY DON’T I REMEMBER THAT THE BABY WAS GIVEN A NAME!!!!!!
I power down the iPad. This is not a question I can answer.
My sisters, my mother, and I continue to ask each other a lot of questions. We verify chronology, plain facts—marriage, divorce, birth, death, hospitalizations, transplant—with available documents. We accept that about many things our memories conflict, contradict and are most certainly imperfect. We try not to argue about right, wrong, truth, confusion, or mistake.
•••
The Ex Parte Petition for Final Discharge and Order sits beside me on the couch as I write. Kath’s condo sold, gifts gifted, beneficiaries benefitted, my Executor duties near completion.
Ex Parte: legal work done on behalf of only one party, in this case a dead one.
Ex Parte: forms give the appearance of conclusion.
Ex Parte the story I want to tell is not. And this is where it begins.
•••
JANE HAMMONS lives in the San Francisco Bay Area where she teaches writing at UC Berkeley. Her writing has appeared in Alaska Quarterly Review, Brain, Child, Columbia Journalism Review, San Francisco Chronicle Magazine, and the anthologies Hint Fiction: An Anthology of 25 Words or Fewer, The Maternal is Political, and California Prose Directory. Her photography has appeared at Revolution John and in New York Magazine.
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