The Little House

clothesline — By Gina Easley www.ginakelly.com

By Karen Dempsey

We’re climbing the hill where I used to search for arrowheads. But we are in the car. It is night, dark. And we can see only the small patches of road illuminated by our headlights. My father is driving and he knows the turns from memory. In preparing for this trip, I’ve tried to piece together a patchwork of my own memories, to create a full picture of this place, whole. Now, in the pure, expansive darkness, the absence of sound except for gravel crunching beneath our tires, I recall a vivid picture of the farm of my childhood.

We pause outside the car for a moment, breathing in the darkness. I look up for the ceiling of stars I once tried to memorize as I lay on my back on this ground until my mother called me in for bed. But tonight the stars are hidden. Years have passed since I last came to my granduncle Joe’s farm. It is more than the place of my memory, more than the place of my imagination. Yet the hole takes up the most space. I have avoided seeing this place again because I would prefer to remember it instead, to preserve my pictures of it from before the fire. But Uncle Joe is here, in the last years of his life. For him, being here is too hard and leaving is too hard, so he moves restlessly back and forth between this place and Lucy’s, the neighbor down the hill.

•••

He’s at Lucy’s now, and we make our way toward the new house where we’ll spend the night without him. The porch is a tiny cement platform and we crowd on, waiting as my father searches for the right key and works it into the new lock. The old house, we never locked. It had an old screen door that banged, a huge, wide porch that wrapped around the house, torn screens that failed to keep out the bugs. Dad turns the knob, and we move into the small, new kitchen.

This is a house of plastic and vinyl, of fresh-painted walls and furniture donated by neighbors or purchased by my father from a failed hotel. The flypaper is missing from the kitchen. The woodstove is old and beautiful but dwarfed by the imposing one of my memory, the one with the big pot of soup simmering on top. We light the stove to warm ourselves. The burning wood cannot erase the invasive smells of pre-fab modernity that have displaced the smells I remember most. The smell of my Uncle Joe’s pipe. The smell of old books lining the walls and stacked on tables. Of hay from the barn and my brothers’ fresh-caught fish. Those smells settled into you when you arrived and clung to you when you drove away, after two weeks of satisfying long days, in the wood-paneled station wagon with your three brothers and three sisters and your still-married parents.

The new house is tiny; there’s not a lot to see. And it’s late. So, soon, my father carefully extinguishes the fire in the stove and we turn in, my father in one small bedroom, the four of us—my sister Megan and me and our boyfriends—wrapped in blankets and sleeping bags on the cold floor of the other.

The house of my memory is an enormous collection of narrow rooms and doorways: small, comforting spaces. Megan and I slept in the first bedroom at the top of the stairs. She once slid off our bed in the night, when she was about two years old. She fell into the space between the bed and the wall without ever waking. They searched every room for her, only to find her still there tucked just out of sight, in that small space, asleep. I slept through their looking and I remember only the telling of it, but I can see her there, curled up and dreaming.

Uncle Joe’s voice wakes me in the morning. His voice is the same (even now, I can hear him still, saying my name) and I go out to receive his strong, familiar hug. His arms and hands have healed. He burned them throwing water onto the fire, trying to save the house that he’d lived in for more than ninety years. I had imagined a black scar in the landscape to mark its loss, but instead there is just this house. He calls it the little house, as if there is a need to distinguish it from the other, as if the other is still here.

We leave my Uncle Joe at the house to walk the hill with my father, and my father talks about his great-grandparents, the Brennans, of the house they built further up the hill, and the other, the house of my memory, built later for their daughter’s family. From the hill I take pictures of the farm—the sheds and tractor, the barn, all unchanged, the garden, much smaller now and closer to the house.

•••

In the afternoons of my childhood summer visits, Uncle Joe would walk me down the hill to the mailbox. The mailman raised a little flag on the box when he’d left a letter, addressed simply to “Joseph McEneany, New Albany PA.” I wrote Uncle Joe later, from home, just to hold that image of him releasing the flag, opening the box to a crisp white envelope marked with two simple and true lines in my own practiced printing.

As we walked back up from the mailbox one day, Uncle Joe stopped to survey the rocky ground.

“I sometimes find arrowheads out here,” he said.

It was a new word for me, arrowhead, and he described stones worn into smooth arrows for hunting and protection by the people who’d lived on this land long before. I followed him into the house then and he reached back on a shelf in the kitchen, drew out his collection of four or five found stones, and showed each of them to me, pressing their smoothness into my palm. I imagined them bound to sticks chosen for their weight and swiftness. I remember that I felt a grave longing to keep one of those arrowheads, to carry away with me its slight weight, its endurance through time, but I studied them and then handed them back, one by one.

Back in the new kitchen now, Uncle Joe instructs me to pick a zucchini from the garden, a big one, then he follows me out there to tease me about choosing the right one. His laugh is a familiar comfort. At home I have a picture, taken about twenty years before this visit. I’m running alongside my Uncle Joe, away from the camera. He doesn’t yet carry a cane but his walk is stooped. He carries a metal bucket, filled, I remember, with potatoes we have dug from the garden. I’d knelt beside him in the dirt, rooting for the things he’d planted there beneath the surface.

We slice the zucchini into slender green wheels and grill it in butter and salt on the stove. And Uncle Joe talks. His jokes and stories are familiar, reminiscent of other visits. But I’m most conscious of his missing pipe. He must feel its absence, too, enough that he needs to acknowledge it.

“I don’t smoke my pipe any more. Not after the fire,” he says, and stops there, without talking about the ash from the stove smoldering beside the house, or the sight of the flames swallowing it. He complains only about new doorframes, misaligned. He does not talk about the old house.

•••

This is my last visit to the farm with Uncle Joe, and we both know this, I think, when he asks us all to stay a little longer. We drive him to Lucy’s house and dawdle there, until it is time to take our leave and begin the drive back. Joe fidgets about Lucy’s house, distracted. He does not linger over the final goodbye.

A couple of years after this last visit, I will pull out the photos from this trip to bring to Uncle Joe as he is dying. But on the long drive to the nursing home I will remember suddenly, startlingly, that he has gone mostly blind, so I will have to describe them. And I do this, although he has lost consciousness by the time I arrive.

The photos are crisp, vibrant. I took only one of the little house. With the others, I maneuvered the lens to try and cut it from view, but the house creeps in, corners of it, to disturb the past.

•••

KAREN DEMPSEY lives in Cambridge, Massachusetts, with her family. She has written for publications including the New York Times Motherlode, Babble, and Brain, Child. This is her third essay for Full Grown People. Follow her @karenedempsey or read her work at kdempseycreative.com.

Not The Living Proof Girl

By Karen Dempsey

We piled into a long, rented passenger van. Two of the juniors, Dan and Mike, had already claimed “driver” and “co” and instituted the rule that driver chooses music, setting us up for sixteen solid hours of Phish.

I crunched in next to a wiry kid with a mess of black hair.

“Benjamin.” He grinned, showing off a shiny retainer. “Freshman.”

I was a college sophomore headed out on a road trip from Boston to Savannah with a dozen kids I didn’t know. It was a Habitat for Humanity volunteer trip—not exactly MTV Spring Break. But, for me, that wasn’t really the noteworthy part.

I don’t need an introvert/extrovert quiz to know where I fall on the spectrum of personality types. I’ve always been a person who lingers most comfortably near the edges of things, enjoying the view from a distance. Even at nineteen years old, my ideal break would have looked more like a low-key trip with a good friend, or week at home in Buffalo with the people who knew me best.

But some small part of me had pushed to try it for once: fall fully and inescapably into the center of something unfamiliar, with a whole group of people I didn’t know pressed in close. And I’m being literal here, because, as I settled into my seat, Benjamin the freshman was making the case that he should be allowed to sleep on me.

“I know we just met,” he said. “But you’re going to know me really well by the end of the week. It’s a long drive. And if I can’t lean on you, I’ll never get any sleep.”

The drive was long. With Phish cranked up and Benjamin nuzzling my shoulder, sleep wasn’t really an option. So I spent the ride trying to catalog the other volunteers by the things they said, the way they interacted.

By virtue of being a senior, Cindy had earned some kind of a supervisory role on the trip, a designation quickly challenged by several of the boys. She was enthusiastic but wavering, an unforgivable combination among ruthless twenty-year-olds. But she had two smart, solid girlfriends with her, and they shored up her confidence. You could see they wanted her to succeed. Eventually, the rest of us would, too.

Anthony from Staten Island was an RA on campus. He had signed up with his friend Eileen and a kid from his floor named Rob. From the moment we all introduced ourselves, Rob began working the refrain, “Come on, Eileen,” a la Dexys Midnight Runners, into every conversation.

There was the soft-spoken, fair-minded guy who was treasurer of student government. The amazing pianist who would spend his junior year studying in South Africa. The pretty, smiling girl who was active in a Christian youth group on campus. There was Beth—alternately friendly and harsh, caught in the push-pull of wanting to fit in and pretending it didn’t matter.

And then there were Mike and Dan. Pushy, I thought. Kind of jerky. But they were the type of kids who pulled the outliers into their jokes instead of making them their (easy) targets. Also? They were really, really funny.

Along with being an introvert, I was a person known to develop crushes on smart, funny boys. Driving across those ten states, as we neared the end of our drive, I was falling hard for Mike.

Like the children we still were, we found ways to debate everything from seating arrangements to whether beef jerky was an acceptable snack choice. But there were long, quiet spells where no one said anything at all. And there were discussions about things that mattered, too, like the fact that we were getting a chance to help build a house that an actual family would live in.

A few hours into the drive, someone brought up the subject of abortion, and the exchange got heated, fast. Beth’s voice trembled. She seemed about to cry. Cindy and her friends exchanged a look, and stopped talking. The silence hovered there in the thick air of the van. Then, carefully, someone started a new thread—something light. And someone else picked it up. And just like that, we were a group of people who looked out for one another.

We passed a hand-lettered, misspelled sign on the road: “Acers of land for sale,” someone read. “Ace – ers of land.” And then someone screamed, “Yeah! We made it! We’re in the south!”

The house we were to stay in was a mustard-colored ranch set up with several rooms of bunks for Habitat volunteers. I was glad when Anthony called to me, “You wanna bunk with us?” He, Rob, and Eileen had kept up a steady stream of lighthearted bantering and bickering since we’d all met in the van. They were easy to be around. All I had to do was laugh.

The work would start Monday, but first we had the rest of the weekend, beginning with a night out in Savannah. It was Saint Patrick’s Day, so we planned to head downtown to a popular Irish bar. I was glad I’d packed a little makeup along with my work jeans and tee shirts.

“Is that my brush?” Eileen asked, as Rob checked his hair in the mirror over the bedroom’s one small dresser.

“Oh, come on, Eileen,” he shouted back.

We drove into the city and found parking; we weren’t even through the door of the bar when a beaming blond girl flew into Mike’s arms out of nowhere. A girlfriend. Of course. She—Amy—and her friend were sailing the friend’s dad’s boat (I know) down the coast for spring break. They had run into us coincidentally, we were assured, with no previous planning between Amy and Mike, on our one night out in Savannah.

“Man!” Mike said. “Can you believe this?”

No. I really couldn’t.

•••

One night later in the year, my roommate Caroline went out to see a popular band—Living Proof—that was loved mightily for its covers of new wave songs. Disappointed she couldn’t convince me to join her and her new beau, Caroline went to the show dragging her feet a little. But she came home effervescent. Drunk on keg beer, she gushed about this beautiful nameless girl, who had spotted her not having fun and pulled her out on the dance floor, turning her night around.

Caroline called her The Living Proof Girl, which became shorthand for the enviable, carefree spirit who approached college—and life in general—with a seemingly effortless upbeat attitude. Be charming and pretty! Dance with strangers! Infect the world with your happiness!

Soon after we went to see the campus improv comedy group, My Mother’s Fleabag. Caroline said, “It’s her,” at the same moment I thought it. We both recognized the girl on stage for different reasons. The star of Fleabag was The Living Proof Girl. Who was Mike’s girlfriend. Who was Amy freaking Poehler.

(“You’re funnier then she is,” my friend Kim said recently when I told her this story. “But I think she’s got you beat in the tits department.”)

•••

My heart sank a little as Mike melted into Amy’s hug. But I had only known him for a matter of hours. I swallowed my Guinness and made myself start conversations with the other volunteers. I even tapped my Irish American upbringing and requested songs from the band. The singer asked where I was from, then gave our group a shout-out into the microphone. I had fun.

•••

The next day, Sunday, we had planned to drive to Hilton Head. But Anthony wanted to go to church first, and we had only one van.

“Guys, I haven’t missed Sunday Mass my whole life,” he said. “You can’t wait an hour?”

There was grumbling. Silence. He looked around at the group, pleadingly.

“I don’t think we can make someone miss Mass for the beach,” I heard myself say. Anthony had pulled me into his little crew when I was apart from the crowd and I owed him one.

It turned out Anthony had gotten the time for the service wrong, so he would miss Mass after all. But he seemed grateful we’d made the effort, and I was glad I’d spoken up.

At the beach I sat taking in the view of the Atlantic, seeing it for the first time from a place other than from the New England Coast. It was chilly out, which didn’t stop some of the girls from peeling down to bikinis. People swam and screamed and splashed each other. I was happy to sit on the beach and watched, wiggling my toes in the sand, wondering what else the week held.

In the morning, the alarm sounded early.

“Ugh!” Rob groaned. “Come on, Eileen.”

We were putting up the framework of the house. When had I held a hammer before? To hang cheaply framed posters over my bed? The nails bent at odd angles or went in sideways. Wood splintered. I was sweating, and my shoulders ached. Jack, a guy who lived on the property in a trailer with his dog and managed the volunteers, walked around offering guidance. I swung the hammer. Thwack thwack thwack. When a nail bent or broke I wrenched it out again. Eventually, I could set those nails in perfectly and my beams came together, part of a wall that was part of a house that a family was going to live in.

Mike and Dan walked over with a sledgehammer.

“Ma’am, this wall is going to have to come down.”

“This is going to hurt us more than it hurts you.”

“Don’t laugh, ma’am. You should probably look away.”

We watched the walls go up. We filled them in. Jack handpicked the best workers to hang the drywall. We screamed and cheered because, at that age, when you accomplish something big, you can still do that.

One morning there were gnats—no see-ums, people called them. They descended on you and filled your nose and mouth. I was near tears. Bug spray didn’t work, the nets on your head helped but obscured your view, and no one else was wearing them. I snuck back to the house, made myself a peanut butter sandwich, and used the house phone to call my sister. “Why did I do this?”

I pulled myself together. Back outside, a little rain descended and drove the bugs away. We celebrated.

Another day, Beth cut her hand using the table saw and Jack had to take her for stitches and a tetanus shot. While they were gone, we lazed around a bit. There was chalk on the worksite and Mike splayed across the ground and had me trace his outline like a body at a crime scene. Then he called Jack’s dog and coaxed it to lie beside the tracing so that he could trace the dog too. Laughing, I took a picture of their two empty outlines.

Our last night in Georgia, Cindy hooked up with the freshman.

“Tell me you didn’t have sex with him,” one of her friends fumed.

“She would,” Beth said acidly.

And the confirmation was written in the grin on Benjamin’s face.

Mike gave me a wide-eyed, open-mouthed look of exaggerated shock and I had to leave the room and laugh.

•••

Back at school, I mailed off my rolls of film and when they came back, I bored everyone I could with photos of the house going up. I slipped the crime scene picture into an envelope, carefully wrote out Mike’s address and dropped it in the mail. And soon after I got an envelope from him—an invitation to the party he’d promised us all he’d throw at his off-campus apartment.

I went alone. The Savannah group came, in pairs and with roommates or on their own.

“That picture was so great,” Mike said to me.

I walked around his apartment and saw a picture of him with Amy and then, eventually, the real Amy, hanging out and laughing in a hallway.

I stood next to Beth, watching Mike laugh with a group of his friends.

“I had such a crush on him,” I said.

“Who didn’t?” she answered dismissively.

There wasn’t a lot for us—any of us—to say to each other now that we were back on campus. But somehow, that seemed okay. It seemed, in fact, exactly right. The experiences we’d shared together, and whatever we’d learned about ourselves as individuals, weren’t the kind of things we needed to say out loud.

Content to leave it that way, I finished my drink and slipped out without saying goodbye.

•••

Junior year at a football game, I was walking through the stadium with a boy when I saw Mike and Dan in the crowd, running toward me.

They spotted me, whooped, and each grabbed me in a hug, and I felt like my face would break from smiling. I introduced them to my boyfriend and they shook his hand because we were in that strange world where adulthood and childhood, job interviews and football tailgates, collide. Mike, who was then a senior, put his hands on my shoulders and leaned down.

“You’re good?” he asked, while the crowd roared around us. “You’re good?”

“I’m good!” I grinned back, and he squeezed me in a last hug.

“Good luck,” we called to each other, and laughed. And headed back toward our futures.

•••

Twenty years later, I’ve discovered via the magic of the web that Mike is even handsomer than I remembered, with three equally photogenic kids hanging off of him in his Facebook picture. Dan is a New York Times bestselling author who has been interviewed on all the major news shows. Amy Poehler continued to pursue her interest in comedy. And the guy who shook hands with Mike and Dan at the game? He’s my husband, and we have two (adorable, hilarious, introverted) kids.

•••

KAREN DEMPSEY has written for The New York Times Motherlode blog, Babble, and Brain, Child. She lives in Massachusetts. Read her work at kdempseycreative.com or follow her @karenedempsey.

Family and Support

By Karen Dempsey

On vacation with my younger sister, Megan, and our families, I was sorting the laundry, her family’s from mine, when I called out to her, “Do you have a beige bra?”

“Noooo …” she said. “Because I’m not ninety.”

“Hey,” I said. “I have the same bras you have—I bought that push-up you told me about.”

“In beige?” she asked, laughing.

I was defensive: “Beige goes with everything!” I tossed the bra onto the pile of my clothes. Jeans and t-shirts. Khaki shorts. Frumpy underwear.

Clinging to hangers in the dim corner of my closet are some remnants of my life before kids, before forty. The sleek gold tank dress I bought for a trip to Bali, when I wore little clothing and a lot of DEET. The green wool skirt that my tailor exclaimed over before tsking protectively over the hemline. “A little higher,” I negotiated, and he shook his head, sighing, “Ah, my girl.”

Those clothes I’ve been holding onto might not fit any longer—my body, or my life. But Megan’s right: at least I can have nice underwear.

I ordered some bras from the Gap Body store online. They came in the mail stuffed with hard tissue-paper cups to hold their shape. My husband John tossed one of the cups at me, teasing, “Aren’t you supposed to leave those in?”

The bras fit okay, but they were still sort of ordinary. I decided to exchange them for some non-beige underwear. But they sat in my closet until the next time I was headed to the mall—which happened to coincide with a visit from my father, who decided to come along.

“I need to buy some underwear and return a bra,” I said to my father—very directly— as he rode beside me in the car. “Do you have any errands you need to run?”

He shrugged. “I’ll just come with you.”

Divorced for three decades and on the verge of leaving the business he spent his life building, my father is a man defined by his faith. He carries in his pocket a string of rosary beads and prayer cards with photos of Pope John Paul the Second and Mary, the Mother of Christ.

My parents—Irish, Catholic, junior high sweethearts—married young and had seven children together. They divorced when I was ten. I spent alternate weekends visiting my father, my pajamas and a change of clothes stuffed into the folds of my rolled up sleeping bag. When I started wearing a bra, I stuffed that in deeper—probably along with my well-worn copy of Forever.

Bras were a nod to my developing femininity—to sexuality. Although my father and I talked about a lot of things as I grew up, bras weren’t among them. I am fairly sure that up to this point in his seventy years, he has also been spared the task of shopping for them.

But I was well past adolescence. Married. With two children. He didn’t seem to be giving it a second thought. So I why was I?

At the mall, he followed me into Gap Body.

He trailed along behind me among the displays of silk and lace. It’s just The Gap, I reminded myself. But my father’s face was already turning red. I had already picked out a style online and, when a twenty-something, khaki-clad boy appeared and chirped, “Is there something I can help you with?” I decided to aim for efficiency.

“I’m looking for the—satin hipster?” I tried to speak softly, but the boy clerk, whose named tag read Justin, wasn’t having it. He nearly clapped with enthusiasm. “Thong or panties?” he shouted.

“Just—the panties,” I said, avoiding my father’s glance.

Justin led me through the store. My father followed, his face fixed in a blank expression.

Waving a thin arm over the display table like a magician, Justin announced: “Low-rise. Ultra low-rise.”

I scanned the table. White, gray, beige. Megan’s admonitions popped into my head. “Do you have anything more in back?”

“We don’t.” He smiled apologetically. “You were hoping for the lace?”

“Um,” I said. “Just maybe something with a pattern?”

I felt my father shift beside me. “You know, it’s fine. I’ll just order them online.” I said. “I do have a bra to return, though.”

Justin took the bra to the register and held it up high.

“Cinnamon red,” he said approvingly. “Ultra plunge.”

I looked at my father, almost against my will, but he did not look at me. He gestured toward the door and finally—finally—headed outside to wait.

He was quiet in the car for awhile then said, “You must be trying to get revenge on me for something. All those times I embarrassed you when you were young.”

At home over dinner, my husband John asked about our day.

“My daughter took me to the unmentionables store,” my father said. “With all the women’s underwear.”

“It was The Gap!” I said, exasperated.

But John nodded in sympathy, and my father frowned at me in a very familiar way. Reduced to the role of recalcitrant child, I did the only thing I could. I blamed my sister.

•••

KAREN DEMPSEY has written for The New York Times Motherlode blog, Babble, and Brain, Child. She lives in Massachusetts. Read her work at kdempseycreative.com or follow her @karenedempsey.