Ashes

young tree woman — By Gina Kelly www.ginakelly.com

By Jon Magidsohn

Late on Boxing Day, well after dark, I scanned the collection of tools I’d stowed in my backpack to see if I was prepared for my mission: garden spade, claw hammer, flat-head screwdriver, keyhole saw, chisel, anything I thought might help whittle away at the hard soil. If I’d owned an ice-pick, I’m sure I would have packed one. I went upstairs and changed my clothes, convinced my outfit should be head-to-toe black like in the movies. I couldn’t be sure if what I was about to do was illegal, immoral, or simply frowned upon. Still, I thought I should try to blend into the shadows, if only for discretion. I grabbed Sue’s canister from the dresser and carried it downstairs. I put on my black wool coat, threw the backpack full of tools over my shoulder, and quietly went out the back door. I tossed the backpack into the front seat of the car and then carefully strapped the canister into the baby seat in the back. Should I encounter a sudden jolt during the ride, I didn’t want ashes embedded forever in the loosely-woven Toyota upholstery.

Down at the Toronto Beaches, I parked the car on Lee Avenue halfway between our old apartment and the new tree, planted two months before. The tree stood as the closest thing to a gravestone Sue would ever have. I shut off the engine and sat in the dark stillness of the night. All I could hear were the sleepy Lake Ontario waves treading up to the shore and my breath in the icy December air. I unfastened Sue from the car seat, pulled out my backpack, and closed the car door. I walked with purpose toward the lake, cradling the container in my left arm, until I reached the young sugar maple, proud and lustrous under the nearby streetlamp.

Standing on the boardwalk in front of the tree, I momentarily considered changing my mind. The wall of frozen mist suspended over the shore bore down on me. I looked east into the wind and then west toward the lights of downtown to see if any people were out for a late walk. The coast was clear.

I knelt at the tree, placed the canister on the ground, and removed the small spade from my backpack. One last look around before I plunged the spade into the dirt about eight inches from the tree trunk. The ground was harder than I’d expected; the spade barely made a dent, just a tink, tink sound like metal on stone. I reached for the hammer instead and tried loosening the dense earth with the claw end. This proved to be more effective. I scooped out the free soil with my other hand. Clawing and scooping like this for two minutes—I went down maybe four inches—my heart pounded like I was panning for gold. Then I heard voices. I stood up and saw two people and a dog heading my way from the west. I quickly covered the partially dug hole with my backpack and took my cell phone out of my coat pocket. Pacing slowly in front of the tree, I pretended to be just another late-night stroller having a private conversation.

“Yes … Uh-huh … No, no, everything’s fine …,” I said as the people drew even with me, their dog obediently heeling. “I’ll be home soon … I just have one more thing to do.”

The interlopers passed by, and I was left to resume my campaign of digging. But I began to doubt my fortitude. The hole in the ground looked like more of a grave than I’d originally considered. Graves are final; irrevocable. Within them, I imagined, people disintegrate. They disappear forever.

I picked up the hammer again and switched to auto-pilot. Claw. Scoop. Claw. Scoop. I worked quickly, nervously. The ground still resisted like frozen rubber, but I persisted. I had nearly reached what I thought was an acceptable depth when I heard the voices of more people coming down the boardwalk. Backpack over the hole, I stood up and resumed my pantomime with the cell phone.

“Hi, it’s me,” I said. And suddenly Sue was listening on the other end of the phone. “I’m here now, sweetie. I’m at the tree right now … Can you help me?”

She was sitting comfortably in a quiet, warm, white, dare-I-say “heavenly” place, cordless phone in her hand, listening peacefully to my supplication. She wasn’t smiling as I typically pictured her, but rather she had that serious, stern look she’d get when she was fixed on something critical; something she wasn’t quite sure how to manage.

“I need you to steady my hands or whatever it is I need steadying.” I wasn’t sure what I meant by that. I’d never relied on Sue for physical guidance. “We can do this together. Can’t we? You and me forever … And after we do this, I might be able to move forward, little by little.” This was more of a question than a prediction. I had no idea how I’d get on from here.

The people passed by, completely ignoring me. I wiped my eyes and looked at the container of ashes sitting at the foot of the tree. Sue told me to keep talking.

“There’s so much I want to tell you,” I said. “But I’m not sure how. All of my memories are changing colour. When you died, so did the future I thought I’d been promised. Without you things are … blurry.”

I looked toward the lake, the frothy white waves fading to distant black. The cold night burrowed into me under my wool coat, but I’d stopped noticing. I thought of the road trip I’d taken with my ten-month-old son the summer before. We’d left Toronto three months after Sue died and criss-crossed North America for six weeks on our adventure of healing, an expedition meant to kick-start my new life as a widower and single father. Being alone with my son and my thoughts brought clarity after the claustrophobic home-grief and it secured a bond between father and son. It also brought to light some alarming revelations that I wished I’d been able to share with Sue. I wondered if I should confess.

“Everything I’ve discovered since you left is pulling me in a different direction,” I said. “I could have spent the rest of my life with you … and that would have been fantastic … but, you know, we might not have made it. We weren’t perfect. But I’ve accepted that … Because that was us.”

That was us: imperfectly in love.

“I know you loved me. But … we got it wrong a lot of the time.” I swallowed and took a cleansing breath. “If you hadn’t died … we may still have ended up apart.”

Until then I’d kept my epiphanies to myself, but telling her how I felt was proof that I was moving on; the thick, aching emptiness was starting to lift. If Sue had really been there, she may have protested as she usually did, but I was in control of this one. I looked up the road toward the building we lived in a lifetime ago; before we moved away so Sue could chase down her journalism career, before parenthood, before cancer. Eight months earlier as Sue lay in that hospital bed, I’d said goodbye to her and felt the relief of seeing her out of pain. But now my own pain was lifting without aid, without wondering what she’d think.

“The more I think about it,” I said, “the more I believe you would have found some reason to leave me … and I wouldn’t have had the strength to fight you.”

I still loved her but I hated the memories that had recently become clear. I’d awoken that morning knowing I’d been holding onto the past for fear of the future. And if this telephone conversation was any confirmation, Sue was giving me her consent to let go. But I didn’t want to hang up the phone.

“Whatever happens to me from now on, good or bad, it will be because of you. You got me here … and without you, I’ll go in some other direction; some other path than the one you and I would have travelled.”

Instead of dreading a future without Sue, I realized, I could choose to welcome the opportunities that came my way because of her absence. Some good things could still happen to me. I was thirty-five years old; I still had a lot of life left. Accepting the possibility of a good future wouldn’t mean I’d forgotten the life I’d had with Sue. The good wouldn’t negate the bad. They would simply be the two sides of one life.

“I have to do this now … It’s time.”

Maybe this is what Sue meant by life after death. I might have taken her too literally when she spoke of her beliefs. Because I knew she would always live within me. My life evolved with her. Before she came along I was an immature, lazy, idealist looking for a mate. Sue gave me perspective, energy, wisdom and love. She forced me to grow up. She gave me a son. She’d live in him and the person I would become.

I moved over to the hole completely oblivious to whether or not people were walking by. The cold beach had grown peaceful, composed. I could no longer hear the whispering waves.

‘This tree will be here forever and so will you.’

I knelt at the hole, the cell phone still at my ear with Sue breathing on the other end. “Okay, I’m going to hang up now … Here I go … “

The calm of night wrapped me in its dark cloak. I looked down at the shadowy hollow I’d mined, pausing in a moment of pseudo-prayer. I can do this. Everything’s going to be all right.

“I love you … Sweet dreams … Bye.”

I put the phone in my coat pocket, removed the lid from the container and lifted out the clear plastic bag holding the ashes. I’d never taken it out before. The volume seemed curiously low and it weighed less than I’d imagined. A bag of sand the same size would have weighed more. I wondered if all of Sue was in there. My cold hands shook as I fumbled with the knot in the plastic bag. For fear of lingering too long, I tore the bag open and tipped it toward the hole in one motion. The little bits of black, grey and white filled it up like water flowing into a bowl. In the heavy, frozen air no residual ash dust came off the empty bag. She was all out. Without pausing, I put the bag into the container that once held Sue and then ladled the cold dirt back over the ashes with my hands. I stood up and packed it down with my feet, firmly enough to level the soil but not so firm as to feel like I was stomping on her. I surveyed the area, making sure it didn’t look like someone had just buried his wife in the roots of the tree named after her.

But it wasn’t Sue I buried that night. What filled that icy hole was a piece of the past I no longer clung to. Not ignored, just set aside. A past, I’d figured out, that could stay in the past without fear of it extinguishing my future. Eight months of grieving, sadness, hard work, confusion, personal challenges, epiphanies, and loneliness were buried. The tree that sprouted from that struggle stood as a marker in time, resting between what was and what will be.

I packed up my tools and walked back to the car. The icy air filled my lungs and cleared my head. I breathed easier than I had been an hour earlier. Before I stepped onto the sidewalk, I passed a Department of Parks regulation garbage can. The generic canister that Sue had rested in for the past several months had no more symbolic meaning than the lamppost the garbage can was chained to. Sue had always been worth more than what housed her. What had true meaning had been left at the roots of the sugar maple next to the boardwalk. The cheap ceramic container landed at the bottom of the garbage can with a thud.

•••

JON MAGIDSOHN is originally from Toronto, Canada. He has written about fatherhood for dadzclub.com, the Good Men Project, Today’s Parent, and Mummy and Me magazines. He’s also been featured in Mojave River Review, Chicago Literati, What’s Your Story?-Memoir Anthology (Lifetales) and currently publishes three blogs. He moved to London, UK, in 2005 where he received an MA in Creative Non-Fiction from City University. Jon, his wife, Deborah, and their son, Myles, are now in Bangalore, India, where Jon writes full time. www.jonmagidsohn.com

The Dance: Dad’s Lead

bethbride — By Beth Hannon Fuller www.studiofuller.com

By Sarah M. Wells

“What song do you want to dance to, Dad?” I asked, scrolling through lists of popular father-daughter dance songs.

Nothing seemed right. No Michael Buble or Paul Simon or Stevie Wonder would cut it; this, after all, was my father—my flannel-shirt-and-faded-blue-jeans, muddy-work-boots, calloused-hands, five-o’clock-shadow, “fetch-me-a-Miller” father. What qualified as “our song?” Maybe “Feed Jake.” Maybe “Friends in Low Places.” Maybe “Act Naturally.” Maybe “There’s a Tear in My Beer.” Hank and Garth and Buck and the Pirates of the Mississippi sang about misery, friends, beer, and mama; they didn’t sing anything about their daughters.

By the day of our wedding, Mom and Dad had settled on a song. “It’s a surprise,” they said.

Four months earlier, I had come home from college graduation with my boyfriend who they liked well enough but were still warming to, and an engagement ring. Brandon had asked my dad’s permission first, of course, out of my hearing the day before, and Dad had said yes—he hugged me extra-long before I left, cap and gown still on.

In the early planning days, Mom and Dad offered to write us a check instead: big party vs. down payment on a house. We waffled for a day or two, but in my head were visions of a white dress and a man in a tux waiting for me, dreams of dancing and spinning under a spotlight, all of our friends and family clapping and celebrating.

It was my day to plan, along with my mom, who navigated the wedding planning with me like she was my maid-of-honor. Mom and I picked the flowers—sunflowers and blue delphinium—the same that decorated the cake display we chose. We taste-tested the catering, got weepy-eyed over my bridal gown and veil, and designed the party favors together. The reception venue was our decision, too, even as my soon-to-be mother-in-law raised her eyebrows and said, “Really, a barn?”

After the father-daughter dance to whatever song Mom and Dad had picked, Rhonda and Brandon would get the party started. Rhonda’s choice for the mother-son dance was easy: Louie Armstrong would sing “What a Wonderful World” for thirty seconds, then the record would screech to a stop. Brandon and his mom would look confused for a second until Lou Bega’s “Mambo No. 5” would begin to play. It fit them perfectly.

I wrote the order of music and communion and rings; I designed the program and inscribed a poem; I recruited our friends as musicians. Brandon and I selected most of the songs and all of the Bible verses for the ceremony. We picked the pastor and the bridal party and the style of music to be played at the reception. We determined the flavor of this wedding, and this wedding would taste just like us.

The guest list: that was their decision—the parents—and it grew, and grew, and grew, until we all silently stared at it sitting on the kitchen counter. Who could we possibly cut? No one. Maybe there were a lot of other commitments that weekend, and the guest list would just… trim itself. Maybe in true Father of the Bride fashion, we could declare, “Well, cross them off, then!”

Also their decision: the alcohol. We toyed with the idea of a dry wedding for about a twelve-hour timespan because Brandon had just gotten a job at a new school, and we weren’t sure yet exactly how conservative they were. A few of his new employers made Round One of the guest list. It hadn’t been decided if they’d make the Round Two cuts.

“You want a what?!” Dad asked, his voice rising steadily. “We are not going to invite all of our friends to a wedding and not have alcohol. What kind of a party is that?”

“But, Da-ad,” I said. “We just thought, you know, the school… and maybe…” but it was no use. My excuses were weak, anyway; it wasn’t like Brandon and his family and our friends and our relatives never kicked back and drank a glass of wine or a can/ six-pack /case of beer, so why pretend otherwise and ruin a good time? Besides, it was Dad’s call. Dad’s decision. Dad’s lead.

So, okay, beer and wine, Dad. And yes, invite all of those people, even those people I won’t know when they come through the receiving line, and I’ll look at Brandon and he’ll look at me, and we’ll both smile and shake their hands and give them hugs and thank them for coming. And, okay, yes, pick our father-daughter dance.

•••

Down the aisle we went, Dad in his black tuxedo looking sharp, no John Deere hat to cover his balding head or shadow his features. His hand was tight in mine, tense against a few hundred sets of eyes that watched us while we two-stepped—left-together, right-together—our paces matched, the Fugman stride slow and easy like a mosey.

I saw only my future husband at the end of the aisle where Brandon waited for me. When we reached the pastor and he asked, “Who gives this woman to be married to this man?” Dad answered gruffly, “Her mother and I.” I turned my gaze back to him for just that second and wrapped my arms around his neck, and he held on, squeezed and squeezed, then released me to my groom, taking his seat in the sanctuary while I remained standing.

Later, after the bridal dance ended and I parted with a kiss from my new husband, our spunky blue-haired emcee called Dad onto the floor. Dad had donned his Father-of-the-Bride ball cap as soon as the wedding ended and wore it now as he met me for our dance. The bubbles from the bride and groom dance settled and popped on the dance floor. A slow piano, slide guitar, and light percussion played.

The cut-time of Mickey Gilley singing “True Love Ways” carried us along the hardwood, Dad’s calloused palm in my manicured hand. I smiled, even though the tune was unfamiliar to me. I guess it went to number one on the country charts in 1980, the year my parents started dating. Dad would sing it to her in the car as it played on the radio. So romantic, Mom says later. But this was our dance, our slow turn under the spotlight. It didn’t seem like the right fit—know true love’s ways—but what would have been?

Earlier in the afternoon, Dad gave me over, his daughter, his only daughter, his dazzled blue-eyed daughter grinning with confidence over the man she had chosen. I came into the sanctuary my father’s daughter. I walked out of the sanctuary my husband’s wife.

How long had I dreamed of becoming Mrs. Anyone? A boyfriend, a boyfriend, a boyfriend: I wanted one, as long as he would stay around. And then another one, and then I wanted that boyfriend to become a fiancé and that fiancé to become my husband, so I could become Mrs. Anyone. In college, that was the title that mattered: I wanted a partner. I wanted someone I could pour my heart into. That’s what I thought you did after high school and certainly after college. My mom and dad had grown up across the street from each other; she was nineteen when they married and twenty when she delivered her first baby: me. Today it’s ill-advised to marry young, trouble from the start, they don’t know what they’re getting into, a whole life ahead, plenty of time for that, but from where I stood, I felt behind already.

Yes, I also earned a bachelor’s degree. I sought out opportunities to lead and to stretch and to achieve, to do more, earn praise, perform. Dad always said Fugmans aren’t afraid of work, Fugmans are hard workers. He instilled this drive. He was the man who had been my guide. But Brandon was the man I had chosen to walk with me out of the sanctuary, the man who would walk beside me from the altar forward. He brought me a different sort of pride. We had weighed and measured our potential, considered our compatibility, discussed the ways we would raise children, established our priorities. In him, I had found a worthy Scrabble opponent, someone I could adventure with, a man who could say “I’m sorry,” a man who would forgive me, too. For all of that and more, I had chosen him.

Now, Dad held the hand and waist of Mrs. Brandon Wells as we danced. Far in the past, a little girl crawled across his chest and stole his John Deere cap, blue eyes grinning into the face of the camera. She asked for Hooper Humperdink at bedtime again, and now we can all recite it from memory—Pete and Pat and Pasternack, I bet they come by camel back! Back there, too, she watched her mom and dad spin slowly in the living room to “If We Make It Through December,” not knowing then the depth in that melody, not knowing then the weight behind eyes connecting and smiles, what it means to make it through December, together. He taught that little girl the cast of a rod, the slow click and reel after the bobber plunked onto the surface of the water, how to bait a hook with a squirming night crawler. He coached the in-and-out of orange construction cones for hours until she mastered how to parallel park before her final driving test. Whether intentionally or accidentally, he had been preparing me.

Now, we turned slow around the dance floor, each sway a step closer to the last note in the song. Gone was the night we stared up at the cloudless sky on the hill by the old maple and waited for the meteor shower. Evenings swaying in front of a fire pit, turning front ways then back to warm our bodies as we talked about God and faith and family and regret, until the coals flashed red and black, flames dying, then walking slowly into the house to bed. There would be no more creasing wrapping paper in the dry heat of the excavator’s shop on Christmas Eve with him, no more Dad topping off and lifting my bushel basket of corn from the end of a row and spilling it with ease into the bed of the red pickup truck, Dad gunning the accelerator of the snowmobile through the fields with me clinging to his coat toasty in my snowsuit and helmet, Dad showing me the slow slide of a cue stick between thumb and index finger and then the thrust that sent the cue ball breaking against the racked triangle of billiard balls.

All of life before that day squeezed between his dusty calloused hands and mine, a slow turning, slow turning until the end notes began to play. My fingers are my father’s; long and lean, rough along the palms from a summer shoveling mulch, tough where a pen had rubbed and formed a writer’s bump. They were made for work; they were made for pouring your sweat into the thing you loved.

Even over the black tuxedo, fresh trim, and aftershave, I could breathe him in when we embraced, the scent of sweat and sun and earth and oil, “I love you, Sare,” he said.

“I love you, too, Dad.”

“It is a beautiful song,” Mom tells me later, “and we chose it for a beautiful girl.” Sometimes we’ll sigh, sometimes we’ll cry, and we’ll know why, just you and I… Maybe it was perfect. As Mickey Gilley lulled a final “…know true love ways,” Dad spun me out, then pulled me back in, my white dress billowing, the bill of his father-of-the-bride cap shadowing his smile.

•••

SARAH M. WELLS is the author of Pruning Burning Bushes and a chapbook of poems, Acquiesce. Poems and essays by Wells have appeared recently in Ascent, Brevity, The Common, The Good Men Project, New Ohio Review, Poetry East, Puerto del Sol, River Teeth, and elsewhere. Sarah’s poetry and essays have been honored with three Pushcart Prize nominations. Two essays were listed as notable essays in the Best American Essays 2013 and 2012. Her memoir-in-progress on dads, husbands, and the girl between is tentatively titled American Honey. She is the Administrative Director of the Ashland University MFA Program and Managing Editor of the Ashland Poetry Press and River Teeth. http://sarahmwells.blogspot.com.

Bachelorette

By Sara Bir

The party, by definition, is not co-ed. That’s because it’s a bachelorette party, my first. I am skeptical. I’m a girl, but I don’t understand girl things. Like Anybodys, my favorite character from West Side Story, I prefer to hang out with guys. Of course, Anybodys didn’t fit in with the guys, either. Not because she was a girl, but because she was annoying. Even I know that.

The girls I ran with in high school dipped Cherry Skoal and climbed trees and swung from ropes into polluted rivers. This is not the agenda of the bachelorette party I will attend. The invitation says it’s an ’80s prom dress theme. We are to show up in obnoxious ruffled tulle gowns and tease our hair out as far as possible. The hostess assures me that there will be no male strippers.

The boys, for the bachelor party, will spend the following weekend camping. I envy them.

In middle school I peered, perplexed, over the shoulders of cheerleader classmates who thumbed through dog-eared issues of Your Prom and Seventeen. They scrutinized Jessica McClintock ads with billowing, candy-colored gowns on young models wearing white lace gloves. Sometimes if Mom took me back-to-school shopping, I’d wander from the Junior casual wear to the formals and eye the sequins and crinolines with suspicious longing. When the time came, I did go to prom, but my “date” was my friend Carrie, whose college boyfriend preferred to stay home. Carrie and I had a blast. I wore a feather boa and even shaved my armpits. Knowing I was in no danger of losing my virginity later that evening in a shared room at the Best Western helped.

The dress I wore that night still fits, but it’s not of the right era. Finding a suitable dress for the bachelorette party is problematic. After combing every thrift store in town, I realize the puff and sizzle of ’80s prom dresses faded from favor so long ago that only mid-’90s fashion populates the Goodwill and Salvation Army. I half-heartedly buy an unexceptional purple velvet halter dress, a pair of royal blue snakeskin spikes, and a large can of off-brand aerosol hair spray.

The other dozen bachelorettes arrive at the hostess’s San Francisco loft on party night. Many of them I know well already; the girlfriends of my boyfriend’s friends, they are kind and funny women who accepted me instantly when Joe and I began dating. But I’m used to our gang’s weekend meet-ups at music clubs or bars, and at this all-girl affair I can’t seem to settle in. Anxious, I have a few glasses of red wine with our spaghetti and meatballs dinner, and thus decide to stick with wine for the rest of the night. I have learned multiple times if an evening begins with red wine and moves to other, harder drinks, it never finishes well. But when the hostess brings out penis-shaped mini-cakes for dessert, I am too buzzed to remember my pledge, and I enthusiastically drink the icy, fruity-sweet pink concoction another bachelorette offers me.

The penis cakes are made from German chocolate cake mix, and they have toasted coconut icing between the cake scrotum and the cake penis for pubic hair. “I just love to put a big German chocolate cock in my mouth!” I say because the fruity pink drinks have made me especially witty, and the girls and I all laugh.

We change into our dresses and apply our makeup. I fumble with a curling iron and try to attempt the giant, fluffy bangs I was never able to nail during the real 1980s. After ten minutes I quit, stuck with a tangled coiffure that would better suit Ian McCulloch or maybe a homeless junkie. The bride wears an awful, white satin, floor-length dress with white sequins studding its halter top. It’s perfect. “Who knows,” she says, “maybe someone actually got married in this.”

The hostess collects money for the limo—twenty dollars a girl. I pay and resolve to be a good sport. Limos are for losers who want to feel important. We teeter down the stairs in our secondhand pumps and cram into the limo like glittery sardines. Right away the bride opens the sunroof and pops up, going Whoo! Some of us have to sit on each other’s laps. The driver looks at the jumble of girls before he closes the door, possibly thrilled, possibly terrified.

I am wrong about the limo. The limo is awesome. There’s a full bar and a bottle of Champagne and a kickin’ sound system and a built-in fish tank and an elaborate network of pulsing black lights that electrify the white elements of our costumes, rendering the bride trippily resplendent. We drink the Champagne and look out the tinted windows and see the twinkling city speeding by, then look at each other and grin and cackle. Some of us are mothers, some of us have masters degrees. I’ve never been with so many girls in such a small space. We do shots straight from the whiskey decanter and, with a rush, I sense our fundamental sisterhood, the universal manic sisterhood that makes girls flash their breasts and scream gleefully. Joyce Carol Oates and Janet Yellen and Margaret Thatcher could all be riding in the limo with us and they’d succumb to the collective, feminine Whoo in the face of alcohol and estrogen. I am no longer Anybodys skulking in an unexceptional purple velvet helter dress, but part of a fabulous multi-organism system of sparkles and curves, intoxicated with giddiness.

The driver lets us out right in front of the club. This is our red carpet. People take pictures of us with their phones. We strut to the will-call booth, past long lines of boring regular guys in pleated chinos who have nothing better to do than wait for half an hour to see a mediocre cover band. We came to make fun and have fun. We are the party.

We go straight to the bar. The bride wears a pink plastic shot glass on a string around her neck. On the shot glass are the words BUY ME A SHOT, I’M GETTING MARRIED, so two guys at the bar oblige. I want someone to buy me drinks. I want my awakening girl power to earn me free alcohol.

We hear music from the auditorium and, in a pack, run right in front of the stage. The band is called Tainted Love and has about seven members, all dressed in outfits way more ridiculous than ours—gimmicky costume-store stuff like fake fur ties and vinyl tank tops with designs of the Union Jack. They play “Come On, Eileen” and “Maneater” and we all dance and I dance, even if it’s to stupid Tainted Love and their try-hard wardrobe.

My bra bothers me. It’s strapless, with black lace and everything, and I never wear it. I bought it before I figured out that if you are an A cup and you don’t want someone to see your bra straps, just don’t wear a bra. Now the elastic cuts into my sides and chafes my skin, so I undo the clasp and launch it slingshot-style at Tainted Love. One of the keyboardists makes a beeline and whisks it away as if I’d thrown a Molotov cocktail or a dead possum. “Bite me!” I yell.

Then they play “I Wanna Be Sedated” (not an ’80s song) and because I love the Ramones I stop being mad at Tainted Love long enough to shout along and jump up and down until I wet myself a little. Incontinent already! I resolve to do Kegel excercises, and then start—hell, why not—right there on the dance floor.

But jumping up and down makes me hot and I forget about Kegels and tug at my black satin opera glove, accidentally pulling apart the sparkly bracelet I’m wearing over it. Rhinestones fly everywhere. I wish one would hit Tainted Love, but no such luck.

The bride is discontent. She’s crying and throwing ice from her drink at Tainted Love, who are playing “Unbelievable” (also not from the ’80s). “I hate this song!” she screams. It is our cue. We retreat to the bar. The bride sits on the hostess’s lap and then she’s straddling the hostess, and the two guys who bought her the shots look over with interest until the bride slides to the floor with a bump.

I notice plush phone booths in the lobby and dash into one, because suddenly it is incredibly urgent that I talk to my boyfriend right away.

“Joe!” I say. “It’s me, I’m here seeing Tainted Love. They suck!”

He’s confused, startled. “It’s after midnight,” he says. “Is everything okay?”

“I love you!” I say. “It’s so weird here, I just had to call you now and tell you how weird it is. What are you doing?”

“Are you drunk? You’re drunk.”

“I miss you! I’ll see you tomorrow.”

“Be careful,” he says. “Are you sure you’re okay?”

“I love you! Don’t worry, we have a limo. Bye!”

I spy a bachelorette swaying/standing. “I think I’m going to throw up,” she says.

I grab her arm. We rush to the bathroom. There’s a line going out the door, but we cut to the front.

The bathroom attendant—they still have bathroom attendants?—shakes her head. “Nuh-uh,” she says. “You gotta go to the back of the line.” My bachelorette cannot wait; she vomits into a sink.

“You can’t do that in there!” says the attendant. “I ain’t cleaning that shit up.” She’s wearing a polyester smock, like a cleaning lady wears. She has seen girls like us come and go every weekend; our tawdry splendor is less than nothing to her. On our way out, my friend stuffs a handful of dollar bills into the attendant’s tip cup, hiccupping wetly.

The other bachelorettes rest in the lobby, wilting on sofas. We rally and summon our limo. I cling to my charge and escort her outside. I realize my shoes are inside the club, somewhere on the dance floor.

The hard-core party girls pop out of the limo’s sunroof again, but my once-supple reserve of Whoo is dry. I push girls out of the way to get a seat next to the door as my woozy friend lets out a gurgling belch. I roll the power window down and ease her head toward the fetid city air. The limo breaks hard and girls tumble atop each other, a tangle of stiletto heels and faux pearls and ratted-out hair. I do not tumble with them; I have made myself small and distant.

My friend leans out the window, retching. Her sickness is my salvation; the more I focus on her, the less aware I am of my closeness to the very same state. I hold her hair back to make it okay. I see the chaotic spatter on the glossy black door when we stumble out of the limo in front of our hostess’s place. We give the driver what I assume is a very generous tip.

Back in the loft, the intrepid hostess puts on even more ’80s music, and it bores into my eardrums like a dentist’s drill. The bride moans in an armchair, the empty pink shot glass still around her neck. My friend passes out on a futon, all vomited out, her dress torn. I brought pajamas, but I crawl under the coffee table in my purple dress and wish I hadn’t started out the night with red wine.

At dawn, I creep to the toilet to throw up. A few hours later, I wake up to a line of girls suffering for turns in the bathroom. “I think everyone here has puked,” the rumpled bride says from her armchair.

It takes me an hour just to get off the floor. Even my hair hurts, which, after a night under the coffee table, now resembles Robert Smith more than any member of Echo and the Bunnymen. I throw up one more time for good measure before I drive home. Joe is there, looking bright and healthy.

“What exactly happened last night?” he asks.

“I’m going to die,” I tell him. “Bed.”

I sleep until five that afternoon and eat boxed macaroni and cheese for dinner. Three years later Joe and I get married, and I do not have a bachelorette party.

•••

SARA BIR is a chef, culinary educator, and former music critic/sausage cart worker/sportsbra salesperson/library assistant/chocolate factory tour guide. Her writing has appeared in Saveur, The North Bay Bohemian, The Oregoninan, MIX, and Section M. You can read her blog, The Sausagetarian, at sarabir.com.

First Thing

snowy couple — By Gina Kelly www.ginakelly.com

By William Bradley

My Hodgkin’s Disease had returned—my doctor was fairly certain. It turns out he was wrong, that the strange glows on the scan were … well, something other than cancer. But Emily and I didn’t know that at the time.

This was in 2006, six years after my last radiation treatment. This time, it was in my thigh rather than in my neck and chest area, but nonetheless, the doctor seemed sure that it was back. I would need to have a biopsy performed, of course, but that felt like just a formality. A hunk of lymph nodes would be cut out, and then we’d begin treatments—likely radiation therapy, but a bone marrow transplant remained a possibility as well. Time was off the essence. I was likely going to die. My wife and I had serious thinking to do.

What we did know was that, when I’d had my bone marrow transplant in 1998, my doctor had said that I had a forty percent chance of living for more than five years. We also knew that I had radiation therapy to treat a recurrence two years after the transplant. Emily and I didn’t meet until after I had completed these treatments, but we had discussed my medical history, and what it meant for our relationship, once we were “seriously” dating—we met in grad school while working on our Ph.D.s in English, and had tried to keep things relatively casual so that we wouldn’t be tied down to another person. Neither of us wanted to compromise on our professional ambitions by becoming too attached to someone similarly ambitious, so we self-consciously tried to limit our relationship to one of hanging out and hooking up—a bit more intimate than friends-with-benefits, but nothing too emotionally consequential.

But at some point while hiking through the Missouri wilderness, or discussing the latest academic scandal reported in The Chronicle of Higher Education over coffee, or drinking cheap wine in her small basement apartment, we fell in love with each other, and we decided the best thing to do would be to get married. I couldn’t quite tell you when I realized that Emily mattered more to me than keeping all of my options open for the sake of my career, but I know that it happened.

Our life together was filled with reading, writing, sending out academic articles and creative work, supporting each other when the eventual rejections came, applying for academic jobs, worrying about money. We also played Scrabble, sought out strange landmarks like the world’s largest statue of a goose (“Maxie” in Sumner, Missouri), watched livestock shows at state fairs, and—in the words of the girl in Hemingway’s “Hills Like White Elephants”—we would “look at new things and try new drinks.”

We had both been involved with other people before we met each other, of course. Both of us had been in college relationships that had continued for far too long, with protracted break-ups and broken hearts. After my bone marrow transplant, my college girlfriend and I were breaking up for the final time. I reflected on what I wanted in a romantic relationship. Someone adventurous, willing to travel and have new experiences. Someone who loved literature as much as I did, but who could also enjoy the same type of lowbrow culture I enjoyed—I wanted to be able to talk about books and art with someone who could also appreciate the sublime genius of Don Knotts’s performance in The Ghost and Mr. Chicken. Someone who had a sense of humor, who would laugh if I called her “scumbag” and would be willing to high-five me after sex. In short, I wanted to be in a relationship that was fun—I’d had enough of passive-aggression and adolescent angst.

As it happens, Emily had recently reached similar conclusions about her own love life. It wasn’t love at first sight, but we immediately knew that we made each other laugh and had fun together—she was not only down with the high-fiving but was willing to call me “dude.” Things grew from there.

As Emily and I contemplated what a malignancy would mean for our relationship, I realized I couldn’t really say that life was unfair. I had been fortunate to be disease-free for as long as I had been, I figured, and I had experienced a powerful love and friendship the likes of which I don’t think too many people get to experience. The only disappointment was that we couldn’t make it last forever, and it looked like our time together was coming to an end.

In the week between the tentative diagnosis and the biopsy that would ultimately be reassuring, we spent our days crying, our evenings drinking wine and trying to reassure each other that this would be okay, nothing we couldn’t handle. I’d done all this before, with only my parents for companionship and support, listening to depressing music like Warren Zevon’s Life’ll Kill Ya or Lou Reed’s Magic and Loss alone in the den that my parents had hastily converted into a bedroom when I’d been diagnosed. With Emily beside me, it wouldn’t be nearly as lonely or depressing. She knew how bad things had been before, how dark those days had been.

“I’m going to take care of you,” she said, looking at me from across the table on our screened-in porch while we drank our Pinot Grigio. “It’s not going to be like last time.”

I nodded and tried to agree. We said such things to each other, but hanging between us—unspoken, but mutually understood—was the understanding that a recurrence at this point could very well mean I would die.

The morning of the biopsy, Emily drove me to the hospital. After the nurse called me from the waiting room to the pre-op area, I handed Emily my wedding ring, which she put on her thumb. I kissed her goodbye.

What followed seemed to take forever—the shaving, the pre-surgery talk with the doctor, then watching the anesthesia drip through my IV.

I shut my eyes, then opened them to find myself sitting up, in recovery. It happened that fast. Emily and a nurse were laughing. I had a Diet Coke and a glass of water in front of me—my usual beverage order, if I’m not drinking wine or beer.

“Where did this Diet Coke and water come from?” I asked.

Emily smiled. “You asked the nurse for them when you woke up after your surgery.”

“Oh,” I replied. “I must have thought I was at a restaurant.”

At this, both Emily and the nurse exploded in laughter again.

“That’s the fourth time you’ve asked that question,” Emily said, “and then followed with ‘I must have thought I was at a restaurant.’”

I laughed too—although I should tell you that, later, when we told the story to friends, they were horrified. “I would have been afraid that it was permanent,” one friend replied. That obviously hadn’t occurred to Emily—or else, she is so used to the way I am normally that she didn’t worry that any lasting brain damage would be noticeable or change her life in any fundamental way.

At one point—still foggy and a bit confused—I glanced down at my left hand. My wedding ring was back where it belonged.

“When did you give this back to me?” I asked, holding up my hand.

This time, Emily did not laugh as she ran her hand up and down on my arm, telling me that it was the first thing I’d asked for—before the beverages, even—when I saw her after coming out of surgery.

“You said that you missed it,” she told me.

Emily and I have been together for eleven years, and as happy as that time has been, I have to tell you that we argue as much as any couple. Maybe even more—we can both be strong-willed and opinionated, especially when it comes to matters of teaching and writing, which are important parts of our careers. Sometimes, we argue over a work of literature. Sometimes, it’s pop culture. We rarely argue about politics, but it happens, sometimes.

More rarely—but more seriously—we fight about the important things in our marriage. Whether one of us takes the other for granted. Occasions of self-centeredness. Concerns that one of us prioritizes work over our relationship with each other. These are the serious fights. The ones that result in tears for her, or me stomping out of the house to “go for a walk, to clear my head.” These are the times when we get overwhelmed with thought—fears, suspicions, and pressures that probably come from outside the marriage itself, but are nonetheless real when we contemplate them.

But what I like about the story of my recovery from surgery is that it testifies to the fact that loving her isn’t something I have to think about—that even when my mind is wrapped up in a confused fog, when I’m basically just a being incapable of reflection, operating on instinct, unconscious habit, and biological imperative, I still love her. More than I love my job, more than I love literature, more than I love anything in the world. And I love her first, even before I get my Diet Coke and glass of water.

•••

WILLIAM BRADLEY has been married to the poet and Renaissance scholar Emily Isaacson for almost nine years now. She was the one who encouraged him to try to publish the creative nonfiction he wrote, and since then, he has had work appear in Fourth Genre, Brevity, The Normal School, Utne Reader, The Missouri Review, and other magazines. They spend most of their time in Canton, New York, where he teaches at St. Lawrence University.

So Happy Together

chairs — By Gina Kelly www.ginakelly.com

By Jennifer Niesslein

We met in the dim basement of a fraternity. The fraternity—we can’t remember which now, any one of those old columned houses lining Rugby Road—pumped music loud and we had to shout in each other’s ears to be heard. We were refilling our red Solo cups from the keg of cheap beer when we first yelled to each other. We were dressed alike, in tee-shirts and denim shorts. We joked later that we found each other because we were the two people who looked as if they shouldn’t be there, vaguely alternative kids in a sea of khakis and L.L. Bean.

We were nineteen years old. It’s funny to think that we danced that night—Hey, show this person your least impressive skill! We went outside to talk and stood close to each other. We didn’t want the night to end so we piled in with the others in Kathy’s little Honda; we slept in the same room that night, one of us in the bed, the other on the futon. From that night on, we were inseparable.

We both lost weight that first year. We woke each morning giddy that something good would happen that day: we would see each other. Of course, in the first few weeks, we were both a little cautious, consumed with a heady mix of romance and doubt. Was it completely reciprocal? Would we run out of things to talk about? Would some terrible, deal-breaking flaw reveal itself?

There was a certain kiss that tamped the doubts down. We were walking from a party, holding hands during the few blocks it would take us to get to the convenience store. We were going to buy a pack of cigarettes. We stopped and turned toward each other, savoring those seconds when our mouths were near but hadn’t yet made contact, the salty scent of our faces, the delicious nerves. We kissed. After that, we threw out caution. We took a sort of ownership of each other’s bodies, a jumble of legs and arms and mouths and love.

•••

On the university grounds, there was another couple that looked like us, her tall and with a sheet of long hair, him taller with a mop of curls. They broke up before graduation, but we wondered if they got the same sort of comments we did. A mentally ill woman—the one who did somersaults on the pedestrian mall—told us that we were going to make beautiful children; strangers we’d just met would remark on how well matched we were. Our chemistry seemed like a force field.

We twined our lives together. We stood together outside the hospital room door and heard the first cries of our oldest nephew after his birth. We took cheap vacations to places like off-season Chincoteague, using our last ten in cash to cross the Chesapeake Bay Bridge Tunnel. We stayed up late waiting for the other to get off shift waiting tables or tending bar. One summer day, we skipped work to go hiking at Sugar Hollow. It was a ways out of town and we drove with the windows open and the music pouring from the speakers. We found an easy sun-dappled trail that led through some streams, and we walked the gentle incline, bumping into each other just as an excuse to touch skin. We took pictures of each other posing on a rock that lay just beneath the surface of the water, an optical illusion of levitation.

That’s how we felt about each other: we walked on water.

•••

We grew up to be the people we are now, shape-shifting together, holding hands like the Wonder Twins. We were the engineering major and the English major, morphing into the trumpet player and the local journalist, turning into the chemical engineer and the aspiring short-story writer. We became husband and wife, father and mother, good cop and bad cop, fly fisherman and Scrabble addict, quality assurance engineer and business owner.

We can see our flaws now, both in ourselves and each other. On the eve of our thirteenth wedding anniversary, a strong thunderstorm blew into town. A huge limb fell off our maple, hitting the yard with such force that it stuck into the earth at a forty-five degree angle. Worse, the city sewage line backed up into our basement.

We spent most of the night on the phone, calling the city and the sort of companies that clean up murder scenes. It was certainly grisly down there, the pipe in the recesses near the hot water heater spewing whole neighborhoods’ worth of filth. We rolled a dampened towel and placed it under the basement door so the smell wouldn’t permeate the rest of the house.

The next day, the city came to clear the wreckage and the cleaning company came back to scour. We lost nearly everything in the basement. We were tired and both missing work to deal with this minor catastrophe. After everyone left, we sighed, assessing our lost belongings—the antique chest that held sports equipment, a basket of laundry, the bright ceramic flowerpots bought on a long-ago Mother’s Day. Our Christmas tree and ornaments, including every one that our son had ever made and the Lenox china one of two doves, bearing in gold script “First Christmas Together 1991.”

“Did you at least save the ornament—our ornament?” one asked the other.

“No—the whole box was disgusting.”

Exhausted, we snapped then, reverting to type: one of us irritated and pragmatic, the other seething and sentimental. We didn’t speak for the rest of the day, not so much as a punishment but to avoid saying something that we couldn’t unsay. We took a nap; we came to our senses by dinnertime. It was our anniversary, for God’s sake. We had each other, even if our keepsakes, as we’d later put it, went down with the shit.

•••

It’s been so many years, we might be the kind of people that some refer to as “smug marrieds.” We don’t know. Every partnership, it seems to us, is a locked box, knowable only to the people in it. We don’t feel smug. We feel grateful for the constant accrual of all these minutes together—the winks across a crowded room, the ass grab in the kitchen, the phone call from home, the car sex on a (whoops, not quite) deserted road, the arm to cling to at the funeral, the mispronunciations of words that our son made when he was little.

Last year, we turned forty. It sounds odd to say, but we don’t know what the other looks like anymore. We have too many associations—love, passion, comfort—to see one another with any degree of objectivity.

For people like us, forty is when you start to realize that you’re out of big beginnings. Unless something unexpected happens (or you force it to happen), there will be no new romances, no new weddings, no more of your own babies to nuzzle. You know very well that you’re not going to relocate.

Couples around us have started to break apart, tender bands of skin on their ring fingers, new apartment keys in their key chains. Even in the very best of circumstances—amicable, mutually decided, no kids—we find it sad for them, something with such a hopeful beginning coming to a close. No matter how much better off our friends wind up being—and they are, they always are, at least emotionally—there is pain.

On a more self-involved level, though, these break-ups remind us of something every couple loses sight of: that it only takes one of you to develop an itch for something new, and there is nothing at all that the other can do about it. It’s the lesson we learn from our newly single friends, over and over. We try hard to lose sight of the lesson for the sake of ourselves. As someone wise once said, “You gotta have faith, faith, faith.”

•••

We got married on the grounds of a sprawling bed and breakfast, just beyond the koi pond. It had sprinkled earlier in the day, but by the time the pianist struck up “Here Comes the Bride,” the sky was clear and warm. We were twenty-four and wrote our own vows. The ceremony itself lasted all of five minutes.

It was a lovely beginning, but essentially it was just a party in celebration of us.

In novels and in jazz, the big squishy middle is where all of the interesting stuff happens. In our story, this is where we are now.

We don’t know which events will seem important years down the road, but we’re living the details right now. In 2013, in our big, messy house, our son practices his clarinet. Our Boston terrier mix is still alive, goofy as ever. We haven’t used a babysitter in a long while, and we usually go out to eat on Saturdays, just the two of us; weirdly, our son despises eating out. We laugh ourselves silly over a random lyric we hear on the radio. We eat lunch together most days in the TV room and finish off with a piece of chocolate. One day in February, you come home from work with Chinese food for us, and I ask you, my valentine, to read this, and you do.

This essay originally appeared on The Nervous Breakdown, which is an excellent site you should check out.

•••

JENNIFER NIESSLEIN is the founder and editor of Full Grown People. Her website is jenniferniesslein.com.