Good Vibrations

By Barbara Clarke

“Did I tell you? I’m multi-orgasmic,” said my eighty-three-year-old mother. This was her conversational style—ditch the segue and go straight to another chat about sex. I was taking our picnic gear from the trunk of my car and needed a minute to process. “I learned that word in the book you gave me.”

Walking along our favorite beach with its long, easy-going shoreline gave my mother and I time to talk more honestly after my father’s death. In the process, we became friends. She was like a broken piggy bank as her collected stories spilled out. I was the first woman she had ever talked to about sex; from my teen years on, I knew more than she did on the subject.

On one of our earliest walks, she revealed that for their first twenty years of marriage, the missionary position was the arrangement. And for the last thirty years it had been husband-directed abstinence. Once I was past my do-I-really-want-to-know-this reaction, it was distressing to think how sexually unfulfilled she must have been her whole life.

Even though my father had enjoyed dirty jokes and recited smutty limericks, I realized as an adult how unworldly, if not prudish, he was. On one occasion after a lesbian couple had visited, my mother brought up a new topic of inquiry—how do two women make love? When I started to answer, my father said, “You can’t be serious,” in a tone freighted with yuck, and fled to the living room to watch The Brady Bunch with my kids.

“Now that I know more,” my mother said on another beach walk, her voice thick with resentment, “I realize that sex with your father was strictly for his benefit.”

I asked her to say more. She hesitated, her eyes taking my measure, as if to see whether I was grown-up enough. “The fact is,” she said, her face flushing with embarrassment, “I never had an orgasm during intercourse in my marriage. I’ve only had them in my sleep.”

“I’m really sorry, Mom,” was all I could think to say at the time.

The more she revealed, the more I was struck by the difference one generation can make.

When I was nine, the Big Talk with my mother consisted of her buying me the book On Being Born, which contained not one mention of how people “did it.” Ten years later, my mother’s second attempt at instruction came shortly before I walked down the aisle. She offered this as my sendoff: “Sex can be beautiful.”

With the advent of the women’s movement and the freedom to have intimate talks with women and men, I enjoyed a good lover or two. Unlike the women of my mother’s era, I knew how to take care of my sexual needs with or without a partner. A bonus was frequenting, without the slightest embarrassment, the paraphernalia treasure house in Berkeley called Good Vibrations.

I would have taken my mother to choose her own vibrator, but I didn’t trust that she could remain as composed as the sophisticates who shopped there. Only in the Bay Area could women pretend it was no big deal to see an entire shelf of hefty Day-Glo dildos. And so for my mother’s next birthday, I bought her a small, basic vibrator and the book Sex for One by Betty Dodson. I insisted she open my gift at home, after a birthday lunch with my daughters.

Later that evening my phone rang.

“Were you trying to kill me?”

“Mom?” I barely recognized her throaty voice.

“Who else? Your gift almost took the top of my head off.”

Then I remembered her special present.

“Well,” she tried again, “this is the best gift anyone has ever given me. I had no idea.”

With that it started. Sometimes, when my mother and I chatted on the phone, catching each other up, her tone would soften. I knew what was coming. It was as predictable as the ochery sky that precedes a Midwest summer storm. And sure enough, she would pause for a moment and then share, “Mr. Right dropped by today.”

I would picture her mischievous smile and appreciate her late-in-life pleasure all over again. “How nice for you,” I would say and mean it. “There’s nothing like an attentive lover.”

I was happy for her in private, but her did-I-need-any-batteries remark in the aisle at Rite-Aid made me—her enabler—blush. I was more comfortable in the roles of sympathetic listener and occasional sex educator. There were still things my mother wanted to know about in detail into her nineties.

She was curious about the younger generation. What did they use for birth control? She thought the morning-after pill was great, but she worried that kids took sex too lightly and had it too early. “It should be special,” she said lost in thought while we drove along the winding coastline after a day at the beach. “I hope it was for you and the girls.”

We never talked about my sex life and how my mother had openly fretted over my getting pregnant before marriage—ironic, since she hadn’t provided a single method of avoiding it. Several girls in my high school had been sent to “their aunts” for extended vacations. Their pregnancies were the narrative that dominated my mother’s vigilance until I was safely married off without the proverbial shotgun. Later, when she occasionally dug my first and sweetest love, Jerry, out of her memory vault, my feelings of resentment at being spied on by her reconstituted like a glass of Tang. Reliving my adolescence when sex was half terrifying and half aching required me to stop and take a breath before I could appreciate why she worried. It took a while after the Jerry exchanges before we were back on the friendship track.

•••

After a memorial service for a family friend, my mother brought up the topic that was most on her mind. I anticipated another gloomy pre-death drill on where to find the money she had stashed in various shoe boxes if she “croaked.” Instead, it was what if she died in bed and the paramedics found Mr. Right? What would they think of her at her age?

I wanted to honor our unique end-of-life discussion and not go for the easy retort, you’ll be dead. Instead I said, “I’m sure they’ve seen it all. Besides, they might think you’re really worth saving. Ignore the DNR on the fridge door and keep you going.”

We never stopped talking about sex. I should say my mother never did. We would laugh about the way intimate details of sex were being hinted at in the new century. “How ridiculous,” my hip mother said after watching a vaginal fragrance ad of a woman dancing through a field of lavender after the implied douche. “We need information, not crap like that.”

•••

On one of our last trips to the beach, my mother said, “You’re a writer. You should write about the fact that there are a lot of old ladies out there, like me, who think they have to go without. We still have all of our urges and body parts, but no one talks about it. And their daughters aren’t as thoughtful as you were.”

“If I did, it would be about you.”

“You could wait until I’m dead,” said Mom—the eternal shock jock. “It won’t be that long.” She could move between death and life in a matter of minutes, going over the details of her imminent departure in the parking lot and then once inside Safeway buy two half-gallons of ice cream.

“Oh. What do I care?” she said with a devilish grin. “Go for it.” She asked me more than a few times how this very essay was coming along.

We didn’t always have serious talks about sex. One time we settled on our beach blanket, and with a little wine to loosen our imaginations, made up commercials for vibrators, delighting in our witty jingles until the tears streamed down our cheeks. I miss those times.

Shortly before her death at ninety-seven, we were having coffee in her kitchen. “I want you to take this box,” she said, moving our cups to the side and putting a small silvery box on the table. She lifted the lid and I saw the very dog-eared book Sex for One and Mr. Right wrapped up like a mummy. “I think my time has about run out, and if your brother gets here first and finds these, he might think the worst of his old mother.”

“Are you sure?” I asked.

“Yes, honey. I don’t think I ever thanked you adequately for that wonderful birthday present. It changed my life.”

When I saw how frail she was, I took the box.

Just when I was about to break down in sobs, anticipating how much I would miss her, she cut through my sentiment in the formidable directive tone I knew from my childhood. “And don’t put it in the dumpster outside,” she said, her eyes fixed on me until I nodded yes. “They probably go through the trash here. You never know these days who’s spying on you.”

•••

BARBARA CLARKE works as a freelance grant writer and written extensively for corporate clients, trade magazines, and newspapers on a variety of topics. Her memoir, Getting to Home: Sojourn in a Perfect House, was published in 2009. “How Many Writing Books Does It Take to Write a Novel, Memoir, Nonfiction or Something besides an Annual Holiday Letter?” appeared in the 2010 debut issue of Line Zero, a literary-arts magazine. She is currently completing a novel that includes socially relevant topics on the health insurance industry (where she worked as an executive for fifteen stressful years), the pre- and post-Feminine Mystique generations, and the various ways of love. She uses Beckett’s “Ever tried. Ever failed. No matter. Try again. Fail again. Fail better,” as both her personal and writing guide. Her blog is www.thiscertainage.com, and her website is www.barbaraclarke.net.

Drive-By

O65A8574 (1280x853) — By Gina Easley www.GinaEasley.com

By Cathy A. E. Bell

Highway 50 is a memory map of smells. The dead rot of leaves compete with the wet scent of new growth. The promise of rain in the spring air makes me giddy like a child on Easter morning. My brother Dave and I are taking our eleven-year-old niece Cassidee home to La Junta, a small town where Dave and I grew up on the southeastern plains of Colorado. I’m driving us through the sprawling, open land while Dave points out familiar landmarks and Cassidee sings along with the radio in the backseat. Cattle-yard odor drifts in through the cracked windows, and Dave and I laugh through grimaced faces. Then we breathe in deeply. The scent of country. The scent of home.

Dave and I are looking forward to driving by the houses and schools of our childhood. Perhaps the urge to reminisce together is how we navigate this new phase of our lives so recently upon us: middle age. Even though our lives in Denver are separate now, we are reminded that we come from the same strands of DNA and the same places. I wonder if reliving our childhood through day-long drives, as we often do, gives us insight to the ways the past intertwines with the now. Sometimes we don’t know how we really feel until we come close to the object that excites us, or haunts us, or excites and haunts us all at once, like our mother.

Every few miles, we glimpse the Arkansas River. The slow-moving river parallels us about half a mile to the north, bending this way and that, its banks crowded with cottonwoods. We pass cows, road-side produce stands that aren’t yet open, and fields carpeted with bright green winter wheat.

Cassidee is the daughter of my half-sister on my father’s side. Cassidee is my only niece so I take her for visits as often as I can. During her spring break, I took her shopping and to eat at restaurants that can’t be found in small towns, and I gave her a ceremony and gifts marking her entrance into womanhood. Since I don’t have children, and because Cassidee lives with her dad instead of her mom (as I did), I feel an urge to mother her, an urge to give her the guidance I craved at her age. I had longed to call my mom the day I began to menstruate, but we weren’t speaking then. In the two years Mom and I didn’t talk that time, I had grown into a teenager and by the time we made up, she barely recognized me. Our relationship has always been on-again, off-again and I know that on this drive I will have to face her ghost because before we can get to La Junta, we have to drive through Manzanola, a town less than a dozen blocks long and half as wide. A town where she lives.

Any time I drive through this stretch of the highway in recent years, my breathing becomes shallow, a reaction to being close to things when it’s better to be far.

•••

We drive past a used tire shop, an antique store, and a run-down gas station. Boarded up windows and faded For Sale signs line the streets. When we were kids, these small towns were alive with restaurants and shops, but now cattle ranchers and farmers are the only commerce left.

I try to keep my emotional armor in place as we drive through town, but then Dave asks, “Hey, do you want to drive by Mom’s ranch since we’re so close?”

I shrug my shoulders. “I guess,” I say. Secretly, I’m glad he asks. “Do you think we can find it? It’s been a long time.”

It’s been five years since we’ve seen her. We can’t even be sure she lives here anymore, but chances are, she hasn’t moved and is probably at home. She might be drinking a cup of coffee, smoking a cigarette on her covered porch, and watching geese in the pond, or she could be with her third husband Ed, dressed in her plaid flannel jacket, stretch pants, and tennis shoes, checking in on the calves born in the last month.

She’s been married to Ed for almost twenty years. Because of Mom’s tendency to cast out her loved ones, it seems unlikely that she could be married to one person for almost half the length of my life, but Ed endures somehow. I admire him for figuring out the secret to my mother’s devotion.

The smallest things had always set Mom off. She’d pretend like everything was fine until the day it wasn’t, all the while adding to her mental tally of my wrongdoings (not paying enough attention to her on a visit, or mentioning her house was dusty, or dating a black man). When the list was long enough, she’d spring her reasons on me all at once, but never in person. Instead, she’d write me letters. No matter how many there were over the years, getting them in the mail never hurt any less.

I’ve tried not to take her hatred personally. She ends her relationships (her mother, sisters, and father, too) for inexplicable reasons. It’s not only me. But still, I’m not comforted entirely—being the rejected daughter holds a heavier weight.

•••

“Did we pass the turn already?” I ask Dave.

“Yeah, it’s back there,” he says. I turn around at the next block and backtrack. I pull off Highway 50 and make a right onto an even smaller two-lane highway. The path looks familiar though Mom only lived here for a few years before she quit speaking to us the last time. Before, she lived in an old, red, two-story farmhouse, tucked in a little valley among the hills and canyons, sage brush, and juniper.

I missed that ranch. Every time I visited her she had something new to show me: her latest bounty from farm auctions (antique crocks, an old sewing machine, a loom), flower gardens she’d planted (hollyhocks and lilacs), and the latest kind of animal she was raising (pigs, goats, dogs). Mom’s enthusiasm was infectious and our visits were full of hugs and kisses and catching up. Sometimes I’d even lay my head on her lap like a little girl, trying to make up for lost time. She’d smooth my hair and say, “It’s so good to have you here, honey.” When I left each time, Mom would load me up with a cage full of parakeets or a box of fabric from a farm auction or a plant. But my favorite time to visit was spring because that’s when the baby animals arrived.

Over an Easter weekend in my early thirties, Mom took me up to the loft of the farm house to show me her new incubator. She was excited to hatch her own eggs for the first time (rather than ordering live chicks), and carefully opened the drawer so I could see the brown, beige, and ivory ovals being kept warm. “If this works out well, I might try some geese and ducks next year instead of just chickens,” she said.

Sunday morning, I was sitting on the couch reading and heard peeping sounds. I ran up the stairs, two at a time, and pulled the drawer open to see chicks pecking holes through their shells. “Mom!” I yelled, “The babies are hatching!” She brought me up a basket to put them in. “Here you go. Just set them all in there. I’ll be downstairs finishing up breakfast,” she said.

As carefully as I’d once held a fragile praying mantis, I picked up each newborn as it broke free. I ran my finger over their yellow or brown heads before placing them in the basket. I’d never witnessed anything more amazing, all the babies coming into the world on Easter morning. The gift baskets full of chocolate bunnies and Golden Books I’d received as a child didn’t compare to this surprise.

After twenty minutes, one chick still struggled to escape his shell. I picked up the egg and broke the fragments away for him. The chick’s brown feathers were stuck together, still moist. His body was bent as it had been in the shell and he seemed flattened. I held the misshapen hatchling, knowing his fate wasn’t good. Sadness lassoed around my chest. Maybe Mom would know what to do.

“Mom?” I called again. “Something is wrong with one of them.”

She came back up the stairs and looked. “Yeah, I don’t think there’s hope for that one.”

“What are we going to do with him?” I asked.

“Probably just feed it to the dogs.”

This was her world raising animals. Birth and death. Often in the same day. She helped cows give birth on snowy nights, raised baby chicks, and when needed, shot sick animals, all without a thought. Once when I came to visit and asked where my favorite, fluffy, five-pound mutt was, the dog who always sat on my lap and went everywhere with me, she said, “Ed came into the house one day while I was drinking my coffee. He asked me if I knew I ran her over. I had no idea. The truck slid in the mud when I pulled up to the house.” I nearly cried out from the horror of the dead dog, but Mom showed no emotion. Maybe she cried the day it happened or maybe she was just numb with all the death around her. Any time she felt the slightest bit of guilt, she turned cold and hard. Perhaps she turned cold and hard with me, over and over again, because she was pushing away some kind of guilt. I’ll never really know.

As we drive towards Mom’s Manzanola ranch, the warming sun burns off the morning clouds. The sky begins to change from patchy gray to bright blue. We pass a boarded-up feed store and bump over the railroad tracks and that quickly we are on the outskirts of town.

I glance at Dave in the passenger seat. Even though our mom doesn’t want us in her life, she is present every time either one of us looks at the other. We have her blue eyes and full lips. She’s never far, especially for me. Every day I see her hands in mine: large palms, long fingers, wrinkled knuckles; and as I grow older, I’m shocked to sometimes see her in the mirror, instead of myself.

•••

For years I hated Mom for disowning me again that last time. Any thought of her was so painful, I just avoided the subject altogether, but writing about my early years, when Mom and Dad were married, has peeled away some of the protective varnish around my heart. I think sometimes she really did love me. For the first three years of my life, when Mom was only seventeen, eighteen, and nineteen, she diligently filled out my baby book in her beautiful, round handwriting. “At 7½ months Cathy waves bye, laughs like a goat, throws kisses, says Momma and Daddy and baba for bottle.” She wrote of how I loved my baby brother, David, and how I giggled when my dad chased me around the house. My first two sentences were “Oh, pretty!” and “Momma, see!”

And I know she must have loved me because I remember sleeping on the couch next to her—maybe I was two—blankie clutched in my hand, near enough to touch her while she folded laundry and watched TV. When she tried to carry me to bed, I cried and she turned right around and put me back on the couch next to her.

But her love has been capricious. She loves me for a while and then she sends a letter telling me it’s over. In my twenties she wrote, “I gave birth to you. Let’s just leave it at that.” Those words burned into my psyche. The unloved daughter. When she loved me, I felt whole. When she disowned me, I was broken. Up until my mid-thirties, I’d try to win her back again and again, and usually I would.

•••

“I remember it’s past the river a ways,” I say.

We’re getting closer now. I’m leaning forward against the steering wheel, feeling like we’re on one of our typical adventures—it’s a game Dave and I play—finding these places.

“Yeah, past the river. And then we turn right somewhere after that. Which road was it? Road A? Road B?” Dave asks.

We drive over the bridge and look at every dirt road, searching for a landmark to jolt our memories, but there aren’t many. It’s a vast, barren land, still brown from winter. Unlike the growth near the river, trees are scarce here.

Dave spots the Road B sign. “Wait, slow down. There it is! Turn here!”

Cassidee has shed her seatbelt and is scooted up between our seats now. She leans on the console. She’s excited, so I don’t make her put the belt back on—for now.

As we pull onto Mom’s narrow dirt road I ask Cassidee to find my hat. “Quick!” I say. “I need a disguise just in case we pass her on the road.” Dave is on the side of the car closest to her house, but I decide Mom and Ed won’t recognize him. He’s transformed himself into a biker since his divorce two years ago. His hair is pulled back in a ponytail and a long, bushy goatee hides the good-looking guy underneath. But Dave is more brazen than I am. I don’t think he’s worried about being spotted. It’s mostly been me who’s been disowned. Dave only gets cut off by default. It’s like we’re a package deal and she can’t love just one of us.

I put on my hat and sink down into the seat.

The houses sit far, far apart out here; it’s mostly flat land and fences. I turn off the radio and all we hear is the crunch of gravel beneath the tires.

I went back to therapy after Mom’s very last letter came five years ago. I had emotionally come undone, again. I wasn’t sure how to navigate my life without a mother. I had written an essay about my bond with my paternal grandmother and Mom found it online. Mom wrote in part: “I read your essay. You’ve hurt me for the last time. Don’t ever call or come to my house again.” Maybe Mom was upset because I wrote that my grandmother told me the story of my birth more times than Mom had. Or maybe it was the part where Gram says, “The nuns at the hospital all thought you were my baby.”

All the other letters that came before were signed “Sandy.” This letter was signed “Mom.” I sensed a hesitation in her signature, maybe the blue ink pooled on the paper. Perhaps she thought my loss would be greater if she remained my mother until the end.

•••

“That’s not it,” I say as we drive by the first house. Getting close, I almost forget Cassidee is in the back seat. Soon another house comes into sight.

“There it is!” Dave says. “That’s the one.”

I slow down. My pulse quickens. I’m afraid and not sure what she’d do if she sees us.

The small one-story house sits away from the road with its back to us. The dirt driveway is long, and I can’t help but feel the anticipation I used to when approaching her home. When things were good between us she’d greet and hug me the moment I got out of my car. “Hi, Pumpkin! I’m so glad you’re here!” She’d offer a spread of food when we walked into the house and when I left, she’d load me up with fresh eggs from her chickens (pink, green, and blue), pork sausage ground by the local butcher, and anything else that would fit in the car.

Dave and I point out the window: Look, you can see the barn! And that round metal roof—that’s the garage, remember? And her pond was on the other side of the house. It looks just the same.

Cassidee appears puzzled and wonders why we’re so excited and yet so afraid of being found out.

She doesn’t understand how a mother can quit being a mother. Even though her mother, my sister, has battled drug addiction, poverty, and even a nine-month term in prison, my sister always loved her children. Cassidee knows other kinds of mother-pain, but she doesn’t know the sense of abandonment. I’m thankful she’ll never have to drive by her mother’s house, afraid her mother will see her.

“What would your mom do if she saw you?” she asks.

“I don’t know. Probably tell us to go away,” I answer.

“Really? A mom could do that?”

A hawk circles high above us, looking for a snake or a chick, making a silhouette against the sun.

We get quiet as we pass by the house. Even if she were on the porch or feeding the baby cows, we wouldn’t see her since the porch and front door face away from the road. Her world is on the other side of the house, protected from the outside, protected from us.

I make a clumsy U-turn on the narrow lane, worried she might look out her window and recognize my white Saturn.

I joke that we’re stalking our mother. Dave is defensive and shakes his head. “No, we’re not.”

As we drive away from her house, I know what we have just done is an admission—one without words—a truth not spoken that we miss our mother. We don’t say it, but driving by is enough. We are still drawn to her, despite our efforts not to be.

I’m not sure exactly how my brother feels, but I can finally admit that I miss my visits with her: the ranch; her sitting at the kitchen table, bottle-feeding a rejected baby goat on her lap; the smell of straw and manure; the quiet and the star-filled nights. I miss my mother’s tall, round body hugging me—her large, wrinkled, ranch hands wrapped around my back; the smell of her, soap and cigarettes, maybe chicken feed and hay, but mostly a motherly sweetness that can’t be named, like how baby animals know the smell of their mothers. They don’t have to think about the scent; it just is. A connection from birth.

As we approach the river, I ask Dave, “Do you think she felt us just then? Maybe some motherly instinct kicked in that made her think of us, just because we were three hundred feet from her house?”

He thinks for a while before he answers. The river runs quietly under the bridge.

“I don’t know…maybe.”

I don’t say anything, but I think that maybe, just maybe, in that little moment, she stopped what she was doing and longed for us, too.

It is possible. A mom could do that.

•••

CATHY A. E. BELL writes creative nonfiction and is a member and volunteer at the Lighthouse Writers Workshop in Denver, CO. When Cathy is not writing or volunteering, she’s earning her living at the University of Colorado Denver fixing computers and servers (and other geeky things). She’s been published in The Rumpus, Hippocampus Magazine, and other literary journals. Visit her blog http://cathyaebell.com or say hello on Twitter: @cathyannelaine

Transportation

planes — By Gina Easley www.GinaEasley.com

By Wendy Wisner

We’re driving to my cousin’s wedding in Atlantic City. We’re on a tight schedule. We spin past the bare-branched sycamores. The ground is dotted with patches of snow. The wind lashes against our rickety Honda.

Ben says he’s too hot in his coat. Peter says he’s too cold. “Just wait. We’ll be there soon.” We’re getting closer. I begin to smell the waves of the bay.

Then Peter throws up.

We pull over, strip him down. He cries, his bare legs shaking in the cold. We toss his dirty clothes in a plastic grocery bag, find some clean clothes, mop up the vomit with baby wipes.

“Okay,” I say to my husband. “We’ll get there right when the ceremony starts. You’ll drop me off. I’ll change into my dress. I won’t miss it.”

We keep driving. Now the ocean is clearer, on the edge of the parkway. I inhale it. I, who hate to travel, inhale the ocean and its expanse, its freedom.

Finally, we arrive at the hotel. Bright lights, gold fountains, Roman god pseudo-sculpture. I was naïve; I expected a simple hotel. It’s like we’ve entered an amusement park.

Dizzy circles through the parking garage. My stomach in my throat. My mother texts me: “It’s okay. She won’t notice if you miss the ceremony.”

A parking spot, finally. I toss all our “fancy” clothes in a garbage bag to change into along the way.

We enter Caesar’s Atlantic City. Immediately the smell of cigarette smoke and misery. The blinking lights of the slot machines. The room begins to spin.

I say to my husband, “Here, watch the children.” I take out my dress and tights, my good bra. I hand him the garbage bag with the children’s clothes, and run inside the ladies room.

I change inside a stall, my bare feet on the cold bathroom floor. I tie up my messy hair, smear on some lipstick.

My husband has changed Peter into his button-down shirt and necktie. He hands me the garbage bag and Peter, then wanders off with Ben to change.

This. This is when I begin to fall apart.

Peter wants nothing more than to climb on all the slot machines. Peter will not stay in my arms. He twists away with all his two-year-old might. I try to carry him, the garbage bag of clothes, and my winter coat. And I cannot. I cannot do it.

My cellphone is low on charge. I have no idea which direction my husband has gone. I am completely lost, alone, with a screaming toddler who is half-covered in vomit.

I can’t hold onto all of it anymore. I can’t stop the panic from boiling over, from my belly, to my throat, to my eyes.

And then I’m not in my life anymore. It is 1983, and I am alone with my mother in the airport. The stench of cigarette smoke in our hair. Is it from the airport, or from the cigarettes my father has been smoking?

My father is gone. He left just as the snow began to fall in life-size, enormous chunks. Just as the baby started to blossom in my mother. Winter and spring colliding.

We are utterly alone in that airport. We do not know where he is, only that we are following him. The airport tilts as the planes rise up into the sky.

•••

The airport was the room between the worlds. But not a room. A cavern. A chamber. An expanse of white that stretched beyond where I could see. There were no exits, no escapes, no way home.

The only way to out was to get on a plane.

We watched the planes through the window—a giant wall of glass. The planes were larger than life. They were dinosaurs: standing still, then suddenly running, lifting their clobbering tails up into the air.

The airport smelled of gasoline, cigarettes, and diaper cream.

It was 1984, and my sister was a newborn, snuggled against my mother. But her presence was slight, muted. She was young enough to sleep quietly in my mother’s arms. She closed her eyes and ignored it all.

My mother and I walked up and down the corridors. We were marbles being rolled up and down and around the tunnels, gates, entrances. We were being rolled by the great hand of my father. He reached for us across the continent. He didn’t want us with him, but he beckoned us nonetheless.

He made us want to find him. He made us look for him in each man’s face we saw streaming past.

Had he shaved his mustache yet? Was it just growing in?

I looked for my father, though I knew he wasn’t there.

I wanted to leave. I didn’t want to go with my mother. I wanted to run away.

I stood at the top of the escalator, and my mother stood below. “Take me home,” I said.

My mother had no words. And now I see my sister for sure, my mother holding her, running up the escalator as it’s moving. There is no way to stop it from moving. My sister, the suitcase, the tickets—everything in her arms but me. It is clear that she can’t carry me as well, that I must will myself up the escalator.

And I do. I follow her. I get on the plane. I begin the endless journey of looking for my father.

•••

I have been trying to piece it together, the origins of my anxiety—why my mind so easily jumps to the worst-case scenario.

I have had to untrain myself from assuming that any time my children get sick that they are going to die. I have to shut out the thought that any time I don’t hear from my husband for a few hours that he’s in grave danger. It is their lives—the ones whom I hold most dearly—that are at stake.

I have some theories. The loss of my father is one. But I didn’t completely lose him. He didn’t die. He just left. As a child, it was a loss that felt like death, but I still saw him often enough over the years. I could still find him, wrap him up in a bear hug.

I think the feeling of doom runs deeper, back to my ancestors, back through my DNA.

The dead babies, the boat, the planes, the entrances, the exits. Portals into the world, and out.

•••

My grandmother slid the box out from under her bed. It was a beautiful brown box, old, faded around the edges, but nicely preserved. Maybe she was going to show me one of her hats, or try to give me another of her soft patent-leather shoes. (We had the same tiny feet, size 5).

She opened it up to reveal a small dress. Light pink, with a lacy, embroidered neckline. It was flattened and neatly laid, like something you would see on display at a museum. Small enough to lie flat in the box—a dress for a very young girl. You could almost see her lying quietly there.

I thought it was perhaps one of my mother’s childhood dresses, or one of my grandmother’s from when she was a girl.

“This is the dress of the girl who died,” my grandmother said. She drew out the word “died.” She had this way of being completely serious, but with an airy, dramatic flair.

Then she told the story. I only heard it that one time and was too scared to ask about again.

Her parents and their daughter were immigrating to America from Kiev, Russia. The boat was dirty, disgusting, people piled on top of one another, nowhere to sleep, living in squalor. There was very little food. Everyone ate rice, she said.

The little girl never made it to America.

My grandmother didn’t know how she died. And I was too shocked to ask.

“They named me Nachama, which means comfort, because I was her replacement,” she said.

But no one ever called her that. Her name was Emma.

She was Emma, my grandmother. But now I knew she was born after trauma, after the deepest loss imaginable. It would haunt her, and me, for the rest of our lives.

•••

We moved thirteen times by the time I was thirteen years old. We were chasing my father up and down the west coast. But there was also a restlessness on my mother’s part that propelled us from house to house—a search for the key to happiness.

I never felt that I had a home. Home was intangible, something reserved for daydreams.

And real dreams, too. I have always dreamt about the houses. I dream that I can go back to a home of mine, one that we left, and is still there, preserved as it was.

I dream of the apartment with the walk-in closet that I turned into a room for myself. I’d make stacks of toy money and play bank, or I’d take in all the books in our house and play library. I remember playing with my charm necklace, hiding the parts behind the coats. I think I tried to sleep in there, curl up into a little ball behind my mother’s boots. But I couldn’t relax. I couldn’t rest.

I dream of the apartment where I did have my own room. The twin windows that faced the mint tree. I’d crack the window open and inhale. My room with the full size bed in the center, the faded pink blanket, boom box on the bureau. When the earthquake began, first the windows rattled, then the radio switched itself off, then the lights. I walked out of my room as my mom and sister were coming out of the kitchen. We watched the chandelier sway, slowly, calmly, as though nothing momentous and devastating was happening.

And last night, I dreamt about the apartment I lived in longest. I knew it would enter my dreams soon enough—the apartment we left last summer. Both of my children were born there. I became a mother in those narrow rooms. Last night, in the dream, I stood in the living room, its soft brown carpet under my bare feet. The carpet felt wet, like soil that had been newly watered. A breeze was coming in. Ben’s stamp collection was lying open on the floor. The couch was gone, but the piano was there—the keyboard open, the keys whiter and brighter than I remember them.

I couldn’t say goodbye to that apartment. The last time we went, to get an ice cream sandwich my older son had left in the freezer (I kid you not), I didn’t want to go in. Because I hate endings. I hate last times. Especially when it comes to houses.

If I never have to move again, I will be eternally grateful. But I know we will move again someday. We rent our new home, and I have a deep desire to own a house someday.

If I own a house, it’s like I will never have to leave. I can grow old there. I can die there. I can sink into it. Get comfortable. A small square of earth that is entirely my own.

•••

Then there was the story my grandmother never told me: the story of the other baby, her baby, the first one. I don’t think they ever named him.

In those days, you didn’t talk about stillbirth. The doctor told them to grieve briefly, then try right away for another baby.

That’s one of the few details I know. That, and the cord wrapped around his neck.

In my mind, the cord is blue, the room is blue, the baby blue. Gray and blue swirling together, enveloping the room in a dense fog.

I wonder if they ever saw him.

Did they hold him? Could they bear it?

Their second son, Raphael, the angel, was born a year later, as the doctor recommended.

But where did the grief go?

You never saw my grandmother in grief, only in fear. Her sister gone, this baby, too. Life so fragile, so temporary.

My grandmother used to read the obituaries every day. She’d sit in the rocking chair next to the aqua-blue telephone.

Did he die as he entered the world, as he journeyed out of her body? Or did he die inside her?

My son Ben was born that way, with the cord around his neck. The midwife told me to stop pushing for second; then she deftly hooked her finger under the cord, and slipped it off him. He came crashing out of me, alive and screaming.

I don’t know what happened with my grandmother’s baby, but sometimes I imagine that I could save him—unloop that cord, set him free, stamp out the panic that passed from my grandmother’s body, into my mother’s, into me.

•••

I started walking when I was eighteen. I was coming out of one of the toughest times of my life: the first time I’d experienced a period of panic attacks.

It started the summer I turned sixteen.

I used to spend the summer with my father in California. That summer was brutal. I missed my boyfriend (who would later become my husband), and I was starting to assert myself in new ways—typical of the teenage years. I began to criticize my father and my stepmom. Harshly. I wasn’t pulling any punches. It got nasty, fast. They couldn’t handle it. They couldn’t handle me. I couldn’t handle them. And I felt trapped.

After that summer, I developed an intense fear of flying (obvious connection there—flying meant visiting my father). And, devastated by my abandonment, my father cut off all communication with me for a year. In that year, my phobias increased. Things I’d never been afraid of before became tinged with the most incredible, raw terror I’d ever felt.

I was afraid of all modes of transportation, really. Cars, taxis, the school bus. There had been a shooting on the Long Island Railroad, and I was sure it would happen again, to me. I was deathly afraid of mass shootings. I’d get nervous in crowded places. The diner. The mall. Thank God school shootings weren’t rampant at the time—I’m sure I would have been too scared to go to school.

I gained a lot of weight. I’d always been a normal weight—curvy as I became pubescent, but always in a normal range. I gained at least twenty pounds then. I ate to cushion my frightened body. I ate to silence my racing heart.

Somehow—I’m not really sure how—I started to come out of the panic. I decided to see a therapist. She wasn’t great, but just the act of going was good for me. And I started walking, both to lose the weight, and also because I found it amazingly freeing. It seemed to wash the anxiety out of my body. And I liked being out of my house. I liked the fresh air. I liked the endorphins. I liked being able, at last, to think clearly. I liked slicing through the world at my own pace. I liked looking at the perfect houses, with the perfect families inside (or so I imagined).

All these years later, I still walk almost every day. Sometimes with a baby strapped to my chest, or a toddler in a stroller. And on weekends, entirely alone.

Since this past summer, I have added some running to my routine. I’m not sure why. I had been having dreams about running. It seemed absurd to me at first. But the dreams were like magic, like I was gliding through space.

•••

When we moved to the new house last summer, we noticed several white beings swooping across the trees out in the distance, over the pond.

Later, we realized: egrets.

And then the four of us—even the baby—would wait until night came (it came late then, in summer) and wait for them at the window. It was magic. Pure and simple. These great, graceful birds, with wings that were quiet, long breaths.

As the earth cooled, the egrets retreated. Where did they go? No one asked. We moved deeper into the everyday. School started. The days got shorter and darker.

But I have thought over the months, where did they go? You always hear that birds go south. But really—where? Or do some die? I guess that’s what I really want to know.

I am obsessed with beings—people—coming and going. The way they wander in and out of lives. And how they get there.

My grandmother would always ask: How did you get here? By foot? Car? Train? She was interested in modes of transportation—fixated on the travel routes of the ones she loved. She wanted to make sure you would arrive at your destination in one piece. “Call when you get there,” she’d say.

The formation of birds as they migrate—of course it takes our breath away. The unspoken communication, the way their bodies seem to magnetize to each other. Don’t we all just want to know where to go? And with whom to travel? What comfort there. What grace.

Ben wants to get a new camera with a zoom lens so that we can photograph the egrets this summer to preserve the magic. We know it’s temporary. We want to capture it.

Just a week ago, the pond was covered in snow, and under the snow—ice. Now it’s melted, and the ducks swim smoothly through it. On the way home from a walk today, Peter and I heard them quacking.

Yes, spring. Which leads to summer. And all the birds opening their wings, returning home.

•••

We missed the ceremony.

After we were all dressed, we rushed through the hotel, past restaurants and gift shops, up escalators, around corners—everything sharply glittering. We found signs for the reception (there were many) and took the final elevator up to the very top of the building.

The elevator opened onto the wedding. The reception was in full swing. I saw the bride first, my cousin, towering over me in heels, her burnt-red hair, endlessly flowing shimmer-white dress trailing behind her. She was rosy-cheeked, in a just-married daze, and thrilled that we made it.

No guilt. No worries. No fear. We made it.

An enormous picture window overlooked the ocean. It was twilight, and the grays and blues from outside drifted into the wedding hall, bathing everyone in a warm, ethereal light.

I began to breathe.

I scanned the room for my family. There they were, my mother and sister, sitting on a leather loveseat together, plates of hors d’oeurves balanced on their laps. My mother and sister—strange and beautiful to see them here, in this otherworldly place, a place none of us had ever been before, and would probably never return.

For a while I just watched them, and time seemed to melt away. Then I looked at my two sons, who had quickly situated themselves in front of the window, cheek to cheek, watching seagulls sweep across the sea.

My husband appeared beside me, put his arms around my shoulders, asked me if I was feeling better, and walked me down the aisle toward the ones I loved.

•••

WENDY WISNER is the author of two books of poems. Her essays and poems have appeared in Prairie Schooner, The Washington Post, Literary Mama, The Spoon River Review, Brain, Child magazine, Bellevue Literary Review, Huffington Post, and elsewhere. She is a board certified lactation consultant (IBCLC) and lives with her family in New York. For more, visit her website www.wendywisner.com. Connect with her on Facebook and Twitter.

Like Mother, Like Daughter

By Lesléa Newman

A slim, tattered volume of verse with a dark stain on its gold cover is one of my most prized possessions. The book is called Poems for the Little Ones, written by Edie Scobie and published in 1925. The poems in it are rather dreadful:

I’ve dot a lovely dolly

Her name is Violet May

I always take her wiv me

When I go out to play.

It’s not what’s in the book that I treasure; it’s the book itself, which I received from my mother for my eighth birthday. When I opened it, I learned that my mother had also received the same volume for her eighth birthday. Given by her brother, my uncle Arthur, who was eleven years older than my mother, it is inscribed:

To Florence, from Arthur

January 25, 1935

A foundation stone for your future literary castle

Like me, my mother always knew that she wanted to be a writer. Unlike me, her dream never came true.

Even though I always knew in the back of my mind that my mother had once had literary aspirations, I didn’t think much about it. Growing up, my mother was just my mother: the person who put food in front of me, told me to clean my room, and took me shopping for school clothes every fall. When I became a teenager, my mother was someone to fight with about my short skirts, my long hair, and my militant vegetarian eating habits. As a young woman/budding feminist, I saw my stay-at-home mom as the symbol of everything there was to rebel against. And as a not-so-young woman, I relegated my mother to the sidelines of my life as I pursued my goal of being an author.

Though we always mentioned my writing career during our brief, once-a-month phone calls, my mother didn’t know the whole story. I sent home copies of my books that I knew she’d enjoy and could show off to her friends: picture books like Where Is Bear?, Skunk’s Spring Surprise, A Sweet Passover, and Runaway Dreidel! I did not send home books of mine that I knew she’d find upsetting, the thinly disguised autobiographical novels, short story and poetry collections: Nobody’s Mother, The Reluctant Daughter, Secrets, Jailbait, Just Like a Woman, Pillow Talk. These books starred the same protagonist (though she went by different names) who at various times struggled with an eating disorder, found herself in abusive relationships with men, came out as a lesbian, and always viewed her mother with an unforgiving disdain.

More of my books were published, more years went by, and then my mother got sick. She collapsed on a cruise ship and had to be airlifted to a hospital where she remained on life support for ten days. I flew across the country and remained at her side until she was well enough to come home. For hours on end I sat in her hospital room watching her sleep and contemplating our relationship. Our lack of closeness was something that I had always found extremely painful. And I had always blamed my mother for it. But of course it wasn’t all her fault. What could I do to bring us closer? I decided, though it was rather late in the game, to extend the hand of friendship and try to get to know her better.

A month after my mother was settled back home, I went to visit her. After lunch, I peppered her with questions. I wanted to know about her life as a young woman, if she’d dated anyone before she met my father, and whatever happened to her “future literary castle”?

“It’s not important,” my mother said, dismissing my questions with a wave of one manicured hand. Then she changed the subject. “Do you believe all this rain we’ve been having lately? Well, at least it isn’t snow.”

Since my mother was not forthcoming (to say the least) I called my “aunt” Phyllis, who had been my mother’s best friend since they were both ten.

“Oh, your mother was a very good writer,” Aunt Phyllis told me. “I still remember the story she published in Cargoes, Lincoln High School’s literary magazine.”

What? My mother had never told me she had written, let alone published a short story. Luckily my aunt never throws anything away and is very organized. Two days after we had this conversation, a copy of the story arrived in the mail.

I dropped everything and sat down to read, “M is for….” by Florence Levin.

All in all, it had been a pretty rotten day. If only I hadn’t shot my mouth off. It didn’t do any good. It never did. It only made things worse.

Whoa. My mother had written a thinly disguised autobiographical short story about shooting off her mouth? I read on. “Florence” is at the Sweet Shoppe where, “The rain poked an inquisitive finger through the doorway” and the “stool squealed in protest.” Florence, alone, and too upset to order a snack, watches the rain and remembers a recent fight she had with her mother. A huge fight that ends with the narrator thinking, “It’s a difficult thing to admit, even to oneself, that you hate your mother… ”

I had to put the pages down and ponder that sentence for a long time.

When I picked up the story again, it picked up with Florence remembering another recent fight she and her mother had:

“Look at her. She’s sitting there like a princess and I’m doing the dishes.”

“Please, momma. I’m doing my homework.”

“Oh so you’re doing your homework. So I suppose we’ll have to tiptoe around the house until you finish your homework. Pretty soon maybe we won’t be able to breathe if it disturbs you.”

“Oh, momma, please.”

“Oh momma, please. Oh momma, please again. A fine racket she’s got. She sits like a prima donna while I work until I’m ready to drop and nobody lifts a finger to help me….”

And the fight ends with Florence screaming words I had thought, but never dared to say aloud to my own mother: “I hate you, do you hear? I hate you! I hate you!”

Wow.

As Florence sits in the Sweet Shoppe alone with her memories, an “errant tear chased a freckle down [her] nose.” She studies photos pinned to a bulletin board of “Lincolnites” who are in the military and thinks of all the boys “over there” on Iwo Jima and in Germany.

I picked out the smiling face of my sergeant brother among the bevy of others…..Bob with his white teeth and broad shoulders. Bob who had set feminine hearts aflutter before the days of Tarawa: Before the mail stopped coming. Poor momma. It was such a long time between letters. She must be so terribly worried….

Why my mother chose to change her brother’s name but not her own remains a mystery to me. But no matter. The story ends with Florence coming to a new understanding of her mother.

I thought I had troubles. Troubles—why compared to momma—momma whose eyes had been reddened lately. Momma, who needed comfort so desperately lately. Momma, momma darling.

And as Florence comes to a better understanding of her mother, she suddenly realizes that she is hungry.

My mother’s story absolutely blew me away. It’s extremely well written for a high school student, full of sensory imagery, telling detail, authentic-sounding dialogue, and original metaphor. It makes good use of flashbacks. It has a clear beginning, middle, and end. Something happens. And in addition to literary merit, I was astonished by the similarities between my mother and her mother, and my mother and me.

Of course I had to telephone my mother right away. After we chatted a bit, I said, “Aunt Phyllis gave me a copy of Cargoes. I read your story.”

It got very quiet on the other end of the phone.

“It’s a wonderful story,” I went on. “You’ve got a lot of talent.”

More silence. And then my mother said, “Thank you.”

“So,” I said, going for a casual tone, “why didn’t you ever tell me about it?”

“I didn’t think it was important.”

“What else did you write?” I asked.

“I stopped writing after that.”

“Why?”

I could almost hear my mother shrug. “I didn’t see the need to pursue it.”

A thought occurred to me. “Did Grandma ever read the story?”

My mother paused. “She did.”

“What did she say when you showed it to her?”

“I didn’t show it to her. She found it. And she wasn’t pleased.”

I wondered if my mother could hear me nodding as I thought about what to say next. “You know, Mom,” I said, “I’ve written some stories similar to this one. Stories I’ve never showed you. Stories that might upset you.”

“So what?” my mother asked. “A lot of things upset me. Then I get over them.”

“Even stories about me and you?” I asked.

“Darling,” my mother said in a gentle voice, “don’t you know I’ve read everything you’ve written?”

“You have?” I asked, my heart pounding.

“Of course I have.”

“And?”

“And I think you’re a very fine writer.”

I started to cry. “But what about the stories where you and I—”

“It doesn’t matter.” My mother cut me off. “What matters is that you tell the truth. That’s what’s important.”

As I wept, it dawned on me: my grandmother must have said or done something to thwart my mother’s writing career. And my mother was not going to do the same thing to me.

“I love you, Mom,” was all I could say.

“I love you to pieces,” was how she answered.

From that point on, I showed my mother everything I wrote. She was generous with both praise and criticism. She had a good editor’s eye and often pointed out weaknesses in my writing that had slipped by me, the members of my writers group, my agent, and my editor.

Then she got sick again.

During my mother’s final hospital stay, she beckoned me to her bedside. “I’m giving you permission to write about all this,” she waved her hand around the room, “under one condition.”

“What’s that?” I asked.

“Promise me I’ll never have to read it.”

I promised.

After my mother died, I felt her presence most acutely while I was writing about her. My mother loved poetry, and I could feel her sitting beside me as I wrote sonnets, haiku, villanelles, and sestinas about her illness and death, and my own grief. Formal poetry provided the firm container I needed to hold my unwieldy grief. Two and a half years after my mother died, my book of poetry I Carry My Mother was published. As I held the first copy in my hand, I stared at the cover with its painting of red high heeled shoes (my mother loved shoes as much as I do) and my sorrow at being unable to show it to her was palpable. I like to think that wherever my mother is, somehow she knows that I made good on my promise. And that she is very proud.

•••

LESLÉA NEWMAN is the author of sixty-five books for readers of all ages including the short story collection, A Letter to Harvey Milk, the novel-in-verse, October Mourning: A Song for Matthew Shepard, and the children’s classic, Heather Has Two Mommies. A former poet laureate of Northampton, Massachusetts, she currently teaches at Spalding University’s low-residency MFA in Writing program. Her newest poetry collection, I Carry My Mother, explores a daughter’s journey through her mother’s illness and death and her own grief.

Ordinary Artifacts

By Samantha Vincenty

My gym bag’s zipper is broken. The crinkled fabric’s worn through at the bottom and it’s time to throw it in the trash, but I can’t. Not yet.

My boyfriend finds me in a daze on our bedroom floor, my hands on the empty bag in my lap like I’m clinging to a dead pet.

“You don’t have to throw it away,” he says, crouching down to look at me. He knows what it means, why I hold the receptacle for my sweaty socks in such high regard.

My mother died four years ago, but I’d cleaned out her apartment a few years before that when it became dangerous for her to keep living alone—she was one more forgotten stovetop fire away from harming herself and the other tenants in her building. I’d held on to the bag, among other things, ever since.

The bag is bright fire-engine red, not auburn red like the hair I was born with and the hair my mother dyed to match mine. Mom bought it at New York & Company, that bastion of career separates, as uncool as (or marginally cooler than) Ann Taylor. The zipper pulls resemble MTA subway tokens with an identical “NYC” cutout logo and the words “The NYC Style Authority” wrapping around the circle. I wonder if these details are why she wanted the bag. Maybe the faux tokens reminded her of riding the IRT by her childhood home in the Bronx, or commuting to her nursing job at Columbia Presbyterian before she gave birth to me and we moved to the suburbs that made her so restless.

The New York City subway stopped accepting tokens in 2003. My mother’s early-onset Alzheimer’s diagnosis came into full, horrific bloom that same year. I quit my job to become her part-time caregiver, using subway tokens to ride from Brooklyn to Grand Central. Three times a week I’d take a commuter train to Yonkers so I could take her on walks, clean up all of the nonsensical piles and mysterious stains she’d made around the apartment, and cook us steaks on her George Foreman grill. The oven was now officially off limits, and it was important to stay on-message: Never ever turn it on.

In 2003 my mother, an artist for most of her life, cried because she could no longer sketch or paint realistic likenesses. She forgot to love some of her favorite things (Pet Shop Boys lyrics, romance novels, tweezing her immaculate eyebrows), but I liked how she also forgot to refuse things that she’d previously sworn off (cream soda, sushi, a ludicrous soap opera called Passions). I was twenty-four and envious of the career pursuits my friends described over syrupy-sweet cocktails at happy hour. I drank more than I needed. I drank quickly, too, to forget how exhausting it all was but also to make sure I was having the fun I thought I so richly deserved. In those days my mother would call me constantly to ask when I’d be back, sometimes just hours after I’d been there. Her thoughts were getting foggier by the day, and she hated being alone with them. She still remembered who I was.

By 2004, subway tokens were out of circulation, and I used a Metrocard to get to Grand Central. Mom didn’t want to move into a nursing home, but at twenty-five I had burned through my savings and needed to find a job. Worry, about my future and hers, stole hours of sleep from me at night. My mother needed full-time supervision—in addition to the stove fires and sink floods, she had started wandering the streets alone, forgetting where she lived. So I returned to Yonkers to sort my mother’s things into three piles: Discard, donate, or keep. I kept the red bag because I wanted something she’d used in her normal, pre-illness life. It served me well for a very long time, but now the bag’s demise feels like another ending.

I know I’m not alone. A colleague who lost his father two years ago recently told me that he rummages through his parents’ drawers just to touch his dad’s folded clothes. “I like, lay on his side of the bed and try to smell the pillow and shit, even though I know it’s been washed.”

We’ve talked about that connection we all yearn for, between a lost one’s tangible things and their memory. We need the artifacts. No, I don’t want my small New York apartment to be a Dead Mom Museum. But should I let go of something if it feels like a fresh burial?

I’m still not sure. So the bright red bag remains on the floor, unused and un-useful, while I figure out what feels right. I may turn one of the subway-token zipper pulls into a keychain, as a functional monument to a time that fundamentally shaped me as a person.

There are two zipper pulls, actually, and I’m keeping them both: One for me and one for the woman I remember.

•••

SAMANTHA VINCENTY is a freelance writer and editor living in Brooklyn. Her writing has appeared in The Hairpin, Fuse.tv and BUST, and she is currently at work on a memoir. She tweets about music, pop culture, and weird stuff she finds on the street as @shermanther.

Modern Day Savages

By Andrea Mummert Puccini

Maybe it’s nothing to be proud of, but tonight I felt my life coming together at a chichi grocery store. At home, things are in disarray, beyond disarray: the result of multi-front home improvement projects undertaken by my husband Stephen, perfectionist and reluctant decision maker.

Acrid fumes volatilize from newly varnished kitchen cabinets. The bathroom stands hallow, stripped of its porcelain fixtures. On the wide douglas fir boards where the tub once stood, the contractor applied an outdoor-only rot-prevention paint. Cursory internet searching vaguely links its ingredients to neurological problems. An oil-based primer seals off that toxic layer but simultaneously introduces hydrocarbonic vapors to the mix. A layer of dust covers the floors, ledges, and window sills. Mostly disintegrated plaster, but molecules of cancer-causing petrochemicals certainly encase each tiny particle.

All of this might be okay for us, but not, I think, for the developing lungs of our not-quite two-year-old son Nico.

We have already been staying at two other places, first a housesitting gig, then the rental house next door ours, until it was rented, which it now is. There is nowhere to go except Miriam’s, while she and her two kids are back east visiting family.

After work, I pick up Nico from his sitter’s and meet Miriam at her house to put dibs on it. If I feed her cats, we can stay there. It buys us a week out of our place.

Miriam tours me around, apologizing for the mess. She opens the door to her playroom, swinging it wide with a ceremonious ta da gesture. Behold. Here, a child’s plastic basketball hoop, the net torn, juts at an angle from a cardboard box sliding off a Navajo rug folded across the arm of a badly cat-scratched sofa. Nearby, a red and black checkerboard and two palm tree bookends are viewable in a thirty-two–gallon aquarium. Normally I don’t care anything about messes, but with this much chaos I’m concerned that keeping an exploring toddler out of trouble will be a challenge. I make a mental note to keep this door shut.

Cats are independent. This sink drain goes nowhere. The water gets hot quickly. The door is locked when the knob’s button is horizontal.

“This is Maya’s pet beetle.” A little roll of Miriam’s eyes. “It was one of those meal worms. Its name is Pepsie. I don’t know what she’s doing.”

(Assume it will die. Assume it won’t stay in the container.)

“Maybe,” Miriam ventures, “when we’re back, you could stay at the house down the street that’s for sale. You’d love it. There are so many kids around, and it’s nice to be so close to Whole Foods. We even memorized the dinner sales. Monday night is burritos. Wednesday, the rotisserie chickens are only six dollars. “

I say yes. Yes to the chickens. I bought a rotisserie chicken at the Co-op last week. It was the best thing I did all month.

She agrees. “My kids love it. I got three meals out of it!”

Our enthusiasm is delivered slightly deadpan, winking and grimacing to ourselves. After all, I once made a practice of pressing my own soy milk to avoid the non-recyclable foil lined packaging. But now I embrace chicken in a plastic bubble.

Miriam and I agree to meet up at Whole Foods after she makes a spare key to the house.

•••

Gleaming steel grocery cart, with a tray projecting in front of the child seat. In the style of a cookie cooling rack, the tray has narrowly spaced metal bars such that Nico’s little wooden Gold Dust Thomas Choo Choo can perch at an angle between two bars without falling through. Off to one side, a circular gap in the tray can hold his sippy cup. This thing was built for us.

Even so, it’s difficult to get through the store. Tired and hungry, Nico writhes in the seat, straining against the nylon seat belt. He grabs my coat collar and tries to pull himself out. He yells.

At last the checkout line. And there at the end I see just the set up I was looking for:

Tall tables, bar height, and stool chairs. Twisted cast iron legs and slate tops. Behind the table, a smoky-gray tinted mirrored wall, an attraction, engagement for a toddler. More wholesome than TV, like a fish tank.

I must have expected to look alright by that half light, because I startle at my first glimpse of myself in the mirror, dark circles under my eyes, my hair pulled tight with frizz escaping along the hairline. I do look how I’m always afraid of: old.

But, hey, the cart pushes right up to the table, the seat at just exactly same height as the tabletop.

Looking down at our browned chicken, condensation forms under the plastic dome. A paper ribbon seals the package. Everything would be perfect if I had a knife and napkin. I can’t muster the will to leave the table and venture to the silverware bar.

I pull the chicken apart with my fingers, but the avocado?

Nico screams, “AVO AVO!”

He is loud. People in line look at us.

One man radiates judgment. Does he think this is how we eat every night? An entire encapsulated chicken between us? Popping the airtight seal to tear meat from its bones?

I look over toward the counter of silverware, and there is Miriam, wondrously materialized, bringing napkins and forks and knives and Maya.

We take up a conversation that we, two mid-Atlantic transplants to central California, have been having since we met seven years ago. Without even mentioning any of it, we talk about the greenery, the rain all year, the architecture, the pull of home.

“How long have you been here?”

“Eight years.”

“You?”

“Twenty years. And you know, as recently as last summer thought I’d move back, but not anymore.”

“How old are you now, Maya?”

“Seven.”

I had been staying with Daniel while Miriam and her friend made the trip to bring Maya home from China. When I ask how she did it, I don’t mean it to be patronizing. I remember the autism parents who have said simply you would do it too.

But Miriam says, “I don’t remember. I felt called.”

I don’t remember her complaining.

She says she actually doesn’t remember much of the first couple years, when Maya was one and two, and Daniel was four and five. It was too busy to remember.

As we talk, I recall the stone statues of basket-carrying ladies just outside that adorn the exterior roofline of this grocery store and remember an essay that came through my writing group describing their architectural and mythological history. Remembering those moments of hearing that essay cinches that time together with this time at the table, the stitches of my life gathering tighter. The mirror behind the table reflects Miriam and I, where we have arrived through this more than half-decade of conversation.

And with these threads pulling through time, I am back in memory to a day in Virginia, snow flurries swirling out the window all day and late afternoon as dark falls, until I had to turn on the porch light to check if they were still falling. One year to the day after you died, Mom.

There in the kitchen, I reflected on Isak Dinesen’s writing about the pattern of a life, a pattern that can only be discerned with the space of time. As if looking down from above on a person’s life—the movements and places travelled—the pattern will emerge like a constellation shape. I believe Dinesen described the shape of a wading bird, but I never have been able find those words again. In the Virginia kitchen, warm and light with snow outside, I thought of your life. What was the bird pattern? Was there one, if you had trouble seeing it even at the end? What if the path never did arrive?

I think of you talking about the way you would watch your Christmas tree. Your childhood trees with real candle flames and weighted metal tinsel lametta sparkling. Shining silver balls hanging half hidden toward the interior branches. Light glinting between these and the ornaments with miniature scenes inside half-glass globes. On our oral history tape you said, I remember just sitting in front of the tree. The reflections of all the little lights. I could just sit there for hours and watch it, because the icicles would move because of the natural candles, because they would move. A door opened or some little wind would come, and it was going through the whole tree and it shifted all to one side.

I imagined your life as that tree, a web of moments, points, reflecting back and forth each other, amplifications and interferences. All the moments like tiny hanging mirrors.

The next day, when I get to Miriam’s, there will be a note on the container where Maya’s beetle lives. In blue crayon, in child’s variably sized lettering, it says:

Please chang apple every DAY (drawing of beetle) Two little sqeres of apple (heart).

Also labeled are Pepsie bed and Pepsies tunnel.

Most of the week, I ignore Pepsie. He has a chunk of apple, although it looks browned and withered on the outside. On the last day, I cut a small fresh slice and put it next to Pepsie’s toilet paper roll cave, and, unbelievably, he trundles out right away, and extends some sort of proboscis and sucks, sucks and sucks, on the apple.

I leave Maya a note: I think Pepsie missed you.

But this I don’t know yet as Miriam and Maya and Nico and I finish dinner together, and somehow it feels leisurely.

Before I head home, I pat my pocket and discover the change that I’d scavenged from my car the day before, when I’d planned to get some cocoa but then misplaced my car keys and missed the chance.

I walk up to the beverage counter to buy cocoa for the road. The young man tells me that Harvest Cocoa is the drink of the hour. I can get any size I want for the price of a small. I get a medium.

Carrying it in one hand, I push Nico out to the car. It is dark, and light sprinkles have started.

One of the first rains of the year in this place where we go months without rain. The rain feels like everything. The dirt, the leaves, the stomata, the dirt, even the sand in the sidewalk opens up. Like pores. Breathing. Drinking. Petrichor.

Driving now, I pull the car off the dark access road into an Amaco station, lit bright as an alien outpost. I swipe my magnetic strip and stand by. I try not to inhale too deeply the vaporized hundred million year old liquefied remains of giant reptiles as they are pumped above ground to burn in the furnace of my car, propelling our course home.

Tank full, I swing out and onto the highway ramp.

We drive the twelve straight miles on the highway. Through fine rain drops, red tail lights stream out in front of me and white lights trail the other way. And I am so surprised to register a net of connection around my heart as we slip along this path of least resistance.

•••

ANDREA MUMMERT PUCCINI is a mother, environmental biologist, and writer. She is a native of Maryland and the Chesapeake Bay lowlands. She now lives in northern California with her husband and two sons, where she works with farmers and ranchers to improve water quality and create wildlife habitat on agricultural lands. She co-authored California Wildlife: Conservation Challenges prepared at the University of California, Davis, and her work has appeared in the Yolo Crow, Pilgrimage, River Teeth online, and a number of scientific journals. She can be reached at http://andreamummertpuccini.blogspot.com/

How Can You Be Mad at Someone Who’s Dying of Cancer?

By Deesha Philyaw

How can you be mad at someone who’s dying of cancer? It helps if you don’t yet know she’s dying, if you think the doctors are just trying one more thing. It helps if she is your mother and if she’s just driven you crazy your whole life, but insists on a kind of love that leaves you unable to breathe and sick to your stomach from her phone calls or from the mere thought of her visiting you or you visiting her. It helps if she is obsessed with you, her only child, because she believes God sent you to her teenage self to love her since no one else did. It helps if she pours her whole life into you, but you never asked her to, and you would have rather she not, just so you could fucking breathe and dress conservatively and keep the pasta separate from the sauce and breastfeed your baby and buy organic, without her judging you from the valley of her insecurities.

All of that helps you to get mad at someone who is dying of cancer, especially when she doesn’t seem to be doing everything she possibly can to keep herself alive.

“The church was selling fish dinners today.”

“You shouldn’t be eating fried foods.”

“Oh, girl. I pulled the fried part off.”

But what about fruits and vegetables? Whole grains? But I know the answer to that. Cancer is no match for five decades of emotional and cultural eating. So I shut my mouth because the last time I tried to talk about what was broken in me-her-us, she accused me of always using “big words and psychological terms,” when in fact I had used no words larger than, “I can’t do this with you anymore. I’m calling a cab, and I’m leaving.” My college education and my intellect were apparently weapons I wielded to intimidate her. One day out of the blue when I was in my thirties, she said, “I finally found the word to describe the way you made me feel your whole life: intimidated.”

I think the problem started when I was born. My mother said, “I thought you were going to be dark like me with chinky eyes and wavy hair. Like a doll.” Alas, I was born medium-brown, bald, with huge eyes not associated with a racial slur. “Your eyes were so big that for the longest time, they would just roll around because you couldn’t focus them,” my mother said. “I burst into tears when I saw you. And your hands were so tiny. Until you got pregnant, I always thought that meant you wouldn’t be able to have kids.”

Please don’t ask me to explain that last part. I have no idea what my hands and my fertility have to do with each other. I do know that I wasn’t what my mom was expecting. She wanted a dark chocolate doll that would grow up to make the same choices she would have made if she’d had the dolls’ options in life. A doll that liked all the same things she liked—bright-colored clothing, the right amount of condiments and paprika in her potato salad, makeup.

Oh, the makeup! So when I was in the eighth grade and about to turn thirteen, many of the girls in my grade wanted to wear makeup. About half their mothers allowed them to. The other half made up their faces in the bathroom at school in the morning and scrubbed it off at some point before getting on the bus at the end of the day. Lucky me, I had one of those makeup-permitting mothers. Unlucky for her, she had a daughter who couldn’t give two shits about makeup. It just seemed to me like a lot of effort and for no good reason. But as my thirteen birthday approached, my mom was stuck on the idea that a cute little pouch filled with my own cosmetics would make the perfect gift. Meanwhile, a stack of V. C. Andrews books was my idea of the perfect gift. But according to my mother, that wasn’t a “real” gift. To hell with the fact that this was my birthday. She was determined to get me a real gift and it would be makeup.

“I don’t want makeup. But thank you.”

“Don’t you remember how nice you looked at James’ wedding when I let you wear makeup?” I had been eleven when my uncle, my mom’s younger brother, got married, and while I hadn’t been made up against my will, I hadn’t asked for makeup.

“Yes, but I don’t want to wear makeup. Thank you, though.”

“But why not?”

“Because … just because I don’t.”

“Well, I wish my mama had let me wear makeup when I was your age.”

But. I’m. Not. You.

“I don’t want to wear makeup.”

“No, really. You should,” my mother said, fixing her eyes hard on me. “You should.”

And it was that last “you should” that did it. I don’t mean that I relented; I didn’t start wearing makeup regularly until around eleventh grade. But that “you should” crushed me. It crushed the microscopic part of me that dared to think that my “big for her age” self was maybe kinda a little bit cute and sort of not too fat. “You should” meant that makeup would make me look better, more presentable, less homely, more like I belonged to my gorgeous mother.

My mother was one of the most beautiful women I’ve ever seen. I actually preferred her without makeup. Her beauty didn’t need any help. She had a glorious ’fro when glorious ’fros were in, the first time around. And her smile … My Lord. The woman had perfect lips and perfect teeth, and together, they were brilliant. And until loneliness, depression, and her changing metabolism took its toll, my mother had what folks back then called a “brick house” figure, so named for the popular R&B song by The Commodores.

“You should” was my mother’s go-to tactic for shaming me into liking what she liked, and caring about what she cared about. As in, I should care what people would think of me if I didn’t dress or carry myself a certain way, i.e., like her. My mother cared a lot about appearances, literally. Overwhelmed by mother’s obsession with how others might find me lacking, I became ten times more self-conscious than your typical self-conscious teen. It was debilitating, and I was damn-near thirty-five years old before I realized that most people didn’t size me up critically the minute I entered a room; they were probably too busy trying to get free of their own mother-induced neuroses to care if my clothes were wrinkled or how my hair looked.

Twenty or so birthdays later, and a few years into my mother’s cancer diagnosis, I finally got up the nerve to tell her how much that “you should” had hurt and how I had carried that hurt into adulthood and how her shaming me over the years had contributed to us not having the kind of relationship she said she wanted us to have.

Her response? “Huh. I don’t remember that at all.”

Which is why I shouldn’t have been surprised by her reaction later to the whole stolen ring thing, which became Reason #14 Why You Might Be Mad at Someone With Cancer.

But before I get into that, this is the part where I pause to make sure you don’t think my mother was a horrible person or a bad mother. She was neither of those things. This is important and needs to be said because we don’t allow mothers to have done some shitty things in the course of their parenting career and still get credit for the good they did. In our cultural consciousness, either mothers are saints or we’re driving our minivan full of kids into the river. And in the final tally of who I am because of my mother, I believe she did far more good than harm. She was a loving mother who sacrificed for me, and I always knew that my needs and many of my wants were her priority. If I am generous, hard-working, hospitable, responsible, and a person of integrity, I owe it in large part to my mother’s example and guidance. Even in her flaws, she had raised me to do as she said, not as she did.

She also raised me, ironically enough, to speak up for myself. But I guess she just intended for me to do this at school and with other people besides her. At any rate, this knack for being my own advocate came in handy in sophomore year of high school when I got straight A’s for the first three grading quarters, and then all A’s and a B in gym class in the last quarter. I was livid. How dare the gym teacher, of all people, fuck up my 4.0!

I went to see the girls’ dean of students who had taken me under her wing, but she wasn’t in her office that day. Another administrator was there and she did her best to calm me down. She listened as I rattled off all the reasons that this B was some bullshit. Ultimately, my grade didn’t get changed, but what did happen is that this administrator remembered me and my righteous indignation. So a month or so later, when our local Congressman’s office contacted her to recommend a rising junior who was mature and academically talented enough to spend the first half of the coming school year living and working on Capitol Hill as a page in the U.S. House of Representatives, this administrator recommended me.

The day I was due to arrive at the page dorm also happened to be my sixteenth birthday. My mother had been eager for this day for many years, because it would also be the day that she gave me one of her prized possessions: a gold ring shaped like a rose with a stone at the center of it that may or may not have been a diamond. When I was five, a guy she had dated had given her this ring. I knew from overhearing my mom’s conversations with friends that this guy was a thief. And yet, for eleven years my mother had worn this ring and gushed to me about how when I turned sixteen, this stolen property would be mine, and then one day, I would give it to my daughter (if I had one … you know, with my small hands and all), and my daughter would give it to her daughter…

This was my mother’s attempt to create a family heirloom. But the things that my mother gave me that I want to pass on to my daughters can’t be placed in a ring box, or any box. They are things of spirit and heart. But my mother didn’t treasure these gifts. When she was dying, I told her how much I treasured them, but that only added to her grief that she had, in her words, “wasted so much time on us, on things that didn’t really matter.”

But she didn’t have that insight in 1987. So, as ceremoniously as you can be in the page dorm, my mother presented me with the ring. I acted excited because I knew that that was what she wanted, but all I kept thinking was, “This ring was stolen.” And I wore the ring for exactly sixteen years and nine months.

The day I took the ring off and never wore it again, I was in Florida with my kids, visiting my mother. About four years earlier, she had been diagnosed with breast cancer. When she had called to tell me, I’d been a few months into a self-imposed hiatus from her. I’d finally decided that I couldn’t take her guilt trips and criticisms of my life and choices anymore. I needed a break from her. I told her not to call or email me, and not to expect to hear from me. Indefinitely. I can’t remember what the straw was that broke the camel’s back, but I do remember that a year or so before the hiatus, she’d sent me a pair of burgundy jeans (she was always sending me clothes that I never wore) and got upset when I said that I hadn’t worn them and had no intention of wearing them because I’d asked her countless times to stop sending me clothes 1) because I was an adult, and 2) because the clothes she sent weren’t my style. “But your style is boring!” she’d said. And this was the argument in which she denied ever being critical of me.

So. Something else happened after that, and I decided to take a break from her. And then she got the cancer diagnosis, and fuck. So I ended the hiatus and learned everything I could about cancer and how we could save her life. It didn’t take long for me to realize that I couldn’t save her life; I couldn’t even get her to change her eating habits. So I began to mourn her while she was still alive.

June 7, 2005, was a ridiculously hot day in Jacksonville, Florida, which is saying a lot. But my mom wanted to take my daughters to the zoo during our week-long visit, and I agreed, even though I wasn’t really up for it. My mother had told me that her doctors were going to try one more treatment, but they weren’t sure if they could do anything else for her after that. My beloved grandmother, who had helped my mom raise me, had died from ovarian and colon cancer that January. I was in the middle of a separation, heading to divorce. And the last thing I wanted to do was spend the day out in the heat. Needless to say, I was miserable, but of course my mother wanted to invite a drunken neighbor and her grandson to go with us to the zoo. In the monkey habitat, the neighbor kept screaming at the monkeys to shut up. I wanted to push her into the tiger pit.

On the ride home, my period started, just to cap off such a glorious day. I had to stop off at CVS. I left my mom and my kids in the air-conditioned rental SUV, so that I could at least be alone in the store. I picked up what I needed and stood in line. Someone behind me tapped me on the shoulder.

“Excuse me, but you just cut in front of me in the line.”

“Oh, my god! I’m so sorry!” I said to the woman behind me. And when I said this, I grabbed the edge of the counter because I thought I would faint. How had I missed this entire line of people?

The woman looked down at my hand and said, “What a beautiful ring!”

It was the stolen rose ring my mother had given me. “Oh. Thank you,” I said.

The woman continued. “You know, I had a ring just like that. Back in the ’70s. I bought it with my very first paycheck, but …”

No. No. Nononononono.

“…somebody broke into my apartment and stole it.”

“Oh. Well…My mother gave me this one…”

I wanted to go outside and drag my mother out of that SUV and… And what? She had cancer. How can you be mad with someone who has cancer?

I thought about giving the woman the ring. “Here’s your ring, ma’am. My mother suffers from some kind of condition that made her think that not only accepting a stolen ring as a gift was a good idea, but that she should also give it to me to pass down through the generations of our family. Please understand.”

But I couldn’t risk getting arrested.

I felt like shit. I felt like shit and I hadn’t done anything wrong.

Except accept stolen property.

From my mother.

But it was only because I didn’t want her to feel bad.

The woman kept chatting about how she’d lived in Jacksonville until the early ’80s but then moved to Dallas where she was a nurse (I think). She was home visiting her mother, who, as it turned out, had cancer. I told her that my mother also had cancer, and we gave each other that knowing “Fuck cancer” look. And then she let me go ahead of her anyway in the check-out line and wished my mother well. I wished her mother well too and then headed back to the SUV.

“There was a woman in there in the check-out line who saw the ring you gave me, and it turns out your boyfriend stole it from her all those years ago. It was her ring!”

“Hmmm,” my mother said. “Small world.”

A little over two weeks later, I was back home in Pittsburgh when I got the call that my mother had been hospitalized. She was in so much pain that the doctors didn’t expect her to survive the night. But she did, and when I arrived the next day, having caught the first flight I could after getting my kids situated with their dad, I went straight to the hospital. When I walked into her room, my mom’s best friend was there, and my mom beamed at her and said, “Oh, look! Deesha came!”

As if there had been a question of whether I would or not, continuing the pity narrative that my mother had kept up amongst her friends that I was just too busy with my own life to be concerned about her. I found out later, after she’d died, that she had known her cancer was at stage 4 for several months before telling me. She had told everyone but me. But she didn’t tell her friends that she hadn’t told me. So when they asked why I hadn’t come down to see her, she’d say, “Oh, you know … she’s just so busy with her own life.” So of course I looked like an asshole of a daughter, and everyone felt extra sorry for my mother because she had cancer and an asshole for a daughter.

In the two months I spent in Jacksonville when my mom was dying, I had to contend with people thinking I’d been a negligent daughter, while also tending to all of my mother’s complicated affairs and trying to see my kids whenever their dad was able to fly them down to me. My kids were six-and-a-half and one-and-a-half at the time.

My ex had known me, and by extension, my mother, since I was eighteen years old. He knew better than anyone how much grief my relationship with my mother had caused me over the years. When she had contacted him behind my back during the hiatus, hoping to make a surprise visit for my birthday … during the fucking hiatus … my then-husband had gently explained why that would be a terrible idea. “It’s like when you hold a bar of soap in the shower,” he’d told her. “If you hold on too tightly, the soap will slip away.”

And I had slipped away from my mother, long before she slipped away from me in death. But then I came back, in the ways that I could, in the time that she had left. On a yellow legal pad, I made long lists of things she wanted and things she wanted done after her death. How to distribute the vast contents of her costume jewelry collection, who to give the canned goods in her pantry. A big party at the hospice center for her and a hundred of her closest friends. Directions to pay her best friend’s utility bills for a year. Permission to give her brothers absolutely nothing since, in her estimation, she had given them enough money already over the years because she’d felt guilty telling them “no.”

“Don’t let them or anyone make you feel guilty for doing what you want to do,” my mother told me. “Live your life.”

I had waited my whole life to hear those words from my mother. I ached that they came too late for us to both fully enjoy the aftermath together, but I’m so very glad they came. Her words freed me.

My mother was lucid for most of her time in hospice. And not just lucid, but often hilarious. There was that a-hundred-person party at the hospital adjacent to the hospice center. My mother insisted on doing her own make-up and having a decorative cover for her colostomy bag. Someone alerted the local news, and they sent a camera crew and a reporter who asked my mother, “How does this celebration make you feel?”

And my mother, her voice heavy with Dilaudid, said, “Popular.”

And there was that day a childhood friend stopped by. He told my mother that he’d always had a crush on her, growing up. She’d been skinny and asthmatic as a kid, but he thought she was beautiful. “And you still are beautiful,” he told her.

After he left, my mom said to me, “Fine time for him to tell me alla that. But girl, look. I’m on my deathbed, and I still got it goin’ on.”

This is why I felt my mother would not mind how I dressed for her funeral. I had become obsessed with not sweating at the funeral, so I found this cocktail dress, above-the-knee, sleeveless, more “after 5” than “your mother’s funeral.” And I wore backless heels that were anything but conservative. And I think I strutted up to my mother’s casket because you can’t do anything but strut in heels like that.

And I’m pretty sure my critics among my mother’s friends did not approve of my attire, but I didn’t care. I didn’t sweat and I didn’t faint and I survived the day. And I’ve survived the many days since then, knowing that my mother died fully aware of how much I loved her, how much I had always loved her, despite all of the fights and frustration.

I wish that I hadn’t needed my mother’s permission to live my life. I wish that I had just been able to live it and ignore her criticisms, without having to hold her at arm’s length. I wish I had been strong and confident enough in myself to do that while she was alive, instead of having that strength and confidence ushered in by her death.

My mother’s death hasn’t changed what I remember about my relationship with her, but it has caused me to filter the memories through a lens of understanding, gratitude, and humility. I have to show my mother this grace if for no other reason than I hope my own daughters will do the same for me. My mother’s utter obliviousness to her parenting missteps forces me to recognize the likelihood of my own misinterpretation of my parenting actions and intentions. What I see as well-intentioned and helpful, my daughters could very well experience as overbearing and judgmental. What I offer as guidance might feel to them like pressure and shaming. I can’t dictate their experience, and I won’t tell them how to feel. I can only communicate my desire for them to be free to be who they are, even when I can’t relate. And I can keep the lines of communication open so that they can tell me what they need from me in order to thrive, even when it’s hard for me to hear. I can do the very best I can with what I know, which, I believe, is what my mother did.

•••

DEESHA PHILYAW is a Pittsburgh-based freelance writer. Along with her ex-husband,, she is the co-founder of co-parenting101.org and the co-author of Co-Parenting 101: Helping Your Kids Thrive in Two Households After Divorce. Her writing has been published in The New York Times, The Washington Post, The Pittsburgh Post-Gazette, and Essence and Bitch magazines. Deesha’s other work includes contributions to anthologies such as Literary Mama: Reading for the Maternally Inclined; When We Were Free to Be: Looking Back at a Children’s Classic and the Difference It Made; Motherhood Memoirs: Mothers Creating/Writing Lives; Just Like a Girl: A Manifesta; Women’s Work; and The Cassoulet Saved Our Marriage: True Tales of Food, Family, and How We Learn to Eat.

End of the Road

wings tattoo — By Gina Easley www.GinaEasley.com

By Dina L. Relles

The beat-up Volvo station wagon hummed softly. It idled in the vacant parking lot of the sports stadium at the far corner of campus. My hands lay in my lap, my legs folded underneath me against the tan leather interior. We weren’t touching; I could feel his familiar look of desperation from across the console. Even in the half-light, I glimpsed that endearing gap between his two front teeth.

The clear New England night tapped at the windows, but the air that hung between us was stagnant. Heavy with the weight of our weekend away, it held the closeness of two people who’d traveled together. I fiddled with the fraying fringe at the bottom of my jeans as he spoke.

“Which is more likely?” His voice cracked. “That your parents would get over you marrying a non-Jew or that you would get over me?”

There it was: our impasse. It was just like him to cut to the heart of the matter.

•••

There is a framed picture on my parents’ mantel of my father holding my face in his hands. We’re both crying, though he is not a man of tears. He was whispering the traditional blessing parents give to their children every Friday night—and there was something else too, words I can’t quite recall. But what remains in the sieve of memory is the sound of relief mixed with hope.

Moments later, I walked down the aisle to someone I’d long known but waited until adulthood to love. We shared a common past, a summer camp, and now a cup of wine under the huppah, the Jewish wedding canopy. The room rejoiced. It was just as I’d always pictured it.

•••

A phone rang in my freshman dorm room in early October. He’d sat three rows in front of me in the massive lecture hall with his perfectly tattered baseball cap and freshly pressed prep school charm. I’d noticed him instantly, and every day thereafter.

An innocent request to borrow a course packet was quickly followed by an invitation to meet for coffee one evening. Easy, endless conversation flowed over my grande house blend and his hot chocolate with whipped cream that stuck to his top lip. First kisses on a dimly lit dorm porch led to nighttime snowball fights in Roger Williams Park and private flights in the campus Cessna.

One February night, my right arm dangled off the edge of the top bunk in his dorm room. A thin white undershirt separated his skin from mine as we exchanged pre-dawn confidences. He told of the time he sang to a dying pigeon as a child. Then, propped up on one arm, he looked down with aching eyes that ripped right through me. “I hope this doesn’t scare you,” he said, “but I think I’m falling in love with you.”

He sailed in regattas, sang a cappella, piloted planes. He was the captain of the squash team and several numbers punctuated his last name. His parents were Republicans.

He was Episcopalian. I was the rabbi’s daughter.

We had nothing in common.

We fell in love.

I shouldn’t act so surprised. It was, in a way, inevitable.

•••

Something about winter stirs up memory. Tiny reminders drift down like snowflakes, settling just long enough to make me shift with unease.

It was winter when I first stepped foot in a church. On a family trip to London, I’d insisted we visit St. Paul’s Cathedral. Religion had become academic for me; I was endlessly curious, inevitably skeptical.

St. Paul’s was dark, quiet, ornate. Candles cut through the black and cast strange shadows on the coarse granite stones underfoot. It was silent, save for shuffling feet and serene hymnal music. It felt thrilling, almost scandalous somehow, to be there, and with my family. As we stood in its echoing, cavernous belly, I was struck, above all, by how familiar it felt.

•••

I’d long stayed the course—years at Jewish day schools bled into summers at Jewish camp. Synagogues were second homes where I’d spend Saturdays sneaking around back hallways and swelling with pride at my father perched on the pulpit, masterfully holding court.

But even the most charmed childhood is no match for coming of age. My small, unconventional high school encouraged critical thinking about religion in a way the Orthodox schools of my youth had not. Long after class let out, I spent late nights sprawled on my gray carpet, a telephone cord tangled in my fingers, debating and dissecting faith with provocative friends. Questions led to more questions with answers that all ultimately led to God. It felt cyclical and unsatisfying, and I hungered for proof that wouldn’t come.

The quest itself became a kind of creed, and if I believed anything at all, it was that we were all connected in our shared uncertainty. I felt suffocated by the singularity of perspective, the smallness of my world. I still followed, more out of familiarity than faith, but it grew harder for me to reconcile religious practice with my steady skepticism. Doubt became my dogma, and I set out for college drunk with desire for diversity and distance.

Even in the earliest weeks away, I’d stopped observing the Sabbath and avoided eager solicitations from the Jewish groups on campus. I drafted term papers disputing the divine and touting the relativity of morality and truth. I rolled the word agnostic around on my tongue.

Now my safe, inner explorations had propelled me into the arms of another. Now they lived outside of me—in pleading eyes that reflected back my deepest doubts.

•••

I hear a knock on the bedroom door and I throw on a damp towel, droplets from my hair tickling my arms. My middle son stands on the other side, gripping a glass perilously filled with electric green smoothie.

“Daddy made this for you.”

Ours is a different love, no doubt. No two people love the same. Not even the same two people over time.

Ours is no forbidden affair and our first kisses have long since faded. We share a mature love of burden and responsibility, of bearing other people who fill our hearts and hours.

Ours is a love not of questioning, but constancy and comfort, of leftovers and lights left on. It’s routine and real, not sexy, but sturdy and sure. It is as it should be.

•••

I was the one who subconsciously sabotaged our secrecy over winter break. He’d given me a single iris on the night before we left campus. I’d brought it home, openly clutching it so as not to crush it in my carry-all. Never one to lie outright, when my parents asked its origin, I uttered his Anglican name. On a sleepless night, through streaming tears that distorted the once familiar fixtures of my high school bedroom, I sat opposite my mother and father as they drew their line in the sand—and I was too close to home, in age and at heart, to cross it.

We returned to campus that winter with renewed resolve to plot our relationship’s untimely death. Our lips locked, but our hands were tied. Come summer, we vowed, we’d end it. In the meantime, we busied ourselves with letting our love linger longer than it should.

•••

One October afternoon, my high heels click-clack on the uneven Philadelphia pavement as they carry me home from work. I clutch my cell phone with my free hand, catching up with my mother en route.

Our conversation is casual as we chat about my husband’s sister and her strong interfaith family. But then, with a carelessness more misguided than malevolent, my mother flippantly remarks that perhaps she could have made peace with me ending up with a non-Jew.

My reaction is not my standard-issue irritability, but a searing blood boil that turns me inside out until words form at my lips.

“You’re not allowed to say that.” I choke out. “It will never be okay.” And it isn’t. I hang up and hurry home, holding back tears until I cross the threshold of that cozy first marital apartment on 24^th Street.

•••

By late spring, under the pretense of a squash tournament in the neighboring state, we set out on a secret road trip to Concord, Massachusetts. I’d shifted uncomfortably on plastic bleachers as I watched his lithe, lean body flit back and forth across the court. I impatiently awaited our evening reunions, our no-frills dinner fare. We wandered Walden Pond in late afternoon light and spent nights on dorm room floors of dear friends. We’d driven ourselves deeper into the heart of the thing.

Upon return, unwilling and unready to reenter campus life, we hid out in his old station wagon at what felt like the edge of the world. In this makeshift refuge, we talked of our incompatible faith and future. We imagined a world where our love could live, where it could defeat difference.

“I believe in the god that brought us together,” he whispered into the darkness. As if that settled everything.

•••

It’s nearing bedtime on a visit to my parents’ home, and eight o’clock finds my mother and me jockeying for access to toothpaste, sink space, and my two older sons’ mouths. The boys are wound up, and I steel myself for the inevitable resistance to lights out.

My well-worn “time for bed” speech is met with their most fervent protests until the volume in the little bathroom reaches a fever pitch. My mother, a panacea always at the ready, offers up the Shema—the daily prayer—if the boys get in their beds. They dutifully file out of the bathroom and climb under covers, my mother trailing behind.

Instead of turning right, with them, I duck left into my old bedroom so they wouldn’t see the tears forming.

I could hear my mother’s soft voice sending the ancient words of the Shema into the night—Shema Yisrael Adonai Eloheinu Adonai Echad. Hear, O Israel, the Lord Our God, the Lord Is One.

An innocent profession of belief and devotion. But also, unavoidably, a pronouncement, a tribal rallying call, ushering my children off to sleep as it once did me.

•••

I leaned against the car seat, exhaling deeply. My mind wandered back to the open road, to that stretch of New England highway that rose and fell while Fields of Gold played in the background. Where we could quietly consider a different life.

Just the day before, we’d slipped into a diner on the side of the road, flushed with the promise of two more hours together. We sat across from each other, laughing and coloring on the backs of our menus with kid crayons. We were stealing time. Eventually, our casual conversation stuttered, giving way to the familiar desperation that followed us everywhere. To the outside, we must have looked so normal, I thought. Like a regular couple.

I stared straight ahead. There we sat. Steeped in the thick, black night. The station wagon. Our impossibly idealistic love.

“Which is more likely? That your parents would get over you marrying a non-Jew or that you would get over me?”

His words hung there. I didn’t answer. I didn’t know.

•••

Winter again, and I’m sitting on the scratchy den carpeting surrounded by the smiling, soft-skinned loves of my life. They watch kid TV while I sip afternoon coffee. A silly bit flashes across the screen featuring cartoons introducing the Chanukah holiday to their wide-eyed audience. A character turns to the camera and simply says, “Chanukah celebrates the miracle of light.”

Yes. I look out the back deck door and up to the gray afternoon light of a quiet December day. For a moment, I let out the breath that it feels I’m perpetually holding and my shoulders slacken. Maybe I could do this, I think. Extract morsels of meaning and weave a tradition that could draw me back in, make me whole.

It’s true—it remains where I am most at home.

In the smell of freshly baked challot on Friday afternoon. At an evening prayer service overlooking the lake at my summer camp, where I now return to work. Familiar melodies float up in the open air; I mouth the words without intention but through force of habit.

And yet. If I let myself think, I no longer belong. Familiarity, even love, cannot foster faith.

I tiptoe through the hallways of my childhood home. I sit with secretive silence and summon a smile. I’m an outsider looking in, faithful to a faith in which I only have doubt, belonging to a life that accepts only almost all of me.

I will forever be stuck in the stagnant air of that station wagon, staring into the darkness, searching for answers.

•••

We stayed late on campus, a week past semester’s end—he to sing a cappella, me to be with him. Both of us to savor and suffer a relationship that felt far from over. Our months had become minutes, but we kept our vow. We left for summer separate and single, admitting—only to each other—that the love lingered on. Of course it did.

Still, we ended it. A choice made when there was none: a promise to a faith I no longer had and an inability to imagine traveling the unpaved road that lay ahead.

•••

I collapse on the bed one night after tucking in my boys. I can hear my husband clanking around in the kitchen below, fielding a few last phone calls as he readies his evening tea.

New impossible questions follow me: “Maybe God is like the wind?” asks my oldest after lights out. “Invisible and everywhere.” I hum a non-response, then softly step into the baby’s room to stare with longing at his simple sleep.

In this season of life, the day’s demands leave little room for worry or wonder. I welcome intrusions—endless child chatter, babies stirring in the night. I’m uncertain, yet content. Winter’s restless reminders, the grounding weight of home, the not knowing—it’s who I am now. It’s what’s left.

He finishes his work, climbs the stairs, and settles at the edge of the bed. I wedge my feet under his legs for warmth and finally drift off to sleep.

•••

DINA L. RELLES is a lawyer, writer, and mother of three young sons. Her essays have appeared in The Atlantic, Brain, Child Magazine, The Huffington Post, and elsewhere. She is a blog editor at Literary Mama and writes regularly on her own site, Commonplace. You can find her on Twitter @DinaLRelles.

Skipped

By Reyna Eisenstark

I stopped lying about my age when I was sixteen years old. This might not sound like much, but if I were to consider some of my life’s greatest moments of relief (a single but breathtakingly beautiful epidural injection shot perfectly into my spine comes to mind) that would be right up there at the top.

To make some sense of this, I should explain that this happened during the second half of my senior year of high school. I was actually not yet sixteen. My birthday was coming up, however, and my mother thought it would be a fun idea to have a sweet sixteen party for me. Or so she claimed. I’m not even sure what she was thinking, but I suspect she liked the idea of decorating and redecorating our apartment for an actual reason.

One night, about a month before my birthday, she and my stepfather came into my room. “We need to talk to you,” she began, which was enough to cause the panicked terrifying feeling that shot through the entirety of my teenage years. Had she looked through my journal yet again and discovered yet again that I was counting the days until I could leave home? I couldn’t begin to imagine what she imagined I had done. But no. It was simply this: “How old do your friends think you are?” she asked me, with a strange quizzical look.

“I don’t know,” I answered, as my panic increased.

“Do they have any idea how old you are?” she demanded.

And I told her that I guessed they probably didn’t.

Well! It turns out that my mother had called one of my best friends to plan this so-called party and discovered that my friend had no idea how old, or rather how young, I was. My mother suspected that none of my friends knew. And then here’s the part that seems like a miraculous gift to me now but, at the time, seemed like the cruelest punishment imaginable. She demanded that I tell every one of my friends, right this very minute, how old I was. The lie could not go on for a single minute longer.

Which is curious, in a way, because my mother has been lying about her age since I was a tiny child, although she always takes years off instead of adding years on. And she is fiercely protective of her birth date, which has changed slightly as the years have gone on. But for some reason, she would not sit by and watch while I kept my real (remarkably young) age from my friends. Perhaps she thought that I should have been proud of such a thing, but for years I had, of course, been ashamed of it.

For reasons unknown—but I suspect simply because my mother wanted me out of the house—I had started school an entire year before I should have. This wasn’t so terrible, as my birthday is in March and there were some kids born in the fall who were just a few months older than me. You were tall, my mother always told me, as though this was a good reason to start school a year early. I went to a small groovy private school that was happy enough to bend the rules.

But then when I was in fifth grade, this small groovy private school was suddenly no longer the place for me (I was never given a reason for this either), and when I switched to public school, my insane reading ability deemed it perfectly acceptable for me to skip another year. I was tall, remember.

And there I was, suddenly in sixth grade, aged nine-and-a-half, and in a permanent state of panic that people would find out. But as luck would have it, my sixth-grade teacher would not let anyone forget. We began learning Spanish that year, which played out like an exotic form of torture, in which I crossed my fingers tightly under my desk, praying that I would not be called on.

“Cuentos años tienes?” my teacher would ask, strolling around the room. How many years do you have? And in the sweetly vicious voice of a classic bully, she would add, “Reyna?”

“Tengo nueve años.” I have nine years. I would answer her as quietly as I could, my face burning with shame, noticing or possibly just imagining a murmuring sound everywhere in the room.

As the years went past, it became much easier to let people make assumptions about my real age, and if questioned, to lie about it.

“How old are you?” asked the meanest girl of a group of mean girls in my eighth grade class who called themselves The Dizzy Crew.

“How old do I look?” eleven-year-old me answered. She snorted.

“Ha! How old do you look??” Somehow this bought me some time.

And so, on the night I was forced to tell my friends my real age, the usual panicky feeling carried me along as I began to dial the first number, until I realized that something was happening to me. That enormous weight that that I had been carrying with me all this time, the weight of the two full years I had skipped, was slowly, and almost imperceptibly at first, lightening. My friends were surprised and kind of impressed by my confession. None of them thought less of me, as I had feared, and soon it just became part of who I was: their much younger, but still likable, friend.

And I carried on, graduating college at the tender age of twenty and, thus, headed out into the world, still too young to drink legally (confession: I did not let this stop me). I spent years thinking that I had an extra two years to do with as I liked, and maybe that’s why it took me so long to figure out an actual career (if I have, in fact, actually figured one out), since I really had plenty of time. In fact, I had two extra years! I would always have two extra years! It’s hard to pinpoint a single thing that has made me a lifelong procrastinator, but I’m considering that simple thought to be a good candidate.

The fact is that being two years younger than my peers was truly the most significant thing in my life, until one day…it wasn’t. One day, in fact, I was more likely to be the oldest person in a room than the youngest. It’s not really a revelation to point out that there is practically no difference at all between, say, forty-four and forty-six, but it astonishes me every time. After my marriage ended (to a man older than me, of course), I dated someone ten years younger, and my friend Rachel exclaimed, “I didn’t even know there was anyone younger than you!” I knew what she meant. I mean, in theory, there always had been people younger than me. But now, it was obvious. To people looking at me, I’m really just “a woman in her forties.” Or possibly, worse, a “middle-aged woman.” There is literally no evidence that I once felt constantly and hopelessly out of my element, that I tried desperately to catch up with things I was never quite sure I had fully processed. Suddenly, now I am wise. I have perspective. I can offer advice. Getting older has made me feel the one thing I’d never felt before: older.

And so, to the girl who spent several hours on the phone one night not long before her sixteenth birthday, I would like to say this: That thing that bothers you, that nags at you, that drives you to worry and exhaustion nearly every minute you think about it? One day it won’t even matter. In fact, it will cease to be something about you, about who you are at all. One day, and I know you probably won’t even believe this, but one day you might not even remember how old you are. And I am certain that nearly sixteen-year-old me would look at her future self—a maybe forty-something woman?—and turn right back around to what she was doing. I’m pretty certain she’d hardly notice me at all.

•••

REYNA EISENSTARK is a freelance writer living in Chatham, New York. You can read more of her essays at reynaeisenstark.wordpress.com. At the time of this writing, she is forty-four-and-a-half years old.

Killing the Magic

By Kate Haas

When a grown woman and her seventy-something mother engage in yearly debates about the existence of Santa, I think we can agree: there’s a problem. Of course, my mother believes the problem is mine, while I tag her as the source of the annual angst. But who’s telling this story?

My mother, a bookish only child, grew up yearning for a house full of kids and a big, old-fashioned Christmas, like the ones Louisa May Alcott wrote about. My father, who had ditched his nominal Judaism by the time he married my mom, was willing to comply with her yuletide agenda.

And so began my mother’s strictly secular, Euro-inspired holiday extravaganza. It started early in December each year, with the cookie baking. Buttery Swedish stars; Viennese crescents, rolled warm in vanilla-scented powdered sugar; gingerbread men; Swiss chocolate crisps; linzer cookies, each with its shiny pocket of raspberry jam. Over a three-week period, with her three children as floury assistants, my mother rolled out as many as fifteen different varieties at our Formica kitchen table, carefully packing the finished batches between layers of waxed paper in tins to be stowed in the basement freezer. By my mother’s decree, the cookies would emerge for the first time on Christmas Eve; sampling them before that date was verboten.

Later in the month, we adorned the house with simple pine cone decorations (no tacky plastic Santas in my mother’s home), and we kids fashioned homemade gifts to stash in secret hiding places. The holiday rituals continued with the tree selection (December 20, not a day earlier) and, on the evening of the 23^rd, the decoration: while classical music played softly on WQXR, we took out the ornaments while my mother related the story behind every wooden Waldorf gnome, vintage glass ball, or lumpy, pre-school-made button string. The next night, we ate fondue in front of the fireplace, dunking warm pieces of baguette into the melted Gruyere, before hanging our stockings. Finally, there was the ceremonial, dramatic reading of A Visit From St. Nicholas (that’s The Night Before Christmas for you non-literary sticklers).

Permeating the entirety of the festive season was my mother’s Santa Doctrine, enforced with the rigidity of a decree from the Vatican:

1. Santa Claus exists.

2. Doubters: button those lips. If you can’t believe, pretend.

3. Santa alone fills the stockings.

4. Never thank someone in the room for a stocking present. It came from Santa!

5. Befuddled by an item in your stocking? (A not uncommon occurrence in our house.) Mom will interpret. (“I’m pretty sure Santa would say that’s a do-hicky to put your tea bag on.”)

6. Questioning the existence of Santa is tantamount to Killing the Magic.

I don’t know when, exactly, my mother formulated her Santa Doctrine, but my siblings and I absorbed it early, along with the rest of the holiday rituals, each yearly repetition enshrining our customs deeper into the family bedrock. And it worked. Just as my mom had planned, Christmas was indeed a time of festivity and magic for us kids (who, thanks to my mother, believed in Santa longer than was really quite seemly).

But marriages crumble, and children turn into sullen, cynical teenagers, no longer wonderstruck at the sight of the Christmas tree, glowing in the pre-dawn darkness. My mother figured that our holiday traditions were one element of family life that she could keep the same for us. But everything else had changed, and Santa couldn’t make up for that, not really.

Mom remarried eventually, to a tolerant man who knows better than to suggest alien rituals of his own at Christmastime. We kids got on with our lives. But no matter how much we’ve changed over the years, it’s made clear to us each December that, if we come home, there will be no deviation from the holiday of our childhoods, not now, not ever. When it comes to Christmas, my mother adheres to Tradition! with the fervor of Tevye the Milkman.

Which is ironic, considering that these days, when December comes around, I’m on Tevye’s side of the fence.

•••

Like my mother, I was a solitary, bookish child. Like her, I loved books set in “the olden days.” But while Mom was eager to shed the Episcopalian shackles of her stuffy WASP upbringing, I had a secret hankering for religion, a topic so resolutely avoided in our home that I felt a subversive thrill whenever I encountered it in my reading.

I trace the birth of my Jewish identity directly to fourth grade and the copy of Sydney Taylor’s All-of-a-Kind Family that I found on the school library shelf. Here were my two fascinations, the olden days and religious ritual, united in the delectable story of five turn-of-the-century sisters growing up on New York’s Lower East Side. Enfolded in that middle-grade novel was a year’s worth of vibrant Jewish life: Mama, praying over the Sabbath candles in their gleaming brass candlesticks, Papa blessing his daughters; congregants chanting Torah at the synagogue; the Passover Seder (unusually somber when scarlet fever strikes the family); and Purim, with its costumed revelry.

Why, I wondered, was this entrancing world closed to me? My father was Jewish, after all. Why didn’t he do anything about it? His silence made the idea of Judaism all the more tantalizing. My friends all belonged to one faith or another. “What are you?” they used to ask. “Catholic, Jewish, Presbyterian?” I could only answer: “Nothing.”

My own kids, I vowed, would be something.

•••

By the time those theoretical kids arrived, I had been a member of the Society of Friends for years. I loved the deep, living silence of Quaker Meeting, the concern for peace and justice, the gentle fun we poked at our rivals, the Unitarians. And I still felt Jewish enough to appreciate that the “inner light” of Quakerism doesn’t mean the light of Jesus, if you don’t want it to.

“So we’ll raise the kids Quaker, right?” I said to my husband.

“Sure, sure,” he replied absently, distracted by graduate school and the fog of sleep deprivation that had descended with the birth of our first child. My husband had grown up in a Conservative, kosher home. He no longer practiced, but he had a strong cultural affiliation with Judaism, the kind acquired automatically when your entire extended family hails from Brooklyn. Still, the Quakers were okay by him.

The Quakers were okay by him right up until our first child was four and I was set to enroll him in First Day School, where every Sunday he would learn about George Fox walking in the glory of the inner light.

“The Quakers are great, with the anti-war and the social justice and all,” my husband told me then. “But they don’t have—well, enough tradition.”

The product of Quaker summer camps, Quaker high school, and Quaker college, I knew that the Society of Friends has plenty of traditions. Much like Quakers themselves, these traditions are plain, not easy to spot. But I wasn’t about to argue the point.

“You want tradition?” I said. “Dude, you come from five thousand years of tradition.” (I married a surfer, a move that results in sentences like this.)

My husband gave me a look. “You’re saying you want to raise them Jewish now?”

“I’m saying I want to raise them something. Jewish works for me.”

“You do realize that we would have to join a synagogue. And actually go. And celebrate Shabbat and all the rest of it.”

“Yup.”

We visited the progressive, Reconstructionist shul, where the rabbi assured my husband, who balked at the concept of a deity, that he himself thought of God as the cosmic force of the universe, rather than, you know, God. That my own Judaism came from my father, not my mother, troubled the rabbi not a bit. Did I consider myself Jewish? Did I plan to raise my kids that way? Fine.

And just like that, we were all Jews.

Except for yearly visits at the High Holidays, my husband hadn’t spent much time in a synagogue since leaving home. But when we started attending services, I watched it all come back to him. He knew the melodies, the prayers, and, impressively, he could read Hebrew, a skill I knew he possessed but had never seen in action.

Yet despite my own lifelong pull toward the faith of my forbears—well, half of them—I couldn’t help an initial sense of detachment. I rose with the congregation when the rabbi took the Torah out of the ark, but inside my head a tiny anthropologist was busily taking notes. Observe the tribe ceremonially processing with its totemic object! The language was unfamiliar, the alphabet was different, and while the customs here were intriguing, they felt decidedly foreign.

In other words, I soon realized, it was a situation made for a former Peace Corps volunteer.

With the zest I’d once brought in Morocco to learning Arabic and the proper way to prepare couscous with pumpkin, I now dedicated myself to learning the ways of my people. I signed up for a class in beginning Hebrew (for the record, much easier than Arabic). My toddler in a backpack, I experimented with challah recipes, ultimately achieving a golden, braided loaf that is reliably more photogenic than I am. Self-consciously at first, I lit the Shabbat candles on Friday nights before dinner, experiencing a quiet satisfaction that for my young children, listening to me sing the blessing was simply routine.

I was surprised at first, and a little chagrined, by how easily I’d abandoned the Friends and taken up with the Jews. Just how committed a Quaker had I really been all those years? On the other hand—and I elected to view it this way—my speedy switcheroo was certainly a testimony to the “many candles, one light” theory of religion.

That was over ten years ago. The tiny anthropologist tossed out her notebook long ago and moved in with the tribe, embracing its rituals and community, its scholarly dedication to seeking contemporary meaning in ancient texts and traditions. The holidays that entranced me in All-of-a-Kind Family back in fourth grade have become my family’s, the rhythms of the Jewish calendar, my own: Rosh Hashanah with its apples and honey; the solemn introspection of Yom Kippur; Passover’s festive seder, when we welcome the stranger among us. And in December, the arrival of Hanukkah, with its latkes and candles to warm the winter nights.

Of course, we all know who else arrives in December.

•••

When my boys were little, I gave them the lowdown on Santa, that jolly imaginary fellow, who even grown-ups like to pretend about. Never tell another kid that Santa doesn’t exist, I instructed. Believing in Santa is very important in lots of families, and it’s not your place to say otherwise. This, I thought, was the respectful approach. Unfortunately, I neglected to include my mother in the category of people whose belief in St. Nick must be preserved. And when one of the boys innocently mentioned the words “Santa” and “pretend” in the presence of Grandma—well, the reindeer poop hit the fan.

It was useless to protest that my little band of Jews shows up at her house every December 25th. To remind her that my husband orders the Christmas morning breakfast croissants from her favorite bakery, that I make my share of the cookies, help decorate the tree, stuff stockings. My mother is painfully aware that, really, I’d rather avoid the entire holiday, and my siblings aren’t crazy about it, either. She knows that my family participates only because we love her and she lives seven blocks away. (What are we going to do, stage a boycott?) Nothing could have illustrated this more sharply than my flagrant violation of the Santa Doctrine.

“You actually told them there’s no Santa Claus?” my mother said, her voice rising in disbelief.

“Mom, the kids love celebrating Christmas at your house,” I said. “The presents, the stockings, all that. But I’m not going to tell them Santa is real, or pretend to believe in him myself, anymore. I’m just not.”

“What’s wrong with letting them use their imaginations?” she demanded, adding darkly, “I suppose you tell them there’s no Tooth Fairy, either?”

“Mom, the Tooth Fairy is not associated with the birth of Jesus.”

“Neither is Santa Claus!”

I gave her a pointed look.

“Well, not in our family, as you know perfectly well.”

“Yes, but that’s beside the point,” I said. “Jewish kids don’t believe in Santa. It kind of goes with the territory, don’t you think?”

My mother fixed me with a bitter eye. “You’re just hellbent on killing the magic for those boys, aren’t you,” she said.

•••

A framed passage from Khalil Gibran hung on the wall in my mother’s house when I was growing up. “Your children are not your children,” it read in elegant calligraphy. “You may strive to be like them, but seek not to make them like you.” I doubt my mother was pondering this sentiment as she orchestrated her Christmases back then; as she carefully cut out those cookies, grated cheese for fondue, told the stories behind the ornaments. She was establishing a beloved tradition for us. That her children would grow up to reject it must have been far from her mind.

Last year I watched my oldest son stand on the bima at his bar mitzvah. In confident Hebrew, he led the morning service, singing the psalms of praise and blessing. Then he chanted from the Torah, his voice rising and falling in the ancient rhythms. Watching him ritually take his place in the community, I knew that I had given my children what I always wanted for them, even before I knew their names. Not faith, which isn’t the point in Judaism—a good thing, for my little atheists—but identity. Whether they practice its traditions or not, they’ll always have a place, a people, a sense of belonging.

That’s what the Santa Doctrine signifies to my mother, I know. Her Christmas rituals are bound up in family and belonging, too. Now that I’ve strayed from the script, she can’t help realizing that it’s all going to end. Years from now, when she’s gone, there won’t be Christmas Eve fondue, or stockings, or a tree, not in my family. I’ll always make the Viennese crescents in December, but we’ll go out for Chinese and a movie, like the rest of our tribe. I wish that my mother could accept that, instead of fighting it every year, using Santa as a proxy for what really saddens her. I wish she could recognize that she’s given me things I consider far more valuable than Christmas: a love of books and literature, the shrewdness to hunt for a bargain, her piecrust recipe. And if, one day, my kids convert to Catholicism, or the Church of the Flying Spaghetti Monster, and I’m able to greet the news with equanimity—well, in a roundabout way, I’ll have my mother to thank for that, too.

•••

KATE HAAS is an editor at Literary Mama. Her writing has appeared in the New York Times, the Boston Globe Magazine, Salon, Brain, Child, and other publications. She’s a regular contributor to Full Grown People and lives in Portland, Oregon, with her family. Read more of her writing at www.katehaas.com.