We’re All, For Now, Expanding

By Seth Sawyers

This is a story about drugs, but not only about drugs. It was the night before the Y2K glitch was supposed to happen. Do you remember it? It was three hundred fourteen big news stories ago, just a blip now but back then, end of 1999, it was the big one. The idea was that there was a decent chance we’d all wake up on January 1, 2000 to computers freaking out, banks failing, planes falling. We, the five of us, thought watching for the apocalypse would be a fun thing to do while on drugs, and so, after work, we drove from the city to the beach. We were twenty-two and thought ourselves very clever.

We loved ourselves, is the truth, loved each other, even if we couldn’t have articulated it like that at the time. It was merely where we lived, this fragile, warm world we’d built, as taken for granted as air. We’d all, by then, had a look around and we’d chosen each other, is what I’m saying.

I was the fifth wheel on this beach trip, which is better than being the third wheel, by a little. It was Dave, who was my best friend and roommate from college, and his girlfriend, Julie, the two of them newly in love, always touching. And there was Alis, a girl I also cared a lot about, and her boyfriend, Skeet, the two of them no longer, I think, so much in love, touching a bit less. What we did that night, in that fierce way, was listen very closely to Radiohead songs, afterward only smiling, sure everyone really got it. Though I’m not saying we were the only clever twenty-two-year-olds who’d ever had this kind of love, and though it comes and goes, comes and goes, we had it, and still do.

And we were doing drugs. We were doing ecstasy, which I don’t think is called that any longer, which tells you a little about how old we all are now. We had a hotel room, two beds, where the couples would sleep, and a couch, where I’d sleep. We drank a little, smoked a little, and then we took the pills we were there to take. We listened to more Radiohead, wrote some bad poetry, smiled some more, said oh my god a lot.

•••

Peaking, bundled up, we went to the beach. There was no one else there, of course. I remember there was crusty snow on the part of the beach where the ocean didn’t reach. I was clenching my jaw and grinding my teeth so much that I had little white pockets of foamy spit at the corners of my mouth. I know because there’s a picture of me from that night, pupils huge. And in that photo with me, our arms around each other, to all the world brothers, is Alis’s boyfriend, Skeet.

Skeet and I were never great friends, and probably we were never more than two guys who cared about the same girl. But there we were, ecstatic, walking along that magical line where water meets sand, retreats, and then meets it again, forever. The others had found something else that delighted them and were well behind us.

And maybe it was that repeat-repeat-repeat of the waves, but I remember, just before we saw what we saw, Skeet was talking about the universe, how he was sure the Big Bang was just one of an infinite number of Big Bangs, how eventually the universe would stop growing, race in upon itself and collapse to a point until it again exploded in yet another Big Bang. We were merely, Skeet was saying to me—just me, on that beach—living in a moment between Big Bangs. Soon, everything would collapse, and explode. Collapse and explode. And I thought: Holy fucking shit, he might be right. There’s a reason people take drugs, is what I’m saying. Drugs have their moments.

I saw it first. Skeet was still talking, but my eyes were fixed on a cluster of bright, very bright lights, maybe a mile up the shore, softly expanding, collapsing, expanding, coming from what looked like yet another beach house, three stories, decks, the whole thing so bright against that black night. Then he stopped talking. He’d seen it, too. The light, yellow, orange, shimmered, moved, rose. We had the same thought at the same time.

“Is that building on fire?” I asked him.

“Fuck yes, it is,” he said.

•••

Do you remember sprinting? When was the last time you sprinted? Have you ever sprinted toward what you think is a building fully engulfed in flames, the thought, unspoken but as alive as your blood, that once you got there, you just might be able to do something about it? If you have, you’ll know that there are four stages.

At first, you are a catapult, released. You just fire, and go, and after the initial awkwardness in your thighs, the stiffness in your hips, you are convinced you can go, screaming through the cold, dark night, forever. After that, not yet tired but muscles now accustomed, you settle into a groove. This is by far the most pleasurable part. You merely run, free, fluid. Third comes the onset, gradual at first, of the burning of the lungs. You slow, not because you want to, but because your body makes you. Fourth, finally, chest heaving, legs on fire, stomach ready to rebel, you stop, because you cannot go on without some essential part of you failing. And that’s what happened to us. We stopped running, exactly at the moment that we got close enough, heads no longer bobbing, to see the truth.

“I think,” Skeet said, “that those are Christmas lights.”

“I think,” I said, “that you are right.”

In that blackness, our friends catching up to us, also breathless, Skeet and I found the other’s eyes, laughed and then coughed, the black Atlantic Ocean behind us, swelling and retreating, over and over again, both of us knowing, I think, that all of it, the ocean, one day would die. And we would die. But not this, somehow, not this.

•••

SETH SAWYERS’ writing has appeared in The Rumpus, The Millions, Salon, Sports Illustrated, McSweeney’s Internet Tendency, The Morning News, River Teeth, Fourth Genre, Quarterly West, Crab Orchard Review, Ninth Letter, and elsewhere. He has been awarded scholarships and residencies to the Sewanee Writers’ Conference, Writers@Work, and VCCA. He is working on a novel about two ten-foot-tall people who find each other in the time just before the internet. He is online at https://sethsawyers.wordpress.com/.

Nothing Gold Can Stay

girlinwindow — By Gina Easley www.ginakelly.com

By Kim Kankiewicz

With the first lilting chords of the piano, we take the floor. The snare drum eases into a 6/8 shuffle. We melt into one another as the strings sigh the opening notes of the melody line. The horns respond with a glissando in the second verse, and we are afloat on liquid gold. We are bodies swaying in a collective embrace, in love with every-other-body in this place.

My dress is buttercup yellow, strapless with a sweetheart neckline. The chiffon skirt cascades over a crinoline of nylon netting. My hair is combed into a sleek bouffant, its curled-up ends grazing my bare shoulders. My dance partner wears a white sport coat and a crew cut. His face is indistinct, but no matter; he is not the point of this imagined memory.

The point is the convergence, the enfolding of each of us into all of us. The song, to which I have never really danced, is “Theme from A Summer Place.” In my reverie, we sway to the familiar instrumental recording, Percy Faith’s 1960 orchestral arrangement. But other artists—my favorite being The Lettermen in 1965—have recorded “Summer Place” with vocals. Listen and you will hear a song less about romance than about sanctuary:

There’s a summer place

Where it may rain or storm

Yet I’m safe and warm

For within that summer place

Your arms reach out to me

And my heart is free from all care…

•••

Since childhood, I have cast myself in fantasies with soundtracks from my parents’ youth. I was six years old in 1980, when my family moved to Nebraska and settled into the Craftsman house where my parents still live. The formal living room, unfurnished for nearly a year, was the theater where my brother and I performed “Rock Around the Clock,” “At the Hop,” and other teen anthems from the American Graffiti soundtrack.

In fifth grade, I pictured my sixth grade crush pining for me as I listened to Frankie Valli crooning “My Eyes Adored You.” Carried your books from school, playing make-believe you’re married to me. You were fifth grade, I was sixth, when we came to be. I knew no sixth grade boy would carry my school books—not least because I was the kind of kid who listened to the Four Seasons in 1985—but envisioning such a scenario made the unfamiliar territory of adolescence feel navigable. The same was true in the final months of my eighth grade year, when I sweet talked my dad into deejaying a sock hop at my middle school. With high school on the horizon, I imagined joining the letter jacket crowd, the clean-cut kids with social status. (That the sock hop itself was not imaginary is equal parts mortifying and miraculous.)

At no time were my retrospective daydreams more persistent than during my first year of college. Living in Kansas I was homesick, so homesick. Studying to the oldies and wearing vintage clothing bolstered my spirits, but the image that sustained me emerged from a trashcan in the bathroom of my residence hall. On my nineteenth birthday, I discovered a date stamp on the trashcan’s raised lid: October 10, 1967—the month and day of my birth and the year my mom entered college. Never mind that she had attended a different college; it seemed profoundly significant that this trashcan was installed when my mother was a freshman, seven years to the day before my birth.

The date stamp became my talisman. Glimpsing it as I left the shower each morning, I would borrow my mother’s courage for the day ahead. She too was homesick, so homesick, when she arrived on campus, but she came to regard her college years with fondness. In her footsteps, I would do the same. I was into The Ventures that fall, and as I ascended the stairs between my residence hall and the main campus, a mental guitar loop from their 1960 hit “Walk, Don’t Run” propelled my steps. In my sophomore year, my confidence as a returning student was affirmed when Pulp Fiction made Ventures-style surf rock popular again.

I more or less maintained that confidence through the transitions of marriage and motherhood, relocations to Colorado and Minnesota and corresponding career changes. I believed homesickness was for kids and for people who moved internationally or under duress. Even as a college student, homesickness seemed to place me in an immature minority. As an adult, I did not expect to come unmoored when my husband’s career took our family from Minnesota to the Pacific Northwest.

•••

Here is a partial catalog of things that have made me cry since we moved to a suburb of Seattle last year: a parking structure where all the spaces are compact, because I miss the ample welcome of a Midwestern parking lot; the opening page of a novel dedicated to “the great state of Minnesota”; an area car show, because it was to St. Paul’s annual vintage car show as “Rock Around the Clock” is to the entire American Graffiti soundtrack; a photo of John C. Reilly, because I once noticed that Minnesota’s eastern border looks like his face in profile.

I am ashamed of my emotions, ashamed that I am not content to live in a comfortable house in a safe neighborhood between the Puget Sound and the Cascades. Our new hometown has good schools, a downtown with an art gallery and a live theater, hiking and biking trails, a farmers market. Our new neighbors build community in many ways—educating and caring for children, volunteering at the food bank and soup kitchen, protecting natural resources, creating art—and they have welcomed our participation in these activities. We’re surrounded by beauty: trees, lakes, mountains, and a creek where the salmon run every fall. My husband says he is still astonished that we get to live here.

I know how he feels. When we moved to Minnesota, I was overwhelmed with gratitude. We arrived in autumn, my favorite season. I basked in the low-angled sunlight reflecting off St. Paul’s Como Lake, the red and gold leaves crunching beneath my feet as I circled the water. Our family picked apples at a local orchard, watched squirrels and birds at an urban nature center, and met other families at a park where my son learned to ride his bike. In winter, the season that defines Minnesota for people who have never been there, we discovered sledding hills and indoor playgrounds, and the tropical plant room at the free-admission conservatory, where anyone could find warmth and color on a bleak day. We found that we lived among neighbors who would clear our driveway with their snow blowers without being asked.

But I loved Minnesota before I experienced those things. I loved it before I lived there because my grandparents had called it home. I had spent Christmases and summer vacations with them, and with the aunts and uncles and cousins still living throughout the state. I knew something of Minnesota’s history and its coalescence with my family’s history, and so moving there felt like a homecoming. Moving away felt like an evacuation, like being emptied from a vessel made from parts of myself.

I assumed that these feelings would fade after a brief adjustment period. Months after moving, I wrote off my ongoing melancholy as stress or Vitamin D deficiency. When it occurred to me that I might be homesick, this self-diagnosis seemed so implausible that I Googled “adult homesickness” to verify its existence. My search turned up several recent articles on the subject, including an op-ed in The New York Times by a writer named Susan Matt. Based on a decade of research, Matt concluded that feelings of displacement and depression are common among adults who relocate. Yet we are reluctant to acknowledge “the substantial pain of leaving home” in an era that regards mobility as a virtue.

Matt’s byline referred me to her book, Homesickness: An American History, in which I read about homesick colonists and nineteenth-century immigrants. I learned that homesickness became taboo in the twentieth century, when embracing progress meant surrendering ties to the past. What most interested me was the connection between homesickness and nostalgia, which are literally synonymous. The word nostalgia was coined in the seventeenth century as a diagnostic term describing a painful longing for home. It combines the Greek words nostos (“return home”) and algia (“pain”) and remained in use as a medical term through the Civil War. It was only during the rapidly changing twentieth century that nostalgia gained distinction from homesickness—longing for a lost time as opposed to a lost place.

I recognize these desires as twins, but how do I understand twins born years apart? What does it mean that I am nostalgic for a time before my own birth? It’s notable that when I cry for Minnesota, I am moved by my sense of its shape, of a history that predates my life by decades. Like the homesick freshman I was, I am again sustained by popular music of the past. I recently bought a turntable and have acquired on vinyl the greatest hits of Bobby Vinton, Herb Alpert, The Brothers Four—artists who were on the charts the year my dad graduated from high school. My most common earworm, the song that both rouses and soothes my sentiments, is “Theme from A Summer Place.”

•••

In 1960, when Percy Faith recorded “Summer Place,” my grandparents owned a creamery in Fingal, North Dakota. My dad was fourteen years old. His parents had purchased the creamery when he was four and would operate it until 1968, when my dad was in college.

My grandfather was a butter man. He bought cream from farmers, pasteurized the cream in a heated vat, and churned it by the ton. By hand, he scooped butter from the churn into 64-pound boxes that were trucked to school cafeterias and military bases. He kept two boxes from each churning and parceled that butter into one-pound cartons sold locally. The town was proud of its butter, deeming it the best around. Fingal butter was served in restaurants and at the Woolworth counter in Valley City. Fingal natives who had moved to Fargo or Grand Forks filled shopping bags with Grandpa’s butter on return visits. At a reunion just months ago, a former classmate showed my dad a yellow carton with a Fingal Creamery label that she has saved for almost fifty years.

Butter unifies. It absorbs and concentrates flavor. It creates texture and emulsifies, blending ingredients that would not otherwise mix. A man who makes butter connects farmers with townspeople, towns with cities, schoolchildren with soldiers. The butter maker’s family is embraced. His wife is esteemed, his children golden boys and girls.

This is the refuge I seek in my father’s past. I want to know the butter maker. I want to break bread with the butter maker’s family. I want my children to walk to school with the butter maker’s children. I want to be the butter maker, and the butter, melting into the place where I belong.

•••

I have become a broken record. At some point the longing to be absorbed becomes self-absorption. I must reconcile my butter-gold narrative with reality. In 1960, Fingal was homogenous as milk. I imagine it was possible there to feel separate from the world, from the civil unrest churning the nation, from the state’s native population. Even so, I hear whispers of Fingal residents who did not find sanctuary in small-town North Dakota.

Nostalgia is too easy. It saddens me that the Fingal Creamery ceased operations in 1970, two years after my grandparents sold it and returned to Minnesota. But to romanticize an era when mom-and-pops outnumbered franchises is to overlook disenfranchisement. My own comfort and safety are not enough, after all. I am out of my element where I live now, like frozen butter unevenly spackled on toast, and maybe that is the point. Maybe I am here, in this place and time, to be uncomfortable in a culture consumed by comfort. Frozen butter will keep safe indefinitely, but safety is not its purpose. Butter is for flavor and texture, qualities that are lost after too long in the freezer.

In other words, it is time to expand my soundtrack. I’ll always have a soft spot for golden oldies. But there are living voices singing songs I want to hear, street musicians and symphony members I want to know. I want to feel the pulsing of every drum in the beating of my heart. If the asynchrony is jarring, I am ready to be shaken.

•••

This is KIM KANKIEWICZ’s second essay for Full Grown People. While writing it, she discovered that The Brothers Four are from Seattle and are still performing. She has tickets to attend a Brothers Four concert the next time her parents are in town and hopes to hear a live performance of her dad’s favorite road trip song, “Blue Water Line.”

Ghosts at the Table

clock2 — By Beth Hannon Fuller www.studiofuller.com

By Kristine Guay

“So what’s new in your life, boys? Is there anything you can share with  us or that you even want to share?” My partner’s mother breaks a momentary silence at our holiday dinner table while unscrewing the cap off of  her container of bottled water. I reach across a plate of spinach-pie  wedges to grab the etched glass wine decanter and fill my glass in front  of me. My partner Janyce is cutting into a lamb chop, swirling a forkful  around in the egg-lemon sauce on her plate. Over on the far left, my  older teen, Connor, is scooping up another spoonful of rosemary potatoes from the  ceramic bowl and dropping them in a pile on his plate.

“I’m getting my license soon,” says Connor.

“Hey, did I ever tell you what my dad did to me when I got my license?” Janyce’s sister Agni blurts out from the far opposite side of the table. I can see the top of her head from behind the vase of  orange and pink pastel tulips as she hoists her little black dog up on to  her lap.

“Ag!” says Janyce, placing her wine glass down and shooting her sister a stare before looking nervously over at me.

“It’s okay,” I say. “Let her tell the story.”

“Well, on the day I passed my test, I asked Dad if I could take the car to drive to Peggy’s house,” she says, looking straight at Janyce as she pauses to shift the dog to her other knee. “And he said to me that I had to wait for him to go with me because I couldn’t drive the car alone for another three months. He said it was because the insurance would take three more months before it would go into effect. Can you believe that?”

“That’s not true, is it?” asks Connor.

“Of course it’s not true!” says Agni as she starts to giggle. “You thought you were being smart, didn’t you, Dad?” She gives a jab to her father who is sitting beside her and looking down at his plate.

“I don’t think he heard you,” says Janyce.

“Oh he heard me. Just look at that smile,” she says.

Janyce’s dad picks his head up and grins. “It worked, didn’t it?”

“It worked until I got my first car myself, and I made a comment about needing to wait a few months for the insurance, and they looked at me like I was crazy,” she says. “The guy said to me, ‘You can drive the car out of here right now.’”

“I don’t get it,” says Connor. “Why would your dad tell you that, then?”

“We were going to try the same thing on you,” says Janyce looking over at me. “But too late now, huh,” she says to him. “Dad just wanted her to keep driving with another person in the car a little longer for the practice.”

“Oh! Yeah, well I don’t need any more practice. I’m ready,” he says.

I steal a sideways  glance at my quiet younger teen, Aidan, to my left. It’s close to seventy-five degrees outside, but  he wears a blue plaid flannel shirt buttoned up to the top, covering  his black concert tee-shirt. The gaping metal tunnels in his ears are  plugged up with a stopper of red, just barely visible from behind his  shiny black hair. Behind me is only the sideboard table that I’d adorned with  a rustic candelabra and a plate of shiny yellow packaged marshmallow peeps  and boxed chocolate bunnies.

“Why do you let him do that to his ears?” whispers my Aunt Gail just over  my shoulder. Nobody hears her say it but me, and yet I notice how Aidan sits a  little straighter in his chair.

“Want to try some of the greens?” I ask Connor, motioning toward  the bowl directly in front of his plate.

“No, thanks, I don’t like steamed daffodils,” he says.

“Those are wilted dandelion greens, wise guy,” I say.

“I’m all good, Mom.”

My partner’s father and sister are talking about something I missed, and Janyce is now leaning  back in her chair, her plate pushed to the side. I dip my fingers in the  shallow bowl of mounded mini jellybeans next to  my flatware. Multicolor glass cordial glasses embellish the top of each  dessert plate on the green tablecloth and remind me of the spring crocuses  outside, just now beginning to push their way through the soggy earth.

“Is it okay if I go visit across the street?” asks Connor.

“Yeah, Mom, I’m done too. I want to go skate,” says Aidan.

“Sure, guys, you can go. Thanks for making an appearance,” I say.

I take in a deep breath. We all made it through the rushed first hour of a holiday meal in the new house, with all my new relatives.

As the teens perform their stiff goodbyes and get up from the table, I catch the end of Janyce’s sister’s and  father’s conversation.

“I used to love YaYa’s shoes—remember those? They were so high and she  was so short. They had those bows on them,” says Agni.

“Yeah, and she was always mad at us for wearing jeans,” Janyce chimes in. “I remember how she would be dressed and ready for me when I had to drive her to the Greek market. She was in her dress, those shoes with the bows, and she had her bag in her hand. We were only driving across town to buy feta!”

“Well, that’s how it was with the Greek women of that generation. You dressed properly to go out,” says Janyce’s mom.

“Okay, maybe to go out, but remember how mad she got at Dad when he was wearing ripped cutoffs to build the deck?” says Agni.

“That was hysterical,” says Janyce. “Remember that, Dad?” She turns to her father who smiles and looks down at the table while shaking his head from side to side.

I don’t add anything to the conversation; I watch my sons exit the  room. On their way out, they pass by my long deceased Uncle Ray, who is  leaning over Janyce’s shoulder to look into the main  platter of leftovers still on the table. “Lamb and artichokes? Where is the ham and raisin sauce?” he asks, and I  almost laugh out loud. I watch him in front of the brick fireplace  tilting his head to listen to the Rembetika music playing from the stereo. He’s wearing a white button-down shirt with his white tee-shirt still visible, black pants, and gleaming polished shoes. Wisps of graying hair drape sideways  across a partially balding head and half of his bottom lip is curled up in  a crooked smile. His face droops slightly on one side.

“Who wants coffee and cookies?” asks Janyce. I start gathering and stacking dirty dishes as Janyce’s mom begins unwrapping the pink and green tissue paper from  the small wrapped Easter package in front of her.

“Oh, aren’t these pretty,” she says.

“Those are from Athans Bakery, Mum,” Agni says. “I got  you some filled with Nutella and some with mint. Those big ones have  hazelnuts in them.”

“Oh, I can’t eat hazelnuts. I’ll have to give those to Daddy,” she says.

I  pass Janyce on her way out of the kitchen as I’m on my way in,  carrying the dirty dishes. She’s holding a bottle of ouzo in one hand and  a plate of kourabiedes in the other.

“Kris and I are having some ouzo… Dad, are you having some too?” I hear  her ask as I return to the entrance of the dining room. I stand  perfectly still for a minute in the doorway as I watch my own grandmother, who we buried over ten years ago, looking at the pile of chocolates with  the others. “I can’t eat hazelnuts either,” she says to the table. Then she fades  away.

“Come sit and have ouzo with me,” says Janyce. She looks at me and  pats the chair seat beside her.

“The teens were unusually silent, don’t you think?” I ask her as I  lick white powder from my fingers and take a sip from my cobalt-blue  cordial glass. Late afternoon sunlight streams through the windows and dances on the  glassware. Nobody else is talking anymore, and we listen to the soft plucking of the bouzouki  playing in the background.

“Well, they are getting older,” she says.

I nod in agreement, but to me that’s only part of the reason. It’s really more that the teenagers  aren’t so comfortable with all the ghosts at the table. It seems that the smaller the holiday gathering, the easier it is  for the relatives of the past to show up and make a comment or two. I was  watching the two teens during dinner, anxiously looking at their cell phones, glancing out in the direction of the backyard while sitting straight in  their chairs, all sullen and still. They couldn’t quite get comfortable with  this holiday, the first one with my new relatives in a new  house.

And yet to me, their fortyish mother, I only wish I could stop time during  these moments and linger over dinner with my new relatives while all  the relatives I remember so fondly pass in and out to get a closer  look. That’s the real reason for the holidays coming around every year. It’s our yearly chance to welcome back all the  ghosts to the table.

•••

KRIS GUAY lives in Franklin, Massachusetts, with her partner and two teenage boys. She works as a communications manager in higher education. Her work has been published in Moms Who Need Wine and the Middlesex News, and will soon be in Corium Magazine. She writes her own popular blog called “Life with Teenagers” at www.2teen.wordpress.com.

Young Love

By Zsofi McMullin

My phone buzzes just as I drain hot pasta over the sink with Sam hanging on my leg and my husband talking about the mortgage or some electrical issues in our basement or something else house-related. I try to nudge Sam away from the boiling water and towards the dining room table—with a quick stop to wash his sticky little hands. I hear my phone again, impatiently beeping and buzzing, and I recognize that someone is trying to send me a message over Skype. It could be my mom or my brother, so I settle Sam, serve dinner, and quickly glance at the screen.

It’s not my mom. It’s not my brother. It’s Him. It’s a short message and it’s written in German and despite not having spoken one word of German in oh, about fifteen years, I know and understand every single word immediately. “I was at a charity event tonight and I don’t know why but I’ve been thinking about you all day.”

That’s it.

That’s it and I am nineteen again.

That’s it and I am back in his small, dark college dorm room, lightheaded from one too many fuzzy navels and giddy with excitement. I am sitting on the floor across from him, cross-legged, but all I can think about is how much I want to wrap my legs around him and pull him even closer. We are both wearing flannel, and Whitney Houston is playing in the background. A friend of ours stops by for a few minutes, but quickly realizes that he is interrupting whatever it is that’s about to happen. He laughs and rustles my hair as he gets up to leave, like he is happy for me.

I feel happy and confident when he finally kisses me—I’ve done this before, I know what comes next, but I am amazed that it is actually happening to me. I mean, he is so cool. So blond. So blue-eyed. So dreamy and smart and worldly and, oh my God, that accent. I am a chubby Jewish girl from Hungary—I don’t get swept off my feet by sparkly-eyed blonds. Ah, but I am now, and we quickly make our way to my room—my roommate is away for the weekend.

There is some confusion about whether I am a virgin or not, but after I reassure him that he is not about to deflower me, he is tender and hungry and talks to me in German the whole time. I wake up in the middle of the night, squished between him and the cold cement wall and spend the rest of the night in the lounge of my dorm building, watching bad TV and thinking that what I have just done was so cool and so grown-up and so sophisticated. And so very unlike me. I don’t see him leave in the morning, but he leaves a note on my bed. “You are a wonderful woman. See you soon.” And his initials: PD. I realize in a panic that I have no idea what the “D” stands for.

It’s March now, and he is graduating in two months. It quickly becomes clear that our night of passion does not guarantee me any privileges when it comes to seeing him, or talking to him, or eating together in the cafeteria. It does not gain me invitations to the cool parties he attends or to the spring dance. I think we go on one date maybe—a movie and an uncomfortable dinner.

It doesn’t matter. I am in love.

It’s easy to think back and say that I was young and stupid and confused sex with love. It was probably true. He was doing what handsome German students do during their study-abroad year. I was doing what bookish lonely girls do when said handsome German students pay attention to them. It is all so dull and obvious now, but it was so tragic back then and it would have stayed like that in my memory if our story had ended there.

But it didn’t. In fact, our story is still not over and that’s an unsettling feeling in the pit of my stomach every time his name shows up in my inbox.

After our (well, mostly my) tearful goodbye on a cool May morning before I headed back home to Budapest for the summer, I was convinced that I would never see him again. But for once, I was pleasantly surprised. He came to visit me that summer and the next, flew to the U.S. to see me at college several times. We talked on the phone and e-mailed all the time, and we met up at international airports for quick, furtive rendezvous in business lounges. Most memorably, he showed up at my office, unannounced, a month before my wedding.

Through all those years of not seeing each other much, we somehow became friends and moved on from our beginning as a tipsy one-night-stand. I think we both found it easier to open up when we were so far apart from each other, yet just a phone call away. The heart and the mind are so easy to reveal in a quick e-mail, a brief message, a silly card. There was always something easy between us, something natural and light-hearted. He was six years older than me, already weighed down by starting a career and figuring out what grown-up life is about, and I think for a long time—and maybe even now—I represented a carefree and happy time in his life. It was a comfort to both of us to recall our haphazard romance and to share a laugh about our youth and naïveté.

We never really talked about it, but obviously we both dated other people and I got married first. When he showed up at my office on a cold November morning, my heart stopped because again, this was not something that happened outside of movies—a scandal before my wedding? Did he come to take me away? To confess—finally!—that he is truly and madly in love with me? Did I even want that anymore?

He made no confessions. He came to say goodbye—I suspect that by then he was in a serious relationship with his future wife and had to put an end to whatever was going on between us. We held each other for a long time. He kissed me on the forehead and brushed his knuckles playfully across my chin before he left my apartment. I watched him walk down the long stairway leading to the street from my front door and for a moment I almost—almost—called him back. But I knew that would have been a mistake and that neither one of us were the kind of people who would do that before our weddings.

We stayed in touch for the next decade, exchanging a few phone calls, a few e-mails about birth, death, jobs—the big stuff of life. There was always so much tenderness and so much history in our exchanges, assuring us that we weren’t alone in navigating all of this uncharted grown-up territory. It felt like we were finally on equal footing—I didn’t feel like the chubby Jewish girl anymore, and he didn’t seem like that shiny, untouchable person I remembered him to be. We were just two people who knew each other from way back when, who built a friendship out of an ill-fated college romance.

So here we are now, almost thirteen years later. Here is this message on my phone, beeping and wanting attention. I want to give it attention, because it’s …well, because it’s Him. I am a practical person: I believe that love is a choice every single day; that marriage is a choice every single day. No matter how hot the passion is in the beginning, to sustain a life together the passion must cool and every morning must begin with a choice—to be present, to be kind, to be understanding, to iron shirts, to cook a favorite meal, to listen.

But whatever this other thing is, it is not my choice—and it never has been. Whatever pulled me to him on that March night when I was nineteen is still in me—irrational, unexplainable, unstoppable, and I assume never-ending. I have felt this stupid love-like-thing for this man for the past eighteen years of my life and I have no reason to think it will change.

The next morning he e-mails me to say that he is thinking about what the rest of his life holds for him, how to handle the responsibilities thrust upon him and still find happiness. “Right now, but also for the past few years I wish I had you by my side,” he writes. “For many reasons.”

I know that, years ago, a message like that would have had me in tears of joy. And I am in tears now too as I look at my iPad screen in the early morning darkness. But it’s not joy I feel. I want to scold him. I want to be angry. Has he not learned how easy it is to believe that life would be different—better, more exciting, sexier, easier—with someone else? Does he not know that if he did have me by his side, he would not write me lovelorn notes in the middle of the night? I would be the nagging wife who only has time for the kids and I would not be the young love that got away.

I turn off the iPad and try to go back to sleep. As I drift off, I think about how I don’t want our story to be a sad one. I don’t want it to be about regret, or the road not taken, or opportunity not seized. I don’t want it to be about making the wrong choice or picking the wrong person. I am not sure what our story is about, but I can’t let it be about those things. I want it to be about possibility, about love that endures in whatever shape it appears in life. I want it to be about making a choice and sticking with it.

I want it to be about that little corner of the heart where I tuck away what I treasure most: an old friend with sparkly blue eyes, the smile of my baby, the reassuring weight of my husband in bed next to me.

•••

ZSOFI MCMULLIN was born in Budapest and lived there until she turned eighteen. She became a “full-grown-person” over the past nineteen years spent in the U.S. She lives on the coast of Maine with her husband and her four-year-old son. Her day job is in publishing, but she spends all of her free time between four and five a.m. every morning imagining that she is a writer.

Goodbye, 1735 Asylum Avenue

curtains — By Gina Kelly www.ginakelly.com

By Judy Bolton-Fasman

I was deep into middle age and so was my childhood home: 1735 Asylum Avenue in West Hartford, Connecticut. It had been forty-nine years since my parents had bought this house, and it had not held up well.

But neither have I. I take several pills a day for maladies like high blood pressure, cholesterol, anxiety, and depression. No pill helped me to sleep in the days before we cleaned out 1735. Dad had been dead for a decade, and it was time to move my mother out.

My sister Carol, my brother John, and I each took a couple of rooms to empty. I volunteered to go through the master bedroom. I wanted to be alone with the detritus of my parents’ lives. Alongside the cancelled checks and the thumb-smeared Polaroids from the seventies was my master’s degree thesis that I wrote in the late 1980s—a collection of short stories called The Ninety Day Wonder in honor of my father’s service during the Second World War. John said he saw Dad read my thesis cover to cover in one sitting, crying as he turned the pages. The book was dedicated to him.

By the time 1735 sold, my mother had erased any traces of my father. The house was teeming from years of hoarding. She hung on to tests that she administered when she was a Spanish teacher in the seventies and eighties. She saved every single greeting card anyone sent to her. She saved her children’s baby clothes— clothes disintegrating from age. Then there was my prom gown, the dress I graduated high school in.

Maybe that is a sign of age—an unkempt house filled with stuff. Or maybe it was a bulwark against leaving. When my father died, the house was still habitable. Then the heater broke down and had to be replaced. The sump pump wasn’t up to the task of keeping the basement dry. Weeds shot through cracks in the driveway. The shrubs were overgrown. The window air conditioners—streaked with bird droppings—wheezed asthmatically. The wall opposite the banister was forever scarred after my father’s chair lift was removed.

•••

That final time we cleaned out 1735, my mother was in a rehab facility, and we made the most of her absence. Two months earlier, she’d spent her last night in the house. She had called me in a panic that she was feeling very unwell. Although I live in Boston, I made the call for an ambulance to take her to a hospital in Hartford. My mother will tell anyone who will listen that that hospital stay was the beginning of the end for her. I will tell anyone who will listen that summoning an ambulance saved her life.

Here is what my siblings and I had to do to save my mother further: During her extended stay in the hospital, we used the power of attorney that we had wrested from her the year before. We sold the house with her grudging acceptance. We promised to salvage pictures and other mementos. She decided to go to an assisted living facility in Connecticut rather than one in Massachusetts near Carol and me because leaving the area would cause unbearable changes like watching a different local news anchor.

•••

“I brought these,” Carol said waving boxes of masks and latex gloves. These were the same gloves that had to be worn to take blood or give a shot. These were the same gloves my father’s aides snapped on to toilet him, to wipe his drool. These were the same gloves we had to wear at 1735 where a family of raccoons recently lived in the chimney. These were the same gloves we were glad to have on when we found mouse droppings or the mice themselves.

These were the masks that made us look like mad surgeons or hygienic bank robbers. These were the masks I saw people wearing in the freezing, flu-ridden streets of Boston. These were the masks we wore our last days at 1735 to inhale less mold and dust.

I used to dream of the day I would watch a wrecking ball smash into 1735 Asylum Avenue. I thought that watching the house collapse would be satisfying, cathartic. I would take pictures upon the first impact. I would cheer. I would cry. I would dance on the edge of the house’s open grave. But that’s not what happened. We sold 1735 in less than a week to a builder who intended to take the place down to its studs and renovate the unhappiness imbedded in its walls. “An open plan,” he said. No more dark corners of sadness and dust mites. The house would be turned to face the sunlight and the side street. 1735 Asylum Avenue would vanish as a house and then as an address.

It turns out that selling 1735 unmoored me. It set me adrift without an ancestral home to go back to. We had cut a deal with the builder that we would take out personal items and leave the rest for him to deal with. Leave the green-swirled sofa stuffed with old circulars under the cushions. Leave the hi-fi missing the first A of “Magnavox.” Leave the dining room table with the warped leaves, the table I sat under when I was a little girl as my parents fought their way through another year of marriage. We left the chipped, cow-jumping-over-the moon-lamp that dimly lit the bedroom that I shared with Carol.

I left love letters written by bad boys and pleading letters that I wrote and never sent to those bad boys. Bad karma to move that stuff. I looked for a packet of poems that a nice boy wrote for me the summer after I graduated college. He was the sophomore who loved me—the senior girl who had a boyfriend I was afraid to leave. I gave him a chapbook of poems by a poet I thought was profound at the time. I can’t remember the name of the poet nor could I find the nice boy’s poems to me. I just know those poems were once mine, and now they would become part of the ash and rubble as 1735 Asylum was reincarnated.

I left the rotary phone in the den where it had been for almost half a century. The phone wheezed when the wheel spun and 523-0765 was rubbed off of the circle in the center. After all these years, it turns out, my mother was still renting from the phone company.

We were disappointed that Mom couldn’t take the phone number to the assisted living in the town over.

“What about just keeping 0765? I can deal with a different prefix,” I said.

“Taken,” said John who was in charge of getting the new phone number.

My siblings and I salvaged what we could and went back to the hotel to toast to our exhaustion. We barely lifted our glasses of the default Pinot Grigio we ordered in mediocre restaurants.

“Are you going to miss the place?” I asked Carol.

“Too much happened there,” she said.

She meant that my parents had papered the place with emotions that ranged from my mother’s mania to my father’s depression. But for the longest time, 1735 also represented permanence to me. It was the address on my driver’s license for the nine years that I lived in New York City.

Like houses that have been in one family for decades, my parents’ place burst at the seams with memories that were good and bad and ugly and beautiful. There were fights and reconciliations and moments of pure love. There were the deaths of parents and grandparents. There were great parties, the hi-fi blasting, where my parents danced rumbas and drank Cuba libres. There was my wedding gown that I hung on the living room lintel the night before my nuptials. There were grandchildren who toddled around the house.

My mother romanticized the home she made with her husband, and for better or for worse, she wanted to stay until death did part her from 1735. We must have appeared to be the most negligent children in the world as the neighbors watched her haul the pails out every Sunday night or noticed that her sidewalk was not shoveled after a big snowstorm. She lied to us and said her lawn man did snow removal. She lied to us that she had a lawn man. She lied to prevent her own removal from the house.

Visiting 1735 over the years, we often choked on agitation and the dust that accumulated as thickly as the plush carpeting that once covered the floors. For the last ten years we begged, we fought, we threatened Mom, and still she sat immobile in the chair my father had spent his last days and nights in the den—the chair that ejected him so he could go from recliner to wheelchair in one jerky motion.

Then I had an epiphany. Of course the idea of giving up the ancestral home in Connecticut was anathema to my mother, who had already left her first home in Cuba forever. My siblings and I were forcing my mother into another exile. We had already scattered from 1735 and left most of its dower contents in place. Like my grandparents who walked away from twenty-five years of silver and jewelry and dishes in Old Havana—“with only the clothes on their backs and their toothbrushes,” was my mother’s description—we shut the door on a house in West Hartford that was full of furniture and clothes and things we could not bear to dig deeper into.

We, too, had exiled ourselves from Asylum Avenue forever.

In the hospital, my mother screamed that she wanted to be buried seis pulgadas in the backyard. But we had bought a double plot when my father died. My mother would be six feet under the ground next to my father. And after 1735 had passed on, the furniture and the clothes went to the backyard to die. The builder promised that everything would be disposed of efficiently and quickly. I assumed that meant there would be some dignity in the process.

Instead, 1735 was stripped bare and its furnishings laid in the front and back yards for random people to pick over. They came with pickup trucks, U-Hauls, and minivans and took away my parents’ bedroom set. The living and dining room furniture were parceled to strangers. I hoped my bedroom set went to a little girl who would feel like a princess with a white and gold etched headboard. I didn’t see any of this myself, but I heard about the scene from one of my mother’s former aides, who got giddier as she told the story.

“It was like looting,” said the aide. “And they even took the clothes no matter how scrappy they were.”

Other families seem to have physical objects, talismans of sorts, to evoke their history. I pointedly remember that we had nothing from Cuba except some creased black and white photographs. If I, the child of exiles who went from country to country with little more than the clothes on their backs had known, I would have taken those things before they were outside for the world to grab.

•••

JUDY BOLTON-FASMAN’s work has appeared in the New York Times, the Boston Globe, and O Magazine. She is at work on a memoir titled 1735 Asylum Avenue: A Family Memoir.