Common Purple Lilac

Content warning for sexual assault. —ed.

By Alexis Paige

“Can you believe I drive a friggin’ Volvo?” I text one of my oldest friends. We trade shorthand code, the sort developed with those who have seen you through many decades and phases—the well-scrubbed-coed-ordering-amaretto-sours-without-irony phase, the hairy-armpits-and-knockoff-Birkenstocks-with-wool-socks phase, the slaggy-handkerchief-halter-top-and-bumps-in-the-bathroom-with-the-drummer-or-was-it-the-bassist-from-Metallica phase, the can-you-believe-I’m-still-bartending phase, the can-you-believe-I’m-in-rehab-and/or- jail phase, and now this, the can-you-believe-I’m-driving-a-Volvo-and-Googling-perimenopause phase.

“You in a Volvo station wagon is the most ridiculous thing I’ve ever heard of,” my friend fires back.

Now in my forties and out of the feigning street cred game, I seem by most external measures happy and stable—rooted even. I have something akin to that common domestic dream which Zorba the Greek lamented in the 1964 film: “wife, children, house, everything, the full catastrophe.” I have a devoted husband, an accountant who is also the town fire chief, a bric-a-brac of teaching and editing gigs that passes for a career, three mature lilac bushes, and 2.2 dogs. (I refuse to call them my “fur children.”) Keith and I joke that our three-year-old boxer, George, whose name is loosely derivative of Seinfeld’s George Costanza, counts as 1.2 dogs, the extra two tenths owing to his extra alpha-dog-bro-ness. This exterior sketch of my life on paper isn’t false, just thin. Anthropologists and other social scientists favor a “thick description” of human behavior, one that renders a fuller picture and which explains not only the behavior itself, but also its larger context. A thick description of my life, for example, might include a study of regional linguistics and attitudes, a family tree of mental illness, a personal history of addiction and trauma, and even what it feels like to be a sexual assault survivor during the presidency of Donald J. Trump, Groper-in-Chief. What I suppose I mean by the thick description is that the human condition is a motherfucker.

Beyond our Fisher Price town with its steepled square and mix of Colonial and Victorian storefronts winds the small river that hugs our country road. Between this river and road, farms nestle—some ramshackle, some picturesque—in the furry, coniferous hills of central Vermont. If you scrub past the rosy patina of Norman Rockwell Americana, you find ordinary America too, or perhaps ’Murrica, as some of my local students like to declare proudly: blue tarps and Gadsen flags, guns, black tar heroin, snowmobiles, high rates of domestic and sexual violence, and other assorted clichés of rural poverty and dis-ease.

Down this road a few miles sits the 1830s farmhouse that Keith and I bought last summer, flanked on one side by hay fields and on the other by the not-so-mighty, but lovely, First Branch of the White River. Because we lived in Arizona when I was a child, and swimming pools were ubiquitous, Mom plunked me in a toddler swim class at two, and I’ve been a water lover ever since. Given a chance to swim, especially in the wildness of an ocean, lake, or river, I will stay submerged for hours—until my skin is pruned. Here, in the town that we now call home of just over a thousand souls, I watch and listen to the river daily from our back deck. If the weather is warm and the river high enough, I head down to the water for a dip or to sit on a giant granite boulder, deposited as glacial moraine during the last ice age, and marvel at my luck. Calling this place, any place, home does a number on my psyche, yet here, I’m making peace with the full catastrophe. Something I can’t yet name washes over me here, or perhaps that something is finally washing away.

Nearly fifteen years ago, and six thousand miles from my apartment in San Francisco where I lived in my twenties, I sat nervously in a cold, stone office in the bowels of the stazione policia, on Via Zara in Florence, Italy. I was twenty-five and on my first trip abroad. The night before, I shared dinner with friends on the Piazza Della Repubblica, fifteen minutes by foot from the police station. The night before, I wore an outfit I bought special for the trip: tight red pedal pushers and a tight red blouse, heeled sandals, and a purple head scarf. We chatted gaily with our waiter, who joined us for Fernet Branca and Prosecco after his shift. He spoke little English, and I little Italian, but in broken Spanish and flirty eye contact, we managed well enough. My friends and I and the waiter walked over the Ponte Vecchio, but at some point while browsing the trinket shops and smoking cigarettes with our arms draped through the stone portholes over the Arno, he and I drifted from the group. At another point, I figured they’d gone back to our hotel, and he offered a “corto trayecto” on his moped. Still drunk and sun-baked from the day, intoxicated by the wafting lilac and street disinfectant, and dizzy from the ridges of terracotta rooflines undulating by, the ride exhilarated me in those first moments. But after twisting down more dusty lanes and bumping over cobblestones and emerging onto a faster, wider boulevard, my giddiness evaporated. I began to feel sick and to spin, adrift from my friends and our hotel and the center of town. He slowed the moped to a stop, hopped it onto a sidewalk in front of an apartment building, and with his strange, sweaty hand, the nice-seeming waiter led me up a flight of steps and into his small apartment.

•••

We got here as soon as we could, my husband and I like to say—both in a literal and metaphorical sense—about our arrival in Vermont, about how we are late bloomers, about how long it’s taken to arrive at some place we might call home. We came to Vermont nine years ago, fleeing Houston, Texas, in a little hatchback packed with everything we owned. We drove past the Texas refineries and Louisiana swamps, then into the lush hills of Mississippi and Alabama, and on through the Smoky Mountains and Shenandoah Valley. When we reached the Maryland panhandle, I knew the Mason-Dixon Line was close, and once over that arbitrary boundary, my body flooded with relief, as if I had been safely extracted from behind enemy lines.

I say that we fled because at the time we felt that we had to get out of Texas if we wanted to make it. A few months before I met Keith, I got drunk and crashed my jeep into three other cars at a major city intersection. Miraculously, and despite epic vehicle wreckage, no one was killed, and only one person was hurt. After my initial arrest for drunk driving, I was charged with a felony that carried a five- to ten-year prison sentence, and the ensuing, protracted legal ordeal loomed over everything, including our budding romance. Dating tips don’t cover how to handle the “I’m under felony indictment” conversation on the first date, but Keith stayed, even as life became a two-year blur of court hearings, AA meetings, endless chauffeuring and bus rides, sporadic paychecks from temp agencies that would overlook my circumstances, pre-trial supervision, and finally, a five-day felony trial. I was more fortunate than most who get devoured by the Harris County Criminal Court system, convicted ultimately of a misdemeanor and sentenced to just 121 days in the fearsome Harris County Jail. With good time, I served sixty.

My lawyer’s early admonishment about the Texas criminal justice system proved prophetic: “You might beat the rap, but you won’t beat the ride.” While on the ride, Keith and I talked about “going home” once everything was over. Despite early years out West, I had spent much of my youth in New Hampshire, and on visits to New England Keith became enamored of the beauty, history, and landscape. He grew up in Texas, but as someone who is naturally taciturn, who loves flannel, snow, and early mornings, I suspect he was a New Englander in a past life. While in jail, and with a firm end date and real second chance in hand, we finally began to make plans in earnest. Even though it was considered contraband, I kept a photograph stuck to my bunk with the adhesive strips from a stamp book, so that I could remember what waited for me on the outside. It was a picture of Keith and me, from the trip we made to Vermont for my thirtieth birthday, standing outside in an October snow flurry. Vermont had become our new starting line.

•••

Why did I go with the waiter? This was the tortuous refrain that ran through my mind the morning after, as I sat in the police station. I didn’t speak Italian, but I found a sympathetic translator from the American Consulate who escorted me to the station to help me file a report. Why did I go? I thought, as she mouthed the Italian words for the images that stabbed into my mind as if from a knife. The words sounded cheerful when this nice lady spoke them in Italian, the words for oral sex, for finger penetration, for erect penis, for without consent, for kick-start scooter, for champagne headache, for swarthy waiter, for slim build, for a Calabrian driver’s license, for his email address scrawled on a napkin, for No, for a partial apology in Spanish, for a cigarette afterward, for a walk over the only bridge in Florence to survive World War II, for permission to call my father, for the correct change in liras.

A movie about my twenties would begin happily. A young, quirky Ally Sheedy would star, Sofia Coppola would direct, and most of my boyfriends would be played by John Cusack. These early adult years weren’t without bumbling and angst, but for the most part, I had my act together. I lived in San Francisco, my dream city, where I was on track to complete a master’s program in creative writing. I had my own studio apartment on Russian Hill, a tight group of friends, and steady, lucrative work as a cocktail waitress, which helped me save up for my first European adventure. The itinerary dazzled me—Paris, Amsterdam, Switzerland, Italy, Provence, and finally, Spain—but I never made it past Florence. So, despite the auspicious beginning of my fantasy movie, the film would end unhappily, would tumble perilously thereafter across the screen, in a non-linear montage of depression, substance abuse, and suicide attempts, or what one shrink euphemistically called “gestures.” Not even the best film editor could suture these storylines. The jump cut was too rough.

This twist in my story has only recently, all these years later, begun to rise to a place from which I might access and write about it. It’s the story of, and here’s the problem…my rape? Or, my sexual assault? The first term I associate, technically, with penile-vaginal penetration, and the latter with euphemism. None of what happened feels technical or easily categorized, and neither does it seem deserving of euphemism, a language akin to evasion. See how the words still confound me, how the taxonomy remains fraught? I suspect that when the writer becomes a statistic, the language has to be dealt with as much as the event. Is rape what you want to call it? my father said to me in those early days. Of course, he didn’t mean harm. We don’t learn how to talk about such things in our culture, least of all men, least of all middle-aged fathers whose daughters call from payphones halfway around the world to say, Daddy, I’ve been raped. While I understand his quibbling now as an effort to make the thing somehow lesser or more manageable, or perhaps as an effort to attach language to the nightmare that we all could then live with, those words damaged me.

I felt misunderstood and silenced, as if I couldn’t be trusted to name my own experience. Though legal language varies, RAINN—the Rape, Abuse & Incest National Network—defines rape as “Penetration, no matter how slight, of the vagina or anus with any body part or object, or oral penetration by a sex organ of another person, without the consent of the victim.” Even though, technically, my experience does fit the definition, the truth is that I remain ambivalent about whether to call what happened to me rape.

Not long after the incident, the translator stopped returning my emails. Over time, I got mail from the Italian court that I couldn’t read. One letter came. Then maybe another. This timeline, too, is fuzzy, mired as these months were in heavy drinking and a growing dalliance with cocaine. When I returned from Italy, I holed up in my boyfriend Mike’s nondescript apartment in the Outer Richmond, which in those years was still a working class neighborhood on the northwestern corner of the peninsula. His apartment was closer to my university and far away from my friends who lived downtown. Its location conscribed a small, anonymous circle of the city in which I could limit my travel and social activity. I felt safe only in the darkness of his apartment and zipped into the anesthesia provided by the drinking. But the safety was an illusion, and the alcohol and drugs provided only temporary relief—if anything, they slickened the slippery in-roads of my mind. Previously closed-off territory opened up, as if in a nightmarish version of Chutes and Ladders, wherein I replayed every slutty thing I’d ever done and every unpleasant encounter.

Long buried before, I suddenly remembered another assault, dredged from the depths of my consciousness like a car hauled from a riverbed, mud-caked and slick with algae. I was seventeen that time, and in my first week of college at Rutgers University in central New Jersey. Late in that first week, a junior from my dorm, a fast-talking, animated guy from Jersey City, took an interest. Now, of course, I know I should have been wary of a guy whose opening line to my roommate and me was, “Youse freshmen?”, but then I was charmed. His accent and swagger were so different from the Boston Irish guys I grew up with, and he was not just some immature high school boy, but a college student—a man. Within minutes he was showing me his Don Mattingly swing impression and inviting my roommate and me to his dorm room for movies later that night. We went, of course, and while my roommate made out with his roommate (another beefy guy from Jersey City) beneath the Under-the-Sea phantasmagoria created by a spinning lava lamp, he made a move on me. We kissed for a minute, but a hunger in his movements frightened me, and before long I demurred, asking him to “slow down.” But he was somewhere else, his eyes glazed and fixed on the wall behind me. In fact, he sped up after I said that, as if further aroused, and then rolled on top of me.

“C’mon, baby,” he grunted, grinding his erection into my thigh. I tried to push him off of me, but he wouldn’t give.

“Please stop,” I said shakily, looking over at my friend who seemed oblivious and tangled up with the roommate. I assumed happily so, but I have wondered since if she had been in trouble too. How could I know what I was seeing, having never been taught what to look for? He pulled my shirt up and took my breasts in his mouth, suckled hard and with his teeth, then cupped my crotch over my jeans, rubbing his thumb hard back and forth against the zipper, which is where I imagine that he imagined my clitoris was. Finally, I managed to wiggle free by shimmying up the bed and wriggling out from between his legs. I hopped off the bed, pulled my shirt down, grabbed my bag and shoes, and clutched them to my chest to hide my breasts, which were still loose from the bra that was now pulled around my shoulders like a sash. I hurried to the door with the man panting after me.

“Don’t leave,” he begged. “I promise I’ll be good. You’re just so sexy, baby.” But once I was in the threshold of the door, he turned off the charm like a switch, and snarled after me down the hallway, “Bitch.” It’s probably important to point out that Rutgers, a state school where most students’ hometowns were no more than two hours away, was desolate on the weekends—an additional factor that made my roommate and me, two rubes from out of state, easy prey. As I rounded the corner to the freshman wing of the dorm I heard him holler the charming words that my roommate and I later turned into a kind of revenge refrain: “You can’t just leave me hanging! You gotta jerk me off or sumtin.”

•••

Mike worked long hours as an options trader, but I remember that one night he came home early with takeout. I couldn’t tell you whether this happened six weeks or six months after the rape, nor whether it was meant as a gesture of kindness or normalcy, or even as a gesture at all, but his early return with dinner was unusual. Without much comment, I took a plate heaped with fried rice and egg rolls and my tumbler of White Russian and plunked down on the floor in front of the television in the living room. I had gained maybe fifteen pounds since the assault, and while I was nowhere near fat, neither was I the lithe ingénue he began dating years before. We were on the outs anyway, so what he said to me then—while not untrue—didn’t penetrate my new armor.

I was fortified by then, had taken up residence in my own sad kingdom. Standing in the doorway, his arms crossed, and with a mix of tenderness and perhaps disgust, he said, “Where is my bright, beautiful girl? I don’t recognize you anymore.”

I smiled wryly, raised my cocktail as in a toasting gesture, and said, “That, my love, is exactly the point.”

I spent less and less time at my own apartment, which now seemed a place belonging to another person and time, a “before” shot from the “before and after” portrait of my own life. Through a bartender friend, I had lucked into the cute, cheap, centrally-located rental. No one I knew paid seven hundred dollars for a studio in the heart of the city, let alone one with a private garden patio that teemed with bougainvillea, lavender, rosemary, eucalyptus, and the Purple Chinese Houses that looked like ornate, amethyst bib necklaces. The elderly, housebound woman who lived upstairs had cultivated the garden for decades, but since she could no longer enjoy it, the garden became my private Eden—an idyll rich with a bracing cologne of eucalyptus and herbs. But that was before. After, I preferred exile.

No one seemed to want to talk about the assault anyway, or no one knew what to say, but perhaps that characterization isn’t fair—or even accurate. Memorably, someone did say something—just the right thing, in fact. In a hand-written note on delicate ivory stationary, Jenna, a motorcycle-riding, beer-drinking girlfriend originally from Down East Maine, wrote: “You are the purest little rosebud, just beginning to flower. Please don’t let this stop your petals from opening to the sun. Remember, in the end it is harsh pruning and bull shit that makes the rosebush grow strong.” Perhaps I convinced myself that it was easier for everyone else, when I actually meant that it was easier for me, to forget the whole thing. After all, it happened a continent away, in another language even. The more that time passed the fuzzier and more distant the details became. Occasionally I would pull out the Italian paperwork from a file box. Four documents summarize my sexual assault: a report made by my friends; an initial filing made by me at a mobile police unit; a complete report made to the Florence police; and a notification I received from the court many months later, and which as far as I can make out, gave me twenty days to declare a domicile in Italy. I can read Spanish, and the languages are close, but still the documents are hard to decipher. I thought over the years about getting someone to translate them for me, but again it seemed easier to let it lie, to let the words, and therefore the event, remain a kind of secret or mystery that I kept even from myself. In a sense, then, I answered my father’s rhetorical question about what to call it by default, be deciding not to call it anything, to put the whole thing in an unlabeled box, and bury it on some godforsaken alien continent inside me.

•••

Why did I go? I hate that I still ask myself this. I know this what-if game leads only to self-blame and shame, but I play anyway, because this is what sexual assault victims do. Perhaps I shouldn’t have worn red, shouldn’t have flirted, and shouldn’t have asked where we could get some pot. But actually, it was my girlfriend’s boyfriend who asked, and the waiter who said he had some in his apartment. He said his apartment was just around the corner, and we could ride over there on his moped. He seemed so nice, so harmless. I should never have gone, should have said “no” more forcefully, should have kicked his teeth in—something. But what magical thing would I have done? I play this game, as all victims do, because our culture trains us to blame ourselves. Instead of teaching boys and men not to rape, we teach girls and women the dubious art of avoiding rape, and yet when, inevitably, women are raped, they are abandoned, or worse, they are re-victimized by a legal system that reinforces its own bogus mythology. Every case becomes her word against his, despite empirical research that puts false reports as low as with any other violent crime. After mustering the courage to report these crimes in the first place, victims fight again to convince police, prosecutors, judges and juries, when ultimately, ninety-seven percent of rapists receive no punishment at all (this, according to RAINN). The message is clear: victims must bear their own burdens. We must learn how to survive our own rapes.

Though many of the direct memories of my assault remain sealed in drums and buried like radioactive waste or time capsules under hard-pack, I am still not safe from them. Trauma interacts with memory in complex ways, so memories of certain events—flashes—appear to me as non-linear images and sensory details. I am not unique in this. In an article for Time Magazine on December 9, 2014 on the neurobiology of sexual assault, Drs. James Hopper and David Lisak explain why rape and trauma survivors have fragmented and incomplete memories of their traumas:

Inevitably, at some point during a traumatic experience, fear kicks in. When it does, it is no longer the prefrontal cortex running the show, but the brain’s fear circuitry—especially the amygdala. Once the fear circuitry takes over, it—not the prefrontal cortex— controls where attention goes. It could be the sound of incoming mortars or the cold facial expression of a predatory rapist or the grip of his hand on one’s neck. Or, the fear circuitry can direct attention away from the horrible sensations of sexual assault by focusing attention on otherwise meaningless details. Either way, what gets attention tends to be fragmentary sensations, not the many different elements of the unfolding assault. And what gets attention is what is most likely to get encoded into memory.

Not only are my memories fragmented, but because of the nature of trauma, and despite my best efforts to neutralize them, the memories intrude in on my thoughts without warning. One moment I’m sitting by my river at home, and the next I’m back in Florence, holding my friend Bernadette’s hand, then tap-dancing on cobblestone, eating pasta, on the back of a moped. Suddenly, the man’s fingers are inside me. His tongue inside me. I am crying. His penis is in my mouth; is that right? I am crying in his kitchen, asking for a ride to the hotel. Then I’m back with my friends, outside the hotel, in relative safety under some streetlights. Bernadette and I are having a cigarette, and I am racing to tell her before the man gets back on his moped. As I tell her the story, the man is apologizing, inexplicably, to Bernadette’s boyfriend. Where’s my apology? I want to scream. I am still waiting.

•••

Perhaps because I am just now unearthing my sexual assault, it doesn’t occur to me until all these years later, when my husband points it out, that this game, as I’ve always thought of the obsessive event replay, is a textbook hallmark of Post-Traumatic Stress Disorder. One morning not long after moving into the house, we’re out on our deck, drinking coffee and admiring the view of surrounding mountains, meadows, and the river. The lilacs, which light up with pleasure from the same brain circuitry that alights with fear—the amygdala—are still in bloom, and the river is running high. Listening to the rush of the water, I tell Keith about the compulsion I have to replay the night over and over.

“You know what that is, right?” he asks. I shake my head, even as I guess that I do. “It’s PTSD,” he says.

I do it with the car accident too, another trauma. I’d always assumed because in both instances I was drunk, that the replay was more about getting the narrative straight, trying to fill in certain holes. Is the inability to fill in the holes trauma, alcohol, memory, or all of the above? I run the replays automatically, absently, while drifting off to sleep or walking the dogs or washing the dishes. Each starts as a kind of mental video game, with Player 1 (me) flashing on the screen, and then we’re off. Either we’re running the crash scenario in Houston, or we’re running the moped scenario in Florence, each a sort of gauntlet where I imagine I can get points if I can lock certain features in place. Perhaps I can grab a new street name, a new weapon, or a new clue. Invariably, of course, the features of the game blur. So too with the features of memory, which escape me, bringing me once again upon the giant sinkholes that open up and swallow time, matter, memory, me.

“Lex,” Keith says, waving his hand in front of my face the way we do to inquire if the other person is paying attention. And with that I come to, having been belched from the beast of my past, returning to our morning in progress.

“I don’t know what’s worse,” I say. “The sudden jerks into the past, or the fact that I can never seem to stay in the present.” I try then to settle into my chair, my body, my breath.

“Be where your hands are,” my yoga teacher says. I study my hands, my oversized mug, and the lilacs in the yard, so purple they are almost blue. With their heart-shaped leaves and from the way they cluster into crown-like bunches, they remind me of the swim bonnets worn by the elderly women at my fitness center. But the fragrance is so unique, that it reminds me of nothing but itself.

Oh, and that night in Italy.

•••

High on adrenaline and instinct and a lifelong good sense of direction, the morning after my assault, I led the officers back to the man’s apartment, which was not just around the corner as the man had suggested, but rather, some four-plus back-switching miles from the piazza. Since I had the napkin with his name and email address, the officers matched it with one of the occupants listed in their records. “Ben Fatto!” one of the officers shouted and pumped his fist from the front seat of the little police car.

“It means good job,” the translator said.

“I know,” I said. While still parked in front of the apartment, the officer craned around to face me in the back seat. He began talking intently, passionately, and looking back and forth between the translator and me.

“He says he’s very sorry this happened to you, and this is good evidence, but these things are hard to prosecute,” she said. I nodded and thanked him. He turned forward as if to drive off, but twirled back again, this time addressing mainly the translator. I made out the last word, commune: common. I looked at the translator, and she shook her head.

“C’mon, tell me,” I said.

“There’s no precise equivalent in English,” she sighed. “It doesn’t mean quite the same thing, but he says these things happen. They are common.”

When I packed for my flight just hours later, I flattened the words on the police report in the bottom of my suitcase like a freighted souvenir, underneath the red pants and blouse and stacked heels I wore the night before. I realized then that my panties were gone, probably still in the man’s apartment. Once on the plane and headed back to California, my seatmate asked if I was going home, and I nodded, then faltered. “Well, yes, I live there,” I said, thinking home was not a word I understood anymore, not a place on any map.

•••

The night we closed on our house, Keith and I stood in the back yard at dusk with our hands clasped. We have two dogs, a ten-year-old rescue pit bull mix named Jazzy, and George, the boxer tween we got a year after our first boxer died. As a puppy, George, white- and fawn-colored with a comical black and brown eye patch of fur, was predictably mischievous, but it was Jazzy who—upon visiting the house for the first time that evening—had gotten so excited that she arched over in the entry way and took a massive dump. We were still giggling about it as we stood in our new yard, watching George zoom around the acre in obsessive circles, doing his “racetracks.” The river was high and the lilacs in bloom, and the music from the water and the perfume from the flowers washed over us. “This is ours,” Keith said, squeezing my hand a little harder.

“Yep,” I said, squeezing back.

The common purple lilac, or syringa vulgaris, like those in the loamy northwest corner of our own yard, is a flowering woody plant in the olive family. Olives thrive in temperate Mediterranean climates so unlike the harsh, snowy winters and humid summers of Vermont that it surprises me to learn this. I know it’s greedy and provincial, but I’ve always associated lilacs with New England, which somehow made them mine. After all, the common purple lilac is the New Hampshire state flower, which I was forced to memorize in school, along with the state bird (purple finch), state fruit (pumpkin), state gem (smoky quartz), and state insect (the ladybug). But I do remember lilacs in Italy, whose fragrance stood out to me amid the other Florentine scents—amber, tobacco, lavender, cypress—as a kind of olfactory beacon of home. The family name, syringa, comes from the Greek word syrinx, or hollow tube, which refers to the plant’s shoots and their large piths, while the species name, vulgaris, means common or usual. However ubiquitous lilacs may be, nothing about their loveliness seems common to me.

Later that night, while washing dishes and looking out the kitchen window that overlooks a side yard where the previous owners had a sizeable fenced-in garden, I tell Keith about everything I want to plant. I’m excited, and the list grows absurd: star fruit, melons, Christmas trees, cucumbers, potatoes, peonies, roses, bleeding hearts, corn, lilies, bananas, chips and salsa trees, puppy seeds, and book awards. Keith laughs. I’ve never been a gardener, never planted anything other than pain, but here in my fortieth year, I want to plant something finally that can thrive.

We’ve been in the house six months now, and while unpacking the last of the boxes, I find a package marked “FRAGILE” in Keith’s neat handwriting. I can’t think of anything fragile we own—no valuables or heirlooms—but as I peel back the layers of plastic shopping bag used as wrapping, I see a box, about the size of a shoe box, which I recognize immediately as the urn containing the ashes of our first dog, Jimmy. A ninety-pound boxer, with a heart and personality to match his size, Jimmy came with us from Texas and lived here in Vermont until he was thirteen. Losing him was eased by the wonderful staff of our local vet office, who treated the loss as their own. We opted to have him cremated, and when we went to pick up the ashes, they were stored in a pine box with a handwritten card taped to the lid. The card, which had a raised, lumpy paper heart affixed to it, read, “Plant this in loving memory.” The veterinary technician, who emerged from the back to tell us how sorry she was, explained that the heart adornment contained wildflower seeds and that we could plant it. At the time we lived in an apartment and decided to hang onto the card until we found a place of our own. I show Keith the card and read the instructions out loud: “Remove adornment from card, plant in your garden and wildflowers will blossom year after year.” I ask him if he remembers the garden I was talking about our first night in the house. I hold up the card and touch the little heart adornment and say, “We can start with this.”

•••

ALEXIS PAIGE is the author of Not a Place on Any Map, a collection of flash lyric essays about trauma, and winner of the 2016 Vine Leaves Press Vignette Collection Award. Her essay, “The Right to Remain,” was a Notable in the 2016 Best American Essays, and she’s received three Pushcart Prize nominations. Paige’s work appears in The Rumpus, Hippocampus, The Manifest Station, Fourth Genre, The Pinch, and on Brevity, where she is an Assistant Editor. Winner of the 2013 New Millennium Nonfiction Prize, Paige holds an MFA in nonfiction from the University of Southern Maine. She lives in Vermont and can be found online at alexispaigewrites.com.

A version of this essay first appeared in the Mercer University Press anthology, A Second Blooming: Becoming the Women We are Meant to Be, edited by Susan Cushman.

Privilege

By Jody Mace

The day that I returned a loaner car to an auto dealership, I didn’t know that I had become a stooge in an automobile heist.

Here’s how it went down.

A recall was issued for my car. It was a safety issue. It turned out that the airbag’s inflator, a “metal cartridge loaded with propellant wafers,” sometimes ignited, spraying metal shards throughout the passenger cabin.

Lots of cars were affected, and the replacement part was in short supply. It was going to take weeks to get it. The dealership offered me a rental car, on the manufacturer’s dime, until the replacement part could be obtained.

The rental car was a lot nicer than my car. It was a Honda CRV with just 1,500 miles on it. I’d never driven a car that new. I know there’s new car scent that they can spray in any car but this new car smell was legit. Straight from the factory new car smell. Like the sweet smell of a baby’s head. Only car.

A couple weeks later I got the call that the part came in for my car. I parked the CRV in the lot. When I went into the service area to return the key, the service advisor made a joke. He showed me the invoice for my car and said, “I hope you brought all your money, cause this is gonna cost you!” And then he pointed to the amount due, which was zero. I laughed politely.

I handed him the key to the CRV and he handed me the key to my car, along with the invoice. I went out to the lot, got into my car, which was parked across from where I had parked the CRV, and drove home.

This should have been the end of a story too boring to retell, but here’s where things got weird.

Around a week later a manager from the dealership called me. He had some questions.

“Do you remember where you parked the rental car?”

I told him.

“What color was the car?”

This surprised me. They didn’t know what color the car was? They were having a little trouble finding the car.

The next day he called me again.

“Do you remember who you gave the keys to?”

“I don’t know. A woman,” I said. Then I thought some more. “No, it was a man.”

“Do you remember his name?”

“No, I never knew his name.”

“Do you remember what he looked like?”

And it was at this point that I realized that I’m the most visually unobservant person in the world. I am not face-blind but I’m at least face-visually-impaired.

“Well, I think he was kind of tall. Maybe thin. His hair wasn’t really dark. Or maybe it was dark.”

“Did he have facial hair?”

“No, I don’t think so.”

But I had a feeling I was making that up, inventing a face. I thought of that toy where there’s a picture of a clean-shaven bald guy and you use a magnet to drag little pieces of metal around to give him hair, or a mustache or a beard. A lot of times he ends up resembling one despot or another, depending on the shape of the mustache. Then you shake it and the metal shavings fall to the bottom and you start over again with a clean slate. Mentally I gave him a mustache, a goatee, a five o’clock shadow. I had no idea. The more I thought about it, the more removed I was, mentally, from the actual face of the service adviser. He had been replaced by any number of versions of him, all created by my imagination.

“You know what I can tell you? He was a white man. He was a joke-cracking kind of guy. Does that help? Do you have a jokey white man who works there?”

A few days later there was a third call. This time he told me not to be alarmed if a police officer called me to ask some questions. They still couldn’t find the car and had to file a police report so that they could put in a claim with the insurance company.

I started to get worried. Nobody had seen me return that car. The service adviser, whoever he was, hadn’t gone out to walk around it and check for scratches. I got out the invoice he had given me and I discovered that the paperwork was just that: an invoice. It was just for the repair done on my car. There was nothing about the return of the rental car. I had no proof that I had ever returned that car.

It was crazy, right? That I could be a car thief? But I had recently watched a lot of crime dramas on TV. And I realized that I could legitimately be considered a person of interest. I was pretty sure I could not be convicted. But still. It was disconcerting to think that someone might consider me a potential criminal. I’m pretty harmless looking. People tend to trust me.

A week passed and no police officer called me so I mostly stopped worrying. Then the service manager called me again, asking the same questions as before. This time the police officer was at the dealership, taking the report.

“Do you want me to come in?” I asked. “I could show you where I parked.”

When I got to the dealership I sat in an office with two service managers and the police officer, a young, stocky guy with straight dark hair. (At this point I was making an effort to be more visually observant.)

Again, I was asked to describe the service adviser who I had talked to, and I just repeated what I said the first time. I didn’t think I could identify him, but maybe he was tall and thin, with light to medium colored hair, and with no facial hair.

I said, “He made a joke when he gave me the invoice.”

The police officer wasn’t too interested in that bit of intelligence, but one of the service managers, Jill, was playing detective.

“What was the joke?” she asked me.

“He said ‘I hope you brought all your money because this is gonna cost you!’”

The two managers looked at each other and then one said, “We only have two white guys working the service desk.”

He stuck his head out of the office and called for Matt.

“Is this him?” he asked me.

He was short with a solid build, with dark hair and a beard. Pretty much the exact opposite of my description of him. I didn’t recognize him at all.

“I don’t know,” I said.

“What joke do you make when a customer gets the recall done?” Jill asked him.

“I say ‘I hope you brought all your money because this is gonna cost you!’”

“That’s him,” I said.

“That’s my schtick.”

The working theory, I was about to learn, was that Matt had dropped the key on the rental counter and someone walked away with it. That’s why Matt had been so forthcoming with his seemingly incriminating joke. He wasn’t the prime suspect.

I went outside with Jill and the police officer to show them where I had parked the CRV.

I still had a nagging feeling that I wasn’t in the clear yet. They had their theory about how it happened, but based on my experience watching TV, it’s the most unlikely suspect who probably did it. Not the new employee at the rental counter, or a shady looking customer, but the suburban lady pushing fifty, who hasn’t even been pulled over for speeding in fifteen years. She looks like your mom, not a criminal.

I finally asked the question that had been on my mind for weeks.

“You’re not thinking I did anything, are you?”

“Oh no, sweetheart!” Jill said and laughed as if it was the silliest thing she’d ever heard.

The officer said, with mock seriousness, “I believe you’re innocent!” and then he laughed too.

We all stood in the parking lot laughing at the idea that they could have suspected me of being a car thief. Because in real life you don’t do something totally innocent like drop off a rental car and then find yourself embroiled in a criminal case that you knew nothing about. That’s something that just happens on TV.

So the story had a happy ending, just like deep down I always knew it would. Me, the service manager, and the cop, outside the car dealership, underneath the cloudless Carolina sky. Just three white people having a good laugh.

•••

JODY MACE is a freelance writer living in North Carolina. Her essays have appeared in O Magazine, Brain, Child, The Washington Post, and many other publications, as well as several anthologies. Her website is jodymace.com. She publishes the website Charlotte on the Cheap in Charlotte, North Carolina. She is a regular contributor to Full Grown People.

Read more FGP essays by Jody Mace.

Put Out

By Amy E. Robillard

I wish I could count on both hands the number of times Annabelle had gone missing, the number of times I’d found myself standing in the middle of a street or a stranger’s yard or a cemetery yelling her name, sometimes with a hint of irritation, sometimes with raw desperation. But I can’t. It happened too often.

She was my first dog and, as is true with so many firsts, I measured all dogs that came after against her, believing that all dogs possessed this mischievous streak, that all dogs were whip-smart, devising ways to test the limits of their person’s love as they chased squirrels and cats and bunnies and the occasional opossum. Some years later now, I know that this isn’t so, that Annabelle was something special, that she was an old soul, wise beyond her years, able to love and know me in a way I’m not sure I’ll ever experience again. Annabelle was not a people-pleaser, though she loved affection and was particularly sensitive to my moods. The one or two times I made the mistake of crying in front of her, I stopped when I realized she was scared to death and shaking. She didn’t like being hugged, but she was just so huggable. When I’d get down on my knees and put my arms around her and squeeze, she was the perfect size. When Steve met us and saw the way I hugged her, he always said she looked put out. But I couldn’t help myself. I just loved her so much.

To be put out by another’s love: to acquiesce to the affection of the ones who cared for and cherished you. This, I think, is what Steve meant when he said Annabelle always looked put out when anyone tried to hug her. I did most of the hugging, of course, and he’s the one who had the best view of the look on her face. After she died and we’d gotten to the point where we could laugh at the funny things she did when she was alive, Steve and I recalled the look on Annabelle’s face when she was put out, and he uttered the line that captured Annabelle better than any I could ever come up with. “Annabelle,” he said, “made acquiescence into an art form.”

Annabelle was a black lab mix, all black with some white speckles on her chest, her toes, and her nose. She had a white tip on her tail, as though she’d dunked it in a can of white paint in order to dash off a quick letter home. Steve and I had been dating for almost two years when I called him late one weeknight, frantic, because Belly had gotten loose and I’d called her and called her and she wasn’t coming back.

He hopped in his car and came over right away to help me search for her. As I walked along the sidewalk in the dark calling her name, I nearly brushed up against the hideous opossum that was surely the cause for her darting off when I went to bring her in for the night. The house I rented had a fenced-in yard, but there were stairs and a couple feet separating the back door from the fence gate. Lately I’d become lax with her and just opened the gate to let her walk back into the house. I’d begun trusting her to come to me because she’d shown me enough times in a row that I didn’t need to lead her by the collar. This opossum sat frozen on the top of the chain-link fence and I shivered and instinctively pulled away when I recognized what it was. Ugly little thing.

•••

We were fifteen, Hillary and I, walking together to her boyfriend Gary’s house when we spotted the flowers. Hillary and I did a lot of walking together—our houses were six or seven blocks apart and, even as we got older, we had no access to our own transportation. So we walked or rode the bus. This time we walked from her house to Gary’s, though I cannot, all these years later, recall why we were going there together. Hillary’s attraction to Gary bordered on obsession, but then, that was typical for us. When we found somebody we liked, we went all in. In the days before email and texting, we wrote endless notes to our loves, even long after our loves were no longer interested, had broken up with us, had told us to please stop. Some might call what we did a mild form of stalking. We called it devotion. Dedication.

•••

Belly had gotten loose in this neighborhood before, but it had always been daytime. And more often than not, as I’d gone out searching for her, she’d found her way home and would be waiting for me on the front porch as I made my way back around to the house. But this was different. It was 11:30 at night. It was dark. She was black. We lived a block away from a street with heavy traffic.

Steve arrived and I got in the passenger seat of his car. He drove very slowly around the streets of the neighborhood, both windows open, listening carefully for her bark—she was a vocal dog—in between calling her name. The neighborhood was made up of a number of one-way streets, so our route was somewhat restricted, but we regularly made our way back to my house to see if she was waiting for me on the front porch. After fifteen grueling minutes of this, I was losing my grip on what little hope I had that she’d be okay. She was a black dog. It was nighttime. Nobody would be able to see her. I was utterly dependent in that moment on chance, banking on nobody being out driving at the very spot Belly was running. I kept waiting to turn the corner to see a big black splat in the middle of the road. My Annabelle. My Bug. The love of my life.

•••

The first object of my devotion was Gerry. I believe I ran over his mother’s foot while rushing to escape his dead-end street after spying in his basement window. I didn’t yet have my license. I’m pretty sure she was fine.

As we were walking to Gary’s house, we passed a family-owned restaurant. Flower boxes on the windows held colorful bouquets of plastic flowers. Why not bring some to Gary, we thought. We walked on over, picked some like we owned the place, and kept walking until we heard a woman yelling at us to get back here. Young ladies! Get back here! Those are not your flowers to take! Hillary and I looked at each other. We really had no choice. What were we going to do, run?

Heads down, we shuffle back to the restaurant, which we now see is only the front of what is actually a very large home. The woman calls us up to her porch and tells us to stand and wait while she calls the police. We’re not going to just get away with this, she tells us. We can’t just steal something that doesn’t belong to us and walk away. She goes inside the house to make the phone call and her children peek at us from behind the screen door. We are an example for them. What not to be.

What made us stand there? Why didn’t we run?

•••

Steve continued to hold onto hope, reassuring me that she was going to be okay, that we’d find her safe, that she was just out on one of her adventures. “You know how she is,” he said. Perversely, the part of me that endlessly worried that I was never able to give Annabelle the amount of exercise she needed felt relief that when she did come home, she’d be good and tired.

As we were driving very slowly up one of the one-way streets, we realized that a police car was behind us. We pulled over so he could pass, but we signaled to him to roll down his window. “We’re looking for our dog. She’s black,” I called over to him.

“What’s her name?”

“Annabelle.”

“I’ll keep an eye out for her,” he said, and he drove off slowly.

•••

The police officer arrives and we’re whisked away. I recall his making some remark about the silliness of the whole thing, but that could just be me looking back. But let’s say he did say something like that. We took Hillary home first—her house was closer. I stayed in the car while he escorted her up the stairs to her older sister. Her mother wasn’t home. The officer came back, asked me where I lived, and drove me home. When we got to my house, I had to wake Ma from where she was sleeping on the couch, the tissues she’d stuffed between the cushions falling to the floor. Groggy. “What is it!”

“Um, Ma, there’s someone here,” I said, gesturing to the policeman, his presence dwarfing us both in the small dark living room with its wood paneling and its console TV that seemed never to be off.

He apologized politely for having woken her, told her why he’d brought me home, and promptly left. Ma didn’t blink an eye. She barely lifted her head from the couch. I called Hillary and we went back out.

•••

Our search continued ever so slowly, up one street, down the next, calling and calling in between attempts to keep myself from completely falling apart. We drove by the house again. No Annabelle on the front porch. The streets were so quiet. My stomach felt so sick. Around the block again. Up and down the one-way streets. Back around to my street, in front of the house.

That’s when Steve heard it. The faintest sound of Belly’s bark. “Did you hear that?”

I froze. Turned my ear to my window. And that’s when we both saw Annabelle booking it down the street perpendicular to ours, slowing down just enough to take the sharp corner onto our street, and then speeding up again into my long driveway. Steve stepped on the gas. I jumped out of the car and ran up the driveway. She stood there near the back steps panting, tongue hanging down, body shaking, and I held her. I was so mad at her but I was so happy to see her that I just held her and hugged her and told her how much I loved her. Not two minutes later, the police car pulled up in front of the house, and Steve went out to talk to the officer. It turned out that the officer had seen Annabelle running the streets and, keeping his promise to us, rolled down his window and called her name. That was all it took to send her running home.

•••

To put out is also to extinguish. What had extinguished Ma’s ability or willingness to rein me in, to set boundaries? Perhaps it was just the same old story: I was the last of five children. She was tired.

Or maybe she felt put out by the love and affection her children tried to show her until they finally gave up because something had extinguished it in her.

Or maybe it had something to do with the possibility that the last time she’d seen a police officer standing in her living room, he had been trying to comfort her because she had just learned of her husband’s death. Eleven years earlier, he had left her to finish raising all five of us by herself. She’d been put out in ways I still cannot imagine.

Or maybe all of this is nonsense. Maybe this is what we do as adults. We make gross and inexact comparisons between what our mothers did with us and what we did with our beloved dead dogs and we try to find a through line, a way to make sense of it all while making ourselves seem the more ethical party, the more mature actor. But in the end what we’re really doing is grasping so desperately and so terribly transparently at a way to understand how to make sense of the things we cannot bring home because we never lost them because we never owned them in the first place.

•••

AMY E. ROBILLARD is a writer and a teacher of writing at Illinois State University. She’s a regular contributor to Full Grown People. She and her husband Steve are the guardians of two very special mutts, one named Wrigley Field, and one named Essay. They all love the Cubs.

We Know Where You Live

By Terry Barr

The blinking red light of the phone machine, as usual, unnerves me. Why do I always think that somehow this will be the message that changes my life? It’s all I can do to walk past it, even though I’m holding my baby daughter Pari, even though I need to put her down gently to keep her warm and asleep. Still thinking of that machine, I wait a beat, two. Her breathing is normal, calm. Exhaling now, I walk back to my machine, abandoning my wife Nilly who, as usual, wants to glow in our daughter’s sleep.

There are two messages flashing at me, actually. The first is mainly silence until the very end when I hear “TERRY BARR” in a voice attempting to speak its authority. The message ends there.

The next one begins.

I am standing alone in our living room looking out of the broad picture window at our quiet, connector street. It’s getting late on this Saturday night, ten days before Christmas. Nilly hasn’t emerged yet from Pari’s bedroom, which rests at the back of the house, far from the living room where I stand, and I thank God for that now.

When I hear it, I freeze until the message runs out. I look back towards my daughter’s room. Has Nilly heard? But there is nothing stirring back there, no “Oh my God,” and no footsteps approaching with worry and fear. So it’s only me. Me and my machine.

And those words.

Before I can think this through, I do the one thing that in the light of day I’ll most regret: I hit the erase button. But I want to make this disappear. I want to throw my machine like a discus out into the night. I want to wake up again on Saturday morning for a do-over. I want never to have heard what I heard, and more than anything else, I want to be sure that neither my wife nor our daughter has heard it. Or ever will hear it.

And it’s only in this last desire that I succeed.

•••

We had been to two Christmas parties that night. The first was an Amnesty International gathering celebrating our recent success in our Holiday Card Action campaign. We’d succeeded in sending over one hundred greeting cards to prisoners of conscience all over the world that morning as we took to the main street of our downtown. Stationing ourselves at a cross street with heavy shopping traffic, we would gently accost perfect strangers who’d sometimes smile and sometimes sneer at us as we ask them to send a message of hope to a prisoner of conscience of their choice. We have twenty-five to thirty different prisoners to work for—men and women who have been bound and held in a prison in some remote part of the world for exercising their human right to speak their beliefs, wear what they want, or support some loved one who has run afoul politically of a governmental tyrant.

Mixed in, too, and usually the hardest to get people to sign for, are the death penalty cases. Amnesty unconditionally opposes the death penalty in all circumstances. Sometimes our card-signers want to debate the issue with us. These debates usually get nowhere, and I often refuse to engage because who knows what this other person has experienced? My strong beliefs are my own, and I keep telling myself that I’m not threatening or challenging anyone else’s, or if I am, I’m doing so respectfully. Beliefs can’t hurt, right? I’m aware of the irony here that if I truly think that beliefs can’t hurt, I won’t fully get what Amnesty’s prisoners are suffering.

Still, it turned out to be a good day despite these moments of doubt and conflict. Over a hundred messages of hope that we hope will reach our prisoners. Maybe it’s true that Christmas does bring out “goodwill toward men.”

At our party this night, everyone is in high spirits. We toast each other for our success; we toast those who signed our cards. We toast our prisoners and hope that next year they’ll be free. And we toast the founders of Amnesty, two British students who wanted to change the world, or at least show the hopeless that someone cares.

Our Amnesty group is a diverse lot: teachers, students, lawyers, social workers, and psychologists. Our group leader is a British astronomer, one of the smartest men I’ve ever known. A man, in his sixties, who still likes to climb a good tree.

We eat our potluck supper, raise our glasses one more time, and then the three of us—Nilly, Pari, and me thriving on all the attention—head off to our next gathering, which is a party for the staff of our weekly alternative newspaper. I’ve been writing film and local theatre reviews over the past year, trying to hone my skills and give voice to whatever arts scene our town has.

The party is held at a duplex in an older part of town. As we enter its arched doorway and I see peeling paint on the inner hall walls, I’m reminded of all those grad school parties I attended not so many years ago. Our host, a guy wearing a silken robe and an ascot over what might be flannel pajamas, leads us to a side porch where a pumped up keg awaits. Strings of mismatched Christmas lights are draped haphazardly from room to room, greeting us everywhere we turn, but saying what?

Pari is sneezing at the party’s cigarette smoke. I barely know the paper’s editor—and he’s the only person I know here—but he’s nowhere to be found at first. Soon I see him and another boy his age tumbling out of the bathroom.

“Hey Terry,” he says, before his momentum, or his friend’s weight, pushes him out the door onto the porch.

“Are we about ready to leave,” Nilly asks. She gives me that look, but it isn’t necessary. Not at all.

I love this paper and am glad it gives no restrictions on what I write about and say. No word count; no demand to simply recount the plot and give a thumbs up or down. There is a star system, though, and for my latest review, I gave Spike Lee’s X four and a half stars out of five. I thought Lee’s ability to capture the complexity of Malcolm in just under three hours was a feat itself worthy of high praise. I appreciated his courage and tenacity. His audacity. And my review said so.

As we drive home, I’m thinking that even though we stayed at this party for barely half an hour, it was worth it to mingle with people who, even in our small town, aspire to a more bohemian lifestyle. In fact, the whole evening for me has been warm and cheerful—an evening surrounded by friends and people who love each other. While I’m not a Christian any more, this time of year is still—and I know of no other word for it—so joyous.

Or so I believe until we get home. Until we walk in the front door and I see that red blinking light. Until I press the “play message” button.

Until I hear his voice.

•••

The next morning I walk across the street to my neighbor’s house. Steve’s a police detective, and he agrees to come over and talk to us. After greeting Nilly, he gets right to the point.

“Why did you erase that message?”

“I don’t know. I just reacted. I didn’t want anyone else to hear.”

“What exactly did it say again?”

“Well, it began with: ‘Terry Barr!!! We know who you are and where you live! We’re watching you!’”

That was bad enough.

“Have you had any other messages like this?”

And then I remember the other late night calls, the ones asking: “Is this Mark, the Art professor at Clinton College?” The same college that employs me.

“He doesn’t live here,” I answer, but the caller hangs up before I can ask “Why do you think he lives with me,” or more importantly, “Just who the hell are you anyway?”

“All I can tell you to do,” Steve says, “is to save any other messages you get, and put call-tracing on your phone. We need to build a case file and collect evidence.”

I must still be in shock. Will this work? Will I even want to answer the phone again? Still, we purchase call tracing, the phone calls stop.

In their place, packages begin arriving. Round, white packages unlike any I’ve ever received. They come from The Bradford Exchange and other such “collectible” outlets. Commemorative plates and coins: things you see advertised in popular magazines or on late-night TV. Places with 800-numbers that don’t ask questions and don’t demand credit cards. Places that allow the “Bill Me Later” option.

Over the next few weeks, we receive BassMaster equipment, Columbia House LPs usually containing the latest from Brooks and Dunn or Toby Keith—musicians I’d never intentionally listen to. We get subscriptions to Rolling Stone, Field and Stream.

Penthouse.

“I’ve never seen a Penthouse,” Nilly says.

When we see him, we ask the postman what we should do with this stuff.

“You didn’t order it, did you?”

“No.”

“Well, it’s all yours then. They can’t do anything to you!”

So we return what we can, refuse what we’ll never want.

And then the first Hustler arrives. We’re anxious now, and ashamed of the pornography, of the violation, of someone we don’t know imagining us holding such a magazine.

I call their 800-number to cancel any other Hustlers and strangely, miraculously, they’ve saved the order card. They mail it to me, and I see the writing for the first time. A hand not only not my own, but a form of printing that I’d characterize as coming from someone who isn’t comfortable holding a pen, someone who stopped paying attention to anything scholastic around the sixth grade.

Next comes an afternoon call from a representative trying to confirm the “escort” I’ve ordered for that evening:

“I have the request right here on my phone tape, though I have to say that the voice really doesn’t sound like yours.”

“Could you play it for me?”

He does. It’s familiar, I think, the same voice: deep, smug, satisfied with itself but in a southern dialect not even remotely close to mine.

I’m from the South, have lived in this region all my life, from Alabama to Tennessee and now here in South Carolina. When I travel to New York or Boston, people there recognize my southern accent immediately. But down here, there are people who believe I’m from New York. Maybe it’s my training in music and theatre back in high school. Maybe it’s that while my mother drawls with the best of them, my father, also a native southerner, has a different slant. A Jewish slant. An accent that seems to defy a specific region.

All I know is that the voice on that tape is truly and defiantly southern. And not “city Southern” either:

“Mah name is Turry Bawhr, an’ I’ed lahke an es Cort for toonaght at sebm.”

He gives our address, and then, in an even more smug tone, he signs off with a “Thaink yew vera much!”

I ask, and in a compliant and law-abiding way, the escort service turns the taped message over to the police. And then, the calls start coming again. Always late at night; always asking for “Mark.” We trace these, turn them over to our investigator. Months have passed since the initial disturbing call, and we have collected diecast cars and random cologne samples and Playboys and US magazines. And more BassMaster stuff. I can’t begin to describe all that we got, all that subsequently made up our massive yard sales.

The police have enough evidence now to confront our harasser. He hasn’t actually committed a crime, but they think they can at least scare him, intimidate him. Make him stop. And just as they’re ready to do so, we put it together, or at least together enough to see how this started, to understand what set him off.

I had asked Nilly before if she remembered any crank calls, anything suspicious, even anything that seemed innocent. It’s usually the thing you’ve forgotten, the thing you say to yourself, “It just couldn’t be.”

“You know,” she says, “there was this time when I got a call asking if you were the same Terry Barr who reviewed movies. I said ‘yes,’ but that he’d have to call back to speak to you. He was polite and thanked me.”

“But he never called back.”

“No, he never called back…Why did I tell him who you were?”

“It’s okay. You couldn’t have known.”

A few days later, our investigator checks in. He and another officer paid our caller a visit. They told him they knew what he was doing and that if he didn’t stop, we might press charges. He never actually denied anything, but he didn’t admit his guilt either.

“We warned him pretty good. You should know, though, that he’s in his late thirties and still lives with his parents. And, of course, he has a record.”

“For what?”

“Indecent exposure.”

They even tell me his name, and later, I look him up and find out where he lives—an area of town notorious for its less-than-progressive thinking, though of course I’m just stereotyping now. It does my soul—so committed to human rights—no good to know the truth behind every stereotype, or to be right in my stereotyping. Is it good to know who this man is, though? Can knowing bring peace?

“Well, that’s all we can do for now,” our investigator says. “Let’s hope he doesn’t bother you again.”

I understand. I’ve watched enough episodes of Law and Order in my life to get it. To get that the best we can do is to change and unlist our phone number, and so we do. The phone calls stop, but the packages still come.

A year or so later, after our second daughter is born, we move to a larger house in a different zip code. The packages stop then, and after a few months, I finally get out of the habit of looking out our window at night when random cars come driving by.

It’s obvious, too obvious to say—though I will anyway—that though I erased that tape, I can’t erase its memory, its message. I can’t erase the fear or the harassment of those many nights in our young life.

I did tell Nilly, as well as the police, what the voice on that tape said. But thankfully, neither Nilly nor Pari ever had to hear that voice, so if they have any memory of that night or that time, at least it won’t be what I remember. At least I protected them from that. And if I did put them at risk by liking Spike Lee’s X, or erasing a hate-filled tape, I’m as sorry as I can be, as I’ve ever been. We didn’t deserve this; of course we didn’t. But then, does anybody?

“Terry Barr!!! We know who you are and where you live! We’re watching you! Remember. WE KNOW WHERE YOU LIVE! SIEG HEIL, SIEG HEIL, SIEG HEIL!”

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TERRY BARR is a regular contributor to culturemass.com and has had essays published or forthcoming in such journals as The Museum of Americana, Hamilton Stone Literary Review, Fat City Review, Sport Literate, and Melange Press. He lives with his wife and two daughters in Greenville, South Carolina.