Content warning for sexual assault. —ed.

By Alexis Paige

“Can you believe I drive a friggin’ Volvo?” I text one of my oldest friends. We trade shorthand code, the sort developed with those who have seen you through many decades and phases—the well-scrubbed-coed-ordering-amaretto-sours-without-irony phase, the hairy-armpits-and-knockoff-Birkenstocks-with-wool-socks phase, the slaggy-handkerchief-halter-top-and-bumps-in-the-bathroom-with-the-drummer-or-was-it-the-bassist-from-Metallica phase, the can-you-believe-I’m-still-bartending phase, the can-you-believe-I’m-in-rehab-and/or- jail phase, and now this, the can-you-believe-I’m-driving-a-Volvo-and-Googling-perimenopause phase.

“You in a Volvo station wagon is the most ridiculous thing I’ve ever heard of,” my friend fires back.

Now in my forties and out of the feigning street cred game, I seem by most external measures happy and stable—rooted even. I have something akin to that common domestic dream which Zorba the Greek lamented in the 1964 film: “wife, children, house, everything, the full catastrophe.” I have a devoted husband, an accountant who is also the town fire chief, a bric-a-brac of teaching and editing gigs that passes for a career, three mature lilac bushes, and 2.2 dogs. (I refuse to call them my “fur children.”) Keith and I joke that our three-year-old boxer, George, whose name is loosely derivative of Seinfeld’s George Costanza, counts as 1.2 dogs, the extra two tenths owing to his extra alpha-dog-bro-ness. This exterior sketch of my life on paper isn’t false, just thin. Anthropologists and other social scientists favor a “thick description” of human behavior, one that renders a fuller picture and which explains not only the behavior itself, but also its larger context. A thick description of my life, for example, might include a study of regional linguistics and attitudes, a family tree of mental illness, a personal history of addiction and trauma, and even what it feels like to be a sexual assault survivor during the presidency of Donald J. Trump, Groper-in-Chief. What I suppose I mean by the thick description is that the human condition is a motherfucker.

Beyond our Fisher Price town with its steepled square and mix of Colonial and Victorian storefronts winds the small river that hugs our country road. Between this river and road, farms nestle—some ramshackle, some picturesque—in the furry, coniferous hills of central Vermont. If you scrub past the rosy patina of Norman Rockwell Americana, you find ordinary America too, or perhaps ’Murrica, as some of my local students like to declare proudly: blue tarps and Gadsen flags, guns, black tar heroin, snowmobiles, high rates of domestic and sexual violence, and other assorted clichés of rural poverty and dis-ease.

Down this road a few miles sits the 1830s farmhouse that Keith and I bought last summer, flanked on one side by hay fields and on the other by the not-so-mighty, but lovely, First Branch of the White River. Because we lived in Arizona when I was a child, and swimming pools were ubiquitous, Mom plunked me in a toddler swim class at two, and I’ve been a water lover ever since. Given a chance to swim, especially in the wildness of an ocean, lake, or river, I will stay submerged for hours—until my skin is pruned. Here, in the town that we now call home of just over a thousand souls, I watch and listen to the river daily from our back deck. If the weather is warm and the river high enough, I head down to the water for a dip or to sit on a giant granite boulder, deposited as glacial moraine during the last ice age, and marvel at my luck. Calling this place, any place, home does a number on my psyche, yet here, I’m making peace with the full catastrophe. Something I can’t yet name washes over me here, or perhaps that something is finally washing away.

Nearly fifteen years ago, and six thousand miles from my apartment in San Francisco where I lived in my twenties, I sat nervously in a cold, stone office in the bowels of the stazione policia, on Via Zara in Florence, Italy. I was twenty-five and on my first trip abroad. The night before, I shared dinner with friends on the Piazza Della Repubblica, fifteen minutes by foot from the police station. The night before, I wore an outfit I bought special for the trip: tight red pedal pushers and a tight red blouse, heeled sandals, and a purple head scarf. We chatted gaily with our waiter, who joined us for Fernet Branca and Prosecco after his shift. He spoke little English, and I little Italian, but in broken Spanish and flirty eye contact, we managed well enough. My friends and I and the waiter walked over the Ponte Vecchio, but at some point while browsing the trinket shops and smoking cigarettes with our arms draped through the stone portholes over the Arno, he and I drifted from the group. At another point, I figured they’d gone back to our hotel, and he offered a “corto trayecto” on his moped. Still drunk and sun-baked from the day, intoxicated by the wafting lilac and street disinfectant, and dizzy from the ridges of terracotta rooflines undulating by, the ride exhilarated me in those first moments. But after twisting down more dusty lanes and bumping over cobblestones and emerging onto a faster, wider boulevard, my giddiness evaporated. I began to feel sick and to spin, adrift from my friends and our hotel and the center of town. He slowed the moped to a stop, hopped it onto a sidewalk in front of an apartment building, and with his strange, sweaty hand, the nice-seeming waiter led me up a flight of steps and into his small apartment.

•••

We got here as soon as we could, my husband and I like to say—both in a literal and metaphorical sense—about our arrival in Vermont, about how we are late bloomers, about how long it’s taken to arrive at some place we might call home. We came to Vermont nine years ago, fleeing Houston, Texas, in a little hatchback packed with everything we owned. We drove past the Texas refineries and Louisiana swamps, then into the lush hills of Mississippi and Alabama, and on through the Smoky Mountains and Shenandoah Valley. When we reached the Maryland panhandle, I knew the Mason-Dixon Line was close, and once over that arbitrary boundary, my body flooded with relief, as if I had been safely extracted from behind enemy lines.

I say that we fled because at the time we felt that we had to get out of Texas if we wanted to make it. A few months before I met Keith, I got drunk and crashed my jeep into three other cars at a major city intersection. Miraculously, and despite epic vehicle wreckage, no one was killed, and only one person was hurt. After my initial arrest for drunk driving, I was charged with a felony that carried a five- to ten-year prison sentence, and the ensuing, protracted legal ordeal loomed over everything, including our budding romance. Dating tips don’t cover how to handle the “I’m under felony indictment” conversation on the first date, but Keith stayed, even as life became a two-year blur of court hearings, AA meetings, endless chauffeuring and bus rides, sporadic paychecks from temp agencies that would overlook my circumstances, pre-trial supervision, and finally, a five-day felony trial. I was more fortunate than most who get devoured by the Harris County Criminal Court system, convicted ultimately of a misdemeanor and sentenced to just 121 days in the fearsome Harris County Jail. With good time, I served sixty.

My lawyer’s early admonishment about the Texas criminal justice system proved prophetic: “You might beat the rap, but you won’t beat the ride.” While on the ride, Keith and I talked about “going home” once everything was over. Despite early years out West, I had spent much of my youth in New Hampshire, and on visits to New England Keith became enamored of the beauty, history, and landscape. He grew up in Texas, but as someone who is naturally taciturn, who loves flannel, snow, and early mornings, I suspect he was a New Englander in a past life. While in jail, and with a firm end date and real second chance in hand, we finally began to make plans in earnest. Even though it was considered contraband, I kept a photograph stuck to my bunk with the adhesive strips from a stamp book, so that I could remember what waited for me on the outside. It was a picture of Keith and me, from the trip we made to Vermont for my thirtieth birthday, standing outside in an October snow flurry. Vermont had become our new starting line.

•••

Why did I go with the waiter? This was the tortuous refrain that ran through my mind the morning after, as I sat in the police station. I didn’t speak Italian, but I found a sympathetic translator from the American Consulate who escorted me to the station to help me file a report. Why did I go? I thought, as she mouthed the Italian words for the images that stabbed into my mind as if from a knife. The words sounded cheerful when this nice lady spoke them in Italian, the words for oral sex, for finger penetration, for erect penis, for without consent, for kick-start scooter, for champagne headache, for swarthy waiter, for slim build, for a Calabrian driver’s license, for his email address scrawled on a napkin, for No, for a partial apology in Spanish, for a cigarette afterward, for a walk over the only bridge in Florence to survive World War II, for permission to call my father, for the correct change in liras.

A movie about my twenties would begin happily. A young, quirky Ally Sheedy would star, Sofia Coppola would direct, and most of my boyfriends would be played by John Cusack. These early adult years weren’t without bumbling and angst, but for the most part, I had my act together. I lived in San Francisco, my dream city, where I was on track to complete a master’s program in creative writing. I had my own studio apartment on Russian Hill, a tight group of friends, and steady, lucrative work as a cocktail waitress, which helped me save up for my first European adventure. The itinerary dazzled me—Paris, Amsterdam, Switzerland, Italy, Provence, and finally, Spain—but I never made it past Florence. So, despite the auspicious beginning of my fantasy movie, the film would end unhappily, would tumble perilously thereafter across the screen, in a non-linear montage of depression, substance abuse, and suicide attempts, or what one shrink euphemistically called “gestures.” Not even the best film editor could suture these storylines. The jump cut was too rough.

This twist in my story has only recently, all these years later, begun to rise to a place from which I might access and write about it. It’s the story of, and here’s the problem…my rape? Or, my sexual assault? The first term I associate, technically, with penile-vaginal penetration, and the latter with euphemism. None of what happened feels technical or easily categorized, and neither does it seem deserving of euphemism, a language akin to evasion. See how the words still confound me, how the taxonomy remains fraught? I suspect that when the writer becomes a statistic, the language has to be dealt with as much as the event. Is rape what you want to call it? my father said to me in those early days. Of course, he didn’t mean harm. We don’t learn how to talk about such things in our culture, least of all men, least of all middle-aged fathers whose daughters call from payphones halfway around the world to say, Daddy, I’ve been raped. While I understand his quibbling now as an effort to make the thing somehow lesser or more manageable, or perhaps as an effort to attach language to the nightmare that we all could then live with, those words damaged me.

I felt misunderstood and silenced, as if I couldn’t be trusted to name my own experience. Though legal language varies, RAINN—the Rape, Abuse & Incest National Network—defines rape as “Penetration, no matter how slight, of the vagina or anus with any body part or object, or oral penetration by a sex organ of another person, without the consent of the victim.” Even though, technically, my experience does fit the definition, the truth is that I remain ambivalent about whether to call what happened to me rape.

Not long after the incident, the translator stopped returning my emails. Over time, I got mail from the Italian court that I couldn’t read. One letter came. Then maybe another. This timeline, too, is fuzzy, mired as these months were in heavy drinking and a growing dalliance with cocaine. When I returned from Italy, I holed up in my boyfriend Mike’s nondescript apartment in the Outer Richmond, which in those years was still a working class neighborhood on the northwestern corner of the peninsula. His apartment was closer to my university and far away from my friends who lived downtown. Its location conscribed a small, anonymous circle of the city in which I could limit my travel and social activity. I felt safe only in the darkness of his apartment and zipped into the anesthesia provided by the drinking. But the safety was an illusion, and the alcohol and drugs provided only temporary relief—if anything, they slickened the slippery in-roads of my mind. Previously closed-off territory opened up, as if in a nightmarish version of Chutes and Ladders, wherein I replayed every slutty thing I’d ever done and every unpleasant encounter.

Long buried before, I suddenly remembered another assault, dredged from the depths of my consciousness like a car hauled from a riverbed, mud-caked and slick with algae. I was seventeen that time, and in my first week of college at Rutgers University in central New Jersey. Late in that first week, a junior from my dorm, a fast-talking, animated guy from Jersey City, took an interest. Now, of course, I know I should have been wary of a guy whose opening line to my roommate and me was, “Youse freshmen?”, but then I was charmed. His accent and swagger were so different from the Boston Irish guys I grew up with, and he was not just some immature high school boy, but a college student—a man. Within minutes he was showing me his Don Mattingly swing impression and inviting my roommate and me to his dorm room for movies later that night. We went, of course, and while my roommate made out with his roommate (another beefy guy from Jersey City) beneath the Under-the-Sea phantasmagoria created by a spinning lava lamp, he made a move on me. We kissed for a minute, but a hunger in his movements frightened me, and before long I demurred, asking him to “slow down.” But he was somewhere else, his eyes glazed and fixed on the wall behind me. In fact, he sped up after I said that, as if further aroused, and then rolled on top of me.

“C’mon, baby,” he grunted, grinding his erection into my thigh. I tried to push him off of me, but he wouldn’t give.

“Please stop,” I said shakily, looking over at my friend who seemed oblivious and tangled up with the roommate. I assumed happily so, but I have wondered since if she had been in trouble too. How could I know what I was seeing, having never been taught what to look for? He pulled my shirt up and took my breasts in his mouth, suckled hard and with his teeth, then cupped my crotch over my jeans, rubbing his thumb hard back and forth against the zipper, which is where I imagine that he imagined my clitoris was. Finally, I managed to wiggle free by shimmying up the bed and wriggling out from between his legs. I hopped off the bed, pulled my shirt down, grabbed my bag and shoes, and clutched them to my chest to hide my breasts, which were still loose from the bra that was now pulled around my shoulders like a sash. I hurried to the door with the man panting after me.

“Don’t leave,” he begged. “I promise I’ll be good. You’re just so sexy, baby.” But once I was in the threshold of the door, he turned off the charm like a switch, and snarled after me down the hallway, “Bitch.” It’s probably important to point out that Rutgers, a state school where most students’ hometowns were no more than two hours away, was desolate on the weekends—an additional factor that made my roommate and me, two rubes from out of state, easy prey. As I rounded the corner to the freshman wing of the dorm I heard him holler the charming words that my roommate and I later turned into a kind of revenge refrain: “You can’t just leave me hanging! You gotta jerk me off or sumtin.”

•••

Mike worked long hours as an options trader, but I remember that one night he came home early with takeout. I couldn’t tell you whether this happened six weeks or six months after the rape, nor whether it was meant as a gesture of kindness or normalcy, or even as a gesture at all, but his early return with dinner was unusual. Without much comment, I took a plate heaped with fried rice and egg rolls and my tumbler of White Russian and plunked down on the floor in front of the television in the living room. I had gained maybe fifteen pounds since the assault, and while I was nowhere near fat, neither was I the lithe ingénue he began dating years before. We were on the outs anyway, so what he said to me then—while not untrue—didn’t penetrate my new armor.

I was fortified by then, had taken up residence in my own sad kingdom. Standing in the doorway, his arms crossed, and with a mix of tenderness and perhaps disgust, he said, “Where is my bright, beautiful girl? I don’t recognize you anymore.”

I smiled wryly, raised my cocktail as in a toasting gesture, and said, “That, my love, is exactly the point.”

I spent less and less time at my own apartment, which now seemed a place belonging to another person and time, a “before” shot from the “before and after” portrait of my own life. Through a bartender friend, I had lucked into the cute, cheap, centrally-located rental. No one I knew paid seven hundred dollars for a studio in the heart of the city, let alone one with a private garden patio that teemed with bougainvillea, lavender, rosemary, eucalyptus, and the Purple Chinese Houses that looked like ornate, amethyst bib necklaces. The elderly, housebound woman who lived upstairs had cultivated the garden for decades, but since she could no longer enjoy it, the garden became my private Eden—an idyll rich with a bracing cologne of eucalyptus and herbs. But that was before. After, I preferred exile.

No one seemed to want to talk about the assault anyway, or no one knew what to say, but perhaps that characterization isn’t fair—or even accurate. Memorably, someone did say something—just the right thing, in fact. In a hand-written note on delicate ivory stationary, Jenna, a motorcycle-riding, beer-drinking girlfriend originally from Down East Maine, wrote: “You are the purest little rosebud, just beginning to flower. Please don’t let this stop your petals from opening to the sun. Remember, in the end it is harsh pruning and bull shit that makes the rosebush grow strong.” Perhaps I convinced myself that it was easier for everyone else, when I actually meant that it was easier for me, to forget the whole thing. After all, it happened a continent away, in another language even. The more that time passed the fuzzier and more distant the details became. Occasionally I would pull out the Italian paperwork from a file box. Four documents summarize my sexual assault: a report made by my friends; an initial filing made by me at a mobile police unit; a complete report made to the Florence police; and a notification I received from the court many months later, and which as far as I can make out, gave me twenty days to declare a domicile in Italy. I can read Spanish, and the languages are close, but still the documents are hard to decipher. I thought over the years about getting someone to translate them for me, but again it seemed easier to let it lie, to let the words, and therefore the event, remain a kind of secret or mystery that I kept even from myself. In a sense, then, I answered my father’s rhetorical question about what to call it by default, be deciding not to call it anything, to put the whole thing in an unlabeled box, and bury it on some godforsaken alien continent inside me.

•••

Why did I go? I hate that I still ask myself this. I know this what-if game leads only to self-blame and shame, but I play anyway, because this is what sexual assault victims do. Perhaps I shouldn’t have worn red, shouldn’t have flirted, and shouldn’t have asked where we could get some pot. But actually, it was my girlfriend’s boyfriend who asked, and the waiter who said he had some in his apartment. He said his apartment was just around the corner, and we could ride over there on his moped. He seemed so nice, so harmless. I should never have gone, should have said “no” more forcefully, should have kicked his teeth in—something. But what magical thing would I have done? I play this game, as all victims do, because our culture trains us to blame ourselves. Instead of teaching boys and men not to rape, we teach girls and women the dubious art of avoiding rape, and yet when, inevitably, women are raped, they are abandoned, or worse, they are re-victimized by a legal system that reinforces its own bogus mythology. Every case becomes her word against his, despite empirical research that puts false reports as low as with any other violent crime. After mustering the courage to report these crimes in the first place, victims fight again to convince police, prosecutors, judges and juries, when ultimately, ninety-seven percent of rapists receive no punishment at all (this, according to RAINN). The message is clear: victims must bear their own burdens. We must learn how to survive our own rapes.

Though many of the direct memories of my assault remain sealed in drums and buried like radioactive waste or time capsules under hard-pack, I am still not safe from them. Trauma interacts with memory in complex ways, so memories of certain events—flashes—appear to me as non-linear images and sensory details. I am not unique in this. In an article for Time Magazine on December 9, 2014 on the neurobiology of sexual assault, Drs. James Hopper and David Lisak explain why rape and trauma survivors have fragmented and incomplete memories of their traumas:

Inevitably, at some point during a traumatic experience, fear kicks in. When it does, it is no longer the prefrontal cortex running the show, but the brain’s fear circuitry—especially the amygdala. Once the fear circuitry takes over, it—not the prefrontal cortex— controls where attention goes. It could be the sound of incoming mortars or the cold facial expression of a predatory rapist or the grip of his hand on one’s neck. Or, the fear circuitry can direct attention away from the horrible sensations of sexual assault by focusing attention on otherwise meaningless details. Either way, what gets attention tends to be fragmentary sensations, not the many different elements of the unfolding assault. And what gets attention is what is most likely to get encoded into memory.

Not only are my memories fragmented, but because of the nature of trauma, and despite my best efforts to neutralize them, the memories intrude in on my thoughts without warning. One moment I’m sitting by my river at home, and the next I’m back in Florence, holding my friend Bernadette’s hand, then tap-dancing on cobblestone, eating pasta, on the back of a moped. Suddenly, the man’s fingers are inside me. His tongue inside me. I am crying. His penis is in my mouth; is that right? I am crying in his kitchen, asking for a ride to the hotel. Then I’m back with my friends, outside the hotel, in relative safety under some streetlights. Bernadette and I are having a cigarette, and I am racing to tell her before the man gets back on his moped. As I tell her the story, the man is apologizing, inexplicably, to Bernadette’s boyfriend. Where’s my apology? I want to scream. I am still waiting.

•••

Perhaps because I am just now unearthing my sexual assault, it doesn’t occur to me until all these years later, when my husband points it out, that this game, as I’ve always thought of the obsessive event replay, is a textbook hallmark of Post-Traumatic Stress Disorder. One morning not long after moving into the house, we’re out on our deck, drinking coffee and admiring the view of surrounding mountains, meadows, and the river. The lilacs, which light up with pleasure from the same brain circuitry that alights with fear—the amygdala—are still in bloom, and the river is running high. Listening to the rush of the water, I tell Keith about the compulsion I have to replay the night over and over.

“You know what that is, right?” he asks. I shake my head, even as I guess that I do. “It’s PTSD,” he says.

I do it with the car accident too, another trauma. I’d always assumed because in both instances I was drunk, that the replay was more about getting the narrative straight, trying to fill in certain holes. Is the inability to fill in the holes trauma, alcohol, memory, or all of the above? I run the replays automatically, absently, while drifting off to sleep or walking the dogs or washing the dishes. Each starts as a kind of mental video game, with Player 1 (me) flashing on the screen, and then we’re off. Either we’re running the crash scenario in Houston, or we’re running the moped scenario in Florence, each a sort of gauntlet where I imagine I can get points if I can lock certain features in place. Perhaps I can grab a new street name, a new weapon, or a new clue. Invariably, of course, the features of the game blur. So too with the features of memory, which escape me, bringing me once again upon the giant sinkholes that open up and swallow time, matter, memory, me.

“Lex,” Keith says, waving his hand in front of my face the way we do to inquire if the other person is paying attention. And with that I come to, having been belched from the beast of my past, returning to our morning in progress.

“I don’t know what’s worse,” I say. “The sudden jerks into the past, or the fact that I can never seem to stay in the present.” I try then to settle into my chair, my body, my breath.

“Be where your hands are,” my yoga teacher says. I study my hands, my oversized mug, and the lilacs in the yard, so purple they are almost blue. With their heart-shaped leaves and from the way they cluster into crown-like bunches, they remind me of the swim bonnets worn by the elderly women at my fitness center. But the fragrance is so unique, that it reminds me of nothing but itself.

Oh, and that night in Italy.

•••

High on adrenaline and instinct and a lifelong good sense of direction, the morning after my assault, I led the officers back to the man’s apartment, which was not just around the corner as the man had suggested, but rather, some four-plus back-switching miles from the piazza. Since I had the napkin with his name and email address, the officers matched it with one of the occupants listed in their records. “Ben Fatto!” one of the officers shouted and pumped his fist from the front seat of the little police car.

“It means good job,” the translator said.

“I know,” I said. While still parked in front of the apartment, the officer craned around to face me in the back seat. He began talking intently, passionately, and looking back and forth between the translator and me.

“He says he’s very sorry this happened to you, and this is good evidence, but these things are hard to prosecute,” she said. I nodded and thanked him. He turned forward as if to drive off, but twirled back again, this time addressing mainly the translator. I made out the last word, commune: common. I looked at the translator, and she shook her head.

“C’mon, tell me,” I said.

“There’s no precise equivalent in English,” she sighed. “It doesn’t mean quite the same thing, but he says these things happen. They are common.”

When I packed for my flight just hours later, I flattened the words on the police report in the bottom of my suitcase like a freighted souvenir, underneath the red pants and blouse and stacked heels I wore the night before. I realized then that my panties were gone, probably still in the man’s apartment. Once on the plane and headed back to California, my seatmate asked if I was going home, and I nodded, then faltered. “Well, yes, I live there,” I said, thinking home was not a word I understood anymore, not a place on any map.

•••

The night we closed on our house, Keith and I stood in the back yard at dusk with our hands clasped. We have two dogs, a ten-year-old rescue pit bull mix named Jazzy, and George, the boxer tween we got a year after our first boxer died. As a puppy, George, white- and fawn-colored with a comical black and brown eye patch of fur, was predictably mischievous, but it was Jazzy who—upon visiting the house for the first time that evening—had gotten so excited that she arched over in the entry way and took a massive dump. We were still giggling about it as we stood in our new yard, watching George zoom around the acre in obsessive circles, doing his “racetracks.” The river was high and the lilacs in bloom, and the music from the water and the perfume from the flowers washed over us. “This is ours,” Keith said, squeezing my hand a little harder.

“Yep,” I said, squeezing back.

The common purple lilac, or syringa vulgaris, like those in the loamy northwest corner of our own yard, is a flowering woody plant in the olive family. Olives thrive in temperate Mediterranean climates so unlike the harsh, snowy winters and humid summers of Vermont that it surprises me to learn this. I know it’s greedy and provincial, but I’ve always associated lilacs with New England, which somehow made them mine. After all, the common purple lilac is the New Hampshire state flower, which I was forced to memorize in school, along with the state bird (purple finch), state fruit (pumpkin), state gem (smoky quartz), and state insect (the ladybug). But I do remember lilacs in Italy, whose fragrance stood out to me amid the other Florentine scents—amber, tobacco, lavender, cypress—as a kind of olfactory beacon of home. The family name, syringa, comes from the Greek word syrinx, or hollow tube, which refers to the plant’s shoots and their large piths, while the species name, vulgaris, means common or usual. However ubiquitous lilacs may be, nothing about their loveliness seems common to me.

Later that night, while washing dishes and looking out the kitchen window that overlooks a side yard where the previous owners had a sizeable fenced-in garden, I tell Keith about everything I want to plant. I’m excited, and the list grows absurd: star fruit, melons, Christmas trees, cucumbers, potatoes, peonies, roses, bleeding hearts, corn, lilies, bananas, chips and salsa trees, puppy seeds, and book awards. Keith laughs. I’ve never been a gardener, never planted anything other than pain, but here in my fortieth year, I want to plant something finally that can thrive.

We’ve been in the house six months now, and while unpacking the last of the boxes, I find a package marked “FRAGILE” in Keith’s neat handwriting. I can’t think of anything fragile we own—no valuables or heirlooms—but as I peel back the layers of plastic shopping bag used as wrapping, I see a box, about the size of a shoe box, which I recognize immediately as the urn containing the ashes of our first dog, Jimmy. A ninety-pound boxer, with a heart and personality to match his size, Jimmy came with us from Texas and lived here in Vermont until he was thirteen. Losing him was eased by the wonderful staff of our local vet office, who treated the loss as their own. We opted to have him cremated, and when we went to pick up the ashes, they were stored in a pine box with a handwritten card taped to the lid. The card, which had a raised, lumpy paper heart affixed to it, read, “Plant this in loving memory.” The veterinary technician, who emerged from the back to tell us how sorry she was, explained that the heart adornment contained wildflower seeds and that we could plant it. At the time we lived in an apartment and decided to hang onto the card until we found a place of our own. I show Keith the card and read the instructions out loud: “Remove adornment from card, plant in your garden and wildflowers will blossom year after year.” I ask him if he remembers the garden I was talking about our first night in the house. I hold up the card and touch the little heart adornment and say, “We can start with this.”

•••

ALEXIS PAIGE is the author of Not a Place on Any Map, a collection of flash lyric essays about trauma, and winner of the 2016 Vine Leaves Press Vignette Collection Award. Her essay, “The Right to Remain,” was a Notable in the 2016 Best American Essays, and she’s received three Pushcart Prize nominations. Paige’s work appears in The Rumpus, Hippocampus, The Manifest Station, Fourth Genre, The Pinch, and on Brevity, where she is an Assistant Editor. Winner of the 2013 New Millennium Nonfiction Prize, Paige holds an MFA in nonfiction from the University of Southern Maine. She lives in Vermont and can be found online at alexispaigewrites.com.

A version of this essay first appeared in the Mercer University Press anthology, A Second Blooming: Becoming the Women We are Meant to Be, edited by Susan Cushman.

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