The Shadow of Mulberry Lane

tinyhouse — By Gina Easley www.ginakelly.com

By Nicole Simonsen

Last night my husband filled out an application for a home loan while I scoured the forks, the sink, then attacked the coffee stain on the counter, so porous with age everything stains it. The idea of a house sparked, simultaneously, a singed hope and a wild, beating dread. I wanted to look over his shoulder, but I finally had to leave the room. I tried to lose myself in a book, but after two pages, the words remained scratch marks, practically hieroglyphics. I had been too busy listing the reasons why we shouldn’t buy a house, reasons that we’d already discussed, argued, fought over a dozen times. He wasn’t interested in hearing them again, but I could not stop myself from rehashing them, point and counterpoint, like a country duet.

There was my voice, high and clear: A house is a money pit.

And his answering call: A house is an investment.

Renters are free spirits, I call back. You can pick up and leave whenever you want.

Free spirit? You haven’t left the state in five years.

The word “mortgage” is French for “death pledge.”

Good thing this is America, then. His voice would be especially twangy on that line.

We’re too old for a mortgage. We won’t be able to retire until we’re seventy-five.

I love my job; I’m not going to retire anyway.

Here, my voice would crack. Renting is better for people like us.

People like us? You mean people like you.

And he’d be right. People like me. People with a foreclosure to their name.

I’m bad with money. I’m cursed. But I’d be singing to myself now because he would have left the room. You can’t argue with a curse, real or imagined.

And there, in my mind’s eye, is not one house, but two. The house I lost as an adult and the house I lost as a child.

•••

The house I lost as an adult had two bedrooms, a small backyard, and no garage. Still, I loved that little house with its yellow siding and green trim. There was hardly any storage, not even a hall closet. And I hated the blinds that hung in almost all the rooms. Even the cats, who’d torn up every other set of curtains that I had ever owned, despised them and left them alone. But I loved the tree in the front yard with limbs low enough that I could lift my daughters into it. When they were old enough, I imagined calling them in for dinner and seeing only the bottoms of their bare feet, swinging back and forth.

I loved the bedroom the girls shared and its two large windows that filled the room with light as soon as the sun came up. But mostly I loved the sunroom. This was where we kept most of the girls’ toys—the Legos and little figurines that they played with while I read stretched out on the futon, basking in the room’s buttery light. When it wasn’t too hot, we ate at the small rectangular table and, through the windows, admired the patch of purple and white irises that had sprung up as if Van Gogh had visited in the night.

On our first night in the house in 2006, the girls tucked in their beds, my first husband and I sat in the backyard, our bare feet in the grass, and made plans. We would buy a small table with an umbrella and four chairs. We would plant tomatoes. We would harvest the plums and make jam to give away at Christmas. And we would find a way to coax the avocado tree, which had once born two avocados ten years ago, into bearing fruit again.

That little plot of dirt and grass and house was mine, my speck of Earth. I imagined that I could see it from space with a powerful telescope and wondered what its exact coordinates were. When I heard about Google Earth, the first place I searched for was my house on 61^st Street. There on the computer screen, to my astonishment, was my little house, our red Jetta parked in the front, the hydrangeas in full bloom.

Almost immediately, I fantasized about the improvements we would make one day, after we refinanced and were both making more money. In a fantasy no one can stop you from being greedy and impractical, and so I decided that we’d build a second floor with two more bathrooms and three bedrooms so the girls wouldn’t have to share a room during their teenage years. Downstairs, I’d convert one of the bedrooms into a dining room and expand the tiny living room into the other bedroom. I actually thought about buying the house behind ours, with its huge backyard just so I could move the fence back. My parents could live in the other house, I reasoned.

An annoyingly rational voice pointed out the obvious. If you had all that money, why wouldn’t you just move to a bigger, better house? Isn’t that the American way? First you buy a starter home and then you discard it for a better home in a swankier neighborhood. But I didn’t want to toss it aside. And so I kept these thoughts to myself because I could never fully explain the loyalty I felt to that little house except that it had unshackled me from the homelessness I’d felt ever since I was thirteen and the bank took our house away.

•••

We were never homeless. You shouldn’t exaggerate, I can hear my mother whispering fiercely over my shoulder. You make it sound like we were living out of a car, for God’s sake! And she’d be right. We never had to live out of a car, or on a park bench, or in a shelter. All my life I’ve been able to attach my name to an address, to exact coordinates, whatever they were. But the houses we lived in after we had to leave the house on Mulberry Lane never felt like ours. The first house we moved into belonged to my grandfather. A tiny place, it sat on a small plot of land he owned, miles from town. A simple trip to the grocery store meant fifty minutes of driving. The wind billowed down from the north for days at a time, rattling the tin storage sheds, whipping the Eucalyptus trees, and throwing dust in our eyes. Days like that we stayed inside. My sister and I shared a room because the third bedroom was a dangerous rat’s maze of boxes and bags that we never bothered to unpack. Once I went inside to look for a book and came out with a cut that required a trip to the emergency room and thirteen stitches.

At night, while my sister slept in the bottom bunk, I would run my fingertips across the ceiling and think about the family that now lived in our house on Mulberry Lane, about the girl who I was sure had moved into my room. I hated her. She was ugly, I decided, with a cartoonish wart at the end of her nose and bad teeth. But when I wanted to feel even sorrier for myself, I’d imagine her a much prettier version of myself, a popular girl, with a family that wouldn’t ever go bankrupt. I thought about her in the pool my parents had put in. I saw her eating dinner in our little kitchen nook, laughing and asking for seconds. Who were these people? How could I get rid of them? And more importantly, how could I earn enough money to buy the house back?

On the long bus ride home from school—my sister and I were always the last to be dropped off because we lived so far from town—I imagined our return in great detail. I would find a job at a neighboring ranch. I would muck stables, sheer sheep, weed the garden. I would do whatever was asked of me in lightning quick time. They would pay me in ten- and twenty-dollar bills, which I would keep hidden in a shoe box. Every week, I would add to the stash, not spending a single penny, until one day there would be enough and then I would present my parents the box of cash. I could picture their astonished faces. My mother would burst into tears. But my father? He would be quiet and thoughtful. “Nikki,” he would say, “Where did this money come from? Did you find it? If you did, then you must give it back.” Honor was important to him. Only after I proved to him that I’d earned every penny, would he envelop me in his arms, tousle my hair, and call me a “go-getter,” the highest compliment anyone could get from him. Then together all of us would return to Mulberry Lane in a Cadillac, flags trailing behind. We’d wave some important papers around, rout the imposters, and move back in. I mean, it would be biblical.

Years later, we moved back to town into a rented condominium, not the return I’d imagined. Though I’d long given up my dream of getting Mulberry Lane back, I would revisit my old fantasy from time to time. All I had to do was close my eyes and the image of my thirteen-year-old self materialized: a slightly pudgy girl with a brown ponytail and braces. Look, there I am shoveling manure into a wheel barrow. There’s me, in the dim bedroom light, adding another twenty dollar bill to my secret stash. These images were like old home movies, flickering and without sound, but as real as any true memory.

•••

In 2005, I was living in an apartment along with my first husband and our two daughters in what was turning out to be a dangerous neighborhood. About a month after we moved in, two young men were shot and killed in the alley behind our building. No one was ever arrested. That summer, there were so many violent crimes and break-ins that the police department held a meeting to address community concerns. And then there was the apartment itself: tiny, dark, no place for the girls to go outside and play. We were surrounded by old Victorians and craftsman style bungalows. Looking at them on walks to the nearest park, eight blocks away, I felt an old desire begin to wake from its long hibernation. A house! I hadn’t allowed myself to think of one since the years I’d obsessed about Mulberry Lane.

But more potent than the Victorians and bungalows of our neighborhood was our yearly trip to Massachusetts to visit my husband’s mother, who still lived in his childhood home. The first few days of every trip, he would disappear for hours at a time into the basement or attic to drag out old records, toys, books—the memorabilia from his childhood. Sometimes we’d go through the photo albums and laugh at the evolution of his mother’s decorating style. “Remember that yellow sofa?” he’d say to her. “Oh God, I don’t know what I was thinking.” They’d laugh. Later, when he’d slid into one of his inevitable funks, I’d think, you don’t know how lucky you are. No matter where he was in the world, Dartmoor Drive would always be his. I wanted all that for my daughters, too, a place they might laugh at, but one they could always come home to even after they grew up. The house my parents were living in at that time was one they’d rented after I’d gone to college. I had no fond memories or attachments to the place.

A house, I began to think. A home. We didn’t have any money saved, but since when did that ever stop anyone from dreaming?

One Saturday afternoon as I was driving to the store, I saw a sign with a blue arrow and the words “Open House” in huge block letters. As if hypnotized, I followed it until I came to a little white house with a large front window and an orange tree by the driveway. I am a sucker for windows and fruit-bearing trees. Imagine the thrill of opening your door to oranges, lemons, and plums. I knocked on the door—I didn’t yet know you could just walk in. Ushering me inside, the real estate agent handed me a flier. I betrayed no sticker shock, what she called a mere $375,000 for a home that the original owner still lived in. “He’s sad to be leaving. He raised a family here,” she said, as if to explain the hefty price tag. I wandered through the rooms. There were yellowed pictures of the man’s children and grandchildren on every wall, his slippers at the foot of his bed, shirts folded neatly on a dresser. Nothing, it seemed, had been remodeled or updated. One bedroom had electric blue shag carpeting, the likes of which I had never seen. In the corner was his dead wife’s sewing machine and an aquarium full of dingy water and geriatric fish. The kitchen was strangest of all. There, right next to the old stove, were a washer and drier, three battered appliances lined up like old people in a soup kitchen line.

“Huh,” I said.

“All you have to do is put up a thin wall and folding doors and then you wouldn’t have to look at those appliances,” she said.

“Isn’t there a garage,” I asked, “where these could go?”

She told me that there was a detached garage, but it had no hookups.

“How old is the pool?” I asked. “When was the roof replaced?” I enjoyed asking questions. I was playing a role: prospective home buyer. And prospective home buyer is one step up from renter.

“Are you going to have another open house?” I asked. “I’d like my husband to see it.”

“Next Sunday,” she said, handing me her card.

On the way home, my head rang, my fingertips vibrated. I was a bell that had been struck… hard. We would rip out the blue carpet, paint the kitchen cabinets, put in hardwood floors. I had forgotten all about the price tag because this was a fantasy and in a fantasy you may ignore whatever you like. But the closer I got to our apartment, the more I realized there were a few things I couldn’t ignore. A fixer upper would be a hard sell. My husband was not interested in hammers and nails. Ripping out old carpet was not his idea of an adventure. Worse, he despised suburbia and although the house was only a six-minute drive from downtown Sacramento, I knew that he would count every minute against it.

Ultimately, those were aspects we could negotiate. What we couldn’t negotiate was the nature of home ownership itself. Like marriage, a house is a commitment and a choice. Choosing to live here means that you decided not to live there, and in my husband’s case, there was Boston, his ideal city. Renting made him a Californian by default, but buying would make him one by choice. It was like having to give up citizenship. It was a lot to ask.

Just keep an open mind, I told him on the following Sunday as we drove to the old man’s house. We stepped out of the car. It was an overcast, windy day and in that dull light, the magic was gone and the place looked depressing. Or maybe it was the way he stalked around the rooms, his hands shoved in his pockets. He did not bother to test the toilets or open the closets. I had not warned him about the blue carpeting and when we came to that room, he stopped cold.

“We’ll rip out the carpet,” I said. “I’ll bet there are hardwood floors underneath.”

He stared at me in disbelief, his eyebrows arched dramatically, the universal male expression for, “Woman, are you crazy?”

And then I thought about how I had married a man who had no skills as a handyman and even worse, had no desire to acquire those skills. It would not be like those home shows where the young couple buys a crumbling dump and through trial and error transforms it into a showcase. It would not be This Old House or The Ol’ Yankee Workshop, either. That was a fantasy I would have to shelve. No matter. I had retired many a fantasy over the years and there was always another one to take its place.

•••

Over the next nine months, I walked through about fifty open houses with the line from the single’s website, “It can’t hurt to look,” ringing in my head. Open houses are like coffee dates. Quick. No pressure. Just a mutual scoping out, sizing up. Could we be compatible? Are you worth a pushup bra and heels? But the slogan, as it turns out, is wrong. It can hurt to look. You might see something you want so badly, you can’t sleep at night. What would it be like, you wonder, to wake up in that house and drink a cup of coffee in that nook and look out at the walnut tree arching over a luminous blue pool? Instead, you wake to claustrophobia in your rectangular apartment, the upstairs neighbor stomping overhead in what must be steel-toed moon boots. My God, you think in your darkest moments, I’m going to die here.

Every month the prices went up. There seemed to be no ceiling. Who would pay $300,000 for this dump, I would wonder, only to find out later that a bidding war had erupted. If we didn’t act now, we’d be priced out, I told him. We’d be shut out from the American Dream, renters forever. And when you come from a family of immigrants, the American Dream is no joke. It is, in fact, the very reason why you are here, so far from your ancestors, your culture, your language. Like so many Mexicans, my grandparents left their extended family behind to start anew in California, a place where they could work hard and scrape together enough money to buy a little house. Even my father, who came from Denmark in his twenties, was lured by the promise that anything was possible here. Not surprisingly, the first major purchase my parents made together was a house. To get the down payment, my dad sold his little twin-engine Cessna. While a plane can get you the exhilaration of freedom and an endless horizon, a house will get you its opposite: walls, fences, a roof, and a competing feeling—security.

The American Dream is especially potent for those of us in the habit of fantasizing, those of us addicted to picturing, with the precision of a drone strike, something bigger and better. And it is most potent for people who have lost something or never had it in the first place. My husband didn’t come from a family of immigrants. The American Dream was something one read about in a high school classroom, he along with his white, solidly middle-class peers. The American Dream, how quaint! How 1920s! How Gatsbyish! But say what you want about Gatsby and his ill-gotten gains, he knew how to lure Daisy: with the biggest house on the block.

•••

Nine months after I’d followed that first open house sign, I wandered into the little house on 61^st Street. It had a 1990s Santa Fe color scheme: bright purple, yellow, and green walls. It had hard wood floors and a little arched indentation in the wall, perfect for a tiny shrine. It was priced to sell at $335,000, the realtor told me, because the owners planned to retire in Mexico.

I called my husband, then Angel, our real estate agent. We met with a mortgage broker. Because we did not have the money for a down payment, we’d have to take out two loans, but that was not a problem. Everyone was doing it, he assured us. A month later, we signed on the dotted line in almost hundred different places and then the house was ours. Or, as my friend’s husband likes to tell her about their home, we didn’t own the house, we owned the idea of a house.

We bought two loveseats, three unfinished pine bookcases, which we primed and painted ourselves, a kitchen table and six matching chairs from a garage sale, a hutch, and a new computer desk. My mother-in-law, who helped us with the closing costs, bought us an electric lawn mower.

We had friends over. We met the neighbors. Our cats, for the first time ever, were allowed to go outside. They ruled the backyard like little sultans, basking in the sun and waiting for the girls to carry them back in.

And now, when I had a particularly difficult day at the high school where I worked, it was worth it because I was working for that home I’d always wanted. I was righting an old wrong. If anything marred the set up, it was that my parents didn’t share in this “return.” I often felt guilty that I’d bought the house while they still rented, as if I had disrupted the natural order of things, or overreached. Later, when it all fell apart, I would joke that I had been like Icarus and flew too close to the sun. But now, some years later, I realize that I was more like the father in that story, poor old Daedalus, pacing the confines of his prison, scanning the horizon, willing to risk everything just to get home.

•••

What finally happened with the house was this: my husband quit his job and left. Oh, it was much more complicated than that, of course. The death of our marriage was slow and labored and painful and another story entirely. We needed two salaries to pay for the house and now, less than a year and a half after we’d signed the paperwork, I had only one. It was a matter of math, a simple equation, input and output. I could not, on my teacher’s salary, pay the mortgage, childcare, food, electricity, gas. What luxuries could we forego? What could I cut? What could I cut? Every time I ran the numbers, I was at least $1,800 in the red.

For two months, my mother-in-law made up the difference, but this was unsustainable. I called the bank. They told me to write a hardship letter. I sat at the computer late one night and wrote a rough draft. In all the years that I’d fantasized about a house, I’d never pictured a moment like this one and so it was like an out-of-body experience—look at that woman, chewing on her bottom lip, trying to find the words to explain why she can’t pay her mortgage… oh wait, that’s me! Only those who have ever written a hardship letter will know what it feels like to write one. You have to employ all of your writerly talents; you have to choose the right details. You have to be humble and trustworthy. Your story should provoke pity but not be pathetic. To this day I wonder if anyone ever read it or if it went into what I came to think of as the filing cabinet of hopeless cases.

Every day I heard more bad news about the housing bubble… the crash… the crisis. It didn’t matter what you called it: home values all over the country were plummeting, and Sacramento, with its wildly inflated home prices, was hit hard. Turn on the news and there were shots of decimated neighborhoods, the tell-tale signs of foreclosure blight—dark windows, brown lawns, and white for sale signs like lopsided crosses. On my way to work, if I could stomach it, I would listen to NPR’s stories about the crash, feeling implicated in every story, like a fugitive who sees her own wanted poster in the post office. One couple they interviewed said that it made no sense to pay more for their house than it was worth. It was a bad investment, and they were going to cut their losses and walk away. Walk away! The thought was inconceivable to me (cut), though wasn’t that what my husband had done? And what became of people who walked away? They became nomads, people trapped in limbo, practically ghosts.

I began to discuss the possibility of foreclosure with friends and with my parents, who had never wanted to talk about Mulberry Lane. So many people were in the same position, they pointed out, that I shouldn’t feel too ashamed. If half of the country is in foreclosure, then it feels more like a virus, something anyone could catch, rather than a moral disease like lung cancer or emphysema or cirrhosis, the end result of a disgusting habit, or moral depravity, or reckless ways.

But I had been reckless, I had to admit this to myself. I bought a house at the height of the market because I didn’t understand how these things work. I listened only to those people who said I should buy now before the prices went higher. I bought a house with a man who had been unhappy for years, who wanted to move back to Boston, his ideal city. And I bought a house because I was still, in part, that thirteen-year-old girl, rooted in the shadow of Mulberry Lane, who wanted her triumphant return.

•••

I had two choices: a foreclosure or a short sale. A short sale was the responsible route, less of a stain. I called Angel, and a few days later there was a for sale sign in my yard. It was that simple.

Sometimes Angel would tell me she was bringing a prospective buyer over, so I’d have to invent urgent errands to drag the girls from their games. I made no attempt to put our personal things away, to streamline pictures, toys, the clutter of our lives. I hadn’t “staged” anything to make it sell faster because I didn’t want to sell it at all. This was my home; strangely I had become like the old man whose original house I had liked. If someone was going to profit off my misfortune, I wanted them to know it.

I found one buyer, but Countrywide sat on the offer for months and the buyer drifted away. I found another buyer. Once again, we faxed all the paperwork into the vast void of the Countrywide network. Nothing happened. When Angel and I called, we were told, after long waits, that the agent was working on it. The second buyer came and went. Then a third. What I really wanted was for Countrywide to reduce the principle balance to what the house was now actually worth. On my way to work, I argued with imaginary Countrywide agents. Either way, I’d say—a foreclosure or a short sale—the bank was going to take a hit. Why not resell it to me for what it was actually worth? Why not keep the owner in the house? A single mom with two kids, a teacher, a public servant, I would whine. Have pity! Banks, though, are not interested in pity. I had taken a risk on my American Dream, but I’d done it with other people’s money and there was nothing to be done now except take my beating and slink away.

And then Countrywide collapsed and Bank of America swooped in for the crumbs. I figured that bought me some time. It would take a while for the new people to sift through the mess Countrywide had left behind. In the meantime, the president announced a housing initiative, billions in aid for struggling homeowners. I applied, once again writing a hardship letter and pulling my bank statements and tax forms together. Six weeks later, their offer arrived via FedEx. I took the envelope into the sun room, into the buttery light I loved so much. This is it, I thought. I tore the tab and slid the papers onto the table. Fingers crossed like a gambler at a roulette table, I read the terms three times to make sure I understood. Their idea of helping me was to take the amount I hadn’t paid—more than $25,000—and add it to the principle balance, so that now I’d owe about $360,000. In return they’d lower the monthly payments by a measly $300. The house was worth somewhere around $200,000 was my guess, maybe even less.

I would have to walk away. The only questions now were when and to where?

•••

Unlike the day we left Mulberry Lane, there was no one single day when I left 61^st Street. Slowly, a little less than two years since the trouble started, I began to move my things into a house I rented with my new husband. After work, I’d swing by and take another carload. My dad helped me take several truckloads to the Goodwill. We never said anything about what it feels like to lose something as big as a house. But it was there between us, unspoken. “Okay, Nikki,” he’d say, clapping his hands, “Let’s get this show on the road.” Together we’d load up his truck and my car until they were full with the detritus from my failed American experiment. Maybe because my AP class was reading The Grapes of Wrath, I thought of the Joads. It wasn’t the same, of course. I didn’t have to pick peaches, I wasn’t sleeping in a barn, my children weren’t starving. But there were thousands of people like me, people who, at that very moment, were loading their belongings into a car and leaving home for good.

My visits to the house became infrequent, tinged with regret and loss like visiting a relative with advanced Alzheimer’s, someone so ravaged by disease they are not really there anymore. Not today, I’d think, tomorrow. Tomorrow and tomorrow and tomorrow. But I could never make myself go. Though there were still some things left behind, junk and old toys mostly, I finally had to admit that I was not going back. Not then and not ever.

I had done the unthinkable. I had walked away.

•••

Tonight there’s a house that my new husband wants me to look at on the computer. It’s listed at $565,000, slightly higher than the average listing price for a home in our college town. Here, a half a million dollars gets you four bedrooms, maybe, inefficient windows, old carpets, and forty-year-old countertops. And you are supposed to feel lucky to get in at that price because most four bedrooms top $600,000, easy. Who are these shiny, magical people, I keep asking, who can afford such extravagance?

“We are,” he tells me. “We are those magical people.”

He pulls up a slide show. It has a big window in the front, raised flower beds. Looking at the pictures, I wish I wore glasses. I wish there was a lens, some kind of protective barrier between my bare eyes and the simple, sweet house we are touring. When the slide show ends, he has to look up at me because I have not committed even to sitting down. I remain ready as ever to walk away.

But the look in his eyes! So full of hunger and longing, it roots me to his side. I want him to have it. I want her to have it too, my thirteen-year-old self.

He points to the money we have managed to save despite the fact that our rent is as high as a mortgage.

“Slow down, let’s think really this through,” I tell him. But really, I’m talking to her. She is chattering away about the mature wisteria vine, the patio, the spacious backyard where the kids could play.

“The prices are going up,” he says. “Interest rates, too. Now is the time.”

I know these arguments intimately. I practically invented them.

“Listen,” I tell them, “there are many advantages to renting.”

My husband just shakes his head. But that girl, my old self? She actually scowls. Forever adolescent, she crosses her arms, rolls her eyes. Two against one, unfair advantage, I think. I take her aside. You tried this once before, I hiss.

She fakes an exaggerated yawn. She’s isn’t buying any of my arguments and she is not interested in cautionary tales or literary allusions.

Yeah, yeah, yeah. Gatsby died and Icarus too. So what?

The word mortgage is French for—

Oh stuff it, you old windbag. She turns her back to me and lustfully tours houses on the Zillow website.

She wants what she wants. A backyard, a lemon tree, a little room to write in, an open kitchen, high ceilings, natural light. Those greedy fantasies, again. She’s planning her return, with or without me.

•••

NICOLE SIMONSEN teaches English at a public high school and for the Upward Bound program. She lives nearby in Davis, California, in house she bought last year with her husband. Her stories and poetry have appeared in various journals including Brain, Child, SmokeLong Quarterly, and Talking Writing.

Strawberries in the Driveway

By Ellen Blum Barish

Titan. Teacher. Talker.

Tender. Thoughtful. Truthful.

Tenor. Tea drinker. Tolkien-lover.

Tyrannous. Troubled. Trying.

Preparing for Douglas’s memorial, I was still so numb from the news of his suicide that I could only grasp one word at a time, as if I were recovering from a blow to the head. Memorials are one of those few gatherings in which being a writer can actually be useful, and so not being able to string words together into sentences was only adding to my heartbreak. In the days before the service, as I was struggling to write something thoughtful or healing, words beginning with the letter t came to me. The first, titan, because of his genius and then, teacher, because he was professorial in all ways. The rest came swiftly, even if verbs and articles didn’t.

My list of t words was a weary attempt at honoring someone I’ve known and loved for more than thirty years, but I didn’t have any practice eulogizing a dear friend who died from a bullet that he sent through his head.

But offer it I did, to our gathering of six, all friends from college who had long histories with Douglas, who listened quietly as I recited my stupid t words on the campus where we all met in the late 1970s.

On the year he took his life, it had been close to four years since I had spoken with him. He’d been pulling away. On his fiftieth birthday, I sent him a coffee table book of Grateful Dead concert photography, but I never heard back, which irked me more than made me worry. On his fifty-first, I emailed him, but he didn’t reply. In previous years, when there was a chance for us to get together in Chicago, he’d grab a flight or jump into his beige Honda from his Lawrence, Kansas, home and, voila, reunion. His recent non-response was deafening; his absence creeping into every gathering, turning talk to the question of why he was shutting us out of his life. During that year, all six of us had all reached out to him in various ways, leaving emails, voice messages, acknowledging his birthday, the new year. I had gone as far as anonymously calling the university where he taught to ask the department secretary to confirm that he was still teaching there, which he was.

On his fifty-second, I sent another email.

I wrote, “Hoping this finds you well and that this day brings you joy and peace. Know that you are in our hearts.”

Later that day, he wrote back, simply, “Thank you.”

That birthday prompted a series of conversations between the six of us about what was going on with him.

We had several theories.

There was the bat mitzvah overload theory. Between us, all of us Jewish, there were six children celebrating bat or bar mitzvahs over a half dozen years. Douglas, who didn’t identify with any religion, made the trip up for two or three but then just stopped. A single, agnostic guy with no kids. We couldn’t blame him.

There was the theory that professional disappointments were at the root of his pulling away. The strain of grants not earned, articles not published; that job in D.C. that he really wanted but didn’t get.

Most of us shared the theory that he had gone off his antidepressants and stopped going to therapy. He’d been depressed for most of his teaching life, but it seemed to us that when he was seeing his therapist and taking his medication, he had been doing well. But somewhere around his fiftieth birthday, he had confessed to Steve, with whom he was the closest, that he simply didn’t want to talk or take medicine anymore.

There was a short-lived suspicion that he might be gay and not out. I didn’t subscribe to this theory, because during my first two years of college, he and I dated. In his heyday— our heyday—he looked like red haired, freckled Christian Bale. Imagine Christian, with a tinge of Howdy Doody. I’ll never forget him in his puffy blue parka and plaid, woolen bucket hat. He was, without a doubt, a self-professed computer geek with a Middle-earthy charm, drinking tea and calling friends “M’lady” and “M’lord.” He was insistent on being the teacher, in being right, and eventually I wanted to be more like a colleague so I moved on. In later years, the Christian Bale–Howdy Doodiness faded and he became a ringer for Mario Batali, bald head and ponytail included.

It took some time for us to meet back in the middle for what would become decades of friendship that would also, weirdly and wonderfully, include a close camaraderie with my husband. They shared a passion for disc golf, cycle-commuting, home-brewed beer, science fiction, Chicago Blues, and the Dead.

Douglas did date women but since becoming a tenured professor of computer science, he had been decidedly single, living in a ranch house with two black retrievers and an expansive video, television, and audio library.

He and Steve had exchanged email in recent years, but Douglas had even been avoiding Steve’s calls. Steve talked about flying down for an intervention, but before he did, he called Douglas, first unlisting his cell number. And Douglas picked up. Caught. Douglas confirmed that he was dodging us. He told Steve it was “the least bad alternative to avoid dumping gloom, doom, pessimism, and angst on top of your existence.”

In an email he later sent to Steve, he wrote, “I told Ellen some of this, and she was kind enough to say that my argument was logical, cogent, and reasonable, and what I said might well be true, but couldn’t I enjoy myself anyway? A reasonable question, and if I were sufficiently Zen, maybe I could do it, but the practical answer is no.”

He went on to tell the story about the Zen Monk who, while walking through the forest, hears a lion running after him. He outruns him, but, in doing so falls over a cliff, grabbing a bush on the way down, which stops him. Looking up, he sees the lion. Looking down, he sees a tiger. Both are hungry and anticipating lunch. But the bush is slowly ripping out of the hillside and he will soon fall down to the tiger. It’s then that he notices a big, beautiful strawberry on the bush. He picks the berry, takes a bite and smiling, says, “Delicious!”

“So,” wrote Douglas, “while I aspire to the monk’s moment-by-moment existence, in this case, I have been unable to reach that level of enjoying the moment while still seeing the lion and the tiger because you guys would want to help with the cause of my problems but cannot, or want me to cheer up, and I am simply not cheerful in the face of these lions and tigers. The only strawberries have been the books, videos, and students wanting to learn a few things I know how to teach.”

He then he added, “Sorry for the worry.”

It was a poetic description of depression. I learned later that the strawberry plant has actually been used to treat depression. None of us could disagree with his facts. That was the thing about Douglas—he bated and urged argument on, like sport. I saw it as a sign of his passion, the place he was most passionate—an argument with someone else in which he felt strongly. Why argue if you don’t care? That he stayed away from us, and the arguments, struck me as a frightening sign of his loss of interest in life.

But I kept thinking that as long as he showed up to class and had students who needed him, he was stable, even if we weren’t in his life. At the university, he worked on Linux systems, the free, open-source program designed for simultaneous multi-uses which dovetailed perfectly with his often-voiced philosophy that information should be freely dispersed to everyone, that the pursuit of knowledge is good for its own sake, and that people should live harmoniously with others.

And, there were Susan and John, two former computer science professor colleagues from Kansas about whom we’d all heard a lot. They currently lived and taught in Arkansas with Douglas and spent many holidays with him, even in those depressed years.

Other than teaching students and periodic visits with Susan and John, he was a loner. An only child, his father left when he was eighteen months old. He hadn’t spoken to his mother in twenty years. And his college buddies, the ones he was pushing away for reasons we will never fully know, were two, three and four states away.

Yet signs that he was losing his patience were becoming evident. There was that letter he wrote to Bill O’Reilly in 2005:

Mr. O’Reilly:

I have heard you are publishing an enemy’s list. I can think of nothing I would like better, at this moment, than to be included on the list of enemies of such a self-important, self-serving, egotistical, amoral, and slime-covered opportunist as you so obviously are.

Most sincerely,

Douglas Niehaus

Susan’s husband John saw Douglas ten days before his death.

“He seemed happier than usual,” Susan told me in a recent conversation, “not as abrasive as he could usually get.” Later, the gun receipt date confirmed that by that time, he had made his plans.

August 19

Douglas sent Susan and John a touchy-feely email thanking them for their friendship that struck them as uncharacteristic.

August 20

He didn’t show up for the first day of class. A department member phoned Susan. Susan and John called the police who said they might be able to find him via cell signal, which heightened their worry.

August 21

Susan and John left for work and, when the housekeeper later arrived, she found a box in the driveway. It was Douglas’s electronic library containing over a thousand hours of content. His worldy goods, dropped off, in a drive-by.

August 22

Douglas’ car was found by the landowners of a farm on an Arkansas highway, dead from a gun shot to his head.

Twelve days after he died, we gathered on campus to say goodbye; we left red carnations at locations where each of us had shared something with him to acknowledge our coming of age there. We began at the dorms where we all met and ended at the lake, where everyone managed to speak in full sentences, except me.

Some months later, Susan and John organized an academic fund at the university. A perfect legacy honoring the teacher, the titan. But what about the man?

This year, on his birthday I felt, as I did every year, the urge to reach out again. Even though, in the latter part of his life, he didn’t reach back. But maybe in death. Recently, Susan told me that her husband was in the airport and saw a tee-shirt printed with words that we all swear could have been a direct quote from Douglas himself. A suggestion of his presence, still floating in the world; a possible response to our questions.

It said, “I can explain it to you, but I can’t understand it for you.”

•••

ELLEN BLUM BARISH is a Chicago-based writer whose essays have appeared in Literary Mama, Tablet, and The Chicago Tribune and have aired on Chicago Public Radio. She is author of Views from the Home Office Window, a collection of essays from her syndicated newspaper column on motherhood. She has taught writing at Northwestern University, StoryStudio Chicago, and several other Chicago-area universities and adult education venues. Ellen also is a private writing coach, specializing in personal essay and memoir. Learn more at www.ellenblumbarish.com. This is her first piece for Full Grown People.

Million Dollar Questions in Cambodia

By Josalin Saffer

Cambodia feels like an open wound. Still raw from a scrape with death, still aching from its painful roots. Reminders of the genocide are everywhere: in the eerie absence of the elderly; in the mountains of garbage that clutter the roads and define the landscape; in the pleading tone of the desperate tuk tuk driver, hoping for a day of work; and in the perfectly rehearsed sales pitches of the children peddling baskets of discount Lonely Planet guidebooks on every street corner.

For the second time in five months, I am walking the half-mile stretch to cross the border at Poipet—the gateway into Cambodia and the portal to its poverty. It’s hotter this time. It’s now summer, and the tropical sun rules the land in a brutal tyranny. After eight months of traveling, I’ve grown accustomed to the musty stench of my soiled clothes and the taxing load of my backpack that contains everything I own, but never to the heat. As I walk under the stone archway inviting me into the Kingdom of Cambodia, the black dots of dehydration appear in my periphery like passing planets to a sun-bound astronaut who’s drifted off course. My head is forever trapped in a fogged-up fishbowl.

Poipet is not a coastal town, yet everywhere there is evidence of a shipwreck. Scraps of plastic, cardboard, styrofoam, metal, and human flotsam appear to have washed ashore. The people I see seem like the only survivors, still recovering from this thalassic catastrophe. Families huddle together under facades of crumbling concrete, the remnants of homes. Everyone walks slowly, staring at nothing, myself among them. I can feel crow’s feet forming in the corners of my eyes from all the squinting. One thought raps relentlessly on the front door of my frontal lobe: I need water.

I search in vain for someone who looks like they might be sitting on a cooler, a makeshift minimart that often flanks the streets. But for the first time in Southeast Asia, I can’t find anyone to sell me anything. People are preoccupied, squatting low, on their haunches, with their faces covered and averted from the sun, trying to avoid the heat.

I am jolted from my feverish quest by a tug on my pinky finger. Two deep, dark eyes stare up at me, their depths like the abyss of a cave. A girl who looks to be about three years old stands obstinately before me like an avant-garde performance art piece. The canvass of skin covering her bones appears painted in haste, with sloppy brushstrokes, muddy streaks. She clamps her entire hand around my littlest finger with a firm grip and without the slightest indication of letting go.

“Excuse me, lady, one dollar. I need a dollar, lady. Please, lady, give me a dollar,” she chants.

I have a dollar. In fact, I have 300 of them stuffed neatly at the bottom of my pack. I had stashed them away for this very trip to Cambodia. As my semester teaching in Thailand neared its end, I carefully regulated every saved penny from my salary to fund a final trip around Southeast Asia before returning home to Atlanta.

Never giving money to panhandling children; it perpetuates their livelihood as beggars, I repeat in my head, the way I used to prepare for lessons and study for tests.

I had spent weeks reading and researching everything from personal blogs to the BBC. And every source answered my question of whether to give money to child beggars with a firm and stern don’t do it. They each echoed the same warning: “By feeling pity, giving money and food, child labor—a growing business—is supported and the children are sustained on the streets.” On paper, it made sense. And my response seemed easy.

But standing face-to-face with a three-year-old in Cambodia, my heart sinks and I panic. As a teacher and a student, I have never been as unsure of my answers. I can’t stop myself from thinking: What if they are wrong?

Reluctant to pull my finger from hers, we walk pinky-in-hand for several more steps before I finally untangle myself from her taut grip. I look at her and she expects me to speak, but instead of answering her question or acknowledging her presence, I look away. Our locked eyes make me feel a thousand times heavier than the fifty pounds I am carrying. A weight that recurs continually here, always with the threat to bury me in a quicksand of indecision. Eventually I tell her “No, I’m sorry,” but she follows me, tries to walk in my path, demanding me to notice her. She repeats her haunting mantra as if in a trance, “Just a dollar, lady.”

•••

Ten months prior, I was in Atlanta, sitting on my bed, thumbing the glossy pages of a National Geographic, and fantasizing about the day I would soon be in Cambodia. It was a picture of Ta Prohm that had summoned me. The twelfth-century, tree-entwined Buddhist monastery was the stage for Lara Croft’s adventures in Tomb Raider and is one of hundreds of ancient temples that stand alongside Angkor Wat in Siem Reap. On two full pages, creeping strangler figs and slinking lichens devoured the once indestructible ruins. It was a perfect crystallization of nature’s dominance over mankind. A reminder that nature can undermine even the apotheosis of human creations. I ripped out the pages and kept them in my purse for weeks. I wanted to be here, to feel small, and to stay inside this photograph forever.

When the day came for me to shrink my life into a backpack, I was staying at a friend’s house. Scattered across her floor were the remainders of my purged possessions and the things I would take with me. There were stacks of clothes separated into two piles—one for teaching and one for adventuring. There were labeled Ziploc bags, a diary of Anaïs Nin, a Canon Rebel. An empty journal and a manila folder stuffed full of goodbye cards addressed “Dear Miss Josalin.”

There were fifty of them, actually. One from every kid at SoulShine, the liberal afterschool program I worked at as a teacher and counselor in Atlanta. I picked up a card signed “Love, Emilia,” depicting an underwater scene: blue, squiggly lines for waves, spider-like crabs, swaying palm trees, and a mermaid replica, exactly the way I would have drawn it. For months at Soulshine, there was a mermaid craze, and it all began with Emilia.

Everyday after school, she would rush inside, throw her backpack to the floor, scarf down a hasty snack, and climb onto my lap. I loved the way her crimson curls bounced, giving off warmth and complementing her fiery spirit. I would twirl them in my fingers and she would, without fail, ask “Miss Josalin, today can we draw mermaids?”

I am not an artist, and my drawings were, at best, mediocre. But to Emilia, they were masterpieces. She praised me for them, begging me to teach her every step of my drawing process, eventually surpassing my talent and producing them en masse. The kids at SoulShine started to take notice, and soon every girl and even some boys were bombarding me with requests for drawing lessons. For hours after school, I would show them how two pencil strokes could make a ponytail and how a mix of blues, greens, and gold glitter create an iridescent fin. How a “3” and a capital “E” formed the outlines of a seashell chemise and how long eyelashes make the mermaid feminine.

Flipping through my cards, I saw dozens of mermaids. I closed the manila folder and wedged it alongside the few other carefully chosen items in my pack.

•••

In Poipet, I surrender my quest for water and opt for a beer instead. It’s ten in the morning, but I feel like I’ve been in this city for centuries, and the cold, foamy taste in my mouth provides a refreshing relief. I try to focus, envisioning Ta Prohm, and examining the bus schedule to Siem Reap. Waiting for the bus, a young girl races me to the trashcan to salvage my beer can. She wears a ponytail and shuffles by with shaky, knobby knees, hunched over like an old woman. Her shiny, thick hair whips like the tail of a black stallion, with features both bold and refined, in utter defiance to her demeanor. She holds her t-shirt stretched out like a basket in which she carries her collection of tourists’ trash—her treasures.

I watch her attempt to add my can to the pile and fail. Her shirt collapses, revealing her scrawny frame, and bottles and cans topple in every direction toward the ground. She looks around, eyes racing with the trajectory of launched pinballs. Gathering the bottles, she drops them two more times before scurrying away. In a few seconds, she vanishes from my sight, but her presence lingers in my mind. Sitting and waiting, I wonder: Would these children be forced to sell and beg and scrounge and steal for their lives if their families hadn’t been butchered and uprooted in a ruthless genocide?

From 1975-1979, Cambodia’s government systematically massacred three million of its own people. Promoting a radical agenda of nationwide ethnic cleansing, Pol Pot and his obedient Khmer Rouge regime rivaled the Nazis in organized cruelty. With horrifying gusto, their motive was to purge and reform the population in place of a pure, agrarian Communist society. The entire country suffered, but the Khmer Rouge singled out certain people as the enemy. Among those targeted were intellectuals, city folks, minorities, teachers, writers, doctors, and people who wore glasses. When the Khmer Rouge took power, they captured Phnom Penh, the capital, and evacuated the entire city in three days. Once bustling, thriving cities became wastelands and torture camps. The displaced people met their fate in an orderly fashion: They were herded to labor camps, then torture prisons, and, ultimately, to their death in the killing fields.

My bus pulls out of the station and leaves the forgotten shipwreck survivors to fend for themselves. Poipet disappears behind me in a dusty dirt cloud like the phantasmagoria of strange dreams. I gaze out the window at vast, barren fields and conical tops of straw hats and wonder what the people beneath them had seen and felt and suffered when Pol Pot reigned supreme.

To save cash and prevent scams, I rent a bike from my hostel in Siem Reap at dawn the next morning. Ten kilometers of dirt roads and dodging tuk tuks, and I am finally amid the ancient ruins of the Angkor Empire. It is low season, so there are not many tourists, most of them choosing to avoid the oppressive heat. Normally this would be a good thing, but in Cambodia it means I am an easy target.

I arrive at Ta Prohm temple with high expectations, burning thighs, and half the vigor of Lara Croft. As at many of the popular Angkor temples, the atmosphere is frenzied. Tourists strike stupid poses, snap photos in rapid succession, and discover hidden crevices by way of their own routes. Local merchants cast their well-practiced lines into a sea of unsuspecting tourists and wait to see who falls for the bait. Their merchandise is often handmade: wood-carved finger flutes, jangly jewelry, charcoal sketches of Angkor Wat, and hand-painted clothing. All for one dollar.

Through the chaos and crowded amalgam of flashy new Apple products and sweaty bodies, I see my enchantress. The divine tree fatally intertwined with the ruins from the two-page photograph. Like a comfortable houseguest she sprawls out and makes herself at home in a sacred room of the ancient monastery. I situate myself in just the right place and take the very same photograph, though not as high-res and with an amateur’s eye. I take hundreds more as I explore Ta Prohm. It provides me with endless inspiration, and the ruins invoke my creative spirit. But what captivates me is a pair of young merchants. A brother and sister no older than nine with bright red baskets and stockbrokers’ enthusiasm. Squatting on a mound of rocks that have been squeezed out of place by thick, gnarled roots reclaiming the jungle, they scope out the torrent of tourists entering their domain. They wait like watchdogs, sniffing me out immediately.

“Lady, I have very nice jewelry for you. Come here, lady. I have many, many things for one dollar,” the girl says, arms draped with bracelets from her wrists to her armpits.

I’ve prepared something to say this time. Silence, I convince myself, reveals weakness. I try to appear honest and confident, hoping my answers will suffice them.

“I can’t today. I will be back though. I will come and buy some tomorrow.”

She glares hard at me. Her brother stands behind her with one hand on his hip, the other cradling his basket like a baby. I shrug my shoulders and reveal my empty hands.

“Not tomorrow!” she says, now indignant and miffed by me. “You buy now, lady. Tomorrow, I do not see you.” Wiping the palm of her hand down her face, “All farangs [foreigners] look the same.”

And indeed she does not see me. She sees what she wants to see: a rich, white tourist crippled by guilt who might dish out pity in the form of American dollars. And I try hard, but I do not see her either. I want to see a nine-year-old who runs through the ruins playing hide-and-seek with her brother, laughing and skipping, and free to just be. I want her to hold my hand and ask me about my funny clothes or my pale skin or if she can braid my hair. I want to see a child with the innocence that reminds me not to take life too seriously.

Just then, the wind kicks a slight breeze. A delicate dandelion flower floats by, hovering in the air briefly. The two siblings fall silent and still, their eyes fixed on this evanescent wisp of beauty until it drifts out of sight. And in this moment, they abandon their roles as pushy street merchants and again become children. I snap a photo of their sudden transformation and steal this moment for myself. When the dandelion vanishes, so too does their laughter and wonder. In Cambodia, this phenomenon of children behaving like children surfaces only in glimpses. I take a few more unimportant shots of big trees and crumbling rocks and exit the temple.

To my surprise, my bike—secured with a flimsy, shoestring-sized cable lock—is right where I left it. I try to drone out the cacophony of auctioneers offering me water and make a beeline for my two-wheeled getaway. But I am promptly intercepted and detained by a thin, young boy and eager guide. His hands are callused, and I feel tender when they touch me, grabbing my arm and dragging me along quickly. He seems like he has something to show me, but I soon realize it is me that he is showing.

He presents me to a group of kids of staggering heights and ages. They are his cohorts and his siblings, and it is clear who calls the shots. He points to the youngest, gives her the cue, and she yokes me with her eyes and begins rattling off her ABC’s.

“She can say her ABCs for one dollar,” my kidnapper says proudly.

I look around for an adult, but I see no one. And I remember reading that parents often get their children to do their begging for them. Smaller, cuter, and livelier, they have been proven more successful on the streets.

When he sees me turning to walk away, he runs after me, trailed closely behind by his well-trained posse. They crowd around me, hurling English phrases and fragments, convinced of their ability to sway me.

“Look, I can count to ten! One, two, three, four….How about ten bracelets for one dollar or a bottle of water? You are very thirsty, lady.”

I had seen this business savvy before. The same precocity, but with different motives.

•••

A master of the ocean realm, Emilia soon advanced to drawing castle-dwelling beauties. She was diligent and her hobby easily gained momentum within her circle of friends. She started a drawing club composed of six core members and a handful of transient contributors who came and went depending on the day. After snack, Emilia would dump out every box of crayons into a massive pile in the middle of them, and the others would elbow each other to get a spot at the big picnic table. First attempts at mermaids, princesses, dragons, and castles littered the floor daily. Somehow crayon nubs covered entire pages with fantastic scenes and not an inch of wasted paper.

They drew constantly. And in a seamless transition from schoolgirl to sales executive, Emilia started a business.

“Miss Josalin, look at the mermaid I drew, just like you!” Emilia boasted. “Will you buy a picture?”

“Oh yeah? How much?” I asked, amused.

“You can get one for fifty cents or four for one dollar!”

Of course I bought them. I bought them all, with whatever change I had lying at the bottom of my purse. It didn’t seem to make a difference if I gave a dollar to some children. But these were children who had three meals a day and shoes on their feet. Children who got back rubs for bad dreams, and Band-Aids for boo-boos, and kisses just because. They didn’t need my money. The quarters I gave them would gather dust at the bottom of their piggybanks.

In Cambodia, my dollar holds power. And I’m unsure of how to wield it. Sometimes, I think I came here expecting to watch a performance, like an audience member snug and relaxed in her seat. Instead, with the swift crossing of the border, I am dragged on stage and thrust into the scene. How am I supposed act? What am I supposed to say? The plot is complex, and no one gave me a script. Uncomfortable and blinded by the spotlight, I improvise. I hold my breath, believing that a botched line or a missed cue could sabotage the entire show.

I am constantly torn, thoughts bisected between not knowing how to help and how not to hurt. I struggle to reconcile my heart with my head, my guilt with my gut, constantly. I am suspended in a state of hopelessness and inner conflict, always. Here, I am forced to confront life’s injustices and contradictions. Here, I learn that there is not an answer for everything. The aftermath of genocide is not easily reversed, and the people will go on suffering, creating, destroying, enduring.

•••

JOSALIN SAFFER lays her roots in Atlanta, Georgia, where she received her B.A. in Journalism. She spent the last year living, writing, and working as an English teacher in Thailand and exploring Southeast Asia. This fall, she will continue her journey as a writer and teacher in the Czech Republic. Her writing has appeared in The Guardian Weekly, The Matador Network, and South East Asia Backpacker magazine. To read more of her published work, visit www.josalinsaffer.com.

Things that My Mother Supposes

By Christine Wenzel

“I don’t suppose you’ll be coming to my funeral.” This matter-of-fact statement popped into our conversation right after my mother asked me to pass the salt shaker. We were having dinner at her favorite steak house.

“Why are we talking about your funeral?” I asked.

“I have already been to the funeral home and picked out my casket.”

“Mom, are you dying?”

“I’m eighty-six years old. I suppose I will sooner or later.”

Long ago, when our relationship was shakier than it is now, I asked if she could please, please eliminate the word “suppose” in conversations with me. If she had a question or a statement just say it, don’t cloak it. She said that she didn’t even notice she used the word.

“I suppose you’re not going to eat that food on your plate.”

“I don’t eat meat.”

“I suppose you think you’re old enough to go out on a date.”

“Yes, Mother, I’m sixteen.”

“I suppose you realize teenage marriages have a high failure rate.”

“Ah, yes, this is the umpteenth time you’ve mentioned it.”

I noted the teenage marriage fact, waited until I turned twenty, and married two days later.

My mother’s dire warnings and the fact that no one in my family liked my choice of husband fueled my high-and-mighty, them-against-us mentality. Which meant that when the abuse started and then escalated, I hid it from them, until I couldn’t any longer. I hold the title of the first—and, to date, only—divorcee of the family.

I was the classic middle child, believing that my sisters received preferential treatment. I think that the friction between my mother and me started early, when it became clear that I wasn’t going to follow in the footsteps of her firstborn, studious, introverted daughter, the one easier for her to understand. My rebellious childhood carried into my adult life. Our disagreements became a habit. When I moved to another country, not so much to get away, but to follow a path that made me happy, it actually helped our relationship. We were good with short visits. It’s hardly worth the effort to try and change someone when you only have a week here and there.

What neither of us ever supposed is that peace would exist between us before she died. Not just peace but we would finally get each other and let each other be who we are. It’s taken me a long time to get here.

An example: I was a demonstrative kid. My dad nicknamed me “Kissie,” a play on “Chrissie,” which I was known as before I got everyone trained to use my more grownup name. Before puberty and teenage attitude set in, bedtime netted a big bear hug and kiss from Dad, then I’d roam the house looking to say goodnight to Mom. I’d find her buried in a book or at her desk, a magnifying glass in hand, studying the condition of a stamp. I’d attempt a goodnight kiss on her cheek. As I leaned in, she’d jerk her head to the side and my lips would brush her ear. I’m not sure if she knew I made a game of trying to plant one on her cheek, sneaking up from different angles to see if I could be the faster one and land that kiss on target. The score was heavily weighted in her favor.

The age gap between my older sister, Vicky, and me is enough for her to have grown up with a different maturity of understanding towards our family dynamics. “You know Mom had two nervous breakdowns when we were growing up. That’s why she was often remote.” Vicky dropped this tidbit into a conversation, suggesting, could I really be that clueless?

“She did? Why didn’t she ever tell me? I just thought she didn’t like kids.”

This new perspective, along with seeing an unfamiliar softness in my mother when she spends time with my son, started me on a path of realization. She did the best she could. I push her buttons. And, we will always be there for each other.

I started counting to ten rather than responding to her unfiltered comments.

“Mom, I just got back from the hospital. I lost the baby.”

“Don’t you think you’re getting a bit old for having more babies?”

One, two three… And once I get to ten, enough time has passed for me to change the script to what I believe she means: “I don’t want to see you hurt or sad, so don’t get pregnant anymore.” In her world, practicality trumps sentimentality every time.

Talking about her funeral is in keeping with her pragmatic nature. I’m just wishing she wasn’t talking to me about it. I actively avoid the thought of her dying. It’s enough of a reminder seeing her body shrink and her movements slow—why do we have to talk about it, too?

I’ve witnessed her busyness around death. I can’t manage being in the same room with a dearly departed, but I’ve stood outside, listening to her tell the funeral director that he had to re-part my grandfather’s hair on the right side. She took the decision to cremate her mom, had a big burial ceremony, and then later showed us an identical urn where she had kept half of the ashes. This half now sits on a shelf in her closet. I assume this gives her comfort. I kept waiting for her to cry when my dad died, thinking that this would be the time her stoic facade crumbled. It wasn’t.

“Mom, let’s leave the discussion about whether I will or won’t attend the formal part of your funeral off the table for right now. I’m more interested in why you are asking me to write your eulogy. Vicky or Janet would be much better for this.”

“You’re the writer in the family,” she says.

I’m tempted to say, Really? You know this even though I stopped sending you things I write long ago? You’ve never commented on anything I’ve written. Good or bad. But I’m past biting back. My sisters and I have compared notes and discovered that although she doesn’t give any of us direct compliments or encouragement, she does often say nice things about us when we’re out of earshot. No swelled heads in our family.

She continued. “Yes, I suppose they’ve been around more than you”—one, two, three … —“witnessing my day to day, my work the awards banquets, my volunteering. I believe you’re the one who can find the words to show who I was, not just tell what I did.”

“A little fast with the past tense, aren’t you, Mom?” A lump was forming in my throat.

“What I’m thinking is you can write about some of the stories, like why geese terrified me—that might get a laugh. And how impressed I was with your father’s presence of mind on our first date when he handed me his false teeth for safe keeping, then jumped into a fight to help his brother. Maybe mention how my father was a hippie before anyone knew what that was and how hard it was growing up with his instability, but I still managed to go to university.”

“Should I mention the time that the doctor’s solution to your menopause was Valium and you took so many you fell asleep standing up and then—”

Before I could finish, she said, “That could be left out.”

As we were leaving the restaurant, she touched my arm. “Could you work on it sooner than later?”

“I assume you want a chance to edit it.” I said.

“I suppose that wouldn’t be a bad idea.”

•••

CHRISTINE WENZEL is a Canadian who has been living in Mexico for twenty-two years. This is her first essay to be published, and she is thrilled that it is with Full Grown People. Her sisters’ names aren’t Janet and Vicky. You can find some articles she’s written about the town she lives in on her website, christinewenzel.com.

Roman Holiday

coupleonstone — By Gina Easley www.ginakelly.com

By Lisa Lance

Shivering in the crisp December air outside Papà Giovanni, a restaurant on the corner of Via dei Sediari and Via del Teatro Valle in Rome, my husband, Chris, and I wait for the sliding glass door to open. We see couples inside, nestled in red leather banquettes and wooden chairs at two of the half-dozen close-set tables. Red and white tablecloths set off vintage china, and glittery poinsettia decorations remind me that it is just a few days after Christmas, even as fresh tulips in the center of each table hint at the coming spring. Dusty wine bottles line the room, tucked into alcoves or perched on ledges. An eclectic mix of drawings and paintings, along with faded postcards of Sicily, clutter the brick walls.

It is just as we remembered.

We are in Rome to celebrate our tenth year of marriage and also to escape a stressful year at home. Our relationship is strained by a multitude of factors: family drama due to the messy divorce of my husband’s parents, which has taken a broader emotional toll than we expected; Chris’s demanding job, which keeps him out of town for weeks at a time; and my perpetually tired and frazzled state due to graduate school, with two classes each semester on top of a full-time job. We need a break, and I hope our holiday to Rome will be a bright spot in the brewing storm—if not a full repair, then at least a period of some romance, a reminder of what it was like when we were happy.

After we are seated at one of the small tables, the waitress brings us aperitifs of warm spiced wine in small china cups on saucers, and the chill of the evening retreats as I sip. She hands us menus, blue for “the gentleman” and pink for “the lady”: the blue version includes prices for each item, while the pink version lists calories. If this were a restaurant at home in the United States, I would be offended, but here it seems charming.

The wine list is a worn tome that resembles a guest book from a wedding. As Chris turns the pages, I notice the list of wines written by hand, some entries scratched out or modified, others smudged by water stains. I laugh at the small size because, in my memory, the wine list has taken on mythical proportions. As I recall from the first time I saw it, the book had been the size of a dictionary and had been wheeled out on a cart, attracting stares from the other customers.

•••

Our first trip to Rome ten years ago was my initiation into the world of international travel, and all of my memories shine with the luster of this perspective, fresh and new. We had an extravagant five-course dinner and then wandered the cobblestone streets to the nearby Piazza della Rotonda, where people milled around one of Rome’s most impressive monuments, the Pantheon. Sixteen towering Corinthian columns support a triangular pediment inscribed with the stamp of Marcus Agrippa: M. AGRIPPA.L.F.COSTERTIUM.FECIT. The domed roof is larger than that of the U.S. Capitol building in Washington, D.C., and, at 142 feet in diameter, nearly the length of an Olympic-size swimming pool. In the center is a large oculus from which red rose petals rain down on Pentecost.

The interior of the Pantheon was closed that evening, but we passed the obelisk-topped fountain that pierces the sky like an upturned sword, water babbling from the mouths of the marble masks at its base, and climbed the steps of the monument anyway. We stood among the columns of the portico, and Chris suddenly dropped to one knee.

“What are you doing? Get up,” I said. I thought he’d had too much wine at dinner, and I pulled his arm, trying to get him to stand.

“Oh, no,” he said as he reached into his pocket. “I’ve been planning this.” He pulled out a gold band accented with a row of seven small diamonds and held it up to me.

“Really?” I was floored. We had moved in together after dating for only a few months, but in the past year of our shared life we hadn’t discussed marriage. Our relationship was comfortable and fun, and I had assumed it would be at least five years before we took the next step.

“Well?” He was still on one knee.

“Really?” I still didn’t quite believe it. “Really?”

His brow, framing earnest, clear blue eyes, started to crease with worry. “Will you say yes already?”

“Yes!” He put the ring on my finger, and we kissed. The streetlights around us seemed to brighten, and the other people in the piazza faded away.

An enterprising street vendor approached us, and Chris purchased an armful of red roses and presented them to me. As we walked back to the hotel, the outlines of buildings seemed fully in focus; everything was crisp and clear. We passed the Monumento Nazionale a Vittorio Emanuele II in Piazza Venezia, and its marble walls and columns glowed bright white against the night sky, the twin statues of the winged goddess Victoria and her chariot soared, it seemed, in celebration high above us on the roof of the monument.

•••

Back in 2002, we were still going through the transition from college student to adult. We’d had internships and temp jobs, but hadn’t yet started our “real” careers. We had academic knowledge but little actual experience; we were fairly broke but full of optimism. Our tastes then had only recently shifted from Boone’s Farm and Miller Lite to Tanqueray or Chateau Ste. Michelle. Now, after years of wine tastings, we can tell the difference between a Malbec from Argentina and a Cabernet from California, and on our return visit to Papà Giovanni, my husband confidently makes a selection from the list.

The wine decanted, we look again at the menus as we nibble on focaccia with truffle butter and reminisce about our last visit. “What did we even order?” I say.

Chris recalls some kind of eggplant stack, slices of the vegetable layered with tomato sauce and cheese and balanced on a plate like a small, square Tower of Pisa. I’d had veal for the first and only time in my life, a choice that had seemed so elegant then, but after eight years as a vegetarian would be unthinkable to me now. We had tried to order five courses and share them, but we were unable to convey our wish to the waiter and ended up with two of each dish. It was the biggest and most expensive meal we have ever had in a restaurant.

This time around, we order separately, and only one course at a time. I begin with a salad of arugula, pears, walnuts, and parmesan—a medley of sweet and salty, soft and crunch. The server returns to take our orders for the main course, and I select Cacio e Pepe, a traditional Roman dish of spaghetti with black pepper and parmesan. The strength of the dish lies in its simplicity. The noodles are al dente, and the sharp cheese and spicy pepper flavors mingle and dance on my tongue. For dessert, a decadent chestnut soufflé is perfect with a cup of Italian espresso, strong and smooth enough to clear a path through the gastronomic haze that begins to cloud my mind.

After dinner, we wander the cobblestone streets. Strings of lights twinkle overhead, criss-crossing between the buildings like spider webs weighted with shimmering drops of dew. I catch faint whiffs of cigarette smoke as we amble along. Italian couples walk arm in arm, parents navigate strollers over the uneven pavement, and Asian tourists pause to take photos. Unlike cities at home, nobody here seems to be in a hurry. As we exit the narrow alley, the Pantheon, bathed in golden light against the dark night sky, rises before us.

The enormous bronze doors are open. “Do you want to go in?” Chris asks.

“Yes.” Entry is free, so we join the flowing crowd to explore the space together. The interior of the temple is harmoniously symmetrical—the distance from the floor to the top of the dome is equal to the dome’s diameter. The floor and walls are inlaid with marble, rectangular patterns of muted gold, maroon, and blue interspersed with swirling veins of grey and white.

As we wander through the vast interior, I am suddenly hungry to learn everything I can about this building that has such a prominent place in my memory, and I stop to read every information plaque available. Built by Marcus Agrippa around 25 B.C., the temple was originally a place to worship Roman gods, but, like so many historical places in Rome, it was later converted to a Christian church. Alcoves along the rounded wall hold statues and murals—some of Christian significance and some depicting more ancient figures. The more I learn, the more appreciation I have for the detailed architecture, the majestic beauty, and the fascinating (if not always pleasant) history of the temple. Grand tombs hold the remains of Vittorio Emanuele II, the first ruler of a united Italy, and Umberto I, a king in the late nineteenth century under whose orders hundreds of starving peasant protesters were killed. The famed Renaissance painter Raphael is also interred there, along with his fiancé, Maria Bibbiena, despite rumors that his early death at age thirty-seven was the result of a tryst with one of his mistresses.

How could I have missed all this on our first visit?

Chris and I have weathered our own conflicts over the past decade. We’ve dealt with jealousy and baggage from past relationships, struggled to find time for each other, moved far from everything familiar to a new city with no network of social support. We married young at twenty-four, and we’ve worked hard to create harmony in a home where our evolving personalities, interests, and worldviews are often at odds. Any discussion about politics, for example, quickly spirals downward from friendly debate to contentious argument. We’ve felt the ripple effect of marriages crumbling around us, from my step-sister and brother-in-law, who filed for divorce barely a year after their wedding, to my husband’s father and step-mother, who called it quits after more than two decades together. How long can we avoid the afflictions of infidelity, boredom, and financial distress that spur the downfall of so many other couples? Other couples who began their lives together just as we did, filled with optimism.

Even an edifice as strong as the Pantheon needs to be rebuilt from time to time. Agrippa’s original structure burned in 80 A.D. Then, after being rebuilt by Domitian, it burned again in 110 A.D. It was restored by Hadrian in 126 A.D. and could not have remained “the best-preserved building in Rome” without periodic restoration projects throughout the centuries.

That monument was an apt place to begin a marriage, and restoration is precisely the reason we returned to Italy. More than just a building, the Pantheon is solidly built, with walls that are twenty-five feet thick, and it can certainly withstand the occasional crack—even a deep one—as well as the repairs necessary to maintain its majesty. It has survived two thousand years of wars and conflicts and cultural changes. It has been home to dueling religious and political philosophies, and it serves as a place to remember and celebrate people with complicated pasts. Yet despite its age, or maybe because of it, the temple is still a magnificent site to behold. Instead of shutting out the elements, the oculus remains open, and allows sunlight to shine and rain to fall inside its walls.

Chris’s proposal to me in Rome has become something of a legend for us, the first story we tell when others ask about our relationship, the memory we recount each year on our anniversary. It’s as much a part of our history together as the day we first met. Revisiting a place with such personal significance carries risk, and I had been worried that this trip might be a disappointment, that the rosy glow of recollection and the passage of time might have morphed the actual events into something mythical that could never be recreated, that the story now only held its romance in the retelling. My memories of the first visit are like a giant Impressionist painting, vivid, yet vague. Ten years later, I pay more attention to the details—the postcards on the walls, the dust on the bottles, the inscriptions on the tombs—than I did the first time around. Will the cathedral of our marriage weather another ten years?

The passage of time allows for physical wear, for philosophical shifts, for falls from grace, but it also allows for rebuilding. Perhaps we can learn from past mistakes … a bit like I learned to order the perfect dinner from a foreign menu. Perhaps we can learn to communicate clearly. Not to be greedy. Learn to appreciate simple flavors, and to savor each bite. I will think of this when times are difficult, as they have been lately, and I feel the way I did outside Papà Giovanni, shivering in the cold, waiting for the door to slide open and let me back into the familiar warmth inside.

Coda: As it turned out, our marriage would not weather another decade, and two years after Chris and I returned to Rome, our divorce was finalized. Restoration isn’t always possible, but while we may not always be able to depend on the strength of buildings or institutions, in their destruction we sometimes find a greater strength in ourselves.

•••

LISA LANCE is a writer living in Baltimore, Maryland. She earned an M.A. in Writing from Johns Hopkins University. She currently serves as an editor for The Baltimore Review, and her articles and essays have appeared in publications including Baltimore Magazine, National Parks Traveler, Outside In Literary & Travel Magazine, Seltzer, neutrons protons, Bmoreart, and Sauce Magazine. This is her second essay for Full Grown People. Learn more at www.lisalance.com.

Reclaimed Ambition

By Antonia Malchik

You’d think, given Russia’s tumultuous history, the country would have a more dramatic landscape than the one it inherited. Its revolutions and massacres cry out for powerful mountains, like the Rockies that defined my childhood. Instead, its few sprawling cities trickle out into miles of taiga—boreal forests, the first obvious shift being groves of aspen trees quivering in that silvery way they have, flashing light from leaves in high summer. Watercolor paintings with a ubiquitous gray-pink winter sky and lone Russian Orthodox Church domes seem incomplete without the aspens. They are rooted in the allure of the country and its history, a culture in which poetry is pre-eminent and the past wrought hard with stoic endurance.

Aspens are communal. A grove of aspens is actually one organism, connected via an underground root system that sprouts from an individual seedling. These underground systems withstand the most devastating forest fires and regenerate with young seedlings—all genetic clones—that can grow up to three feet a year. While each tree itself might only live for a few decades, the entire root system can survive hundreds or even thousands of years—stands have been found in the American West that are tens of thousands of years old.

The analogy to Russia is hard to miss if you know something of the country’s history. Russian communities had traditionally worked as a collective, or mir, bound by a concept translated as “joint responsibility.” A community as a whole, not individuals or families, was responsible for things like tax payments and military conscription. Land was redistributed every now and then as families grew and shrank. The system had been in place for hundreds of years, long before America was formed, and functioned right up until it ran into the Bolshevik revolution. Mir wasn’t an idea formed by utopia-seeking philosophers; Russia’s “geographical vulnerability and agricultural marginality,” as one historian puts it, made joint responsibility a requirement for survival.

Like the mir, aspen trees thrive by virtue of their collective strength and resources.

•••

My Russian-born father told me (incorrectly, it turns out) that aspen wood was useless. He was visiting a few months after I had taken my first woodworking class, and I’d been getting a little obsessive about wood. More often found mixing bread dough in the kitchen or with head bent over a notebook, pen in hand, I’d recently begun using a drill and a sander and filling the back of my station wagon with abandoned stumps and branches dragged out of the woods. I’d been making three-legged tables and driftwood chairs, the sound of the orbital sander whining in my unprotected ears. I’d abandoned my usual flowing skirts in favor of jeans and tried applying a screeching, vibrating axle grinder to the innards of a cedar knot. (I had no idea making a rustic wooden bowl would be so violent.) I spent months making a table out of a solid block of maple, even now marveling at the beauty that emerged from the deep scars left by an indifferent sawmill, how its ripples and honey colors make me feel alive.

I’d lost myself sometime in the previous year. I’d grown numb, then tired, then depressed. My children’s demands crashed onto my head, crushing me into exhaustion as if I’d been sandbagged, and daily I stared out the windows, contemplating what their future would be in the face of climate change and epidemics of antibiotic-resistant superbugs and planetary chaos, wondering what the point was of trying to teach them to read, or forcing them to always say “please,” or denying them as much chocolate as they wanted.

I knew these thoughts weren’t healthy, much less helpful. I needed a distraction that would take me out of the house and require me to do something besides think too much. My head had taken over my life. Every day was split among my job as a freelance copy editor, the thousand fractured moments that came with caring for small children, and writing. Even my leisure time was taken up with books. Mothers like me often say that they’re drowning, but I wasn’t drowning; I was turning into some gaseous substance that moved through the ether, that existed but couldn’t feel. So I signed up for a rustic woodworking class hosted by the local nature museum at random because it sounded more enticing than lectures on birds. In that first class, I spent a day learning to make a chair using driftwood branches and a drill, and I got hooked. Over the next few months, woodworking started to drag me back down to the ground I’d always loved.

•••

My father and I had just dropped my son off at a part-time kindergarten surrounded by birch and aspen trees, and we were taking my daughter, Alex—or she was taking us—for a walk around the property before getting back in the car.

“It’s horrible now, looking at all this wood,” I told him. “I can’t just appreciate it anymore. I want to take it all home and make things with it.”

“Not with aspen.” He picked up one of the hundreds of limbs lying around and showed me: where it had broken off the tree, the branch’s guts were exposed. They looked like bundled fiber optic cable or a bag of spaghetti, except thicker. If you tried to cut it, it would crumble to pieces. Bound together, several branches would barely be strong enough to hold something up.

“It’s no good,” my father said. We walked up and down the driveway of the school’s property, Alex stopping to poke decaying leaves and swing her dinosaur umbrella around, narrating every step we took because she never, ever stopped talking.

“I wish we could do this more often,” I said. My father knew that I had never been a lonely sort of person. But I did get lonely for this: his company, walks and conversations, my family, my home, mountains and trees that nurtured and spoke to me and people who understood me, who laughed at my stupid, snarky jokes. He lived in Russia, back in his homeland, and I in New York, and we saw each other once a year at best, often only once every two years.

“You need more help,” he said, returning to our earlier conversation. I’d told him about feeling overwhelmed. I hadn’t mentioned that I was feeling numb and depressed and non-existent.

I’d told my older sister, though. She lived off in California with her three kids. My family was so widely scattered that it wasn’t even deserving of the word. My younger sister lived in Oregon, my mother in Montana, my in-laws in England, and, of course, my father in Russia. I had a few friends where we lived, but not a single one that I could call on for regular help in any but the most dire of emergencies.

“I know. What can I do, though?” We’d talked about my husband and me moving back to Montana. I didn’t know how much help it would give me in the mothering, the living, the feeling of non-existence, but I craved my home like drink, like the coldest, purest spring water that runs off the peaks no tourists ever venture to. I wanted to be there, closer—if not to every single family member then at least to the place we were mutually attached to.

•••

Aspen, I found out later, is actually widely used for random things you never think about—wooden matches and shredded paper packing material, for example, because it doesn’t burn as easily as other wood. It can be used in furniture but is hard to work because it’s soft and tends to shred or “fuzz” (to use a fancy woodworking term), can gum up equipment, and often refuses to take a finish or stain, although its softness makes it easy to shape. While it’s still used in areas of Russia for roofs, the wood has to be absolutely sound or it ends up rotting quickly.

The wood that my father and I picked up had been lying on the wet ground for a long time. It was decaying; we could pull it apart with our fingers. But its community would continue to thrive. Even when aspen trees are cut down, the root system keeps going, sending up multiple clones for every felled tree. Killing the roots requires girdling, a process of carving out a band of the bark, cambium, and phloem in a circle around the trunk. Girdling prevents nutrients from reaching the root system, which will eventually die.

I didn’t tell my father everything: that it wasn’t just parenthood and the lack of help. That my unmooring had a lot to do with how my writing ambitions had shipwrecked a couple of times, leaving me despairing for several months; how I then let the kids’ learning and nurturing slide into too much television and a reliance on packets of organic hot dogs. How useless I felt as a human being. I couldn’t tell him these things. Not when his parents had survived Stalin’s purges, when his father had made his way out of the Siege of Leningrad in the middle of the starvation winter, stumbling in the last stages of dysentery, when his mother had worked night shifts as a metallurgical engineer up in the Ural Mountains and then gone home to hoe potatoes and hunt for mushrooms and chop wood to keep her children alive. They’ve left so much to live up to.

I didn’t tell him how I’d started shying away from a particular shelf in our bookcases, where The Artist’s Way is kept, among other creativity/inspiration volumes of its kind. Memories of all those morning pages—three free-association pages handwritten immediately on waking, as sternly instructed in The Artist Way’s introduction—the weekly artist dates required, supposedly, to nurture my inner artist self, the facing of fears and claiming of goals, of throwing the doors of the inner self wide open to serendipity—they form a tender spot, a sore point, a wound.

My writing ambitions weren’t a secret from my father. I was one of those children who would write short story collections, in crayon on yellow legal pads, and bind them together with yarn and cardboard. In my twenties, I went off to an MFA program after two unproductive years as a journalist. And I worked really, really hard because hard work is the thing I’m best at. The harder I worked, the higher my ambitions became. I formed big dreams. Huge dreams. Dreams of many published books and attendance at notable conferences and magazine editors tapping out emails to me.

Dreams all out of proportion with what I wanted the rhythm of my life to feel like. The continued refusal of those dreams to come true infected my parenting, my friendships; they sucked the life out of all the little things I used to take pleasure in: cooking, making jam, weeding the herb garden, watching the heron fish at the pond next door, teaching my son math. I let those dreams define who I was, forgot what it meant to be a complete human being.

When I started woodworking, I hoped to find myself in the wood, or at least find a sense of groundedness in the physical labor. I started volunteering at a local hardwoods sawmill and became ravenous for information: why elm is so hard to mill and work (it twists and warps and its grain runs every which way), what black locust is used for (anything from artsy coasters to decking because it’s as hard as cement), what created that thin, black lacing—like a spare Picasso pencil drawing—in the sliced trunk of maple lying around (spalting, caused by fungus, which makes for beautiful furniture or bowls if caught early and dried thoroughly but makes the wood too weak to use if left to spread). I wanted to learn how to work with different woods, but I also wanted a metaphor for who I was. Secretly, I hankered to relate to maple, like the table I made after the scars were sanded down and the exposed beauty glossed with beeswax and almond oil.

Instead, the more I saw of the whole, beautiful hardwoods laid out under my sander or sliced open in eight-foot lengths on a Wood-Mizer mill, the more I felt crumbly inside, full of barely connected shreds. Like aspen. Prone to rot.

•••

“Leap, and the net will appear,” claims one of the paragraphs in The Artist’s Way, which has been a kind of writer’s bible for almost three decades now. “Pray to catch the bus, then run as fast as you can,” which I realize now simply translates to “Work really hard and hope for some luck.” Because the bus driver might be a jerk and refuse to stop, or you might trip and fall on the sidewalk, or someone will suddenly block your way.

Where is the space between acceptance and giving up? Between loving who you are and turning your back on hope?

Walking with my dad, I pondered these questions but didn’t speak them aloud. I loathed my own first-world myopia because I was in fact wallowing in the pain of unattained ambition, not fleeing chlorine gas attacks in Syria, or throwing myself around my child’s body while American drones dropped bombs over my Pakistani village. I had never even suffered the self-dissolving pain of miscarriage or infertility, as many of my friends had.

I should be grateful for what I have, do something actually useful with my life, like my father’s parents had managed to do even when faced with hardships that I can barely imagine.

I want to be better, I wished I could tell him. To be less ambitious, less desirous of recognition. To know throughout myself, not just intellectually, that the potentials I once dreamed of and haven’t reached do not mean I’ve failed. I have done many hard things in my life, but this feels like the hardest: To accept that my existence might never be like a shining block of silver maple carved into a work of art, or an oak tree that will last untold generations.

Separated from my family, from the very few friends I have and treasure, from the mountains and pine forests that formed me, my art, my creativity, feels all-consuming, the one thing that defines my structure and growth. Working with wood helped bring me back to earth. I felt made of flesh again, rather than of the ether. But the depression only started to lift when I redefined my ideas of success in terms of fulfillment because when I looked back over the previous few years, the memories that brought me pleasure had nothing to do with writing accomplishments. The memories that glowed for me were nearly all related to my family, to time spent with my far-flung community, and to hiking and walking, relating in earth-bound ways to the Earth I love so deeply: walking the high cliffs plunging into the ocean on Scotland’s Isle of Islay with my husband and in-laws, taking ten days off to help my overworked younger sister with her new baby, meals and conversations lasting well past midnight with my Russian relatives, trekking through the islands of St. Petersburg with my uncle, picking Montana huckleberries with my husband, laughing for hours in our giddy way with my sisters. My daughter retrieving her rain boots and umbrella and telling me firmly that she’s going out to “play with the rain.” My son reading a Little Bear story, stumbling but persistent, to his grandparents over Skype. My mother playing the guitar and singing one of her folk songs to my kids after we spent the night at her husband’s backcountry cabin, where the sheer weight of the unfiltered Milky Way made me realize how long I’ve lived under light pollution. That I’d forgotten how arresting the unshrouded night sky is.

The thrill of a magazine’s “yes” for an essay or an agent’s interest in one of my books burns out quickly and leaves no glow like these memories do. Only the act of writing itself comes close, reflects that slow crunch of my hiking boots over dry pine needles fallen on the mountains that are part of me.

In the same way I can work with wood slowly and honor its inner structure, I want to take my writing and transmute both the excitement inherent in success and the sting that comes with every failure. I want the whole process to take a more human scale, to become as creativity should be—not majestic or overwhelming or stunning, but nurturing to everything and everyone that surrounds it, part of the earthbound root system that keeps us alive.

Relating myself and my writing to aspen’s weakness and lack of inner beauty is not accepting a lower state of being. It’s part of a whole. And, when I am gone, my existence can still be worthy as shredded pulp to shelter my community or a matchstick to light a stranger’s way.

Like the members of a mir, like aspen groves, I need community. We all do, just as we need clean water and air, as we need to work and to laugh. To feel that we belong and that we have something worthwhile to contribute is necessary to human survival, a fact I had to lose myself to figure out.

•••

ANTONIA MALCHIK lives in upstate New York, where she sometimes blogs about wood and writing and parenting and philosophy on Pooplosophy. She is a regular contributor to Full Grown People and can be reached through her website antoniamalchik.com.

Face Value

papers — By Gina Easley www.ginakelly.com

By Randy Osborne

“I don’t expect you to remember me,” she says. The Atlanta bar is loud around us. She’s maybe late thirties, with dark hair and eyes, apple cheeks, a certain kind of defiance about the lips. She tells me her name. “We were pen pals almost twenty years ago,” Jessica says.

I stare hard at her and ransack the mental files. Nothing. Later I will learn that Jessica heard my name from what turned out to be a mutual friend, who knew I’d be in the bar on this night for a special event. It’s over and the crowd is shuffling out.

Jessica goes on, apparently untroubled by my blank stare. “You worked at Creative Loafing.” Dimly I recall that job at the weekly alternative newspaper, but Jessica not at all. “I was a college student at Oglethorpe. I read one of your columns—something about family, I think—and sent you my poems. You wrote back.”

She lowers her eyes. “I still have those letters. I just wanted you to know how much they meant to me.” She was ready to quit writing in those days and I encouraged her, she says.

“Do you want to see them?”

•••

In the past couple of years, I’ve started collecting old handwritten diaries and letters. The hobby arose as if out of nowhere, intense and mysterious. When asked to explain it, I tell people about my father.

Tom prowled yard sales for antiques he could mark up and resell. At his bank-teller job, he sorted bags of coins, plucking the rare finds and replacing them with his own pocket change, worth only face value. One of the first to own a metal detector in the 1960s, he haunted public parks on weekends, waving his wand like a dowsing rod. He unearthed tiny balls of tinfoil and flip-tops from soda cans, an occasional brooch pin or bauble.

One day, as a toddler, I stood at his side when he dumped onto the table his latest pile of flea-market junk. A hardcover book fell to the floor. When I opened it, the spine crackled. Spidery script in ancient ink lined the crumbly yellow pages. Wedged between them was a lock of hair, snipped and preserved more than a century before. I exhaled and the filaments trembled as if alive.

My spare bedroom is piled with crates full of folders and padded envelopes, the scribbled records of the pasts of strangers. Not that I plan to profit by passing them on. These I am keeping.

•••

The scans arrive by email from Jessica. My letters, dated between June and November 1996, are not handwritten as I hoped but generated by an old-style dot-matrix printer, probably in Creative Loafing’s office. Most striking about them is how little my “correspondent” voice has changed, given all that history. Brisk, jaunty, self-deprecating. Is there an essential me? An immutable set of qualities that add up to an entity, myself, never to be mistaken for another?

As part of my day job—I’m a biotechnology journalist, handling the daily news of DNA and disease—I was assigned a few months ago to write about a saliva-based genetic test that purports to find predisposition to disease. I spat in the test tube.

“You have really good genes,” the consultant tells me after checking the results. Except for one hitch: one copy of the APOE3 gene, which confers an average risk for Alzheimer’s disease, and one copy of the APOE4 gene, which means high risk. About 22 percent of the population bears this genotype, and it doubles my odds of Alzheimer’s.

When I am held down screaming in some filthy public hospital (so I envision it) as the nurse finds a vein, what of that essential me will exist?

In one of the letters to Jessica, I mentioned that although she has referred to prose as a blind corridor, she did not go so far as to call it a brick wall. “Even those who pretend we know what we’re doing are really groping along,” I wrote to her. I described my father’s recent accident, which rendered him a paraplegic, and my fumbling attempts to handle his affairs.

Maybe this is what prompted Jessica to send me an essay next. “I like the way you folded into the second version of the truck-stop story how your father is aging,” went my reply. At the end, I wrote, “Maybe I will get to meet you someday! That would be good. I have things to ask you about fiction vs. non-fiction, and the difficulties of each.” How non-fiction can become fiction so easily, as recollections fail.

November 1996. In another year, the newspaper job would end. In two years, my wife would leave me a letter—also dot-matrix, in a business-sized envelope—on the pillow of the guest room where I had been sleeping for a while. And then I was divorced.

•••

They tow my car from the parking deck of our apartment complex. Having misplaced the title to the decrepit Subaru, I avoided the hassle of getting new tags after I moved here from California. The truth is, I pretty much neglected the car altogether. Probably because of the flat tire, someone reported it as abandoned. I don’t bother visiting the impound garage to harangue some bored clerk in his cage. What’s a car anyway but the means of transport? Like the body hauls the soul around, until the soul alone is transported … somewhere. No doubt the Subaru will be auctioned or flattened for scrap, so I let my driver’s license expire, too. My watch quits working and I throw it away. All of this I recognize as the wordless language of relinquishment.

I’ve waited a long time to get old. After high school, I knew that I needed more life in order to have anything worth saying to a blank page. I wanted to claw the calendar pages off in bunches and accumulate a past. I wanted to let time etch lines in my face and scorch my soul. It happened, but I don’t know much more today than before, though I feel friendlier with the questions, more patient. Less patient, too, almost violently so, as the death clock ticks on. I’m pushing sixty. It’s not pushing back.

Still left to quit is my job. I phone a financial advisor to ask about retirement prospects. He wants a list of assets and I almost laugh. As he will, when he gets the “list.” It’s on the night after this conversation when shy Jessica sidles up to remind me about the letters.

“You did a good thing,” she says.

I guess Jessica’s age is about the same as mine when our letter exchange began. Such women look away from me in the street, sick of goons inspecting them. Then, too, it’s instinct, simple biology, and nothing personal. Their DNA makes them not return my gaze for the same reason my DNA makes me hope (absurdly, because what’s next?) they will. Our respective strands of chromosomes, our stranded chromosomes, want only to replicate with the optimal candidate. For mine, they are it. For theirs, I am not.

Yet another, larger part of me feels a wash of relief at not caring. The soul separates from the body, hardly a big deal. Can it be starting already? What’s astounding, so lucky, is that they came together in the first place, for however “long” or “short” a time.

“A few years ago, I ended a relationship that was murdering the joy out of me,” Jessica writes in a follow-up email to the letter scans. Quickly she apologizes for the “melodrama.” She’s “re-entering the world” and trying poetry again, she says. I tell her I’m glad. Her father has just turned eighty-three, she adds. “My parents had kids late, which makes them the age of my friends’ grandparents, which gives me an odd perspective sometimes.” She mentions his “creeping Alzheimer’s. At least he’s still around, which I know isn’t ever guaranteed, and everybody expected him to be gone by now.”

•••

One of my letters to Jessica closed with, “I want to help and am running out of time.” Another scrap of unintended melodrama, true in one way during the moment of composition—I was headed out the door, late for a flight—and more broadly true in another way now.

If I see her again, I’ll tell her, since it’s possible she will understand, about my stockpile of handwritten letters and diaries. About the form of treasure that they make up for me in the language of those who’ve relinquished everything, happily or not. About how the once-blank pages are filled with insistent claims, clamoring to be heard, silently bursting with what we’re expected to remember.

•••

RANDY OSBORNE writes in Atlanta, where he teaches fiction and creative nonfiction at Emory University. Represented by the Brandt & Hochman Agency in New York, he is finishing a collection of personal essays.

How You Like Them Apples?

apple girl — By Gina Easley www.ginakelly.com

By Miller Murray Susen

It’s the Morning Hustle. Five things are happening at once. The microwave beeps with the oatmeal. Lily reminds me she needs a note to go home with a friend after school. Max yodels a nonsense song and knocks over his milk with his elbow. The bus will be out front in ten minutes. In the midst of it all, I’m packing the kids’ lunches. Not for the first time, I wonder why I never do it the night before. Or make them do it themselves, for heaven’s sake. I plunk two oatmeals on the table, toss Max a dish towel, and go back to frantically sectioning apples. Lily pauses at my elbow.

“Be sure to get all the core out.”

“Yes, yes.”

“You never get it all out. It’s so gross. The texture.”

“Gotcha, now sit down and eat.”

I secure the apple slice between forefinger and thumb and dig with the blade of the paring knife, trying for that perfect angle where the core will pop out in an intact semicircle, leaving only smooth flesh behind. I’m rushing, though, and instead I hack the section in half. I chop out the middle, do the same to the other sections, and quickly pile the bits into a container and cram it into her lunch bag. Well, they are core-less.

“Eat up! Let’s go! Five minutes until the bus!”

•••

My dad doesn’t like to cook. This does not prevent him from turning out stacks of tender buttermilk pancakes, hearty dishes of spaghetti bolognese, gooey grilled cheese sandwiches with a buttery, crisp exterior that shatters delightfully when you take a bite. He feeds me and the kids lunch about once a week, and as I linger over my chicken salad sandwich, made with sweet pickles and celery the way I like it, he effortlessly cores apple slices for us. He uses the battered pocket knife he carries in a leather case on his belt, his rough, square fingers strong and sure. Pop! goes the core, and he slides a few slices my way along the table.

“Thanks for lunch, Dad.”

“It was my pleasure.”

His eyes glint warmly at me from his weathered, smiling face.

“Now take those kids home. I need a nap.”

•••

Lily’s fourth grade teacher is trying to bring a little hands-on fun to the last quarter of the year, a respite from the rampant standardized testing and flurry of final projects. She asks the parents to come in and help kids learn about fractions in the real world via making (and consuming) an apple pie. Which is how I find myself seated at the center of a group of four nine-year-old girls, passing out vegetable peelers and Granny Smith apples.

“Y’all get started with these, and I’ll use this sharp knife to peel some, too.”

“Mrs. Susen, this is hard. I can’t get mine to go.”

“It is kind of hard with a peeler. You just have to press down with authority. Like this.”

I demonstrate to get the peel started, then hand the apple back so the girl can continue to slowly scrape off tiny, unsatisfying flaps of skin. I hope no one peels a forefinger.

“Why can’t I use the knife like you do?”

“I don’t think your teacher would like that.”

“How’d you learn to peel so good?”

“Oh, I’m actually only okay at peeling apples. See? I’m getting a lot of the flesh. But you know what made me want to learn?”

The girls stop their inefficient scraping to listen, glad for an excuse to take a break.

“There’s this movie called Sleepless in Seattle. Have any of you seen it?” They shake their heads. “Well, it’s a little old for you guys. Anyway, in the movie, the main characters are a boy about your age and his dad. And they’re living on their own because the mother died.”

Lily’s eyes widen. “She died? How?”

I smile reassuringly, a little sorry I started on this topic. “She had cancer, I think? I don’t remember. Anyway, there’s a scene where the boy is having trouble remembering things about his mom. He doesn’t want to forget her, so he says to the dad, ‘Tell me about Mom.’ And the dad starts off, ‘Your mom could peel an apple in one long, curly strip.’ And ever since that movie, I’ve been practicing my apple peeling so I could learn to peel an apple in one long, curly strip.”

Lily says with rising pitch, “So that we’ll say that about you after you die, Mom?”

“Uh, well, just because I thought it sounded cool. Anyway! Who wants to unroll the pie crust?”

•••

Every Wednesday I make lunch for my ninety-three-year-old grandfather. He’s rattling around on his own now in the house that he and my grandmother designed, built, and lived in together before her death a few years ago. At first he was looking after himself pretty well, but the dementia he was already exhibiting at the time of her final illness has accelerated since she died. It’s seemed to me that his life without her is so diminished that he’s choosing to let go and drift, to slip away into memories. My uncles hired a live-in caretaker, but our in-town family still takes turns to provide him with some lunches and dinners each week. It gives the helper a break, and him a little company.

I never spent time with Popi on my own before my grandmother died. They had eight sons together, and I’m one of twenty-three grandchildren, so I didn’t spend much individual time with either of them, actually. Occasionally, though, in her later years, when she tired more easily and was home more often, I would run by to help my grandmother with a project, and she’d make lunch for the three of us. Her meals were ladylike and quaint, and delicious. First she’d offer a pitted avocado half with a pool of vinaigrette in the middle, to scoop up together with a silver spoon. Next a dainty glass sandwich plate cupping a cream cheese and chopped black olive sandwich on whole wheat with the crusts cut off. Finally she’d rummage around for a bag of Pepperidge Farm Milanos and offer two on a china dish along with a cup of weak coffee thinned with skim milk.

When I started bringing Popi lunch, I felt weirdly self-conscious. I didn’t know if he’d like my cooking or my idea of a tasty sandwich. So I’d punt and pick up sandwiches, cookies, and bags of potato chips from the bakery. Popi was the original smug health-food fanatic, culturing yogurt and spreading mashed yeast on toast back in the fifties. But since his dementia has taken hold I’ve noticed that he loves junk food. He’d eat every crumb of the bag of chips, and sometimes eat his cookie before he finished his sandwich. Max scolded him for it when I brought him along to lunch. But then Popi’s edema got worse, and the word went out from my uncle that we should all cut back on offering him salty snacks. One week my ungrateful children had picked listlessly at a nice pot of French lentil soup I made for dinner, so I decided to take the leftovers out to Popi to see if they’d suit. His eyes lit up when I offered the hot bowl of soup, along with a buttered roll and a peeled clementine, and he thanked me extra warmly for the “lovely, lovely lunch.” Since then that’s my lunch formula: soup, buttered bread, fruit, and sometimes a little sweet.

Initially during our lunches Popi would reminisce in vivid detail about his childhood in New York City and Long Island or about his time serving in the Air Force during World War II, but in recent months he gets caught in conversational eddies, pausing a moment before circling through a familiar exchange again from the beginning.

I carefully core and thinly slice apples as we cycle through one of his most frequent conversational gambits.

“It’s a very still day.”

“Yes, the weather’s been nice lately.”

“I had a friend who was very well traveled. He used to say that here in Central Virginia we have ‘the finest climate in the world, outside of the Austrian Tyrol.’”

“So, Popi, what’s the weather like in the Austrian Tyrol?”

“Couldn’t say, I’ve never been.”

We both chuckle, like it’s the first time and not the fiftieth, then pause as I deliver the apples and a shortbread cookie.

“Well, doesn’t this look nice? Thank you.”

“You’re welcome.”

A moment as we both take a bite of apple.

“It’s a very still day.”

•••

Morning Hustle. Max’s milk is in a pool on the floor, again. Lily has soccer after school, and I remind her to pack up her shin-guards and a water bottle.

“What’s the sandwich today, Mom?”

“You know I don’t like to talk about lunch. You only complain about what I’m packing. Go brush your teeth.”

“Fine, but I was wondering, can you just put a whole apple in my lunch bag?”

Max perks up. “Yeah! I want one, too!”

“A whole apple? Will you guys eat the whole thing? I don’t want to waste these apples, they’re organic and expensive.”

“Yes, I will!”

“I will, too. Everyone else just brings a whole apple. Apple slices are for little kids.”

“Well. Okay, then.”

I drop two apples into the lunch bags. Easy enough.

“Guys, go get your shoes on. You’re going to miss the bus.”

•••

I always thought one day I’d feel like I’d really come into my own. I’d feel a sense of mastery, of justified confidence, as I strode through my life. I wouldn’t just look like a grown-up on the outside; I’d feel the way that I assumed grown-ups felt on the inside. My father, in his calm competence, personified the adult I expected to become. But he still seems like a grown-up relative to me, even though I now signify adulthood to my own children. And caring for my grandfather, as his edges soften and calm competence fades, just messes with my head. How can it be that I’ve grown powerful in relation to this proud patriarch? That I am woman enough to cut his food into bite-sized bits? Middle age. I’m in the middle of the process of discovery. Won’t I always be here? Even when I grow old, if I should be so lucky, I’ll still be in the middle of understanding who I am.

•••

MILLER MURRAY SUSEN is the most extroverted introvert you know. She acts and tells stories, then holes up at home and sweats about having done those things. She writes essays and plays, then gets bored in a quiet room by herself. She adores her husband and two children but wishes they wouldn’t insist on talking to her so much. This fall, she’s going to try directing her own adaptation of Little Women, plus take on a part time job as Associate Director of Education at Live Arts. She is super thrilled and super stressed!