The Holes We Live With

Photo by Gina Easley

By Katie Rose Guest Pryal

“What do you want to talk about today?” says my dance teacher.

I say, “I’m getting depressed again.”

My friend Ariane and I call our therapists our “dance teachers” to protect our privacy. It’s simpler to say, “I’m heading to my dance lesson after this” when talking to Ariane on the phone at the grocery store. Or “Let me tell you what my dance teacher said” when we’re at the coffee shop.

Plus, codes are fun.

The code works because the idea of either of us actually taking a dance lesson is preposterous.

After I tell my dance teacher how I’ve been feeling, I say, “I hate that I didn’t notice sooner. It hitched a ride in on something else.”

She asks what that something else is.

“That my career is a failure,” I say.

She nods, waiting for more.

“This week, though, the depression finally became obvious. It touched all the same old pressure points.” I tick them off, one by one. “I felt like there was no point in trying. That nothing I do matters. Because it’s me that’s a failure.”

When I look inside myself, I see a large, ugly hole where joy should be, and I’m afraid I’m going to fall into it. That’s a Grade-A emergency, and I know it.

This isn’t the first time I’ve been depressed. I tell my dance teacher that I will reach out to my psychiatrist to follow up about treatment.

She digs deeper. “I wonder why it was able to hitch a ride on your career insecurity.”

I tell her I don’t know.

Then she asks the strangest question. “What is your core belief about yourself?”

“I have no idea,” I say.

•••

In the cinematic masterpiece Top Gun (1986, dir. Tony Scott, RIP), the main character, Maverick, has an ugly hole inside himself that he can’t fill. He has the hole because, when he was a child, his fighter-pilot father died—which would wound anyone. But Maverick’s father died in battle, and the Navy blamed him for his death and the deaths of his compatriots.

In his own career as a navy pilot, Maverick has lived under the ugly shadow of his father’s ignominy. And it really did affect his career: “They wouldn’t let you into the [Naval] Academy because you’re Duke Mitchell’s kid.”

[Here come the spoilers.]

Maverick’s ugly hole wreaks havoc in other ways, ways that Maverick doesn’t see: despite being an excellent pilot, he takes unnecessary risks. His perceptive co-pilot can see it, saying at one point, “Every time we go up there, it’s like you’re flying against a ghost.” Another pilot, Viper (great name, right?), says to him, “Is that why you fly the way you do? Trying to prove something?”

The answer is yes. Maverick is perpetually trying to prove that he’s more than the embodied shame of his father’s wrongdoing.

That’s why he leaves his wingman in the opening scene, causing the pilot, Cougar, to lose his cool and turn in his wings. That’s why he screws around with enemy pilots, taking Polaroids in a combat situation.

That’s why he radios the control tower with the cheeky request: “Tower, this is Ghost Rider requesting a flyby.”

And then he ignores the response of the tower boss—“Negative, Ghost Rider, the pattern is full”—and buzzes the tower, causing havoc and getting himself, and his co-pilot, in trouble with his commanding officer.

Maverick’s pattern, the one he keeps relentlessly repeating, is recklessness and self-sabotage.

Maverick thinks he knows what he needs to fill that gaping hole: win the Top Gun flight school trophy. He believes that if he can just win the trophy, he can toss it in that hole left by his father’s shameful death, and the hole will close.

He doesn’t win the trophy.

But winning the trophy wouldn’t have filled the hole at all. Instead, in a moment of truth, he figures out that he doesn’t need to give the finger to all of naval aviation because they look at him and only see his father’s sins.

Instead, Maverick needs to “stick by his wingman,” an actual flight behavior that has become metaphorical: to stop taking needless risks and be someone others can count on. Not a maverick (heh) at all.

Truly, it’s an excellent film.

(There’s also volleyball.)

But here’s the hard part, what’s not on the screen in Top Gun, but what those of us with dark holes know to be true. Perhaps Tony Scott, who died by suicide, knew this to be true as well.

Even when Maverick figures out what he needs, even when there are hugs and cheering and romance, the hole isn’t filled. His father is still dead, and the death will always be shrouded in a miasma of disgrace.

Nothing can ever fill that hole. Ever.

•••

We toodle along making terrible decisions trying to fill a hole we don’t even know exists.

I’ve done it again and again. I keep doing it, and I can’t seem to stop.

When I was younger, fresh out of my doctoral program, I took a job as a lecturer. “Lecturer” is a non-tenure-track position, and it is also code for “crappy job” in academia, my then-chosen career path.

After taking the job, I spent the next seven years on a fruitless quest for a tenure-track job.

I overworked at a ridiculous pace. Each year, I published at least two articles and presented at a minimum of three conferences. After a couple of years, as my professional reputation gained traction, I was invited to deliver keynote talks or to chair featured sessions. I was climbing the ranks everywhere except in my own institution.

There, I remained a fake professor. A fraud. A failure. Illegitimate.

I believed that I was a failure because I never landed the holy grail of academic jobs. It didn’t matter that the job market for tenure-track jobs had shriveled to nothing by the time I graduated. The fault was mine.

Like Maverick, I thought I knew what I needed to be happy. To win that thing, I behaved recklessly. My fruitless quest hurt me: it kept me up late nights and away from my tiny children too many weeks of the year. I missed my son’s first steps because I was at a conference delivering yet another presentation on my research.

If I could just earn tenure, I believed, I would be a real professor, no longer a fraud.

After seven years in higher ed, I gave up. It took that long to realize that I had been trying to fill a bottomless hole. The hole had nothing to do with tenure at all; it had to do with me feeling ashamed. No matter how many articles, presentations, and professional achievements I tossed into it, the hole remained empty.

Within three months of quitting my job, I was able to accept that the hole was a part of me, and I put it behind me. It would take years before I returned to academia on my own terms.

I was free, I thought back then. But I was wrong.

•••

I first learned about holes from my friend Ariane’s perceptive aunt, F., who always seems to know how you are hurting and to say the words you need to heal.

F., who knows something about Ariane’s difficult past and my own, said this: You have holes, but you can never fill them. You can’t fill them because they’re not in the present—they’re in the past. Therefore, they will always be there, in the past. You can’t go back and fix them.

You just have to learn to live with them.

When I first heard F.’s words, I said to Ariane, “That’s dark as fuck.”

“Yeah,” she said.

After my recent dance lesson, I talked to Ariane about holes, trying to make sense of things.

She said, “Unless Dr. Who is going to show up and change your past, the holes are just there.”

But it feels so hopeless, I told her, to look back at my past riddled with holes.

Ariane said, “What you’re feeling is grief. And it is really fucking dark.”

The last stage of grief is acceptance. Accepting the holes and letting them go.

•••

Real life is never as simple as Top Gun. You don’t leave your singular hole behind and move on, well-adjusted and Okay. The pattern repeats itself over and over, and it can take decades to even spot it.

After I left academia, I began a career as a writer. Before I ever earned my doctorate, I earned my master’s in creative writing. Once I was free of academia, I was in a position to give my writing a real shot. And it worked.

I submitted my first novel, and a small press accepted it. And then the same small press accepted my second novel. Two novels published. I was over the fucking moon.

I also wrote for magazines, lots and lots of them. I wrote textbooks for three different Very Respectable publishers. I wrote all day and night, publishing five to six magazine pieces a month in addition to writing books.

But when the small press declined my third novel, everything came crashing down.

My novels failed (yes, that’s what I believed), and so I’d failed.

I was so insecure that I couldn’t see that I’d achieved what many people only dream of: two published novels, a number of textbooks, and a thriving freelance career.

•••

I play tennis as a hobby. For a few years, though, I played on a USTA team where the captain created an atmosphere where the players had to scramble and fight for starting positions.

However, the captain seemed to view some players as legitimately good players even if they lost now and then. But not me. I needed to perpetually prove that I was not a fluke. Not a fraud.

And the only way to do that was to never, ever lose.

As the seasons wore on, even friendly matches stopped being fun. The captain wanted us to report scores to her every time we played. If I—if any of us—lost while playing for fun, we might lose our spot in the lineup.

Eventually came The Season. My doubles partner and I were undefeated. We won our crucial playoff match, and our team was off to the state championships.

At the USTA state championships, there are five matches in three days. In my mind, I had to win all five. I had to. We won the first. The second. Two-a-day matches in the North Carolina summer heat is brutal, but we pressed on. On day two, we won the third match, and the fourth. That night, after four matches and two days, I went to bed early with a horrible headache. But I pressed on.

The next morning, during our fifth and final match, the court temp was hovering around 110 degrees. Worse, there was no nearby water.

We won the first set easy, our rhythm the same perfection as it always was. But then, at the beginning of the second set, I felt chills coming on. Okay, I thought. Chills I can live with. But then I ran out of fluids after drinking both of my forty-ounce water jugs.

I should have stopped the match and refilled my water in the gymnasium, a twenty-minute walk away. But I didn’t want to lose our rhythm. So I pressed on.

Next, I started seeing spots. Then, I stopped being able to feel my feet. Soon after that, I started feeling nauseated.

I should have retired the match. But I pressed on.

My body began to break down. Dizziness set in.

We lost the match in a tiebreaker.

After the match I passed out, vomited, and lost consciousness. I’m not sure how long I lay there in the grass before the ambulance arrived. I owe my life to a teammate who is a nurse and acted quickly, stripping me of most of my clothing and packing me with ice to lower my temperature.

Heat stroke is deadly. Once you have heatstroke, you are past the point where drinking water can help you recover. The only thing that will save you is IV fluids and rapid cooling, and even then you can end up paralyzed or with other long-term or permanent damage, for example, to the brain.

My long-term damage was to my brain. For months, I couldn’t drive. I would get lost just walking around our neighborhood, calling my husband sobbing because I couldn’t find my way home. I had only about three hours a day when I felt even close to fully functional. The rest of the time I spent in a daze or sleeping. Any heat, at all, made me nauseated.

I nearly died trying to fill a hole that no amount of winning could ever fill. I was afraid that I would never be good enough to be a real member of the team.

It wasn’t until I talked to my dance teacher last week that I could give the hole a name. Tenure, writing, tennis, and more—there are so many more. But they are all the same.

•••

The second hardest thing about holes is figuring out that you have them. The hardest thing is figuring out what they are.

Holes are easier to find if you look for what they’re driving you to do. Think of Maverick’s reckless control-tower flybys. Or me pushing myself so hard I end up in the emergency department. Look for the “If-I-can-justs.”

If I can just get a tenure-track job, then I will be a legitimate professor and no longer be a fraud.

If I can just have a traditional press publish my novels, then I will be a legitimate writer.

If I can just win all of my tennis matches, then I will be a legitimate member of the team.

“If I can just”: the template for finding the devil on my back.

I shared the if-I-can-just theory with my dance teacher, and we used it to talk about my current feelings of failure. Right now, my agent hasn’t been able to sell my current book, a book I’ve hung my hopes on. (Reader: never count on anything in publishing.) How I’m a failure as an author. Worse, I’m a fraud.

How I’ve lost touch with my editor contacts over the past couple of years, and I can’t seem to place any pieces in magazines, and I’m a failure.

How all of my ideas have evaporated.

And more.

She tried pointing out my successes, but we both acknowledged that logical arguments fall down the hole just like everything else.

But then it hit me—I knew what was driving me. I said, “If I can just publish one trade book with a large publisher, then my writing career will feel legitimate.” I admitted that this if-I-can-just was ridiculous and overly specific and that it wouldn’t solve the underlying problem of my feelings of inadequacy. And I felt proud of myself for figuring out what was wrong with me.

She nodded, seeming to accept my assessment. (Reader: She did not accept my assessment.)

Then she hit me with a whammy. “How long have you been driven to seek other people’s approval?”

“What? No.”

That didn’t sound like me at all. That sounded like a weak and small way to live. Her words reminded me of Wormtail from Harry Potter, all beseeching and whiny and lacking in dignity. It didn’t jibe with my self-image. I am not a suck-up.

But my dance teacher was right. All of the holes, one after another, were all manifestations of the same hole. I just didn’t realize it until my dance teacher hit me with that two-by-four of truth. That two-by-four hurt.

My dance teacher continued, “You believe you’re never good enough.”

That one I already knew. But I was starting to realize that I compartmentalized the belief, tacking it onto specific contexts. Not good enough in academia. Not good enough in sports. Not good enough at writing.

Forever chasing my tail.

My dance teacher wanted me to call my devil by its name.

“How long have you been driven to seek other people’s approval?”

“Always.”

•••

When my dance teacher asked me, “What is your core belief about yourself?” I told her I didn’t know.

I’ve spent days pondering this question. At first, I thought I didn’t know the answer because I’ve always lived for other people.

But now I do know the answer: I’m a person who overachieves in order to make myself feel worthy of love.

This hole has driven me for as long as I can remember. But I’m strangely attached to it. If I don’t have this monster nipping at my heels, then who am I? Without it, will I still have the drive to succeed that has been a part of me since I was a child? If I let it go, I will I slip?

What is my core belief about myself?

I don’t want to live like this anymore. It’s awful. Through the years (and years and years) of chasing legitimacy, of trying to fight feelings of being a fraud, I’ve also believed, deep inside, that I’m not worthy of love.

My dance teacher told me that this hole formed early. She told me that it wasn’t my fault. It’s there, in the past, and it will always be beyond my reach.

I have risked my relationships, my very life, to prove I’m worthy of love, friendship, and respect. I won’t, I can’t, do that anymore.

I know what it feels like when I’m getting depressed. It’s happened before, and I know what to do to make sure I come out okay.

And now I know what it feels like when I’m tossing pieces of my soul into a bottomless pit. I’m not sure what to do, yet, except be vigilant.

•••

KATIE ROSE GUEST PRYAL’s work has appeared in Catapult, Slate, Full Grown People, The Chronicle of Higher Education, and more. She’s the author of more than ten books, including the IPPY-Gold-award-winning Even If You’re Broken: Essays on Sexual Assault and #MeToo and the bestselling Life of the Mind Interrupted: Essays on Disability and Mental Health in Higher Education. A professor of law and creative writing, she lives in Chapel Hill, N.C.

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Katharine: A Love Story

Photo by Gina Easley

By Susan Rebecca White

From the moment we met, Katharine dazzled me.

I was the first to arrive at the slightly dilapidated, university-owned house I had been assigned to live in with other random transfer students. Rattling around its many rooms, I worried that my new home was too dark, too drafty, and entirely too big, especially since it contained almost no furniture, and all I had brought with me from Atlanta were clothes, books, and a computer. I watched as a rental truck pulled up in front. An arresting, raven-haired woman in skinny jeans and a tee-shirt jumped out and bounded to the door, greeting me with unabashed enthusiasm and delight, introducing herself as Katherine from Princeton, New Jersey, by way of Manhattan. Darting from room to room, she pulled me along, exclaiming over the house’s fabulous features—its hardwood floors, high ceilings, and many windows, seeing all the things that I couldn’t.

Dragging in old furniture given to her by her parents, Katharine filled the drab space with color: a white sofa here, a blue checked armchair there, an antique dining table and rugs. Plus, lamps! Light! That first night we sat up late, beneath cozy throws, talking. I listened to Katharine with rapt attention. Talking to her was like conversing with a more confident, glamourous, Jewish version of myself. We forged a fast friendship through stories of our lives, which included a number of parallels, from the mundane—we both loved hot popcorn with M&Ms mixed in—to the more profound, including an odd coincidence: At our previous colleges, we had each pledged the very sorority our mothers had been excluded from decades before, though the experience of Katharine’s mom was admittedly more harrowing, as mine pledged elsewhere, whereas Katharine’s was cut from all of the ones she was interested in, later learning that none (at that time) accepted Jewish girls.

Having vindicated her mother’s past rejection, Katharine, who never much liked pledge meetings, dropped out soon after and never looked back. I chafed at being a part of the Greek system, but went through initiation anyway, not knowing how to leave a system that was so important to the WASPy Southern world I had grown up in. But now I was in a different world, a better world—Katharine’s!—and I could adopt her ways as my own, or at least try.

That first week of school, I dutifully attended all of the new student orientation activities. Katharine stayed behind. I fretted that she was missing out on Very Important Transfer Information and Meeting New People. Little did I know, she didn’t need these events to find her tribe. A skilled actor, by the end of our first week, she had already been cast as the lead in the mainstage play. From then on, walking through campus with Katharine could take what felt like hours as theater friends stopped to gush over her while I stood by and waited, silent, smiling stupidly. I was so young, so naïve, so needy, that I honestly didn’t know that it was okay to take off, calling, “Gotta go!”

Or maybe I did know I could leave, but I didn’t want to because that would mean losing time with Katharine.

When Katharine speaks of our time living together—we were housemates all three years at Brown—she describes me as domestic, easy, laidback. I must have come across as more laidback than I felt. In fact, I often felt just the opposite, getting my feelings hurt over the smallest things, especially that first year. Once, I bought two-percent milk, which I preferred, over our standard skim. Watching a look of disgust cross her face as she took a sip, I felt wounded, as if her not liking two-percent milk meant she didn’t like me. Later, I tearfully confessed that I was upset. She laughed, affectionately, assuring me of her love. We chalked it up to the North-South divide.

As a Southerner at a very Northern school, I often misread things (or simply mispronounced them). But once Katharine was a part of my life, I emulated her, grateful for her guidance and sophistication. I no longer called espresso “ex-press-o,” thinking it was thus named because it made you speedy. I now went to see “films,” not “movies,” and referred to the person who directed them instead of calling them by their title.

•••

To this day, I can still feel a rush of exhilaration thinking of the many nights Katharine and I stayed up too late talking, laughing till tears ran down our cheeks, clutching our stomachs, giddy from our shared sense of humor, our mutual delight. I had never before had a friend who was such a cheerleader, who took genuine pleasure in my success. That said, I didn’t always feel successful in the wider world of Brown, and at times I wished some of Katharine’s talent and charisma would rub off on me.

At Brown, you had to apply to take any advanced creative writing classes. Every semester I applied and was rejected while Katharine was cast in play after play. And guys never randomly sent me roses or composed entire songbooks about me.

Domestic even then, I was forever baking apple crisps, eager to pair them with ice cream and curl up on the couch to talk or play a board game or watch a movie. But Katharine often had other things to do—rehearsal or dinner with friends I found intimidating. I would get so excited whenever the two of us made plans to do something just with one another.

Which made the occasional times when she stood me up for a coffee date or lunch all the more painful. This was before cell phones, when there was no easy way to convey a message at the last minute that you couldn’t make it. The worst part was the shame I felt, as if everyone in the entire coffee house knew I had been rejected.

As the end of our time at Brown neared, I got clingier, and Katharine, in turn, became increasingly casual with commitments. A few weeks before graduation, she arrived egregiously late for a cooking lesson she’d asked me to give her. Eager to finally be the expert at something, I had purchased all of the ingredients and then waited in our apartment. And waited. When she finally arrived hours late, unaware that anything was the matter, I was overcome with fury. My outburst, I imagine, was not unlike a wife confronting a husband over a discovered affair, a “J’accuse!” to match any bedroom drama.

I remember sensing her frustration despite her apology—resentful that I was too needy, that my grip was too tight.

That night, she went to a party and got very drunk, which was completely out of character. She came home, sick from alcohol, and wept on the couch as I comforted her, all the while bitter that I could be counted on for comfort, always.

•••

Looking back, it’s obvious that I was too needy, my outsized reactions surely rooted in the fear that she didn’t care enough about me to hold on tight, to prevent me from being sucked back into the vortex of the image-conscious, Southern, Protestant world in which I had grown up, where I felt frequently condescended to, deemed a navel-gazing, overthinker whose progressive politics were either cute, hilarious, or annoying, depending on who you asked. As if the intimate, encouraging, conversation-driven world Katharine and I had created and cultivated in college was just a dream, and when I woke up, I would return, once again, to my old, misfit self—the magic of Katharine and all she represented gone.

•••

I moved back to Atlanta after graduation. A year later, I moved to the Bay Area, where I taught English at a boarding school and waited tables, and finally went to graduate school in creative writing, but not before marrying a man who was ill-suited for me.

Katharine and I stayed connected throughout, our friendship growing robust and healthy after it was allowed a little breathing room. We called, we wrote, we emailed, we texted, we visited, we were bridesmaids in one another’s weddings. It was during her wedding weekend that I first recognized that the power dynamic in our relationship had shifted, that she was no longer a god to me, but someone with whom I was on more equal footing. At the rehearsal dinner, I gave a toast, a tongue-and-cheek list of all the things I had learned from our long friendship, including that when dining out with Katharine, you must always insist that you really, really loved whatever you were served because if you expressed the merest hint of dissatisfaction, she would flag down a waiter and send your food back. That line got a big laugh, as many of the other guests had surely had their food sent back at one time or another by Katharine, who was beaming, confident enough to laugh at my ribbing, delighted to be so known.

A few years later, for the first time since college, Katharine and I were once again living in the same city, this time New York. I was only there for a few months—I’d taken a summer sublet that would allow me to do some on-the-ground research for the novel I was writing, a chunk of which was set in Manhattan. The plan was for my (then) husband to go with me, but a few weeks before we were scheduled to leave, our marriage—always unstable—collapsed, and so I went on my own.

Katharine’s apartment was just eight blocks east of mine, by Carl Schurz Park, where we would meet several times a week to push her toddler on the swings, all the while talking, talking, talking. We were in such different places—my domestic life fracturing, hers expanding with children, yet our need for one another was mutual. Pregnant with her second, she was the only one of her New York friends to stay at home, and the days could get lonely. But I loved hanging out with her and her son, hearing his squeals of delight on the swing, witnessing the grin that slowly spread across his face the first time he tasted ice cream. As for me, life was a mixed bag: Somedays I showed up at the park (or Shake Shack or the Onassis Reservoir path) floating with happiness that I had been brave enough to leave my mess of a marriage. Other days I was flattened by fear: Would I be okay financially? Would I complete my novel without the guidance of my writer husband? Would I find love again?  Katharine, ever the optimist, assured me that yes! I would patch together enough teaching gigs to support myself. Yes! I would write a wonderful novel on my own. And, yes! Now that I had left my husband, I was closer than ever to meeting a true mate with whom to have a child. “You know yourself so much better now,” she told me. “You know what to look for in a man.”

Two years later she would fly down to Atlanta where I was living with my new husband, to hold our infant son, help out with the laundry, and just be there.

•••

Though I wish I had possessed a deeper sense of self during those first few years of our relationship and hadn’t been so needy (and she, on occasion, so flaky), I treasure the lessons my friendship with Katharine has taught me: That you don’t necessarily have to jettison a relationship in order to change your role within it; that those you love will hurt you, and you them, and it doesn’t erase the love; that forgiving one another for our human shortcomings can actually strengthen a bond. Despite our initial ups and downs—or, more accurately, because of them­—I trust the durability of our bond. I know that it is neither delicate nor fragile.

•••

I’ve asked other women if they had a college friend they adored and possibly even worshipped. Almost everyone answered yes. It occurs to me that so many of us find friends to emulate in college because it’s the time when we most believe we can stride into the world anew, loosened from the binds of family and society. It’s an illusion, of course. My friendship with Katharine was never going to allow me to circumvent dealing with the broken parts of myself—my insecurities, my blind spots, my wounds. But through Katharine, I saw that a different sort of world was possible—a world of unfettered enthusiasm, with friendship and art at its center. And I loved her for that; I loved her so much that I made the mistake of trying to tie myself to her, as if we could spend our entire lives inside our apartment, eating apple crisps and laughing. But she had her life to live, as I had mine. The miracle of my forties is this: I am content with who I have become. I got to this place in no small part through the gift of my ongoing friendship with Katharine. She offered me both a mirror and a window: reflecting back a vision of myself that I could not see and opening a window into a bigger, brighter world.

•••

SUSAN REBECCA WHITE is the author of four novels, including A Place at the Table and We Are All Good People Here. Her nonfiction has been published in Tin House, Los Angeles Review of Books, The Bitter Southerner, Full Grown People, and other periodicals. She lives in Atlanta with her husband and son. For more, visit her website at susanrebeccawhite.com and/or follow her on Instagram @susanrebeccawhite

 

In the Room of Mental Health First Aid™

Photo by Gina Easley

By Heather Lanier

In the room of Mental Health First Aid™, we joke about bad therapists and the body parts we lost to cancer. We describe with lyrical precision the places where our panic attacks begin and whether they travel up or down. We compare notes on the panic attacks like we’re comparing notes on dining experiences at a new restaurant. Or we stay silent and listen, grateful to those willing to describe their panic attacks because we’ve never had one, or don’t remember a time when we did … although, now that someone describes them that way, maybe we have. We recant our understandings of manic depression, tell stories about doctors’ mental health misdiagnoses, and collectively laugh at the rawness of what it means to be human.

In fact, in the room of Mental Health First Aid™, we’re invited to talk about so many things the world beyond these walls does not want us to talk about that I start to lose touch with my usual filters. At the beginning of this day-long training, our facilitator Mandi said that if we ever need to leave the room for any standard reason—bathroom, phone call—we should give her a thumbs-up, so she knows we’re okay. “Otherwise, I’ll think you’re in crisis,” she explains. A few hours into training, I feel nature’s call, walk towards the door, make eye contact with Mandi, and lift my thumb toward the ceiling. She gives me a knowing nod. As I yank on the door handle, I have the uncanny urge to call out to the entire group of twenty-seven in a jolly, assuring voice, “Just need to change my tampon!”

I do not do this. But in the room of Mental Health First Aid™, I imagine the group warmly nodding and/or chuckling in a way no group of near-strangers ever has in response to the words, need and tampon.

Maybe we laugh so much here because there is nothing funny about why we are here. We are twenty-seven college professors at a south Jersey university that will, in four weeks, make national headlines for suicide. Three in two months. But we haven’t hit the New York Times or CNN just yet. It’s November 2019, and right now the University of Southern California is in the news. Two months before, it was the University of Pennsylvania. Last month, while south Jersey’s October languished in summer-like heat, the CDC released its report: Between 2007 and 2017, the rate of suicide among people age 10 to 24 increased a whopping 54%.[*] A 2018 CDC report found that suicide rates in half the states increased among all age groups by 30%. News outlets clambered onto the stats but couldn’t position them into a landscape of meaning. Like a Brancusian sketch, the numbers offered a clear if bare-bones portrait: We are a nation in crisis.

I’ve been standing in front of a college classroom for fifteen years. I’ve never had so many students write about suicide before—their thoughts of it, their friends’ acts of it.

In the second week of this semester, a young man I hadn’t seen before walked thirty minutes into my creative writing class and sat in the back. It was my first semester at this university. I was still learning where the bathrooms were. I found his name on my roster and marked him present. At the next class, he arrived on time but left halfway through. I never saw him again.

Nine weeks later, a voicemail from the Wellness Center sat on my cell phone. It was about an unnamed student, and would I please call back? Before I could, I read the official email from the university: the student I barely knew had died. The university was not legally permitted to disclose the cause. An online forum would later name it suicide. Before the student’s death, I’d considered myself too swamped for this all-day Mental Health First Aid™ workshop. Ten minutes after reading my student’s name in that email, I asked if there was an extra spot in this room.

Four weeks from now, when we lose our third student, the conversations in the media will center around our university’s wellness center, about whether there’s a waitlist for counselors, about how well our school is supporting students in crisis. We are not counselors, and we are not in charge of hiring counselors, nor are we in charge of determining the nationally recommended counselor-to-student ratio. We’re a department of writing professors, peeking out from mounds of essays and stories and projects in this, the busiest month of the semester. We are setting aside eight hours on a Friday so we can learn how to save lives.

“You’re earning a certificate, not a superhero cape,” Mandi reminds us frequently. We nod from our seats.

The Room of Mental Health First Aid™ is, in its usual operating hours, a sterile classroom filled with six long rows of tables. This is the same room in which many of us meet monthly to discuss the unsexy specifics of curriculum changes and policy requirements. It’s the room I stood in six months ago and convinced a committee to give me the assistant professor position I now hold. I wore a black suit, clicked through PowerPoint slides, gave confident answers. I wore the very persona of infallible competence that this room has, at least for today, invited us to disarm.

Not quite public, not quite private, the room of Mental Health First Aid™ invites professionals to disclose, with promised confidentiality, all the ways it has been hard for us to be human. “We use Vegas rules here,” Mandi says, clicking to a slide that features the city’s iconic neon welcome sign. “What happens here stays here.” We can disclose adolescent-onset anxiety. We can explain how trauma might link across our years like beads on a string. We can say what we would otherwise never say in this room: “Nope, the textbook descriptions of panic attacks are incomplete. Mine begin in my arms, or my belly, or my dizzied head.”

It strikes me that if more spaces followed the norms of the room of Mental Health First Aid™, we might actually need less mental health first aid.

Mandi is a thirty-something woman with alto-voiced cheer. “How many of you have experienced depression?”

Hands go up.

“Anxiety?”

More hands. Nearly all the hands, including my own.

This is one of Mandi’s strategies: accessing our personal experiences. She has given us softcover textbooks, and she scrolls through infographic slides from the National Council for Community Behavioral Healthcare. But she also invites us to use ourselves as references, as wildly imperfect maps that might touch or even lay over and align with the maps of others, and which might, along with the textbook and slides, help us cobble together a fuller topography of what it means to be human.

We learn the official statistics: Twenty percent of young adults, ages 18 to 24, experience a mental health disorder.[†] Two-thirds of students who need mental health support do not seek it. The average number of years between when a person needs help and when they receive it is eight. The age of a third grader, the time it takes for a typical human to go from drooling baby to sassy calculator of math problems. Suicide is the second leading cause of death for adults age 18 to 24.

“Why?” Mandi asks us to speculate.

“Social media?” someone calls from the front row.

“Climate change fears?” another person guesses from the side.

Mandi nods. “Sure. Those are all factors.”

But why, she says, is a question even experts haven’t answered. In our eight hours together, we will attempt to answer another: What can we do?

•••

It turns out that what we can do is remarkably simple.

She splits the twenty-seven of us into two groups. One group is labeled “Listening.” Another is labeled “Not Listening.” The groups must race each other to come up with as many outward signs of their designated label as possible. I am in Not Listening.

“Looking at your cell phone!” one of my group members calls out.

“Looking away!” another shouts.

“Not making eye contact!”

I’m not making eye contact. I’m looking at my notepad, frantically recording their ideas. A colleague grabs my list and runs to the whiteboard to scribble our answers. With equal urgency, members of Listening do the same.

“Time,” Mandi calls.

She tallies our lists. We of Not Listening have generated twenty-one outward signs. Listening only has nineteen. Not Listening wins!

But the whole point of the activity, of course, is that listening wins. It’s the “L” in our five-step Mental Health First Aid™ plan, which goes by the acronym ALGEE. We’ve skipped over the letter A for now. Mandi says it’s the hardest—we’ll get to it at the end.

Why ALGEE? “Because this program came from Australia,” our facilitator says to laughter. Maybe the others imagine what I do: surfers along the Gold Coast, aerial views of the Great Barrier Reef. Algae, the photosynthetic organisms that made the planet hospitable for life. Maybe it can help do so again.

•••

Sidenote: It is strangely freezing in the room of Mental Health First Aid™. I say this with zero metaphoric intention. I circle my hands around a mug of hot water. I wonder if I should slide my wool ski cap off my head, so I look more professional among my new colleagues. Then I remember: We’ll be talking about suicide here. It’s fine to strive for cozy.

“You are Anxiety,” Mandi calls out to three people clustered in the front row.

Their faces look up, stunned.

“And you right here,” she circles her hand around a group beside them, “are Depression.”

Nervous laughter erupts.

Another group is ADHD. A fourth is Schizophrenia. The laughter spreads, morphing from nervous to raucous. In a culture of person-first language, where we imply that people live with diagnoses rather than become them, her wording is jarring, but also hysterical.

So I am Eating Disorders, along with two men flanking me.

“Do you want to be Psychosis?” Mandi calls to a lone woman in the back. “Or you can join another group?”

The woman laughs. She’s fine with Psychosis.

Mandi has written age-ranges around the room’s whiteboards. “Go stand where you think your assigned mental health disorder, on average, begins.”

Substance Abuse stands beneath “13-17.” We of Eating Disorders sally up beside them. ADHD idles to our right at “8-12,” as does Anxiety.

Mandi asks Anxiety why they guessed eight to twelve.

“Personal experience?” a female colleague peeps with upturned uncertainty, then bursts into a low-bellied laugh.

She’s correct. So is ADHD, Substance Abuse, and we of Eating Disorders. Depression has planted themselves below “18-24,” but they’re off by a decade.

We return to our desks, and Mandi clicks to another slide. “Remember,” she says. “A mental illness is a physical illness. The brain looks physically different.”

I write these two sentences in my notebook. I box them and surround them with stars. Mandi’s quote gives new meaning to the dismissive phrase It’s all in your head. People hear this sentence in response to everything from depression to sexual harassment to autoimmune disorders. It means: What you’re describing, you’ve invented. It also means: Quit being inconvenient. But Mandi’s quote reminds us that the head is a powerful and real place in which to experience something.

The single greatest factor that contributes to mental health disorders, Mandi says, is trauma. Capital T trauma comes to my mind. The neglect of a parent. The fist of a spouse. A box for a bed. But she says no one can define trauma for a person.

“If anyone tells you that what you’ve experienced isn’t trauma, that’s bad counseling. In fact,” she adds, “everyone probably has trauma of some kind. Because everyone is alive.”

It’s the simplest mathematical proof:

Being alive causes trauma.

Everyone you have ever known has been, or is still, alive.

Ergo ….

I’m the stepdaughter of a chiropractor. If you fill out a form at a chiropractor’s office, it will likely ask you about your birth. Was it medicated? Were forceps used? A vacuum? The concern is for your neck and spine as it moved through the birth canal. But the implication is this: the very act of entering this world is traumatic.

•••

We break for pizza. We talk about our dogs, our cats, our Netflix binges, our children. We stretch cheese-covered triangles from our teeth and describe the things we love in this world. “I like your hat,” the man to my left, of Eating Disorders, says. I thank him.

•••

In 1990, I sat in a room with a judge and explained to him an ongoing experience of trauma. I was twelve. The judge dismissed my experience as not trauma. On my lap sat a composition notebook in which I’d written about my trauma. The judge wouldn’t read it. So mine was not, could never be trauma.

The details don’t matter—I’ve written about them elsewhere. (Thumbs up, reader. I’m okay.) What matters: Twenty-first century living sometimes affirms experiences that twentieth-century living denied. Not across the board, but in pockets of places, like in an op-ed that worries for the safety of transwomen needing to pee, like on a bestseller list where sits a memoir about a brown-skinned woman’s daily experiences with racism, like in a large discussion classroom on a patch of New Jersey that was once deciduous forest inhabited by the Lenni Lenape. We name at the onset of gatherings the tribes that inhabited the land we stand on. It’s a microscopic way of acknowledging Native people and the violence of white supremacy. It also ends up saying: Trauma brought us here. Trauma is embedded in the very birth of what we’re standing on.

Six months ago, when I stood at the front of this room wearing the black pantsuit, I described how I would structure my creative writing courses. I showcased my students’ work. Projected on the screen was a student’s poem about living in a female body in a country where the president bragged about grabbing female bodies. I talked about how I diversify my reading lists, distributed grading rubrics of varying complexity, and watched committee members nod.

Here’s what I didn’t say: When I ask my students to write, I sometimes invite them to excavate the ineffable little monsters in their guts. Just like I held a little monster in my lap in the form of a composition notebook when I faced that judge. I invite my students, however gently, to gather the courage to hold these little monsters up to their ears and listen to them. And what my students end up writing in response are often beautiful and strange and powerful songs about how they have managed to survive in this world.

But it is not always easy, handling these monsters. They can and do bite. If the student who died last month had been in my classroom, what would he have unearthed? Would my lessons have helped? Hindered?

During that interview six months ago, I was required to read my own work. I read a piece of nonfiction that excavated a little monster of my own. But the prose was polished, the structure artfully arranged, pressed into shape as neatly as my dry-cleaned suit. And when I was done, my future colleagues asked about professional things: how to craft a sentence, how an essay becomes a book. This is the professionalism of my field. This is also the gift I give my students: I take seriously the craft of their writing. Which means I also assume they, as people, are okay.

But Mandi’s ALGEE requires more. She’s still reserving the hardest letter, A, for the end. And we covered L, for listening. The G stands for Give reassurance and information. The two E’s stand, respectively, for Encourage appropriate professional help and Encourage self-help and other support strategies. As a writing professor, I not only need to help my students with syntax and diction and structure and voice and revision. I also need to help them stay whole.

It’s a daunting new job responsibility in the role of twenty-first century professor: to worry about how an absence of eye-contract might trigger isolation; to keep dibs on a student’s possible need for professional counseling; to make note of any mentions of suicidal ideation (so far this semester, three) and have the follow-up conversations: Are you okay? Are you getting the help you need? I feel the weight of my students’ well-being on my shoulders.

•••

What are signs of an eating disorder? What is the difference between substance abuse and addiction? How do PTSD triggers work? Much of Mental Health First-Aid™ training requires us to understand the range of mental health disorders, so we can identify signs of them and guide people toward appropriate help. We’ve become, in eight hours, like mobile triage rooms.

We tackle letter A, as promised, at the very end. And I too will get to it at the very end. For now, know that the light from the classroom windows eventually turns pink. The sun eventually falls below the horizon. And all twenty-seven of us eventually complete our training. Mandi reminds us to do something kind for ourselves tonight: a glass of wine, a bubble bath. Every flight attendants’ emergency instructions are both clichéd and true, and Mandi reiterates them: “Put the oxygen mask on your own face first. You can’t help anyone unless you also help yourself.”

The next morning, I am ensconced in a scene the Internet might call self-care: cocooned in bed beneath a weighted blanket, supine and turning pages in a book. My children are miraculously at their grandmother’s. I am burritoed in bed past ten. I have nowhere to go for two hours.

It will make every bit of sense if I want to stay in this place forever. It will make absolutely zero sense if I start to long, ever-so-slightly, and then very much so, to return to the room of Mental Health First Aid™.

It’s the book’s fault. A memoir about being gay and Black in the south, it’s one I planned on assigning next semester. But as I turn the pages, the author’s mother is unexpectedly diagnosed with a terminal illness, and it’s the very same illness that a student’s mother has recently been diagnosed with. This student has already registered for next semester’s class.

I want to go back to the room of Mental Health First Aid™. I want to raise my hand and ask the question I haven’t figured out how to answer. Not the first question perched on top of my head (Should I assign this book?). The question buried underneath it: How responsible are we for each other? Exactly how much are we in each other’s care?

The boundaries in the room of Mental Health First Aid ™ were clear. The doors were closed. The personal stories were confidential. People gave thumbs-up. We were okay, we were okay. The only signs of the outside world showed through the windows. By training’s end, the sky was nearly indigo, and we drove home in the dark. There are only so many questions you can answer in eight hours. How responsible are we for each other? It’s a question I’ll keep carrying.

•••

The answer I left with, though, is this: At least a little bit. We are all, every one of us, at least a little bit in each other’s care.

Over the next days, I catch up on grading, read a few dozen short stories, return them to my students with comments. Ten minutes into a lesson, a student is openly weeping. She can’t be upset about my comments—she didn’t turn in any work. I assign the class a short writing activity and whisper to her: “Do you want to talk?” She shakes her head no. I say okay. Five minutes later, she’s still wiping her face with her sleeve.

“Come on outside,” I say. She follows me into the hall. It’s a night class, and the hall is lined with bluish-black windows.

She chokes on a sentence. It cracks past her vocal cords. She’s in a domestic violence situation. It’s bad. What follows is another Vegas moment. The details of her story stay with her. But the all-day Mental Health First Aid™ shifts me into gear. I listen closely. I ask questions. I hug her for as long as she wants, which is much longer than I expect, and she weeps into the crook between my neck and shoulder. She holds tight, until she lets go.

I ask about her safety. I ask whom else she has told. We return to class, and I finish teaching, and then we sit together on a bench in the hall as she calls campus safety. She speaks to the counselor on call. The counselor gives her good advice. There are next steps. A way to feel safe tonight. An expert to talk to tomorrow.

I walk her to her car, which is right in front of the building—a spot she tells me she waits for each night that we have class. This is why she’s been late, she says. I watch her close her car door and hear the click of the lock, and she drives away. It’s raining, almost seven p.m.

Reader, I’ll tell you this: She won’t pass the class. But she’ll get counseling and a safe place to live.

On my way to the parking garage, someone behind me shouts with all their might: “FUCK!” During my ascent up the garage’s concrete stairwell, two men pass me. They are very tall, and loud, and seem amiable and they could also crush me against the wall, and they could be carrying something that crushes them from the insides, and they could be perfectly fine.

We’re all a little in danger, we’re all a little in each other’s care.

When I get inside my own car, I lock the doors, relieved to create a room of just myself.

•••

It is only at the tail end of the daylong training, when my blood sugar is low and the sun is threatening to set and I have the uncanny urge to scroll mindlessly through social media, that we tackle the hardest letter: A.

Assess for risk of suicide or harm.

In other words, ask a person if they’re planning to kill themselves. If we ever suspect someone is thinking of it, we need to ask.

We practice as a group, repeating the questions in unison:

Are you thinking of killing yourself?

Are you having thoughts of suicide?

We get the words right. We commit them to memory. Mandi tells us that it can be scary to ask, which is why we’ll practice in pairs.

“And if they say yes,” Mandi asks, “then what do you do next?”

A voice pipes up in front: “Ask if they have a plan.”

She nods. “And if they do?” she asks.

“Stay with them,” another voice says.

“Do not leave them,” Mandi adds. “Call campus safety. Call 911.”

Then it’s time. I turn to the male colleague next to me. I met him two months ago.

“Are you thinking of killing yourself?”

He knows it’s coming, and still he winces. His eyebrows relax, and he assumes the role. “Yes,” he says calmly.

“Do you have a plan?” I ask.

He pauses. “Yes,” he says.

The end of the role play is remarkably stark, like a cliff-edge. We switch roles.

“Are you considering suicide?” he asks.

I’m a terrible role-player. I give him the true answer. I give him the only answer I hope people will always give me, the answer I hope every person on this planet can give every day of their lives. It’s a hopeless hope for the world’s eight billion people, all of whom have been born and have lived years and are still alive. I say “No.”

[*] From Sally C. Curtin, M.A., and Melonie Heron, Ph.D., “Death Rates Due to Suicide and Homicide Among Persons Aged 10-24: United States, 2000-2017,” NCHS Data Brief, No. 352, October 2019. https://www.cdc.gov/nchs/data/databriefs/db352-h

[†] All statistics in this paragraph come from the presentation literature from the Youth Mental Health First Aid ™ USA training.

•••

HEATHER LANIER is the author of the memoir, Raising a Rare Girl, a New York Times Book Review Editors’ Choice. Her work has appeared in The Atlantic, The Wall Street Journal, TIME, Longreads, The Sun, and elsewhere. She writes about parenting, disability, spirituality, and what a kindergarten teacher would call “big feelings.” Her TED talk has been viewed over two million times.

Who We Are, Where We Come From

Photo by flickr/
Raveendra Jayashantha

By Anjali Enjeti

When my father immigrated to the United States from India in 1971, many of his relatives followed in his diasporic footsteps. By 2006, the year his mother, my Avva, passed away, our only family members left on the subcontinent were his sister, his eldest brother, and their spouses. Today only a single aunt and uncle of mine remain. All of my first cousins immigrated to either Australia, Singapore, Europe, or the United States. Even though I have never lived in India myself, with each relative’s migration I felt more untethered to a country I had grown to love as much as my own.

When I learned the piece of furniture that once held Avva’s neatly folded saris was up for grabs, I leapt at the chance to bring it back to Georgia. It arrived several months later, after a harrowing and outrageously expensive journey, in a state of utter disrepair. Part of the base had broken off, so it stood at a slant like the Leaning Tower of Pisa, threatening to topple over at any moment.

After its restoration, I discovered something on its floor I hadn’t noticed before—a fading white six-pointed star. Simple, yet elegant. Perfectly centered. A square border surrounded it like a picture frame. It was a muggulu, a design Avva created out of flour.

She would never have called herself an artist, but Avva created this art in the mornings in the courtyard and in the pooja room at her home. I can still picture her squatting in her sari, a stream of powder flowing from between her index finger and thumb. She did this in long swift strokes like the conductor of an orchestra. Stars, swirls, dots, and flowers blanketed the ground.

After her death, the developers who purchased my grandparents’ house converted it to condominiums. The canvas for her artwork became the foundation for a newer, more modern Hyderabad known as the Silicon Valley of India. The sari chest is all that remains of my grandparents’ home, and my childhood memories of Avva’s artwork.

Over the years, I’ve contemplated how to preserve the muggulu best. Should an artist friend restore it with a fresh supply of rice flour? Should my daughter trace it with white acrylic paint for a more permanent solution? How do I recreate something vital to my heritage, to my identity, so that it will always stay with me?

•••

Who am I? I am a woman of color. I am brown. Mixed race. Indian, Austrian, Puerto Rican. I represent multiple souths—South Asia, southern India, and the Deep South in the United States. I am an immigrant’s daughter. Claiming each of these identities has shaped and refined my perspective of the world. It has helped me to find and immerse myself in a community that nurtures all of these parts of me. And the act of claiming my identity has empowered me to engage on a sociopolitical level, to grow my empathy, to reflect on the ways I fall short in the liberation of others. And to learn how to rectify this.

The claiming of identity and the evolution of a point of view sow the seeds for social change. For if we are lucky, if we follow the idea of the self far enough, it can end at a community that prioritizes compassion and justice in order to build a kinder, more equitable, more humane world.

In the summer of 2019, two friends and I decided we needed to work harder to keep members of the South Asian American community in Georgia more politically engaged year-round. The problem, as we saw it, was that our South Asian friends tended to come together for various Democratic campaigns, but as soon as the election passed, we lost touch, dispersed, and disengaged with politics until the next election season ramped up.

The three of us decided to start the Georgia chapter of They See Blue, an organization for South Asian Democrats.

Like any movement, ours began small. In August 2019, about a dozen people showed up to our first meeting at an Indian restaurant. Six months later we packed 150 people into a room for a 2020 Election Kickoff event featuring Georgia’s former House minority leader Stacey Abrams, three U.S. Senate candidates (Sarah Riggs Amico, Mayor Teresa Tomlinson, and Jon Ossoff), and state senator Sheikh Rahman.

Today we are over four hundred strong.

Our members have roots in several different countries, faiths, languages, and regions. We are immigrants and U.S.-born. We are learning how to be better allies and accomplices to other communities more marginalized than our own. We are interrogating our anti-Blackness. And we are mobilizing together to help flip Georgia blue.

Despite the risk posed by Covid-19, in the fall leading up to the 2020 presidential election, we worked ourselves to the bone for the Biden-Harris campaign and all down-ticket Democrats. We made thousands of calls, sent thousands of texts, and wrote 7,000 postcards on behalf of Democratic candidates. We hosted virtual forums with candidates. We educated South Asian voters about the voting process and trained to be poll workers and poll monitors. Our labor has paid off. Asian Americans and Pacific Islanders nearly doubled their voter turnout in Georgia from 2016. Approximately three-quarters of AAPI voters voted for Biden. Georgia’s sixteen electoral college votes will go to the Democratic presidential candidate for the first time since 1992.

What I am most proud of, though, are the South Asians in Georgia, many of whom had little to no experience with political activism until this election, who found a community in They See Blue Georgia and threw themselves into this work.

This, to me, is the heart of how identity shapes activism. It is the process of engaging people in our communities who have traditionally and intentionally been excluded from political discourse.

It is a movement about solidarity, camaraderie, coalition building, and lifting one another up. It’s about how our shared identity can propel us to become agents of social change, whether this takes the form of running for office, volunteering on a campaign, registering voters, or protesting.

It is who we are and where we come from.

•••

I consult a neighbor before I begin. “It will stay longer if you make the rice flour wet,” she says. “Turn it into liquid. Then you can paint with your finger.”

I watch a few YouTube videos to psyche myself up. I am no artist. I pour some rice flour into a bowl and add water, equal parts. With a fork, I swish the mixture, scraping it from the sides. Eventually it thins evenly. I attempt to paint a design on my countertop with my fingertip, as my neighbor suggested, but my finger makes for a clumsy brush. Instead I roll a sheet of paper into a funnel, pour the wet flour into it, and bend the tip to trap the mixture so it doesn’t escape before I’m ready. I practice again, this time forming half of a sloppy circle. Still, it’s progress.

I’m no match for my grandmother’s dexterous hand. Many years ago, she offered to teach me muggulu when I visited her home. I declined. What I produce now will not measure up. It will fail to honor her legacy. But this no longer matters. She would want me to try.

I sit cross-legged at the base of the sari chest, the door propped wide open, and take a deep breath. When I first unfold the tip of the funnel, the flour mixture rushes out too quickly. I wipe away the excess with a wet paper towel and begin again, squinting to locate my Avva’s neat outline. I position my hand over the design, and this time when the flour-ink flows, I’m ready. Curves and angles appear that I hadn’t noticed until I reunited them into one.

The image that emerges takes me by surprise. The faint pattern I had assumed these past nine years was a six-pointed star transforms into an eight-petalled jasmine flower, the same sweet-smelling blossoms my grandmother used to string into garlands at her home almost every morning. I would never have recognized her design for what it was if I hadn’t tried to restore it to its original state.

When I finish with the rice flour, I set aside the funnel and lean back to take it in. Some of the lines are shaky, too thick or too thin. Certainly, it is imperfect.

But in its very own way, it is beautiful.

•••

Reprinted with Permission from Southbound: Essays on Identity, Inheritance, and Social Change ©2021 by Anjali Enjeti (University of Georgia Press).

ANJALI ENJETI is a former attorney, journalist, teacher, and author based near Atlanta. Her books Southbound: Essays on Identity, Inheritance, and Social Change, and the novel, The Parted Earth were published earlier this year. Her other writing has appeared in the Oxford American, Harper’s Bazaar, USA Today, the Atlanta Journal-Constitution, Washington Post, and elsewhere. A former board member of the National Book Critics Circle, she has received awards from the South Asian Journalists Association and the American Society of Journalists and Authors. She teaches in the MFA program at Reinhardt University and lives with her family near Atlanta.