That Smell

woman in bed — By Gina Easley www.GinaEasley.com

By Jennifer James

It happens everywhere, in all kinds of situations; I’ll walk up to someone and smell That Smell. The last time it happened to me was the first day of Advent when all the families with young children gathered in our church parish hall to construct Advent wreaths. The smell wasn’t the first thing I noticed. In fact, when I first arrived with my husband and three children, the room smelled of old wood, fresh coffee, and evergreen boughs: genuine magic in the air. The Christmas tree stood in the corner, waiting for its bright lights and colorful ornaments. There were already some jars of peanut butter and Campbell’s soup under the tree for the food pantry. For me, it was the best of the Christmas season.

Then one of my favorite peeps at church, this young, amazing mom, with two little kids, came up and gave me a hug. I smelled the smell. You know it too, and it’s not armpit odor, or old urine, or greasy hair. It’s the smell of human skin trying to metabolize, to slough off, the stench of alcohol. You also probably know that this smell is not emitted (generally speaking) by some emotionally stable person who spent the previous evening nursing a tepid glass of merlot. Nope. This is the smell of poison, the result of one person consuming too much alcohol for his or her body to take. I know about this smell. I used to smell that way, too.

The first time I noticed my own skin generating alcoholic stench was one sunny December morning when I was teaching preschool. My husband’s company Christmas party had taken place the night before and there was lots of wine and beer. Lots of wine for me. Then, lots of chit chat. Chit-chat with my table mates about abortion. My Catholic tablemates. Whoops. Any grace I’d come to the table with had gone down with the third or fourth glass of wine. The next morning, I woke up nauseated and ashamed. This was a significant occasion for me, this one morning.

It would be very nice if I could tell you that I knew I’d been drinking too much, that I needed to stop or cut down. But no. I realized that I needed to do a much better job of hiding my relationship with alcohol. Otherwise, the jig would be up. And I was nowhere near ready to surrender my favorite thing, so no more drinking excessively in public.

There is a book called Drinking: A Love Story by Caroline Knapp. Not surprisingly, she likens her relationship with alcohol to one with a lover. I like the analogy because, like it or not, most of us have loved someone who or something that is bad for us. Sometimes the loved one is a parent, a lover, a boss, a friend. Sometimes a job or food. But no matter how disastrous the relationship is, there’s always a moment, an episode, an element of deep, searing satisfaction to the whole mess. In an abusive relationship, it might be the part when the abuser begs for forgiveness, swears that his victim is kind and generous beyond belief, that he might cease to exist without her. Shit, that’s heady stuff: who among us doesn’t want to hear that? If only the truth in those promises lasted more than an instant. And eventually, alcohol does something cruel to its lovers: it tries to kill us.

For years, I hated alcohol. My mother was an alcoholic. She was one of the kindest, bravest, most loving people I’ve known, but her relationship with alcohol sucked away a lot of that. She was quietly depressed her whole adult life, so far as I could see. She was never violent or cruel, not short tempered or really angry. She was just irreparably sad and the alcohol made it very hard to hide that. I didn’t want that for myself.

Because I was afraid of becoming as sad as my mom, I didn’t use alcohol in many of the glorious ways that so many miserable adolescents do. I didn’t use it to fit in or to grease social skids. I didn’t use it to feel more confident or brave. Nope. I went through high school as a bona fide misfit. I was pudgy (and this is before the so-called obesity epidemic hit America) and as a child, had been raised in a series of small, international communities. It was no big deal for me to have one classmate who spoke three words of English and another who was fluent in three languages. So when my family returned to the U.S. for good when I was fifteen, I had no idea how to navigate The American High School. When most of my peers were exploring chemical solutions to adolescent angst, I didn’t touch the stuff. In retrospect, this may have been a tactical error: I desperately needed some social lubrication.

Probably, these years of social pariahism helped make my introduction to alcohol so dramatic. Alcoholism is tricky business from a scientific point of view. The current thinking seems to be that some alcoholics are alcoholic from their first sip of alcohol, that their first drink was like a first kiss or something, that the compulsion to drink came with the first rush. Then, there are others who drink themselves into addiction: the folks who start by drinking “a couple“ of drinks a night, and gradually work into “a few” drinks a night, and then somehow start using it to make it through the day as some people use Diet Dr. Pepper or Starbucks. Some people are lucky enough to get some nifty little psychological tic (sometimes not until their thirties or forties) and find that deep breathing and Zoloft are not nearly as effective as a well-timed glass (or tumbler or stadium cup) of Chardonnay. I’ve known people with all these backgrounds. In a way, I am a person with all these backgrounds.

I had a proclivity to anxiety and panic attacks from the start (my psychological tic), started consuming a few drinks about mid-way through college, with little effect. I was waiting for a magical transformation to transpire from the elixir smuggled into dorm fridges via grungy backpacks, and when it didn’t happen, I lost interest. That was probably the point in my drinking experience when I could have stopped. I was well ensconced in the life of a social misfit in college, just as I had been in high school, and I could have muddled through the social challenges unaided by alcohol if I’d been truly aware of how my genetics and experience made me such a likely candidate for alcoholism.

That was the time when I could have stopped. That doesn’t mean I would have. And I remember the night I started drinking with purpose, with an understanding that an alchemy occurred when enough beer was consumed. Some friends from high school had gotten together at someone’s house, the parents conveniently out of town, and rum, beer, god-knows-what beverages running freely. I got drunk. Like, crawling up the stairs, stumbling into things, drunk. And while the hangover hurt like childbirth, I had found some magic in that night: for just a little bit of time, I felt normal. I felt good, even. Pretty, funny, accomplished. Ha.

Alcohol was my first love. It was like a secret passport, giving me license to be a person I never knew I could be. Add beer and I wasn’t afraid of anything. Because I started this chapter of my life in college, I could look to the right and to the left, and always find someone who was drunker than I was. It never occurred to me that I might have a drinking problem: I was having a good time! It wasn’t like I was a diligent student before I discovered alcohol, and drinking didn’t make my schoolwork much worse than it had been previously.

Despite the hangovers and ill-advised hook-ups, I survived college intact. I collected a degree and a boyfriend. The boyfriend, Ed, was an anomaly. Ed was handsome, kind, wise, and funny. He was nice to me. He drank beer right along with me, but I didn’t have to be drunk to be with him. God bless him, he married me. And besides alcohol, Ed was the only thing I’d ever found in my life that made me feel whole.

Shortly after college, my husband and I were struggling professionally and financially, and I was having trouble finding work. I spent a lot of lonely days in our crappy little apartment feeling sorry for myself and watching whatever VHS tapes were available for loan at the local library (my Blockbuster habit was breaking us). I noticed that a beer (or three) around four in the afternoon helped to make the evening more pleasant. And again, alcohol became the only way I knew to feel okay again.

But even alcohol and a kind husband weren’t enough to fix everything that was broken in me. I was a hot mess. By my mid-twenties, I was overcome with weird, irrational fears, and some whiney-flavored depression. I was working at the preschool with young children, whom I loved. I didn’t always love the adults who came with them, however, and frankly, young children in groups bigger than—well, two, being generous—makes me a little panicky. So, I would come home from work at about four and drink a bottle of wine. It seemed like a good idea at the time.

In the meantime, I was having gruesome nightmares involving faceless vampire-like beings and dead people who inexplicably opened their eyes. I was convinced that I would die very soon. It would be cancer or AIDS that did me in, and I was too petrified to even contemplate going to a doctor to confirm or disprove my insanity. As a result, I would require my poor husband to examine my lumps and bumps and to tell me I wasn’t dying, really. You can imagine that Ed had his hands full. But somehow he managed not to drink a bottle of wine every night. It was a mystery.

Eventually, after one particularly grueling night of drinking and weeping (I had just watched a chick flick about a young woman who died of cancer: surely, I was next), I called a counselor. God bless Eleanor, she talked to me and my inner child, and we all talked about my mom and I actually got better, kind of. Every good alcoholic knows to lie about their alcohol intake unless they’re itching for an intervention, so I never told Eleanor how much I drank. I started taking Prozac and it helped my brain even out some. I wasn’t so worried about dying all the time, and got down to the business of living. I still had wine as an ally, but I was trying to control my drinking now. Only weekends and such.

For me, it wasn’t long before the weekends seeped into Wednesdays and Mondays and who could really blame me for a glass of wine on Tuesday night? A couple of years passed. I left teaching and tried another couple of gigs: travel agent, legal secretary. I settled in as a receptionist at my local veterinary clinic, feeling sorry for myself for my lack of ambition.

By the time I was miserable enough to quit drinking, I was not missing days of work, only occasionally driving drunk, and not closing down the bars. I’d never had a drink in the morning. I’d never cheated on my husband. My life was simply, quietly, a mess. Because alcohol had become the most important part of my life. I loved my husband but only wanted to spend the day with him if the day included alcohol. I loved my newborn nephew but resented the idea of caring for him over a weekend’s time because I knew I’d have to stay relatively sober for the duration.

So I quit. After much consternation and many false starts, some meetings in church basements and coffee shops were involved. Reluctantly, I acknowledged that I couldn’t stop drinking on my own. I went to meetings because I was more afraid not to. I didn’t find them as comforting as many people do, but at least I was in the company of other people who understood what it was like to love a drink more than anything or anyone else in the world. Eighteen years later, I still don’t drink and still go to meetings.

In my experience (and only mine), the twelve-step programs are kind of like church: you can find a fundamentalist church if that’s what floats your boat. If you’re more of a universalist who doesn’t dig creeds or rituals, you can probably find a worship service to accommodate those preferences. As alcoholics go, I’m more of a universalist. I couldn’t have maintained my sobriety or sanity without good therapy and a lifelong relationship with antidepressants. I don’t like it when people make a list of rules that I have to follow if I want to live. That doesn’t feel like hope to me—more like a threat. Still, those famous twelve guidelines and the people who brought them to me were a part of my salvation because they promoted humility, honesty, and kindness. There aren’t many places you can find those attributes in this life.

I stopped drinking because one morning I understood that I couldn’t have a full life if I kept drinking. One of my friends from work had come to visit me the night before. She was a much more advanced drunk than I was. At least that’s what I told myself. We sat around and drank and drank until we could barely stand. We felt sorry for ourselves together. We watched soap operas and god knows what else. When my husband came home from work that night, I am quite sure that he felt that sickness in his chest that all people who live with alcoholics feel when they open the door and find a stranger inhabiting the body of their loved one. My friend and I slurred our greetings to him, giddy with our chemical wisdom and angst, and then my friend got in her car and drove home. Yep. Just like that.

And when I woke up that next morning, it was with That Smell emanating from my pores. That same smell I get when I hug a person in the parish hall at church, when a bank representative leans in to show me where to sign. I know that the person across from me is suffering, not just from processing toxins through their pores but from trading away little bits of their soul, one glass at a time. There are a lot of us out there. You can tell us by the way our eyes light up when someone pours a drink. The way we joke about needing a drink. All the time.

All of us stop drinking at some point. It’s just that for some people, that point is death. When people “die” from alcoholism, it’s often not from cirrhosis or an automobile accident. It can be a fall. Or a fight. It can be a quiet, chemical whisper telling you, “one more pill won’t hurt.” After alcoholism seduces its victims with easy laughter and imaginary confidence, it sets out to spread darkness, like a nasty cancer. You’ll know the darkness when you choose a glass of wine over your child’s cry or a blurred drive home over your personal, legal, and moral safety.

So when I smell That Smell on someone else, I want to hug them. I hope they’ll drink a lot of water and get a nap later in the day. I want them to know that they are not alone, that other people have woken with that same crust on their souls.

For me, kindness made all the difference. I had to understand that I was suffering from a physical, moral, and spiritual disease, and that I had to find a way to live as it was, not as I wished it was. And damn it, life can be a mess sometimes. It can be magical, uncomfortable, frightening, tender, tedious, and exhilarating—sometimes simultaneously—and none of it is in your control. Still, there is a certain freedom in accepting this chaos and in walking through the messiness with your spirit intact.

Weirdly, I found myself enjoying being a sober person. I found that it was okay to be wickedly uncomfortable at social settings, that I didn’t have to punctuate every event, good, bad, or boring, with a drink. Sometimes I wonder what the hell I’m doing with my life. But I don’t wake up poisoned anymore, with That Smell on my skin, or in my heart, for that matter. And that is a reason to celebrate every new morning, whatever the day ahead might hold.

•••

JENNIFER JAMES lives with her husband and three children in rural Virginia. After graduating from William and Mary in 1989, Jennifer moved to Gloucester County, where she found work as a teacher’s assistant and veterinary receptionist until 2000, when her first child was born. After an approximate decade of diapers and interrupted sleep patterns, Jennifer started writing with purpose in 2010 and has been at it since. This is her second essay for Full Grown People. A good story is her favorite thing.

Stranger Interlude

our country — By Gina Easley www.GinaEasley.com

By Terry Barr

I watched this man take off his hat. It was one of those worker’s caps like the one in that old photo of Allen Ginsberg’s mother, Naomi, back in the twenties.

Before he took off the cap, the hair sticking out on both sides suggested a younger man. It was rich and lush and very black. But once he doffed it, I could see the dye-line, the gray eking out in the spots that he missed. He was completely bald on top, too. Something wasn’t right, but I couldn’t make myself look away fast enough.

“Terry?”

His companion. She stared as if affronted that I hadn’t spoken first—that I hadn’t recognized her.

“Who’s that, Daddy?”

I was at supper with my four-year-old daughter, Pari. Her sister had just been born the day before, and I was trying to show Pari that she was still special to me, that she would always be my first love. I had let her order a chocolate milkshake for supper at this upscale Greek diner along with a funny-face waffle, an indulgence that I hoped her mother would never discover.

“Just someone I know from our Amnesty group, sweetie.”

“Oh. What’s her name?”

“Cathy, I think.”

“Oh.” She wisely returned to her waffle.

However, Cathy’s relentless stare kept burning into me, and so unwisely I spoke.

“Hi Cathy. How are you?”

“Oh, I’m fine. Terry, this is my friend.”

And maybe she did say his name, and maybe it was Marvin. In any case, Marvin turned to me. He wore heavy, black-rimmed glasses, a yellow Polo shirt, and green hiking shorts. He straddled his chair, his hairy legs protruding from either side. They were the sort of legs one sees on short, but active Jewish men, like my cousin Arnold’s son, Donald: legs that are muscular, compressed, and slightly bowed. Legs used to supporting a thickish frame. Legs that I thought could transport their bearer quickly and with ease in case of trouble.

“So, how do you two know each other?” he asked Cathy, as if there were something between us, something suspicious in the air. Which, of course, there was.

“Oh, Terry and I are members of our local Amnesty International group.”

“Amnesty International?” He turned to me then. “Tell me about that. I’m all ears!”

And he was, though if I stared at his ears, I’d just keep noticing that dye-line: the one separating hair that was too dark from the natural more salt-than-pepper color. Hair highlighted by his pale bronze dome.

“You’ve never heard of Amnesty International?”

I wondered even then why I was about to go on talking to the strange friend of a woman I barely knew, a woman I wanted to know less of. Besides, this was supposed to be a special night with my beloved first daughter who, at this point, was slurping the bottom of her chocolate shake.

“No, I haven’t, so please tell me more. I’m really curious about that name, Amnesty, and what it refers to.”

I explained as briefly as possible about prisoners of conscience; about letter-writing appeals; about volunteers and human rights abuses. Who can say what he heard or didn’t hear; what impacted him or bored him? But what I said next truly did penetrate those ears.

“We work for prisoners all over the world, though by policy, we aren’t allowed to write appeals for prisoners in our own country. That’s because in some countries, the letter writer might then be arrested and thrown into prison or maybe even killed, so we want to ensure that the writer is safe. The only exception to that rule is in death penalty cases; there, you can write about prisoners in your own country. The U.S. has plenty of these cases.”

“Wait a minute. You mean that you aren’t free to protest prisoners in the U.S?”

“Right. As I said, it’s a general rule put in place especially to protect those in other countries who don’t have the same freedoms that we do. Plus, we wouldn’t want to single out a country that has more freedom and make it an exception to the policy.”

I thought I had explained this procedure pretty well. I thought that now I might be able to return to my daughter and our night together. We were heading back to the hospital soon, and visiting hours were growing short. I missed my wife and wanted to see our new baby, Layla.

“Not as free as we are? What makes you think that we’re free?”

I think now of all the things I could have said, “So long, buddy” being foremost. But, of course, feeling the need to defend our nation’s list of Rights and Freedoms, I kept talking: the Right to Free Speech; to Assemble; to keep a Free Press. The Right to eat peacefully in a Greek diner with your daughter without being interrupted by a shady-looking associate and her even shadier-looking partner, a stranger to you.

But this last right was being so easily violated by the pair that it just proved his point.

I looked over at Cathy then, and I remembered what I knew about her, reported to me by my wife who served on one of Amnesty’s subcommittees, the committee on Women’s Rights.

“She’s a member of BirthRight,” my wife said.

“What’s that?”

“A group that works for the rights of ‘the unborn.’”

Cathy had advocated that the subcommittee get BirthRight to endorse their work and be listed as a sponsor for an upcoming event. The subcommittee respectfully declined. Amnesty, despite appearances, refuses all political monikers and manifestos. Being non-political has allowed Amnesty to exist in places that other activist groups can’t. But to be completely honest, virtually everyone in our group was active in other political organizations: the ACLU, the Democratic Party, the Sierra Club. And no one I knew in our group, except Cathy, wanted to work against abortion rights, though if someone were imprisoned simply for speaking out against abortion, we would theoretically work for their release.

To my knowledge, Amnesty doesn’t consider a fetus to be a person. Actually, that’s not exactly true. Amnesty just takes no stand on this issue. But it does question and work against gender-directed abuses around the world—for instance, those who are victims of forced female genital mutilation or of rape and assault by governmental forces. Violations that are not anyone’s choice.

But now Cathy and Marvin were waiting on my response about freedom in our country, and all I could think about was BirthRight. And abortion, and where all of this was leading.

•••

Once, I got a girl pregnant. We hadn’t been dating long, but I knew that she was into me, maybe because once, she confessed that I was “the best thing that ever happened to her” since she’d started her graduate school program the previous fall. So much for what she got out of that Yeats seminar we had.

Of course she wasn’t on the pill. Is it worse that I asked first? That when she said, “No, I’m not,” but then didn’t request that I “be careful,” explosions didn’t erupt in my head?

In other words, we knew what we were doing in that very special way that really means we didn’t.

I didn’t love her; I barely even knew her. In fact, on my way to pick her up for our first date on a clear October night, driving down Kingston Pike, Knoxville’s busiest strip, past the Bearden Bowling Alley and the Half Shell Oyster House, I knew that I didn’t want to be going out on this date. Going out with her. I should have turned around then.

But of course, I didn’t. I have no idea why I asked her out now, and I’m pretty sure I didn’t know then, either. We had sex exactly twice.

Even when her phone call woke me at my parents’ house on a mid-December morning, the first morning of my semester break, I didn’t flinch. Much.

“So, what do you want to do?” I asked.

“I’m getting an abortion. But I need three hundred dollars. Can you help me?”

And so I went to my bank, withdrew the money from my savings account, wondering now what I was going to use to buy Christmas presents for my family, and mailed a money order to her.

Three days later, she had the abortion. She didn’t ask me to be there, and I didn’t offer. Her roommate went with her, I found out later. I saw her once more, when she gave me fifty dollars to help me pay my rent. A few months later, she was dating one of my grad school buddies. I had no regrets about that or how we ended.

For us, the abortion was the right thing to do because our lives together shouldn’t have started or continued with that sort of mistake. I’m sorry we were so stupid. I’m sorry she faced the procedure alone. I’m glad we had the right to do what we did, and I really don’t wonder what our child would have been like.

More than anything, I shudder to think of what would have happened to all of us had we decided to have the baby.

I do feel many emotions as I picture this time of my life, some thirty years ago now. But even after all that time, the feeling that lays strongest inside me is relief.

•••

I’m a little slow about becoming aware of those funny feelings that we all get. Or maybe it’s just that when I get them, I’m too slow to respond.

So as I stared at Marvin’s bald head, fringed with unrealistic hair, I realized that more than his hair was off. I know now that while Pari was finishing her funny face, I should have been calling for our check.

Instead, I looked at this strange fellow and asked, “Don’t you think we have more freedom than, say, people in Uganda, or Iran, or North Korea?”

“Don’t you think,” Marvin sneered, “that our government is watching us all the time, monitoring our phone calls, keeping tabs on what we watch, where we shop? What do you think all those cloudy tracks in the sky are?”

I remembered to breathe just then, and a new truth hit me.

“So, what do you do?”

“You don’t really want to know what I do.”

And in a sense, he was right. Ten minutes earlier, I couldn’t have cared less. Fifteen minutes earlier, he and his crazy legs didn’t exist.

If only we could abort certain scenes.

“Daddy, I’m finished.”

“Okay, sweetie.”

But I couldn’t stop now. It’s funny the challenges we choose to accept.

“No, go ahead and tell me what you do. I’m really interested.”

“Well, while people like you are out playing golf every day, people like me are working for something bigger.”

Now, I had taken two semesters of golf back in college, mainly to keep myself out of activities like tennis that would cause excess sweat and would necessitate a mid-day shower.

“Golf? That’s what you think I do?”

It’s strange what all can get in your way when you should be relating to your daughter, when you should be holding your other newborn daughter. Today, I’d avoid this scene like I would unsafe sex. In fact, just last night when I was sitting on a park bench outside my hotel—the Hyatt Regency—in downtown Louisville, a man scrambled to the bench across from me. He was smoking the butt of a cigarette. I had my IPod in, Wilco singing about “The Ashes of American Flags.” I knew immediately that this guy was off. I had seen him earlier at my lunch break; his eyes had the unfocused look of pure madness. And he was shaking. It was seven in the evening, temperature in the low eighties. I let the song finish, and as casually as I could, I left my bench for safer ground.

But with Marvin?

“No, man. I don’t play golf. I’m a teacher. And you don’t know anything about me,” I said.

“Well, if you must know, I’m part of the Patriot movement. We’re changing this country. Taking it back.”

I stared for a beat. I had heard of such “movements,” mainly from my Southern Poverty Law Center pamphlets like Human Rights Watch. And Klanwatch. Back then, in the mid-nineties, these movements were mainly underground.

What do any of us think of when we hear the word “patriot?” Nathan Hale? Sam Adams? The three-cornered hatted, three-point-stanced character who used to adorn the helmets of the former New England football team when they called themselves the Boston Patriots?

Then, “patriots” were showing up in places like Oklahoma City, Ruby Ridge, Waco. Two years later, one would set off a bomb at Atlanta’s Centennial Park. Another, or actually the same guy, would bomb a women’s clinic in Birmingham, my hometown.

And in my current home of Greenville, South Carolina, a four-year-old boy would get arrested for blocking the entrance to yet another women’s clinic. He was our neighbor, and now he’d have a criminal record. On the news that night, his mother would refer to him as a “hero…a real patriot.”

I wondered then about our definitions, our stances, the people we meet. This same mother once called me over as my wife and daughter and I were out walking. She wanted us to meet her mother, a grinning gargoyle of an old woman who was climbing out of a minivan and wearing an oversized t-shirt.

On that shirt was the silkscreened image of an aborted fetus, about three times the size it would have been. Below the image, the caption proclaimed, “This one might have been yours.”

We couldn’t escape fast enough.

I hope my daughter doesn’t remember that scene, as I do, although I realize, of course, that now she very well might.

•••

The waitress brought our check. I gathered my little girl up, looked back at Cathy and Marvin, and said, “Nice talking to you.”

I’ve always had such good manners.

I don’t remember what—if anything—they said, and I don’t care. I’m thankful that I never saw either of them again, although every time I get an edition of Klanwatch, I scan it looking for news, for the people I barely know. And I’m even more thankful for the freedom to associate with or to avoid whomever I want.

•••

TERRY BARR’s essays have appeared widely in such publications as Graze, Compose, Under the Sun, Tell As a Story, Sport Literate, Four Ties Lit Review, and Purple Pig Lit. This is his second essay for Full Grown People, a site his creative writing students at Presbyterian College read every week. He lives in Greenville, South Carolina, with his wife and daughters, both of whom are fine, compassionate young women.

The Status of Pain

By Sonya Huber

A friend at a writing conference asked me how I was doing. I said, “Pretty good, all things considered.”

“That’s good,” he said. “All I see on your Facebook page is ‘Pain, pain, pain.’”

I gave a half smile and a knowing shrug to get away from the conversation, but my brain buzzed with distraction, embarrassment, annoyance, and a bit of curiosity. That’s all I’d managed to leave as tracks on his brain: pain? Was he razzing me in a failed attempt at flirtation, or maybe trying to be sensitive in a backhanded way?

Then I began to worry that I’d set up an inadvertent Wailing Wall on social media, even though I’d tried to do the opposite. I had made a conscious decision to post as little as possible about my medical adventures with Rheumatoid Disease and Hashimoto’s thyroiditis.

Sure, I needed to vent. After scrolling past enough pictures of people’s dinners, rock-climbing feats, and dogs, I felt compelled to put a bit of myself into the maelstrom. And sometimes I wanted to share that my small life was also part of the big picture of life, even if it was posted from flat on the couch.

The last thing I wanted to become on social media was what I felt like in real life: pain, pain, pain.

•••

When I was in college, a young woman in philosophy class told us that she had chronic pain from ulcers. I couldn’t fathom it. Pain, like stubbing your toe, but all the time? Wouldn’t that drive you bat-shit crazy? She was beautiful and a campus athlete, and I began to revere her from afar as some kind of saint, which was the reference point I had for unrelenting suffering: that it ennobled.

Lucky for me, I had exactly twenty more years to live my lovely normal life, filled with sex and sports and walking and soccer and sleeping late and hardly ever having to fill prescriptions. My body could swing and shake and dance for hours. Eventually my immune system revved up into crisis mode when I was in my late thirties, which catapulted me into rheumatoid disease. It’s systemic, autoimmune, and incurable. My joints hurt pretty much all the time. I’m four years into the rest of my life, the part that comes with pain.

Since then—in case you’re tempted to share with me your quick fix—I’ve tried everything, and I manage stuff like a pro. Supplements, exercise when I can, a new diet, medications, acupuncture. I work it like a job, and I have to say I am as responsible as one can possibly be in caring for this very needy pet. But although pharmaceutical company commercials want us to believe that new drugs make life better for everyone, the drugs for my condition don’t work all the time, and they don’t erase pain.

•••

Pain itself is a weird experience, but you get used to it, even if it does drive you a little bat-shit crazy. It’s as tiring as parenting a newborn. It creates so many interesting conundrums and challenges. You can imagine it as adding a World of Warcraft addiction or a constant remodeling of one’s kitchen to your already busy life. That’s what it’s like: a weird project that you have to manage in addition to everything else you already have going on. A weird project that will never go away. Imagine remodeling your kitchen for the rest of your life.

People who don’t know pain think it is really depressing. This makes sense, because it is the core biological imperative for preservation of one’s existence: avoid pain. Run, in fact, from any mention of it.

When I post on Facebook about being in pain, or admit to pain in a casual face-to-face conversation, I read the winces in the emoticons, and I feel and see the edges of my friends’ mouths pull back in grimaces of displeasure, winces of agony, as if they themselves are feeling discomfort. As if, in mentioning it, I am the one hurting them. They don’t want to talk or hear about pain. But they have questions, and they are embarrassed to ask. Some friends do ask, and I have loved how they listened as I tried to describe it. I feel very cared for in those moments and immensely relieved.

It’s hard to figure out what to do with this pet Pain I have if I can’t post picture of it on Facebook. It’s not going anywhere, and yet the thought that it makes other people uncomfortable adds to my own discomfort. Not only do I have a physical problem to deal with, but I also have to feel guilty and watch that I don’t inflict thoughts about pain onto other people like some kind of social contagion. People want to fix pain or to convince themselves that it’s not that bad. They want to tell you their grandmother cured her osteoarthritis with cactus juice. I’ve done the same for different difficulties, responding with vague clichés about “what makes us stronger” when friends have lost parents, marriages, jobs, and medical battles.

It’s hard to know what to say. It’s easy to say the wrong thing in those situations.

Sometimes it’s harder to watch someone we love suffer than it is to suffer one’s own pain. I can’t do anything about this pain (aside from seeing my doctors, getting on the treadmill, and eating turmeric and fish oil like candy) but at least I can know it. And that’s what causes anxiety for others, I think, and for me when I’m on the other side of a skin barrier from pain: it is unknown, unfathomable.

•••

I decided to read through a year’s worth of my Facebook posts to assess whether this friend’s comment about “pain, pain, pain” on my Wailing Wall was accurate. Because I love Facebook, I had hundreds of my own inane status updates to click through, mostly quotes about writing, teaching, books I loved, political activism, or events on my campus. I had posted links to articles on fighting racism, pictures of my family, jokes, laments about my dying car, and a photo of a squash that we’d kept on my kitchen table for over a year because my son drew a face on it with a permanent marker. I posted about getting solar panels, my love of the cartoon Adventure Time, and many thoughts on the Affordable Care Act. I posted ideas for imaginary band names and jokes about Star Wars, as well as an update on happened when I spilled a full can of seltzer on my desk. I posted about the sport of soccer-tennis, a trip to Hong Kong, kayaking, and the zombie apocalypse.

Throughout the whole year—June, 1, 2013 to June 1, 2014—I discovered six posts about my illness. Three of these were not about my own situation, but instead links to content created by other people: a graphic about national awareness day for Rheumatoid Disease, a link to a survey about Rheumatoid Disease, and a link to a book about coping with chronic pain. The remaining three posts gave updates about my own health situation, all within a few weeks last summer in which I had a thyroid crash and was having problems with my energy levels. One was a simple apology that I was having trouble returning emails in a timely fashion because I wasn’t feeling well. The second: “When I have the energy, I’m going to write about finding the energy to parent with an autoimmune disease.”

And the third: “It turns out that giving up caffeine after a 22-year habit is actually not that big of a deal if you have RA. I have learned this morning that my pain tolerance and my pain levels are both so high that a teeny little caffeine headache barely registers. It’s kind of cute, this little chemical headache trying to act all important.”

Two posts for the entire year had mentioned “pain” by name.

•••

In that last post, I injected some humor, as I know I should when talking about illness, as a way to sweeten the subject and not drag my friends down, but also because it’s one of my own coping methods: I have to laugh at it. At the same time, I was trying in that status update to give myself a little credit: I do have a high pain tolerance. People in chronic pain are often desperate for a sense of how others might experience their level of pain, not to share the misery but because they would like to know whether they are merely being overly sensitive or whether they are dealing with something that is as epic as it feels.

This is all complicated by the fact that pain research shows that a chronic pain sufferer’s nervous system can get activated and become permanently on alert, so that everything does feel like agony. The question is epistemological, as all seem to be: how would this pain feel to another person? That’s impossible to know, because pain is not an abstract essence. It is an experience, a process.

•••

My friend might have been exaggerating, but I believe his comment, and his memory of the “me in pain” that I’d shared on Facebook, meant something, despite the fact that it was factually incorrect. Pain is searing and it creates an emotional connection. Expressing pain affects others deeply, creating discrete and uncomfortable memories. One expression of pain, and that is what he remembered. This, too, must be keyed into our species’ survival.

When I thought of this friend and his own online persona, I happened to remember most vividly a few honest posts he’d made about his own troubles. It could be that empathy burns those associations into our brains, and that we vividly remember the strong emotions that are drawn forth by the agony of others.

The question, then, is whether even a few honest statements about our conditions become what people see when they think of us. If we are vulnerable, will people automatically associate our whole beings with those moments when we are at our weakest?

•••

Maybe as a result of this awareness, which began well before his comment, I’d also been consciously checking myself. I felt embarrassed after I posted more than one thing about my health because an administrator at work who is also a Facebook friend said, “You’ve been very honest on social media about your medical issues.” He said the word “very” like I’d done something scandalous and unwise, or as if I were into an odd hobby like sticking goldfish up my nose. Or as if admitting to Rheumatoid Disease was akin to posting a picture of myself doing a kegstand. He’s one of those administrative types that make you feel like you might be in trouble for everything. He kind of has principal voice.

After his comment, I got a little paranoid and decided to post less on social media about my pain, partly out of vanity: I didn’t want to be depressing. I wanted people to see me as someone who had more going on in my life than pain. I wanted to be seen as sexy, lively, cute, funny, and relevant. Smart. A thousand other favorable adjectives to please my ego. So maybe vanity won over honesty, or maybe I was trying to condition myself to focus on more than the pain in my joints.

After I’d made the promise to myself to craft an ideal version of myself, a witty well-read upbeat figment of my imagination, another friend said, “I noticed you haven’t been posting stuff about your health on your page. You must be doing well. I’m so glad.” I wanted to tell her about my continued troubles, about the complicated nature of invisible disability, but I said nothing. We hugged and rushed off in opposite directions in the middle of some event.

•••

I have gone back and forth about what risks I take when I publicly acknowledge on the Internet that I am sick. Or that I am me plus a sickness, or however I might want to describe it to make myself feel better on a particular day. For a while, I thought that sharing would actually protect me, because I figured that the more people knew, the more they’d be required not to discriminate against me. But this is a whole other legal and medical privacy conundrum. I know, ultimately, that the social protection of sharing outweighs any of this, because I stumble slowly into networks who will be truly supportive when the chips are down.

I know that the data I post on social media might be used for specific marketing purposes and is public in a way that might have an impact on me in the future. I can’t be denied insurance for a pre-existing condition under the Affordable Care Act, but new methods of discrimination are always being hatched. Still, this condition is already recorded everywhere in my records, so I’m not safe anyway.

I can’t maintain a cagey fear of anyone finding out about my healthcare issues. Pretending a big part of my life doesn’t exist only makes me feel insane, and ashamed, as if I have done something wrong that I need to hide. I needed people to know what was really going on in my life because the pressure of trying to pretend to be normal was more exhausting than being sick. I needed my coworkers and friends to adjust their expectations of me. I needed them to know what I was up against so that they might understand when I said no. Putting my reality on Facebook was a way to train myself and others to deal with my new normal.

For that reason I have decided to be “out” despite the consequences, but I have to remember that I am able to be vocal about a few conditions in my life due to social privilege. One: I’m a writer, so if someone does discriminate against me on the basis of a health issue, I can put it up on the Internet in a reasonably coherent narrative. Two: I’m an activist, so I would know how to make a stink about it. Three: I’m white, so I have the social privilege to be listened to and believed. Four: I’m a tenured professor with a decent income, so I have the flexibility and time to write, the ability to have a flexible schedule that works around my illness, the support of colleagues, and the ability to be relatively safe from health-related discrimination at work.

•••

Or did I just want sympathy? I admit, at my weakest moments, that I did want that. But I also wanted to benefit other people with these conditions, which is a major motivation for people who post information about illnesses on social media. A recent study found that 94% of patients were willing to share their social data to help patients like them, even if there were privacy risks involved. Hence, the link sharing. And another survey found that 33% of adults use social media to find out about medical conditions and “to track and share symptoms.” For that function, I would sometimes post questions or comments to a series of Facebook and blog comment boards where patients could crowdsource information about new treatments, tests, medications, research, and side effects.

At base, I wanted my friends to understand me, including this new little wrinkle in my life. I wanted to be out as a person with Rheumatoid Disease because being quiet about it added shame and loneliness to a host of other problems, mainly the pain.

It’s hard to know exactly what I want in response. Sympathy helps a little, but it almost directly transforms into my friends’ agony and discomfort, and I don’t want that. Instead, like sharing haircuts or publications or travails about broken cars, I just want them to know and to have known, so that they can form an accurate and honest picture about me and who I really am. That’s intimacy, I suppose, and it seems to break down the wall that anxious sympathy erects.

And it’s true: I do have chronic pain. But I can name your imaginary band in two seconds, and I have a thousand books you should read, and I’ll send you a link to a great news article, and I think your dog is really cute. And I do have a lot more going on than lying on the couch. It’s just that right now … I’m lying on the couch.

•••

SONYA HUBER is the author of two books of creative nonfiction, Opa Nobody (2008) and Cover Me: A Health Insurance Memoir (2010), and a textbook, The Backwards Research Guide for Writers (2011). She teaches at Fairfield University and in Fairfield’s Low-Residency MFA Program.

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Nothing Gold Can Stay

girlinwindow — By Gina Easley www.ginakelly.com

By Kim Kankiewicz

With the first lilting chords of the piano, we take the floor. The snare drum eases into a 6/8 shuffle. We melt into one another as the strings sigh the opening notes of the melody line. The horns respond with a glissando in the second verse, and we are afloat on liquid gold. We are bodies swaying in a collective embrace, in love with every-other-body in this place.

My dress is buttercup yellow, strapless with a sweetheart neckline. The chiffon skirt cascades over a crinoline of nylon netting. My hair is combed into a sleek bouffant, its curled-up ends grazing my bare shoulders. My dance partner wears a white sport coat and a crew cut. His face is indistinct, but no matter; he is not the point of this imagined memory.

The point is the convergence, the enfolding of each of us into all of us. The song, to which I have never really danced, is “Theme from A Summer Place.” In my reverie, we sway to the familiar instrumental recording, Percy Faith’s 1960 orchestral arrangement. But other artists—my favorite being The Lettermen in 1965—have recorded “Summer Place” with vocals. Listen and you will hear a song less about romance than about sanctuary:

There’s a summer place

Where it may rain or storm

Yet I’m safe and warm

For within that summer place

Your arms reach out to me

And my heart is free from all care…

•••

Since childhood, I have cast myself in fantasies with soundtracks from my parents’ youth. I was six years old in 1980, when my family moved to Nebraska and settled into the Craftsman house where my parents still live. The formal living room, unfurnished for nearly a year, was the theater where my brother and I performed “Rock Around the Clock,” “At the Hop,” and other teen anthems from the American Graffiti soundtrack.

In fifth grade, I pictured my sixth grade crush pining for me as I listened to Frankie Valli crooning “My Eyes Adored You.” Carried your books from school, playing make-believe you’re married to me. You were fifth grade, I was sixth, when we came to be. I knew no sixth grade boy would carry my school books—not least because I was the kind of kid who listened to the Four Seasons in 1985—but envisioning such a scenario made the unfamiliar territory of adolescence feel navigable. The same was true in the final months of my eighth grade year, when I sweet talked my dad into deejaying a sock hop at my middle school. With high school on the horizon, I imagined joining the letter jacket crowd, the clean-cut kids with social status. (That the sock hop itself was not imaginary is equal parts mortifying and miraculous.)

At no time were my retrospective daydreams more persistent than during my first year of college. Living in Kansas I was homesick, so homesick. Studying to the oldies and wearing vintage clothing bolstered my spirits, but the image that sustained me emerged from a trashcan in the bathroom of my residence hall. On my nineteenth birthday, I discovered a date stamp on the trashcan’s raised lid: October 10, 1967—the month and day of my birth and the year my mom entered college. Never mind that she had attended a different college; it seemed profoundly significant that this trashcan was installed when my mother was a freshman, seven years to the day before my birth.

The date stamp became my talisman. Glimpsing it as I left the shower each morning, I would borrow my mother’s courage for the day ahead. She too was homesick, so homesick, when she arrived on campus, but she came to regard her college years with fondness. In her footsteps, I would do the same. I was into The Ventures that fall, and as I ascended the stairs between my residence hall and the main campus, a mental guitar loop from their 1960 hit “Walk, Don’t Run” propelled my steps. In my sophomore year, my confidence as a returning student was affirmed when Pulp Fiction made Ventures-style surf rock popular again.

I more or less maintained that confidence through the transitions of marriage and motherhood, relocations to Colorado and Minnesota and corresponding career changes. I believed homesickness was for kids and for people who moved internationally or under duress. Even as a college student, homesickness seemed to place me in an immature minority. As an adult, I did not expect to come unmoored when my husband’s career took our family from Minnesota to the Pacific Northwest.

•••

Here is a partial catalog of things that have made me cry since we moved to a suburb of Seattle last year: a parking structure where all the spaces are compact, because I miss the ample welcome of a Midwestern parking lot; the opening page of a novel dedicated to “the great state of Minnesota”; an area car show, because it was to St. Paul’s annual vintage car show as “Rock Around the Clock” is to the entire American Graffiti soundtrack; a photo of John C. Reilly, because I once noticed that Minnesota’s eastern border looks like his face in profile.

I am ashamed of my emotions, ashamed that I am not content to live in a comfortable house in a safe neighborhood between the Puget Sound and the Cascades. Our new hometown has good schools, a downtown with an art gallery and a live theater, hiking and biking trails, a farmers market. Our new neighbors build community in many ways—educating and caring for children, volunteering at the food bank and soup kitchen, protecting natural resources, creating art—and they have welcomed our participation in these activities. We’re surrounded by beauty: trees, lakes, mountains, and a creek where the salmon run every fall. My husband says he is still astonished that we get to live here.

I know how he feels. When we moved to Minnesota, I was overwhelmed with gratitude. We arrived in autumn, my favorite season. I basked in the low-angled sunlight reflecting off St. Paul’s Como Lake, the red and gold leaves crunching beneath my feet as I circled the water. Our family picked apples at a local orchard, watched squirrels and birds at an urban nature center, and met other families at a park where my son learned to ride his bike. In winter, the season that defines Minnesota for people who have never been there, we discovered sledding hills and indoor playgrounds, and the tropical plant room at the free-admission conservatory, where anyone could find warmth and color on a bleak day. We found that we lived among neighbors who would clear our driveway with their snow blowers without being asked.

But I loved Minnesota before I experienced those things. I loved it before I lived there because my grandparents had called it home. I had spent Christmases and summer vacations with them, and with the aunts and uncles and cousins still living throughout the state. I knew something of Minnesota’s history and its coalescence with my family’s history, and so moving there felt like a homecoming. Moving away felt like an evacuation, like being emptied from a vessel made from parts of myself.

I assumed that these feelings would fade after a brief adjustment period. Months after moving, I wrote off my ongoing melancholy as stress or Vitamin D deficiency. When it occurred to me that I might be homesick, this self-diagnosis seemed so implausible that I Googled “adult homesickness” to verify its existence. My search turned up several recent articles on the subject, including an op-ed in The New York Times by a writer named Susan Matt. Based on a decade of research, Matt concluded that feelings of displacement and depression are common among adults who relocate. Yet we are reluctant to acknowledge “the substantial pain of leaving home” in an era that regards mobility as a virtue.

Matt’s byline referred me to her book, Homesickness: An American History, in which I read about homesick colonists and nineteenth-century immigrants. I learned that homesickness became taboo in the twentieth century, when embracing progress meant surrendering ties to the past. What most interested me was the connection between homesickness and nostalgia, which are literally synonymous. The word nostalgia was coined in the seventeenth century as a diagnostic term describing a painful longing for home. It combines the Greek words nostos (“return home”) and algia (“pain”) and remained in use as a medical term through the Civil War. It was only during the rapidly changing twentieth century that nostalgia gained distinction from homesickness—longing for a lost time as opposed to a lost place.

I recognize these desires as twins, but how do I understand twins born years apart? What does it mean that I am nostalgic for a time before my own birth? It’s notable that when I cry for Minnesota, I am moved by my sense of its shape, of a history that predates my life by decades. Like the homesick freshman I was, I am again sustained by popular music of the past. I recently bought a turntable and have acquired on vinyl the greatest hits of Bobby Vinton, Herb Alpert, The Brothers Four—artists who were on the charts the year my dad graduated from high school. My most common earworm, the song that both rouses and soothes my sentiments, is “Theme from A Summer Place.”

•••

In 1960, when Percy Faith recorded “Summer Place,” my grandparents owned a creamery in Fingal, North Dakota. My dad was fourteen years old. His parents had purchased the creamery when he was four and would operate it until 1968, when my dad was in college.

My grandfather was a butter man. He bought cream from farmers, pasteurized the cream in a heated vat, and churned it by the ton. By hand, he scooped butter from the churn into 64-pound boxes that were trucked to school cafeterias and military bases. He kept two boxes from each churning and parceled that butter into one-pound cartons sold locally. The town was proud of its butter, deeming it the best around. Fingal butter was served in restaurants and at the Woolworth counter in Valley City. Fingal natives who had moved to Fargo or Grand Forks filled shopping bags with Grandpa’s butter on return visits. At a reunion just months ago, a former classmate showed my dad a yellow carton with a Fingal Creamery label that she has saved for almost fifty years.

Butter unifies. It absorbs and concentrates flavor. It creates texture and emulsifies, blending ingredients that would not otherwise mix. A man who makes butter connects farmers with townspeople, towns with cities, schoolchildren with soldiers. The butter maker’s family is embraced. His wife is esteemed, his children golden boys and girls.

This is the refuge I seek in my father’s past. I want to know the butter maker. I want to break bread with the butter maker’s family. I want my children to walk to school with the butter maker’s children. I want to be the butter maker, and the butter, melting into the place where I belong.

•••

I have become a broken record. At some point the longing to be absorbed becomes self-absorption. I must reconcile my butter-gold narrative with reality. In 1960, Fingal was homogenous as milk. I imagine it was possible there to feel separate from the world, from the civil unrest churning the nation, from the state’s native population. Even so, I hear whispers of Fingal residents who did not find sanctuary in small-town North Dakota.

Nostalgia is too easy. It saddens me that the Fingal Creamery ceased operations in 1970, two years after my grandparents sold it and returned to Minnesota. But to romanticize an era when mom-and-pops outnumbered franchises is to overlook disenfranchisement. My own comfort and safety are not enough, after all. I am out of my element where I live now, like frozen butter unevenly spackled on toast, and maybe that is the point. Maybe I am here, in this place and time, to be uncomfortable in a culture consumed by comfort. Frozen butter will keep safe indefinitely, but safety is not its purpose. Butter is for flavor and texture, qualities that are lost after too long in the freezer.

In other words, it is time to expand my soundtrack. I’ll always have a soft spot for golden oldies. But there are living voices singing songs I want to hear, street musicians and symphony members I want to know. I want to feel the pulsing of every drum in the beating of my heart. If the asynchrony is jarring, I am ready to be shaken.

•••

This is KIM KANKIEWICZ’s second essay for Full Grown People. While writing it, she discovered that The Brothers Four are from Seattle and are still performing. She has tickets to attend a Brothers Four concert the next time her parents are in town and hopes to hear a live performance of her dad’s favorite road trip song, “Blue Water Line.”

Friendship and a Bottle of Mirto

bikes — By Gina Easley www.ginakelly.com

By Powell Berger

“I’ll take the big room in the back,” Marie announced after our host family waved good-bye, dust trailing their little red Fiat. “That way, you get the room by the front door,” she said to me, “so you can protect us.”

Marie and I hadn’t traveled together for years, and back when we did, it was usually in triple-sheeted luxury hotel rooms at resort destinations where booze and business mixed, and our corporate expense accounts picked up the tab. She’d been that go-to friend for over twenty-five years, even though time and distance and life meant that we sometimes went months—even years, a few times—without talking much. She was the anchor during my divorce over two decades ago, and I can still hear her laughing when I’d call, irate over my estranged husband’s latest transgression. “The only thing funny about it is that you’re so shocked and angry,” she’d say. “Let it go!” She was right, of course, and I’d been reminded of her sage counsel more than once in recent months. My second marriage was crumbling under the weight of deceit and abuse.

Here we were, together again, this time in Solanas, Sardinia—a tiny beach village along the island’s southern coast—in a home exchange arranged months earlier. It had been advertised as a “charming, rustic beachhouse”; it bore little resemblance to the luxury hotels of our traveling past, and, as far as we could tell, had no proximity to anything resembling a beach.

Marie had been my go-to source when Sardinia beckoned, not because she’d ever been there or had any special insight, but because her grandparents emigrated from Sicily over a hundred years ago and their Italian roots held firm, even if her passport proclaimed her an American. What is normally considered spaghetti bolognese, she calls macaroni with gravy, and her pasta lexicon is numeric, vaguely explaining those mysterious numbers on pasta boxes. She’s the diva of her Italian-loving Manhattan meet-up group, and I’m convinced that should someone cut off her hands, her tongue would fall out as well. For all things Italian, she’s my source.

And for that matter, maybe all things too hard to navigate alone.

•••

We’d met back in our DC days, me a young lobbyist for the plastic bag industry, and her, the savvy insider, keeping safe the distilled spirits industry of America. She peddled Boodles gin, Moet champagne, Absolut vodka, and single malt scotch while I tried to convince the nation of plastic’s benefits. She drew the crowd, and I rode her coattails.

It was her DC apartment—its tiny galley kitchen, ten-foot ceilings, and Victorian molding—that was my respite during the drama of my first divorce. My then two-year-old, Owen, knew her as “Aunt Marie,” our wacky friend with the elegant apartment where we had pajama and movie parties, mostly when Mom seemed sad and needed a friend. It was a regular enough occurrence that Aunt Marie’s apartment came to be stocked with Owen’s own melamine bowl and plate and cup, and a can of Chef Boyardee, to be opened only in the event of dire emergency. It should be noted that the can was never opened, Marie horrified by its mere presence in her cupboard. She finally tossed it, declaring that no kid she loved would ever eat that junk.

Sometime after my first marriage and two new kids into my second one, she was my pick to stay with my babies when my new husband and I secretly jetted off to Honolulu in search of schools, housing, and jobs, the next step in my plot to move my family from beltway politics to the beaches of Hawaii. She routinely questioned my logic, first on the new husband—whom she called Church Man because she never remembered his name and because we met at church—then on both my moving strategy and my common sense in choosing her to watch my kids. Unmarried, with no kids of her own and no tolerance for the suburbs, she looked bewildered as I handed her my house keys and a map to the preschool and waved goodbye.

She swears I never called to check on them, a point I contest, but maybe it’s true. But when I returned two weeks later, she’d become the Peter Pan in my children’s magical world. Five-year-old Austin introduced her to Thomas the Tank Engine, and she sat with him, transfixed, convinced that the show’s narrator, George Carlin, would surely revert to his stand-up calling of smut, that this children’s movie phase was purely hallucinogenic.

Like the actress glumly owning her box-office failures, she reported that two-year-old Emmi couldn’t be swayed by Coco Chanel’s timeless fashion wisdom about elegance and simplicity, insisting instead on prints plus stripes plus plaid—and the tiara—on a daily basis. “That’s okay, I guess,” Marie told me. “I did what I could. She’s young. There’s still time. And thank god the women at the preschool knew she wasn’t mine.”

•••

Teenagers now, Austin and Emmi had not spent much time with her in the years since—just short visits whenever we passed through New York City, her home since retiring from her high-flying lobbying days—but time and distance hadn’t dulled her mystique. To them, Aunt Marie was a living, breathing, designer bottle of pixie dust. Me? I believed that bottle to be filled with truth serum and honesty. Exactly the potions I needed about now.

For our Sardinian adventure, we rendezvoused at the airport in Calgieri and giggled like schoolkids as we engineered the inclusion of my family’s meager carry-ons and backpacks in the rental car after stuffing it full with Marie’s steamer trunk, designer carry-on, and expensive leather satchel. There was none of the usual whining as Austin and Emmi crammed in on top of their bags, their feet settling for the cracks between the suitcases on the floorboard. Marie drove, while I navigated the nonsensical maze of narrow, twisting, scare-you-breathless roads between the capital city and our Solanas summerhouse.

While our hosts—Italian grandparents straight out of central casting—escorted us through the history and rustic nuances of their family home, I exchanged nervous glances with Austin and Emmi. Their eyes registered our common thought: the queen of luxury—with her designer bags, Chanel sunglasses, and perfectly manicured nails—is actually going to stay here?

The small, dated kitchen with the lean-to roof jutted off the covered porch, separated from the rest of the house as though an after-thought, behind the bougainvillea vines threatening to overtake the eaves. A wobbly table and chairs—circa 1950 with the formica top and metal frames—anchored the room. Rickety cupboards flanked the fireplace where a picture of the Virgin Mary leaned against the mantle, food splatters suggesting she’d enjoyed more than a few meals here.

Across the small porch, past the simple square table and two wooden straight chairs, Grandma guided us through three sparse bedrooms flanking a space that might have once been the entryway, before TVs demanded a room. Grandma pointed to the mismatched, folded sheets on each bed, miming that we could make our own beds as we wanted. She showed us where she’d cleared the closets so we had room for our belongings and shook her head forcefully when pointing to the closed bureau in the small master bedroom. Off limits. We got the translation. Ignoring our nervous glances, Marie smiled and tested her rusty Italian, chatting and miming with Grandma, conveying our understanding and appreciation.

Outside, Grandpa scurried around the property, showing us the fresh herbs in the garden. The basil and rosemary we recognized immediately, but the thick green leaf vines brought us to a bi-lingual, miming quandary. Crowns, the couple mimed, weaving the vines together and placing them on their heads. Plucking the leaves individually, they held them to their nose then pretended to drop them into a pot, their eyes pleading that we figure it out.

“Bay leaves!” Marie suddenly declared much to our collective relief, our American city-dwelling ignorance in full bloom. Our meager herb gardens never included bay leaves, and we reveled in the just-discovered truth that they weren’t brought forth as those dry, sad leaves in the McCormick jar.

Pulling a small, distressed plank of wood from his pocket, two old fashioned keys bound to it with baling wire, Grandpa tugged me, leading us to the rusty double-wide chain-link entry gate—the one at the end of the dirt path, off the dirt road that intersected the main road that led back to the house—then handed me the key and motioned that I demonstrate my ability to successfully lock and unlock our fortress. I struggled at first, then again. He demonstrated a second time. Marie giggled quietly over my shoulder; I knew better than to catch her eye. With Grandpa’s calloused hand guiding mine, I eventually maneuvered the key into the intricate lock, forced it open, then locked us back in the safety of the compound. Grandpa nodded with satisfaction.

In the kitchen, he pulled the bottle of Mirto from the refrigerator and pointed to the small glasses reserved for the occasion. More miming—berry picking, grinding with a pestle, cooking, stirring, tasting. A Sardinian specialty made from honey and myrtle berries, Mirto liqueur warms from the inside out and sucks the breath away with the first sip. His bottle was hand-labeled “Rosalba Mirto 2012.” He’d made it himself, and named it in honor of his wife, Rosalba. We nodded appreciatively and walked them to their car.

As instructed, I took the room by the door to the porch, the door that didn’t quite close completely, the door for which the only lock was a padlock. On the outside.

No cell service, no Internet, and definitely no three-sheeted luxury beds. A rusty old gate with an antique key that I’d successfully mastered once in my four attempts. A crossroads village with one restaurant, a couple of markets, and one gas station. A winding, indecipherable maze of switch-back, harrowing roads leading in all directions but with no maps or GPS to explain them. And absolutely no idea what we’d do for the next two weeks. We reached for the Mirto.

•••

For the next fourteen days, over early morning coffee at the simple square table on that front porch, kids still sleeping, a catharsis unfolded. Always the first one up, I cut up some melon, made toast, brewed coffee, and retreated to my writing while the birds awoke and chattered in the surrounding trees. Marie joined me an hour or so later. In our faded pajamas, hair pulled back, no signs of make-up or any trappings of luxury, we sipped our coffee in silence until our brain waves fired with the first jolts of caffeine. Then the stories poured out. Each morning, a ceremonial ritual commenced, an exhalation, a release of the long-held weights that I’d not even acknowledged I’d been carrying.

“I never, ever expected to be twice divorced at fifty.”

She nodded and shrugged.

“I loved him, you know.”

She pursed her lips, shook her head ever so slightly, and locked her eyes onto mine. I knew the look all too well. It was the same one she gave me whenever I doubted my ability to get a job done. Or when I wore something she didn’t approve of, which happened so often that I took to planning my wardrobe around my plans to see her. A look of impatience, hoping I’ll eventually catch up and realize the error of my ways.

“I’ve supported myself and my kids all these years, but can I really do it again? Can I start over? Re-build a career?” Her eyebrows arched, the pshaw audible. “I’m a tired, fifty-year-old, overweight woman with rebuilt boobs cross-stitched by a freeway system of scars and no nipples because I never went back to have that done after the mastectomy. And I don’t have a fucking clue what I’m going to do next.”

Marie guffawed, the kind of belly laugh that she’d release whenever I complained about my first ex-husband.

“Really?” she said. “We’re here, facing all this, and we’re talking about your boobs?”

Once again, she was right. I laughed. “At least they’re all perky again. I don’t have to wear a bra, you know. They stand up all on their own.”

Over those mornings, on that porch in the wobbly chairs beneath the bougainvillea vines, along with the smell of fresh toast and a dwindling supply of coffee, I exhaled, letting go the months—years, maybe—of fear and destruction and failures that defined my marriage. That Marie never quite liked Church Man in the first place made it all the more poignant. She never reminded me she hadn’t liked him. She just listened.

I held back the lurid details: the slamming me against the walls, the forced sex after my chemo treatments—rape, I’d eventually come to understand—the monies stolen, hidden, and squandered. But in those mornings, those facts didn’t matter. I wasn’t quite ready to speak those truths out loud, preferring instead to write about them first.

With Marie, it wasn’t about the details of what had happened, but rather, what was happening with me. Now. Time and distance would sort out the past, I knew; my challenge now was the journey forward, what happens next, and she was my most trusted guide.

“How could I let my kids down like this? Will Emmi ever know what a healthy relationship looks like? Will Austin?”

“Yes,” she reassured me. “They will. Because you will teach them.”

“How could I have been so stupid? How did I rationalize it, ignore the obvious, let it keep happening? Am I really one of those women, the he-loves-me-no-matter-how-he-treats-me types?”

“You loved him,” she reminded me. “You believed what you wanted to believe.” Then she reminded me of her friend, the one whose husband was fired from his seven-figure post, and only after his failed suicide attempt did she know of his years of deceit and embezzlement—and that they were completely broke. “It happens,” she reminded me. “And we pick up the pieces and move on.”

I talked about my anger—the type that boils up from within and sticks to the tips of my fingers and the back of my tongue, tainting everything that passes through my hands or from my mouth. I talked, and she listened.

“Life never turns out like we think it will,” she said. “Who’d have thought I’d end up single, facing retirement in a 600-squarefoot mid-town apartment and loving it?” She told stories of her childhood, living in a walk-up apartment on East 5^th, between Second and Bowery, raised by doting parents whose factory on Canal Street in Chinatown made Christmas stockings and aprons and hats, and doll dresses in the off season. “I remember we were the only ones of all my friends to have a shower and a sink in our bathroom,” she recalled, smiling. The teenager who always wore her best dress to visit the neighbors, apparently a fashionista even in the ’hood. The young lady who got a secretarial job and climbed the corporate ladder to eventually be the legislative voice of a multi-million dollar company. She’d defied tradition, expectation. And none of it had come easy.

“Remember your treks out to Staten Island?” I reminded her, giggling. Every weekend—even into her fifties—she’d retrieve her car from the garage to visit her dozens of cousins and ailing aunts, all of whom sent her home with fresh tomatoes and basil and pastas, because “you just can’t get good food in the city.”

“You and the kids really have to come to New York at Christmas,” she insisted. “Come to my party. Matt and Jake put up the ten-foot tree and do all the cooking,” she explained, “and I only invite people I really, really like.” Her family—friends from a rich career and special people collected along the way—all gathered around for the holidays, and Marie holding court. I couldn’t think of a better way to celebrate the season.

I listened to her stories of dinner and theatre dates with girlfriends she’s known for decades, and stories of the men she dates occasionally—nothing serious, just company, she assured me. I admired her strength—the same strength and charisma that drew me to her so many, many years ago. “You’re a great mom,” she said, abruptly changing the subject. “You’re going to be fine.” Her sudden turn shocked me. In that moment, somewhat surprised, I realized that she admired me, too.

Without the clutter of technology, under the birds’ chirping and flapping, in the company of that old friend rediscovered again, I found the acceptance to own my past. And the realization, as she put it, to rebuild and move on.

Eventually our mornings turned to afternoons, and breakfast gave way to a drive into Villisimius, the resort town seven kilometers away, where the waiters at La Lanterna held our favorite table and knew our favorite dishes. We wandered in and out of every tourist shop, jewelry store, and occasional boutique and made a point to try every gelato joint in town.

We managed to conquer the switchback roads, and even went exploring beyond Villisimius a few times, always getting lost, and always managing to eventually wind back to the summer house, our only landmark the blooming cactus that hung so low over the dirt road that I ducked every time we drove under it. I handed off my gate duties to Austin, who turned out to be far more talented at ancient key mastery than me.

Sunset always brought us home again, to those wobbly chairs and creaky table, where re-matches of “Name that Tune” would commence. The kids had thought it lame when Marie suggested it that first night after dinner, in those hours when TV and the web might otherwise fill the void. But when she cranked up her iPhone to sounds from Flo Rida and Emeli Sande in her first few challenges, they were hooked. It became their obsession, and over the two weeks, and countless challenges, Marie never missed a beat.

I wandered through the summerhouse garden, hanging our laundry on the clothesline strung between the trees, just past the rope swing where Emmi and Austin wiled away the early evenings. I marveled at the bay leaves, their strong vines weaving a maze amidst their small plot. They aren’t dried and wrinkly at all. Sometimes discovery is gradual. Sometimes, it comes all at once. No, my marriage couldn’t be saved, I realized. And what’s more, it shouldn’t be.

Our two weeks coming to a close, we reluctantly packed our things and headed to bed on our last night there. I drafted an email to Marie, to be sent once we finally had internet again, attaching a copy of the essay I’d been writing—the long, rambling, lurid story of my marriage, its collapse, and the truths too painful to share on that porch. “Here’s the entire story, including the stuff I couldn’t say on that porch,” I wrote. “Thanks for listening.”

Just then, Austin whispered, “Holy shit!” loudly in my direction as he looked out the window into our courtyard, just beyond the table where we sat every morning. “Come look at this, Mom!”

Emmi and I rushed to his side, adjusting our eyes to the dark garden, lit only by a glimmer of moonlight through the olive trees. Slinking along the wall of the shed, silently gliding towards the porch, it was unmistakable. The moonlight cast an eerie reflection off its beady eyes—a rat, far bigger and fatter than any housecat we knew, and it was headed straight for the house.

“Don’t tell Aunt Marie!” Austin and Emmi whispered in unison.

“No shit,” I said in return.

I slammed shut the door next to my room—the front door, the one onto the porch, the one without a lock—and slid a chair in front of it for extra measure. She’d put me in that room for protection. It was the least I could do.

•••

POWELL BERGER is a freelance writer living in Honolulu with her two teenagers and two kittens, where she revels in their havoc and joy in equal measures. She is currently plotting to split her time between Honolulu and her other favorite city, Paris, where she spends every July as a Program Fellow at the Paris American Academy’s Creative Writing Workshop. Besides Full Grown People, for which this is her second essay, her work has appeared in various print and online publications, including Travelati, Hawaii Business, and Inside Out Hawaii. She hasn’t made it yet, but she still plans to eventually show up at Marie’s annual Christmas party. Her writing world is housed at www.powellberger.com.

Unfinished

dogplane — By Gina Easley www.ginakelly.com

By Marcia Aldrich

The 16^th of November was eerily warm, and neighbors were out in full force with their leaf blowers, trying to clear their yards before the weather turned. My husband was raking enormous piles of leaves onto the blue plastic tarp and then dragging them to the corner of the yard. We live on the banks of the Red Cedar River in a subdivision adjoining several natural areas, and the deer cross through our yard every day and bed down in the leaves for an hour or so before moving on. We hadn’t seen any for days since hunting season had opened.

In the previous week, we stumbled upon deer bones at Sander Farms, a natural area near the busy Dobie Road, a death trap for deer. Most days we take our dogs, Quin and Omar, to Sander Farms where they run off leash. A person I’ve never seen mows a trail through the tall grasses. Omar found the first bone—what looked like a leg—on the side of the trail at the entrance. Each day we found another piece of the deer, another leg with the fur still on, a rib cage, the pieces scattered through the fields as if one animal after another had taken him up and then put him down.

On this day, only Omar was with Richard in the side yard. I hunted inside the house for Quin and found him lying at the foot of the bed on the carpet breathing hard. His chest was rising and falling. Earlier that morning, I had stopped to talk to him when he was lying on the stairs’ landing. He didn’t lift his head in greeting or wag his tail. He didn’t give any indication that it mattered to him that I was sitting on the step caressing his beautiful face that had in the last year become shot through with white hair.

He was the dog who came from wherever he was to greet me at the door when I came home and made sounds that welled up inside him like a moaning, but they were not caused by pain or discomfort—they were caused by relief and happiness that I had come back to him.

Lately on our walks, Quin would stop and then after a few minutes be ready to continue. Last summer after leaving the fields, he’d lie down in the shade of a yard before continuing home. He had grown slower, bringing up the far rear, so far that it often felt as if Quin and I were on our own separate walk from Richard and Omar. Sometimes he stopped right at the edge of the driveway as we were entering the street before we had even started.

He struck me as far away, sunk into himself as if he was in pain and was conserving himself. I suspected that despite the pain medicine, he hurt. Still I thought his difficulties had to do with arthritis and joint deterioration. I didn’t think anything else was going on. He always had a good appetite.

But he stopped wanting to sleep on the bed, preferring the floor in his own space. Then he developed a cough, the telltale cough, it turns out. A dry, hacking cough. He wasn’t coughing all the time. Some days it didn’t seem as if he coughed at all, and we forgot about it. Richard said Friday that he thought we should take him to the vet on Monday. It was time to do something but still not urgent. Saturday morning he didn’t eat breakfast, didn’t go out into the leaves, sat unresponsive on the steps, and I Googled coughs in dogs and found they could be a sign of illnesses like congestive heart failure and cancer.

I wonder now why I didn’t Google the cough before. Hadn’t I been paying enough attention or hadn’t I wanted to see what was going on because I knew that seeing it, really seeing it, would be the first step down an unhappy road? And so I put those steps off. Now I looked at his breathing and I knew we couldn’t wait until Monday. Our vet doesn’t work on the weekends and I took Quin to the Emergency Clinic at the Michigan State University Veterinary Center.

I arrived at one-thirty and things went very fast even though I was sitting for hours in the waiting room. Someone came to the front desk right away and took Quin to the back of the clinic and I never saw Quin again. He jumped up on me in his anxiety. And I hugged him and lowered him to the floor, resting my head on his cheek as was my custom. And then he allowed himself to be led away. I’ve gone back over this part a hundred times; at that moment I believed he would be returned to me and that this was not our goodbye.

After the first hour, an assistant returned to update me about the primary vet’s concerns on the basis of the preliminary examination. They put him on an I.V. to give him some liquids. His gums were pale, his breathing and heart rate advanced. They were going to do more investigation and be back. The assistant hung back a bit and said I might have to make a decision today. He was kneeling down, in a kind of crouch, and he looked up at me when he said that, as if it pained him to sound so ominous.

I called Richard and said, “This is not good.” And then I waited. But I knew.

When I decided to take Quin to the clinic, when I helped him into the back seat, I didn’t know I’d have to make the decision, that we had arrived at that awful place, a place I had been before.

I noticed boxes of Kleenex scattered everywhere. I was not alone in requiring them. While waiting I had watched a woman carry in a puppy near death and then walk out an hour later alone. She arrived sobbing so loudly that they could hardly understand her at the front desk. She left in silence.

The young vet appeared, and we went into one of the small examination rooms and he told me what he feared but couldn’t yet confirm. He wanted to do a chest x-ray. Cancer. He thought the cancer started in the spleen perhaps and had moved to the lungs. The chest x-ray might show us something. And then he was gone. Primary lung cancer is very rare in dogs—they don’t smoke. If you find cancer in a dog’s lungs there is a ninety-nine percent chance the cancer originated elsewhere and is inoperable.

I called Richard again. This time he was riding his bike to the clinic and the noise from the wind and traffic was terrible—but he was on his way.

More waiting.

Then I saw Richard ride by on his bike and a few minutes later he walked in—his clothes filthy from raking leaves for hours, his hair plastered away from his face by the wind. Another hour passed and still it felt like time was flying. I wanted to hold it in my hands and quiet its pace. Employees kept apologizing for the delay—I wanted to say don’t apologize, don’t speed things along. I want a lifetime of delays.

Then the young vet appeared again, Dr. Carver. This time I caught his name. Without his having said a word, I could see in his face the news he was about to deliver. I’ve seen this look before—the look that says your dog is dying, we can’t do anything, and you are going to have to put him down. The look that says this news will devastate you, how shall I tell you?

We stepped back into examination room # 5—this time I noted the number as I noted the vet’s name—and he said “I’m sorry.” The x-ray shows that Quin has cancer in his lungs, and there is nothing we can do about it. Did we want to see the x-ray?

No, we did not. I’m not sure why we didn’t want to see it. I’m not exactly sure why in this moment and the moments that followed that I wanted to shield myself from seeing. I didn’t care to have the images of his ruined lungs. I didn’t want further tests to nail down whether there was a tumor on his spleen or liver or abdomen or all three. What did it matter? In a matter of minutes I knew I would decide as I must to let him go. We would never have a complete narrative of his decline.

If Quin were a person, he would have come home and had hospice care for the remaining time. But we don’t do that with dogs. None of my animals have had a natural death at home. They have all had a precipitous decline and I’ve taken them to a vet where it has been determined that they are dying, that nothing can be done, and then I have had the dog or cat put to sleep.

My daughter and I carried Irene, our first dog, into the vet. We lay her down on a blanket in the exam room and held her as the drug was administered that would stop her heart. It happened in a second and was utterly quiet. And then we left, walked to the car, and drove home. We left Irene there to be picked up for cremation.

The death of Larry, our second dog, was not so smooth, if that’s what you could call it. He had a tumor on his spleen that I knew could rupture at any time. Still I had some months with him, watching him every day for signs, saying goodbye every time I left the house as if it might be our last. His spleen did rupture. By the time I realized what was happening, he was very weak and I could barely get him into the car to drive him to the vet. Twenty minutes later, he was too weak to get out of the car. Several of us had to carry him into the exam room where he lay on the cold floor. With the greatest difficulty I had him put to sleep. His head was in my lap, he looked at me as he died.

And I will never be able to do that again.

Now when I see Larry I see him on the blue speckled floor, I see his eyes looking at me for assurance, to somehow make it all right as I had done for ten and a half years. But there was no making it right, no reassurance. The vet kept saying he’s looking to you to let him go. Was he?

I didn’t want that power. Eventually I let him go and he died. We walked out of the room and got back into our car and left my great boy behind. That’s what you do. Some people bury their dogs in the yard as in days of old but Larry was a ninety-pound field golden retriever and our yard was exceedingly small, postage stamp size. And we knew we weren’t going to stay in that house forever. I couldn’t imagine leaving my buried dog behind. There was no burying him. There was only cremation and picking up his ashes and keeping them near me.

•••

I wasn’t in attendance when my mother and father died. They died in Pennsylvania and I lived in Michigan. They were not young and they weren’t in good health; nevertheless their deaths, when they came, were sudden. My mother woke up complaining of a headache. After lunch she said the pain was unbearable and my father called an ambulance. She was dead by nine-thirty that night—she had sustained a massive cerebral hemorrhage. My father returned to his apartment after a week’s trip in Florida and had a massive heart attack. He died before he reached the hospital. Never stood by their hospital beds, never saw their bodies slip into death, their faces in death. Never saw their bodies wheeled away and stored in a refrigerator with a bunch of other dead bodies until the funeral home could pick them up. My parents’ deaths were managed, and their bodies were managed without me. When a person or a dog dies, we relinquish them to someone—to coyotes, to medical experts, to funeral managers, and to the people who work the crematoriums.

I have seen two of my dogs die. I thought I should be with them, touching their faces, looking at them, saying goodbye. I should be there. And I was. With my parents, I felt pained by my absence. It wasn’t something I decided. My sisters stood by my mother’s hospital bed as she died; they touched her hands and spoke to her. They both arrived at the hospital after my father had died in the ambulance, too late to say goodbye. But they saw him in his death. I feel that I let my parents down and at the same time I feel grateful that I did not see their faces rearranged by death.

Dr. Carver asked, “Do you want to say goodbye to Quin? Do you want to be with him for his final moments?” I put my head in my hands and sobbed. Give me a minute, I asked. I have to think. But I knew I couldn’t see Quin die. I didn’t want that to be the last image of him I had. I wanted to remember him as he emerged from Lake Michigan after an afternoon of swimming or pulling an enormous fallen branch through the snow. I wanted to see him alive, unfinished. I am not a novice in this dying business.

Now I know that the last image will be the one I carry with me forever—it will write over all the others. Selfish is what I am. I chose not to be the angel of death. I did not give my Quin the sign that he could go. Richard said goodbye. I didn’t even want to hear about it, didn’t want to know how Quin looked, what the room was like, was the lighting bright, was it low, what color was the floor, was he on a table, who else was in the room, did he lift his head, did he know? I didn’t want to know.

Did I fail him as I hadn’t failed the others? After nine years of never failing Quin, did I fail him in the end? Was I unable to summon up that last bit of strength to serve him? It was so fast. I would be undone forever to see him die. My refusal wasn’t about the insufficiency of love.

And then like all the other deaths, we waited for the assistant to retrieve his leash and collar and walked out the doors of the clinic and got into our car and drove the long ride home. It was dark now and it would begin to rain shortly.

•••

When we came home without Quin, Omar looked confused and anxious. He lay by the door, facing it, ready for Quin to walk through it. We didn’t know what to do with ourselves. At some point, Richard asked if I wanted to take Omar to the fields. Yes and no was my answer. But we went because we still had a dog and he needed exercise and some sense of normalcy. We passed a couple we knew who walked their two dogs every night. When they saw that Quin wasn’t with us, that it was just Omar, the woman started to ask where and stopped. Something about our faces, our forlorn figures told her that Quin had died. We got to the fields relieved we hadn’t run into any other people who would inquire where Quin was and realized we had days and days of being asked the dread question ahead of us. We let Omar off leash but he didn’t take off. We walked the trail and he stayed right by us. On the slight slope uphill he found the deer’s skull not far off the path, the last part of the deer to emerge. I don’t know if a more perfect thing exists. So delicate and small, as white as can be, lying in the grasses and mud as if it belonged there. And perhaps it did belong there. Where else should it have been?

The next day was a terrible day. Dark, foreboding, with winds up to sixty miles an hour, and intermittent torrential down pours. By evening, we lost power and huddled in the bedroom listening to tree limbs being ripped from trees and flying against the windows. And it went on like this for most of the night, and I thought yes, this is how it should be, the world should come unhinged, it should flail and bang because something great has left it. Of course, it was me who was unhinged. It was my grief that I saw in the storm.

And the next day came as it does and the storm was over, power was restored, and the temperature plummeted. It was winter now. The leaves had been stripped from the trees, what had remained by mid-November. Some roads were blocked because trees had fallen across their way. I heard saws buzzing nearby.

I pulled out a photo of Quin at Sleeping Bear Dunes in 2005 when he was young. He’s just emerged from the lake, no doubt fetching sticks we were throwing. He’s running towards the camera, sand and foam coats his face, his fur is wet and deep red, and he looks right at me. I take the photo. Our eyes are locked. This was the face I wanted to remember. Not because I am deluding myself in thinking someday I’ll return home from work and find Quin waiting at the door for me, or that it will be Quin sitting on his perch on the landing overseeing our world, or Quin emerging from the dry brush of the fields and running towards me, but because I know he won’t.

•••

One week to the day after Quin died, his ashes arrived in the mail. They arrived in a small metal container about three inches tall, blue larkspur sprays on the beige background.

Thanksgiving morning, Richard and I bundled up against the cold and, with Omar, walked through the falling snow to the fields. No one was on the streets and the fields were empty. At the place where we enter the fields, we unleashed Omar, as we had always unleashed both dogs. They’d bound into the fields and then abruptly stop to smell whatever they smelled before hurrying on into the open area. Here I pulled out my little baggie, dipped my bare hand in and gathered some of Quin in my fingers and scattered it. The first fingers of ash were smooth, like sand, and they blew in the wind and carried a little ways off the trail to coat the dry stalks. “To Quin,” I said, “your final pasture.”

But the pain of losing never is finished. A friend writes about how she dreamed she found her lost dog sitting on a shelf in a second-hand shop on sale for nine dollars. “I picked her up and she smelled exactly the same, and she started licking me. It was as if she’d been waiting for me for ten years. Then I woke up, but for a moment there, life seemed healed.”

•••

MARCIA ALDRICH is the author of the free memoir Girl Rearing, published by W.W. Norton and part of the Barnes and Noble Discover New Writers Series. Companion to an Untold Story won the AWP Award in Creative Nonfiction. Her website is marciaaldrich.com.

Year of the Body

nude — “In the Flesh,” courtesy the artist Amy O. Woodbury. amyowoodbury.com

By Susannah Quern Pratt

She’s not thin, but she is not really Reubenesque either. Curvy—a nice hourglass in the lower half, nothing to brag about on top. Perhaps an exaggerated version of my own physique. She stands at an inviting angle, lingering unassumingly in front of a blue-green background. Her naked body outlined in a bright red line, her bare skin a light yellow. She is not an exhibitionist in our midst, but a companion.

I cannot help but look at her. I drink her in. And yet she is unknowable. Her face is hidden from view. She offers only her body. The peaceful, smooth, flowing, sanguine lines of her body. It is the body whole. The body beautiful. The body at peace.

•••

In 2009 the doctors found a large tumor in my husband’s brain. It’s not a benign tumor; it’s not a malignant tumor. They don’t really say such things to patients in so many words anymore. Which I appreciated. They assign numbers and suggest that those numbers have meanings that may, or may not, correlate to your ultimate life expectancy. Grade 2 this, Possible Grade 3 that…it’s all very coded, but it allows room for hope and healing, if you read the numbers in the right way.

The tumor made itself known though a violent thing called a grand mal seizure. Again, my medical terminology is outdated here—I think they are called by another name now, but there is something vast and ominous about the old French qualifier that I really love…grand mal. Big wrong.

This grand mal signaled the start of the John’s body odyssey—followed by six weeks of radiation and six months of chemotherapy. The entire process was a breaking down of the body—sidelining it while the proton beams and chemicals waged war against the offending tumor. John, the beams, and the chemicals did well; they emerged as victor and, for the time being, have vanquished that which would have taken him down.

Now, three years later, he is trying to rebuild in the body what was there before—musculature, stamina, health. He monitors his calves, searching for the return of the bulk and definition that he is accustomed to. He watches his hair—one of the first things to return—to check how the resettlement process is going. His body is a big country and lots of patience is required during this period of reconstruction.

While the battle was being waged inside John, my own body revolted. And while I didn’t end up in the hospital, I did make the rounds of an embarrassing number of doctors: gynecologists, gastroenterologists, cardiologists. At the end of many tests and well meaning tips from doctors who could find nothing seriously wrong with me, I surrendered to the notion that I simply had to acknowledge the weight of the whole experience. Those in the know, and by this I mean yogis, had predicted this state of affairs. Friends versed in yogic breathing and the importance of stretching watched my hunched shoulders ascend toward my ears. They noticed my arms constantly crossed, my neck tight and stiff. My chest concave and brow furrowed despite the presence of easy laughter and carpe diem resolve. My body was at odds with my spirit and overall orientation. In the head, I was all healing, all the time. In the body, I was slowly crumbling.

This feeling, the body at odds with the spirit or the self, was new to me, and in fact may be the best way that I know of to describe what was heretofore the abstract notion of aging. In this year of the body, my husband’s and mine were not the only ones to show a chink in the armor. Friends developed thyroid disorders, fistulas, glaucoma, breast cancer, and herniated discs. It’s a list that I mistakenly thought I would be making in retirement, but I am talking about those of us hanging out just on either side of forty. No one tells you this. In the age of extended life expectancy, of Botox and aging baby boomers, no one tells you that after a mere forty years, the body will make some of its wear and tear known. No one tells you that living with a chronic condition could mean forty more years of living with a pain or limitation. And no one could ever prepare you for the fact that chronic takes on a relative appeal when compared to the alternative of terminal.

And each of these maladies is discordant with the way my friends and I perceive our lives. In our minds, we are all just getting started. We have small children and newly refinished kitchens. We’re forming opinions about local elementary schools and starting college savings plans. Life looks long from where we sit.

•••

The nude came to us by way of a clandestine meeting between the artist and my husband in the preschool parking lot. We first spotted her in a dark restaurant over a good bottle of wine with friends. John and I sat facing her all night, and as we were getting up after dinner, I told him that I loved the painting. Somewhat surprisingly (there’s no accounting for artistic taste), he completely agreed. There is a simple symmetry to her that is appealing, a certain openness. She’s easy to be with.

After tracking down the artist’s name from the restaurant owner, John had to sneak around to secure the painting without my knowledge. This included a hand-off from the female artist while I was away at work, a meeting that turned the heads of more than a few curious preschool moms but resulted in complete surprise for me. I opened the brown paper wrapping and beheld the painting with great joy—a feeling of reunion.

Finding the right spot for her took some time. She is nude, after all. We flirted with a spot for her in the dining room, considered having her welcome people to the kitchen. For several weeks she ended up propped against our bedroom wall, and I got used to having her there with us. Ultimately she ended up on the bedroom wall outside my closet door, a situation that forces me daily to reckon my own form with hers. So far this has not resulted in despair, but rather further affection.

•••

I have been fortunate in my life never to have been in an extended argument with my body. In college, when girls were alternatively eating whole wheat bagels with mustard (no fat!) and then vomiting to shed excess weight, I happily ballooned up the proverbial fifteen pounds. After college, lacking access to free beer, the fifteen pounds just sort of fell away, and so did an extra five that had been with me since high school. Each of my three pregnancies have been kind—far more miraculous than torturous. And again my normal shape has more or less returned, slightly saggier but basically the same.

Given our long history of peaceful, reliable coexistence, this most recent series of tumors and chest pain and cancers shook up my world order. People speak about disease or illness as being “betrayed by their bodies” but that seems too melodramatic to me, and somewhat inaccurate. It’s not that our bodies have become foreign in their failings, leaving us to question whether we ever really knew them to begin with. Rather, they seem to simply be signaling that things cannot continue as they have. In this way, our bodies are more like unwelcome harbingers of what is to come.

And perhaps this was the biggest question for me arising from The Year of the Body: Is the body the victim or the aggressor? Are these cancers and tumors of us, or alien attackers to be fought off with force? In some cases—like John’s—the tiny clustering of aggressive cells seemed other, like it had no place in him. And yet in other similar cases it’s the body itself that seems to be the enemy. Like the bodies of friends testing positive for the BRCA genes, the genetic predictor of an almost certain eventual occurrence of breast cancer. The women I know who have heard this unwelcome news from their doctors have immediately flown the white flag of surrender and made their way to the nearest surgeon for radical mastectomies and hysterectomies. The tumors don’t yet exist, but their bodies are fundamentally coded for disease. In this case, the preventative mutilations feel strangely appropriate. Like the body is being punished. Pruned back so it might continue to thrive.

•••

Since the painting hangs in an area highly trafficked by our three boys, my husband is waiting for the day when our oldest son, now eight, is first embarrassed by it—and then fascinated by the fully exposed female body. I think this day may be a long way off. Three little boys still come in to talk to me while I am showering, my own body in full view behind a glass shower door, asking what time their grandma is coming over or whether they can watch another show before homework. If they have questions about things corporeal, they are asked in a matter of fact tone. No stammering awkwardness, just straight up curiosity. “Mom, do you pee out of your butt?”

For years I have appreciated that the boys are still in a stage of body innocence—willingly changing out of their wet swimsuits and into dry clothes right in front of any neighbors or friends hanging out in our backyard. They have no shame about their bodies, no desire to judge shapes or figures different than theirs.

But what I have just described is the kind of innocence that is freedom from body image. Lately what I have been appreciating is their freedom from body dependence. Their bodies run, perform, produce on command, without thought or concern. They slam into each other on the bed during marathon wrestling matches without fear of broken bones or other injury. Having pizza for three consecutive meals doesn’t phase them because they have not yet begun to do the exhausting math that haunts the rest of us—the work of eliminating partially hydrogenated oils, or adding Vitamin D and antioxidants to concoct an elixir that will take off a pound or two here or add a year or two there. John and I have given up meat in the wake of his illness; they continue to relish bacon with their breakfasts. They sleep when they are tired, and they sleep deeply and soundly in direct correlation to the amount of activity in a given afternoon. I love watching them sleep—three little bodies at rest—deep breaths, slow shifts, quiet sighs.

•••

A few months ago, John was riding his bike to work for the first time since the end of chemo. He came down dressed in his gear—Lycra bike shorts and shirt, helmet in hand. Calves once again respectable. It is a full ten-mile ride along the lakefront and into some intense city traffic before he arrives at his office. My former strategy for dealing with any anxiety this might cause was to pretty much ignore what he was doing until I got a text signaling his safe arrival.

I am newly cautious, however. “Are you going to ride all the way in?” I asked. That was his plan—just to ride in. He was going to leave his bike at the office and take the train home. This sounded reasonable enough to me so I turned a deaf ear to the whispery voices saying things like “seizure” and “exhaustion.” He departed, a triumphant blur speeding out of the driveway, serenaded by the cheers of three little boys thrilled to see their father in the saddle again.

Later that day, I got a phone call. He was going to ride home. That would bring today’s total to twenty miles, I reminded him. I carried a load of laundry upstairs to our bedroom and began to fold. A chore that, especially in times of stress, feels like a piece of stage business to me. I folded and called out answers to the boys’ questions about dinner. But the whole scene was suspended and surreal; my mind was on a parallel track, watching John navigate the myriad bikers, dog-walkers, and cabs in his path. I was following his body, rooting for it, praying for it. His body that I adore. His body that I fear.

Warm laundry in hand, I looked over at the nude, and in that moment it became clear to me what I like about the painting—what pulls my eyes to it again and again. There, on the canvas, is successful surrender to the body, unabashed adoration of its beautiful, fallible imperfection. No face, no separate self—rather, a reconciling. In the painting, the body is all, and the body is enough.

•••

SUSANNAH QUERN PRATT lives with her healthy husband and three growing boys in Evanston, Illinois.

What Living Feels Like

ocean cliffs — By Gina Easley www.ginakelly.com

By Susan McCulley

My husband, Frank, and I read about the island of Dominica in the travel section of The Washington Post. The article touted the island as relatively undeveloped without much tourism, but with uncommon natural beauty and variety—from beaches and rivers to rain forests and volcanic hot spots, spectacular hiking, and snorkeling in Champagne Bay, a warm cove bubbled by an underwater hot spring. We were intrigued. After our first visit, we were in love. At the end of our two weeks of exploring the island from beach to mountain, we sat in the tiny open-air airport, drinking local beer, absolutely furious that we were leaving. I had been sad and even a little depressed to return home after a vacation before, but at the end of our time in Dominica, I was pissed.

We scheduled our return trip almost immediately.

One of the things that makes Dominica special is that the two sides of the island are vastly different. The west coast is on the Caribbean Sea with calm waves and smooth beaches. It’s great for snorkeling and it’s where cruise ships dock to briefly discharge their passengers for trinket shopping, beer drinking, or whirlwind three-hour touring. The Atlantic Ocean is on the east side and has inlets of craggy beaches with wild, crashing waves. We loved the east side. On our first visit, we played in the rough, exhilarating ocean until we were waterlogged and breathless. When we planned our return, the east side was where we wanted to go.

We rented a small cottage at the top of a tiny east side village. There really wasn’t much there except the astonishingly riotous beauty of the steep, rocky island plunging into the sea. We could not wait to be in it.

The moment we arrived, we ditched our bags and followed the path to one of the beaches near the village. Even the walk to the ocean was intoxicating. The green in Dominica is not just green but glossy, luminous, achingly vibrant green. In back yards and along the road were trees heavy with fruit that we were used to seeing in mesh bags at the grocery store: bananas, mangos, grapefruit, and avocado. Most houses had a garden of (mostly unfamiliar) crops that betrayed the generosity of the soil. Every inch was fragrant, lush, and full of life.

As we walked through town, a boy bounced along with us. Skinny and excited, with huge brown eyes, he looked about ten years old. “Are you going to swim in the sea?” he asked.

“Of course,” we said, and when he asked if he could come along, we were happy to have him join us. He ran ahead, occasionally looking back to make sure we could follow the steep path down to the ocean whose deep, rumbling waves we could already hear. As we wove down the trail, we caught glimpses of deep blue waves edged with white froth against jagged black rocks in the cove below. We could barely keep up with our impatient child of a guide.

As we wound down and around, we could see a small curve of black sand tucked into an imposing rocky coastline with a fresh water river snaking down from the mountain into the sea. The Atlantic crashed, rhythmic and thunderous, against the rocks and sand. It was just as we’d remembered. We dropped our towels and ran into the water.

The water, sharply salty, cold and churning, felt like something alive. We dove into the relentlessly pounding surf, shouting to each other over the roar. We stayed just a few meters from shore in waist-deep water so we could keep our footing on the constantly moving sand. I kept my eyes on the open ocean to evaluate each wave. In the raw power of the ocean, I knew that one unexpected breaker could toss me ankles to armpits, completely disoriented in a swirl of sand and sea. Even with my vigilance, I was knocked off my feet and caught a nose-full more than once. It was thrilling to scout each wave, one after another, and make the split-second decision to jump up and over it, or dive into its base. The three of us hooted and swam, diving and jumping over each successive wave, then coming up again to look out and see what was coming next.

It happened fast. So fast, so suddenly. All at once, I realized I couldn’t touch bottom. I looked toward shore and saw that we were too far out. Way too far. Frank and the boy were just beyond me, also unable to touch. Frank clasped the boy’s hand and started swimming hard toward shore. I turned toward the curve of beach and swam as hard as I could against the harsh pull of the rip tide.

I’m a strong swimmer. I’ve been in the water my whole life and have taken lessons, done laps, and completed life-saving courses. I’m competent in the water, and I’m strong and healthy. But this? This was a whole different thing. Enormous waves kept pounding over my head, leaving me coughing and blind. A pause from kicking and stroking for even a second whisked me quickly even further away from shore. I watched as Frank struggled with the boy. I poured myself into every stroke but the beach kept getting, little by little, further away.

Frank and the boy were just a few feet away from me but I had to shout. “I’m not getting anywhere!”

Frank looked at me with wide eyes. Glancing at the boy, he screamed, “He can’t swim!”

We were in a powerful rip tide that was shredding us. The waves were impossible to swim in and threatened to throw us onto the rocks on either side. Swimming as hard as I could, I was getting nowhere. And now, this child, this boy we’d brought out to the sea with us. This boy can’t swim. “You’re the stronger swimmer,” yelled Frank. “He’s pulling me down. You have to take him.”

The boy shrieked in terror and pleaded with Frank, “Don’t leave me out here!”

Frank got closer to me and shifted the boy in my direction, “I’m not going to leave you, I would never leave you, but she’s a stronger swimmer than I am!” What he didn’t say, and what we both thought was, “I would rather drown than to have anything happen to you.”

I know what to do with a frightened non-swimmer: hook your arm under his armpits, and swim on your back, pulling him using the strength of your legs and the opposite arm. It’s the most efficient and powerful way to swim someone to safety and prevents the panicking victim from pulling you under. I knew what to do … and I didn’t do it. As Frank handed the terrified child to me, I had this thought: “If I take him in the life saving tow, I’m admitting this is a full-on emergency. I’m admitting that this situation is really, really bad.” I was already scared. Admitting how bad it really was was more than I could take in. So I grabbed him by the forearm and dragged him through the surging water with everything I had.

There was something in the deafening sound of the waves and the jagged dangerous-looking rocks on either side of us that gave the ever-smaller beach straight ahead a hypnotic pull. A wave would crash over the boy and me, and I just kept my eyes on that little crescent of sand and kept pulling. Frank called out, “We’re supposed to swim to the side!” He was right. I knew that when caught in a rip tide, the way out is, counter-intuitively, to swim parallel to the shore to get out of the current. But here, in this narrow, rocky cove, to swim parallel to the shore meant to go straight into the teeth of rocks on either side. I squeezed the boy’s arm and swam harder. But as a concession to the whole “swim parallel” thing, I aimed on a slight angle: rather than directly at the beach that I so desperately wanted to get to, I oriented us a just little to the left. I pulled and pulled the whimpering boy behind me.

It didn’t seem that I’d moved at all but as I made a big scissoring kick on my new, angled trajectory, I felt sand. Incredulous, I dropped my feet and found solid ground. My body and heart surged with relief as I stood and pulled the boy’s body into mine. I could feel his warm, slippery, skinny limbs, his pounding heart. And I could feel my own heart hammering hard against my ribs. I squeezed the boy even tighter, looked to my still-struggling husband, and shouted, “Frank, put your feet down!” He told me later that at that moment, just a few feet from me, he couldn’t touch the bottom. He desperately reached his long toes and felt the sand, then swam another stroke and stood.

The waves were still deafening. The water surged around us. The rocks were dangerously close. But we were standing. In a small, staggering line—woman, boy, man—the three of us walked slowly and unsteadily in to the little black beach. We wrapped the trembling and silent boy in our towel, and he sat on the sand and ate a crushed granola bar. Frank and I stood behind him shakily drinking water and watching as the disinterested waves continued to pound the shore.

The days that followed had a paradoxical combination of feeling both dream-like and surreally vivid. Mangos were some kind of crazy, sensuous, cacophony of sweetness. The sky was so beautiful we could barely look at it. The water tasted like life itself. We would squeeze each other tight and say, “We’re here. We’re okay. We’re alive.” My mind would reel and I’d look at him and say, “Frank, we had that boy with us. What if…” I was unwilling to complete the thought. Frank just shook his head. And then, in his precise way, he would say, “I was seventy-five percent sure I was going to die.” We mostly just held onto each other. We were dumbfounded to find everything from the papaya trees to our land lady’s garden so perfectly normal and yet so extraordinarily extraordinary. The vivid island landscape felt simultaneously unreal and hyper-real. This is what living feels like.

Word of our brush with death flew through town before we even made it back to our cottage. God was praised. Prayers were said. We were invited to church. We nodded and agreed and wore our best clothes on Sunday—the only white people in that pink sanctuary singing praises. We were grateful. We were so deeply grateful for being alive, but also for every taste of food, every bird song, every wave from someone on the road. In a way that I never had before, I felt the intense sweetness of living and the absolute connection we have to each other. In some ways, that day is with me every day. The reverberation of it isn’t as intense, but it’s still there. I still remember. I’m still awake to the wonder that we have every day.

Frank says he took the boy back into the water, just for a few minutes so he wouldn’t fear the sea, but I don’t remember it. I don’t remember speaking at all as the three of us picked up our clothes and slowly walked back up the trail to the village. I don’t remember anything about that walk except placing one unsteady foot in front of the other. If I ever knew the boy’s name, I don’t remember it. But I do remember, as we came to a turn at the top of the trail how that boy, our boy (and he will always be our boy), turned and waved almost imperceptibly and disappeared into the village.

•••

SUSAN MCCULLEY is a mindful movement educator and a Black Belt Nia Instructor who has been dancing and moving, traveling and teaching since 2000. Her blog, Focus Pocus: The Magic of Inquiry and Intent (www.focuspocusnow.com), is dedicated to taking body~mind practices from the studio into life. Her essays have been published on Elephant Journal, and she is working on a book. She lives with her husband in Charlottesville, Virginia.

Out in the Woods, Away Out There

nature exhibit — By Gina Easley www.ginakelly.com

By Kate Haas

Until the bear came along, I was doing fine with nature. Shafts of sunlight were falling on the red huckleberries lining the trail, setting them aglow like tiny rubies. All around me, huge, craggy Douglas firs reached toward the sky, their limbs draped with moss, and giant ferns carpeted the forest floor in every direction. My family and I were deep into Olympic National Park, ten miles from the nearest paved road. This is the forest primeval, I thought, gazing at those massive trees. The murmuring pines—well, firs—and the hemlocks. I felt an unwonted surge of affection for good old Longfellow.

Let me be clear: the forest primeval is not my natural habitat. I grew up in the suburbs, the child of New Yorkers. Our family adventures involved the wily nabbing of city parking spaces en route to the ballet. On the few occasions that my parents took me hiking, I trudged along reluctantly, nursing a strong sense of grievance. What was the point? I complained. Why walk through the woods for no reason, only to turn around and walk right back out? Couldn’t I stay in the car with my book?

Sure, I loved my Quaker summer camp, where I learned to build a fire and use a compass, earning a “woodswoman” badge for acquiring these skills. I appreciated nature, all right. But for the most part, mine was the bookworm’s comfortable, vicarious appreciation. I savored descriptions of Heidi’s beloved Alpine meadows; the vast, mysterious swamp in Girl of the Limberlost; the cave-riddled coast in Island of the Blue Dolphins. From my vantage point on the couch, this was great stuff. But deep down, despite that badge, I wasn’t truly woodsy. And I never would be.

But then, as one does, I met a guy. I’ll call him Nature Man.

Nature Man was a biologist. He liked to lift up rocks and examine the grubs underneath. (He did this on our second date). He talked in near-religious terms about the glories of the ocean and could identify edible and poisonous plants in the woods. He took me bird watching, hauling along a giant spotting scope he’d borrowed from work, through which I watched, in horrified fascination, as a Peregrine falcon devoured a pigeon. (“Way cool, huh?” he said.) Nature Man also played old-time banjo and wrote me love letters illustrated with funny line drawings and watercolors. He planned romantic, themed birthday celebrations in my honor, and he liked to spend rainy Saturdays roaming the big downtown library with me, each of us collecting a stack of books to take home and read companionably on the couch.

There was no doubt about it. I would be learning to love nature.

In the seventeen years that I’ve been married to Nature Man, I’ve logged my time in the woods. I’ve nursed a toddler in a tent and gotten the hang of lighting a camp stove. I’ve grown fond of the scent of citronella candles. Planning a camping trip no longer fazes me, although it does tend to inspire irritation. Why go to all this trouble to haul pots and pans and ingredients into the woods, when we could cook at home in a nice, comfortable kitchen? But Nature Man and our two boys love camping, and I love them, so I keep this thought to myself. Most of the time, anyway. Because once we’re out there, amid those giant trees, out where the mist hangs like a dream over the mountains, and the jade green river churns between ancient rocks, I’m awed, each time, by the sheer splendor of the natural world. And at some point on each of these expeditions, I’m always struck by same thought: without Nature Man in my life, I wouldn’t be marveling at all this.

But in all these years, I’ve never articulated to my husband just how uneasy I sometimes feel in the wilderness. I can’t forget how far away we are, how isolated. And thanks to a ranger program we attended on yet another camping trip, I can’t forget about the cougars, either. Puma concolor, I learned that evening at the park’s rustic amphitheater, roam the Pacific Northwest. They are silent and stealthy, capable of leaping twenty feet from a standing position to land on the neck of their prey, killing it instantly.

I looked around the amphitheater. People in the audience were snuggling with their kids, spritzing on bug repellent, or nodding along with the ranger. No one seemed alarmed. Did you hear that? I wanted to yell. Twenty feet from a standing position! Onto your neck!

The next day, walking along the trail, I tensed at the creak of a tree branch, the back of my neck prickling in dread. Then I looked ahead to Nature Man, pointing out licorice ferns on a nurse log to one of our boys. My husband, I reflected, knew the woods far better than I, and he didn’t seem concerned about being attacked by the New World’s second heaviest cat (after the jaguar). You need to relax, I told myself.

I was successfully following that very advice the next year, the day we met the bear. I hadn’t entirely forgotten the threat of cougars, but I’d pushed it into a small corner of my mind, a little closet where I stash other irrational notions, like my conviction that a headache heralds a brain tumor or that only my will to live keeps the plane in the air. So as we walked deeper and deeper into Olympic National Park that day, I was happily gathering huckleberries for pancakes and musing about nineteenth century poetry.

Not everyone in our party shared my sunny outlook. Unlike twelve-year-old Simon, loping ahead of me in his broad-brimmed hat like a young Indiana Jones, Nate, my nine-year-old, was decidedly grumpy. “Why do we always have to do this?” he muttered. “You should have left me in the car with my Tintin book.”

I repressed the urge to confess that I often feel the same way about hiking. Instead, I told him what I tell myself on those occasions. “We’re a family, Nate. And families do things together.” But there was no denying this particular apple’s proximity to the tree. When it comes to hiking, Nate’s my boy. Nature Man and I had lured him along with trail mix for the first hour. Sparring with his brother on a rustic bridge, re-enacting the encounter between Robin Hood and Little John, had improved his mood after that. But now, just half a mile from our destination, we were out of bribes. “I’m walking for five more minutes,” he said darkly. “That’s it.”

It was at this point that Simon came running back toward us, an expression of alarmed excitement on his face. “There’s a bear on the trail!” he announced breathlessly.

My mental closet burst open. Here it was, the confirmation of all my fears. Nature was a dangerous place, after all. Fearsome things did lurk here. If not cougars, bears, dammit all. Instinctively, I turned to Nature Man. He didn’t say what I expected: “Okay, everyone, turn around—fast!” To my astonishment, what he said was, “Let’s see this bear.” Then he kept walking.

For reasons that remain obscure to me, I followed him.

Sure enough, twenty yards down the trail stood a bear. It was black, with a patch of white on its head, and it was looking right at us. What struck me immediately about this bear—beyond the hair-raising fact of its presence—was its size. This was not a large bear. It was on the smaller side. No, I realized, as my heart began to pound quite unpleasantly, it wasn’t actually small. It was a young bear. Quite young.

All of us, even those not particularly cognizant of the natural world, know exactly what goes along with a young bear. Any second, I imagined, the enraged mother bear would burst from the woods. She would maul us and leave us for dead on the trail. Later, there would be a memorial service, and everyone would cry over the family killed by bears, and we would be forever held up as a warning whenever the park rangers give those talks about wildlife.

Simon had followed his father, and now he turned back to me. “See? There really is a bear!”

“Back away!” I said frantically, still fixated on our memorial service. “There’s a mother bear around here, and she’s going to eat us up.”

Nature Man, who was just a few yards ahead, did not appear to hear me. “Nate, can you see the bear?” he asked. “Let me lift you up.” He raised our son in his arms, as if making an offering to the ursine gods.

“Get my baby away from that bear!” I hissed.

Nature Man made a small sound, which could have been a chuckle. Nate said, “It’s been five minutes. I’m not taking another step.”

The bear gave us a last look, then ambled back into the underbrush.

“See, it’s gone,” said Nature Man. “I’m willing to keep walking.”

Simon said eagerly, “You mean, we’ll follow the bear?”

Nate looked even more mulish. “You’ll have to carry me,” he said.

I stared at my family. “You people are insane.”

Nature Man gave me a quick careful look, then hustled everyone back in the direction we had come. A few minutes later, as we walked quickly along the trail, Nate riding piggyback on his dad, my husband explained that he had only advanced toward the bear because he wasn’t sure Simon had actually seen one. And he had lifted Nate up partly for a better look, but also because, when confronted with a bear, you’re supposed to make yourself look bigger, to intimidate it. “And I wasn’t laughing at you. Well. Not exactly.”

Unwilling to be mollified quite yet, I informed Nature Man that he could forget about taking me hiking, ever again. Today it was a bear, but tomorrow? Cougars, for sure, and what next? Vermicious Knids? Wisely, my husband did not argue with any of this, not even my suggestion that Charlie and the Great Glass Elevator’s amorphous space aliens might materialize in the Pacific Northwest. We both knew I didn’t mean it. Love had gotten me out of a book and into the wilderness in the first place, and I would be back in the woods next summer or even sooner. Besides, we were a family, and families do things together. Like get nearly eaten by bears.

•••

KATE HAAS is an editor at Literary Mama. Her essays have appeared in the Boston Globe Magazine, Salon, Brain, Child, and other publications. She’s a regular contributor to Full Grown People and lives in Portland, Oregon, with her family. Read more of her writing at www.katehaas.com.

Fear

horror — By Gina Easley www.ginakelly.com

By William Bradley

“Fear of fire, fear of lightning, fear of fire caused by lightning, fear of falling trees, and of those people who drive their cars into houses or gas stations because they confuse the brake with the gas. Once on Central Park West a man reached for my wrist as he said, “Can I ask you something?” but I didn’t let him. Fear of unasked questions that will never be answered. Fear of Rumpty-Dudget a character in a book, ‘Rumpty Dudget’s Tower,’ that I have never read, but whose worn blue spine I can sense on the bookshelf in my parents’ living room at all times, even now. Fear of women in high heels; fear of Mrs. Stein, my second grade teacher; fear of other people’s carelessness. Fear of small but deceptively sharp knives, like the Swiss Army knife that cut my brother’s finger so deep only one of my mother’s maxi-pads, with wings, could hold the blood. Fear of sirens, though only when I am driving and cannot tell where they are coming from; fear of North Korea; fear of visiting Turkey, where I was born, and not being allowed to leave. Fear that there is something really really wrong. Fear that there is nothing that can fix it.”

—A. Papatya Bucak, “I Cannot Explain My Fear”

My wife and I each paid twenty dollars to attend the one-night-only twenty-fifth anniversary screening of the original A Nightmare on Elm Street several years ago. This was at a point in our marriage where we probably couldn’t afford to blow forty dollars on a movie, but I had just started my first academic job and, for the first time, we had an annual household income of over $25,000, so we felt rich. More importantly, I love A Nightmare on Elm Street and was excited for the opportunity to see it on the big screen.

If you asked me for my favorite horror movie, I would honestly tell you that it’s The Shining. Kubrick’s use of tracking shots, Bela Bartok’s score, Shelly Duvall’s performance as an abused woman trying to survive in an icy, opulent hell—it’s all amazing and remains unnerving every time I watch it. But if I have a few beers tonight and decide I want to watch a scary movie, I’ll probably put something like Friday the 13^th Part 3 in the DVD player. You can watch it in 3D in the comfort of your own home, you know. But more importantly, I find that cheesy slasher movies from the seventies and eighties just have their own sort of goofy charm. Yes, they’re violent, and more than a little misogynist. But it’s so hard for me to take them seriously at this point. Even though they were rated R, they seem, in their simple-minded black-and-white morality, childish to me. Not of the morally complicated adult world I live in, that’s for sure. So watching movies like these reminds me of my childhood, keeps me tethered to the dorky, horror-obsessed kid I was, and—I sometimes like to imagine—keeps me young.

•••

Even before I saw my first horror movie, I found them fascinating. When I was a kid, my parents were diligent in shielding us from movie gore and anything remotely scary; the idea, I know, was to protect our impressionable minds from anything that might upset or disturb us, but I’m afraid it didn’t entirely work. In fact, as I got closer to my middle school years and realized that most of my friends had seen Halloween and Silent Night, Deadly Night, I became acutely aware that my parents had been sheltering me: there was a whole world of supernaturally-powerful serial killers and blood-thirsty demons out there. And though I understood, rationally, that these things only existed in movies, on some level I think I perceived something menacing about the adult world as a result of my parents’ zealous protection. After all, if there were nothing to really be afraid of, then why would I need to be protected?

But maybe that’s not quite right. Maybe my brother and I detected menace before becoming aware of these movies, and that’s what caused my parents to try to shield us from multiplex mayhem. I know that the witch in the Wizard of Oz scared me when I was a kid; so too did Dr. Banner’s transformation into The Incredible Hulk on TV. And my brother couldn’t stand to be in the room when The Electric Company started—the voice that yelled “Hey You Guys!” would cause him to cry if he heard it. And, truth be told, he was well into adulthood before he could force himself to watch the scene in Indiana Jones and the Temple of Doom where the villain rips the guy’s heart out of his chest. So, perhaps my parents—realizing that their sons were high-strung and easily frightened—understood that they had to be on their toes when it came to shielding us from big-screen frights.

Or, maybe I’m over-thinking the whole thing, and responsible parents just don’t let their kids watch R-rated movies full of naked breasts and chainsaw-wielding madmen who want to turn teenagers into barbecue sandwiches.

The bottom line is, by the time I was in the fifth grade, most of my friends had seen at least some of these movies, and I had not. I was fascinated by the very idea of these forbidden movies, what they said about the adult world, and why my parents felt the need to shield me even while my friends’ parents did not feel a similar need to shield them. Plus, there was that nagging suspicion—then, as adolescence was just on the horizon—that there was something more than a little lame about not knowing anything about these movies that were so important to my classmates. I was already beginning to understand that I was a dork—a label that would stay with me at least through the beginning of high school—and part of that dorkiness came, I understood, from my naïveté when it came to these elements of the popular culture that were so important to kids in the eighties.

I found my entrance into this world of horror that my friends knew so well one morning in the cafeteria before the first bell rang to send us to our classrooms. A kid I knew, Jeremy, had a book in front of him—The Nightmares on Elm Street, the official novelization of the first three Freddy Krueger movies. The films’ logo—which looked like it had been scribbled by a madman with a nerve disorder—was splashed across the cover, with Freddy’s razor-fingered glove hanging down, blades partially obscuring the title with the blood that dripped from them.

In all of my eleven years, I had never seen a book that looked so cool.

“Good book?” I asked him.

He nodded. “Yeah. The movies are better, though.”

Of course they were, I thought. “Why are you reading the book then?”

He shrugged. “I just really liked the movies.” I think he must have intuited my interest, because he said, “I’m almost done with it. I’ll bring it tomorrow, if you want to borrow it.”

Jackpot. Jeremy had allowed me to find a loophole in my parents’ “No Horror Movie” rule. They didn’t make R-rated books, after all—and weren’t my parents always on my case about reading anyway? Even if they found the book, I could always use their previously articulated arguments in favor of literacy against them. Finally, I had won. I would learn exactly what was so scary that my parents had felt the need to protect me.

I felt certain that reading the Nightmare on Elm Street book would allow me a deeper understanding of the real world.

•••

I didn’t just read the book—I devoured it like a Romero zombie devours brains.

As I read it, I realized that books, too, could be scary. I had an imagination vivid enough to picture what it must have been like for Rod to see Tina’s sleeping body rudely lifted from the bed by an invisible force, shoved to the ceiling, and split open by unseen razor fingers. I could see Tina running from Freddy, his arms somehow long enough to stretch across the entire alley, affording her no escape. I could imagine Jesse’s dread as he came to realize that Freddy intended to possess his body in order to kill in the waking world.

The irony is, I probably would have been better off watching the movies, as far as my own fear went. When I finally saw the movies, I did find them scary, but I also realized that Rod and Tina were obnoxious and older than they should have been—they spoke the way people in their thirties think teenagers speak (“I woke up with a hard-on that had your name on it.” “Tina’s a four-letter word—your joint’s not big enough for four letters.”). The scene where Freddy chases Tina down the alley looked so fake that it made me giggle when I finally saw it for the first time. And Jesse was just an irritating whiner—if Freddy wants him so badly, let him have him, I’d later say.

But that’s not how I responded to the novelizations. No, the novelizations were simply terrifying, and—since Freddy Krueger killed kids in their sleep—I promptly resolved to never sleep again.

I didn’t actually make the decision consciously, of course. I may have had an overactive imagination and very little idea about how the real world worked, but I wasn’t an absolute moron. I knew, logically, that child murderers do not come back from the dead to haunt the dreams of the children whose parents burned them alive in their own boiler rooms. It just didn’t happen—and if it had, it would have been all over the news. No, if people could come back from the dead and hang out in people’s dreams, I was fairly certain that my grandfather would have checked in from time to time. The premise of the movies was not grounded in reality—it all came from this guy, Wes Craven, who wrote and directed the first movie. And, I could convince myself during the day, that guy probably lived in a mansion in Hollywood, surrounded by movie stars and supermodels, and hardly ever thought about this creation of his that was haunting me so.

That was my rational mind. But how many perfectly rational eleven-year-olds do you know—particularly when they’re in a dark room and the rest of the family is asleep and the house is making weird noises?

My parents realized pretty quickly that I seemed groggier than usual at breakfast, and that I was falling asleep while watching TV in the afternoon. And I eventually had to tell them that I wasn’t sleeping much at night anymore, and why. I can’t say my parents were angry with me, but nor were they particularly pleased. When all is said and done, I think the situation kind of annoyed them. “You’re not sleeping because you’re afraid that a boogeyman in a fedora hat that you read about in the adaptation to a movie you’ve never seen is going to kill you?” I don’t think that’s the type of question any father wants to ask his son.

As stupid as they surely found the situation, I have to say that my parents bent over backwards to help me to sleep again. No more drifting off in the afternoons. A big glass of warm milk before bed. God love them, at one point they even took me to our family doctor, apparently hoping that there was a pill or something that would make me forget to be such a neurotic coward. The doctor, for his part, seemed confused about what his role in this personal drama was supposed to be. “I would say,” he eventually concluded, “he needs to get over it and start sleeping again.”

Which is exactly what happened. As time passed, my terror over what I’d read faded. In a few weeks, it all seemed silly, and I was quite embarrassed by the whole episode. Scared by a movie character? How dumb. I promised myself that I would never mistake supernatural fiction for reality ever again.

I kept that promise, too. For several months. Until the USA Network showed Children of the Corn one afternoon when I was home sick, and the process repeated itself. Just as it would a year or so later when I saw Halloween for the first time. And then again with Friday the 13th. These movies terrified me as a kid, but I couldn’t stay away from them.

•••

As an adult, it’s a rare and special thing to find a horror movie that’s genuinely scary. The Shining, The Exorcist, and Alien still retain the ability to unnerve, and I’ll occasionally find an older movie, like Bob Clark’s original Black Christmas, that really freaks me out. But too much of what passes for horror these days seems watered-down, or too outlandishly stupid to be taken seriously, or just not scary. I can’t imagine anyone watching the recent A Nightmare on Elm Street remake and actually getting frightened.

Of course, part of the problem is, I’ve found new things to be scared of. As it happens, my parents were shielding me from the menacing adult world; it was just the nature of the menace that I’d misunderstood. There are no doll serial killers or leather fetishist demons with pins in their heads—instead, there are religious extremists with bombs. There are factories dumping carcinogens into streams. There are people who think a life devoted to literature and art is simply decadent. There’s waterboarding.

I fear that my writing is mediocre at best. I fear that my wife no longer finds me as physically attractive as she used to. I fear that I’ll never realize my dream of becoming a tenured professor. I fear impotence. School shootings. Stand your ground laws. Getting drunk and revealing how offensive and obnoxious my internal monologue actually is. Cancer. Being revealed as the academic and artistic fraud I’m pretty sure I am. That my parents will die. That my wife will decide she no longer loves me.

These are the things that terrify me. Sometimes, the only way to calm my nerves and quell the fear is to turn my brain off and watch a madman with a butcher’s knife stalk and then kill some babysitters.

•••

The twenty-fifth anniversary screening of A Nightmare on Elm Street was kind of a bust, actually. I had this idea that the theater would be filled with aging Gen-Xers excited to recapture the experience of being a child of the 1980s again. And there were a few of us like that in the audience. But there was also a group of about fifteen teenagers sitting down in front, and they were pretty rowdy—shouting things at the screen, giggling, running around the theater, making and receiving phone calls. My shushing got louder as the movie went on; a woman roughly my age sitting nearby eventually shouted at the kids, “Shut the fuck up!”

“This is ridiculous,” I kept whispering to my wife.

“Do you want to go complain?” was her constant reply.

I didn’t. I didn’t want to be the type of person who gets annoyed with young people. I didn’t want to be someone who gets angry at the sound of teenagers laughing. I hated the idea that I was the type of grumpy old man who said things like “Get off my lawn!” or who had groups of teenagers thrown out of places because of shenanigans and tomfoolery.

Towards the end of the movie, as Nancy is setting her traps for Freddy, one of the teenage girls came walking up the aisle, gabbing into her phone.

“Oh I know,” she said, “it’s soooooo stupid, but funny…”

As she walked past me, I leaned towards the aisle and shushed her as loud as I could.

She stopped and adjusted the phone so that it wasn’t near her mouth. I was expecting her to whisper “Sorry,” but instead she looked right at me and shouted, “Shut up!”

I was shocked, startled both by her viciousness and the phrase that entered my head immediately: “My God, I would never have spoken that way to an adult when I was her age.”

When I was her age. Back in the day. The good old days? The grown-ups I knew when I was a kid didn’t think so—they thought we were out of control, with crack cocaine, gangs, drive-by shootings, casual sex, and N.W.A. Of course, their parents thought they were out of control, with their LSD, free love, campus protests, left-wing radicals, and The Beatles.

Unexpectedly, I did experience fear that night—the fear that comes from knowing that, somewhere along the line, you became old without realizing it, and you’ll never know the reckless energy of youth again.

•••

WILLIAM BRADLEY’s work has appeared in a number of magazines and journals, including Utne Reader, The Normal School, The Bellevue Literary Review, Brevity, Fourth Genre, Creative Nonfiction, and The Missouri Review. This is his second essay for Full Grown People. He lives in Canton, New York, where he teaches at St. Lawrence University, and he has recently completed a collection of essays that link to form an unconventional memoir about love, loss, and pop culture obsessions. He also recently found a very cheap used copy of The Nightmares on Elm Street novelization, which he thinks he might re-read this summer. He’ll let you know if he ever sleeps again.