Summers of Smoke

By Susan McCulley

Late on a Connecticut summer night, a young man drives home after a date. He smells smoke. But he doesn’t see the fire until he gets to the pond at the bottom of the hill. Across the water a house is burning. Orange flames reflect on the water between the lily pads. He and a neighbor climb through a window, into the blackness, and pull an old man out of the smoking building. It is 1973. The old man is my grandfather.

•••

In early June 2014, my builder husband Frank complains of back pain for several days running. That can happen when he’s busy, and right now has several construction projects going at once. One house is in the last stages so there are thousands of details to track and a string of sub-contractors to direct. As he hobbles across the kitchen, we exchange pained smiles: Frank’s stress shows up in his back. It’s just stress. But the next morning, my beloved Frank crawls to the bathroom.

•••

My father gets a call at two a.m. at our house on Buzzard’s Bay near Cape Cod. His father, probably in a haze of alcohol, has fallen asleep while smoking in his favorite leather chair. The ambulance is taking him to the hospital with terrible burns from the fire that has destroyed his home. Dad immediately starts the two-hour drive back to Connecticut, headed for Middlesex Hospital. An hour later, doctors decide to transfer my grandfather to the burn center at Yale-New Haven. Realizing that Dad is driving in the wrong direction, his closest friend waits for him on the shoulder of I-95. At three-thirty in the morning, he waves Dad down and gets him to Yale-New Haven.

•••

We find a pair of crutches for Frank but they are awkward and uncomfortable. He settles on using the gnarled walking stick that he made from a dried Arizona cactus. Doubled over and shuffling along, he looks like a six-foot Yoda. The Force, however, is not strong with him. It is painful for him to sit, stand, or lie down. He goes to two massage therapists and a chiropractor and walks out of each appointment in more pain than when he walked in. We cancel a dinner with friends and then a visit with my family. At eight o’clock on a mid-June Saturday night, I call a friend who had back surgery not long ago and beg for Percocet. She gives me kindness, compassion, and every painkiller she has.

•••

My grandfather’s neighbors board up the fire-smashed windows of his home the next morning. In the hospital, Poppa is heavily sedated and asks my Dad to “clean up the house a bit” to get ready for a visit from his sister and her husband. My father has a long conversation with Poppa’s doctor about his condition, his prognosis, and his personality. The doctor says they can keep my grandfather alive, but he would need constant care and would be completely immobile. Poppa has no living will, so the doctor asks my father how he thinks Poppa would feel about that. Dad tells the doctor honestly about his father’s stubbornness, his fierce independence, and his recent battles over needing an in-home health care nurse. The next morning, the doctor calls to say he is terribly sorry but Poppa has died.

•••

Frank says he knows that the pain will go away. He’s been researching back pain, and he’s pretty sure it is just a matter of time before he feels himself again. It’s also possible that it’s not just stress. Maybe something else is going on. He goes to his doctor and gets some steroids and his own prescription for Percocet. He wades into the health care system to figure out what is happening in his spine. He has an X-ray that shows no arthritis and no bone damage. The doctor submits the paperwork for an MRI but it will take a week to ten days before it will be approved. The steroids make him sleepless and sweaty as a teenager. His right shoulder now has bursitis from his sleeping in only one position. We are at sea as to what to do and how to drag ourselves through the pain: his physical pain and my emotional pain watching him.

•••

My father’s father, my Poppa, was older—both in years and in spirit—than my tractor-driving, sailboat-captaining maternal grandfather. In my nine-year-old eyes, he was scratchy on the outside with a prickly mustache, wool suits, and a wool hat with bristly feathers. He had a bristly personality, too, and scolded me for eating like a bird. But his tender insides showed when I trick-or-treated at his door or when I sat with him on his deep leather chair to watch the Rose Bowl Parade on his color television. He drank more after my grandmother died and he smoked until his fingers were stained brown. My strongest memory of Poppa is his thorny-mustache kisses that smelled smokily of cigarettes.

•••

With a cocktail of painkillers, Frank can sleep but, after a couple of hours, the pain pokes him awake. After weeks of determined optimism, he finally crumples. At midnight, he sobs hot tears of pain, fear, and frustration, “What is wrong with me?” Hands resting on him gently, I am paralyzed with the exquisite anguish of helplessness. I’m in such despair that I can’t even cry, furious that no one can help us. After a time and another Percocet, Frank quiets and lifts his head with irritation, “What is that noise?” A scratching, like a mouse or a bat is coming from the woodstove stovepipe and it is driving my sweet man crazy. I leap into action. I can’t make the pain go away, but I can make the bat go away! Intent on new-found usefulness, I stuff paper into the woodstove and light it—not thinking that it’s late June and hot outside so the chimney won’t draw. In a minute, smoke fills the house and I’m crazily sealing Frank safely in the bedroom, opening windows to the thick, humid air, squashing out the burning paper. In the morning, I’m sure that the whole ridiculous scene was a Lucille Ball nightmare except the smell of smoke lingers in the living room.

•••

When Poppa dies, Auntie Jane, my father’s only sibling, flies in from California. She comes for the funeral, presumably, but my only memory of her visit is of my mother and her at the kitchen table drinking and smoking cigarettes. I have never seen my mother smoke. She sees me staring and mumbles that she shouldn’t be doing it. “You deserve it, honey,” says Auntie Jane loosely holding a glass heavy with ice and amber and leaning against the bright yellow kitchen wall.

•••

Frank’s MRI is finally scheduled but his morning appointment is scuttled. He simply cannot lie flat and still in the tube of the machine. My kind, gentle Frank yells and swears at everyone in earshot. “I feel like a fucking old man!” I don’t argue. In just a few weeks, he’s aged decades. The technician tells him to get as much painkiller as he can from the physician and come back.

Hours later, after a torrential rain, we return to the hospital with Frank double-dosed with Percocet and Valium. We pull up to the main entrance under towering pink-gray clouds like billows of smoke from a nearby fire. Between the drugs and the pain he can barely put two steps together, so an elderly hospital volunteer and I help him into a wheelchair and I roll him to the imaging lab. I do my best to make light of it, slaloming down the hallway, but the sight of my strong fit man withering in a wheelchair breaks my heart. The MRI technician suggests I sit in the waiting area, but I will have none of it. I’m not leaving him. Together, the tech and I slide Frank up to the MRI bed and gingerly he hoists himself up. The tired-looking technician arranges Frank’s legs straighter and he is howling and swearing again. She looks at me. “Do you have any more drugs?” I do: two Percocet and two Valium. Frank takes them down.

•••

The rest of the summer of 1973 is soaked in the smell of wet smoke. Every morning, my parents go to the wreckage of Poppa’s house, pull out whatever they can salvage, and toss the rest. They come home every night reeking of soggy soot. Everything in Poppa’s bedroom is destroyed. The intricate family silver and my grandmother’s cobalt blue glasses are melted and unrecognizable. The leather chair and the color TV blackened and soaked. Mom and Dad find some photographs and the big leather-bound family Bible with the metal clasp. Decades later, it still wafts the unmistakable smell of fire whenever it is opened.

•••

Frank sits in the wheelchair with his head is in his hands. The beleaguered MRI tech ushers us into an empty examining room. “Give the drugs some time to kick in,” she says and closes the door on us. I squat down, roll him up close, and press my forehead to his. “I’m right here with you, sweetheart. I’m right here.”

Frank cracks into sobs and says thinly, “It hurts so much. I just want it to stop.”

After a time, all those drugs make his eyes go smoky soft. I put my head into the tech’s office and tell her that he’s ready. We gently slide him onto the machine, straighten his legs, and look at him cautiously. “Okay?” we both say at once. He nods. She hands us both ear plugs like the ones airline workers wear on the tarmac. “You can stand right there and reach in and touch him. It won’t hurt anything,” she says. I put my hands on his head and stroke his hair while the machine sings and groans and zings oddly for nearly thirty minutes. Only after it’s finally over do I look up and notice a back-lit oversized photograph of purple and yellow crocuses on the ceiling.

•••

In the summer of ’73, long before playdates are a thing, a different family takes care of my sister and me every day. Since we had planned to spend the summer on Buzzard’s Bay, we have no day camp or activities in place—only friends. Every day, when my parents go off to dig through Poppa’s burned house, another family has us over to go to the pool or the beach, play in the sprinkler, go out for ice cream. Once, we spend the afternoon with my grandfather’s next door neighbor, the one who pulled him from the bedroom window. He has kids our age and a great swimming pool so it’s a welcome place to be, but the pull of the fire-wrecked house next door is strong. I can smell it across the yard. The kids dramatically tell me not to look, not to go over there, but with equal drama, I sneak to the edge of the yard and peer through the bushes. The plywood-covered windows are like empty eyes. The gray siding above each window is smeared with long black soot smudges like bristly eyebrows.

•••

After the MRI, I drive Frank home, slide him back onto his perch of pillows on the couch, and go to get him tea and an ice pack. When I come back he’s looking at me with tears in his eyes. “How does anyone ever do this alone?”

Up until then, I had made only shy, tentative requests for help from my sister and my closest friends. Gingerly asking if maybe, possibly, would you mind too much, could you please help us? My dearest ones were right there in an instant. Even so, I was ashamed to ask. I felt like I should be able to handle this, that I shouldn’t feel so overwhelmed. That I shouldn’t need help.

Frank’s MRI shows a herniated disc in his lumbar spine that is pressing on his sciatic nerve. Just as the pain branches out from Frank’s compromised disc, I decide to reach out and ask for help. I send out a group email to friends and family explaining what is happening, what we know, what we don’t. In less than a day, friends start pouring in. Some bring enormous meals with funny, handmade cards and flowers. Some come play cards and Backgammon and watch World Cup matches. One sings him a song about chickens. The love pours in our door like a river.

•••

Frank’s back begins to heal, but the summer continues to burn. Four close friends’ fathers die. Another friend, younger than we, is diagnosed with colon cancer. Yet another friend has abdominal surgery to remove a painful and suspicious tumor. A neighbor is killed in a biking accident. A therapist of several friends commits suicide. The sadness and loss is staggering, relentless. The summer suddenly feels unpredictable, scary, dangerous. I take Frank to physical therapy and to get an epidural shot. I write sympathy cards, bring a bag of bagels to one family, bowls of cold summer soup to another. I feel disoriented, suffocated, blinded by all the sadness.

•••

I’m delivering a platter of roasted vegetables and a bowl of melon to another friend singed by the summer of 2014 when I suddenly remember the smoky summer of 1973. I remember the play date at Poppa’s neighbor’s house. I remember the smell mostly—the rest is hazy, except for how odd and disorienting it was as a child. I wonder what it was like for my parents.

When I ask my father about the summer of 1973, he says that what he remembers is the kindness and generosity of so many people: of the young man who spotted the flames, of the neighbor who helped him pull Poppa free, of my father’s friend who flagged him down on the highway, of the wise doctor, of people who just did what needed doing. “People are pretty awesome,” he says.

This summer has cracked me open. It’s challenged me to do things and be with things beyond what I thought I could. The edges of my heart are sore and aching from all the sadness and disappointment and loss. The fibers of my compassion and empathy muscles have been stretched and strengthened. I hug longer now, look with softer eyes, am gentler with my words. I’ve let go of any illusion that I have control over a single thing.

Memory is a funny thing. My father looks back on the tragic death of his father and it is the support, care and kindness that he remembers. As traumatic as it must have been, for my dad the summer of 1973 was about love.

It’s been forty years since Poppa died, but it’s only been a couple of months since Frank’s been walking without his Yoda stick. The string of memorial services is still unwinding. The soreness and bruising from the summer of 2014 are tender, and it is a tenderness that I hope never goes away. I have been tempted to call it The Summer of Sadness, but honestly, that’s not how it feels. The feeling of the summer of 2014 is love. The rest disperses like the smoke from a single match.

•••

SUSAN MCCULLEY is a mindful movement educator and a Black Belt Nia Instructor who has been dancing, traveling, and teaching since 2000. Her blog, Focus Pocus: The Magic of Inquiry and Intent (www.focuspocusnow.com), is dedicated to taking body~mind practices from the studio into life. This is her second essay for Full Grown People and others have been published on Elephant Journal. She lives with her (now fully healed) husband in Charlottesville, Virginia.

My Grandmother’s Abortion

shards — By Gina Easley www.GinaEasley.com

By Sara Bir

There’s still a residue of dried cottage cheese curds on the wall. Our dining room is beige, and the white curds don’t show up much. But I know they are there. I’m the one who threw the bowl of cottage cheese.

Frances watched me do it. The bowl was Japanese, one of those cute little ones, a white good luck kitty against a pink background. It hit the wall and cleaved cleanly in half with a satisfying crack. Cottage cheese flew everywhere: the wall, the floor, the blinds, the bookshelf, the books on the bookshelf. The goddamn ceiling. Frances wailed.

I threw it because of her. We were not having a good day together, my daughter and me. Our heads butted over insignificant things, and as they piled up—whining, backtalk, tedium—they became an Ugly Significant Thing. Frances demanded cottage cheese for lunch, then rejected it, lower lip protruding, and that small assertion broke me.

Frances is three, and she is wont to act like a three-year-old. But she is also always extra everything: extra sweet, extra clever, extra loud, extra hitty. We have occasional periods of intense discord that neither one of us are equipped to navigate levelheadedly.

Frances escaped the flying curds but not their implication. The dog quickly began lapping at the cottage cheese spattered on floor, and for impossibly long seconds I watched his purposeful pink tongue erase a small corner of the mess I’d created.

Immobilized, I wondered if this sort of thing goes on in other, less-extra households. Then the urgency of Frances’s crying broke the spell, and I scooped her up and held her against me. I stroked her hair, and she sobbed. I put my hand between her tiny shoulder blades and felt her warm, smooth skin as our breathing slowed to a normal pace.

“Mama, why did you throw my lunch against the wall?” she asked.

“Because I was upset,” I tell her. “Sometimes Mama gets upset and can’t help herself.”

•••

Frances shares her first name with her maternal great-grandmother, my Grandma K. Grandma died when I was four, and I have few memories of her. I treasure a silly 1970s Christmas snapshot of her. She’s laughing, holding a recently opened joke gift from my mom: a giant bottle of Excedrin. Though it wasn’t really a joke, because Mom knew Grandma would use all those pills. She took Excedrin at a pretty decent clip. Shortly before Grandma’s fatal heart attack—there’d been previous ones—she’d posted a package to me containing a summery outfit: blue shorts and a Blueberry Muffin t-shirt that said “I love you BERRY much!” It arrived just days after her death. Thrilled with its contents, I didn’t even notice my mother weeping after we opened it.

Mom drove up to make arrangements for Grandma’s funeral. Mom and her siblings discovered a homemade cherry pie at the house, nearly as fresh as Grandma’s death. Grandma loved to bake, pies in particular, and her adult children all sat at the tiny table in the tiny kitchen of the tiny house that they grew up in and ate that cherry pie. My mother does not bake pies.

Outside of baking, there were not many things Grandma liked to do. An occasional canasta date with her cousin and his wife, short stories in ladies’ magazines, watered-down polka music on the radio to drain out the sound of the young voices filling the house. She was too busy not going insane from raising her four kids for luxuries such as liking things.

•••

The name Frances came into our awareness because of my commute. Heading downtown every morning, my bus passed a posh clothing store, the kind of spot where a pair of knee-high socks costs fifty dollars. It was called Frances May. I hadn’t once set foot in the store, but seeing its name repeatedly from my jouncy seat must have triggered a response. When I was pregnant, I told Mom that we were set on Frances for a girl name.

“You know that was my mom’s name, don’t you?” Mom asked.

I didn’t, and I instantly felt like an ass. As a kid, I always thought of Grandma and Grandpa K as my boring grandparents. “Oh, then all the better,” I told Mom to break the long silence that followed. “It will be nice to have a family name.”

But initially Mom was not enthused about the idea. “I’m sorry. It’s just not a very happy name to me,” she said. I didn’t quite understand why she felt that way, but in the awkwardness of the moment, I didn’t press her for reasons. Mom decided that she’d call her baby granddaughter Francie. Grandma usually went as Fran.

Mom knows little about her own mother’s youth. Grandma’s father died young, and Grandma’s mother married a man who Grandma and her siblings called “the old geezer”. Grandma left school in eighth grade to work—for money but possibly to just get away from home. At first she cleaned houses, and later on, she worked at bars. Since she was neither flirty nor fond of drinking, this seems an odd employment choice, but it probably wasn’t a choice. She needed a job; bars needed a workforce, and bars didn’t require a high school education.

My mom, who never knew her maternal grandparents, has some joyful memories of her own childhood, but not many. She’s the oldest of four, born while Grandpa K was deployed in the Pacific during Word War II. Grandma and Grandpa K met at a dance hall called the Paris Inn, where Grandma worked at the time. To me, it means that there was a time when they did fun things, like dancing.

A son and two more daughters followed Mom. They lived in a modest house on a rural road. The girls all shared one room. They had few toys, few books. Grandpa was an ironworker, and his pay went far enough for them to have a solid middle-class life. Sometimes he went to the bar after work to decompress with his cronies and didn’t come back home for hours.

They had one car and no sidewalks. When Grandpa was at work, Grandma, who was not an outside person, was stranded at the house. For discipline, Grandma brought out what all the kids called the hittin’ stick. My uncle got his dose of the hittin’ stick more than his sisters, until he was big enough to yank it out of Grandma’s hand and chase her around the yard with it.

Grandma K was an anxious person, either by nature or by circumstance. Beginning in her late thirties, like many middle-class women of the time, she took diet pills (stimulants, basically), which could not have been helpful in achieving the state of calm that always eluded her. Her stress management choices—if that’s all it was, stress and not something more clinical, more constant—were cigarettes and tea. She drank tea, not coffee.

After Mom graduated from high school and moved away to work as a secretary, Grandma wrote her letters every week. They could have easily just spoken on the phone, especially given the content of the letters, which were unexciting recaps of what Mom’s siblings were up to or afternoon visits with nearby relatives. Looking at one of those letters, with their precise grammar and neat, old-fashioned script, you’d never guess they came from the pen of a woman who didn’t finish eighth grade.

All of these things I know because Mom told me. She makes a point of telling me family things, because her mother didn’t. So I know I’m thin, like her. I wear glasses, like her. I bake pies, like her. I’m starting to get arthritis, which plagued Grandma’s hands, though she barely mentioned it to anyone.

Grandma didn’t have an explosive personality like me, although she did yell at her kids, and often, run-of-the-mill nagging-mom stuff: “Keep out of there!” “Quiet down!” “Your hands are filthy!” She was kind but not down-and-dirty nurturing. (A housekeeping fanatic, Grandma wasn’t dirty anything). Mom learned how to sew, not from Grandma, but Grandma’s sister-in-law, Mom’s Aunt P, who had a special fondness for my mom. Aunt P had married well and lived several hours away, in a big city that must have seemed cosmopolitan compared to the dull Rust Belt town where Grandma’s family had settled.

Aunt P lived a long, full life. Mom made an effort to see her about once a season, especially once Aunt P was in her nineties. During one of those last visits, Aunt P told Mom that Grandma had had an abortion.

When Mom said this to me, I was full of questions: When did this happen? Did Grandpa know? Did Aunt P accompany her? How did they pay for it? How did Grandma manage, in her little world and little town, to find a place that would provide this service?

The one question I didn’t ask was why. I already knew the answer to that.

•••

My husband and I were the first in our group of friends to conceive. Which is amazing, as we have yet to catch up to them with them in other aspects of being grown up. Like: developing solid careers, buying a house, building up savings. But I felt that yearning bodily urge for something to grow inside of me, and we figured why wait? Months later, I was pregnant. Simple.

What’s not simple is how, since having Frances, my highs have been higher and my lows have been lower. It’s like something chemical kicked in, a sinister hormone from a rogue gland secreted on scattered, dread-filled days. And then it’s my turn to be extra: extra unresponsive, extra reactive. Add a newborn to the mix and the default façade of sanity would crumble.

•••

Aunt P accompanied Grandma to the abortion. It would have been Grandma’s fifth child; she was about forty at the time. There was no money for another baby, but maybe there was a lack of something else, too. Mom remembers a phase in her teens, late in the 1950s, when Grandma would break down crying for no apparent reason at all. It had been a bad year; Grandpa had spent many months unemployed, no ironworking jobs available.

“I think, looking back on it, she was crying because she was pregnant again and didn’t know what to do,” Mom said in light of Aunt P’s revelation. “She may even have been hurting herself, trying to lose the baby. There weren’t a lot of options.” So Grandma’s option was an illegal abortion, which must have terrified her. How did she know if the doctor was trustworthy? Who would watch the kids while she left town and then returned, scraped raw inside, needing to recover? Did it wrench her apart, knowing that to preserve her family she’d have to end a pregnancy that began just as the ones resulting in the four children she loved? Mom’s family went on only one vacation, to Niagara Falls, when the kids were still at home. Outside of that, the abortion would have been Grandma’s biggest getaway. This one trip that she did for herself wasn’t anything she really wanted to do.

It’s not the details, but the lack of them, that are telling to me about Grandma’s branch of our ancestry. She must have been loved and cared for to some degree in her youth. What if my daughter had been born back then, to Grandma’s family, raised with the ominous, menacing presence of an unwelcome stepfather? Would she be the spirited, confident girl I recognize? Or would her sharpness be dulled, her light hid under a bushel until it extinguished, deprived of the oxygen that it needed to keep shining? How much Fran is in my Frances? How much Fran is in me?

•••

I have options. Unlike Grandma, I have reliable birth control. After Frances was born, I got an I.U.D. On my insurance plan at the time, it cost me a twenty-dollar co-pay, but that minute contraption—mere slivers of plastic and a few whiskery wires, like a T-shaped fishing lure—retails for about four-hundred dollars. It’s over 99% effective. Sometimes, after we have sex, Joe will ask, “Is that thing still inside you? Does it still work?” Yes and yes, and why he doesn’t ask before? Neither of us likes to think about the splinter of error there, the baby we could accidentally create, the good and the bad parts of us that would load the dice.

If my I.U.D. didn’t work and I got pregnant again, I wouldn’t rule it out, the thing that Grandma did. I’m thankful not to have to make that choice. I can access reproductive health care, even without insurance. I have a husband who, when I say, “Not tonight, honey,” will roll over, sighing, and respect my wishes. I have girlfriends and medical professionals I can talk about sex with frankly. Joe and I together planned when we wanted to become parents.

I wonder what kind of woman Grandma would have been if she’d been able to finish high school, or if she’d grown up in the kind of family that encouraged girls to explore their world. I wonder how many children the newly married her would have preferred to have, if that number was three or two or one. I look at the cottage cheese on my wall, ghostly freckles like snow, my reminder that fits are not worth having. More fits will come, but the aim is to keep them to a minimum, to have them out of everyone’s sight. With more than one kid, god knows what kinds of dishes would be flying around, and at whose head.

But that’s not a problem I have to deal with. Not now, hopefully not ever. I kiss Frances, my daughter, Fran’s great-granddaughter, and turn away from the mottled wall.

•••

SARA BIR lives in southeast Ohio with her husband and daughter. She is a regular contributor to Full Grown People. Her essay “Smelted,” from this site, is included in Best Food Writing 2014. Her website is www.sausagetarian.com.

Like this essay? There’s more of Sara’s writing—plus 29 other great essays in Full Grown People: The Greatest Hits, Volume 1!

The Swap

sundress — By Gina Easley www.ginakelly.com

By Sarah Werthan Buttenwieser

Though the forecast semi-promised rain, the afternoon of our upstairs housemates’ clothing swap was ushered in to the best Memorial Day weekend in New England weather. It was hot, yet fresh in the sunshine, comfortable in the shade, bright, clear blue sky with puffy white clouds above and thick, healthy green grass below.

Em and Nell—the two sisters from upstairs—and a few friends began to lay down sheets and unpack clothing from bags and boxes. Other friends walked down the grassy hill with more, which were placed by category onto the ground. They brought shirts and pants, skirts, dresses, and shoes. Home baked goods—a plate of brownies, another of cookies dusted on top with powdery confectioner’s sugar, and chocolate chip cookies—appeared, as well as bags of salty snacks and plates and containers with watermelon and grapes. Beer and a big bottle of wine arrived, too. There were no cups. People shared, swigged.

Nate and Ben, the two sisters’ boyfriends, looked on. The ponytailed boyfriend was a housemate, the shorthaired boyfriend a visiting beau. Ben walked from his woodshop in the barn and back to the grass several times. For a year, every Saturday morning he drove off early to attend a boat building class. His canoe was lodged on a rack in the open middle barn. An onlookers’ corner formed in the shade, more males than females. There wasn’t much for them to do but sit and chat and drink a beer and look moderately bored. This was a big step up from waiting at a ladies’ clothing store while your girlfriend tries stuff on, but that vibe endured, just a bit, the price of boyfriend-dom or of being part of any group that wasn’t engaged in your dream activity. It wasn’t quite a Memorial Day Party.

In the thicket of swappers, though, hugs and squeals and vamping ensued with gleeful abandon as clothes came on and off of bodies and bodies moved between states of dress and undress. A pause in the action occurred about an hour in for everyone in that swapping circle to make introductions: name, gender, preferred pronoun—the icebreaker trifecta for twentysomethings in the twenty-teens.

One of the most beloved in the group had recently announced her transition. She’d changed her name, completed a course of testosterone blockers, and begun estrogen. Short dark hair growing out, Marta graced a new-to-her blue dress quite stunningly—to everyone’s accolades. The male clothing she’d had—work clothes, play clothes, and so much workout gear—couldn’t come along. Her former drag items no longer worked, either. Whatever those had been, playful or experimental, no longer applied. What to wear and who to become melded now and, amongst the heaps of clothing, she found nothing else she really wanted. Meantime, a rainbow-striped baseball cap made the rounds of heads. Eventually, it was left on the roof of our black sedan, and I brought it inside to our mudroom. Perhaps some child or tween might take a shine to it.

•••

The big yellow house we live in has an apartment on the top, which, for over a dozen years, we’ve bartered for hours, mostly for childcare and the light housekeeping duties that keep a family functional: laundry assists and kitchen cleanup and some cooking.

The barter tends to be with young adults in the twenties, a changeable time. Newly graduated from college, newly cohabiting, newly married, newly out (but not to the family), newly employed or trying to become employed, or applying to graduate school, no one who’s moved here planned to set roots from a top floor flat. Transition, even when there’s a person who stays for a couple of years, is implicit, because the apartment’s appeal is the bargain—no cash money, just time and utilities and Wifi and laundry and a place to park off-street in the winter—and the feel of your own place but in such proximity to a family. It has a separate kitchen and bathroom and entrance, yet it shares heat and laundry and Wifi and off-street parking in the winter. In over a decade-plus, the two-bedroom has housed somewhere near twenty people—it’s hard to keep count. Perhaps it’ll click for someone for longer, but somehow I don’t expect it, at least not in this incarnation.

The spring and fall swaps started two years ago with these sisters. My closet and drawers emptied in increments over time, to my relief. Clothing and shoes of my twenties and beyond that had lingered in my possession unworn were released—and I was freed of whatever the threads held over me. The sisters pluck favored items from my contributions to the swaps before they begin. A running top went to Nell; that morning, Em and her best friend appeared in linen sundresses, sleeveless with collars and big buttons down the front I’d released from my closet, sundresses I used to wear. My best friend, Penny, wore those dresses, too. I had three. I kept just one for the dog days. I know Penny still has at least one left, because she wore it when visiting last summer. Once, a grey and white striped cotton tank dress was handed to me. I put it in my closet, never felt comfortable in it, and placed it in a bag six months later. The way I want the swaps to work for me is as license to push the extraneous away and let my closets and drawers speak to the life I lead right now—or as close to that goal as I can get.

A swap cycle ago, my daughter received the metallic lacy tank shirt—a shirt for Em, a dress for my daughter—that she’d coveted; it’s become a dress-up staple. There is an element of dressing up to the swap culture—and to the twenties. “The clothes have gotten nicer, more professional,” Em observed earlier this year. “More of us have real jobs, ones you need to dress for.”

One of our dearest of babysitters—a friend and former housemate, too—moved to New York just over a year ago, and she’d come up for the weekend’s swapfest. In belted jeans that fit perfectly and a tee, Lila looked fantastically herself, but a sleeker version, as New York can bring out. Her reddish hair was longer but seemed to have been cut recently. She seemed neat, put together. She loved her job and the chance to go to art openings and film screenings and her housemates in Brooklyn. She awaited another position at the auction house, and grad school loomed more as possibility than pressure. “It couldn’t be better,” she said. She’d pieced together work, first in a store and then increasingly “in her field” here for a couple of years before the right New York opportunity arose.

Nell spent more time with her visiting beau in the onlookers’ corner than in the swap heap of clothes and people. She held up clothing that came from her not-quite-two-years-older sister and shrugged. “I almost always end up with Em’s clothes in the swap.” The older sister lost a lot of weight over the past year and the beloved green sweatshirt dress already went to her taller, broader-shouldered (former swimmer), barely younger sister. Both are high achievers, highly engaged, competent, capable and lovely. Their sisterhood is obvious, especially their arresting oblong eyes, and yet they come across with completely different energies—one more muscled in her upbeat-ness and drive, the other lower-keyed, yet more serious and at the same time, funnier.

Another former babysitter friend and housemate for a summer flashed her gentle smile. “I’m in Montague, now,” she’d explained—a thirty-minute drive from our house, “an herbal garden, my herbal practice and then work with a program for youth. It’s coming together.” I’d listened to the ups and downs of managing the piecemeal work and the herbal training. And on this bright day, it was all smiles and a sense that they all were nowhere near finish line but rounding the track and feeling fine.

•••

What of the other moments? I remembered them so clearly—tears in the kitchen, eyes pooling puppy-dog wide. “I didn’t get the job,” choked the recent college graduate. It was a halftime position at a local parents’ center and while it was closer to her desired field—public health and sex education—it really wasn’t that at all. A parent from the center had gotten the job, assisting other parents and kids at the drop-in center.

“You’d have been great,” I cheered her on, “and yet you’d have been frustrated, too, because it’s not exactly what you want to do. Already you have a job doing what you want and you’re not six months out of college. The right thing will come along. It will. You’re doing so wonderfully already.” More tears, big hug—and onward, that’s the twenties. That’s life, really. She’s getting her PhD now, full ride, and the last position she applied for—sex educator at a local college—she got.

Jobs missed and gotten is only part of it. Long ago, our babysitter’s eyes blazed with adoration and she smiled like the cat that ate the canary. She and I stood with the laundry basket of clean clothing in between us. We both folded. “We’re… dating,” Hallie offered. The other half of “we” was another babysitter. Although Nic did not live in the house, she did, which meant that while the romance burned brightly, we often had moon-eyed twofers of babysitters, because they could hang out with the two kids, cross-legged amongst the blocks and books and trucks. Distracted by love, there was so much laughter that the romance was, for the kids, infectious. They loved both the very fair and self-declared sensitive young woman and the beanpole young man with slack eyes and a zest for Buddhism, so the pairing was kind of magical. Please don’t break up in my living room if it comes to that, I remember thinking. I hope I didn’t say it out loud, but I might have. I wasn’t so very far from breakups myself, and I still had enough single friends searching for love that the potential for disaster felt fresh enough—coupled with the fact that my kids were small and I felt dependent upon the babysitters for my emotional survival.

Hallie is married now—not to Nic—and has an eighteen-month-old boy with carrot hair and blue eyes that will bore holes into her heart.

What sticks? What do you let go? What returns? Like the clothes on the piles, there’s not really one answer. Answers form a shape shift, the questions blend in, the colors are your favorite and then you’ve worn them so much they’ve worn out their welcome. There will become, in your mind, a bright green era or a vegan period or a time when the relationship was all about starry-eyes and then… not.

•••

Meantime, the afternoon’s happy, hugging crew strewn across the lawn like so many to-be-swapped clothes included a reluctant eleven-year-old boy and a toddling one-year-old boy. The clothes and people continued to arrive. The neighbors’ grandchildren looked on at first and then disappeared, having seen some bras and tattooed bellies. People in states of undress reveal things about themselves that you did not know in inked bellies and backs with flowers and words and leaves. My daughter, who is six, went from the swing to Lila’s lap. Our two-year-old neighbor pal stuck to the climber and swings, mostly swinging on her belly. Yoni, her babysitter, found clothes. I snapped photos; I chatted with former and current babysitters and their friends, my friends through them and hoped my clothing found happy homes. Besides the linen dresses, this time I’d unearthed some things from deep in a closet—a brown jacket and pleated skirt that would be retro now, and likely in style again, a flowered corduroy dress that I’d loved, brown, grey, reddish hues and drop-waist with buttons in front (I guess I liked buttons), leggings and comfy black pants that straddled the line between clothing and pajamas.

I love to watch these young adults grow, to see the ways they reach toward dreams, and especially perhaps the way they revel in friendships. They sew a world together between them like homemade fabric flags waving. I envy their time—the potlucks and parties and nights out dancing, the brunches and weekends and hikes—not because I want for friends, or because I never see mine. I do, in fact. But I miss the way these young adults’ time unfolds opportunities to hang out abound so amply. Friendships take up a particular kind of space, edged out by romantic partners and children and extended family. Things become more encumbered, more weighted, less blowy. My friendships were like that once: juicy, time consuming, and filled with rituals and catch phrases and photos of one another that we passed around, hand to hand.

I’d let go of the electric blue suede short boots with the pointy toes and chunky heels a while before, but they were emblematic of my twentysomething self. They were as hip as I got, a little sassy, cute, and hopeful. They were confident boots and in them, I felt confident. That’s a sensation that I experienced fleetingly—and remains, frankly, fleeting. When Em nabbed low cowboy boots a couple of swaps earlier, she’d declared, “I think I know what you were like when you were my age now,” and in a way, I think she did.

Some of the clothing I’ve offloaded over time is very big and baggy, other things are small and clingy. My body, my style, my stage of life changed over those decades. I worked. I went to graduate school. I moved away as a newlywed for an eighteen-month adventure in London. The wedding was a huge affair, with so many friends spilling in from afar and from near. We feasted on the friendships, the old ones and new ones and middle-length ones. For years and even decades when someone became important to us, we wished that somehow through magic or time travel, we could have shared that friend-fest with that person, too. We returned from London barely three months before our first baby arrived. I became a mom, and despite conflicted feelings, a Mom, too. I became a writer. I volunteered.

•••

I’d joked for years that our house served as excellent birth control, filled with one, then two, then three, then four kids—but the fourth brought infant lust to the towheaded artist on the top floor. Sloan wanted a baby so badly and adored our tiny gal so much that it saddened him to leave for graduate school. Being gay served as excellent birth control just then, too. I cried when Sloan left (in our old car, sold to him for cheap) because I so adored him. But with all these people, something reminds me of them and I can reach out and they reach back, because we did happen into one another’s lives during rich times, ones that we hold tenderly.

The whole time, with all those practice twentysomethings I thought that by the time I began to launch—or prepare to launch—my own kids, I’d be able to do it better because of all I’d learned. And maybe that’s true: I saw that encouragement is what older adults can offer and the willingness to brainstorm and write endless references for as many years out as requested. I saw that you could love new things via younger people: music and Zumba, a better way to make jam or put the toys away. You could remember how poignant and how free and how confusing freedom felt and how much it cost to have your car towed.

But now I have to let go. I have to not worry about the fact that things will go awry and the place will be a mess—and then maybe clean, maybe not, depending. I have to trust that trial and error is, it turns out, inevitable. Nothing is smooth, not really. All that effort to smooth the way for my children, not so much to do their laundry (although there’s that) but to manage things for them—the many check-ins with teachers and the many lessons and classes and teams and enriching books and rules or letting go of the rules, the endless, endless bedtimes—wasn’t a recipe for these next steps. How much is rent? How much is insurance? What do I do when I can’t do the math assignment? Do I ask her out? I couldn’t have pre-answered those questions and so many others. I tried; I whispered to my eldest son as an infant all the important stuff, like “don’t drink and drive,” or “use condoms” or “respect women.” I like to believe he heard me, and when he needs that critical good advice, it’ll rise up like the long buried memory it is, soggy and warm and still intact.

The swaps are the young adult version of offloading the kids’ hand-me-downs. You keep letting go, and eventually, you realize you’ve grown. Each one of you has grown, not just the kids. The thing that remains isn’t a shirt; it’s not a moment or a skill; it’s love. You’ve done right because you’ve loved. You’ve loved and you’ve done right. That’s how it comes out in the wash. That’s how every one of you gets to the thirties.

•••

SARAH WERTHAN BUTTENWIESER is a contributor to Full Grown People. Her essays have appeared in the New York Times, Salon, and the 2014 anthology The Good Mother Myth, amongst other places.

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This Wild Life

By Renee Simms

The children wriggled and cursed in the old SUV, summoning me to exhortations about proper car-riding behavior. “Y’all know better!” I warned. I turned down whatever music was playing. I did these things while I watched traffic conditions on 30th street, which, if you’re traveling east in Tacoma, has a precipitous, San Francisco-esque drop. As you drive, you will feel your fingers tighten against the steering wheel once you realize that you can’t see beyond the approaching precipice. You’ll slow down, and that’s when you’ll catch a glimpse of it—the entire Puget Sound. You’ve got your bluish water and snow-capped mountains, the old barges dotting the coast. Porch lights wink from houses pushed far into the hills. This view is tantamount to falling in love.

Driving west, though, it’s all uphill. That’s the direction that I was traveling. My Rodeo was, at the time, twelve years old. I liked the vehicle just fine even though its manufacturer was a company best known for making good lawnmowers. As the children teased each other and bucked in their seats, my Rodeo stayed focused on the road. She climbed the hill with all her inelegant noise: a sound like cicadas trapped inside the engine.

“Do not call your sister names,” I said, or something close to that. Perhaps, I told my raucous kids to “Shut up.” I don’t recall. It was late and I was tired, plus my night vision is poor and there was very little light. The sky had a moon so slight that evening, you could say that it wasn’t even there. When we reached the top of the hill, I stopped to turn left onto Union Avenue. I waited and waited and waited. Each set of headlights that passed by blinded me for a couple of seconds. Finally, there was a break in cars and I completed my left turn. This is when I saw the delicate fawn in the street.

The fawn tottered on its pencil legs, froze, then bounded away. The poor thing probably saw us before we spotted it. Nocturnal animals like deer have what’s called tapetum lucidum, a layer of tissue over the eye that reflects light and gives them good night vision. I pounded my brakes and swerved the car. We stopped within inches of the deer. “Ohhhhh!” my daughter said. “Where is its mom? Why is it all alone?”

“I don’t know,” I said. My heart thumped in my chest. “It’s a rough world out here in the animal kingdom.”

•••

According to its website, the state of Washington’s Department of Fish & Wildlife gets phone calls each year about orphaned fawns. People stumble across the fawns curled up in tall grass in the woods, seemingly alone in the world. Usually they are not alone. The mother-doe is hidden nearby where you can’t see her. She keeps a watchful eye on her offspring, but the range she allows her young to roam is far and wide.

•••

After we settled down, I drove my children back to the 1920s cottage that I was renting near the university where I worked. The kids were visiting me for one week. They lived most days with their father, my ex-partner, whose home was just outside of Phoenix. Like the animal we’d encountered that night, my children were seemingly without a mother during most of that year. I’d decided in May to take a two-year, visiting faculty position in Tacoma. My ex and I decided that the kids would stay with him during the first year of my appointment. It only seemed to make sense. From the time I got the job, I had less than twelve weeks to find a place to live, to move from Phoenix to Tacoma, and to prepare to teach three classes. There was no way that I could also uproot my children and enroll them in a school system I did not know.

So, instead of spinning my wheels over how I would bring the children with me, I planned for their year without a mom. We all have certain details about parenting which we covet. I knew the details that I paid attention to might be overlooked by their father while I was away. So before I left, I investigated babysitters and talked with relatives and friends about how they could help us watch the kids. I made sure the woman who braided my daughter’s hair had my ex’s cell phone number. I purchased school supplies for the upcoming year. Even after I was gone, I kept in touch with the kids’ school teachers via email and phone. Although I would not be there in the flesh with my children, I was still around keeping a watchful eye.

•••

Deer are a uniparental species. The father deer, the ones with the big, scary antlers, are around to make the babies and then they’re gone. You will not see them hanging out with doe or fawn. If you spot a male deer in a herd, chances are that every deer in that group is male. Fawn are cared for by their mothers only. The mama deer do everything for the babies, including eating their droppings and urine so that predators won’t catch scent of them.

•••

What surprised me most about my decision to leave my children in Arizona was the reaction of my friends and relatives. You would think my kids didn’t have a working, able-bodied father who loves them madly. “You can’t leave them with their father. Their father? Children need their mothers,” one friend said.

“Why don’t you take them with you? Your students will babysit the kids,” another friend said.

Each person I consulted was well-intentioned. They were expressing genuine concern for my family’s well-being. Still, the tone of alarm in their voices and the repetition of frightful scenarios like the ones my father liked to put in my ear, made me doubt my own decision. For example, my daddy insisted I research the sexual predators in my neighborhood so we’d know who was watching the kids walk to the school bus stop while I was away. I told him that we’d lived there for nine years without such information.

Other people’s fears and doubts became my own. As a result, the hardest part of my year away from my children was not the months when I was on a mountain and they were in the desert; it was having the courage to leave them with their father in the first place. I was trusting that I was making the right decision for everybody involved. The conventional wisdom was that I was the primary caretaker and needed to live in the same house with my children. But I was also a provider, and taking a job that increased my income counted as taking care of my kids, too. I can’t imagine that a man in my position would have been counseled the same way about this transition. I can’t see him being told that moving to a new city while single-parenting and starting a new job was a sane or normal balancing act. In the end, I decided I would not multitask in this way. It was hard to trust my own conscience about this. Then there was the actual moment when I had to say goodbye.

We said our farewells in mid-July, two days after movers loaded my boxes onto a twenty-two foot straight truck. My shipping order included the usual domestic items, like linen and dishware, but also fifty small and medium-sized boxes of books. The only furniture that I took from the Arizona house was a bed and writing desk. Their absence—the way the bookshelves and floor had visible gaps of unoccupied space—was, by the time the airport shuttle arrived, the only evidence that I was leaving. The rest of the house was intact. My ex had even moved back in for this one year. A clear light came through the windows that morning. Its brightness made me hopeful even though the shuttle driver, who was five minutes early, had robbed me of final moments with my kids.

My son was the first to rise from the couch and walk in shiny athletic shorts and no shirt to where I’d paused at the door. At eleven years old, he stood nearly my height. His thin body and sway-backed posture at one time reminded me of an apostrophe. Now, as his shoulders broadened over a small waist, his upper body resembled an inverted triangle or wings. We hugged. My daughter, who was six, ran up and wrapped her thin arms around my thighs. Then I embraced my ex. For a brief moment, we were a family huddled near our home’s threshold. In the next second, I would be through that door and inside the blue airport van. I wouldn’t see my kids for the next three months.

The other difficult part of leaving was accepting that my life could be full of similar curveballs in the future. I had never anticipated divorce; nobody does. Similarly, it never crossed my mind that I would have to take a job in another state in order to care for my kids. Nor did I think I’d be single in my forties, that I’d have to think about my safety at night or how I present at private parties where everyone else is coupled-up.

I’d told my daughter the night we saw the deer that the animal world wasn’t quite like ours, that it was unpredictable and dangerous. “Sometimes a fawn is just on its own,” I’d said. But the truth is that we are just as vulnerable as animals that walk on cloven hooves. This becomes most clear when we’re stripped of institutions like marriage or when we experience health problems or economic insecurity. It’s when our bodily functions fail us or we’re hungry without knowing when we’ll eat; it’s when we’ve been physically harmed by another person that we recognize life’s brutal underbelly. Sure, we erect boundaries between civilized society and the wild side, but these boundaries are easily crossed and civilizing tendencies require our constant attention.

•••

Deer are mostly vegetarian, although they will eat meat on occasions. Some of the vegetation that can attract deer to your yard are dandelion, clover, wheatgrass, mushrooms, and other fungi. If you want to keep deer out of your yard, the Washington Department of Fish and Wildlife suggests deer-repellant landscaping. Shrubs which deer don’t like to eat include globe thistle, lavender, oregano, rue, pine, birch, fig, trillium, lilac, and yarrow.

•••

A friend in the Midwest recently told me about a family of deer living in her mother’s backyard. She used this story as an example of the way that nature was making its return to this urban area that has been in decline for several decades. It was a way to paint the picture of a crumbling city and infrastructure. “Can you believe it? Living in the backyard!” she said. I was struck by how the appearance of deer were interpreted by my friend and how differently they are seen here in my neighborhood in the Pacific Northwest. I don’t have deer living in my backyard, but they sure bounce through it on occasion, and I’d wager that my neighbors consider deer as part of the area’s charm. Living close to wildlife means different things depending on a person’s context.

Take the deer I saw this summer in the South on a college campus where I attended a writers’ conference. The deer were considered by most writers as magical and spritely, as evidence that we were in a pastoral setting conducive to ideas, instead of the crammed cities where so many of us live. The deer, for their part, pranced in and out of our view as if the college campus was their world and we were in it by happenstance.

I have summers without the children, now, which allows me to attend professional events like writing conferences. My kids live with their dad in the summer and they live with me during the school year or nine months out of the year. It’s an arrangement that works, but again, it’s one I didn’t anticipate years ago. As I walked this latest conference one night, I saw a herd of deer near a tree. There were at least seven or eight of them huddled together. I’ll admit right here that I was slightly drunk, but I’m pretty certain of what I saw. As I walked closer to the animals I saw young and old deer, mostly doe, and one gargantuan male. As the doe and fawn nibbled the grass, heads down, the antlered deer kept his eyes on me as if saying, “Keep it moving, woman, and don’t step any closer.” I was in awe. The next morning, I told another writer who’s a good friend and poet and he said, “That’s incredible! The males rarely hang out with females and fawns.” He was right. That’s what I’ve read to be true about these creatures of the forest and woods. But stranger things, I imagine, happen all the time.

•••

RENEE SIMMS writes fiction and essays which have beeen widely published. She is putting the final touches on a story collection, Because We Were Miles from Home, while teaching and parenting outside Tacoma.

The Perfect Song

By Browning Porter

My daughter Shannie is singing an old song. It goes:

Meet me in the middle of the day.
Let me hear you say everything’s okay.
Bring me southern kisses from your room.

She’s eight, though, and she has a lousy ear for pitch, so it’s all off-key, sliding around the melody like a kid in socks on a hardwood floor. Which she is also doing literally.

Meet me in the middle of the night.
Let me hear you say everything’s all right.
Let me smell the moon in your perfume.

The song is called “Romeo’s Tune,” by a guy named Steve Forbert, and it was a hit in 1980. It made it to #11 on the charts. Shannie likes it. Maybe because she’s a precocious Shakespeare fanatic, and Romeo and Juliet is her second favorite Shakespeare play, or maybe because it’s a pretty good song.

I remember when I first really became aware of this song. It was the summer after my first year in college, and my friend Phil and I were trying to score some weed. So we decided to drive two hours from DC all the way down to Charlottesville to visit my cousin Missy. Missy was a few years older than me, twenty-two or so, and she was one of my favorite cousins. She was very pretty and sweet, a kind of fun-loving hippy chick with a boyfriend who played guitar for a popular Grateful Deadish jam band, and I was pretty sure she would know where we could get some marijuana. So we went to visit Missy, and sure enough she did have a little sack of weed, which, because she was such a sweetheart, she just gave to us. But before we left, she said, “You should listen to this tape.” And she pulled out this cassette tape and put it in a boombox, and we all smoked a bowl and started listening.

This tape was a work of art. The little paper insert to the plastic case had been made by hand, a collage of old comic strips and wrapping paper, with a title drawn across the spine spelling out VARIOUS MUSICKS. The K was pretentious, or ironic, or both. It had a song list typed by an old ink-blotchy typewriter and pasted in place, and it was filled with deep cuts from Blondie and Neil Young and NRBQ and The Stranglers and “Romeo’s Tune” by Steve Forbert. I asked Missy who had made it, and she said, with a hint of embarrassment, the name of a boy. I can’t remember the name. His name meant nothing to me. But we kept listening. “Do you like it?” said Missy. “You should take it.” And I did.

I listened to VARIOUS MUSICKS with a K for years, riding in my car, or in the background on a sunny afternoon. One of the things I loved about that tape was that its creator was so clearly smitten with my cousin Missy. The whole thing was filled with longing and hope and despair. Which I understood completely. Missy was lovely. She must have had guys falling in love with her all the time. And I knew how that felt to fall in love—not with my cousin—but with girls like that, and so I couldn’t even remember this guy’s name, but I felt a kinship with him when he tried to speak to her through Steve Forbert’s “Romeo’s Tune. It was the perfect song for a mixtape. Meet me in the middle of the day. Let me hear you say everything’s okay.

I felt a little sad for him that his mix tape to Missy had missed its mark. That it had fallen into hands of some random younger boy cousin.

Oh, Gods and years will rise and fall,
And there’s always something more.
Lost in talk, I waste my time,
And it’s all been said before,
While further down behind the masquerade
The tears are there.
I don’t ask for all that much.
I just want someone to care.

Well, I was someone—not the right someone—but I did care. It was the least I could do, to appreciate how he felt, and I did, often, for many years, until the invention of the CD. All the mixtapes I made myself over the years were a little inspired by his.

•••

Years later, I was standing in line at the grocery store, and my eyes were drawn to this woman waiting in the next line over. I didn’t recognize her, and yet somehow I did. It was the strangest feeling. I was sure that I’d never seen her before, and yet I felt I’d known her all my life. I couldn’t keep myself from sneaking glances. I never believed in anything so silly as love at first sight, but there was something happening here that refused to be explained. It wasn’t that she was extraordinarily Helen of Troy beautiful or anything. I just had this feeling, like we’d known each other long ago in a dream that I could almost remember, and all I wanted to do in that moment was to meet her and make sense of this. Which was awkward. Not least of which because I was married. Maybe not blissfully married, but still. What the hell was wrong with me?

And then—BAM—suddenly I understood. I knew who she was. She was the older sister of my best friend in high school. I hadn’t seen her over a decade, long enough for me to enter some eerie, liminal state between remembrance and forgetting. It felt a lot like being in love. I don’t know, maybe those two states occupy the same region of the brain or something. But stranger still, and kind of sad and lucky given that she and I were both all grown up and married, was that as soon as I knew who she was, the sensation of being in love went away, and she went back to being a girl I once knew grown into a woman. It was like losing your footing and catching yourself, a second of being airborne and weightless and in peril, except that the peril is delicious in a way that didn’t even know you missed, and when you are safe again in the gravity of your life, you go on missing it for a bit as you carry your bags to the car.

It wasn’t as though I’d even had a crush on her in high school. I liked her well enough, but I liked all girls back then. And she was three years older than my friend and I. We were pimply little frogs, and she was a benevolent, big sister, soon off to college. I had only a handful of memories of her. One of them was that that summer we’d been at my friend’s house, and I had been playing VARIOUS MUSICKS, and she popped her head in to say hello, and she’d heard “Romeo’s Tune,” and she said, “Oh, I love this song. I always liked that line about how they fade like magazines.”

I hadn’t really noticed that line yet. And after she said that, I always noticed it. And ever since I’ve always loved that line as well.

•••

I met Steve Forbert. My band opened for him one night at the Gravity Lounge. All these years later, he was still touring, driving himself from town to town, playing tiny rooms, rooms so small that a band as obscure as mine could share the bill with him. I was kind of excited to meet him, though what could I have to say to him except that I’d always loved his song “Romeo’s Tune.”

And it occurred to me that this was probably something he’d heard so often that he must be sick of it. I would be. Think of it. He had one hit song in 1980. It made it to #11. And that was the highwater mark of his fame and fortune. I couldn’t name another song that he’s recorded in the next thirty years, and I was willing to bet that few people could, and so everyone who remembered this song would have to mention it, and he would have to graciously acknowledge their admiration for this one song, this one sentiment that he’d felt once back when he was young and pretty and ambitious.

I wrestled with this as I waited to meet him. But he never showed up for our set, and then he breezed in fast to play his own. And he was good, though not amazing, and at the end of the night he dutifully played “Romeo’s Tune,” and then the show was over and he was packing up to leave. I bought his Best Of CD, put the cash in his hand myself, because it had the one song I knew on it. I invited him to have a beer with us, and he said no thanks, and we wished him well, and he hurried for the door. Maybe I felt a little snubbed. The club owner told me later that he had hours left to travel for another gig in another state.

It’s king and queen and we must go down
Behind the chandelier,
Where I won’t have to speak my mind,
And you won’t have to hear
Shreds of news and afterthoughts
And complicated scenes.
We’ll weather down behind the light
And fade like magazines.

•••

Nowadays when people want to make mixtapes, they do it on iTunes. It’s not the meticulous labor of love that it once was, cuing up the vinyl and the tape, and punching fat, clunky buttons with twitch-fingered timing, and lettering the cases in ink until your hand cramps. Now it’s kind of easy. You drag and drop songs into a list, and you can reorder them on a whim, or if you change your mind and decide that song reveals too much or too little of what you feel, you can just delete it, and the hole fills in as if it were never there.

One day I was looking at the playlists in iTunes on our family computer, and I saw a list that I didn’t recognize, and I opened it. I could tell by reading the titles that it was mixtape. A mixtape in love. Yes, “Romeo’s Tune” was on there. Ripped from the CD that I bought from Steve Forbert the night I met him. It’s the perfect song for a mixtape. Even the mixtape that my wife was making for her lover.

Meet me in the middle of the day.
Let me hear you say everything’s okay.
Come on out beneath the shining sun.
Meet me in the middle of the night.
Let me hear you say everything’s all right.
Sneak on out beneath the stars and run.

This was not the moment that I knew, or anything so dramatic as all that. I knew already. This was just one extra little punch in the gut. Everything is not okay. Everything is not all right.

Since she moved out, there are some nights that the kids and I need cheering up, so we do something that we never used to do when we were all together. We have a little dance party in the living room. I put on the music on the family computer. I make a little mix for them. I don’t know if it’s a kind of masochism that made me put “Romeo’s Tune” in that mix. Maybe it’s that I wanted to take it back. I was not ready to let her take that song away from me and give it to a stranger. I don’t want to wait for the pain to fade like a magazine. I want to take seeing that song in that context and tape over that experience by hearing again and again and again in a new context. So I put it in the mix for me and my kids to dance to. And now my daughter loves the song, and she dances around the living room like a hippy chick, singing “Romeo’s Tune,” all out of tune, sliding, and holding on.

•••

BROWNING PORTER has been in two musicals, both times in the chorus, first as a singing pirate, and then as a singing Nazi. He started smoking cigarettes when he was a singing Nazi. It took him twenty years to quit.

Skeleton Leaves: Diary, 1947

By Donna Steiner

New snow on top of the old makes the yard look curvaceous, bundled-up, like a new layer of insulation batting has been laid over the bones of old architecture. In the air, glitter, flakes blowing off rooftops, snow chipping and rising off its own surface. The yard, up close, is a sheet of crystalline alphabets, a cold, alien Braille—a version that disappears if you touch it.

Sometimes, when the sun shines on freshly fallen snow, it’s hard to look outside; I find it painful to keep my eyes open. I have to squint or use my hand to shield my eyes or, more wisely, put on sunglasses. In the morning, when I check the window fresh from sleep, my glasses aren’t handy, and so I look out and see a snow-globe scene, a world of swirling, sparkling snow, sun glaring off all surfaces with an intensity that makes me turn away. Snow blindness—photokeratitis—is caused by the eyes’ exposure to ultraviolet rays reflecting off snow or ice. I’m in no danger unless I wander wide-eyed outdoors for hours without sunglasses, but I learn through a little research that if you’re ever lost in the winter wild without sunglasses, you can fashion a functional set of eyewear by cutting narrow holes in a bandana. Inuits used caribou antlers, creating goggles by carving slits in the antler and securing them to the head with sinew.

Today I’m hunkered down indoors, in need only of reading glasses, puttering around my study looking for something to occupy my thoughts or my hands or my time. While half-heartedly dusting some bookshelves, I come across a treasured gift from my grandmother, a small, leather-bound book labeled DIARY 1947. I don’t remember how it came to be mine, but I think my grandmother gave it to my mother, and when my grandmother died, my mother passed it on to me.

If my facts about my grandmother are accurate—and there are plenty of reasons to believe they may not be, including family lore about her birth certificate being altered by a priest, presumably so she could get a job at an early age—she was born in 1910, which means she was thirty-seven when she wrote in the journal. She was widowed at thirty-four, and when I first saw this book, I had hopes that I’d glean some insight into what her life had been like, how she’d coped with the sudden loss of a beloved husband, how she’d raised three children on her own. Instead, I found listings of celebrities my grandmother saw on her frequent trips to New York City from her home in New Jersey.

As I flip through the diary’s pages, I realize I’ve already made a factual error. The book didn’t belong to my grandmother, at least originally. My mother bought it for herself as a teenager. She made a few entries—very few—but one clearly says “I bought this diary today.” On March 3, 1947—a Monday—my mother went with her friend Marie and purchased a book that she intended, I surmise, to regularly write in. There are exactly five entries made by my mother. Dozens, perhaps hundreds, were made by my grandmother. I don’t know if they agreed to share the book, or if my mother lost interest and my grandmother decided to put the diary to use. My mother’s concise notations are here, in their entirety, complete with her idiosyncratic errors:

Today after school I went on the ave. With my girlfriend “Marie.” I bought this Diary Today.

“My Birthday.”

I went to my aunt’s New Year’s party. Went to bed 4: o’clock. Sleep there all night.

Today I went to New York and I saw Jimmy Stewart who was guest star on the broadcast “It Pays to Be Ignorant.”

Went to girl scouts. Met a new girl named Pat.

From these notes, all made, presumably, when my mother was about thirteen or fourteen years old, I learn she had a few noteworthy female friends. She was a Girl Scout. She was not accustomed to staying up late. She once attended a radio show featuring Jimmy Stewart. What I can’t discern is any evidence that she missed her father, that her mother or she struggled at all with his absence, that she had two younger brothers, that she ever attended school, that she liked boys, that she lived in Jersey City. There is no mention of emotion, of ambition, not even a reference to the weather. Her most common verb is “went.” She went places.

(My favorite photograph of my mother is in black and white. She’s just a girl, maybe ten years old, and she’s somberly staring out a train window, on her way to the city. She’s wearing a white dress and white anklets, and has an adorable haircut. It looks like she has a pencil case on her lap, and she appears to be deep in thought. The picture fascinates me, feels historical, weighty, relevant, like if I study it long enough I might see myself as a flickering idea in the back of my mother’s mind.)

My grandmother’s entries are numerous and her handwriting flamboyant. While my mother’s cursive style is tight and her words huddle together, my grandmother’s script has a lot of air in it, lots of curves. She pays no attention to the lines on the page and often slants her entries as though the words are climbing steeply uphill. Representative entries from my grandmother:

I went to H.R.C. to Christen my Nephew Victor. I stood up for him. We had a Delicious dinner and at night we had a party for family. Had a swell time.

Went to New York with Dorothy. Went to see Ingrid Bergman. Manager let us in. Saw Last Act of Play Joan of Lorraine. Swell.

Saw Lucille Ball. She is one swell person.

Went to New York. Saw Quick as a Flash. Saw the Shadow (great) then went to Kate Smith Show. She sang all Irish Songs. She certainly is swell.

Dot had a party. 7 girls came. Had a swell time. Made some mony. Got some nice gifts.

A few notes:

I’m not positive as to what H.R.C. stands for, but I think it’s probably Holy Rosary Church, which claims to be the “oldest Italian Roman Catholic church in New Jersey” and was just a few blocks from where my grandmother and her children lived.
Dorothy (Dot) is my mother.
During the thirty years I knew my grandmother, I never heard her use the word “swell.”
Lest one think my grandmother found everything swell, I should point out that interspersed among the more positive entries—which are the bulk of her notations—are what she calls her “crumb lists.” These are stars who did not stop and say hello, sign autographs, or even wave to their fans.
There’s no entry on my birthday. How could there be? I wouldn’t be born for twelve more years. Still, the blank page feels disturbing.
There is no entry on May 8^th, which would eventually be the date on which my grandmother died—forty-three years in the future. That, conversely, seems fitting.
At the end of the book is a page for addresses. There are seven entries: women named Marie, Catherine, Theresa, Betty Anne, Dolores, Rita, and Mrs. Prichard. There are no addresses for men.
My grandmother wrote with a fountain pen. Several fountain pens, actually, with inks in various shades of blue or black. Just a few entries are in pencil, with inked notations adjacent to them, like this:

Mary Martin (in pencil) swell person (in ink)

Both my mother and grandmother seem to have abandoned the diary after October 9^th. On that day, in 1947, they attended the premier of the play High Button Shoes, where they saw in attendance Frank and Nancy Sinatra, Danny Kaye, and Doris Day, among others. My grandmother’s assessment of the show: Very Good. I’m not sure if very good is better than swell.

(My favorite photograph of my grandmother appears to have been taken in a studio. She is wearing a white dress with dark stripes on the sleeves. It is fitted and stylish, and my grandmother—whom I knew as a short, plump, elderly woman—is slender and stunning. Around her neck are pearls and she’s wearing a trendy hat and white gloves, clutching a small purse. Her hair appears to have been done professionally. It is, in other words, a glamorous shot, dramatically different than the Polaroids and faded photographs that show her sitting in a lawn chair wearing white Keds or clustered with one or another of her sisters or grandchildren. Although she is smiling in every photograph I have and, in fact, was often laughing and was, in fact again, considered the life of any party, I can’t help but see her, in these photographs and in my memories, as lonely. Perhaps it is because she spoke, aloud, to her deceased husband every night in bed. Perhaps it is because she lived considerably longer without him than with him. Or perhaps photographs are mirrors, and I see some fundamental loneliness in her that is simply my own default nature.)

II.

Before I learned to write, I’d implore my mother to read my scribbles and tell me what they meant. I’d take a pencil or crayon and scrawl something that resembled, I thought, actual handwriting. “What does it say?” I’d ask, holding my work up to her. My mother would make up a story, tell me what I’d written, and I’d listen, rapt, impressed with my own startling creativity.

I didn’t stop there, however. I tried to read meaning into everything. During breakfast I’d take a few bites out of a slice of toast and hold it up to my mother as though the bread were a sheet of paper. “What does it say?” I’d ask.

“It says ‘I am a hungry tiger,’” my mother would respond, absent-mindedly.

Looking up at the clouds, I’d ask what they said, and she’d read me the clouds’ message. If I had scratches on my leg, I’d ask her what letters the scratches made. When my father told me stories at bedtime—stories that often featured me as the protagonist—I didn’t understand that he had made them up; I didn’t know yet what it meant to imagine. When a little girl named Donna was able to ride a flying horse in those stories, I thought it was magic not only that a horse could fly, but that in some parallel world there existed a girl with my exact name, my exact age, with a family just like mine, with long hair like mine. I wasn’t sure how my father knew about her, but I didn’t doubt the veracity of that knowledge.

I still try to unearth meaning wherever I look. Whether it is a snow-covered field, or a book written in by a woman gone for two decades, or whether it is the body of a lover that I am studying with my fingertips, I am attempting to read a text. That’s a common tendency—as is trying to find meaning in erasures, blank spots, in what isn’t said or written.

I have an envelope of “skeleton leaves,” which are made by soaking actual leaves—in this case, those of a rubber tree—in bleached water for a few weeks. After that lengthy bath, someone hand-rubs the green off the leaves. This is a delicate process, as the leaves’ veins can easily tear. I don’t know who discovered this process, or exactly why anyone does it, although it appears to be a kind of art. But a friend gave me the packet, imported from Thailand, and I love the gift. I study the skeletons with my eyes, with my fingertips, under which they feel like rough paper. Human fingers are hypersensitive; scientists believe we can detect a bump 1/25,000 of an inch high. I’m doubtful about my own sensitivity, but I can feel a leaf’s midrib and its veins, and the entire remnant is surprisingly sturdy. I could tear it, but I’d have to make an effort. Inflicting damage would be intentional rather than accidental, knowledge that allows me to study the skeletons without worry.

I have no memories of my grandmother in winter, I have no memory of her in New York City, I have no memory of her beyond being mine—my grandmother. When I picture her, the sun is always shining, she is always tan and freckled and sleeveless, her shoulders smell of Noxzema, she is laughing. I hang on to this diary the way one covets any treasure, storing it away for safekeeping, taking it out every so often, blowing dust off its leather cover. Sometimes I use the book as a kind of talisman or oracle, deciding that whatever page I open to will mean something, give me some kind of important message to live by.

Today when I open the book to look for a message, both pages are blank. But I can see through the blank pages to the writing underneath, as though looking through skin and seeing blue shadow veins beneath. It is a list of celebrities, of stars, and I can see, if I squint, the last words she wrote in her loopy, lovely penmanship: It was Swell.

•••

DONNA STEINER’s writing has been published in literary journals including Fourth Genre, Shenandoah, The Bellingham Review, The Sun, and Stone Canoe. She teaches at the State University of New York in Oswego and is a contributing writer for Hippocampus Magazine. She recently completed a nonfiction manuscript and is working on a collection of poems. A chapbook of five essays, Elements, was released by Sweet Publications.

How You Like Them Apples?

apple girl — By Gina Easley www.ginakelly.com

By Miller Murray Susen

It’s the Morning Hustle. Five things are happening at once. The microwave beeps with the oatmeal. Lily reminds me she needs a note to go home with a friend after school. Max yodels a nonsense song and knocks over his milk with his elbow. The bus will be out front in ten minutes. In the midst of it all, I’m packing the kids’ lunches. Not for the first time, I wonder why I never do it the night before. Or make them do it themselves, for heaven’s sake. I plunk two oatmeals on the table, toss Max a dish towel, and go back to frantically sectioning apples. Lily pauses at my elbow.

“Be sure to get all the core out.”

“Yes, yes.”

“You never get it all out. It’s so gross. The texture.”

“Gotcha, now sit down and eat.”

I secure the apple slice between forefinger and thumb and dig with the blade of the paring knife, trying for that perfect angle where the core will pop out in an intact semicircle, leaving only smooth flesh behind. I’m rushing, though, and instead I hack the section in half. I chop out the middle, do the same to the other sections, and quickly pile the bits into a container and cram it into her lunch bag. Well, they are core-less.

“Eat up! Let’s go! Five minutes until the bus!”

•••

My dad doesn’t like to cook. This does not prevent him from turning out stacks of tender buttermilk pancakes, hearty dishes of spaghetti bolognese, gooey grilled cheese sandwiches with a buttery, crisp exterior that shatters delightfully when you take a bite. He feeds me and the kids lunch about once a week, and as I linger over my chicken salad sandwich, made with sweet pickles and celery the way I like it, he effortlessly cores apple slices for us. He uses the battered pocket knife he carries in a leather case on his belt, his rough, square fingers strong and sure. Pop! goes the core, and he slides a few slices my way along the table.

“Thanks for lunch, Dad.”

“It was my pleasure.”

His eyes glint warmly at me from his weathered, smiling face.

“Now take those kids home. I need a nap.”

•••

Lily’s fourth grade teacher is trying to bring a little hands-on fun to the last quarter of the year, a respite from the rampant standardized testing and flurry of final projects. She asks the parents to come in and help kids learn about fractions in the real world via making (and consuming) an apple pie. Which is how I find myself seated at the center of a group of four nine-year-old girls, passing out vegetable peelers and Granny Smith apples.

“Y’all get started with these, and I’ll use this sharp knife to peel some, too.”

“Mrs. Susen, this is hard. I can’t get mine to go.”

“It is kind of hard with a peeler. You just have to press down with authority. Like this.”

I demonstrate to get the peel started, then hand the apple back so the girl can continue to slowly scrape off tiny, unsatisfying flaps of skin. I hope no one peels a forefinger.

“Why can’t I use the knife like you do?”

“I don’t think your teacher would like that.”

“How’d you learn to peel so good?”

“Oh, I’m actually only okay at peeling apples. See? I’m getting a lot of the flesh. But you know what made me want to learn?”

The girls stop their inefficient scraping to listen, glad for an excuse to take a break.

“There’s this movie called Sleepless in Seattle. Have any of you seen it?” They shake their heads. “Well, it’s a little old for you guys. Anyway, in the movie, the main characters are a boy about your age and his dad. And they’re living on their own because the mother died.”

Lily’s eyes widen. “She died? How?”

I smile reassuringly, a little sorry I started on this topic. “She had cancer, I think? I don’t remember. Anyway, there’s a scene where the boy is having trouble remembering things about his mom. He doesn’t want to forget her, so he says to the dad, ‘Tell me about Mom.’ And the dad starts off, ‘Your mom could peel an apple in one long, curly strip.’ And ever since that movie, I’ve been practicing my apple peeling so I could learn to peel an apple in one long, curly strip.”

Lily says with rising pitch, “So that we’ll say that about you after you die, Mom?”

“Uh, well, just because I thought it sounded cool. Anyway! Who wants to unroll the pie crust?”

•••

Every Wednesday I make lunch for my ninety-three-year-old grandfather. He’s rattling around on his own now in the house that he and my grandmother designed, built, and lived in together before her death a few years ago. At first he was looking after himself pretty well, but the dementia he was already exhibiting at the time of her final illness has accelerated since she died. It’s seemed to me that his life without her is so diminished that he’s choosing to let go and drift, to slip away into memories. My uncles hired a live-in caretaker, but our in-town family still takes turns to provide him with some lunches and dinners each week. It gives the helper a break, and him a little company.

I never spent time with Popi on my own before my grandmother died. They had eight sons together, and I’m one of twenty-three grandchildren, so I didn’t spend much individual time with either of them, actually. Occasionally, though, in her later years, when she tired more easily and was home more often, I would run by to help my grandmother with a project, and she’d make lunch for the three of us. Her meals were ladylike and quaint, and delicious. First she’d offer a pitted avocado half with a pool of vinaigrette in the middle, to scoop up together with a silver spoon. Next a dainty glass sandwich plate cupping a cream cheese and chopped black olive sandwich on whole wheat with the crusts cut off. Finally she’d rummage around for a bag of Pepperidge Farm Milanos and offer two on a china dish along with a cup of weak coffee thinned with skim milk.

When I started bringing Popi lunch, I felt weirdly self-conscious. I didn’t know if he’d like my cooking or my idea of a tasty sandwich. So I’d punt and pick up sandwiches, cookies, and bags of potato chips from the bakery. Popi was the original smug health-food fanatic, culturing yogurt and spreading mashed yeast on toast back in the fifties. But since his dementia has taken hold I’ve noticed that he loves junk food. He’d eat every crumb of the bag of chips, and sometimes eat his cookie before he finished his sandwich. Max scolded him for it when I brought him along to lunch. But then Popi’s edema got worse, and the word went out from my uncle that we should all cut back on offering him salty snacks. One week my ungrateful children had picked listlessly at a nice pot of French lentil soup I made for dinner, so I decided to take the leftovers out to Popi to see if they’d suit. His eyes lit up when I offered the hot bowl of soup, along with a buttered roll and a peeled clementine, and he thanked me extra warmly for the “lovely, lovely lunch.” Since then that’s my lunch formula: soup, buttered bread, fruit, and sometimes a little sweet.

Initially during our lunches Popi would reminisce in vivid detail about his childhood in New York City and Long Island or about his time serving in the Air Force during World War II, but in recent months he gets caught in conversational eddies, pausing a moment before circling through a familiar exchange again from the beginning.

I carefully core and thinly slice apples as we cycle through one of his most frequent conversational gambits.

“It’s a very still day.”

“Yes, the weather’s been nice lately.”

“I had a friend who was very well traveled. He used to say that here in Central Virginia we have ‘the finest climate in the world, outside of the Austrian Tyrol.’”

“So, Popi, what’s the weather like in the Austrian Tyrol?”

“Couldn’t say, I’ve never been.”

We both chuckle, like it’s the first time and not the fiftieth, then pause as I deliver the apples and a shortbread cookie.

“Well, doesn’t this look nice? Thank you.”

“You’re welcome.”

A moment as we both take a bite of apple.

“It’s a very still day.”

•••

Morning Hustle. Max’s milk is in a pool on the floor, again. Lily has soccer after school, and I remind her to pack up her shin-guards and a water bottle.

“What’s the sandwich today, Mom?”

“You know I don’t like to talk about lunch. You only complain about what I’m packing. Go brush your teeth.”

“Fine, but I was wondering, can you just put a whole apple in my lunch bag?”

Max perks up. “Yeah! I want one, too!”

“A whole apple? Will you guys eat the whole thing? I don’t want to waste these apples, they’re organic and expensive.”

“Yes, I will!”

“I will, too. Everyone else just brings a whole apple. Apple slices are for little kids.”

“Well. Okay, then.”

I drop two apples into the lunch bags. Easy enough.

“Guys, go get your shoes on. You’re going to miss the bus.”

•••

I always thought one day I’d feel like I’d really come into my own. I’d feel a sense of mastery, of justified confidence, as I strode through my life. I wouldn’t just look like a grown-up on the outside; I’d feel the way that I assumed grown-ups felt on the inside. My father, in his calm competence, personified the adult I expected to become. But he still seems like a grown-up relative to me, even though I now signify adulthood to my own children. And caring for my grandfather, as his edges soften and calm competence fades, just messes with my head. How can it be that I’ve grown powerful in relation to this proud patriarch? That I am woman enough to cut his food into bite-sized bits? Middle age. I’m in the middle of the process of discovery. Won’t I always be here? Even when I grow old, if I should be so lucky, I’ll still be in the middle of understanding who I am.

•••

MILLER MURRAY SUSEN is the most extroverted introvert you know. She acts and tells stories, then holes up at home and sweats about having done those things. She writes essays and plays, then gets bored in a quiet room by herself. She adores her husband and two children but wishes they wouldn’t insist on talking to her so much. This fall, she’s going to try directing her own adaptation of Little Women, plus take on a part time job as Associate Director of Education at Live Arts. She is super thrilled and super stressed!

The Little House

clothesline — By Gina Easley www.ginakelly.com

By Karen Dempsey

We’re climbing the hill where I used to search for arrowheads. But we are in the car. It is night, dark. And we can see only the small patches of road illuminated by our headlights. My father is driving and he knows the turns from memory. In preparing for this trip, I’ve tried to piece together a patchwork of my own memories, to create a full picture of this place, whole. Now, in the pure, expansive darkness, the absence of sound except for gravel crunching beneath our tires, I recall a vivid picture of the farm of my childhood.

We pause outside the car for a moment, breathing in the darkness. I look up for the ceiling of stars I once tried to memorize as I lay on my back on this ground until my mother called me in for bed. But tonight the stars are hidden. Years have passed since I last came to my granduncle Joe’s farm. It is more than the place of my memory, more than the place of my imagination. Yet the hole takes up the most space. I have avoided seeing this place again because I would prefer to remember it instead, to preserve my pictures of it from before the fire. But Uncle Joe is here, in the last years of his life. For him, being here is too hard and leaving is too hard, so he moves restlessly back and forth between this place and Lucy’s, the neighbor down the hill.

•••

He’s at Lucy’s now, and we make our way toward the new house where we’ll spend the night without him. The porch is a tiny cement platform and we crowd on, waiting as my father searches for the right key and works it into the new lock. The old house, we never locked. It had an old screen door that banged, a huge, wide porch that wrapped around the house, torn screens that failed to keep out the bugs. Dad turns the knob, and we move into the small, new kitchen.

This is a house of plastic and vinyl, of fresh-painted walls and furniture donated by neighbors or purchased by my father from a failed hotel. The flypaper is missing from the kitchen. The woodstove is old and beautiful but dwarfed by the imposing one of my memory, the one with the big pot of soup simmering on top. We light the stove to warm ourselves. The burning wood cannot erase the invasive smells of pre-fab modernity that have displaced the smells I remember most. The smell of my Uncle Joe’s pipe. The smell of old books lining the walls and stacked on tables. Of hay from the barn and my brothers’ fresh-caught fish. Those smells settled into you when you arrived and clung to you when you drove away, after two weeks of satisfying long days, in the wood-paneled station wagon with your three brothers and three sisters and your still-married parents.

The new house is tiny; there’s not a lot to see. And it’s late. So, soon, my father carefully extinguishes the fire in the stove and we turn in, my father in one small bedroom, the four of us—my sister Megan and me and our boyfriends—wrapped in blankets and sleeping bags on the cold floor of the other.

The house of my memory is an enormous collection of narrow rooms and doorways: small, comforting spaces. Megan and I slept in the first bedroom at the top of the stairs. She once slid off our bed in the night, when she was about two years old. She fell into the space between the bed and the wall without ever waking. They searched every room for her, only to find her still there tucked just out of sight, in that small space, asleep. I slept through their looking and I remember only the telling of it, but I can see her there, curled up and dreaming.

Uncle Joe’s voice wakes me in the morning. His voice is the same (even now, I can hear him still, saying my name) and I go out to receive his strong, familiar hug. His arms and hands have healed. He burned them throwing water onto the fire, trying to save the house that he’d lived in for more than ninety years. I had imagined a black scar in the landscape to mark its loss, but instead there is just this house. He calls it the little house, as if there is a need to distinguish it from the other, as if the other is still here.

We leave my Uncle Joe at the house to walk the hill with my father, and my father talks about his great-grandparents, the Brennans, of the house they built further up the hill, and the other, the house of my memory, built later for their daughter’s family. From the hill I take pictures of the farm—the sheds and tractor, the barn, all unchanged, the garden, much smaller now and closer to the house.

•••

In the afternoons of my childhood summer visits, Uncle Joe would walk me down the hill to the mailbox. The mailman raised a little flag on the box when he’d left a letter, addressed simply to “Joseph McEneany, New Albany PA.” I wrote Uncle Joe later, from home, just to hold that image of him releasing the flag, opening the box to a crisp white envelope marked with two simple and true lines in my own practiced printing.

As we walked back up from the mailbox one day, Uncle Joe stopped to survey the rocky ground.

“I sometimes find arrowheads out here,” he said.

It was a new word for me, arrowhead, and he described stones worn into smooth arrows for hunting and protection by the people who’d lived on this land long before. I followed him into the house then and he reached back on a shelf in the kitchen, drew out his collection of four or five found stones, and showed each of them to me, pressing their smoothness into my palm. I imagined them bound to sticks chosen for their weight and swiftness. I remember that I felt a grave longing to keep one of those arrowheads, to carry away with me its slight weight, its endurance through time, but I studied them and then handed them back, one by one.

Back in the new kitchen now, Uncle Joe instructs me to pick a zucchini from the garden, a big one, then he follows me out there to tease me about choosing the right one. His laugh is a familiar comfort. At home I have a picture, taken about twenty years before this visit. I’m running alongside my Uncle Joe, away from the camera. He doesn’t yet carry a cane but his walk is stooped. He carries a metal bucket, filled, I remember, with potatoes we have dug from the garden. I’d knelt beside him in the dirt, rooting for the things he’d planted there beneath the surface.

We slice the zucchini into slender green wheels and grill it in butter and salt on the stove. And Uncle Joe talks. His jokes and stories are familiar, reminiscent of other visits. But I’m most conscious of his missing pipe. He must feel its absence, too, enough that he needs to acknowledge it.

“I don’t smoke my pipe any more. Not after the fire,” he says, and stops there, without talking about the ash from the stove smoldering beside the house, or the sight of the flames swallowing it. He complains only about new doorframes, misaligned. He does not talk about the old house.

•••

This is my last visit to the farm with Uncle Joe, and we both know this, I think, when he asks us all to stay a little longer. We drive him to Lucy’s house and dawdle there, until it is time to take our leave and begin the drive back. Joe fidgets about Lucy’s house, distracted. He does not linger over the final goodbye.

A couple of years after this last visit, I will pull out the photos from this trip to bring to Uncle Joe as he is dying. But on the long drive to the nursing home I will remember suddenly, startlingly, that he has gone mostly blind, so I will have to describe them. And I do this, although he has lost consciousness by the time I arrive.

The photos are crisp, vibrant. I took only one of the little house. With the others, I maneuvered the lens to try and cut it from view, but the house creeps in, corners of it, to disturb the past.

•••

KAREN DEMPSEY lives in Cambridge, Massachusetts, with her family. She has written for publications including the New York Times Motherlode, Babble, and Brain, Child. This is her third essay for Full Grown People. Follow her @karenedempsey or read her work at kdempseycreative.com.

Love Songs and Love Songs

By Tamiko Nimura

This time it hurt just to walk, for months.

Despite regular walks, despite yoga, despite the latest belly support devices for pregnant moms, every step was labored and small. I hadn’t expected this. Since I’d already been pregnant once and had our first daughter, I thought that I knew what to expect with the second. I thought my pregnancy and her infancy would be familiar, wrapped in a bit of the unfamiliar.

How do you write about your second child? To do her justice, to give her due time in the sun? Part of the problem was that I was a lifelong reader and overachiever, finding too much comfort in the preparation, the predictable, the expectable. With our first daughter I had read parenting manuals every week, every month, finding out What to Expect and What to Avoid and What to Expect to Avoid. I tried not to read too far into the “what happens when things REALLY go wrong” chapters of the book. A man who likes to prepare calmly for the worst, my husband Josh did read those chapters. He was terrified most of the time, a fact he took great pains to hide from me and did not confess until years after our daughters were born. I’ve heard that pregnancies after the first one are easier, since the systems have been primed. So in some ways, my second pregnancy really was easier. We didn’t crack a single parenting book.

And then our second daughter Sophie was born.

Not long after she was born, we’d somehow managed to rent and watch Juno. We’d heard Juno was funny, and touching, with a Holden Caulfield female protagonist who called bullshit on anything or anyone phony. Before renting the movie, we might or might not have known that Juno was about an unplanned teenage pregnancy. And I don’t think anyone had told us about the soundtrack’s Wes Anderson-esque use of music as a form of characterization. (The geeky Michael Cera, lacing up his track shoes to “A Well-Respected Man”? Brilliant.) During the movie we waited, as the title character did, for the birth of her child.

Unlike our first daughter Ella, newborn Sophie was colicky, which we did not expect. As in, did-not-expect-the-Spanish-Inquisition unexpected. Her colic meant that for about an hour and a half every day, she would cry. Hard. Car rides, manufactured ocean sounds, soft toys, slow dances, swaddling her like a tightly wrapped burrito—none of it could help her to stop.

Josh and I took turns holding Sophie for these hours, along with any other family members who were able to take her crying in stride. Thankfully we didn’t panic as we would have with our first, or take it personally. With Ella, we were worried about her crying: “Is there something we can do?” and we would find that something. We knew enough from raising Ella that Sophie didn’t really need anything when she cried. We knew enough to run down our unwritten what-does-baby-need? checklist. She wasn’t wet, she wasn’t hungry, she wasn’t tired, she wasn’t scared—she just needed to cry. We did consult the parenting manuals for this situation; one parenting manual told us that colic was a result of babies storing up energy all day and having nowhere else to put it, except in tears.

As experienced parents we were physiologically primed, and our bodies leapt to respond to her cries. It’s said that a common torture device is to play sounds of babies crying to prisoners. I believed it then. If we left Sophie with her grandma for an hour or two and ventured out into the world without her, we would still sway wherever we stood, as if we were rocking her. Our heads practically snapped over at the sound of another baby crying in a restaurant. During colic all we could do was hold her, and sing to her, and dance with her, and hope that eventually she’d tire herself out and fall asleep.

I made up a mix of very, very slow dance songs that I could listen to and sing to Sophie while she was crying. The soundtrack helped me more than it helped her. In those colicky newborn days, I found that whatever helped the parent would translate in some way into help for the baby. (A note to future parents: Al Green’s “How Can You Mend a Broken Heart” did not seem to ease the situation.) Colic, or what we started to call Sophie’s “sad time of day” lasted for three and a half months, every afternoon. With colic, our parenting response wasn’t about panic; it was about a bittersweet fatigue, a terrible and wondrous surrender.

The resulting exhaustion may be why Juno’s “Sea of Love” hit me so hard.

Before watching the movie I had heard “Sea of Love” by The Honeydrippers, with its lovingly schmaltzy strings, Robert Plant’s most lounge-singer voice, and a backup chorus. The Honeydrippers version is a love song, dedicated to a romantic love interest. In fact, Josh had put it on a mix tape for me, in the years when we still made mix tapes and wrote letters to each other.

Do you remember when we met?

That’s the day I knew you were my pet

I want to tell you how much I love you

I listened to those tapes over and over again, as if they were letters meant for me, as I suppose they were. So I knew “Sea of Love” very well; it made me smile every time. It’s a song with barely one verse and one chorus. It’s a song about the tiny magic of a first meeting, and how that might become the vast promise of a future. In the song the speaker actually never does tell the listener “how much” the love is; it’s all about the invitation and the promise.

In the movie, after Juno gives birth to her child, the baby’s adoptive mother meets her child while Cat Power sings “Sea of Love” over a sparse ukelele. It’s a series of cinematic moments that now strike me as a perfect metaphor for the bittersweet nature of mothering: the simultaneous joy of meeting life coupled with the raw ache of letting it go. We hear a few chords played on the ukelele, soft as baby blankets, and then she sings the chorus:

Come with me, my love

To the sea, the sea of love

I want to tell you how much I love you

Do you remember when we met?

That’s the day I knew you were my pet

I want to tell you how much I love you

I hate to cry, but I cried when I heard “Sea of Love” just then: I was holding my sleeping baby daughter against my chest. The energy had nowhere to go, except in tears. And to this day, I still crave the warmth I felt right then; to this day, thanks to the colic, Sophie still needs and asks for cuddling.

That’s how I found out that a romantic love song could be a motherlove song. Music writers might say that’s what a good cover does: it takes the familiar and makes it new enough to be interesting. This version of “Sea of Love” now belongs to my second daughter, just her: the magic of “when we met,” the infinite promise of love’s telling, the renewed knowledge of mothering as something as vast, as complex, and as deeply textured as the layers of the sea itself. It is the familiar wrapped in the beautifully unfamiliar; it is the love for my second child.

•••

TAMIKO NIMURA is a freelance writer and editor living in the Pacific Northwest. Her work has appeared in Edible Seattle, Discover Nikkei, Seattle Star, Avidly, Remedy Quarterly, and New California Writing 2012. She is working on a book, a novel, and other essays. For more of her writing, see her blog, Kikugirl (http://www.kikugirl.net).

Rockweed

By Jim Krosschell

The rocks we perched on still show at high tide. The rising sea has not yet taken them—as a refuge, or a memory, they may last our lifetimes. They peek out above the waves like a little archipelago, dry and safe.

When my daughters, Kate and Emma, were young, we ventured out almost daily, especially in the first blush of vacation. It was an exercise in re-bonding suburban lives fractured by schedules and performances. We could get to the rocks only at low tide, and we would not stay long, for the tide rises quickly on these shores, and the surf is unpredictable, and it would have been a little too adventurous, having to disembark—or embark for that matter—in the wet. No, we climbed up our battlements when the only barrier to access was the slippery rockweed littering our path. The tops of the rocks themselves were weed-free, un-colonized, suitable for timid people from cities south, exciting for two young girls, nine and seven, who liked to pretend they perched on unassailable islands, perfect for their father who knew better but hoped for a different future anyway.

The rockweed presented a problem, though. It looked irredeemably slimy. We stepped around it, in a crooked, almost drunken way, not brave enough to touch by foot and certainly never by hand. “Ewww!”, that totem word of childhood, afflicted my family too. I even warned my girls when we set off down the shore about less obvious dangers: the barnacles that would scrape your skin raw and those black or green mold-like patches on the boulders we negotiated. “Don’t step there,” I said, “especially if it looks wet. It’s very slippery.” Naturally then, I warned them off the rockweed, whose piles appeared bottomless and would suck them in—we were not to test it in our nice sneakers certainly, no matter what live treasures of crab and baby lobster lay all goggle-eyed underneath. In our early pilgrimages we avoided most things organic, which die and rot and stink; our special rocks were dry, clear of processes unknown, safe above the tide.

A few years later, we discovered tidal pools. The three of us had been progressing farther and farther away from home, and about a quarter mile down the shore, past the houses on the bluff and a long stretch of jumbled beach, we found classic Maine pink-granite ledge, smooth and worry-free. The pools were hidden, flooded at high tide, barely accessible at low. But we persisted, older now, less squeamish, contorting our bodies to peer into crevices, where the rewards were hundreds of snails and a score of exotic starfish. I even started combing through the rockweed a bit, lifting it up like great hanks of hair to show Kate and Emma the cute little green crabs hiding in the fronds. I didn’t know at the time that some of those crabs were invasives from the south, pleased to enter the warming waters of the Gulf of Maine and feast on lobster like the rest of us tourists.

We’ve progressed far in fifteen years. The world is hotter, and seems more violent, or at least more instantly connectible to disaster. Maine is now more than a refuge for me, now that my daughters are grown and gone, Kate still on the Atlantic but the wrong side, in Denmark, and Emma just moved to California, an hour from the ocean but the wrong one. Maine is an ark on the floods. This week after Thanksgiving, I sit in the house, staring at water, staring east in fact but both east and west in spirit. The solitude of the shore seems tinged with loneliness today, a place halfway between, and although I give thanks for new lives and exciting independence, I miss my children terribly.

•••

Seaweed is the icon of Maine least likely to star on a blog or a brochure. If you look closely, you might see a frond peeping out at the base of Thunder Hole in Acadia, or a strand or two on the great expanse of Old Orchard Beach, or a discreet pile artfully arranged around a lobster about to be boiled. The photographer or dreamer operates generally at high tide, when seaweed hides, when the lines between surf and stone are clean. Mess doesn’t sell.

But the stuff is everywhere, especially the farther north you go, where the shores wear it thick as an ill-fitting wig, not entirely useless but almost. It is harvested, to be sure, as fertilizer and thickener, and it has achieved a little notoriety as “sea vegetables”—the various kelps, for example, which have long been eaten around the world (the nori of sushi rolls in Japan, dulse as a cocktail party snack in Ireland)—but seaweed is down at the bottom of the roster of marine exploitables. Most Americans like their food familiar, bland, processed by Big Ag; seaweed has a strong taste, and smells of low tide even after drying and processing. The number of evangelists for seaweed, even in Maine with its riches, approaches zero.

When all the fish are gone, perhaps only then we’ll turn to Gouldsboro Bay, where I’ve read of a seventy-year-old man, probably crazy by modern definitions, who cuts kelp by hand, standing in a wetsuit on offshore ledges, buffeted by heavy surf. We’ll believe him when he praises kelp’s effect on his immune system, and we too will pray for the enlightenment of humankind: eat kelp, live long, for it will restore the seawaters whence we came and heal our guts and blood. We’ll believe the research and the analysis, the richness of kelp’s minerals, trace elements, vitamins, enzymes, high-quality proteins, and the ever-sexy phytochemicals, the claims of tumor inhibition and reduction of cholesterol and conquering of viruses. But not until we’re desperate, in the coming dystopia.

Rockweed, however, the most plentiful seaweed, is not very edible, not even by New Age humans, and has been harvested but minimally for fertilizers, advertising no sex appeal whatsoever. Until recently.

It’s one thing to see a man in a skiff scraping rockweed off ledges with a long-handled rake. It’s quite another to see a huge mechanical harvester in your cove. In the new age of peak oil, natural fertilizers look pretty good after all.

Rockweed dominates the intertidal zone of many northern shores. It grows slowly; after a normal life span of ten to fifteen years, its fronds may have reached eight feet long. It survives all but the heaviest of surfs by attaching to rock with sucker-like holdfasts. It sports air-filled bladders along the fronds, to lift it to sunlight at high tide. Scientists say that as many as one hundred fifty species of animals—birds and shellfish and minnows hiding out—rely on rockweed for survival. Thus, Maine’s fishing industry may depend on it. And rockweed protects not only commerce, but the whole shore. Not for nothing is it commonly called knotted wrack, as if to cushion the intertidal zone from the ruin of ocean storms.

I wish that, at the beginning of my years here, those very years while my daughters were growing into their own lights, I had focused us more, found one baby rockweed plant, say, marked its holdfast, and every week crouched at the shore, in the wet, in our old sneakers, to observe its progress to adulthood. That bit of shore would have become precious in an entirely different way.

Stepping back now from that edge, I can at least suggest that “knotted wrack” is a wonderful description of our current dilemmas.

Predictably, every living thing, even weeds, will be exploited eventually. Predictably, environmentalists find a bully pulpit only when the big machines arrive. It’s inevitable that the Rockweed Coalition (“no-cut zones”) will battle the Maine Seaweed Council (“the sustainable use of seaweed”). Our ecological problems are as local as ownership of the intertidal zone in Maine (nobody quite knows who can do what, the law is ancient and not clear); as knotty as livelihoods versus legacies; as intractable as feeding the stomachs and aspirations of seven billion people.

A few years ago in our cove, we could expect to see a moored boat or two almost every summer day. Rakers scoured the sea bottom for sea urchins to satisfy the craze in Japan, and in two years the urchins were wiped out. This past spring the price of elvers, baby eels highly prized in Asia, reached two thousand dollars a pound. I give the fishery maybe five years before it’s gone. An invasive red seaweed from Asia via Europe threatens our New England shores; it suffocates all life in its path, stinks when it dies, and ironically enough, might be controlled by sea urchins. Every day of every year, the U.S. loses five thousand acres of land to development. I listen to my daughters talk about climate change. There’s despair in their voices, a resignation to the inevitable.

The idyll in Maine may last longer than in most places; but we lucky ones have equipped only ourselves to survive, have equipped no descendants to adapt, and we survive mostly by dreaming, sitting on our rocks above the tides.

•••

Rachel Carson, in The Edge of the Sea, called it the underwater forest: “The trees of the forest are the large sea weeds, known as rockweed, or sea wracks, stout of form and rubbery of texture. Here all other life exists within their shelter—a shelter so hospitable to small things needing protection from drying air, from rain, and from the surge of the running tides and the waves, that the life of these shores is incredibly abundant.”

“Small things”: the plainness of prose can sometimes be devastating. The shore still calls out thrillingly, here in Maine especially, but Carson’s simple joy from just sixty years ago echoes today with the terrible probability of its loss. Even the simplest shore will be stripped. I look at it as if some kind of sympathetic pain, some horrible probe from the future is invading our days and fracturing our DNA and our children’s DNA, leaving but a moment or two, here and there, of fullness.

We know we’re failing the forests, yet we continue on raking, year by inevitable year. Which means that the human essence is now failing, which means that I, too, am failing to protect these smallest of things, a minnow, or a weed, or a girl’s touch. It’s so easy to sit by, stunned and timid, just because I can still find a primeval sense of life in Maine, because Maine can offer to my family and to anybody who believes in these words some kind of sanctuary, the way life used to be, a place where blood is still seawater. I respond to the seashore too often just for its beauty, or in fear of its slime, and do little about its exploitation besides manipulate words. And if that’s the legacy I’ve given my daughters….well, I haven’t shown them how to muck, how to see like an animal. We’ve gotten far too used to our lavish city comforts, to our ability to escape in our cars from the cars.

The very nature of our bodies is being altered—that essence of salt water in our veins, those proteins in our brains designed over millions of years to treasure sunshine and open space and the creatures, even the slimiest, of the shore. I wish now that I had taken Kate and Emma squishing and laughing into the forest. I wish we had gone a little crazy in the surf. It might have made these passages a little easier.

•••

JIM KROSSCHELL divides his life into three parts: growing up for twenty-nine years, working in science publishing for twenty-nine years, and now writing in Massachusetts and Maine. His essays are widely published (see his website).