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Between the Cow and the Buoy

Photo by Gina Easley

By Charlotte Gullick

2009

The last of my winter unemployment checks came today. Two hundred eight-three dollars. My husband, Dreux, worked one day this month, three last. It’s not his fault—the bed and breakfast where he cooks is newly opened and just not pulling in the customers. The harsh winter storm didn’t help, leaving the town without electricity for two days, us for four. The paying guests scheduled to come, didn’t. He could look for other employment, but his choices are limited: working with the developmentally disabled or busing tables. At the docks, the fishing boats come less and less often, the better catches are elsewhere. A year before, the lumber mill closed down: the last two-hundred fifty employees laid off. While the air above the town became clearer, the pall about its future did not.

I teach at the local community college—every week I am told that I’m lucky, that working there is one of the best possible places in this town of eight thousand. I am lucky—mostly because I have fabulous students and I like to explore the world with them through our English and Creative Writing classes. But, the full time, tenured instructors on that campus teach four classes a semester—I teach five and make a third of what they do. I have no retirement, no benefits, and no office. Rural community colleges across California are faced with an enrollment crisis. While urban two-year schools almost burst, small town colleges beg for students to attend each semester. It wasn’t until today, the second day of the spring semester, that I signed a contract for the term, but the contract isn’t binding: The college has two weeks to cancel classes, if the enrollment doesn’t hold.

I recently did an editing job for a timber faller. It’s a book about high climbers and the big trees—the redwoods that stagger with their height and impossibility. The work is a series of vignettes about what it’s like to work in the woods here. Or what it was like—those jobs are mostly gone. This logger/storyteller once said to me when he was dropping off pages, “This town used to have everything a working man needed. Now, it’s got everything he doesn’t: lattes, bistros, and yoga studios.”

It’s four in the morning and the buoy two miles away mourns its call through the chill air. The Mendocino Coast stuns with its rugged sweep of cliffs and moody, dangerous surf. In the spring, red tails ripple the headwinds while gray whales break the Pacific’s surface with puffs of air. Two miles away, redwoods stand in vibrant dignity.

The buoy sounds at ninety-second intervals, piercing the quiet and fog with an eerie regularity. For every third buoy keen, our neighbor’s cow answers, two pitches lower. Our daughter, Hope, sleeps between Dreux and me. She’s almost three, but after the accident, we’ve kept her with us, close, nested, sheltered. I hold her warm foot, listening to the back and forth of the buoy and the cow. I wonder if we need to move.

•••

When I was eight, my father bought sixty head of cattle that were delivered to the bottom of our dirt road, a half-mile from our rented house. He and my grandfather drove the frightened beasts, and I stood on our front porch, watching the cows herd together as they approached the open pasture gate. Once they stepped inside our fenced valley, they broke apart from each other, spilling over the land with a new earthiness I will never forget: dung and large bodies and damp friendliness.

That night, trying to sleep, the summer air was heavy with the smell and sound and shape of those animals: calls and shifting bulks and snorts. Next to me, my three siblings breathed deeply, each dreaming a separate world I would never know. The cows lowed to each other, filling the darkness with their sound, keeping me awake as I wondered whether Dad and Grandpa’s plan to make it in the cattle business would pan out. Dad’s smile had been so satisfied earlier that evening as he and Grandpa talked of the branding, ear marking, and worming that would need to be done. Maybe this time, they could make it work.

•••

Almost three months ago, my toddler daughter slipped on a tiled bathroom floor at the community college and did the splits. One second she was upright walking toward me, and in the next, she lay in an impossible puzzle. In that instant of impact and torque, her left femur broke in a spiral fracture. She whimpered like an injured puppy. My own heart hammering, I sat to comfort her. She wouldn’t put any weight on the leg and she cried in a horrifying new way, faint and breath half-caught. My stomach churned with the intuitive knowledge that her leg was broken. Bile gathered in my mouth, and my head swirled.

I interrupted the classroom nearby and a friend, an EMT, tried to gauge Hope’s injury. He was almost positive that she couldn’t have broken her leg because she hadn’t fallen, but alarm still fired through me. He had an ice pack in his car, which soothed Hope a bit. I took her home, and laid her on the couch. Even though I covered her with a blanket, she kept shivering. I finally understood: She’s going into shock. I bundled her up and whisked her to the hospital. When the nurse cut away Hope’s pants, the leg sat at a sickening angle, a hematoma building in the thigh. My body waved with shame because I hadn’t come to the ER immediately.

The rural hospital didn’t have anyone on staff capable of dealing with the injury. A quick call determined that the leading orthopedist in the county—thirty-three very curvy miles away, wouldn’t touch her. My two and a half-year-old daughter—this tiny, tiny person—would need to be flown, by helicopter, to Children’s Hospital in Oakland. A doctor eyed me and said, “You won’t be flying with her. She’ll need go into surgery immediately.” My husband was in San Francisco, attending a weekend graduate program for writing. I didn’t want to have to leave my daughter—she was so incredibly vulnerable. I didn’t want to watch the helicopter ascend without me holding her slight hand. Teary, I asked, “What are the risks of transport?” thinking she might die in flight and I wouldn’t be there. The nurse replied, “There are always risks in transport. But if she doesn’t go, she will be disabled for life.” She rushed away.

I tried to take a deep breath, tried to call my husband again on my dying cell phone. The nurse returned. “A helicopter is coming with an extra seat. Can you promise to sit on your hands the entire flight?”

I nodded then—and the five other times I was asked the same by other hospital staff and employees. Yes, I will not touch my daughter if you just let me go with her.

•••

In her sleep, Hope calls out to make it stop. I don’t know if she’s dreaming of the leg break pain; of the fear of being flown through the air in a metal, thumping, whirr; of the terror of not having control. I soothe her. The buoy sounds and the cow answers. Through the darkness, I stare at the ceiling. Two days ago, I called my sister and asked, “You live in the city, right?” I’ve been to her apartment in Brooklyn, the small one she shares with her husband and two cats; I’ve been to her work in Manhattan, followed her through the subway system.

“Yes,” she said slowly, as if maybe I’ve suddenly lost my intelligence, evidenced by stating the obvious.

“And you do okay, right?”

“Uh-huh.”

I paused. “I’m wondering if I can do it, you know, live in the city.” Where the tenured jobs are, where Dreux can find reliable and meaningful work, where we might have health benefits.

“You’ve lived in cities before.”

“Not with a kid.”

My sister remained silent.

I asked her, “Don’t you ever worry about something like Hurricane Katrina happening in New York?” No one on this planet understands like she does the deep fear our mother’s religion planted in us about apocalyptic events. “I mean, here, I know where to find fresh water. In the city, I’m not so sure.”

“I think about it all the time,” she said.

•••

The sixty percent body cast came off after six weeks, and Hope’s recovery is a delight to watch. She’s learning to walk, run, and dance. Yesterday she rode her tricycle down our country road and we stopped to look at the cows, see how their large nostrils expand as they breathe. They sniffed at us, and Hope smiled back. After she studied them, she tried to pedal backwards away from the fence and her leg wasn’t strong enough to do it, so I pulled the tricycle and set her on her course. Her little legs churned and she moved across the dirt, building her confidence again.

If Hope’s accident had happened a week later, we would have had no low-income coverage, and we would face a mountain of medical bills. The helicopter ride itself was over thirty-thousand dollars. My family and I are barely surviving. We have no savings, no investment in a home, no retirement, no inheritance, no access to career networks. What we have is a wealth of landscape, the smell of ocean air, the hush and lull of the sea. I have a graduate degree—shouldn’t I use the opportunity it might afford me to provide her with more stability than I had?

•••

Twelve years after the arrival of his cowboy dreams, my dad rounded up his remaining cattle in order to come up with the earnest money for the property I grew up on. In the moonlight, he herded those now rangy and wild beasts, and browbeat them to the corral. He got the money he needed and traded one dream for another: cowboy for landowner—first time in America for the Gullicks. He died at home fourteen years later, on the land he loved almost as much as his children, without medical care and without hospice. I know that part of his choice to die at home had to do with dignity and being in a familiar place, but a larger part of his decision concerned medical bills. Simply put, dying at home was less expensive. And already there was so much debt.

When he was twelve, his mother sent him north from East Los Angeles to remove him from the violence he was courting. He was “running” with the kids he looked like—Mexican Americans, other young people caught in the politics of identity and poverty we do so well in the United States. A knife fight happened at a dance, then someone’s mother was shot. My grandmother searched inside and decided he’d been safer in the country.

I think about that every day: a mother’s love so great as to send a son away. From the city where both opportunity and ruination circle an individual, depending on their resources and choices. My father fell in love with the landscape of Mendocino County, let that terrain take up residence inside of him as he took up residence upon it.

I love so much of my childhood: the stretch of time a quiet country day gives to a child’s imagination; the purr of bees flirting with apple blossoms; a creek slipping over mossy stones as it works its way to the wider world. I was given the gift of a deep relationship with the elements that sustain us: water, earth, gardens, orchards, clean air. But to offer my daughter the same requires a layer of cushion my husband and I don’t have. Like so many others, we are faced with the choice of country versus city. I feel that binary in my body, a pressing building. Strong enough to break bones.

•••

Dawn has begun to break, the darkness relieved of its burden as the sun creeps toward rising.

So much of me wishes that the beauty of this place was enough to sustain us. If we do move, will Hope remember her first five years filled with towering trees, the open possibility of sky and ocean? Will the landscape of her imagination have had enough time to make roots? I think about my father, rounding up one dream in order to pursue another.

The buoy has stopped, but the cow calls on, lowing a message I don’t yet know how to understand.

•••

CHARLOTTE GULLICK is a novelist, essayist, editor, educator, and Chair of the Creative Writing Department at Austin Community College. In May 2016, she graduated from the Institute of American Indian Arts with a MFA in Creative Nonfiction. Charlotte’s first novel, By Way of Water, was published by Blue Hen Books/Penguin Putnam, and her nonfiction has appeared in The Rumpus, Brevity, Pembroke, Pithead Chapel, and the LA Review. Her other awards include a Christopher Isherwood Fellowship for Fiction, a Colorado Council on the Arts Fellowship for Poetry, a MacDowell Colony Residency, a Ragdale Residency, as well as the Evergreen State College 2012 Teacher Excellence Award. For more information: charlottegullick.com

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The Purge

Photo by Gina Easley

By Jody Mace

I started hating things in the first week of December, 2012. I mean “things” literally. Objects. It might have been the tiny plastic cocktail forks that did me in.

Before that week, I had an archaeologist-like fascination with things. I was especially interested in things that other people had discarded. I’d walk down the aisles of thrift shops and consider the objects on the shelves. I rarely bought anything. There was the brass table lamp with the straw lampshade, crystals hanging, like coconuts, from the palm leaves, above the monkey family. But for the most part, I left things behind.

I took pictures of some of the more interesting finds and even put them on a website for a while. I liked to think about the people who owned the objects and why they let them go. The flotsam and jetsam of our lives. The clock picture frame with a picture of a boy next to each number, year by year. Each hour, his face lengthens, and his hair grows darker as he grows from a baby to a pre-teen. How could anybody throw that away?

I especially enjoyed the notebooks, a voyeur’s paradise. There was one in particular from a girl, maybe in middle school or high school. She was not a go-getter.

Page 1:

To Do

Page 2:

Storie: A girl walked down the road.

Page 3:

Dear Journal,

I need a break from school. I don’t even want to go.

Page 4:

My mom said

Page 5:

(A tic-tac-toe game that ended in a tie.)

The notebook was a monument to her inability to get it done. She was rudderless. But the new year brought a burst of energy and determination.

Page 6:

January 1, 2001

Take shower

Make bed

Get $ 4 yearbook and field trip

Eat baggle

Get dressed

Do hair

Pack purse

Get dirrections 4 math project

I thought about the girl and wondered about all that happened to her after she wrote in those pages of the notebook. Was her January first to-do list a sign that she was getting herself together? Or did she drift through her adolescence? What was she doing now? Would she remember her young self if she saw that notebook now?

Then there were the objects—so many objects—that made me wonder why they were created at all. The leering Santa knick-knacks. The figurine of a clown riding an elephant, carrying a clock, balanced on a ball. The little ceramic shoe, filled with little ceramic mice.

In late 2012 my father moved from Florida up to North Carolina. He had early stage Alzheimer’s, although he hadn’t been diagnosed yet and was years from admitting it. I had somehow convinced him to move up here so we could keep an eye on him. When he moved, he brought everything.

Everything.

There wasn’t room for everything in his new apartment but he was overwhelmed with the task of downsizing, so the job fell to me and my husband Stan. We had to decide what to keep, what to donate, what to dump, what to store, what to beg my siblings to take.

A small sampling of the things my dad shipped from Florida:

  • One and a half bottles of vodka
  • A zip-loc bag of coins, mostly pennies
  • Approximately twelve phones
  • A box of ShamWow super absorbent towels
  • 26 yarmulkes, so he’d be prepared, I guess, to lead all the area Jews in morning services
  • 8 hard drives
  • A cherub corkscrew. The screw part was actually the cherub’s penis. (When I commented that it was an interesting corkscrew, he explained the operation of a corkscrew, as if my comment was about its functionality: “You just screw it in and then pull it out.”)
  • Multiple funnels
  • The contents of his kitchen junk drawer. The shipping box was actually labeled “Misc Junk Drawer,” which is one of the most terrifying things to read on a box you’re about to open up.
  • Part of an old garbage disposal
  • An almost empty plastic bag of napkins
  • A package of approximately one hundred chopsticks
  • Really, really long tweezers
  • A glass bowl filled with plastic cocktail forks

It was during this process that I developed a distaste for all of his things, and things in general. I stopped enjoying thrift stores. I rarely shopped at all. The things we already owned started to seem oppressive to me.

I had always been able to turn a blind eye to chaos in my home. But after digging through the piles of my dad’s junk, my own junk started to make me tense. It was harder to ignore all of our own stuff.

Plus, I had a new understanding that our possessions would someday be a burden to our children, who were, at that time, in high school and college.

I can be pretty fatalistic. It would not surprise me at any point if I were to die in a car wreck or from a sudden, catastrophic illness, and there’s nothing I can do about it. I think it’s possible, maybe probable, that I will trip over one of my dogs on the stairs.

If that happens to both me and Stan, then our kids would have to sift through the wreckage and decide what to keep and what to dump.

I had started reading about the Swedish tradition of döstädning, which is translated as “Death Cleaning” or, more satisfyingly, “Death Purge.” The idea is to simplify your life by getting rid of a lot of clutter so that you minimize the labor, both physical and emotional, of your children when they need to figure out what to do with your possessions after you die.

So we rented a dumpster.

We got the biggest one we could, twelve cubic yards, from a local junk removal company. They parked the dumpster in our driveway, and then, after five days, would haul it away and sort through everything, separating the contents to recycle, donate, or reuse.

It’s strange to think that all your possessions are just material. Wood, metal, plastic, paper. A wooden carving of an owl is really no different from a table. The Bible is pretty much the same thing as that girl’s notebook at Goodwill.

Speaking of paper, I worried about my own papers of any kind ending up at a thrift store for someone like me to gawk at. So I shredded them. The sheer quantity of papers broke my shredder, so I threw the shredder in the dumpster too, and bought a new shredder.

I fantasized about an almost empty house, with minimal items on shelves, all with a specific purpose.

We had a lot of junk in the house, so the Death Purge started out easy. There was plenty of low-hanging fruit. Worn-out shoes, a broken printer, old WiFi routers, four navigation systems, mismatched table wear, the unfavored coffee cups. The exercise bike which had never worked, that Stan had brought home triumphantly six months earlier from a dumpster.

But at some point the decisions get harder. For us it was after approximately six cubic yards of crap.

There are three categories of things that were hard to get rid of: aspirational items, items that “might be useful someday,” and items that reminded me of a specific person.

Aspirational items had a shelf life. I had no problem getting rid of the huge block of wax and the package of wicks from the time when my son was around twelve and I thought we would, obviously, make candles. Also, I threw away cheesecloth, from when I mistook myself for someone who might make cheese. But last summer I bought some little vials of essential oils from which I was going to concoct natural bug-repellant, according to a recipe I found on the internet. Since that aspiration was less than a year old, I kept those. Because you never know.

Letting go of aspirational items was an admission that I hadn’t achieved a goal, even a goal I didn’t remember having. It was admitting failure. Coming to terms with some of these little failures and throwing away the evidence was freeing.

In the category of “might be useful” were a lot of surprisingly specialized kitchen implements. A French fry slicer (a grid made of wire that you presumably pull down on the potato), an apple corer-peeler, a melon baller, a straw spoon. These all went in the dumpster. Although I had always sliced cheese with a plain old knife, I actually owned a cheese slicer that promised to produce thin, uniform slices of cheese. I decided to keep it and also decided to stop decluttering at that very moment and slice some cheese. At the first attempt, the wire popped off. It had been junk all those years but I had never known it.

One thing that I did keep was the vegetable spiralizer, which I had just bought. I made a point of spiralizing three zucchinis that day. Because this was different.

Stan and I didn’t always agree on the future usefulness of items, but we deferred to the person who wanted to keep them. Which is why, after the Purge, we still had a rewired vintage x-ray machine and a coffin in the garage. They were part of the Halloween haunts that he had created for several years, and, that, he said, he might again.

Souvenirs were really easy for me to dump. The shelf life of my attachment to wooden shoes from Amsterdam or German beer stein mugs was short. Looking at them didn’t help me remember the time I spent in those places. They were just stuff to buy.

We say “flotsam and jetsam” when we talk about the objects we unload. But in the nautical world, flotsam and jetsam are two different kinds of debris. Flotsam is the stuff that goes overboard as a result of a shipwreck or accident. It’s lost, through no choice of the owner. Jetsam is stuff the owner throws overboard on purpose, maybe to lighten the load.

I had looked at the stuff at thrift stores at flotsam. What tragedy could have caused sentimental objects to end up at a thrift store? A sudden death, a mismarked box during a move? But I was starting to think that this stuff had actually been jetsam, thrown overboard to keep from sinking.

I found a cassette tape with a label written in my mother’s hand. It had the name of a relative who I had never known. I learned from a cousin that he was the brother of my maternal grandfather. My grandfather had died when my mother was a child. This was just the kind of thing that shouldn’t be thrown away.

I put the tape into a cassette player (that miraculously hadn’t ended up in the dumpster) to listen to this oral history. I never knew my grandfather, and my mother died twenty-two years ago. I’ve always wanted some kind of connection to the world I didn’t know, a little window into my mother’s childhood.

The tape began.

“We did well with mutual funds until the crash of 1962…then I went into the real estate field but that wasn’t for me…Alan said ‘then just take a second mortgage on it’…we had a carport on one side of the house…I spent some time at the country club, but Mother never really went…”

It was the most boring thing I’ve ever heard.

Just like aspirational items, sentimental items have a shelf life too, and a small circle of interest. My great uncle’s children might do anything to hear his voice again, but to me, it was a stranger talking about things I didn’t care about. The only thing that mattered to me about that tape was his name, written in my mother’s distinctive, elegant handwriting, so tall and precise.

I could not let go of anything with a connection to my mother, although I was starting to feel like I was missing the point of the Swedish Death Purge.

I put her collection of cookbooks into a box to carry to the dumpster, but then took them out and lined them up on a bookshelf. It wasn’t even nostalgia about childhood meals that made me hold onto the cookbooks. I didn’t remember her cooking anything from them. Cooking wasn’t her strength. Our meals were mostly meat, with a side of canned vegetables. The cookbooks were aspirational for her.

For some families, food traditions connect one generation to the next. For my family, food aspirations connect us. It was a parade through the decades of unmade recipes.

The Halibut Soufflé from Casseroles, including Breads (1952.) The Eggs à la bordelaise from Larousse Gastronomique (1961.) The Vichyssoise from Cooking with Wine (1962.) The breaded veal steak and sweet and sour tongue from The Kosher Gourmet (1974.) In 1994 I grabbed the baton and didn’t cook the Soba Noodle salad in Moosewood Restaurant Cooks at Home.

I was caught short by the remnants of my kids’ childhoods. We found a bunch of sticks in my son’s old backpack. The sticks were carved into sharp points. The shanks of suburban boys. They were from when he was around eleven, during the time he spent entire afternoons in the woods with other boys, creating elaborate civilizations. They used bark as currency and built shelters out of branches. They formed alliances and waged war. Really, I had no clear idea of what they did in the woods, because it was none of my business.

But when I looked at those sticks I could see him at eleven, thinking of nothing but whittling, his focus as sharp as the points. I kept the sticks.

I also kept the tomes that his sister wrote. The travel journals, the business plans, the letters of complaints about her brother.

I admired my friends who matter-of-factly dumped the bulk of vestiges of their kids’ childhoods, but I didn’t understand them. “Each kid got one Rubbermaid tub to hold their stuff!” they declared.

It all made sense, but, on the other hand, it would be hard to fit six full-size LEGO ships, the collection of ceramic horses, and the six-foot-long stuffed tiger into a bin.

There’s no logic to keeping any of this, I know. And it’s embarrassingly sentimental. But I’m not ready to let it go. Also, I can’t stand to think of it in the dumpster, mixed in with the stuff I don’t care about, being sorted through.

To the recycler, fabric is fabric, whether it’s a shirt from Target or my mother’s last pocketbook. Paper is paper, whether it’s an old newspaper or my daughter’s notes about her secret club. And wood is wood, whether it’s those souvenir shoes from Amsterdam or my son’s carved sticks. It’s all flotsam and jetsam.

But when those materials are what connects me to the past, it’s not so simple. Throwing them overboard doesn’t make my load lighter. It just makes me lost. Maybe that fabric is the sail. Maybe the paper is the map. And that wood? What if it’s the boat?

•••

JODY MACE is a freelance writer living in North Carolina. Her essays have appeared in O Magazine, Brain, Child, The Washington Post, and many other publications, as well as several anthologies. Her website is jodymace.com. She publishes the website Charlotte on the Cheap in Charlotte, North Carolina. She is a regular contributor to Full Grown People.

Read more FGP essays by Jody Mace.

 

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Rent

Photo By Gina Easley www.GinaEasley.com

By María Joaquina Villaseñor

2006

Relief as I arrive at the rental office with moments to spare before it closes to pick up keys for my new home: an eleven-hundred square foot townhouse with a small backyard, a garage, and more space in the closets than I have stuff to fill closets with. I wonder if the large downstairs closet by the front door could be used as a study; I contemplate it seriously.

I furnish the town home with two tables, a small stone-colored couch, a rustic Mexican wooden television stand with shelving—all furniture that my mother and stepfather have given to me from their own home. My queen-sized bed is a hand-me-down I got from my sister; I’m pretty sure my niece was conceived on it.

About a year later, a friend from Berkeley, a former roommate, visits me there. After staying with me, she gossips to another friend that I still have all my furniture from grad school. I’m hurt since it is obviously not meant to be a compliment; but she’s not entirely wrong either. The décor of the townhome is more than a little patched together, the furniture worn and perhaps more starkly so against large, bright white freshly painted walls and new carpets. I want to paint the walls, but it’s a rental and I don’t want to lose my security deposit. Grad student poverty is still my day-to-day reality. But the new place is to me, palatial and above all, spacious with possibility.

I am 189 miles away from Sacramento where I was born, the furthest I have ever lived from that city except for the year I lived in Mexico as a girl. I am a new Assistant Professor at a public university on California’s central coast with a freshly completed a doctorate from UC Berkeley. I traveled from the Sacramento area in a caravan with my mother and stepfather in a small U-Haul truck, me driving the 1987 Volvo that my stepfather purchased for me for $750. I am twenty-nine years old, the Volvo is my first car, and I am a newly licensed driver. My mother and stepfather are doing all they can to help me. So many things are new.

2005

I’m embarking on a nationwide job search, and I interview at the University of Michigan in Ann Arbor. There, after actually complimenting the coffee at a restaurant in which we have dined, a graduate student accuses me of being a “Berkeley food snob.” She says: “People who come here from Berkeley are always like, ‘Oh, well, in Berkeley we have blah blah blah, and in Berkeley we have wah wah wah.’” Seriously—that’s exactly what she says.

If the apartment in which I live can be taken as any indication of the kind of status that enables one to become an anything snob, then this graduate student’s accusation is a verifiable impossibility. I live in a basement studio apartment of an old white Victorian home on Hearst Avenue, in Berkeley not far from campus. I select it solely on the basis of its location and the fact that it is “affordable.” It is not really affordable, since I have to take out roughly ten thousand dollars in student loans to afford it, but I’ve reached the point that many graduate students reach: I simply can not deal with the idea of having yet another roommate and have no idea how I will be able to write anything while having to negotiate others’ schedules and habits. I’ve been a student having student money problems and roommates for eleven years; I’m desperate to be done.

I should have known there is something up with the basement apartment when the landlord asks me to give him twelve postdated rent checks for eleven hundred dollars each when I sign the one-year lease. I have never signed a lease on my own before, and I understand Berkeley to have an odd and difficult rental market, so I agree to his request. After all, he says this is the only way to secure the apartment and make sure he doesn’t rent it to someone else. I give him over thirteen thousand dollars in postdated checks.

I’m sick almost immediately and this lasts pretty much the entire year. The damp, musty basement apartment grows molds and mildews in places I didn’t know mildew grew. As a child, I lived in some poorly ventilated homes and apartments; I’m used to the green black creep of mold on bathroom ceilings, to the mold that grows around window sills. But this apartment has that and more. I discover that mold is even growing in the one small closet in the apartment. My clothes begin smelling like mildew. A girlfriend tells me about a product called Damp Rid, a container of crystals that gets put in places where moisture leads to mold in order to absorb the dampness. I have no idea such a thing existed, and after complaining to the landlord who does nothing, I think I should give it a try. I have three containers of Damp Rid in different parts of the four-hundred square foot studio including in the musty closet. I write my doctoral dissertation next to containers of Damp Rid with a constant runny nose, itchy eyes, and allergy-induced headaches.

Some young men live in the flat above. I can’t tell if they’re students or if they do something else for work. I hear them exclaim, “Oooooh! Oooooohhh!” in loud unison about once a week. I imagine they are involved in some kind of weekly circle jerk and don’t really know what to think about that. I guess I’m curious about it but I mostly stay away from them. Eventually, I figure out that they’re vociferously playing video games. A disappointment. I have a very regular writing routine and remember every day that I moved to the Hearst Avenue basement apartment because I didn’t want the noise or the distraction of roommates. One day, I begin to hear hammering right outside my window. I try to tune it out and don’t worry about it much until the hammering goes on day after day. I am distracted and irritated. I see that my neighbors are building something brown and hairy on the back of a truck. Over the next few days, it begins to take shape…some kind of an animal. A…Snuffleupagus? On a truck? One day, I ask them about it. And that is how I learn about Burning Man.

I think I will be happy and in better health once I move out of the Hearst Avenue basement apartment, but the move takes place abruptly. I file my dissertation on a Friday afternoon in May, and my grandmother dies the day after on Saturday morning. My deceased grandmother is in Mexico, and though it’s time for me to move out of my Berkeley basement apartment, I leave suddenly and take a flight to Guadalajara to accompany my mother to my grandmother’s wake. After the wake and after my grandmother is cremated, we transport her ashes to Ciudad del Carmen, my grandmother’s hometown and the place where my mother was born and raised.

Back in Berkeley, at move-out time, my stepfather and my sister pack the contents of my apartment into a small U-Haul truck. I tell my twin sister where the cigarettes I hide are, and all the things I do not want my stepfather to see; as always in my life, I entrust her with my secrets. I leave the apartment with a little clothes, a certificate attesting to the completion of the requirements for my doctoral degree, and some uncertainty about the future though I am certain I will not return to that mold-infested place. I’m grief stricken, exhausted, worried about my mother, missing my grandmother already, and overall considerably less happy and healthy than I thought I would be at this moment.

1999

I’ve walked by the 1970s era building thousands of time since I moved to Berkeley in 1995. There’s a storefront on the bottom floor and the store sells Turkish rugs, beaded jewelry, baskets, and other imports. The building is pretentiously called “The Glen Building” and it has a top floor studio apartment that I rent with he who is my first serious long term romantic partner. I’m twenty-one and just learning about what that means. The studio apartment interior is very basic and has fresh paint and a new carpet, the way I hope and expect a rental will have. The carpet has very little padding and matches the 1970s industrial storefront feel of the building. It has a full but very tiny kitchen with a sliding door onto a balcony with a view of the Bay Bridge far in the distance. We move in a queen bed that’s just a mattress and a bed frame with no headboard and an old red easy chair and a table from my parents’ house. While we live in that place together, my partner Ryan and I travel to Mexico, the first time I have ever taken a love there. After returning from Mexico, I make a complete travel scrapbook including ticket stubs, stickers, and countless photographs of us with cousins, aunts, and uncles, on the Zocalo, at la Casa Azul, in Coyoacán, in Xochimilco, in so many magical Mexican places.

I want our studio apartment in the Glen Building to be more like Mexico. We paint the bathroom Frida Kahlo blue and the kitchen a Mexican avocado green. The painting of the kitchen and the bathroom is an investment and a grownup undertaking both because of the effort and because of the cost involved between the painting supplies and the forfeiting of the deposit money. There is a basketball hoop over the sole closet door in the apartment. The closet is not like a regular bedroom closet. It’s very small—more like a hall closet or linen closet. I share it—happily—with Ryan, and we jam our clothes in there and do not complain. I have a bad habit of leaving my wet towel on the bed when I get out of the shower. It is one of only two things that Ryan ever seems unhappy with me about. The other is that I sometimes go on and on talking, and I don’t listen to him very well. I stop leaving my wet towel on the bed and learn to be a better listener.

I learn to fry tofu, I learn to make soups, I learn to use a rice cooker. We host friends sometimes overnight, even though we have no separate guest room or even a futon. One of our friends, a fellow undergraduate, and also poet, gambler, and sports fan, stays with us several times, sleeping on our floor next to us in the queen bed with no headboard in which I learn about what it means to have an adult sexuality. Another friend comes out to me in the stairwell outside of the apartment, confesses that the protagonist of the sex and romance stories he has told me is a man, not a woman as he had made me believe. I’m unfazed; we’re figuring things out and finding our way. We host parties in our cramped studio apartment and create traditions. One of these new traditions is hosting Christmas dinners the week before we leave for our respective families’ holiday gatherings. It’s a way that I can make sure I have a good Christmas. I make roasted legs of lamb and experiment with cooking other things that are brand new to me and like nothing we ate in the homes in which I grew up. With Ryan, I learn what it means to create a chosen family; we flirt with being a family of two ourselves. For the first time in my remembered life, I share a home with a man with whom love and safety are feelings I have all the time and in abundance. I am free.

1992?

We live in a rented house in a suburb of Sacramento on Ash Street, having returned from a year of living in Ciudad del Carmen just the year before. The house is a boxy, light brown two-bedroom house where I live with my stepfather, mother, twin sister, and my two younger brothers—sweet, rascally, fun, little boys. My twin sister and I miss living in Mexico and long for the embrace of my mother’s family, the literal and figurative shelter they give us.

Between, say 1984 and 1995, I live in at least six different rental homes and apartments excluding the year we live at my grandparents’ house in Mexico. In one of the apartment complexes where we live, my mother and stepfather are the resident managers, living rent free in exchange for being the on site go-to people for our neighbors in the apartment complex. A Korean family who own a donut shop are our upstairs neighbors there. The woman of the household teaches my mother to make kimchi and they sometimes bring us fresh donuts from their shop. Some of our homes have unfinished floors. Some of our homes have roaches. All of our homes have holes that my stepfather has punched into doors and walls.

The holes in walls sometimes get covered and repaired, but they sometimes stay—or multiply—while we live in those places. The holes in the wall remind me of the imminence of the “cocos”—what my stepfather calls the knuckle punches on the head he gives us—that is his most frequent physical punishment of us kids. For a while, we are hit with the hard, grey plastic handle of a paddle for a raft I only vaguely remember us owning. But I do remember the raft paddle … its sting, its heft, the fear it inspires even after the welts were gone. There are slaps, too. Hair pulling. I believe, hope, pray that my mother will make it stop.

But she is being hit, too. The sounds of my mother and stepfather’s yelling and arguments are often preludes to sounds of thuds and later to the sight of my mother’s eyes—red and bleary and puffy from crying—or to the mark of welts or bruises on her. Occasionally I see a ripped blouse from her being pulled, yanked on, or dragged. My sister and I learn to drown out the sounds by turning up the volume on the TV. Against reason, we hope our little brothers do not hear what we’re hearing, do not see what we’re seeing.

Once my mother has us pack a few things as we flee to a battered women’s shelter—a “safe house.” I do feel safe in that house though I’m also scared that my mother will go back to my stepfather. Which she does. In the safe house, I desperately want my brothers to somehow feel like things are okay and normal. Though the hand-me-down towels, sheets, and other kids’ hand-me-down stuffed animals point to the anything-but-normal nature of our situation. One of the rules of the safe house is that no one is permitted to give out its phone number and address to preserve the secrecy, anonymity, and so the thinking goes, the safety of the women and their children. We can’t tell anyone where we are or how to reach us. It does not feel normal.

2017

Today, almost thirty years later, I long to remember the faces or names or stories of others who were in that safe house with us, experiencing something similar. But I don’t. We were there just a few days and I was preoccupied with our own situation, where we would go after. It turned out to be that where we went after was the same house we had left. After that, there were promises of no more beatings, which was a promise he mostly kept. After eight years or so of much torment, he (for the most part) stopped hitting us all, instead sticking to yelling, punishing, general volubility, and the maintaining of a home environment where walking on eggshells was the norm.

Of course, we kids did sometimes have fun and experienced joy in our childhood family homes, but these feelings were rented, and we were always aware that we could be evicted from joy at any minute. My siblings and I continued to be kids together until my sister and I moved away to college; we loved and still love each other with the passion of people who know that sticking together is survival.

I’m now a tenured professor, a wife, and a mother of twin daughters. I married my husband just over two years ago, on a beautiful, sunny afternoon on a beach in Maui aptly named Baby Beach since we spoke our vows with our two babies by our side with no other family present. In the midst of our wedding planning, and after thirty years of marriage, my mother and stepfather were in the middle of a bitter divorce the dregs of which I could not bear to have at my wedding.

Beside a shimmering Pacific Ocean, my groom read poems I saw him write on the plane ride without knowing what he was writing. We had one friend in attendance, a dear mutual friend and colleague we learned would coincidentally be in Maui at the time of our wedding. Our friend valiantly did quintuple duty—as our sole guest, videographer, on-site child safety specialist, best man, and maid of honor. I marveled at our luck. Actually, I marvel at my luck every day, as the man with whom I share my home and life shelters me with love, harmony, and understanding, opening my eyes daily to all that is possible for me, for us, for our life together. What is this happiness that I dare to call my own, beyond all my younger self could have imagined?

For the first time in my life, I live in a home that is not a rental home though it is in the same campus housing complex where I moved as an Assistant Professor just over ten years ago. The home I bought with my husband is only slightly bigger than the home I rented just over ten years ago on my own. Not long after we moved in, my husband and I went to the furniture store and bought a brand new couch and coffee table, another first for me. We didn’t buy an expensive couch because we have two small children who spill and stain things the way small children do, but it’s probably still the nicest couch I have ever had.

Last month, my youngest brother hand delivered a letter from my stepfather. The letter was sort of a group letter—asking for reconciliation with my mother, with my siblings, and with me. My name was written on the envelope in handwriting I will always recognize, but there was no address on the envelope under my name. My stepfather has never seen the first and only home I have owned, and does not know where I live. Sometimes the dull ache of the past tugs, but peace reigns in the home I have made, and I relish it.

•••

MARÍA JOAQUINA VILLASEÑOR is a professor of Chicanx/Latinx Studies at California State University, Monterey Bay. She is a co-author of The Historical Dictionary of U.S. Latino Literature, and an essayist whose writing has been published in Remezcla and The Acentos Review.

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Coming Home

Photo By Gina Easley www.GinaEasley.com

By Hema Padhu

As I saw my mother walk out of the international terminal at the San Francisco Airport barely able to push the cart stuffed with two enormous suitcases, I hardly recognized her.

The mother of my childhood was a stout, severe-looking authoritarian. “Don’t just sit there wasting your time—do something!” was her favorite mantra. She played the role of a mother, wife, daughter, daughter-in-law, and career woman with a sort of zeal that was impressive, intimidating, and almost always exhausting to watch.

Now my eyes rested on a short, drooping woman in her late sixties. Her shoulders curved in weighed down by some invisible burden. Her once long, dark hair, turned salt and pepper, was gathered in a small bun at her nape. White sneakers stuck out conspicuously, at odds with her festive silk saree and the bright red bindi on her forehead. She blinked nervously, scanning the crowd for my familiar face. When exactly did my mother, the invincible superhero of my childhood, shrink into this fragile, vulnerable person? The transformation felt both rapid and stealthy (hadn’t I seen her just a few years ago?). I was not only unprepared for it, I was suddenly aware of the role reversal and unsure of how to navigate this new shift in power.

I hurried towards her, trying to mask my surprise, and gave her a hug, breathing in the familiar smell of Ponds cold cream and coconut oil. I felt her papery lips kiss me on both cheeks and sensed in her touch both excitement and trepidation as if she couldn’t believe she had crossed the ocean to visit her daughter in America. The country I had chosen over my birthplace. The country I now called home and to which she had lost me almost fifteen years ago.

•••

When I left Madras for Chicago, I was twenty-five and too old to be living at home with my parents, but this was the early nineties and Brahmin girls like me left home either married (usually arranged) or dead. Neither option was particularly appealing to me. Luckily, I wriggled through a loophole that middle-class India, especially Tamil Brahmins, couldn’t resist: education. I headed to Northwestern University to get my master’s degree.

That day, our home was a tornado of activity, and my mother was at the eye of the storm with a single-minded goal—sending her oldest daughter safely to America. Dad reconfirmed my flight, and my brother was dispatched for the third time to check on the taxi’s arrival. My sister, with rising exasperation, was stuffing my suitcase with things my mother deemed necessary, if not critical, for my life abroad: rice, lentils, spices, pickles, a pressure cooker, and an Idli steamer. I, of course, had no say in the matter whatsoever. “When you land in Illinois”—my mother enunciated the s at the end with a hiss—“and want to make sambar, you’ll thank me.”

I was raised in a traditional “Tam Bram” (short for Tamil Brahmin) home, and my mother had decided that her primary duty was to equip her daughters with skills essential to fulfilling their life’s mission: finding a suitable husband and raising a family. This included learning to cook all the traditional South Indian dishes, studying classical Indian music and dance, and learning the bafflingly nuanced rites, rituals, and superstitions that came with an orthodox Tamil Brahmin way of life—touch your right elbow with your left hand while lighting an oil lamp, prostrate two or four times (not thrice!) at the feet of an elder, and my favorite, when you leave the house never shout, “I’m leaving,” say “I’ll be back.”

I watched my mother juggle the binding responsibilities that accompanied a woman born into an orthodox Brahmin family and a career in banking (unusual in those days) with only a high school diploma. She could have a career as long as she didn’t neglect the duties and obligations of a good Brahmin woman. This meant she was the first to rise, often as early as four a.m., and the last to retire. She kept up with all the rituals and traditions expected of her, tended to the needs of our five-member household while advancing her career and doggedly pursuing her various interests that ranged from learning Sanskrit to playing the violin. Like a bonsai tree, she found a way to grow within her established confines and she somehow made it all seem effortless. She had, without explicitly intending to, passed on her independent, ambitious spirit to me.

My mother careened between pride and despair as the days of my impending journey neared. Part of her was deeply dismayed about sending me to a country thousands of miles away, one she had only seen on TV. She worried that the conservative values she had so painstakingly instilled in me wouldn’t withstand the liberal assault of the West. Part of her was very proud and excited that I was making this westward journey—a first for our family and a woman, no less. She had dreamed of becoming a doctor but had to give up her education to care for her sister who had been incapacitated by polio. She married my father at the tender age of nineteen and had me at twenty-one. My siblings followed shortly thereafter. Her life was never carefree, and she wanted more for her daughters. She wanted us to live freely without societal expectations clinging to us like a petulant child.

I, on the other hand, was already in Chicago. In my mind, I had left the familiar landscape of my Indian life far behind to stroll the streets of Evanston, drive along Lake Shore Drive, and soak up campus life. After years of living under the iron fist of a highly competent but controlling mother, who had either directly managed my affairs or influenced my life decisions, I couldn’t wait to leave it all behind and start fresh in a new place. A place she couldn’t get to easily.

My mother responded to my excitement with an equal measure of fire and ice—one minute sending the household into a tizzy with her rapid-fire marching orders to prepare for my departure, and the next sulking in the prayer room with her books and prayer beads. When friends or neighbors threw a party for me, she would make excuses not to attend. I was annoyed by what I misjudged as petulance (she should be happy for me!). I failed to understand that my eagerness to get away from the home and family she had worked so tirelessly to create only substantiated the fact that I could leave. She couldn’t even if she wanted to.

Three weeks later, as I was navigating the aisles of the local grocery store in Evanston, I stood there, teary-eyed, unable to choose from among the numerous brands of neatly stacked shelves of tea. My mother would have picked out just the right type of black tea to make that perfect cup of chai. My sambar never tasted like hers, and my kitchen could never smell like hers—a seductive mix of sandalwood, turmeric, and curry leaves. I missed her strength, her confidence that everyone’s problem could be solved with a good home cooked meal, her remarkable faith in some universal power that would make things work out just fine for everyone, especially her children. I missed her rare and awkward display of affection (“you’re so thin, eat some more” or “don’t be out in the sun too much, you’ll get dark and then who’ll marry you?”) I even missed her marching orders.

•••

Fifteen years had passed since I left my hometown and a lot had changed in both our lives. My sister married and moved to Malaysia. My brother followed me to America. Suddenly, empty nesters, my parents were nearly strangers. Their marriage, a brittle shell they both chose not to shed. A marriage that was once bonded by children was now held together by familiarity and obligation.

My mother followed my life from afar, reading and hearing about it through snippets in e-mails and static-filled phone conversations: graduation, new jobs, new homes, new adventures in new cities with strange names. Each step forward in my American life seemed to drive a wider wedge between us. The more independent and confident I became, the less I relied on her. She had a life scripted for me: a successful Western life on the outside—respectable education, career advancements, and professional success—and a traditional Eastern life on the inside—a successful (preferably wealthy) Indian husband, a couple of adorable kids, a suburban home where I kept all the Tam Bram traditions alive. I couldn’t blame her—it was what she wanted for herself.

While I happily embraced the former, I resolutely rejected the latter. I married a kind artist who lived modestly after abandoning his career as a geologist to pursue his passion in filmmaking. Although a South Indian like me, his Tamil was terrible. He could barely sit crossed legged on the floor (a basic requirement for a Brahmin) let alone be well versed in all the Tam Bram traditions. Neither of us wanted to have children, which bitterly disappointed my mother. She was convinced that I was missing out on a defining life experience. I refused to blindly follow the Brahmin traditions, declaring myself spiritual and not religious. With every passing day, I was becoming more of a stranger to her. She struggled to understand my new life and the different set of values I was embracing. Yet secretly, I wanted her approval, wanted her to accept my choices, even as I defied her traditional wisdom.

When my husband and I separated amicably after seven years, I agonized for days about sharing this news with my mother. This was yet another first in our family and not a first to be proud of. I had to share this news across a transcontinental phone line, not an ideal medium for such a personal conversation. I mentally prepared myself for her reaction. How would I respond if she reproached me? What would I do if she hung up on me? What if she started to cry or scream at me? I had replayed all these scenarios over and over in my head and crafted “mature responses”—take the high road, I told myself—for each of these potential outcomes.

Finally, one morning I gathered the courage to call her. She listened patiently. After I finished, there was a long pause. Just when I thought that she had hung up on me she asked, “What took you so long?”

It was the one scenario I wasn’t prepared for. Surprised, I blubbered incoherently and she said simply, “I want you to be happy. I don’t want you to spend a minute longer in a life where you are not happy.”

She refused to let me dither about in self-doubt and pessimism and with her trademark unflappable spirit she reached across the ten-thousand-mile divide—I could almost feel her hand on the small of my back—to guide me gently yet firmly towards a brighter future that she was certain was waiting for me. She was in my corner after all. In fact, she had never left.

Over the next few years, our bond, which had floundered due to distance and years of separation, strengthened. I found myself sharing fragments of my life I had never dared to share with her: my fears and anxieties, my stumbling dating life, my travel adventures and misadventures, my hopes of rebuilding my life after my divorce. In the beginning, she mostly listened, but slowly she started to open up. About her own dreams, disappointments, failures, and joys.

I felt privileged. Singled out from my siblings. Her confidante. I remembered a time, not too long ago, when we couldn’t have a conversation without either one of us bursting into tears or storming out of the room. We argued incessantly about everything from hairstyles to grades to boys. After years of mother-daughter strife, we found ourselves embracing our strengths and vulnerabilities, instead of being repelled by them. We were connecting as adults, as women from different generations trying to find our own place in this world.

Now she was finally here. I would have her all to myself for three whole weeks. Our past stood between us both binding and dividing us. My life here continued to puzzle her and I was just beginning to piece together hers. Somehow we managed to establish a connection between our divergent worlds and we found ourselves clinging to it. Each day provided an opportunity to strengthen that fragile bond. As I walked her to my car, my arm around her thin shoulders, I felt that same anticipation that I felt years ago when I left her home. Only this time, I couldn’t wait to bring her into to mine.

•••

HEMA PADHU is a writer, professor, and marketer. Her writing has been published by Litro Magazine and American Literary Review. She lives in San Francisco and is working on a short story collection.

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Rescuing Adrian

Photo By Gina Easley www.GinaEasley.com

By Naomi Ulsted

I got the call at ten-thirty at night. It was typically dramatic, as my family was at that time. “They found him,” said my mother. I hung up and shook my boyfriend awake. I let him know I needed to drive to California with my mother tonight. I was meeting her at midnight in the parking lot of the House of Pancakes in Salem, Oregon. We were going to get my brother.

Adrian was twelve and his face could be found on cartons of milk with the giant words “MISSING” on them. He’d been listed as a kidnapping victim since my stepdad (Adrian’s real dad) had driven off with him eight months ago. He’d actually been gone for a while before that, but these were the questions I imagined the police asking my mother.

He’s with his father?

You had custody?

You had custody but you allowed him to live with his father?

You’re not sure of the date he actually went missing?

You’re the one who left the marriage?

You have how many children? Five?

Said or unsaid, these questions delayed the process. Officials put that file on the bottom of the pile.They were questions I still had myself. The weeks had gone on. My mother began taking anti-depressants. I was in college, reveling in books, falling in love and pretending that I had a stable family who didn’t kidnap each other.

•••

My oldest son, Logan, is telling me a very long story that has something to do with Minecraft. As I put away the dishes, I listen to him with about twenty-five percent of my brain. I say, hmm mmm and yeah, and that’s funny, when I realize that he’s just told me something that’s supposed to be funny, although I have no idea what it was. With my remaining seventy-five percent I’m planning what to put in the kids’ lunches and preparing for the eight-thirty meeting I have at work. Adrian used to talk about comics like Logan talks about video games. When Logan finishes his story, he looks at me expectantly. I laugh, hoping that was the appropriate response. He wraps his gangly arms around me for a spontaneous hug, which is something he does still, even though he’s nearly twelve. I run my hand through his thick hair, which needs another cut. He is almost as tall as I am.When he was younger, I sometimes called him by my brother’s name.

•••

My mother had custody of Adrian, but rather than force Adrian to move with her and his three younger sisters into a two bedroom apartment with new stepbrother and stepdad, he was allowed to continue living with his dad and me in our mobile home in Camano Island, Washington. My mother was choosing her battles. I was just starting my senior year in high school, so my mother, thankfully, had left me there as well. Adrian and his dad wiled away the days eating ice cream from the carton and watching Tron. I tried to drag Adrian out of bed so I could drive him to sixth grade, but he was too big and stubborn for me. I gave up, leaving them both sleeping. This went on until my stepdad and Adrian moved to their own apartment and I was the only one left at home, finishing high school. I went to school, worked at the grocery store, sautéed mushrooms for dinner and listened to the silence of the house, telling me it was time to go.

After my first semester at college, I spent Christmas with my brother and my stepdad at their apartment. We ate pizza and they both fell asleep early on Christmas Eve. I stayed up reading Adrian’s X-Men comics, carefully replacing them back in their plastic sleeves when I was finished. Shortly after that Christmas, my stepdad quit his job passively, by not showing up, stopped paying his rent and disappeared with Adrian.

•••

Last summer, Logan went to an overnight camp for a week. He had been excited when we signed him up, but the week before it was time to leave, he insisted he didn’t want to go. His stomach hurt. He couldn’t sleep. I showed him videos from the website of kids around the campfire smiling broadly. I talked about camp games, bonfires and horseback riding. I assured him he was going to love it, so he reluctantly rolled up his sleeping bag. But the camp rules didn’t allow phones and as the week approached, I tried to stifle my own fears. What if some of the kids were cruel to him? What if something horrible happened and he didn’t feel like he could call me? Outside of the letters I wrote ahead of time for him, I would be unable to reach him. By the time a handwritten letter from him arrived in my mailbox, he’d be home. While he was gone, I dreamed when I went to pick him up, he wasn’t there. Kids were reuniting with their parents all around me, but no one knew where he was. I tried to call the police, but over the line the officer said things like you left him there in the woods with a bunch of strangers? and he didn’t want to go, but you pushed him into it?

•••

I left my car at the House of Pancakes. As I climbed in next to my mother, she handed me a thermos of coffee. We pulled onto the freeway. She was all business, filling me in on the way. They were in a small town in northern California. The policewoman who called her had suggested that she just go back to sleep and come get him tomorrow. Adrian was fine so there was no rush. My mother said she’d been looking for her son for eight months and he’d been found, so how could that stupid woman tell her to go back to sleep? She’d come and get her son right this instant, thank you. Adrian wouldn’t have to spend one more night with that asshole he had for a father. I sipped my lukewarm coffee, extra sweet like my mother always made it, so it tasted less like coffee and more like a melted candy. I wondered how we got to be so dysfunctional. I was in a small, private college that I’d bullied my way into with good grades and multiple phone calls and I didn’t see anyone around me with families like mine. I was nineteen and not yet done being embarrassed about my entire life up to this point.

We drove into the night, up through the curving hills of the pass, often silent. I knew I was supposed to be helping my mom stay awake, so I tried to talk about my classes, my friends, my boyfriend, but she didn’t ask many questions. I knew her focus was elsewhere. As we pulled into a lonely open Chevron in the Southern Oregon town of Grants Pass, she said, “I should have never left him with his dad.”

“How were you supposed to know he was going to take off?”

“I should have known. But I’m getting him back now. He’s going to be part of our family again.”

I didn’t mention that her new family with my second stepdad was not my idea of our family and probably wasn’t Adrian’s either. None of us kids knew what our idea of family was anymore. She gripped the wheel tightly as we drove south and the shadows of the trees flew past.

Eventually, she told me to go ahead and lie down in the back. The back seats had been turned down so there was a space large enough to curl into. I pulled a blanket around me. Adrian had never called while he was missing, causing my mother to go frantic with worry. I had figured he was safe. My stepdad had never hurt him. Not physically anyway. However, I also knew my stepdad was a broken and twisted man, one with dark wounds inside. I couldn’t be totally sure of anything about him. Before he disappeared, he’d written me letters describing the futility of life. He was giving away what meager things he had left. I watched the darkness through the window and wondered why my brother had never called. When I woke three hours later, the sun rose over the mountains of northern California.

•••

Logan complains loudly and frequently about school. He tells me he’s bored and he’s learning nothing. In the morning I wake him and he rolls over, whining do I have to go? As if I ever tell him anything different. Yes, you have to go. If he were allowed, he would eat ice cream out of the carton and watch Tron all day. I make him go to school. I get dressed, make lunches and make myself go to work. I don’t call in sick to stay home reading all day and watching bad movies for hours, complaining that going to work is just buying into the system and letting corporate American run your life. I am not my stepdad. I am my mother, who forced herself to finish her last term in college while Adrian was missing, made lunches for my sisters every day and tried to create a family, as complicated and exhausting as it was.

•••

I took over the driving and a couple hours later we rolled into Ukiah, where my brother had been living for the past few months. My mother had closed her eyes, leaning her head against the window, but she had not slept. I longed to grab coffee, but my mother was not stopping. We pulled into the police station parking lot to get Adrian. I wondered if my dad was in jail and if I’d have to see him there.

Inside, I was unnerved by the police officers and the official feel of everything. It was as though I was in a world where I didn’t belong. My mother told the attendant at the front who she was and we were asked to wait. Nobody seemed to be in much of a hurry. After a while, a man came out to shake our hands, introducing himself as an officer. He led us back to a small room where we sat at a round table.

“Where is my son?” my mom demanded, embarrassing me with her aggressive voice.

“Adrian is just fine,” the officer said in a placating voice. “You can get him shortly. I just need to go over some paperwork with you.” In the conversation, the officer said things like, just needed to get away for a while, didn’t mean to cause a big problem and were just getting on their feet. When he told my mother that Adrian had been allowed to go back with his dad yesterday to their apartment for one last night, my mother flipped her lid.

“You allowed what?” My mother had that hysterical tone she got when she was about to throw something. I hoped she wouldn’t. My mother had thrown glass plates, laundry baskets and toys, although generally not at any person. Once she threw a plastic Sesame Street mug so hard it chipped the Formica counter, leaving a vivid reminder to stay out of the way of her wrath. My mother pounded her fingers on the paperwork, stood and slapped her purse down on the table, demanding to know why, when my brother had been kidnapped and missing for so long, he was allowed to go home with the person who kidnapped him. I wondered if I should move the stapler out of her reach.

Even I could tell my stepdad had gotten to this officer. I’d only just recently begun to separate myself from my stepdad’s manipulation and to recognize it for what it was. It was just a year ago that I’d secretly arranged a visit between him and my three younger sisters, against my mother’s wishes. He always seemed so sad, such a victim of circumstances, such a victim period. Nothing was ever his fault. Emotional wounds. Neglect. He twisted things to where I found myself forgiving him, feeling sorry for him, blaming someone else. Sometimes myself.

My mother was having none of it. The officer looked at her as if her hostile behavior proved everything he had suspected. I wished I had slept more. I wished I had coffee. I wished I was at home eating breakfast with my boyfriend. I had a philosophy paper to write. I wished I was anywhere else but here. The officer finally broke in. He told my mother that Adrian could be picked up now. However, he suggested strongly that my mother shouldn’t go, since she was obviously volatile and would likely upset the household. My mother looked like she might upset the entire police force in about five seconds. “I’ll go, Mom,” I said quickly. “I’ll get him.”

•••

Logan and I read together every night, still. He knocks on my bedroom when he’s sick, his lanky form a shadow in my doorway. When he’s in trouble with his dad, he brings his tears to me. When he is pushed or punched at school, he eventually confides in me. He curls his thin body against mine when we watch Harry Potter. I can’t imagine him being without me for eight months. I can’t imagine what I would do or say. What I would throw.

•••

The apartment was one in a row of one-bedrooms on a street with cracked sidewalks with tufts of struggling weeds in the yards. My stepdad opened the door when I knocked, giving his small, sad sigh. “Sorry,” he said, “that you had be here.” He kicked a few empty Chinese food cartons out of the way as he shuffled to the kitchen. His dark hair flopped in his eyes. He wore jeans and a ripped tee-shirt. I doubted he was working. Probably doing advertising copy for the local paper occasionally and calling himself a writer. My brother came in from the hallway, lugging a box of comic books.

“Hi, Nomes,” he said. His hair was greasy and unkempt and he was distinctly taller than I remembered, with ankles showing under his too short jeans. He smiled at me awkwardly, then looked at his dad.

“I’ll get your bags,” my stepdad said, heading down the hallway with a hangdog look.

Adrian and I put his comic books in the car. “Can I have a hug?” I asked and he leaned in. He needed a shower. As we separated, I felt the weight of the trip, my mother sitting back at the station, steaming mad, the months of waiting. As we looked at each other, I crumpled into tears. “Why didn’t you call?” I asked, covering my face with one hand, the other gripping the trunk.

He looked at me, surprised. “Dad said we might as well wait to call until we got our apartment and knew where we were going to be. And he said if I called then I’d never be able to see him again.” He leaned over to pat my arm as I continued to cry. “It’s no big deal. I was fine,” he said. “It’s going to be okay.” He repeated it, “It’s going to be okay, Nomes.”

•••

My mother and I took Logan to the Spy Museum in Washington, DC. It’s an incredible museum full of twists, turns, nooks and crannies. Kids climb up in a tube through the walls and into the ceiling to spy on the people below. Dark and sneaky spots lurk throughout. I thought Logan was right ahead of me, but I lost him. I tried to keep calm, telling myself he was just in one of those dark corners, sorting out a spy code, looking over a watch with a secret blade. I had left my mother choosing her spy name. I walked quickly back through the entire museum, scanning all the crowds. I hurried through the rest of the exhibits, not noticing anything but the fact that he was not there. When I reached the gift shop a second time, I counted back. He’d been missing maybe twenty-five minutes. If he’d been taken, he’d be twenty-five minutes down the road now.In some unmarked van. A lot can happen in twenty-five minutes. I found a security officer and trying not to look like I was hysterical, I described Logan. He radioed out to the other staff and we began walking back through the museum. Thirty minutes? Thirty-five minutes? My breath shortened as I realized that this could actually be happening. The thing that terrifies every parent.We turned the corner to see a different security officer standing with Logan. “Hi Mom,” he said. I started crying. Surprised, he reached over, patting me. “It’s okay,” he said, “I was fine.”

•••

What I remember is Adrian arguing with my mother on the long drive home. He hadn’t been to school the entire time he’d been with his dad so he’d have to repeat sixth grade. Adrian’s protests went on and on as the miles distanced us from California. Insisting he didn’t want to go to school. Demanding his own room. Informing her that his stepbrother was jerk. His stepfather was a sellout to society. My mother tried to reason with him until she finally argued back, in frustration. He was twelve years old, she was his mother and by god, he would be living with her and following the rules of her house. That’s what I remember.

My mother remembers none of that. She only remembers being so grateful, so relieved, so happy, as the road took the three of us back up north through the long afternoon and into the night.

•••

NAOMI ULSTED is a fiction and memoir writer. Her work has been published in Salon, Narratively, and Luna Luna. She is currently working on a middle grade urban fantasy, with help from her son. She lives with her two boys and husband in Portland, Oregon, where she is also the director of a Job Corps center training program for at-risk teens.

Read more FGP essays by Naomi Ulsted.

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Lake House

Photo By Gina Easley www.GinaEasley.com
Photo By Gina Easley www.GinaEasley.com

By Milena Nigam

We arrive at the cottage at night, feeling for the gate latch in the dark. Then, with our arms tightly around the two boys, we slowly make our way down the stone stairs through the patio garden. Kamal, my husband, uses his cell phone to light our path in a single, glowing square. A wolf spider freezes above the screen door, and because the kids are with me, I pretend there’s nothing scary about opening a door in the dark when one enormous spider and who knows how many others hidden outside the cell phone light hover within touching distance.

“Do you have the key?” I whisper to Kamal.

“I’ve got it,” he says in his normal voice, the volume exaggerated over the gentle chorus of night bugs chirping from the forest behind us. We all have loud voices in our family: Kamal, Oscar, Simon, and me. In the dark, standing before the empty cottage, Kamal’s voice booms.

“Can I choose my room?” Oscar, our eight-year-old, asks.

“Shh shh shh,” I say, uncertain of being there until we’re inside.

Kamal unlocks the door.

“Ho, ho, here we are,” he says, punching along the wall to flick the light switch.

The inside smells like baked wood, warm air that hovers without circulation. Here we are. Mingling with the ghosts of my family.

•••

My great-grandparents purchased the cottage on Quaker Lake in 1906 and named it Forest Lodge. The story I know is that the cottage was built as a boarding house for the laborers who constructed the first homes around the lake. Before my great-grandparents bought it, the boarding house was split in two, with one half moved onto a neighboring plot of land. Our family’s half has the Great Room: a heavy, smoky space with a floor-to-ceiling fireplace built from the large stones mined around the lake. The Great Room staircase is made of birch logs, the papery bark curling where it has torn, just like the trees outside. Each bedroom has its own corner sink with only a cold water faucet, so small that it takes just the gentlest of fingers to work it. The wood around the sinks blooms in red water stains from a century of washing.

My great-grandparents died when my grandmother was young, but she still spent every summer at the cottage with her older brother and their commanding Grandfather Sisson. When my mom was a child, she and her sister spent one month every summer at the lake; their cousins enjoyed the house for the other month. By the time it got to my generation, we visited Quaker Lake to celebrate milestones: my grandparents’ fortieth and fiftieth wedding anniversaries, the one-hundred-year anniversary of Forest Lodge.

When Kamal and I were first dating, he joined my family at the lake for a weekend before my college graduation in nearby Ithaca, New York. The water was so cold; the spring ice had just recently melted. Kamal loves to swim. He had his bathing suit on that first afternoon, so of course I had to follow, wrapped in my oversized towel, shivering in bare feet on the stone walkway down to the lake. Before I had time to even dip my fingers in to gauge the temperature, Kamal dove off the stiff diving board, large bubbles escaping from his nose underwater. When we returned to the cottage together a half hour later, damp towels hanging heavily around our bare shoulders, Kamal’s black hair tousled every which way into spiky needles, my grandfather greeted us on the porch, rocking on a wicker chair with a golden old fashioned in his hand.

“Kamal, good job,” he said. “You got her in.” My grandmother was in the kitchen, puttering around with dinner preparations. “In every couple, there needs to be someone who helps us more reserved folk have a little fun.”

My teeth chattered. The sun behind us was weak.

“Papa, I just don’t like being cold,” I said.

He smiled at me. “But you had fun, didn’t you?”

•••

My mom’s cousin, Tom, and his wife, Wendy, have owned Forest Lodge for the past twenty years. Tom inherited it from his father, my grandmother’s brother. They are in their late seventies. Owning the cottage is becoming burdensome for them, but they would like to keep it in the family. Kamal and I live in Pittsburgh, a six-hour drive away. Having the house at Quaker Lake would be a dream come true for both of us. We’ve been talking about the specifics over the phone with Tom and Wendy since January. They invited us to spend this week before Labor Day to test it out. Our assumption is that we will buy the house from them in September.

•••

We drop our bags on the floor in the front room and go immediately to the dock to stare across the black water where my grandfather used to dive, where my aunt lost her engagement ring. Outside, the air is still and cool and the kids are finally quiet. Kamal lies on his back on the carpeted boards and searches through the Milky Way, the stars stretching above us in wide, dusty swatches. We go back inside, brush our teeth in the little corner sinks, and fall asleep cocooned within the deeply stained wood slats that make up the floors, walls and ceiling of the second floor.

•••

The last time we were at the cottage, just months earlier, it was a short visit to deliver my mother’s ashes to the family mausoleum in Binghamton, New York. My stepfather saved the last handful to sprinkle into the lake water. Before the sun dropped over the pastured ridge, two perfect rainbows bent across the white sky. Oscar, our older son, had been so in love with my mom that he often misbehaved in her presence. He and I sat silently in our kayaks on the darkening water and watched those rainbows until the moment they were no longer there. I have no belief in God, spend no time in spiritual inquiry. Those rainbows, however, hit me hard, reminding me that there are things in the large, large world we don’t understand. Connections hidden in physics, in chemistry, in the metaphysical. A perfect double-rainbow.

•••

When I wake in the morning, steam is rising off the lake. Simon, our younger son, and I take our breakfast onto the front porch and wrap a fleece blanket around our legs. Oscar and Kamal fish off the dock. They pull something glittery out of the water, and Oscar’s bare feet slap against the stone walkway, then up the porch steps.

“We caught a fish!” he announces, then runs back to the dock. The sun has burned through the morning steam. He and Kamal grasp the slippery body, and Kamal removes the hook. Oscar uses both hands to toss the fish back in the water. He runs back to the porch.

“Can we buy this house?” he asks. “Please?” His front teeth are coming in, squeezing out the space of several lost baby teeth. I love how his tongue smacks thickly in his mouth when he speaks. In September, he will start fourth grade, which was my favorite year in school.

Simon puts down his toast on the blanket. “Please? Can we buy the house?” he asks. Simon is growing his hair long; silky brown chunks hang past his ears. He’ll be in first grade soon. Under the blanket, his skinny legs are warm next to mine.

From the porch, I watch my husband on the dock. He stands still, looking out. A fracking truck rumbles down the narrow road on the far end of the lake.

We told the kids we would make our decision at the end of our stay, that we wanted to enjoy our visit to Quaker Lake without spending the whole vacation thinking about something as huge as buying a house. But of course we’ve already decided.

“I don’t know,” I tell the boys. “Daddy and I will tell you when we get home to Pittsburgh.”

“I think we should buy it,” Oscar says.

“We have to buy it,” Simon says.

The one thing I had been uncertain about was whether I might be scared at the cottage. Whether, without grandparents and parents and my sister and cousins, it would feel too lonely. My mom and grandfather both died during the past year, my grandmother just a few years before them. But it’s not ghosts that I feel at Forest Lodge. Instead, it’s the certainty of history. My family history. And now, looking into Oscar and Simon’s faces, I see it’s their family history. It’s so clearly our futures, too.

•••

We make tacos for dinner. The gas burner ticks and then catches, the flame chasing around the circle until it’s well-controlled. Kamal browns the ground beef while I dice grocery store tomatoes, and we talk quietly about the cottage.

“The drop ceilings have to go,” he says, speaking of the kitchen.

I nod my head yes. “But I don’t want to change the feel in here,” I say. “It’s dated. I love that.” The light wood cabinets have brass fixtures; the countertops are pale yellow laminate threaded in splotchy amber veins. One of the cutting boards is a polished piece of a neighbor’s old diving board. “I remember sitting at the table with Gam and Papa, shucking corn. Eating tuna fish on white bread and drinking 7-Up.”

We count things. Weeks of paid vacation. Weeks of unpaid vacation. Years until retirement. The miles from Pittsburgh. We brainstorm how to spend as many days at the lake as possible.

Tom and Wendy call us after dinner.

“We just want to check in. See how everything’s going,” Tom says. He and my grandmother grew up in Binghamton, only a half-generation apart. Over the phone, he sounds just like her, taking time with his vowels.

“How are you?” Wendy asks, almost in a whisper, like telling a secret she wants to take back.

“The cottage is great,” I tell them. “Just like I always picture it. The boys love it.”

“I’ve asked Jeanie Coughlin to stop by this week to say hello. She was great friends with your mom growing up,” Tom says.

Kamal writes me a note on a pad of paper by the phone. Tell them we’ll make arrangements for me to fly out to Binghamton next week. We can hire a lawyer to draft the sales documents. He’s ready.

Simon comes down the stairs in his fleece skull-and-bones pajamas. He can’t fall asleep. I hold back relaying Kamal’s note to Tom and Wendy. We can figure it out in a few days. After Simon is settled in his bed, Kamal and I tuck under our down comforter. We have to stretch across the king-size mattress to find each other.

•••

On our last morning, we take turns swimming the quarter mile across the lake. I swim first. Kamal ties a rope between a boogie board and the rowboat and pulls Simon, in his bright yellow life vest, behind him as he rows. Oscar paddles his own kayak.

I’ve swum across the lake a handful of times, always an event when we gather at Forest Lodge. Like every other time, I’m nervous before heading out. The water is cold. I push off from the algae-slick ladder and curl up my legs until I’m past the waving underwater plants. I know the fish won’t nibble at my skin as long as I keep moving.

Kamal rows beside me. Oscar shouts he wants to paddle ahead. Simon sings an adventure tune from his board. I do the breast stroke with my head above water, like always. My hands meet in front of me, my arms white beneath the surface. Scoop and glide. I blow out through my mouth but the glacier smell of the water still makes its way into my nose. It’s untouched, primeval. I have swum this length with my mom and my sister, with my stepfather. With my aunt in the rowboat, towels piled on the bench seat beside her.

•••

Before Oscar was born, I had a miscarriage. I was pregnant for thirteen weeks, the second half of the short pregnancy spent holding my stomach against waves of nausea. I bled and then cramped and then lost what had been growing inside me. The depth of loss took me by surprise.

“I don’t understand how I can miss something we never had,” I cried to Kamal from the toilet, blood clotting between my legs.

He kneeled next to me, his fingers stroking the palm of my hand.

“It’s because we’ve lost the future,” he said.

•••

When we get home to Pittsburgh, I email Tom and Wendy to tell them that we absolutely want to buy the house, become the next owners of Forest Lodge. Kamal reaches out to our local real estate agent to understand what needs to be done, even though she won’t be part of the final transaction. I don’t hear anything back from Tom and Wendy, so I wait a few days and try again by email.

Kamal’s schedule at work is pretty open. He can book a flight to Binghamton next week. Does that work for you?

The next night, Tom calls.

“I’m sorry to say we’ve changed our minds,” he says.

On the extension, Wendy speaks at the same time. “It’s just too much, you see.”

“It’s my fault,” Tom continues ahead. “I hadn’t talked clearly with Wendy. It turns out, we aren’t ready to sell the cottage.”

I scan my memory, racing through the many, detailed conversations we’ve had over the past eight months. Tom going over phone numbers for the handyman, for the pest control. Tom and Wendy telling us about the families around the lake, suggesting a summer camp the boys will want to try. Both of them certain that our family will love the lake as much as they have.

Tom slips in, almost as if I won’t hear it, “You see, we decided we couldn’t sell it when our granddaughter visited for the fourth of July. She just loves it too much.”

“But our visit was at the end of August,” I say, finally part of the conversation.

Wendy explains, “We were hoping you wouldn’t like it. Then we never would have to tell you we changed our minds.”

•••

I go through a period of mourning. I don’t know if the loss is more difficult because my mom died the year before, or whether I should know better, having lost my mom so suddenly, that a house is just a house. It’s difficult to tell the kids we will not be buying Forest Lodge. That Quaker Lake is not our home after all. There is an emptiness that precedes me through the parts of each day. It is a painful autumn. November is the anniversary of my mom’s death.

“I could see our retirement,” I say to Kamal. The Steelers game on our neighbors’ TV flickers across our living room windows. This time of year, Tom and Wendy are closing up the cottage for winter. “We’d be there, sitting on the porch, looking across the water while the sun goes down over the ridge.”

“I could see it, too,” he says.

•••

MILENA NIGAM is a Pittsburgh-based writer and a 2016 fellow at the Virginia Center for Creative Arts. She was a finalist in Cutthroat Journal’s Rick DeMarinis 2014 short story contest, and her work has appeared in Slice, The Fourth River, Lunch Ticket, Hippocampus Magazine, and elsewhere. She is currently an editor at Halfway Down the Stairs and has recently completed a collection of short stories.

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Rising Again and Again

By Gina Easley www.GinaEasley.com
By Gina Easley www.GinaEasley.com

By Bruce Ballenger

There are magical days for fishers, unique because they are both rare and mysterious. These days are also accidents, and they don’t fit naturally into the pattern of causes and effects, so they must somehow be turned into stories.

Last August, Richard and I drove up to McCall, Idaho, and decided to fish the Brundage reservoir. This was a trip we both needed. Richard’s wife was dying, though her medical team continued their attempts to stop the growth of cancerous lung tumor, which had doubled in size in a year. Death struggles cannot be contained; they send their tremors in every direction, and Cheryl’s condition made my own marriage seem vulnerable, a feeling I had not expected or had ever felt before. Richard had lived long enough with an ailing partner that the idea of losing her—and of being alone—wasn’t as terrifying to him as it seemed to me. He was an attentive caretaker, and when I proposed that we take a day to fish, he said he would love to. “But let’s see how Cheryl is doing,” he said. She encouraged him to go.

Reservoirs hold the visible memory of the land they flooded. There are the naked stumps of decaying timber, particularly in low water, and the rise and fall of water often scores the shore with impossibly straight ridges, each a few feet apart, which could be steps one might descend to reach the river that once flowed through there.

Idaho was burning last summer—historic fires in both the desert and the mountains—and the air was filled with smoke, even in McCall, which is at around six thousand feet elevation. Here in the West, gaining elevation is the solution to a lot of problems—heat, inversions, and one hoped, smoke. But when the high country burns, the smoke stays where the fires are. Unlike fishers, firefighters hope for smoke because it helps suppress the fires. It was a sunny day, but the haze created a pewter wash over everything, especially the water on the reservoir, and all else was drained of color.

We launched our small kickboats, and in the morning the fishing was pretty good. I trolled small streamers, and I landed and released five or six fish in a few hours. They were pretty fish, many of them rainbow and cutthroat trout hybrids—“cutbows”—with scarlet backs and golden bellies and sides. But after lunch, the fishing slowed. Kickboats are quietly propelled by flippered feet, freeing the hands to hold the rod, and one of the great pleasures of these small boats is the comradery of trolling with a companion. When the fishing goes south, Richard and I often found each other on a lake, kicking along in unison, and talking now and then. In light of everything—Cheryl’s suffering set against the somber and smoky gloom of that day—those moments together, floating high above a lost streambed, seemed especially poignant to me.

When the conditions are right, the aquatic insects that flyfishers imitate with their feather and fur flies erupt in a hatch—a sudden blizzard of bugs that emerge from the water at once. When this one started, I heard the fish first, rising to take the flies, and then trout were all around us, swirling and splashing, hungrily working the surface. I quickly switched over to a dry fly line and put a big bug on—grasshopper-like with rubber legs. Tying knots when fish are rising around you triggers a desperation that makes knots harder to tie. The mind focuses on one thing—getting the fly to the feeding fish. Meanwhile, the hatch intensified.

“Have you looked up at the sky?” Richard said. When I did, I saw a rolling cloud of flies. They were big black bugs with yellow-orange bellies that defied classification—they weren’t mayflies, or stoneflies, or caddis, or any of the usual aquatic insects that flyfishers typically imitate—and yet they seemed to emerge from the water, hovering around us and nowhere else on the reservoir. Soon I was casting to the rising trout, my fly landing on a carpet of floating bugs. The takes varied from violent to lackadaisical, and before long we were tying into nice fish, nearly all fifteen inches or more. These were thick, well-fed trout that rose hungrily from the bottom of the reservoir. The hatch continued around us for more than an hour, and the feeding and catching continued, each of us pulling fish to our boats and quickly unhooking them to begin again. From time to time, Richard and I would turn to each other and comment on the magic of it all—two men alone together in small boats in the middle of an eruption of flies and fish.

When the hatch finally waned, we floated together for a little while, exhausted but still wondering if somehow the magic would continue. For a few minutes, the sun wanly broke through the smoky sky, but the reservoir’s surface went slick, unbroken by rising trout. For that hour, though, Richard had a break from his death watch. It was an hour filled with life—the golden flash of rising fish, the frantic flight of insects, and the steady, back-and-forth beat of our forearms as we hurled our fly lines out and away to where the fish were. Cheryl died a few days later. But when we returned to Boise that night, tired and exuberant, she was waiting for us on the back deck at Richard’s house, lying in the dark on a chaise lounge and wrapped in a white blanket. Cheryl could not get up to greet me, and yet somehow, in my mind, I see her rising, again and again.

•••

BRUCE BALLENGER, a professor of English at Boise State University, is the author of seven books.

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We’re Done Here

cabin
By Gina Easley www.GinaEasley.com

By Ellen S. Wilson

The smell hits the moment you walk through the back door into the kitchen—damp wood, mildew, and sadness. In just a few minutes, it is possible to acclimate to all three.

My sisters and I have come with my mother to The Mountain House, a sturdy little family vacation home in western North Carolina, built up on a ridge that is said to be haunted by the ghost of Mrs. Heaton. We’re here, as my mother says more than once, to “tear the house apart.”

But first, the ghost story: This ridge was the property of the Heatons years ago, and greatly beloved by Mrs. Heaton. When financial hardship hit, Mr. Heaton, less emotionally wrapped up in the land, wanted to sell. Mrs. Heaton, whose name may or may not have been Loesa Emmalie, resisted. The years went by, the times got tougher, and one day Mr. Heaton made a sneaky trip into town and sold the land without telling his wife. He didn’t have to—by the time he got home, she had hanged herself from a tree, and an enormous white owl sat in the branches above her nodding head, screaming “like a woman,” the storytellers always say.

To placate the ghost of Mrs. Heaton, whose white owl still screams in the night, or perhaps to honor her memory, the inhabitants of the vacation homes that now dot the hillside have representations of owls on their placemats, hand towels, coffee mugs, everywhere. My own mother collected hundreds of tiny owls, and we all abetted her habit because a souvenir owl was a small and convenient gift for her when we traveled or hunted for stocking stuffers. An owl for Mom, from Turkey or Kenya or Lake Tahoe. Bookshelves laden with owls made of stone, glass, crystal, and porcelain are partly why we have come. It’s time, we have decided, to save anything we care about from the encroaching damp. We are rescuing our treasures from the future. If we have learned anything from the mountains, it is that appearances to the contrary, not even they are eternal. We are here to make one last stand against that reality.

The owls belong to my mother, but the ghost of my father sits in every corner of this house, in the barn wood paneling, fine rugs, bird prints, and odd collectibles. We lost him once already, seven years ago, and we dread losing him again to creeping mildew and anonymity.

•••

I’ve been coming to these mountains and tolerating the stomach-churning hopelessness they inspire in me since I was two years old, long before The Mountain House was built. Every summer—every goddam summer—my parents would load my three sisters and me into the car in Louisville, Kentucky, and drive seven hours over the mountain roads while I lurched and puked in the back of the station wagon. The way, way back. This began before there were seatbelts. Once we arrived, there would be warm ginger ale to quiet my heaving guts while we settled into our cabin at the High Hampton Inn and Country Club, a worn, sprawling establishment well over a hundred years old that prizes tradition and simple virtues and has now added a spa and some llamas (llamas being indigenous to the Blue Ridge Mountains).

Our regular cabin was a wooden structure with twin beds, soft, thick linens that never felt completely dry, and a lovely veranda overlooking the lake. The place smelled of boxwood—subtle, sweet and green—and my normally spider-fearing mother loved it so much she suspended all her fears when we arrived. The mountain air reassured her. Not me.

The lake our cabin overlooked was still, small, and—to me—fathoms deep. Potential death lurked in its depths, and there was said to be a dam that you shouldn’t paddle your canoe too close to, although when I found it as an adult I realized the silty pool at its base was hardly lethal. But even now that lake, which I have swum in, and paddled over, and hiked around, can fill me with dread. The memory of my pale legs dyed green by the murky water, my vulnerable white body suspended over god knows what dark threat, and my forcing my teenaged self to dive down and swim out to a tethered float, causes an internal quake when I’m sitting on my own dry porch in Pittsburgh miles away.

During those family trips, my sisters and I were habitually shunted over to the Children’s Program, and since I’m the youngest, I was rarely with any of them. My happiest day was when I cut myself on a rusty nail in the donkey barn and one of my sisters had to rescue me and take me to my mother, once she had finished on the golf course and was available to tend to my wound, and perhaps to worry about me a little. My unhappiest day was the evening hayride (this happened frequently, this unhappiest day) in a wagon filled with prickly bales and noisy children, pulled by a mean woman on a tractor. I remember ghost stories I took very seriously, and kids only a little older than me singing songs I didn’t know. I remember feeling powerless, and suffering the necessity to either pee in the woods or wet my pants, and not knowing which was worse.

There was no reason to have been so miserable. My mother and father were loving and attentive enough. I know now that parenthood means a gentle pushing away, and that the only time one can encourage dependence is during the first months of breastfeeding. Apart from that, it’s all “you can walk across the room unaided, you can survive a morning at preschool without me, you can sleep at a friend’s house, go to college, go to France.” But what did I know, at age four? The mountains made me then, and make me now, feel irresistibly lonely, pressing-on-a-sore-muscle lonely.

Somehow the eternal mountains embodied impermanence and loss. My oldest sister, the one who was my surrogate mother much of the time, was found sleepwalking toward the lake one night when she was fourteen, and the story was presented as a near tragedy. My father caught her just in time, before her pale foot was sucked into the black greeny goop and she was lost to me forever, becoming the next ghost story. The image of her small figure in a white nightie (she would have needed one, if she was to haunt the lakeside), foot extended from the slippery rocks along the shore, rocks alive with snakes and toads, entered our own family lore, those unsettling tales on which the mountains depended to keep you from feeling too comfortable as you sat in a rocker and digested a doughy mountain dinner. The lake was peaceful and silent, we swam in a little fenced off part during the hot humid afternoons, but the grabby mud bottom was never trustworthy.

•••

The summer I was nineteen, my father got me a waitress job at the resort. I don’t remember being given an option about that. The owners couldn’t say no to him, either—he’d been a patron there for years, had bought that piece of property on the ridge they owned that overlooked the resort, and was building himself a house. And perhaps most important, my father was one of those charming, friendly people that strangers took to on first sight and never had reason to change their minds. When he was dying, the mail carrier came in to say goodbye. His funeral was standing room only. Naturally, the president of High Hampton Inn agreed that I could wait tables in the creaking sunlit dining room.

I felt the old lurch of nausea and loss as my father drove away at the beginning of that summer. His natural optimism (along with his desire for me to stop being such a lost puppy) convinced him that I would manage. He had been mostly abandoned by his own father at age five and sent off to live with relatives to save money, and he turned out just fine. He knew I would meet this minor challenge and I did, befriending another summer hire and convincing her to let me share the trailer she had rented—housing was not included in our stingy wages.

And there I was, stuck in a place of fear and loathing, zipped into a gold polyester dress and ferrying glasses of iced tea to guests in my section. It was an easy job, and I managed to pay my rent in tips and send my paycheck home to my sister in Louisville, who put it in the bank for me. By August, I had more than enough to buy the electric typewriter on which I would write my senior thesis in college.

In the meantime, my trailer-mate and I sat on our tiny porch, listened to the radio because there was little else to do, smoked (or I did, again because there was little else to do), and necked (or I did, see above) with the boys across the driveway who were also there for the summer. When we got off work, we grabbed sleeping bags and ran up the various mountains to spend the night, no tents, no food, no supplies. We went into work the next morning needing a shower and a good nap and convinced that we were living much more intensely than the middle-aged people waiting for me to pour their coffee. Being middle-aged myself now, I know that that was true.

•••

My parents came to spend their customary week in the mountains that summer and check on the construction of their new house, and one day during the long afternoon break, I saw my father sitting on the lawn in a shaded Adirondack chair. I invited him to go with me to, as I put it, “see something pretty,” and luckily for us both, he accepted. I drove him to my favorite waterfall, a big one that rushed thirty or forty feet over a cliff, reachable by an easy path from a rough parking lot. Above those falls, I had camped and swam and slid into the pools in a game that terrified the older waitresses at the resort, who knew of people swept to their deaths doing that. I had slept on the flat rocks at the very top, rocks that were surely submerged when the water was high. The waterfall was mine, and I wanted to share it with my father.

This outing led to further discoveries as my parents began to find more in their summer vacation than golf and cocktails. The new house acquired some new dimensions, and the family a veneer of rustication. We hiked in the mountains and provided our own names for favorite spots (Toe-Mash Creek was one). We picked thumb-sized blackberries from the brambles down the hill from the house and made jam and pie. My father bought a small used pickup truck.

High Hampton Inn had its charms, with the grease from its famous fried chicken embedded in the pine walls along with the odor of loneliness, but the mountains themselves acquired characters wholly separate—blooming, gray, and fearsome. People do die there—my own father slipped on moss once, reached for my hand, said later that I had saved him from a fatal fall. I did not remember it that way, but that didn’t help. To love the mountains the way Mrs. Heaton did is to wordlessly accept the inevitability of loss, all kinds of loss.

Years passed. One summer, the wild blackberry brambles were mowed to the ground and never grew back. If we had known they were a temporary pleasure, they would have become too precious and we would have enjoyed them less.

The rough parking lot at my waterfall was paved and a map installed, and I felt it like abandonment, like my old secret lover was openly dating other people. Trails were marked clearly, construction and condos were everywhere, and the hidden pools and perfect little glens were all discovered. Now when you hiked in a place that felt deserted, you came across used tissue and empty Perrier bottles. The town of Cashiers that provided High Hampton with a mailing address grew from a minimal crossroads to a town center with shops devoted to baskets (just baskets) and delis, and cuteness. There was more to offer a nineteen year old—artisanal coffee, for example—but none of it felt relevant anymore.

•••

My family’s own history unfolded at the Mountain House. It wasn’t any messier than most, just the run-of-the-mill ending of marriages, illness, disappointment. And into this soup of memory and history we have come, to tear it all to pieces in a hopeless attempt to rescue the parts we want to save. The Audubon print has mildew behind the glass – it needs to be taken to dryer quarters and re-matted. Is there any way to remove the spots on the silk hanging from China? The big rug in the living room smells musty. Something must be done. So we go round robin in a civil exercise to say what we really want, what we can’t live without, and we try to be generous. “I gave Mother and Daddy that, but I’m so glad you want it.” Of course the thing we want—do we?—is to undo some of that passage of time, to go back to the miseries of childhood, to put the past in a box as though that meant not losing it.

I took my own children when they were small to see the donkeys and feed them carrots and crackers, and if my urban kids recognized the sadness in the donkeys’ faces, they did not let me know. There was no need for a salutary cut on a rusty nail for them—I was right there, and rightly or wrongly I had no plan to send them on any hayrides. They have their own vulnerabilities, their own dark lakes that are not to be found at High Hampton.

At the end of the weekend, I say goodbye to my oldest sister, and tell her I love her, and she looks at me questioningly and I know that we have not said everything there is to say and that we never can. If we sit in a circle in the living room now stripped of the colorful rug and travel mementos, the walls bare of pictures, and we acknowledge what we have done, we will be devastated. We can’t turn and look the sadness in its face, we can’t tell my mother it’s all over, which at ninety-one, she understands well enough. Here in the stoic, silent mountains, it is better not to say.

•••

ELLEN S. WILSON lives and writes in Pittsburgh, PA. Her work has appeared in the Pittsburgh Post-Gazette, Carnegie Magazine, and other local and national publications. She is proud to have her first essay in Full Grown People.

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RePair

tinyhouse
By Gina Easley www.GinaEasley.com

By Gina Cooke

My dishwasher broke. So I’m standing at my sink, hand-washing all of the dirty dishes I’d rinsed and loaded into the dishwasher the day before, plus the rest of what had accumulated since. Doing the dishes always means looking out the kitchen window. In the warm weather, with the window open, I can hear the bullfrogs and waterbirds from down in the creek. Today I’m washing and watching, my rubber-gloved hands warm in the soapy water, Joe’s work-gloved hands lifting broken cinder blocks and chunks of concrete off of the back lawn and onto the trailer, which is hitched to the back of the John Deere.

His arms still bear bruises from the beating he took changing the John Deere’s blades the week before. His shins are scratched from mushroom hunting in shorts deep in the woods, and his right knee is scabbed over from where the guardrail on the bridge gouged him impressively as he tried to climb over it. Last week, he took a weedy thorn to the front of his nose, and it bled and bled and bled, but he said he wasn’t hurt. Now he’s outside my kitchen window, in the fenced-in part of the back yard, bending over and righting himself, lifting and moving one jagged hunk at a time. His black gloves say CAT in big yellow letters. After he has removed the blocks, he mows inside the fence. I go upstairs to get some work done on my laptop, the push mower sputtering in the background. After a while it’s quiet, and he comes in to ask for a burger. I’ve learned to keep ground beef, Swiss cheese, and buns on hand at all times.

I head back to the kitchen and open the fridge, hunting and gathering, tomato, lettuce, ketchup, provolone, that brown mustard that he likes, butter for the cast iron skillet and to toast the buns. I look out the window to see the shorn lawn out back, and Joe in reverse motion now, heaving new cinderblocks off the trailer into a tidy little octagon in the grass, his yellow-lettered CAT hands swinging with each heavy hoist. I quickly pat the beef into concave disks and set them on a smear of butter in the pan. For nearly two decades I was a vegan, but today the sound and smell of sizzling fat and flesh make my mouth water without compunction. Outside, Joe stands back to admire his work: We have a sweet new fire pit in the back yard now. He comes in, washes up, and sits down to his burger and a Gatorade. Purple, low-calorie. His favorite.

There are always a million repair projects around my property. Or maintenance. Sometimes I lose track of the difference. And there are upgrades too. Things that work perfectly well but are ugly or old or otherwise undesirable. I don’t expect Joe to take on everything all on his own. I make calls, set appointments, take care of the household business. I need to have the heating vents cleaned. And several stumps ground out of the front yard to make it easier for Joe to get the mowing done. It’s a part time job, the mowing. A few hours a day, a few days a week, in season, to keep everything sensible around here.

And I had a painter come out the other day to give me a quote on several smallish jobs: My kitchen ceiling has that horrible popcorn texture on it and it’s impossible to clean, so it has this greasy little beard on it right over the stove. Twenty-three years of the detritus of cooking here, ten of them mine. My son’s bedroom needs painting too, and then there’s the trim on the inside.

•••

It used to be that I would come home from work in the late evening to find the house a wreck, my husband and son still in their pajamas, homework incomplete, no dinner or bath or bedtime stories in progress. Upstairs in the master bedroom, my husband would proudly show me the fruits of his day of labor: tiny, elaborate, repeating patterns of flowers and leaves and berries that he had painstakingly painted on the wooden trim around the windows and doors and the crown molding framing the room. He would spend the hours I was at work on a stepladder in the bedroom, choosing and mixing paints and delicate brushes, dabbing dots of gold and silver highlights on his acrylic flora, all the while neglecting the real plants on our small farm and the real boy pinging off the walls downstairs wondering what would ever be for dinner.

•••

The kitchen ceiling and the boy’s room are easy enough problems to solve. The trim is another story. “You could sand it and prime it and paint it,” explained the man through his fuzzy gray beard, “but you’d still be able to see it.” I nodded. “Some days the light will hit it just right, and even with a few coats of paint, those patterns will make themselves known to you again.”

I could imagine exactly what he meant, and there was no way I was going to pay someone to do all that work only to still see those flowers in relief just refusing to die in the afternoon light.

“Call Kevin,” he suggested. “He’ll come in and redo that trim for you, and it’ll be much nicer than what you have now. Get those corners right with a miter saw.”

I think to myself, Joe’s such a real man to be able to lie with me in my big marital bed with that shitty trim and the painted ramblings of an unbalanced mind insistently outlining the bedroom.

•••

My first divorce hearing was scheduled for Valentine’s Day, 2014. We were still living together, but my husband had moved himself to the guest room in the basement. The night before the hearing, the tension in the house was horrific. There was screaming and wailing and it was so, so dark. It finally simmered down to a wretched and tearful talk in the kitchen, just outside my son’s bedroom door. I was exhausted and just wanted to sleep, wanted to be out of my son’s earshot, for crying out loud. I excused myself from further conversation. My husband responded sorely, “I hope you sleep well in the bedroom I made beautiful for you.”

•••

Like my divorce, all these repair projects always cost more than I think they will, and at this point it’s all money I don’t have. In the nineteen months since the sheriff removed my husband from the house, I’ve had to put in a new water treatment system and a new barn door. I bought a new used car on credit—appropriately enough, a Ford Escape. Bought a new doghouse and a new compost bin too.

I put in a security system after my husband broke in. I guess that’s an upgrade, though, not really a repair. I’ve had to replace siding and remove birds’ nests and repair both garage door openers after a bad windstorm. Fixed the refrigerator once and the dishwasher twice; now it’s not working again. I should’ve just replaced it the last time. Sometimes things aren’t worth repairing; it’s cheaper to get a newer, more efficient model than it is to keep sinking money into something that just doesn’t work. I know, I know, that’s how our landfills get full: planned obsolescence. Things don’t always last like they should.

Once Joe moves in, money will be a lot less tight. It’ll be different having a second income in the house after all these years of family breadwinning by myself. He’s not afraid of work. He brings in good money and he’s handy. Strong, incisive, good at figuring out how everything works: people, machines, plants, animals, electronics, toys.

I’ve never once heard him holler at things that get in his way, not even the stump that took out the blades on the John Deere. “There’s no point,” he says. “You can’t reason with inanimate objects.” This property has long felt to me like just a lot of work, but Joe says he’s always wanted to take care of a place like this. I can see that it satisfies him. I hope it stays that way. I’m trying everything I know to make sure that he feels like it’s his home too, even though it’s technically my house. I call it Our House, in the Middle of Our Street. I ask him to help me pick out area rugs and bedding. I’ve made space literally and figuratively: cleaning out closets and dressers, and learning to stop hosting him when he’s here because then he feels like a guest. But nothing that I do or don’t do is really key, because the thing that makes him feel most at home here is working on the place. He likes that John Deere. He was proud of those bruises.

•••

I’ve been known to tell people that owning a home is a lot like being in love: At the outset, it’s all spacious and bright and airy. It looks and feels perfect and seems worth all the sacrifices you had to make to get it. But then you move in and you start to fill it with your crap and you notice its flaws. Spaces fill up. Cracks start to show. New things get old. The dust settles, and one day you look around your place and realize that it’s not only not perfect, it’s a hell of a lot of work. Everything needs repair or maintenance or replacement. So you sand and you prime and you paint, and one day the light hits things just right and those old patterns just make themselves known all over again. An adult lifetime of monthly payments starts to seem a lot longer than it once did.

I also tell people that this home is a dream home, but it was someone else’s dream. I’m a city girl, a third-generation Angeleno. I lived in Paris and Chicago before I married, and I thrived. I never really even imagined myself paying a mortgage, let alone paying for a stump grinder or a John Deere or a barn door. I never dreamed of this place: a big pine-log home with a pitched metal roof and skylights, perched atop hilly green acreage in the rural Midwest. This winding road runs between two small central Illinois towns, and all my neighboring farmers—real farmers—have gone organic.

This place is beautiful, no question, when I take a longer view, when I can see past the claustrophobia of repairs and projects and dust. Out front, I have a porch swing and a healthy ecosystem and a pretty good sunset almost every night. There is no time of year that the view out my bedroom window is not breathtaking, if I look beyond the framework of florid trim. When it’s winter and the air is frozen clean, the early twilight colors the snow on the ground periwinkle blue. It happens every year. I’ve spent a decade in this house all told, long enough to see the patterns emerge.

•••

My husband had two favorite lies, and he told them louder and more frequently the closer I got to divorcing him: One was “you’ll never be able to take care of this place without me,” and the other was “no one else will ever love you.” I’m in my seventh season on my own here now; soon Joe will move in and that will change. It’s a good change, I think. The light is hitting everything just right, and from my perspective, it all seems to be in good repair.

•••

GINA COOKE is a linguist working toward her second graduate degree, a pursuit that has spanned half of her adult life. She lives and works on a small farm in the rural Midwest with her son and her dog. She typically writes about spelling: word histories, word structure, and word relatives. This is her first foray into the personal.

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These Sweet Monotonous Winter Days

awesometimes
By Gina Easley www.GinaEasley.com

By Jamie Passaro

My girls like rocking out in the car to “Uptown Funk,” “Shake It Off,” “Insane in the Membrane.” One knows all the bad words now, the other still mispronounces the same words she did as a toddler, her Rs coming out, adorably, like Ws. I worry, worry, worry about them as much as I try to enjoy them and remember how fleeting this all is. I want for them to experience some kind of unorchestrated magic in this life.

When she was alive, my Mom used to complain every year at Christmas that she wasn’t feeling it, wasn’t feeling the magic like she used to. It used to annoy me—why couldn’t she just feel it?—but now I get it. I’m rushing too much. I want it to be all home-made snowflakes and fresh-baked sugar cookies for the girls, for me. But my to-do list is long, my grocery bags so heavy, and I don’t have a plan for Christmas cards yet. It’s not magic, it just is.

I read about this scientist who studied serendipity, that crazy pleasant insight or experience that can happen when you wander off script. She classified people into three categories, from those who were most likely to find happy surprises—the meandering super-encounterers, to those who were least likely, the boring, to-do list-bound non-encounterers. And even though I sound pessimistic and unfun and may be exaggerating a tiny bit to make a point when I say this, it seems to me that many of the skills related to good parenting place me in the latter category.

When you get up each day and say this is how the day is going to go and then your day goes that way, you’re not going to find much magic. And yet, as parents of young children, that’s kind of what we have to do—to measure out our days in routines and activities and downtimes to achieve maximum happiness and flow as opposed to crankiness and someone chucking her bike helmet from the back of a moving bike. It sounds mechanical, but it’s absolutely prophetic.

For those of us who are hard-wired to move through our days with a semblance of organization, to wake up and say, Today I will soak the beans and finish the scarf and write the thank you’s, well, having kids sort of reinforces that tendency. Their nourishment and well-being depends on your ability to keep their dresser drawers in seasonal clothes and to get the burritos on the table at a relatively similar time each day. Which is funny, really, because most kids I know don’t move through their days like structured beings at all. They stop to read every word of the signage and inspect pebbles and stuff oak galls in their pockets and build homes for baby snails. They resist rush in the most wondrous and infuriating ways.

How we let our stories and theirs write themselves while also keeping everyone on some kind of schedule is maybe the best flow. As we hunker down in the grayest, rainiest of indoor months here in Oregon, I find that the most difficult. Wintertime, especially where we live in the Northwest, is when we settle most into our routines.

Sure, it’s easy to be spontaneous in summer or on a vacation. But in winter, I know what our days will be like. There will be card games and mancala and lentil soup. There will be a couple of trips up to the snow, where we will forget something, where we’ll be ill-equipped for the wet cold, and then a damp ride in the car back to Eugene, with our lukewarm cocoa and the girls falling asleep in the safe womb of our rattly minivan. In February, I will desperately Google discount flights to Mexico.

One of my favorite people is my friend Diane, a true super-encounterer. I lived with her during the summer of 1995 while I interned at a small newspaper on Whidbey Island. Diane was in her fifties then, splashed her face with a little rose water every morning, wore charcoal eyeliner, and cut-off shorts, Birkenstocks. She always had red wine on hand, toasted with every fresh glass, quoted Shakespeare, ate chips and salsa for dinner, let the chickens come in the house, which was comfortable, full of dusty children’s art, dog hair, sand everywhere.

I’d never known a free spirit before, but I was drawn, and whatever parts of me that leaned that way were magnified, justified, made sense. Diane’s a vegetarian—a very persuasive one—and so I became one. I wore a batik dress and every morning I gathered the chickens’ eggs in its folds. I took the two unruly dogs to the beach, bought wine and loaves of bread from the Star Store, kissed the reporter from the local alternative paper, listened attentively to Diane’s many, many stories involving serendipity and new friends. Diane and I walked the beach downtown one night to the Clyde Theater to see “Muriel’s Wedding,” which we thought was hilarious. On the way back, the tide had come in, so we had to wade, waist-deep, all the way home. We sang ABBA in the moonlight, and I don’t think I have ever been so happy.

Even meeting Diane was serendipitous. I had applied for an internship at her local paper because I’d been turned down for a more coveted internship in a city that I loved. After moping around in my college apartment for a few days, I applied to Whidbey on a whim, thinking it might be soothing to sleep on an island for a summer. After I got the job, a columnist for the paper told me about her neighbor Diane, who needed a roommate for the summer, and then I found her eating chips and salsa and drinking wine on her sun-soaked back deck with a friend.

I met my husband around then—also serendipitously—and I think he’s sometimes disappointed that I’m not that long-haired girl anymore. Sometimes, I am, too. When I’m on Facebook too much or rushing the girls through errands or spotting a conflict on our calendar that’s three weeks away.

I’ve been trying to remember one of the things found by that the scientist studying serendipity. You can cultivate the magic. You can actually train yourself—and hence your kids—to notice more: to read the appendix or investigate the birds hanging out in the branches of the tree in the parking strip. Or maybe you get small doses of unexpected joy in a mixed tape, a snow day, a Goodwill find. That tall Dad getting down to bhangra in the elementary school gym at the diversity conference—just totally letting go amid a sea of kids and moms. That time when I was passing through Portland and called an old friend to see if she could recommend a family- friendly brew pub in the neighborhood where I was lost and she said, “I’m at a family-friendly brew pub in that neighborhood right now.” A small serendipity, for sure, but if I hadn’t been lost, if I had Mapquested my way through my trip as I sometimes do, I wouldn’t have spent a fun afternoon with my friend.

My girls love a road trip just about as much as I do. They seem to recognize that it means anything is possible, like ice cream in the middle of the day or gum balls at the rest area or pooping in a field of wildflowers. They’re still talking about the time we hung out on a beach in Northern California and when we went to fly our kite and a crow stole some of our picnic bread. We’d also seen the Redwoods that day and had rolled up our pants and jumped in the waves, but that crow is what they talk about when they talk about that trip.

And so, waking up from our winter slumber two years ago, the girls and I got a three-week housesitting gig in San Francisco. We were to watch two dogs, three cats, and four chickens who resided at a bungalow in the Outer Mission. We took our friends Chloe and five-year-old Lucien with us, and we drove all night to get there. The house was smallish, dusty, full of children’s art and games, familiar.

The trip was tough sometimes, especially synchronizing our different parenting styles, and glorious other times: dim sum in a big ballroom, a butterfly exhibit in Golden Gate Park, listening to one of my favorite bands play a concert in an old mortuary, marching the kids up and down hills in search of another park or mural, another ice cream shop. Once I found myself caught in the rain with all three kids as we walked up Mission Street looking for a bus stop. I don’t know why, but they decided to pound on the plate glass window of a wig shop and they wouldn’t stop. The shopkeepers came out and scolded them but they continued to pound more and more riotously until I bribed them with pie, which was very good and gave us a place to rest and for them to poop—the triple public restroom poop being an excruciating specialty of theirs when we were out and about. Our days in San Francisco were like that; there was something wonderful every day and something difficult, or three dozen difficult things.

Not surprisingly, we went a little off the rails. One morning we took the bus to the Gay Pride parade, but it was so crowded that we couldn’t see much of anything—a few rainbow wigs, the back of Nancy Pelosi’s head. After an hour or so, the kids, who’d been promised thrown candy and trinkets, revolted. There was a little scene on the sidewalk where a glass bottle was thrown precariously close to someone’s head. Chloe and I couldn’t agree on a plan and so we split up for the rest of the day. We were all tired, I think, worn out from so many different days, so much wonderful.

At the house in the Outer Mission, we left behind a broken plant pot, a torn curtain, a clogged drain, and a garbage bag full of the siding the dogs have gnawed off of the house. It had been a challenging and surprisingly cold and damp few weeks; I’d gotten three parking tickets. But the next spring, I contacted the homeowner to see if she wanted us back.

•••

JAMIE PASSARO’s articles, interviews, and essays have been published in The New York Times, theatlantic.com, The Sun, Utne Magazine, and Oregon Humanities Magazine, among other places. Her last essay for Full Grown People was “A Mild Suspension of Effort.”

Read more FGP essays by Jamie Passaro.

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