Fashioning a Life

dollhouse — By Gina Easley www.GinaEasley.com

By Melissa Ballard

Only after you’ve had two glasses of wine, and only in a joking way, can you maybe admit to having graduated from fashion school. But, after all this time, you still wonder why on earth you did it.

Maybe because all your friends and your boyfriend had somehow been accepted to college, but you had never even applied, because you were a confused and mediocre high school student, and nobody in your family had gone to college. And you had to do something, for God’s sake.

So, when you were moping over the photos of Lane hope chests in Seventeen, maybe you also saw an ad that said something about “a career in a year” and promised graduates entrée to a number of jobs, including buyer for a department store. You liked your after-school job at a small clothing and gift shop, so you cut out that ad and begged your parents to pay the tuition, if you promised to use your savings to cover your living expenses. They finally agreed, so you signed up for fashion school. And on September 13, 1970, fresh from the suburbs of Cleveland, the trunk of your dad’s palomino beige sedan crammed with your personal possessions, you arrived in downtown Toledo, Ohio.

Fashion school was seventeen courses, thirty hours each, for a total of 510 hours in the classroom. Plus homework. Principles of Buying, Fashion Sketching, Fashion Writing, Business Economics, Color and Design, classes like that. And while you could certainly argue that it was not the Harvard of the Midwest, maybe you liked those courses, worked hard, and got excellent grades, because it was so much smaller than your high school, just fourteen other girls and you, and your teachers were mostly women who wore lots of make-up, and hats and weirdly dressy clothes for a weekday, but were real-live career women.

Of course, there was that mandatory finishing school component of the curriculum that you overlooked in the fine print. Afternoons, during the first semester, you had to take classes like Visual Poise, Wardrobe Styling, Make-up, and Personality. That part may not have gone as well as the morning classes, because you might have been 5’3” on your tallest day, and less than lithe and, even with your contact lenses, your mother’s nickname for you was “Plain Jane.” Also, you liked to think you already had a personality, even if it was not the correct one. However, you did learn such valuable life skills as how to enter a car like a lady: butt-first.

In the afternoon, there was also a Voice and Drama class, and your teacher assigned a speech from Macbeth, the one that starts with “Tomorrow, and tomorrow, and to-morrow, creeps in this petty pace from day to day,” and ends with, “full of sound and fury, signifying nothing.” You were all supposed to memorize it and be ready to recite it in class, but you refused to do it, claiming it was a waste of your time, but really you were terrified that you wouldn’t be able to do it, and there you’d be, standing in front of everyone, with no words coming out of your mouth. Normally, this was not a problem. You were shy, but you had also learned to make fun of yourself before anyone else did it for you. Somehow, you still passed that course and all the others, too, making you, presumably “finished,” not as in “ruined,” but as in “completed.”

And you stayed, even though you were miserable and scared much of the time. Like that Saturday when you and your roommate were the only ones on the floor of the residential hotel that was being converted to offices and that did not, contrary to the school’s ad, provide onsite adult supervision other than the elderly guard who sat at the front desk in the lobby and may or may not have been there 24/7.

You stayed even after you brought your laundry up that day and were folding it and a strange man appeared in your doorway and you froze, but your rural roommate threw the empty clothesbasket and ran at him screaming, “Get out!” and “Go away!” and finally he did.

Maybe one of the students was twenty-one, or knew someone who was, and so, some evenings, you were able to consume as many whiskey and Seven-Ups at one time as you liked. And you learned that those drinks made you calmer, happier; you felt as though you fit in better and were more like other people, until you had one too many and found yourself kneeling on the tiny white hexagon tiles of the bathroom, releasing the contents of your stomach, then sobbing hysterically about how much you missed your boyfriend and how much you hated fashion school.

But, one sunny day in the spring of that school year, you walked into your friend Karen’s room and heard a voice as plain as your own, but on-key, singing, “My life has been a tapestry of rich and royal hue.” You picked up the album cover and studied it: Carole King’s face was as plain as your own, with dishwater brown hair like yours but crazy curly. She wore a loose sweater and jeans, and no shoes. It was the opposite of the dress code you’d been obeying for the past seven months. You weren’t entirely sure about this tapestry business, but it seemed like something worth pursuing, and you suspected it had more to do with the books you were reading on the side than anything you were learning at fashion school. Books like The Art of Loving, The Feminine Mystique, The Chosen, Atlas Shrugged (so much longer and duller than The Fountainhead, but necessary somehow, at least then) and, over and over again, anything by Salinger.

Maybe you graduated with honors, which sounds like a joke, but is true, and you gave a speech about character, both of which you had forgotten about until you were going through your mom’s things a year ago and found the program and, neatly folded inside, a typed copy of your speech, with the key phrases underlined twice, in pencil, so you’d remember to emphasize them.

Maybe you stayed in Toledo and got an apartment with your fashion school roommate. You worked at a newly opened clothing store for Juniors in a newly opened mall, where one of your former teachers was the manager. You did not drive or own a car, and the mall was five and a half miles from your apartment, the bus situation was iffy, and you worked some evenings, so you sometimes got a ride home from work on the back of the assistant manager’s boyfriend’s motorcycle.

In your free time you read, smoked pot, drank, took muscle relaxers and, once, over the counter diet pills. The latter made you really peppy and not at all hungry, until you got stomach pains so bad you doubled over, and after those stopped, you walked across the mall to the bakery, where you ate too many cinnamon rolls and gulped white milk from a small, waxed carton.

You grew tired of spending your work shifts standing in the front of the maroon-carpeted, rough-wood-paneled Juniors’ store, wearing hot pants, and folding and refolding tops, while trying to strike up awkward conversations with people who walked by, so maybe you could lure them inside to buy something.

Once, after the district manager said you weren’t trying hard enough, you marched up to a woman who was browsing the sale rack, guided her to the new rabbit fur jackets, and convinced her she deserved to buy one for herself. You felt your lunch churning in your stomach as you stood behind the counter and watched her slowly pull wrinkled singles from her purse and then the pockets of her jeans, as she tried to qualify for layaway. When she finished, you fought the urge to push the money back to her, pat her hand, and tell her to go buy something practical. Maybe that was when you decided to fashion a life some other way.

Now, you are finally able to bear the thought of going back. The school has closed, but you stand outside the now-historic hotel where you lived forty-three years ago. As you look up at the fourth floor windows, you remember a night when you’d had just enough to drink so you were relaxed but not sick or weepy. You ended up, fully clothed, in a waterless bathtub with several of your classmates. You were all singing, though you’ve forgotten the song. Without a doubt, the cover of The Mamas and the Papas’ If You Can Believe Your Eyes and Ears, an album you had listened to over and over again during high school, inspired you.

You look down the street at the newly built Mud Hens’ stadium, and you remember Mondays, after your classes were over, when you and your roommate walked in that direction to the meat cutting school that has since been torn down, where you carefully chose a pork chop or some thin sheets of veal for your dinner that night. And after you cleaned up a corner of the filthy, shared kitchen with its limp heads of iceberg lettuce, shriveled apples, and cartons of curdled milk, you cooked that meat along with frozen vegetables and Rice-a-Roni, the latter to make you feel as though you were living somewhere more exotic than Toledo, Ohio.

As you turn the corner to check out the front entrance of the hotel, you think of a guy you dated during your “I’ll go out with pretty much anyone who asks me because my boyfriend is 204 miles away and increasingly absent” phase. This date drove a red Corvette he loved too much to leave downtown unattended, so you waited for him on the corner of Superior and Jefferson. You stood alone on a city street, after dark, no phone booth nearby, one of the many chances you took because you did not yet understand the word “mortal.”

And, finally, you remember that you eventually substituted your Glamour subscription for one for the new Ms. magazine, and you proudly wore flannel shirts and faded, patched jeans to your college classes. You got married, earned two degrees, had a baby, and ended up working with children and, later, teaching college students.

Maybe now you can finally give your eighteen-year-old self a break. Accept that, while it might have been a good fit for someone else, fashion school mostly helped you learn what you did not want, but maybe that’s a big deal, especially when you’re young.

•••

MELISSA BALLARD studied fashion merchandising, worked retail, and was a bank teller and a public school camp counselor before attending college. She has since worked as a speech-language pathologist and a college instructor. Melissa has written essays for Brevity, Gravel, JMWW, and other publications.

Violets, Boxes, and Stars

By Sara Bir

The sight of demure violets and shaggy dandelions against the deep green of recently mowed grass has always delighted you. Normally you don’t like the combination of yellow and purple or yellow and green, because you hate team sports and those eye-searing pairings are often team colors, spotted on high school basketball jerseys or the itchy polyester cling of cheerleading uniforms. But in the context of spring, you love it, those three colors coming together for a few short weeks, radiant under the still-shocking intensity of midday sunlight. It calls to mind a suburban idyll, those violets and dandelions asserting themselves against an herbicide-drenched carpet of lawn.

But it is night now and you are looking at your phone, even though you’ve vowed to spend less time looking at your phone, and one of the feeds of text on it alerts you that a cookbook writer you admire just made violet syrup. It excites you, the very sound of it. Violet syrup. You imagine the violet syrup in a dainty pressed-glass jar, illuminated like an isolated shard of sacred stained glass in the path of an afternoon sunbeam, high on the shelf of a shabby-chic hutch. It calls to mind tea parties and Anne of Green Gables, harkening back to an age before phones that offer tiny visual enticements of violet syrup in the first place.

In your house there are all sorts of things to do, things that get pushed aside because of your job, which is to arrange little black symbols in lines against glowing white screen. It is called editing. The things you edit are lists about food, and you correct the mistakes in these lists because you’ve had enough jobs cooking food to spot misinformation quickly. You know what food does, even though your editing job consumes enough of your time that you now resort to serving boxes of bunny-shaped macaroni and cheese for dinner more often than you are comfortable with.

You do this editing from home, because that’s where the screen is, and your daughter often sees you scowling intently at it, and the magnetic power it holds over you infuriates her. You try very hard to limit her own exposure to glowing screens, both large and small, and yet there you are all day, tapping away at buttons as she implores you to draw with her or listen to her rambling preschooler stories. You want to give yourself fully to those stories, but the lingering demands of unresolved symbol-arranging pulls you away. Her job is to go to daycare, where she can play with other kids her age and build up her social skills so you can be at peace with your screen and your keys.

Sometimes you need a break from editing, so you switch to a different screen for a bit and click on little boxes and stars under photos of babies and dogs. You didn’t click on the star under the violet syrup on your phone. Is this worth a star? What does one do with violet syrup?

You try to shove the violet syrup to the back of your brain, but the violets do not give up on you. They appear all over, suddenly, in low-lying mobs: in the green strip of medians, along the path in the woods where you walk the dog. They grow in clusters, making pinpricks of color at the base of stop signs and between the cracks in the sidewalk. They soothe and disrupt you, because they are just another thing that you won’t get to. If you don’t pick the violets and make them into syrup, you’ll forget about how the purple and the green of violets make you feel.

You go with your daughter to a park without your phone so you can be somewhere and not really think about stars and boxes, and she runs off and then returns, bearing a fistful of white violets collected indelicately in her small hands. “For you, Mama,” she says. White violets? Was that one of Elizabeth Taylor’s perfumes?

The white violets do it. After a whole week confronting their quiet menace, you surrender. It’s Friday and you have deadlines. You are alone at home, busy editing inside and it’s glorious outside and you evict yourself from your dining room-cum-office. You close up the screen and grab a mixing bowl and go to your front yard, which, despite its minimal lawn, is infested with violets. You squat down, and you pick.

And you pick. One violet, two violets, three violets. You need a murder of violets build up in the bowl. You think of saffron, collected from the stamens of tiny crocuses, and consider how ill-suited you would be for the life of a saffron harvester, since after five minutes you are ready to quit this violet-picking business. You cannot give up. You do not give up.

The violet syrup recipe on your phone says to gather three handfuls of violets. You succeed, and you take a close-up picture of the bowl of violets with your phone, and you think about sharing this picture so other people—friends, kind-of friends, vaporous friends—can click on a box or star to agree with you about how great your life is, this life of carefree front-yard foraging. But you look at the real violets and then the violets on your phone, and you notice that they look nothing alike. Your phone violets are blue-ish and stiff and cool, and your real violets are a vibrant violet-purple, and the shiny metal bowl is warm from sitting on your lap. You delete the photo.

You retreat inside, to the kitchen, to separate the tender petals from their green bases that hold them together (a part of their anatomy called, adorably, the pip). So many small flowers, so many pips to maneuver around. Hundreds. Steeping the pips with the petals would make the resulting syrup bitter and to skip it would be to negate the already frivolous work you’ve invested so far. This is exactly the sort of thing you’d love to recruit your daughter for, but pulling petals away from pips requires more finesse than her unruly five-year-old fingers can muster. And so you do it by yourself, outsourcing the supervision of your daughter so you can blow off work and pluck itty-bitty flowers apart for making an essentially useless condiment.

It occurs to you that you should probably taste a violet before you go through with this. For all of the wildflower’s loveliness, its fragrance and flavor is that of the most bland lettuce ever, and you don’t imagine exposure to heat doing it any favors, but by now you’ve decided that making violet syrup will fill some hole in your life that needs to be filled. Even if you are just filling it with lettuce-flavored simple syrup.

Building up a critical mass of violet petals feels Sisyphean, absurd, impossible. Many times in your life, you have repeated insignificant tasks. You pumped the handle of the hopper and squirted a blob of Bavarian cream inside the donut. You stripped away the stranger’s slept-on sheets and unfurled a fresh sheet for a new stranger to sleep on. You took the rectangle of plastic from the customer, slid it through the reader, and made small talk as they paid for their pig-shaped corncob holders or glittery pink silicone spatula.

Do you receive our catalog?

Would you like a bag for this?

Enjoy your day!

You took the rectangle of plastic from someone else and slid it through the reader, and then another rectangle from another person, and then another.

A good place to eat around here? What do you like?

That meat grinder’s aluminum, so I don’t recommend putting it in the dishwasher.

Caribbean is my favorite Le Creuset color, too.

Your favorite Le Creuset color is actually Flame. The violets are tedious, still. Twenty minutes in, you have a pint of pip-free petals, not nearly the quart you need for the syrup. Screw it. You instead opt to make violet sugar, which requires only one handful of petals and one cup of granulated sugar.

It’s the big dirty secret of foraging that, with enough refined sugar, all things are possible. Only a few centuries ago, it was an expensive luxury. Crews of African slaves labored around the clock on Caribbean plantations to placate white people’s hunger for the laser-like precision of white sugar sweetness. On those islands that inspired a Le Creuset marketing expert to name a soothing shade of turquoise blue after their waters, there was a constant need for boatloads of new slaves, because they died before they got around to having children. Some fell into the boiling vats of cane juice, and some bled to death after getting their limbs caught in the rollers that pressed the cane, but most were simply worked to the point where they collapsed and never got up again.

Sugar is commonplace now, unavoidable. It infiltrates the snacks your daughter eats at daycare, the Nutri-Grain Bars and Fruit Roll-Ups. Now, the ability to afford eschewing sugar is a sign of membership in the upper class. Your white sugar, though, will not be white. After this, it will be violet.

A few blitzes in the food processor and that’s it. It tastes like regular sugar and looks like wet purple sand. To give it a boost, you add a grating of Meyer lemon zest, but it’s still not punchy enough.

You look at the windowsill over your kitchen sink and spy a vanilla bean pod. Of course you always air-dry the hulls of scraped-out beans after the majority of their flavor has been sucked into custards and compotes. They cost about a hundred dollars a pound and are actually the cured seed pods of a specific orchid, one that’s pollinated by hand a hemisphere away. The producers of these seed pods sometimes use a needle to prick a unique brand on them, just as a cattle rancher would, so the beans can be traced back should a vanilla seed pod rustler come to plunder the crop. Sometimes, before eviscerating them with a paring knife, you examine vanilla beans and you spy the tattoos, looking like leathery runes from another age, and you imagine having to prick thousands of still-green seed pods on orchid vines.

You realize you now have a small stockpile of dried vanilla bean hulls, and you grind them to several tablespoons of fine brown dust in your spice grinder, and you add a fat pinch of this dust to your violet sugar, and it does the trick. They’re kindred spirits, these two esoteric floral essences.

You retrieve your child from daycare, and you both return home to a big bowl of intact violet blossoms, ones that were not massacred into sugar, and you give this bowl to your daughter and send her to the yard and say, “Do you want to play with these?” She sprinkles the violets on the sidewalk and scatters decapitated dandelions and mangled clumps of grass among them, announcing, “I made a store!” and you approve.

The violet sugar is in a jar on the counter. It is subdued in color and soothing to look at, nothing at all like the cartoonish hues of purchased decorating sugar that you sprinkle on cutout cookies, and you just leave it there, even though you have no immediate plans to bake anything. Maybe you will divide it among smaller jars and give it to a few of your friends, the ones who appreciate things like the glancing presence of violets. The violet sugar means you are not entirely a useless and shallow person. You think about it and think about it and then sit and tap on keys and sort those feelings out, and then there it is, Violets, Boxes, and Stars, a few teasing lines on the screen of a phone, and you tap on them, and see this.

•••

SARA BIR is a regular contributor to Full Grown People. She lives in Ohio.

Read more FGP essays by Sara Bir.

Unemployed in Paris

By Janet Skeslien Charles

belly — By Gina Easley www.GinaEasley.com

JOB OFFER: ACADEMIC PROGRAM IN PARIS has immediate opening for housing coordinator. Bilingual/bicultural skills, experience with Word, Excel & Filemaker. Prefer candidate with middle-aged (or defunct) uterus.

The ad didn’t read that way. But it might as well have.

Jobs for English speakers in Paris abound—if you want to teach business English or wash dishes. The salaries for both are the same, as are the possibilities for advancement. I came to France thanks to a year-long teaching position. Graduate school in my native Montana hadn’t worked out as I’d hoped. We teaching assistants huddled in our offices, hoping to avoid French professors who battled in the halls, and I’d started to hate French. In coming to Paris, I’d hoped to salvage my love of the language, but instead found a different kind of love. I met my husband and decided to stay. For several years, I went from job to job, private lesson to private lesson, metro line one to metro line eight to metro line fourteen, spending more time in tunnels—sometimes an hour between jobs—than I did above ground, and started to dream of having a job with only one daily commute instead of six. I loved my students. But for a tenured position in the French school system, you must be European. So when my contract wasn’t renewed, I decided to write a novel.

I think of myself as on sabbatical. True, this period of enrichment and growth was to have lasted just a year. It is now going on three. “Unemployed” would be the precise term for my condition, but I prefer to be vague.

I apply for jobs. Just this week there was the job at a Jewish NGO, a housing coordinator position, and an editorship for a leukemia magazine. I look at the want ads dutifully and write cover letters so that I can tell myself that although the competition is fierce, I am trying. I send resumes out in the same way children send letters to Santa Claus. Of course, the children eventually wise up. I never seem to.

La directrice of the academic program calls to arrange an interview for the housing coordinator position. I put on my blue suit (only worn three times) and grab my briefcase, bought last year in hopes of making me look professional. My life is so empty that the briefcase is still stuffed with the wadded tissue paper from the store. When I arrive at the office, la directrice smiles and asks if I’d like a cup of tea—she’s just brewed a pot. As we chat, I take in her friendly manner, long, cherry Kool-Aid-colored hair, and pea-green boots and think that she is not your typical director. She asks me to sit down. The office furniture is black. There are no plants. Although we’re both American, she conducts the whole interview in French. It’s strange. She says the salary isn’t great, but employees have three months of paid vacation. They’ll pay for my cell phone. If I want to work only four days a week, that’s fine. The perfect job.

The interview goes well, although near the end, she asks how old I am then notes that I’ve “not passed the child-bearing years.” I stare at her for a moment before answering—she pretends not to notice. As la directrice walks me to the door, she says she feels we’ve clicked. She looks giddy and tells me that there’s another candidate who is forty-nine, which is good on the one hand because she’s already raised her children. On the other, she is not as dynamic as me. La directrice wants me. We’ve clicked, she says again, and invites me back for an interview with la directrice executive on Monday. As I leave, I glance at my watch. The interview lasted nearly two hours. I didn’t see the time pass. For the first time in years, I let myself feel hopeful about a job.

Paris, the city of languorous lunches and long walks along the Seine, has not pounded the need to be prompt out of me. I’d rather be an hour early than five minutes late. So I arrive ten minutes before the 9:00 am interview. I know the building code and hit the numbers on the brass pad. Not wanting to be too early, I wait five minutes in the closet-sized vestibule, then ring the interphone. Once. Twice. Three times. No response. Sigh. It was all too good to be true; they’ve forgotten about me. I consider leaving, then consider my bank account. I stay.

I’ve never gone to an interview in which the interviewer was late. It makes me feel uneasy. I wait five minutes, then five more, then five more. When la directice executive arrives at 9:10, she scowls at me like I am an idiot for being on time. Impeccably groomed and the size of a Kewpie doll, she wears a Hermès scarf. Loosely translated, this word means, “I have four hundred dollars to waste and desperately need people to know that.” She unlocks the door; I follow her up the narrow staircase.

In French, she lectures me on the importance of a gracious welcome. The students—from Harvard, Yale, Stanford—pay almost $30,000 per year, so there’s a lot at stake. La directrice executive mentions the other candidate, “She’s forty-nine. She’s raised her children.”

“How old are you?” she asks.

“Thirty-five.”

“Are you married?”

“Yes.”

“When do you plan on having children?”

Huh?

When I don’t answer, la directrice executive points out that I am “still in the child-bearing years.”

I say my husband and I haven’t discussed it; she looks at me suspiciously.

“But you’re thirty-five,” she informs me, as if I’ve forgotten. “The whole reason people marry is to have children.”

The last person to say this to me was a priest. The day before Edouard and I got married, Father William said he’d refuse to marry us if we didn’t sign the form stating we’d raise our theoretical kids as Catholics.

“Can you promise that you won’t have children?” la directrice executive asks. “Just for the first year.”

I am dumbstruck. The silence makes her nervous. She fiddles with her scarf.

“Not that I’m forbidding you to have any,” she assures me. “I’m a mother. A working mother. I would never deprive any woman of that pleasure. It’s just that now is a bad time for us.” She squints in the direction of my stomach, then she yells, “Tell me when you’re planning on it. When? When?”

It’s so hot in the office that I can’t breathe. La directrice joins us. “Everything all right?” Dazed, I nod. They smile brightly and I know the interview is over. I tell them that the other candidate seems better suited to the job, then thank them and leave as fast as I can.

When I talk about the interview with Parisian friends, they’re surprised I haven’t been asked about having kids—with France’s generous maternity leave, companies have much at stake.

“The next time it happens, pretend to tear up,” one advises. “Tell the interviewer, ‘You’ve brought up a painful topic because I’m sterile.’”

In Courrier Cadre magazine article “Discrimination: Solutions that Work,” Cecile Pincet writes: “Between the ages of 28 and 35, women are often asked ‘Are you planning to have a baby?’ in job interviews. You must respond no. Sometimes, you have to know when to lie.” In the jobs edition of the magazine Femme Actuelle, Amelie Cordonnier and Marion Kressmann note that asking about pregnancy is illegal. “He oversteps his rights, but to remind him of this would be risky. You can respond in all honesty with a minimum of information: ‘Yes, but not in the immediate future.’ You can also turn it around: ‘Is that a problem for you?’ It’s a good way to not fall into a trap and to keep the upper hand.”

La directrice calls to offer me the job. Finally, someone wants me. I sent out dozens of letters and someone responded. We clicked. I thought that I would be happy. She says that her boss loved me and asks how I feel about the interview. I don’t mention la directrice executive’s thoughts on why people marry, or the fact that she asked me not to have kids. Instead, I complain that she was late, and that when she read my hyphenated last name aloud, she said, “Do we have to say it all?” La directrice admits that la directice executive can be… difficult. She, too, has had ups and downs with her boss. Plus, they are both a bit tense after learning their academic coordinator is pregnant. I tell her I felt manipulated when they kept bringing up the candidate past her child-bearing years. In other words, I ruin everything. I’d kept my mouth shut during two interviews, why couldn’t I have kept it shut during one phone call?

La directrice calls to rescind the job offer. She feels that I am volatile and judgmental. Maybe I am volatile and judgmental. I contemplate what bothered me, beyond the invasive questions, beyond the fact that la directrice executive looked at me like I was a liar when I said I wasn’t thinking about having children.

The reason I sabotaged myself is difficult to voice: la directrice executive asked questions I don’t even ask myself. Questions even my mother and mother-in-law don’t ask, though they’re probably dying to. Questions I avoid. Even my husband avoids them. Two years ago, when I asked if he wanted children, he replied it was up to me. And that was the end of the conversation. La directrice executive demanded answers I couldn’t give. When am I going to have a child? When? I don’t know. I keep waiting to feel the desire, some little spark, but it’s been thirty-five years and I still don’t feel it. I don’t think I’ll ever feel it. This is hard to face. So hard to face, I chose to avoid it, until the job interview. Now it’s all I can think about.

I remember an image from the eighties, a woman with foofy hair and too much make-up screeching, “My biological clock is ticking.” I never felt a single tick. If I have a clock, someone forgot to wind it. Until the interview. Now I feel a strange, hard ticking, like a bomb set to go off, making me more and more nervous. “When? When? Just tell me when!”

Growing up, I expected to have kids just like everyone else. I love my husband and know that he would be an amazing father. Why don’t I feel a desire to bring life into this world? Why can’t I at least talk about it? All around me, it feels like people are moving on, moving forward. Friends and family are having babies, having miscarriages, getting fed up with IVF treatments, getting divorced, getting remarried, buying houses, going to recitals, finding better jobs, earning more money, making new friends, having affairs, selling houses, going on diets, reading good books, having deep conversations, making important and not important decisions while I sit frozen.

Two weeks later, I pick up the bilingual job ads and pore over each page like a child making a wish list—project manager for the Invest in France Agency, editor at Datasia, account manager at Azego. I even look at the hotel and restaurant section—Wili’s Wine Bar needs someone, as does the Indiana Cafe.

After my strange job interview, I don’t mind being unemployed. At least in my living room, no one asks personal questions. It’s a relief not to be in that stuffy office with edgy women. (I imagine la directrice executive greeting me in the morning with a birth-control pill and a glass of water.) It’s a relief to go back to not thinking about having kids. Glancing down the page, I spot the program coordinator position at an MBA school. I applied for that job five months ago. Third time this year it’s appeared. Apparently the person they chose didn’t work out. Again. I turn on my computer, click on the cover letter, spruce it up and change the date, then send it to the North Pole.

•••

JANET SKESLIEN CHARLES is the author of Moonlight in Odessa (Bloomsbury), which was translated into twelve languages and reflects her time as a Soros Fellow in Odessa, Ukraine. Her poetry and short stories have appeared in Slice and Pharos. Originally from Montana, she traveled to France in 1998. She interviews writers at jskesliencharles.com and is on Twitter as @moonlightodessa.

Humming and Whistling

vet mother — By Gina Easley www.GinaEasley.com

By Abbie Gascho Landis

The weekly playdate prompts me to clean, which helps to chase off cockroaches. Here in Alabama, land of robust flora and fauna, the consequences of sloppy housecleaning can be cockroaches nearly the size of mango seeds crossing your living room wall by lamplight. So I clean, wagging my full abdomen behind the vacuum and holding my vacuum-phobic toddler on my hip. Every Wednesday morning, Sam and I welcome a handful of moms—most of us in various stages of pregnancy—and three other toddlers for a couple hours of nonstop play and food and mom talk.

I am the only mom working outside home. This week, as we sit swapping stories about our toddlers’ naps and eating habits, discussing labor and delivery, I feel like I left half my body at the clinic. In the past three days, I worked forty-two hours as an emergency veterinarian. I wonder how other people stitch together their various lives.

Just over twenty-four hours ago, I lost a patient during a surgery to repair his diaphragmatic hernia. Today, the woman cradling a pregnant belly, cross-legged on the floor, jumping up to redirect toddlers or serve tea doesn’t feel like the same woman who orchestrated anesthesia, surgery, and ultimately resuscitation attempts at three in the morning. My hand prying open the elastic to check for a full diaper is the same hand that reached through the hole in the diaphragm, grasped a still heart muscle, and squeezed rhythmically until it began to twitch in my palm, for a moment. My voice singing “The Wheels on the Bus” told a tearful young woman that the gentle three-legged dog who brought her through a painful divorce had been too damaged by the car that hit him to make it through surgery.

Every now and then, one of the other moms asks me about work. One conversation began, “You deal with animals, so you might know what to do. Something died in our ductwork and there’s a horrible smell.”

Another time, someone wondered if people actually bring their pets to the clinic during the middle of the night. I answered honestly—yes—citing an unfortunate recent example involving euthanasia.

“What?”

“I had to euthanize him,” I repeated, prompting a rapid subject change.

Mostly, we just talk about being moms, which is, in fact, my harder job.

•••

At work, we sometimes order food, the way most offices do. Taking an index card around, someone collects orders from the staff and phones China Garden. The anticipation usually beats the real eggroll, which drips oil down my fingers yet remains dry inside, requiring syrupy orange sauce squeezed onto each bite. On the other hand, the crab rangoons are perfectly crisp and creamy inside if I can get to them while they’re hot. Often, just when the food arrives, I’m racing around, aware of the patient family who’s been waiting almost two hours in room three, the pushy woman who’s harassing the receptionist and seems to have no money, and the elderly gentleman in room four who, my staff informs me, is diabetic and needs to get home soon. Also, two critical hospitalized patients, one of whom does not seem to be breathing well at the moment, tug my attention.

I cram a crab rangoon into my mouth while scrutinizing the radiographs of the diabetic man’s dog. With my free hand, I press my aching breasts. Lactation makes me ravenous, and with limited time to eat or pump breast milk, my body distracts me with discomforts. One friend of mine, in her obstetrics and gynecology residency, pumped when and where necessary, putting milk production and comfort over privacy, earning the T-shirt they made for her at graduation with Creamery written across the front. I lack her moxie, and her hands-free breast pump.

I cock my head and stand back, chewing fried dough and deciding about the x-rays. Also, I’m organizing my plan of action. Get that diabetic man home now, check on the hospitalized patient with dicey breathing, examine the pet in room two for potential drop-off, and have a technician triage the pushy woman’s pet and finances while I race to the bathroom to pump. Those x-rays are normal. And go.

•••

At home after working overnight, I wake in the early afternoon. I am molten, a liquefied rock settled into the bed, the long pillow between knees and arms. My head has melted into the pillow during this nap. Some heavy low sound slips from my chest. Sam rattles his crib in the next room, while the baby stretches and jumps in my abdomen. Her movement is like a mild electric shock that twitches an involuntary muscle, the only part of me able to move at all. On my overnight shift, I rested briefly after five a.m. Several critical cases kept my attention all night. One eventually stabilized, with fluids dripping into an elderly canine vein. The other patient quit battling to breathe against the thick fluid around her lungs. A flat-faced Persian cat, she gasped in the oxygen cage for hours, then flung out her legs and died. She left the clinic in the arms of two devastated people, and I felt relief for her. The night removed my bones, leaving me a motionless slug with maternal responsibilities.

More sounds from Sam, with words now: “Up!” I find my limbs individually, sliding them under the blankets. I crawl up out of the well. In Sam’s room, I sit on the floor by the crib, where he grins and hops around, peering at me over the front rail, through the rungs, over the side. I go back and forth like a limp metronome, joining our favorite game, “I See You Over the Top, I See You Over the Side.” I aim his space heater at my lower back and knead my lumbar muscles, laughing with him as he flops into the blankets. Joy is this: my warm back, a radiant boy, electricity of the daughter I contain. Stiffly, I ease sideways, then stand up one foot at a time. I snag Sam under his armpits and hoist him into our afternoon.

•••

Last Sunday we were so busy at the clinic that I added sitting down to pee when calculating minutes off my feet in the past fifteen hours. We were so busy that one large German Shepherd mix stayed for several hours on the floor in the exam room where we’d euthanized her. Her status—recumbent, dehydrated and shocky, with a maggot infestation in her hind end—went from the top of our triage list to the bottom after she was dead. Short-staffed, we kept her in our thoughts but turned towards the living, trying to alter the course of other patients’ lives.

I began that shift with an emergency Cesarean section on an English Bulldog. Four puppies. Two with detached placentas were dead. One with a malformed head and severe cleft palate lived two hours. The fourth puppy rallied and made it home. Bulldogs are seriously impaired when it comes to reproduction. And breathing. I finished the surgery with my pregnant belly soaked in amniotic fluid, but glad to have mama bulldog recovering nicely.

I walked from surgery into the treatment area. All of the exam rooms were full. The long, U-shaped benches in the lobby had people seated shoulder-to-shoulder, waiting to see me, the only veterinarian in the building. I had to pee.

•••

Two nights ago, I thawed and browned some venison—cuts I didn’t recognize because they were a gift from a friend. My plan: fajitas. The pieces looked miserably chewy, and the smell struck me as unappetizing. I set it aside in my crockpot and made veggie fajitas instead, intending to spice the meat and slow cook it. I forgot about it overnight. In the morning, I felt wary of the meat still sitting on the counter. So I ignored it. By noon, I was actively guilty and disgusted by the meat and myself. So I put it in the fridge. This morning I made my move, almost in tears about it, and threw away the perfectly good—though neglected—food. In the trash bag, it totaled only the size of my two fists. But it was food, the flesh of an animal who died to be eaten. Either way, it made me sick.

•••

I learn in a continuing education seminar that hormones, like estrogen and progesterone, are considered hazardous substances. “Beware,” the pharmacists say, reciting regulations guiding the administration and disposal of such pharmaceuticals.

“No wonder,” I think, eyeing the other pregnant veterinarian beside me, and closing my eyes to feel those hazards in my own veins. I have been newly pregnant, then postpartum, then breastfeeding, now pregnant, heading toward postpartum and breastfeeding again. I have worked through both pregnancies and breastfeeding, feeling larger than life. Hazardous. “Don’t mess with the pregnant lady,” I joke to my coworkers.

But I do feel somehow superhuman, more than myself. I love the wide eyes on my clients, watching me enter an exam room belly first. Everyone can see the power that I carry. Little did I know that mothers everywhere carry the weight and strength of their motherhood at all times. Beyond pregnancy, it simply becomes invisible.

Hazardous. There is no end to the changes wrought upon a pregnant body, both during and lingering after gestation. I have learned not to underestimate progesterone and estrogen, and the rough seas when the two trade places in hormone hierarchy. So I grin at the pharmacists and their regulations for such dangers.

•••

I lean between wall and exam room table, transfixed by the woman across from me. It is four in the morning, and her cat is dead on arrival. Nothing I can do, but we stand talking, two women close in age. One year ago, today, her daughter died. And now her cat.

She tells me to take photos, videos, to hold each moment like glass. Her daughter, not quite one year old, was asleep. Something stirred her husband, nudged him to check on the baby. She wasn’t breathing. They acted fast. Her heart still beating. A local hospital. A need for life flight. No helicopters available. A desperate drive. Days on life support. And then it was over.

We are both weeping. Her cat lies between us.

•••

My cat prowls and stretches and climbs onto the shelf of my belly. I’m not settled in for napping yet. She’s ready, though. First I must arrange pillows strategically to support my back, neck, protruding abdomen. I turn off the cell phone. Let the dog in. Set the baby monitor on its charger to avoid low battery beeps. I fold myself around the pillows and begin with a deep breath inward, filling my chest and womb, allowing breath to flow down my curving legs to the soles of my feet. Purring, the cat joins me. I lift the blanket corner. She nestles against a shifting baby. As I focus, my face heavies, sinking against my bones and teeth. My breath, again, washes through me like a wave carrying light foam up the sand, then receding back into the ocean. In labor, these waves of breath will carry us to delivery, transforming wild pain into something I can hold.

Later, consciousness rises back to my eyes when I hear squeaks and murmurs over the monitor. I slept for an hour, pressed by the cat. Lead flows in my veins, holding me into the sofa crevices. I wiggle my toes, stretch, then roll to a stand and prowl back to the bedroom where my small, golden-haired boy grins. “Good nap!”

•••

I open the oven to pull out the chocolate almond biscotti, filling the house with aroma. We’re standing in the kitchen along the countertop’s wide peninsula. Two blonde heads bob up and down as two-year-old boys climb the stepstool to munch banana nut muffins and blueberry cornbread. It’s a typical Wednesday playdate: three pregnant moms and two kids. We’ve just decided to head outside into the sunshine when Jenny, two days past her due date, gasps softly. “My water’s breaking.” She heads for the bathroom, and Rachel and I nearly follow her in there in our excitement. We giggle and our eyes fill. I offer towels and dry pants and assurances that amniotic fluid is the most beautiful thing we’ve ever had on our kitchen floor.

Jenny calls her husband. We settle down a little, finish our snacks, and speculate about Jenny’s next twenty-four hours. Husbands arrive to drive Jenny and the extra vehicle back home. They’re all gone within minutes. A flurry of astonishment and biscotti and well wishes bustles out the door. Sam, perched high in my arms above my own round abdomen, leans his head on my shoulder. We head down the hall. Naptime.

•••

When my daughter is three months old, I discover that I can sing and whistle simultaneously. I’ve never tried that before. If fact, I’m not trying it now. After a full weekend of work and waking nights with Stella, I stumble around the house. A sound escapes me, something between a vocalized sigh and a descending whistle of amazement at how tired I feel. The result mixes my vibrating vocal cords and pursed lips into a warm buzzy feeling in the middle of my mouth. I try a tune. Success.

The next day, I try again but have to muddle through some bizarre, atonal, not-so-nicely-buzzy variations before I find the hummingbird in my mouth again. I zuzz out “Twinkle Twinkle” for Sam.

As I’m parenting two children and being an emergency veterinarian, sometimes I squawk out ineffective days, unable to balance my focus, like losing the melody between my lips and my voice. Sometimes a warm buzz fills me and fills the room. There. I find a balance, and a tune wavers along.

•••

ABBIE GASCHO LANDIS is a veterinarian and writer in rural upstate New York. She is working on a book about her relationship with freshwater mussels, set in Alabama. Her writing appears at www.thedigandflow.com.

Gangsters, Doctors, Nurses, and The Professor

By Rebecca Fremo

On a gray January Monday in 2008, Diego Alcazar—back from the dead despite being tossed from Hangman’s Bridge by brooding Jason Morgan—kidnapped slutty, sneaky Samantha McCall and winsome Nurse Elizabeth Weber. Then he gunned the car, drove the women out to the same bridge where he had nearly met his own maker, and smashed through a guardrail. The car dangled over some unnamed river outside Port Charles, New York.

The scene was only made possible, I learned during a special SoapNet exclusive later that evening, due to revolutionary green screen technology, which finally allows soap characters to leave their hospital beds, nurses’ stations, and posh boudoirs and then hit the great outdoors. And I have to admit: the bridge scene was spectacular. Water rushing, car creaking and careening, twisted steel scraping the concrete—I clung to our green faux suede sofa, simply transfixed, right up until the commercial for Yaz, a revolutionary new birth control pill that I am now officially too old to take.

Nurse Elizabeth escaped just before the car, with slutty Sam still locked in the trunk, plunged off the bridge into the water. Holy shit! I yelled to my six-month old son, Cyrus, who, according to the American Academy of Pediatrics, was not supposed to be in the presence of television before the age of two. Instead, in its 2001 Policy Statement titled “Children, Adolescents, and Television,” the AAP suggests that parents should “encourage more interactive activities that will promote proper brain development, such as talking, playing, singing, and reading together.” Fair enough. I decided to go for talking.

They killed Sam! I began our conversation. Cyrus mouthed his orange binky with some disgust before turning back to the task at hand: trying to lick the blue plastic dangle-toy on his exersaucer. I figured it wasn’t my fault if he didn’t want to talk back.

•••

Earlier in the fall, Cyrus was only six weeks old and I was still trying to nurse him, so I couldn’t leave the house without giving the general public a size 42-DD dose of a woman’s right to breastfeed. I was thirty-nine and already into my second marriage. Recently tenured, I had earned my first sabbatical leave from the small liberal arts college where I taught, the kind of college where students are likely to study abroad in exotic places. At least, they seem exotic to me. (I once crossed the Canadian border at the International Peace Garden on a trip to North Dakota.) The resident xenophobe by comparison, I have listened with envy to my students’ stories of intestinal discomfort in Shanghai and New Delhi, quaking at the very idea of such flexibility, such openness to change.[1]

Many of my colleagues, too, travel internationally, finding ways to take their families on sabbatical trips overseas, blithely asking their children to pick up and leave relationships, soccer teams, Play Stations. These colleagues—mostly men, many of whom have stay-at-home partners—view their everyday lives as escapable, as malleable and impermanent. Mortgage payments need to be made, certainly, but houses can always be rented out for a semester or two.

When colleagues learned that I wouldn’t be traveling at all during my sabbatical, they worried that I’d be isolated at home. But I would have all the company I needed: the new baby, his or her preschool-aged brother, and their Pokemon playing idol, the second-grader, who would entertain us daily just as soon as he came home from school. Most importantly, thanks to my friends at General Hospital, I would enjoy genuine camaraderie. I did not share this particular insight with my fellow faculty members.

•••

I only allowed myself to watch GH when my five-year old, Ellet, attended Little Saints Preschool on Monday, Wednesday, and Friday afternoons. On Tuesdays and Thursdays, when Ellet stayed home with me, I sacrificed my General Hospital time in the name of motherhood. I made that sacrifice from mid-September until Halloween, when Nikolas Cassadine, finally reunited with the love of his life, Emily Quartermaine (now played by gorgeous, dull Natalia Livingston, instead of the fabulous Amber Tamblyn, who originated the role back in 1995 before she became Joan of Arcadia on CBS), announced an impending Black and White Ball, which would take place on Spoon Island, home of the creepy Cassadine mansion. This wasn’t going to be just any black tie soap opera party. I knew that nearly every major character on the show would attend. That’s because General Hospital creates special events to bring the whole cast together twice a year: during the sweeps weeks of October and February.

My beloved ABC friends would drape themselves in the most stunning formal gowns and tuxedos for the Black and White Ball. They’d sparkle with jewels. The spectacle of it, I thought. That October I couldn’t wear anything but the pink and white nursing shirt my friend Tina gave me, which I coordinated with some attractive size 2XX pedal pushers from Target, the same ones that I wore the night my water broke.

I just couldn’t help myself. Preschooler in the room or not, if the party started on a Tuesday, we would watch on a Tuesday. I had to attend the ball.

That’s how my five-year–old found himself a mesmerized guest of the Cassadines at their Black and White Ball. Ellet wore full Batman regalia at the time—he often dressed then either as Batman or Darth Vader—so he fit right in. He plopped his caped crusader self right next to me on the sofa and watched the entire first hour of October sweeps, enchanted by the cloak and dagger drama of it all. “Why are they dressed up? What are they eating? Is it a party? Will they open presents?” I beamed at him.

“Who’s that girl, Mommy?” he asked as Emily first entered the room.

“That’s Emily,” I told him. “Not the real Emily, of course, since Amber Tamblyn left. It’s just Natalia Livingston.” I made sure to respond accurately.

“Oh,” he said.

Unfortunately, this new sweeps plotline revolved around a series of strangulations that took place at the Black and White Ball that first night. My son was delighted. Between the kissing and the killing, he thought that this was a pretty good show.

I’ll admit it. I loved having Ellet beside me that first Tuesday we watched GH together. “You’re such good company,” I told him. I let him watch again on Thursday. But when he stepped off the afternoon preschool bus at 3:10 on Friday, ran to the front porch, threw down his backpack, and asked me what he missed on General Hospital while he was at school, I knew we had a problem.

Let the innocent among you cast the first stone.

My son remained captivated throughout November, as Port Charles citizens tried to identify the crazed maniac who had stalked them on Spoon Island that Halloween. Ellet watched through Christmas and New Year’s as well. But by February, I noticed that Ellet’s baby brother Cyrus—now five months old—was also watching GH.

I tried to get Cyrus to nap from 2:00 to 3:00 p.m. each day, but sometimes he just wasn’t sleepy, and so, as the National Academy of Pediatrics suggests, I’d let him play with blocks on my lap, or I’d read him books during the commercials. I hoped we weren’t doing any permanent damage.

•••

I first watched General Hospital as a teenager in the 1980s. Each day I rushed home from my suburban high school at 3:00 p.m. Eastern Standard time. Clad in size 14 Pretty Plus blue jeans from Sears—how I wished I could fit into the Levis that everybody else wore!—and a preppy pink sweater with a whale on it, clutching a full sleeve of Chips Ahoy and a can of Faygo diet root beer, I tuned in, turned on, and checked out. Because I did so, it mattered a little less each day that my sometimes belligerent, occasionally drunk younger brother counted the cookies I ate every afternoon, humiliating me at dinner each night by announcing how many were missing. It mattered a little less that my mother’s still undiagnosed bundle of mental illnesses overpowered us like a tsunami, leaving my brother and me drowning in her unpredictable behaviors, doubting our own instincts, never sure if what we witnessed was real or imagined.

I gratefully escaped to college, where I scheduled my classes whenever possible for the hours prior to 3:00 p.m., the show’s East Coast airtime. When I accepted my first high school teaching job, I sometimes took sick days to catch up on my grading and my viewing. And when I returned to graduate school to earn my masters degree, I watched whenever my class and work schedules allowed.

I completed qualifying exams for the Ph.D. in 1996, and that’s when I tuned in religiously. For two years, as I wrote my dissertation, General Hospital seemed to provide a little bit of comfort while I fought a nasty case of Imposter Syndrome. No matter how many professors complimented my work, I couldn’t shake the certainty that I didn’t belong in a Ph.D. program. There had been a mistake—surely the fellowship I received in my first year was intended for someone else. I wasn’t intellectually strong enough to survive. I couldn’t trust my own instincts as a writer or a researcher; I always sought approval from my professors before I could commit ideas to paper. The prospect of writing a dissertation nearly crippled me.

The worst part about graduate school was the fact that I couldn’t predict where I would end up in the long run. Even if I miraculously finished my dissertation, would I get a job? Soon I spent more time worrying about my future than the present. Only television offered me relief. I wasn’t alone in this habit. Most of my women friends in graduate school watched an enormous amount of television. The Eighteenth-Century British Literature specialist watched Felicity. A poet raised in an uber-religious household devoured Will and Grace. Creative writers and linguists and medievalists alike adored Ally McBeal. But theirs were weekly diversions. Mine was the only daily devotion. Watching General Hospital became sacrament.

•••

In the fall of 1999, I sent sixty-five job applications, suffered through sixteen humiliating job interviews at the annual Modern Language Association Convention, often sitting on beds in some department chair’s hotel room, and then gratefully accepted the one job offer I received from a small college in southern Minnesota. I quit watching General Hospital cold turkey. Hung up on the idea that real professors didn’t watch soap operas, and stunned by the new demands on my time, I traded afternoon delight with ABC for curriculum committee meetings and conferences with students. But in fall of 2007, I underwent tenure review and applied for my first sabbatical leave, a full year devoted to research, writing, and new course development.

Newly tenured and about to give birth to my third child, I needed the comfort of something familiar and dependable as I faced staying home with the new baby (not to mention a preschooler and a second grader). I had no idea how I’d behave. Would I don an apron and bake cookies? I don’t own an apron. Would I find myself utterly fascinated by my children’s development, and thus inspired to write? Would I feel trapped by my circumstances and lack of mobility? Would I act out? Who would my children become? Who would I become? My whole life felt like a Friday afternoon General Hospital cliffhanger. I figured I might as well tune in and find out.

Contrary to what sociologists might assume, I’ve never turned to daytime television in order to escape to someplace new. New places frighten me. Instead, I use daytime television to return to someplace familiar, a place where people always behave in predictable ways. In Port Charles, New York, doctors always seduce nurses. Nurses always get pregnant out of wedlock before finding true love with good-hearted gangsters (apparently Port Charles has some sort of gangster pipeline from New York City). These gangsters always prove to be twice the men the doctors ever were. Gangster-Nurse weddings always end in fistfights as doctors experience post-break-up regrets.

That fall, surrounded by burp rags, I needed desperately to be able to simply turn on the television and slip back into Port Charles. I figured it would be like returning from hiatus. Once I turned that television on, it wouldn’t really matter how much time had passed since I last watched the show.

But now I lived in Minnesota on Central Time, where the show comes on at 2:00 p.m. and people eat lunch at 11:30 a.m., an hour clearly better suited to blintzes than burgers. It wasn’t quite as easy to slip back in to life in Port Charles as I’d hoped. But I was determined to succeed. I took deep breaths each time a new mouth spoke the words of a beloved character; I didn’t even flinch when characters returned from the dead. I wasn’t bent out of shape when I found that Noah Drake—remember Rick Springfield when he played dreamy Dr. Drake back in the ’80s?—now had a son named Patrick, who was already a grown-up brain surgeon. Patrick was in love with Robin Scorpio, one of my favorite pre-teen characters back in the ’90s; thank god Robin was still played by Kimberly McCullough, who left the show briefly about the same time I went to grad school. Apparently, Robin, who contracted H.I.V. from her true love, Stone, just before his heartbreaking death, and then hooked up with Jason Morgan (the same Jason who threw Alcazar off Hangman’s Bridge), was already an experienced surgeon.

Bobbie Spencer, the prostitute-turned-nurse who once dated Dr. Noah Drake, was now in her late fifties and crammed into her nurse’s uniform in a most unfortunate way. Some new soap hunk played Lucky Spencer, son of Luke and Laura.[2] A posse of new teen characters—Maxie, Georgie, Dylan, all descendents of GH regulars from the 1980s, wiggled their shapely young asses across the screen daily. A new token African American character, a wise, tough-yet-tender woman named Epiphany, now ruled the nurse’s station. Epiphany had a sidekick, an orderly named Cassius, played briefly in cameo by Billy Dee Williams. Yes, that Billy Dee Williams.

No, really. It was mind-boggling, but since I have a Ph.D. I caught on quick.

•••

I knew I could catch my show on SoapNet each night at 9:00 p.m., after Cyrus and Ellet went to sleep, enabling them to retain their innocence just a bit longer. But I have never watched General Hospital at any time of day but the afternoon. I have always wanted—needed—to watch it with the rest of the stay-at-home mothers, the homebound and the elderly, the night shift workers, and the teachers staying home sick. I needed to watch it with the dissertating female graduate students in emotional crisis. I needed to watch it with the overweight high school girls, the ones with snarky brothers and anxiety-ridden mothers and no athletic team practice to keep them late after school. I needed that viewing experience to signify that I am part of something bigger than myself, a community of viewers who also need their worlds to stand still—even if only for an hour—each day.

When I go to Port Charles, I am removed from my own setting and transported to a place where characters behave in blessedly predictable ways, year after year. Time itself doesn’t stand still at General Hospital. But the master narratives remain the same, and those archetypal characters—the winsome nurses, lecherous doctors, and good-hearted gangsters—behave just as they ought to behave, just as I expect them to behave, just as I need them to behave, forever, no matter where ABC’s green screen technology takes them.

We humans learn from both fantasy and imitation. Let’s say a young, unmarried GH nurse discovers her unexpected pregnancy. I can study her response. When that plucky nurse bounces back a few months later (pregnancies are always shortened on GH) as a sexy single mom, I learn that we need not drown in our respective pools of misery, no matter how deep they might seem at first. Watching General Hospital helps me to draw a frame around my own life, to see where its parameters lie. Daytime television shows all of us, thanks in part to that green screen technology, where the edges are in our lives. Just how much philandering is permissible before someone is redefined as a cheater? How many times can a role be recast—how often can a character literally remake her self—before the essence of that character’s identity is lost?

I tune in not because I fear change but because I fear my own unpredictability in the face of change. There’s a difference. Even change can be predictable. It’s predictable that ABC will recast the roles played initially by children, for instance, substituting picture-perfect teenaged actresses for gangly eleven-year old ones. Soap opera children always grow up too fast. But those soap opera children follow well-mapped paths: they will either be doctors or gangsters, nurses or prostitutes, and they will die of car crashes or failed surgeries.

My children don’t yet know what the future holds for them. I don’t know what the future holds for them. And I don’t know how I’ll behave as they begin to make their own choices. I only know that the children of Port Charles will grow up as their beautiful parents fade gracefully into the background; I know that child actors will become featured players, their flawless faces illuminated in the green glow.

•••

REBECCA FREMO teaches English at Gustavus Adolphus College. Her essays and poems have appeared or are forthcoming in Compose: A Journal of Simply Good Writing, Water~Stone Review, Lake Region Review, Tidal Basin Review, Poetica, Red River Review, and Naugatuck River Review. Her chapbook of poems, Chasing Northern Lights, was published by Finishing Line Press in 2012. A Virginia native, she now lives in St. Peter, Minnesota, with her husband and three sons.

[1] As I revise this essay, it is now 2014, and I am on my second sabbatical from the college. Because I am a working mother of three, it’s taken me seven years to move through the revision process on this essay.

[2] That’s because the phenomenally talented Jonathan Jackson, nominated as Outstanding Younger Actor at the Daytime Emmy’s in 1996 and 1997, before winning the award himself in both 1998 and 1999, had moved on to prime time pastures. You can catch Jonathon Jackson now, in 2015, on ABC’s splashy nighttime soap, Nashville, which I watch faithfully each Wednesday night at 9:00 PM.

Sacked

By Rae Pagliarulo

Lauren smiled a little from behind her half-moon desk, running her hands over my resume, my writing samples, and my list of references. We had spent the last hour going over everything I could have wanted to know about a job—work/life balance, office culture, and maybe most importantly, at least in the nonprofit world, a compelling mission. If I was going to commit to raising money for a living, I wanted it to be for something I believed in myself. People can smell a snake oil salesman a mile away. This was a place I could really get behind, though. The director seemed like the kind of woman who wanted to see other women succeed; the kind of boss who understood that her successes were her team’s successes. I was slowly falling in love with the idea of being employed here. “So, don’t feel like you have to answer, but … what exactly happened with your last job?” She rested her eyes on the gap in my work history, then brought them up to meet mine.

I smiled and measured the words building in my throat. Which ones to let out, and which to leave out? I had to be careful, diplomatic, but, above all, honest.

Almost one year before, at noon on a beautiful, bright spring Wednesday, I was called into the office of Greta, the headstrong, no-nonsense director who reviewed my grant proposal drafts and splattered them with Xs and question marks. My supervisor Jill, who reported to Greta, followed close behind and shut the door to the office as I sat down at the cheap beige particleboard table. At that point, I had been working at the small but venerable arts organization for less than two months, still getting my bearings, trying to decipher the acronyms, and laughing my way past the unrecognizable names that were dropped at my feet. Oh, did I see Smith Von Lichtenstein’s new one-man show that was staged in a refrigerated meat truck under the Ben Franklin Bridge? Totally. I was out of my depth, a fish on a bicycle, but I was employed. I had worked at far worse jobs for far less money. At least here, I had a desk to sit at and regular bathroom breaks.

“What’s up, ladies?” I had no immediate reason to be worried. Sure, things hadn’t been going great—the jump from my long-term, albeit limiting position at a very large nonprofit to a higher position at this more modest organization had been anything but smooth. I had decided to leave my first real job after almost four years acting as everyone’s de facto assistant. It was a great place to work in that it was a resume-builder, but in actuality, I was sick of fetching coffee, submitting invoices, and collating binders full of information for the people doing the real work. I hugged my coworkers, who had become like family, packed up my note cards and photos and figurines, and did what you do when there’s nothing more to do. I left.

My new colleagues, mostly arts administration lifers, possessed the welcoming spirit of ice sculptures, and all the original writing I submitted—the crux of my job responsibility, in fact—was struck through with red pen, condemned for being “inconsistent with the organizational language.” My co-workers ate lunch at trendy restaurants without me and exchanged gossip just outside my door; several mornings, I entered the tiny, badly lit office I awkwardly shared with Jill, only to find her perched at the edge of her swivel chair and ready to ask me if I had “a moment to chat.” (This, for those who may not know, is nonprofit-ese for “You’ve done something stupid, and I’m trying to find the nicest way possible to tell you to stop.”)

Even my interest in musicals—which, at my culture-less high school had been deemed an obsession—paled in comparison to the show tune–whistlers that one-upped each other on obscure Tony Awards trivia and prattled off Bernadette Peters’s roles in alphabetical order for fun. That I was consistently missing the mark was no mystery to anybody. But it takes a while to adjust to a new place, my friends kept saying. Just stay the course and trust your instincts. I remembered the fights I’d have with my parents every time I left another thankless retail job in my early twenties. Impetuous, impatient, flighty, they called me. Can’t stay in one place for long, they said. Make up your mind, they chastised. I wasn’t ready to quit this one yet. I hated it, but not as much as I hated disappointing people I loved.

“Rae,” Greta sighed, “I think we all know this hasn’t really been working out, on both sides. You and Jill have spoken a few times about this, right?”

“…Right.” I pursed my lips, afraid to say anything that might incriminate me. My gut started to drop, and I could feel my pulse in my throat. Could they see the vein in my neck, I wondered?

“We’ve discussed it, and, well … we think it’s best if you leave.” Oh, God. No no no. “We’re happy to issue you a severance, and we’ll plead no contest to unemployment compensation.” Unemployment? Wait, did she say I’m unemployed? “Now, why don’t you head back to your office and pack your things, hmm? Jill will walk you out.”

My ears filled with a fuzzy static. My eyes locked in on her mouth as the words dripped out, in slow motion. I couldn’t even hear myself ask her, Now? I only knew that I had finally spoken out loud when she said to me, straight faced, “Yes. Now.”

The next few moments merged into a nightmare montage. Did I pack my lamp and my photos before or after I landed on a bench outside, crying into the afternoon sun? Who did I call first, my mother or my roommate? Why did Jill place her hand on my back as she led me outside, as though I might spin around and strike her? Did she secretly like me—did she feel bad? Did I cry on the train? Why was that damn sun so bright?

Like a tiny ten-car pileup, everything after that happened so fast. What felt like only minutes later, I was in bed with my laptop, Googling unemployment forms and blubbering. And then my new routine began: Collect paltry benefit checks. Go out drinking with girlfriends. E-mail every contact I have to ask for part-time work. Obsessively check job boards. Work shifts at the coffee shop for tips and free sandwiches. Continue drinking with girlfriends. Send out resumes. Send out resumes. Send out resumes.

The interviews and phone calls came easy enough—but so did the rejections. Everyone was so sorry. They wanted me to know how nice it was to meet me, how very qualified—even overly so—I was for the position that they had so easily given to someone else. A few times, I even made it to the second or third round of interviews, meeting with more and more people, answering harder and harder questions. I found myself heartily defending my commitment to nonprofit fundraising, a line of work just a few years prior I hadn’t even known existed.

Pulling myself up out of bed got harder and harder, the weight growing on me with every month. I started writing little Post-It note reminders to myself and sticking them all over the place—voices that would speak back to me as I went about my day. On my way down the stairs: LIFE IS WHAT HAPPENS WHEN YOU’RE BUSY MAKING OTHER PLANS! As I brushed my teeth in the bathroom mirror: NOTHING IS PERMANENT, EVERYTHING IS POSSIBLE! Inside the kitchen cabinet where I kept the cereal: DON’T KILL YOURSELF TODAY! MOM WILL NEVER RECOVER! I was constantly convincing myself to keep going, to turn the other cheek while the struck one throbbed hot. But at the bottom of my relentless interviewing, my hopeful monologues, the peppy Post-Its, I was so angry.

I was angry with myself for turning my back on predictability, security, and professional boredom, for the moving target of bigger, of better, of more challenging or meaningful or true. I was angry at every employer in Philadelphia for emailing me back, chatting with me jauntily over the phone, inviting me into their offices, smiling as I answered questions in their conference rooms—telling me not this time, not this job. I was even angry at Greta and Jill—even though I would have quit that stupid job, had they given me a chance to secure a landing pad—for not giving me a heads up, not even an hour or two to get used to the idea that by lunchtime, I’d be made redundant, totally afloat, rationing out the handful of change I had to my name.

Someone once told me that the best thing about your thirties is “productive anger.” When you’re younger and something devastates you, destruction is the next logical step: you rage, get drunk, leave livid voicemail messages for people who don’t deserve them. You want everyone else to hurt as much as you do. But once I realized that a couple of months of consistently unrewarded effort were closing in on half a year, “productive anger” was sorely needed. The ugly, unrelenting fire in my gut pushed me right out to the door and to the big conglomerate gym a mile away. I convinced my mom to front me the ten-dollar-a-month fee, and I spent almost every morning chugging away on elliptical machines, perfecting yoga poses I had forgotten, and pushing increasingly heavier weights away from me, above me, and behind me. I turned the Beyoncé and Biggie Smalls and Girl Talk in my headphones up loud and locked my eyes on Fox and Friends, Maury Povich, the Rachael Ray Show. Every ounce that fell from my frame made me feel a little less keyed up. I could feel myself getting lighter.

My creativity even benefited from this burst of usefulness. I enrolled in a couple of writing classes, held at community writing centers in neighborhoods that I’d hardly visited. The change of scenery was stimulating—suddenly the inertia and boredom lifted, and I couldn’t stop writing. Every story I submitted for workshop vibrated off the page, each word having landed there after fighting its way through my clenched teeth. But my jaw slowly loosened, and the little wrinkle between my eyebrows smoothed itself every time I sat with those people—the nurse, the retired schoolteacher, the émigré cook with a bum hip—and let my focus drift away from the pile of resumes, the dwindling money, the mind-numbing tedium.

The more anger I fed into my pursuits, the less there was to draw from. The pool of it got more and more shallow until my fingernails dragged along the floor, finding only the sediment, the good stuff, the concentrated trust in myself that was left behind. I could see that I had almost drowned trying to get down there, but once I did, I found what I was truly made of—what kind of person I was in the face of ruin.

“So … your last job?” I cleared my throat, brushed the hair from my forehead, and smiled at Lauren knowingly.

“You know, sometimes things just don’t work out the way you think they will. I’ll always be grateful for the opportunity they gave me, but the culture, the people … I knew I belonged somewhere more collaborative, more supportive. And I’ll be honest—this summer was hard… more than half a year without consistent employment really does a number on a girl, you know?”

She laughed, nodded slowly. “Oh, I know. Trust me. I really, really know.” We smirked at each other like two friends with an inside joke. “And collaboration, support? I totally get it. I wouldn’t be able to live with myself if I didn’t run an organization that believed in those two things. So don’t worry. I think you’re in the right place.”

I felt hyper-charged and tranquil all at the same time. I didn’t know whether to do cartwheels or cry uncontrollably. Maybe later, once I knew something official, I’d do both. But in this moment, in this room with Lauren, after an hour of talking and laughing, after the longest year of my life was almost safely behind me, all I could manage was, “Yeah … I think I’m in the right place, too.”

All names have been changed except Rae’s. —ed.

•••

RAE PAGLIARULO is an MFA Creative Writing Candidate at Rosemont College. Her work has been featured in Daedalus: A Magazine of the Arts, Full Grown People, Ghost Town Literary Magazine, and Philadelphia Stories, and is anthologized in The Best of Philadelphia Stories: 10th Anniversary Edition. She is also the 2014 recipient of the Sandy Crimmins National Poetry Prize and a 2015 Pushcart Prize Nominee. She works and lives in Philadelphia.

I Will Put Your Poem on the Wall

By Jenny Poore

I have a meeting with a senator in two days. A real senator, too, not a state one. They say that he’s very handsome in real life. Like, when they make lists of things like that, of handsome senators, he’s usually on that list so it’s been suggested and verified by multiple other people, not just me. As I write this, two days before I meet the handsome senator, I am aware of a giant red bump protruding from my face, sitting above my upper lip and below my nose.

I have been torn all week between messing with the zit and just leaving it alone. I want it to be invisible immediately, but to make it be invisible immediately you have to mess with it, touch it and, poke at it with concealers that thwart the fairly effective spot treatment gel that I sometimes must use. The alternative (leaving it alone) means that the medicine is free to do its work. But to do this, to make it go away faster, means to leave it unconcealed where I must confront it whenever I pass my reflection (in mirrors, shiny appliances, freshly washed windows.) My four year old reminds me of it. Mommy, there’s something red above your nose, she says although she means below my nose.

I got an email last night from the senator’s people; they would like me to introduce the senator to the group of women I am hosting. Can I prepare remarks? Of course I can, of course. I can certainly do that. Instead of thinking of my remarks, though, I wonder how many more coatings of medicine I can get on my face in two days to make the zit be gone.

•••

For several years, an evangelist lived across the street from us. He was a grade-A moron but he loved the lord, and in the city where I live, you don’t have to be smart to make people give you money and tell you you’re awesome—you just have to love the lord and encourage others to do the same. I’d walk past my window and see him across the street behind his screen door wearing nothing but a pair of tiny shorts, talking on the phone, and patting his soft belly. He’d yell into the phone loudly, quoting scripture I assumed, then he’d laugh and pat his belly some more, technically inside his house but he might as well have been outside you could see him so easily. He wore cheap suits and let his dog shit in all the neighbors’ yards. He was friendly and loud and stupid, and I couldn’t stand him. He was a man that takes up space and makes noise like there will never be a shortage of either.

•••

I’m meeting the senator because I run an organization that teaches young people how to love writing. He is a good senator, in addition to being handsome, and he is meeting with area businesswomen. My organization was founded by women and is run mostly by women, so it sort of makes sense.

Yesterday during a workshop, I was helping a girl who always comes to our workshops even though I don’t think she really likes them. Every time she’s there I end up trying to get her to finish whatever she started working on because she just tunes out. She acts like it’s school even though most kids act like it’s the opposite of school—like it’s fun and they’re there because they want to be there. The kids had been led through a series of exercises that left them with a handful of ingredients that they could readily bake into poems. She already had all her ingredients right there on the paper. The poem just had to be assembled, and all she had to do was write it down.

“Nah, I’m not doing it anymore. I hate doing this. I’m not writing.”

“What are you talking about?” I asked her. “You have everything right there—why won’t you write your poem? “

She’d been scribbling with her pencil, generally looking as disinterested as an eleven- year-old can look, crumpling up her paper and moving her chair around. She stopped suddenly and looked right up at me.

“You’re not going to hang it on the wall anyway even if I do.” She said this like it was a challenge.

Sometimes I hang the kids’ stuff on the wall. Not all the kids’ stuff, but some of it if they’re particularly proud of it or it’s especially funny or good or if I need to cover a crack in the plaster. I never thought that she’d noticed or cared but the mother in me realized I’d been played. Of course she cared. She just figured I didn’t.

“I will hang your poem on the wall. As soon as you are done writing it I will hang it on the wall. I promise.”

“Seriously?” Her eyes blazed.

“Seriously.” She sat down and wrote her poem.

•••

The stupid evangelist had a really sweet wife. She was young and fresh and seemed mostly resigned to the fact of her doom with this man. I was walking the neighborhood with my mother one night close to Christmas when we saw him in his front yard. Knowing that his sweet wife had gone into labor that morning, we asked after her and their new baby.

“Well, it’s a girl.” He said and paused. “But that’s okay. There’s always next time.” He waved half-heartedly and was gone before me and my stunned mother realized what he’d said and how much we hated him for it.

•••

When her poem was finished, I hung it on the wall. On her way out the door, she nodded her head as if she was thinking, “It’s about goddamn time.” I put it in a place where the senator will see it when he comes in two days. He’ll notice it either before or after we shake hands and either before or after he notices or doesn’t notice the zit that sits above my lip and below my nose. I have not written my introductory comments yet. I have another thirty-six hours of medication applications before I need to have those done.

I spend my time knowing that I have created something fairly good and interesting and that’s why a senator is coming. I’m wondering why I am thinking more about my face than that fairly good and interesting thing. The stupid evangelist would not be thinking of his face. He was told that he was awesome for so long that he easily believed it even though it was not true. That’s all it takes, maybe. You are awesome, you are awesome, you are awesome, and then you think you are. The stupid evangelist with his cheap suits and his easy maleness and the convenient religion that allowed him to be more than his sweet wife and their sweet new baby girl never flinched. He took up all that space and made all that noise, but that was all okay. He was awesome. People told him so.

Listen, because I need you to hear this: I will tell you that you are awesome. Unlike the evangelist, I will say it because it is true, because I mean it. You are awesome. You are the opposite of taking up space and making noise. You are the poet and the poem. You are the clean piece of paper, smooth, unmarked, waiting for the ingredients to be assembled. I will put you on the wall where the senator can see you, where the world can see you, where we can read you and celebrate you always. I will put your poem on the wall, I will always put your poem on the wall, and I will use the stickiest tape, and I will hang it in exactly the right place, I will do all this for you, I promise.

•••

JENNY POORE is a local education advocate and the director of the children’s writing non-profit WordWorks! She lives in Lynchburg, Virginia, with three kids, a husband, and a yellow dog named June Carter Cash. Two of her favorite things are coffee and Sherlock Holmes. You can read more of her stories and essays at www.sometimestherearestorieshere.com.

Love and Loathing in Las Vegas

By Lynn Marie Houston

If you want to expound on love,

take your intellect out and let it lie down

in the mud. It’s no help.

—Rumi, “The King and the Handmaiden and the Doctor” trans. Coleman Barks

“What’s it like outside?” my friend Catherine croaked from under the covers. I walked past her bed nearest the door, balancing a cardboard carton of coffee for the three of us: me, Catherine, and the British man who had spent the night in bed with me.

“It’s bright and loud,” I grumbled in the throes of a hangover. “And hot,” I added, looking at the muscular leg and arm that were twisted up in my sheets like a man candy-cane.

Just then, someone knocked on the door. “Housekeeping,” a woman’s voice called with an accent.

“Shit,” I whispered to Catherine as I trudged toward the door. “What’s Spanish for come back after the British guy puts his clothes on?”

I opened the door to a woman whose face said she’d seen it all. I mustered what Spanish I could, “Uh, mas tarde, por favor.”

Later. But it was already so late, the last weekend before my teaching contract started up again for the fall. I had planned a trip to conduct research for the ethnographic study of Las Vegas that I was supposed to be doing. And then Catherine decided she needed to get out of town, too, so she booked a flight to join me. She was a few years older than me and married (and, as I discovered the previous night, a sound sleeper), but she could drink me under the table, and regularly did. I wasn’t getting any research done.

Simon stirred, opening his blue eyes. “Bloody hell, that was some fun we had last night.” He propped himself up bare-chested, stomach muscles rippling down under the sheet, and broke into a boyish grin.

Yes, the problem was the Brit. Or rather, the problem was my hooking up with a complete stranger when I was supposed to be in Las Vegas for serious intellectual work. I had crossed the not-so-fine line between immersing yourself in your subject and getting into bed with it.

Catherine was up now, searching for a bottle of Advil. Simon was sipping coffee in nothing but his boxer-briefs and helping himself to a box of chocolate on the nightstand. I sat down at the small table in the corner of our room, rested my elbow on the Formica top, and placed my forehead in my hand. Unless I figured out the right way to spin this for the research project, Big S was going to kill me.

Big S was the lead researcher on the Vegas project. One of her previous joint-authored projects had been required reading in most graduate programs in cultural studies. The Vegas book was to be her next project. Collaborating with her on it was an incredible opportunity, one that shouldn’t be squandered for casual sex, even if it was with a Norse god. But if I didn’t produce something acceptable soon, Big S would kick me off the project. She had already threatened to do so. Without this project, I didn’t stand a chance of getting a position at a better university. After working with Big S for two years, if she didn’t give me a good recommendation I would be dead meat on the academic job market. So why was I screwing around? It would probably have taken thousands of dollars in therapy to answer such a question. I was well aware that even though Big S’s idea of doing research was just to “hang out,” that that didn’t mean without any clothes on, and yet I did it anyway. My contribution to the book was originally supposed to be a chapter about Las Vegas wedding chapels, but it had quickly become more about women’s issues in Las Vegas. Now, the research was stalled because of my own issues. The last advice Big S had given me after disproving of yet another draft but not giving me any specifics about what I could revise, was that I should “put my soul on the line.” I didn’t know what that meant.

Two months before this trip to Vegas with Catherine, I’d travelled to Connecticut to stay at Big S’s farm. My nickname for her, I discovered then, was actually a misnomer. There wasn’t anything big about S, not her size (she was short and petite), not her heart (she could be stingy), and not her farmhouse (we packed five people into nine hundred square feet). I was there, along with many of her kids and step-kids, for her birthday weekend, but I had only been invited to stay for a few days prior to the actual celebration, at which time more people would be coming to the farm and, Big S had told me, there wouldn’t be enough water for everyone. “The well is low,” she said, “and it can only support so many people.” Even though I was not counted among those worthy enough to burden the water supply, I did visit for three days before the party.

I had offered to help Big S on her farm in exchange for conversations about my writing and advice about my career while I was there. We talked about her philosophies of writing while weeding her garden, how she first conceived of joint writing projects as a way to help her fellow colleagues advance in their careers and a way to achieve multiple perspectives on a topic.

From her property she was running a small CSA, where people in her neighborhood paid a flat fee at the start of the season and she brought them weekly baskets of the produce that was in season. Something about the CSA matched the idea of a collaborative research project. Just like she enlisted a group of us to help write about Las Vegas, with the help of a few graduate students she grew a few varieties of greens, zucchini, squash, tomatoes, peppers, onions, carrots, and eggplant on her farm. In addition, her weekly CSA customers received fresh eggs; some even took raw, unpasteurized milk from her goats. While staking her pepper plants, Big S talked to me about how she thought I could get a job at a university where the teaching load wasn’t so high, so that I had more time for research. Her husband was an internationally award-winning scholar, and she told me that if I made a satisfactory contribution to the Las Vegas book project that she could get him to write me a letter of recommendation. Just the night before, her internationally renowned scholar-husband had complained about the excess of mustard I had used in the zucchini pie that Big S had asked me to make. I hoped he would leave that out of the letter.

Big S also told me about how much of a burden the farm was. It took time away from her writing. It didn’t sound like she actually enjoyed the farm work very much. She said that she couldn’t even take a vacation unless she had someone watching the place who knew how to handle chickens and milk goats.

“Is it really hard, milking a goat?”

“Only one of my kids was able to pick it up.”

“Do you think you could show me how to do it? I’ve always wanted to learn.”

“Yeah, I could let you try. The trick is to pinch off the teat with the upper part of your hand and pull down on it with the lower part of the palm.”

I practiced moving my hand the way she described. Big S looked doubtful but said nothing.

She took me into the barn and rounded up the goats that needed milking. She led one in through the back of the barn and up onto a metal stand. The goat put its head into a contraption on the end and waited for Big S to put its food in the slot. She closed a bar over the back of its head to hold it in position. Then she got down on the stool, grabbed its swollen teat, and pinched it.

“Here’s where you cut it off. Then you pull down.” She demonstrated once, then got up from the stool, motioning for me to try.

It was very difficult to hold the top part closed while running the rest of your hand down, but little squirts of milk started coming out. A few more tries and I had a steady stream. It was taking me forever to get anything in the bucket, though. By now the goat had finished its bagel and was getting restless. The height of the metal bench on which it stood placed its hooves level with my head. The pail was about half full when the agitated goat stepped into it with one of her hooves.

Big S frowned.

“You’ve got to dump that pail now. Her hooves have all sorts of bacteria on them, and we don’t pasteurize here.”

Annoyed, Big S motioned for me to get up off the stool and she took over milking with a fresh pail and without any further acknowledgement of me.

She had never mentioned that I had to somehow keep the goat’s hooves out of the milk.

When we got back to the farmhouse, she announced to her family, “Lynn ruined the milk. She let the goat step in it.”

Big S was not very forgiving of mistakes. Nor was she a great teacher.

•••

The half-naked man in my bed shook me from my reverie, “Do you mind if I use your computer?”

I handed it to him. Catherine was packing a beach bag to take with us to the pool. Simon, now checking his email, was making no motion to leave us. In fact, he seemed rather lonely. He’d already been in Las Vegas for a week, part of his plan to tour the United States until his visa ran out. After this next week, he wasn’t sure what he was going to do. That day, though, our plan was clear: we would sit poolside and drink mojitos.

But as we sat there in the reclining chairs and hot sun, I realized that I needed to at least attempt to get some research done. One good session of information about Las Vegas, and I might have enough to fill in the chapter I was working on. I got on the internet from my phone and purchased a ticket for a historic tour. I wasn’t sure if this would give Simon his opportunity to ditch us, but the three of us made a tentative plan for later. Simon and Catherine would go to dinner and walk around while I went on a tour and get some research done. It was a bus tour that promised to give information about the history of the area and some of its notorious figures. Finally, I might have something to write about for the research project. It was the kind of project where I would probably end up writing more about the dynamics of the tour I went on—how it presented Las Vegas to the public—than about the information it presented.

I left Catherine and Simon at the hotel and walked to the location where the tour bus boarded. On the way, I wondered if Simon would really hang out again with us that night, or if he would just silently wander off to something or someone else. I hoped he wouldn’t disappear. But it was silly to think he would follow through on plans with us; he was just some random guy I’d started talking to at the bar.

After the small group of people on the tour took seats on the bus, we were en route to the first stop. The tour guide announced our approximate return, a good hour and a half later than what I had thought. I would be late for meeting Catherine and Simon, if he was even still with us. The guide also announced that with the exception of the first stop, the Flamingo Hotel, we would be in the outskirts of Las Vegas, so there would be no easy way to exit the tour midway and return to downtown. Then he started a video for us to watch about the mob and its influence on Las Vegas. None of it interested me. I only had two more nights left before I had to go back to my crummy life buried by stacks of student papers. I would probably never see Simon again after that. Suddenly, I was overwhelmed by the desire to get off that boring tour bus and go find him. It seemed there was some larger life choice playing out here. Was I going to spend my time working on chapters of writing that were never good enough for Big S, that would be read by maybe a handful of scholars in my field? Or was I going to go find the hot guy—laugh, drink, and make love?

What would Big S do? I asked myself as motivation to stay on the tour, but I knew that she and I were as far apart in personality as Simon’s home in England was from mine in California. But I needed to be a part of this research project, I reminded myself. Without it, my career would fail. Then I turned to look out the window and saw my own reflection. “How to live?” I asked it softly. The tour guide droned on, delivering worn-out jokes with little enthusiasm. When we stopped at the Flamingo, I pulled him aside and told him I wouldn’t be getting back on the bus. Then I texted Simon to find out where he and Catherine were. Her job of babysitting Simon done, Catherine went back to the hotel and let the two of us to catch up over drinks at NY NY. I went back with Simon to his room that night. We hung the “do not disturb” sign on the doorhandle.

“Vegas feels like cancer,” I moaned the next morning to Simon who was already awake next to me. I was suffering from a cumulative hangover. Every part of my body ached. I returned to my room to catch up with Catherine and sleep for a couple more hours.

That afternoon Simon took me on a coffee date, like normal people who don’t hook up in Las Vegas the first night they meet each other. We spent hours at the Starbuck’s in the Excalibur. Simon told me about his upcoming trip to Los Angeles to attend the Sunset Strip Music Festival. Slash would be playing, as would Smashing Pumkpins, and a group called White Tiger. Rock music was his thing. Growing up, he lost himself in it to escape an abusive stepfather.

“Come with us tonight to a concert at the Hard Rock,” I told him. Tonight would be my last night in Las Vegas, and Catherine and I had tickets to see a band. I couldn’t imagine going without Simon.

“Who’s playing?”

“Wolfmother.”

“They’re pretty good,” he smiled.

“We’re going to see a piece of musical theater beforehand, so maybe you could meet us at the Hard Rock?”

“Maybe. We’ll see.” Then he grabbed my hand and squeezed it. “Ready to go sit by the pool?”

I stood up smiling, but I doubted that I would see Simon later. Eventually this good thing had to end. Did it really matter whether it was now or the next day when I left for the airport? And yet somehow it did matter to me. He mattered to me. More than Big S and the research project.

We found Catherine at the pool and Simon taught us to play Top Trumps with a deck of Star Wars cards. It was a game of luck that you won by being dealt the best hand. After Catherine won twice, and after a few more rounds of mojitos, we fell back into our pool chairs, our faces numb in the fleshy bosom of a rum buzz.

I thought about how I had to go back home tomorrow and confront the fact that I had done no research, that I had to go back home where Simon wasn’t.

“I’m feeling a bit melancholy,” I said. Simon turned his head toward me and opened his eyes. He reached out and grabbed my hand, interlacing his fingers comfortably with mine, then closed his eyes again, our hands still touching.

The time came and went for Catherine and me to leave if we wanted to get to the musical we’d bought tickets for. We didn’t move. Well, that’s not exactly true. We raised a hand to call the poolside waitress and ordered another round of mojitos.

“Vegas feels like paralysis,” Simon said.

We took long sips from our drinks so we had to reach for them less. Eventually the time came to leave for the next show.

“Well,” I said. “Who’s going to this concert? We should go get ready.”

“I am,” said Catherine.

“I am,” said Simon.

Catherine had purchased a bottle of vodka and some mixers at a convenient store, arguing that drinks were so expensive at the bars it made sense to buy some in larger quantity. It was an alcoholic’s logic, but somehow, in Las Vegas, it worked. Simon picked us up at our room and we had drinks before leaving. He looked dashing in a pair of form-fitting jeans and a black dress shirt.

Drinks were indeed expensive at the outside bar by the pool of the Hard Rock Hotel where Wolfmother was playing. Simon and I switched to beer. We were in for the long haul. Catherine stayed with vodka and made the mistake of trying to go drink-for-drink with us as Simon and I alternated buying rounds. Before long, she was having trouble walking in her heels. I got her a water. She wasn’t going to make it until the end of the concert.

“She’s saying she wants to go,” I explained to Simon. “I’ll take her and put her in a cab. Will you wait here for me?

He nodded.

I put Catherine into the cab and gave her money, silently betting she would miss her eight a.m. flight. And I stood there for a moment looking out onto the city lights. The Las Vegas night felt like a lover’s body under the sheets with its warm spots and cool spots. The sidewalks emanated the heat they’d collected during daylight, while a slight breeze trickled down from the red rocks of the Spring Mountains. Simon had indeed come to the concert. This was our third night together. But it was all over tomorrow. I’d gotten no research done and would return to California empty-handed. No hope of a future either with Simon or in my career. But I hardly cared. Somehow in that moment I felt more myself than I ever felt working on the chapters for Big S. In that moment, Vegas felt like freedom.

I returned to the raging crowd. Rounding the corner of the bar, I saw Simon right where I left him, waiting. Sensing me, he turned around, put his arm out, and drew me to him. Pressing my head against his chest, I inhaled his man smell. He held me tighter. No book ever hugged back like that.

•••

The next week, during the first week of classes back in California, I got kicked off the Las Vegas project. Big S sent me an email calling me “infantile” and claiming that I was more suited to writing Harlequin romances than I was to cultural studies projects.

Was I an insolent child who sabotaged her own career? Maybe. But I would have done anything that Big S had asked me to do, if only she could have articulated what that was.

Or maybe every day of our lives is another opportunity to choose who we want on our team. I’m still in touch with Catherine and Simon. I just contributed to a fundraising campaign that he was leading for the homeless population of London. I haven’t spoken to any of the members of the Vegas research project in four years. If I were to put together my ideal team—not for a research project, but for life—it would be made of the Simons of the world. The generous spirits, the large hearts, and the easy-going forgivers. And that’s what I chose in Las Vegas.

•••

LYNN MARIE HOUSTON’s essays and poems have appeared in South Atlantic Quarterly, MELUS, Postmodern Culture, Proteus, Prick of the Spindle, Poydras Review, Uppagus, Boston Literary Magazine, 3Elements Review, Extract(s), Watershed Review, and M/C Journal, among others. She is the author of book of poetry exercises for beginners, The Poet’s Playground (Five Oaks Press, 2014). After attending Arizona State University for her Ph.D. in American literature, she now resides in Newburgh, New York, where she lives in a renovated 1968 Airstream camper. When she isn’t teaching English, she tends her honeybees and kayaks the Delaware River.

This Wild Life

By Renee Simms

The children wriggled and cursed in the old SUV, summoning me to exhortations about proper car-riding behavior. “Y’all know better!” I warned. I turned down whatever music was playing. I did these things while I watched traffic conditions on 30th street, which, if you’re traveling east in Tacoma, has a precipitous, San Francisco-esque drop. As you drive, you will feel your fingers tighten against the steering wheel once you realize that you can’t see beyond the approaching precipice. You’ll slow down, and that’s when you’ll catch a glimpse of it—the entire Puget Sound. You’ve got your bluish water and snow-capped mountains, the old barges dotting the coast. Porch lights wink from houses pushed far into the hills. This view is tantamount to falling in love.

Driving west, though, it’s all uphill. That’s the direction that I was traveling. My Rodeo was, at the time, twelve years old. I liked the vehicle just fine even though its manufacturer was a company best known for making good lawnmowers. As the children teased each other and bucked in their seats, my Rodeo stayed focused on the road. She climbed the hill with all her inelegant noise: a sound like cicadas trapped inside the engine.

“Do not call your sister names,” I said, or something close to that. Perhaps, I told my raucous kids to “Shut up.” I don’t recall. It was late and I was tired, plus my night vision is poor and there was very little light. The sky had a moon so slight that evening, you could say that it wasn’t even there. When we reached the top of the hill, I stopped to turn left onto Union Avenue. I waited and waited and waited. Each set of headlights that passed by blinded me for a couple of seconds. Finally, there was a break in cars and I completed my left turn. This is when I saw the delicate fawn in the street.

The fawn tottered on its pencil legs, froze, then bounded away. The poor thing probably saw us before we spotted it. Nocturnal animals like deer have what’s called tapetum lucidum, a layer of tissue over the eye that reflects light and gives them good night vision. I pounded my brakes and swerved the car. We stopped within inches of the deer. “Ohhhhh!” my daughter said. “Where is its mom? Why is it all alone?”

“I don’t know,” I said. My heart thumped in my chest. “It’s a rough world out here in the animal kingdom.”

•••

According to its website, the state of Washington’s Department of Fish & Wildlife gets phone calls each year about orphaned fawns. People stumble across the fawns curled up in tall grass in the woods, seemingly alone in the world. Usually they are not alone. The mother-doe is hidden nearby where you can’t see her. She keeps a watchful eye on her offspring, but the range she allows her young to roam is far and wide.

•••

After we settled down, I drove my children back to the 1920s cottage that I was renting near the university where I worked. The kids were visiting me for one week. They lived most days with their father, my ex-partner, whose home was just outside of Phoenix. Like the animal we’d encountered that night, my children were seemingly without a mother during most of that year. I’d decided in May to take a two-year, visiting faculty position in Tacoma. My ex and I decided that the kids would stay with him during the first year of my appointment. It only seemed to make sense. From the time I got the job, I had less than twelve weeks to find a place to live, to move from Phoenix to Tacoma, and to prepare to teach three classes. There was no way that I could also uproot my children and enroll them in a school system I did not know.

So, instead of spinning my wheels over how I would bring the children with me, I planned for their year without a mom. We all have certain details about parenting which we covet. I knew the details that I paid attention to might be overlooked by their father while I was away. So before I left, I investigated babysitters and talked with relatives and friends about how they could help us watch the kids. I made sure the woman who braided my daughter’s hair had my ex’s cell phone number. I purchased school supplies for the upcoming year. Even after I was gone, I kept in touch with the kids’ school teachers via email and phone. Although I would not be there in the flesh with my children, I was still around keeping a watchful eye.

•••

Deer are a uniparental species. The father deer, the ones with the big, scary antlers, are around to make the babies and then they’re gone. You will not see them hanging out with doe or fawn. If you spot a male deer in a herd, chances are that every deer in that group is male. Fawn are cared for by their mothers only. The mama deer do everything for the babies, including eating their droppings and urine so that predators won’t catch scent of them.

•••

What surprised me most about my decision to leave my children in Arizona was the reaction of my friends and relatives. You would think my kids didn’t have a working, able-bodied father who loves them madly. “You can’t leave them with their father. Their father? Children need their mothers,” one friend said.

“Why don’t you take them with you? Your students will babysit the kids,” another friend said.

Each person I consulted was well-intentioned. They were expressing genuine concern for my family’s well-being. Still, the tone of alarm in their voices and the repetition of frightful scenarios like the ones my father liked to put in my ear, made me doubt my own decision. For example, my daddy insisted I research the sexual predators in my neighborhood so we’d know who was watching the kids walk to the school bus stop while I was away. I told him that we’d lived there for nine years without such information.

Other people’s fears and doubts became my own. As a result, the hardest part of my year away from my children was not the months when I was on a mountain and they were in the desert; it was having the courage to leave them with their father in the first place. I was trusting that I was making the right decision for everybody involved. The conventional wisdom was that I was the primary caretaker and needed to live in the same house with my children. But I was also a provider, and taking a job that increased my income counted as taking care of my kids, too. I can’t imagine that a man in my position would have been counseled the same way about this transition. I can’t see him being told that moving to a new city while single-parenting and starting a new job was a sane or normal balancing act. In the end, I decided I would not multitask in this way. It was hard to trust my own conscience about this. Then there was the actual moment when I had to say goodbye.

We said our farewells in mid-July, two days after movers loaded my boxes onto a twenty-two foot straight truck. My shipping order included the usual domestic items, like linen and dishware, but also fifty small and medium-sized boxes of books. The only furniture that I took from the Arizona house was a bed and writing desk. Their absence—the way the bookshelves and floor had visible gaps of unoccupied space—was, by the time the airport shuttle arrived, the only evidence that I was leaving. The rest of the house was intact. My ex had even moved back in for this one year. A clear light came through the windows that morning. Its brightness made me hopeful even though the shuttle driver, who was five minutes early, had robbed me of final moments with my kids.

My son was the first to rise from the couch and walk in shiny athletic shorts and no shirt to where I’d paused at the door. At eleven years old, he stood nearly my height. His thin body and sway-backed posture at one time reminded me of an apostrophe. Now, as his shoulders broadened over a small waist, his upper body resembled an inverted triangle or wings. We hugged. My daughter, who was six, ran up and wrapped her thin arms around my thighs. Then I embraced my ex. For a brief moment, we were a family huddled near our home’s threshold. In the next second, I would be through that door and inside the blue airport van. I wouldn’t see my kids for the next three months.

The other difficult part of leaving was accepting that my life could be full of similar curveballs in the future. I had never anticipated divorce; nobody does. Similarly, it never crossed my mind that I would have to take a job in another state in order to care for my kids. Nor did I think I’d be single in my forties, that I’d have to think about my safety at night or how I present at private parties where everyone else is coupled-up.

I’d told my daughter the night we saw the deer that the animal world wasn’t quite like ours, that it was unpredictable and dangerous. “Sometimes a fawn is just on its own,” I’d said. But the truth is that we are just as vulnerable as animals that walk on cloven hooves. This becomes most clear when we’re stripped of institutions like marriage or when we experience health problems or economic insecurity. It’s when our bodily functions fail us or we’re hungry without knowing when we’ll eat; it’s when we’ve been physically harmed by another person that we recognize life’s brutal underbelly. Sure, we erect boundaries between civilized society and the wild side, but these boundaries are easily crossed and civilizing tendencies require our constant attention.

•••

Deer are mostly vegetarian, although they will eat meat on occasions. Some of the vegetation that can attract deer to your yard are dandelion, clover, wheatgrass, mushrooms, and other fungi. If you want to keep deer out of your yard, the Washington Department of Fish and Wildlife suggests deer-repellant landscaping. Shrubs which deer don’t like to eat include globe thistle, lavender, oregano, rue, pine, birch, fig, trillium, lilac, and yarrow.

•••

A friend in the Midwest recently told me about a family of deer living in her mother’s backyard. She used this story as an example of the way that nature was making its return to this urban area that has been in decline for several decades. It was a way to paint the picture of a crumbling city and infrastructure. “Can you believe it? Living in the backyard!” she said. I was struck by how the appearance of deer were interpreted by my friend and how differently they are seen here in my neighborhood in the Pacific Northwest. I don’t have deer living in my backyard, but they sure bounce through it on occasion, and I’d wager that my neighbors consider deer as part of the area’s charm. Living close to wildlife means different things depending on a person’s context.

Take the deer I saw this summer in the South on a college campus where I attended a writers’ conference. The deer were considered by most writers as magical and spritely, as evidence that we were in a pastoral setting conducive to ideas, instead of the crammed cities where so many of us live. The deer, for their part, pranced in and out of our view as if the college campus was their world and we were in it by happenstance.

I have summers without the children, now, which allows me to attend professional events like writing conferences. My kids live with their dad in the summer and they live with me during the school year or nine months out of the year. It’s an arrangement that works, but again, it’s one I didn’t anticipate years ago. As I walked this latest conference one night, I saw a herd of deer near a tree. There were at least seven or eight of them huddled together. I’ll admit right here that I was slightly drunk, but I’m pretty certain of what I saw. As I walked closer to the animals I saw young and old deer, mostly doe, and one gargantuan male. As the doe and fawn nibbled the grass, heads down, the antlered deer kept his eyes on me as if saying, “Keep it moving, woman, and don’t step any closer.” I was in awe. The next morning, I told another writer who’s a good friend and poet and he said, “That’s incredible! The males rarely hang out with females and fawns.” He was right. That’s what I’ve read to be true about these creatures of the forest and woods. But stranger things, I imagine, happen all the time.

•••

RENEE SIMMS writes fiction and essays which have beeen widely published. She is putting the final touches on a story collection, Because We Were Miles from Home, while teaching and parenting outside Tacoma.

The Atheist and the Crosses

By Cassandra Morrilly

I work for a Jesuit university, which surprised everyone in my life, especially me. Upon accepting the job, my devout old Catholic aunt, who has long been worried about my rejection of religion, sent me a rosary. Friends and former coworkers laughed and speculated on how long it would take me to get fired. Others told me I’d do well, as long as I didn’t talk.

I’m an opinionated atheist. No one thought I’d last at an institution whose buildings are decorated in religious art on a campus full of statuary and crosses. I told myself I could fake it—after all, I know Catholics. My family is Catholic. I went to a Catholic high school. All I had to do was blend in to the background, and everything would be fine.

For the first few months, I was profoundly uncomfortable. People were much more open about their faith than I’d anticipated. Employees are constantly reminded of Jesuit values, and open discussions often happen about how to live those values in our jobs and our everyday lives. I waxed pathetic one evening about how long it would take my coworkers to realize that I wasn’t like them, that I wasn’t suited for that sort of environment. Sooner or later, they’d find out that I don’t believe in God, and then what? How would they react to having an atheist in their midst? I felt like an intruder. I had stepped into a world that I had consciously rejected, and now it was going to reject me. I was convinced that it was only a matter of time.

Though my husband listened patiently, he showed no mercy. He simply looked at me and said, “This is the best job you’ve ever had. Don’t screw it up.”

•••

The best job I’ve ever had began with a Master’s degree in Literature, which led me to market research and eventually into data analysis. People often find this odd, but the purpose of studying literature is to analyze narratives: to think critically, ask a lot of questions, and be able to understand and apply a variety of concepts. It’s not so odd that my skill set easily translated from analyzing Victorian novels to analyzing large quantities of raw data.

A narrative is a narrative, whether it’s constructed of words, or numbers, or ten crosses hanging on an office wall.

The owner of the crosses was one of the first people I met, in a computer lab that he announced had once been the shower room for the original group of Jesuits who inhabited the building more than one hundred years ago. It was a strange feeling, knowing the history of that room. And my coworker is full of those sorts of tidbits and trivia. His memory is itself a vast database, one that I was advised to access as often as possible, and that I still rely on two years later.

When I walked into his office for the first time, I immediately noticed a line of crosses hanging above his office door. Crosses are hardly out of place in a Catholic school, hardly something to be startled by, yet it somehow struck me as excessive. When I asked him about them, all he said was, “I plan on covering my entire wall.”

The first time I asked why, he didn’t answer.

•••

On a campus that’s full of crosses, the only crosses I continue to find odd and distracting are my coworker’s. Every time I’m in his office, I end up staring at them, counting them repetitively in my head, studying their ornamentation. It seems so strange, looking at crosses that are decorated with colors and flourishes, crosses that are downright cheerful. I understand that they’re symbols of faith, of hope, of forgiveness and eternal life. But I can’t get out of my head that they were also an instrument of punishment and torture, peculiar Roman contraptions upon which many suffered and died.

Several times, I asked him why he had so many. The first time I asked, he told me that it was his intention to cover the wall with them, starting from the doorway, and wrapping all around his office. I asked him why again, and he told me how carefully he spaces them apart, so that they’re equidistant. It bothers him if they’re not aligned correctly. He told me about standing up on a ladder, about feeling uncertain about his balance, about being worried that he’ll fall.

I asked him why he hangs them then, if it’s such an inconvenience, and he told me again that he wanted to cover the wall in crosses.

Though I kept asking the same question every time I visited his office, he would always act like he hadn’t heard it. He would tell me instead who gave him this cross or that cross, or repeat his intention to cover his entire wall, or even talk to me about the other random items he’s collected over the years.

That sort of technique doesn’t work well on me. Even if someone won’t answer, I typically won’t stop asking. It is my most endearing and infuriating trait—and the Jesuits’ as well.

•••

Asking questions is one of the core values that our university encourages. This may seem strange to some, as Christians are often characterized by the godless as mindless followers taking their marching orders from a two-thousand-year-old book. That’s an unfair stereotype, as Christianity is much more nuanced and complex than simply a set of rules handed down by a judgmental God-figure. The Jesuits in particular encourage people to think and question. They’re the rebels of the Catholic faith, the original bad boys, founded in 1540 to educate, to serve, and to work for the greatest common good. In their nearly five hundred years of existence, they’ve spread to every part of the globe, leaving behind a network of universities.

One of them is nestled on ninety-one acres in North Denver, a university which is made up of three separate colleges and enrolls nearly ten thousand students per year. Many of them are online—the Jesuits have always been open to change, and our university was one of the first to offer online-only degrees. Even though practically every school followed our lead, it’s still a point of pride to know that tradition can still be cutting edge. That faith can be supported by data and technology.

That’s what I do—I work with the university data.

Data, much like the Victorian novel, is not easy to understand. Learning the complexities of the university systems was at times frustrating and made me reliant on others for questions and guidance. In my first few months, I had the frustration of a high learning curve complicating my adjustment to a work environment that encourages open religiosity. The only thing that overcame my defeatist thoughts was pure stubbornness. I figured, as long as people are willing to answer my questions, I’d keep asking them.

I still periodically visit my coworker’s office, and stare up at the beige-colored walls, compulsively counting the crosses. In fact, it’s the first thing I do, every time I’m there. The moment his attention is on his computer, my eyes are drawn upwards. There were eleven, then twelve, then thirteen. I find them hypnotic. Though I value everything that he takes the time to explain to me, I often have to struggle to pay attention to what he’s saying. I have to remind myself to listen to him, to look at the screens in front of us, to take notes and ask the right questions—the ones I’m supposed to ask, not the ones I want to ask.

Seventeen crosses in, I was beginning to feel like I understood something. The day I counted the seventeenth cross, I began to visualize our database in a way I hadn’t before. I imagine it as a series of flat planes that glow a soft blue, with a lot of moving pieces and endless loops. I see it not as if it’s something I’m constructing, but as if it’s something I’m remembering.

That was when I started to think that maybe I wouldn’t screw it up.

Except for the whole Christian thing. That still scared me.

•••

When I first professed to my family that I didn’t believe in God and didn’t consider myself a Christian, they took it as nothing more than a passing phase. My father used to sometimes say, “If you’re raised Catholic, you’ll always be Catholic, even if you don’t go to church.” As if Catholicism was a scar I couldn’t ever get rid of, a stain that would never wash out. For years, I was sent Christmas ornaments and asked why I hadn’t put up a tree. For years, I vacillated between politeness and annoyance. I don’t need ornaments because I don’t put up a tree. I don’t put up a tree because I don’t celebrate Christmas. Even though I asked people to stop sending me Christmas-themed gifts, they continued. I realized my family didn’t take me seriously, and I resented them for it.

This continued until well after I was married, when they finally began to grudgingly accept my adulthood and admitted to themselves that my lack of religion is not something I’ll grow out of.

Atheists are no different from anyone else. We’re not the smug, self-assured people that some think we are. We have questions and doubts. We wonder why we’re here, what our purpose is. We think about life, and we think about death. We just don’t think of those things through the filter of faith or a higher power.

Getting a job at a Jesuit university has instilled in my family a sense of hope that I might be coming around, that I might once again embrace the religion I was raised in. Two years later, I can say with confidence that I am not. If anything, working for a Catholic school has only solidified the fact that I don’t believe in God. I never anticipated anything changing that.

One of the major things I dislike about religion is that it seems like it has an answer for everything. To me, faith sometimes feels like a way to manage fear. I was in a seminar recently when the speaker admitted that he turns to faith when he doesn’t like the answers science gives him. Everyone else in the room nodded and murmured in agreement. I wanted to jump up and shout, No, that’s not good enough! It cheapens your faith! Admittedly faith is something I don’t understand, but to me, it seems that faith should be about more than simply finding the most satisfying answer.

That’s why it means a lot to me to see people who are heavily steeped in a very complex religious system encouraging others to ask questions, and not settling for the first answer they’re given. It means a lot to me that our university has branded itself on this notion, on the notion that we’re not going to give you all the answers—we’re going to teach you how to find them yourself.

Early on in my employment, someone told me that it wasn’t the purpose of our university to provide people with a blueprint for their lives. He said that it was our purpose to give them the tools to create their own blueprint. He said that answers are not as important as questions, and that sometimes the act of asking the question is more profound than any answer ever could be.

•••

The story in Genesis, one of the first things I learned as a child in Sunday school, makes sense now—knowledge is a drug. A very powerful drug. I can’t get enough of it.

Perhaps that’s what attracts me to data-related jobs. There’s something satisfying about being able to take something raw and unformed and turn it into something meaningful. But I’ve had to evolve how I understand data. Like any narrative, it has plot holes and ambiguities. It can be read and interpreted in a multitude of different ways. It’s not always interesting, and it’s not always true. It can be used for, and it can be used against. It can only answer questions that you’re willing to ask.

I’m willing to ask all sorts of questions. Being both an analyst and a writer makes me curious to an extent that I sometimes come across as intrusive. I’m like Eve, and all the archetypes that step outside of boundaries and break the rules simply because there’s something on the other side that they need to know. And I accept the consequences of this terminal curiosity.

Sometimes the consequence is that I learn things that are disturbing. I make discoveries that bother me or that leave me with more questions. Sometimes it means that I have to learn to live with dissatisfaction and ambiguity, or try to be graceful as someone dodges my questions.

Such as my coworker, who for a long time acted as if he simply didn’t hear me when I asked him why he hung up crosses. Perhaps he feels that the answer is obvious—he’s Christian, and these crosses are a symbol of his faith. Perhaps he doesn’t know the answer, but doesn’t want to admit it. Perhaps he tunes me out the same way I sometimes tune him out. Perhaps he’s making himself listen to me the same way I have to make myself listen to him, even when his answers are the only thing I want to hear.

I was in his office again recently, and couldn’t resist indulging my new favorite habit of counting his crosses as he pulled up our database on his computer. I counted them as he mumbled at his keyboard.

“You’ve got twenty-four crosses now,” I noted.

He stopped typing. “Twenty-five,” he said proudly, and pulled another one from his drawer, telling me who gave it to him. Telling me again how he wants to cover his entire wall.

I’ve evolved a lot as a person since I started in my job. I’ve learned a lot about questions and answers, about faith and facts, about knowledge and ambiguity. I’ve discovered that while I’m okay with not knowing, I’m not okay with not asking.

So I did it again. I smiled, and I asked, “Why do you want to cover the wall?”

For once, he didn’t rush into another thought, or repeat himself, or dodge my question entirely. Instead, he glanced at me and then up at the wall.

“Because there’s too much beige,” he replied.

That was the worst thing I could have imagined him saying. I chose to believe he didn’t mean it.

An act of faith, perhaps?

•••

Persistence is one of the hallmark of the Jesuits. They’ve been controversial for nearly their entire existence. They’ve dealt with oppression and suppression, accusation and intrigue. Their commitment to social justice and liberation theology has ensured that they’ve remained in the center of many debates.

Persistence is also one of the hallmarks of the particular institution I work for. Enrollments are falling at most higher education institutions, and we’ve got the additional challenge of being a private school, which means higher tuition rates that some of our local competitors. We don’t only have to work harder, we have to work more creatively. That’s why data is important—data tells the university’s story, and by doing so, allows our leaders to revise that story when the need arises. Data people are the watchdogs, the soldiers in the tower, guarding the castle, keeping an eye on what’s going on within the walls as well as outside of them. We provide the intelligence.

That sounds like a narrative of guts and glory, but most days it’s a lot of fighting with javascript and carefully quality checking thousands of lines of data. I’ve had numerous people tell me, with crinkled noses and expressions of dread, that they could never do what I do.

I can’t imagine doing anything else. Data, and the stories it tells, will always be an integral part of what I do.

•••

As intelligent as my coworker is, he doesn’t seem to understand the narrative he’s constructed on the wall of his office.

“People see my crosses and always say they’re surprised I’m religious, and they’re even more surprised when I tell them I’m not,” he said to me the other day.

I kept myself from laughing, but barely, remembering my own shock the first time I was in his office. “Then why do you have twenty-five crosses hanging in your office?” I asked.

“Because I like crosses,” he replied.

“Why?” I asked.

“Because I think they’re beautiful,” he said, giving me the shrug I’ve seen countless times before, signaling that he’s ready to move on to another topic of conversation.

This time, I didn’t let him. I was determined to understand why a symbol that so often reminded me only of the bloody end of a human life was so often construed as a thing of beauty. I take a deep breath, and I again I say, “Why?”

This time, he doesn’t ignore me. This time, his face is different. “Because,” he says, then pauses.

I watch his face change from its normal expression, one I can only describe as bored curiosity, to something astoundingly unfamiliar. And also astoundingly familiar. It’s just that I’d never seen that sort of expression on him. His face softened, the lines seeming to disappear, as his gaze shifted from me to some invisible thing behind me somewhere, something only he could see. He lingered for a moment on that word. Because.

There have only been a two times in my life that I can safely say I’ve witnessed the descriptive cliché, “and then his face lit up.” The first time was in Philadelphia, when a waiter set the most beautiful osso buco I’ve ever seen down in front of the dedicated foodie I was dining with, and I watched his entire face lift into an expression of happiness I’ve never seen before or since. The second was when I told a teammate that his arch-nemesis in an adjacent department had just given two weeks’ notice, laughing when he actually gasped in delight, like a child on Christmas morning who just discovered that he had been given the gift he’d always wanted.

The third time was that afternoon on our sleepy little campus, watching my coworker dig deep into the recesses of his faith and pull back what its greatest symbol meant to him. The because was still lingering between us, when he said, “They represent a perfection yet a cleansing, and I think that’s beautiful.”

I have no idea what that means. I’ve thought about it a lot since he said it, and I can’t even begin to fathom it. Perfection is something I don’t believe possible or desirable, and the concept of cleansing, in a religious context, makes me profoundly uncomfortable. While I can see how cleansing is a comforting thought to someone who believes in sin, it seems like an oppressive concept to someone who doesn’t.

Yet my disappointment in not understanding his response in the slightest was countered by my ability to connect with his expression. It looked something like how I’d felt the first time I read Whitman’s Song of Myself, or the day my best friend, who was almost as broke as I was, gave me the last fifty dollars in her bank account because she thought I needed it more than she did.

It was joyfully transcendental. It was lit up yet peaceful, both his eyes and his mouth smiling. The words were foreign, but I connected with his face. I know that feeling, inside and out, and I could go there with him. I could be in the moment, and I could understand what he felt without understanding why.

I can’t say that my coworker’s blissful moment of sublimity or that the Jesuit spirit I so admire moved me to re-embrace the religion of my family. I don’t want to go back to church, or celebrate Christmas. They haven’t persuaded me to believe in God, but they have done something that, for me, is even more beautiful—they’ve made me want to.

•••

CASSANDRA MORRILLY is the pen name of a writer who was raised in rural Ohio before receiving a BA in English from Seton Hall University, followed by an MA in Literature from the University of Colorado. She lives in Denver, Colorado with her pack of ravenous terriers. You can read more of her writing at cassandramorrilly.wordpress.com.