Sleep to Wake

sleep
By Gina Easley www.GinaEasley.com

By Kate Haas

I’m stopped at a busy intersection when it happens: My eyes close, then open, and for a few long, blank seconds, I can’t fathom how I got here. I can see the red traffic light swaying above me, the plastic flags fluttering brightly over the used car lot. But everything feels remote. I could close my eyes again, I think, and the world might disappear. I’m tempted to let it.

Fatigue presses on me like a weighted blanket. From beneath it, a thought emerges: No. I am on a four-lane street, at the wheel of a one-and-a-half ton vehicle. Soon the light will change. I need to wake up.

“Stop,” I say aloud, suddenly afraid. “Just stop this.” I don’t know who I’m talking to. But at the sound of my voice, the unreality recedes infinitesimally.

I switch off the radio, stilling the soothing saxophone music. The light changes. “Turn right,” I instruct myself, clutching the wheel like a terrified old lady. “There’s the Safeway, keep driving.” I narrate myself home like this, the sound of my voice tethering me to the car, the road, the world. When I get inside, I climb into my son’s bunk bed and close his blackout curtains, but I don’t sleep. I can’t sleep. That’s the problem.

•••

“Are you anxious about anything?” asks my doctor, not for the first time. She’s a bit younger than me, a mother; I like her. What I don’t like is this focus on my anxiety. I am untroubled by anything except my inability to sleep. Admittedly, it’s making me crazy.

“Nothing going on at home?” she presses.

My beloved grandmother died. I endured my parents’ bitter, protracted divorce. My Peace Corps journal was stolen, along with my backpack, en route from Casablanca to Dakar. A man I loved didn’t love me back. I had a terrible time breastfeeding. That’s it. Those are the worst things that have happened to me. My litany of woe is minor. My life, relatively speaking, has been a cakewalk.

“Nothing,” I tell her. “I’m a very lucky woman.”

But ten days ago, three hours after I went to sleep, I felt myself swimming unexpectedly up to consciousness. Beside me, my husband slept on. Out in the backyard, the wind stirred the heavy dark branches of the fir tree. Any moment now, I thought, I would dive down, back into sleep. Instead, I lay stranded on the surface.

We all have our strategies for this. Mine is reciting “Kubla Khan” in my head. Invariably, I’m asleep long before I get to the damsel with the dulcimer. This time, depressingly, I made it all the way to the end. There was Coleridge, ecstatically drinking the milk of paradise, while I watched the red numerals of the digital clock progress inexorably from two to three to four to five. Wakefulness felt like a door jammed open, and I couldn’t shut it.

It happened again the next night, and the next, and the next.

For years now, whenever my friends and I kvetch about our kids, someone always puts things in perspective: “Yeah, but at least they sleep through the night.” There’s a collective shudder. Like our memories of labor, the subsequent sleep deprivation is still disturbingly vivid. But that was a decade and a half ago. I was too old for this. By the fourth morning, I was queasy, snappish, fumbling for familiar words like a stroke victim. After ten days, during which I averaged three hours of sleep a night, I went to the doctor.

And really, I assure her now, nothing is troubling me. I explain about my loving husband, my healthy children, the work I enjoy, our generous health benefits. Even in my present affliction, I am fortunate: I work from home, so neither my freelance clients nor my bosses at the literary magazine can see me, haggard in my pajamas every afternoon, laboriously improving sentence flow.

My doctor prescribes a sedative and tells me to take it for a week, in the hope that this will re-set my system. At home, I shake one of the tiny white pills into my palm. It looks harmless, but I regard it with trepidation. I enjoy a glass of wine, but except for that one time with the marijuana cookies—all right, and that other time with the mushrooms—I have avoided mind-altering substances my entire life. Not out of moral qualms, but because they make me uneasy. This little pill is going to do something to my brain, something I can’t predict, and that scares me almost as much as the prospect of not sleeping. But I’m desperate. That night, I take the pill and go to bed. As always, my husband falls asleep in three minutes. I wait in the dark, listening to him breathe. Fifteen minutes later, I feel an unclenching in my body. A heaviness steals into my mind. Then it’s morning.

A week later, well-rested, I go to bed without taking the little pill. “You’ll be fine,” says my husband. Three minutes later, he is asleep. Three hours later, I am not. I try again the next night. But nothing has been re-set. Like a record with a skip, my brain wakes up at one a.m. each night, and nothing I try moves the needle back into the groove.

•••

“This medication can be addictive,” my doctor emails, when I report back to her. She tells me I can take up to three doses per week, and we arrange a follow-up two weeks from now.

“So that’s it. I’ll only sleep three nights out of seven,” I tell my husband.

“You don’t know that for sure,” he says.

I am too disheartened to believe him. But I pull myself together and try to think strategically. Which nights to take the medication? Sunday, for sure, so I can drive my son to cello on Mondays without killing anyone. Friday and Saturday, for a good weekend with my family? Or midweek, so I can work a few days with a clear head?

“It’s the Sophie’s Choice of insomnia,” I wail.

Immediately I feel guilty. Somewhere in Syria, a woman like me lies sleepless, wondering if the bombs will fall on her house tomorrow. I should think about her. But the insomnia has demoralized me with unnerving swiftness, shrinking my focus to my own exhaustion, and little else. If the universe is testing me, I am failing.

•••

A few days later, driving home from the grocery, I nearly hit a biker in an intersection. Appalled, I register his shocked face through the windshield. After that, I stop driving. My husband drives me to book group and picks me up. He arranges to take a morning off work for my next doctor’s appointment. One evening, I overhear him telling the kids to be extra patient and not argue so much, Mama’s having a hard time. I should be grateful. I am grateful. But I’m sick of feeling so damn pathetic.

I dread going to bed now, knowing that three hours is all my brain will allow me to rest. The moment of waking is the worst, the defeated awareness that it’s happened again; and then the despair as the dark hours pass, and the sky lightens, and the birds start up. If I could just make it to two a.m., I think, instead of one. But I never do.

I get used to moving sluggishly through the days, dazed and bewildered most of the time, yet performing basic functions all the same. I make school lunches, cook dinner. I don’t feel hungry myself, though. On a hunch, I try on a dress that’s been too snug for a while, and it zips up effortlessly. I stare at myself in the mirror, at my hips and breasts, outlined by the thin green fabric. Despite my pallor and unwashed hair, and the thick, smeary glass through which my brain seems to perceive everything these days, I look hot. I’m too tired to decide whether this is hopeful or disturbing.

•••

One night, after lying sleepless for three hours, I sit up and begin to cry with exhaustion. My husband wakes up and puts his arms around me. “Fucking Dick Cheney,” I sob. “He’s sleeping through the night. Why can’t I?”

At our house, when anyone is stricken by mysterious, troubling ailments, it is the custom to bitterly invoke the architects of America’s middle eastern wars. It began years ago, when my husband threw out his back while reaching innocently for a sock under the bed. “George Bush is killing thousands of Iraqis every day,” he railed then. “Why isn’t he immobilized on the floor with an ice pack?”

I nodded in commiseration. W. was undoubtedly enjoying robust health, the bastard.

Now, my husband reaches over and turns on the light. “Let me make you some warm milk,” he says.

“I tried that last week. It won’t do anything. Just go back to sleep, one of us has to feel normal around here.”

“Nope,” he says, undeterred by my grumpiness. “You’re my partner. If you’re awake, I’m awake. I’m going downstairs, and you can’t stop me.”

Five minutes later, he returns with a mug of milk. It is sweet with honey, and I tear up again, grateful to be married to such a mensch. Then I lie awake the rest of the night.

•••

Who pays thirteen dollars at the hippie mart for a tiny bottle of organic passionflower extract? People like me, that’s who, desperate people who’ve heard that this elixir will make them sleep. Dutifully, I dispense forty drops of the amber liquid into two ounces of water and down the mixture at bedtime. It tastes grassy and unpleasant, but that, I tell myself, is a small price to pay if it works. It does not work. Neither do calcium and magnesium, melatonin, multivitamins, sleeping in a different room, napping during the day, hot baths, or staying off the computer before bedtime.

“Maybe you need to relax,” says my husband. “Come on, let me just…”

That doesn’t work, either.

•••

One morning, after my usual three hours of shut-eye, I pause in the doorway of my twelve-year-old’s room. He’s reclining on his beanbag chair reading Origami Yoda, his floor littered with dirty socks, old Spanish worksheets, a couple of remote controls, a hot glue gun, and innumerable bits of other detritus. A surge of annoyance slices through my fatigue. “For the love of God, clean up this damn mess,” I snap.

The insomnia has produced two regrettable side effects: Everything irritates me, my children most of all. And while those children have long been forbidden to utter even the words “crap” and “suck,” in my presence, much less their saltier four-letter brethren, I myself now curse like a motherfucker. At first, the boys are impressed by the impact of sleeplessness on my formerly prim vocabulary. But soon enough they become amused, and then—to my aggravation—patronizing.

Now, my son looks up at me pityingly. “Did you forget to take your pill last night? Jeez, you need to chillax.”

If anything is more infuriating than intractable insomnia, it’s being told to chillax by a sixth grader.

“Don’t you say that to me!” It’s the wrong battle to pick, but I can’t stop myself. “Chillax? That’s not even a real word. Goddammit, I’m an English major! We have standards around here.” (I actually say these words.)

My son waggles a reproving finger at me. “Don’t be a swear bear,” he says sweetly.

A what kind of fucking bear? I am way too tired for this, but getting mad at him makes me feel less catatonic. “Clean up your room,” I shriek. “Now!”

He regards me solemnly. “Anger and hatred to the dark side only lead.”

•••

Because I know exactly how suggestible I am, I do not seek advice from the Internet about my insomnia. Until the day, a couple of months into it, when I do. And there, buried deep on the fourth or fifth page of results, I find it: proof that this was indeed a terrible idea. It’s a reference to a New Yorker article I read fourteen years ago but have forgotten until this moment, the story of an old Italian family, some of whose members lose the ability to sleep in middle age. For generations, no one has been able to predict who will be stricken by the rare condition, and there is no cure. After several excruciating years of sleeplessness, each victim dies.

I try hard not to dwell on this horrible story. It’s a very unusual condition, I remind myself. Also, I am not Italian. Although I am middle aged. And sleepless. When I tell my husband about the Italians, a look of mingled alarm and unease appears on his face, an expression whose specificity, after eighteen years of marriage, I have no trouble interpreting: He thinks I am losing it. I need to get a grip.

•••

I tell my doctor that I’m depressed. She perks up. “Oh? And was this a problem before the insomnia?”

Patiently, I explain that I am depressed because I can’t sleep.

“We could think about an anti-depressant. Sometimes it’s hard to pinpoint whether insomnia is a symptom, or the main issue.”

Do I really have to explain my perfect life? Again? I take a breath. She’s trying to help, she wants a fix for me, and I want one, too. But depression didn’t make me stop sleeping.

Maybe I’m cursed.

•••

My doctor refers me to a psychiatrist specializing in sleep disorders.

“That’s great,” says my husband, when I tell him about the psychiatrist. “You’re in the big leagues, now!”

“How can you be so damn cheerful all the time?”

“I’m sorry, did you want gloomy? Let me try again: A psychiatrist. Whoa. There is definitely something wrong with your brain.”

“Oh, shut up.”

“I see that smile.”

•••

At four in the morning, three weeks before my appointment, it occurs to me that this hopeless, unrelenting misery is what people contemplating suicide must experience. Suddenly, I cannot bear lying awake in the dark any longer. I get out of bed and email my doctor: “Three nights of sleep a week is unendurable. When I don’t take the pill, I lie awake all night in despair. I can’t work. I can’t write. I nearly hit a biker with my car.” (The biker was weeks ago, but what the hell.) “I cannot go on like this.”

My email must have struck the correct note of desperation. Four hours later my doctor writes back, instructing me to just take the pill every night until I check in with the psychiatrist.

•••

At my HMO, doctors work out of small gray rooms with florescent lighting, the only décor a queasily pinkish illustrated chart of the human body. Despite this, I cannot help picturing Dr. Sleep—as he is quickly dubbed in our house—behind an imposing mahogany desk. I’ve never even been to therapy, let alone a psychiatrist. If the pop culture of my formative years is to be believed, Dr. Sleep (aka Judd Hirsch in Ordinary People) will want to unearth some long-buried trauma that wakes me at one a.m. every night. Or he’ll want to put me on drugs. Neither prospect is appealing.

As it turns out, Dr. Sleep operates out of a windowless gray room, just like everyone else at Kaiser. He has sandy hair and an air of mild-mannered bemusement, reminding me forcibly of the hapless Arthur Dent in The Hitchhiker’s Guide to the Galaxy.

Dr. Sleep evinces little surprise as he takes my history. “And tell me about your mental state when you go to bed,” he says, tapping at his keyboard.

It’s been over three months since I have slept soundly without pharmaceutical assistance. Surely a bit of drama is permissible. “I feel like the Titanic heading into that final night,” I tell him. “Doomed.”

Dr. Sleep looks up from his keyboard, taken aback. “Oh, dear. That’s not good.”

I wonder what he expected me to say. His other patients must desperate, too. Or am I an extreme outlier? I renew my resolve not to mention the Italians.

Dr. Sleep scoots his rolling stool over to face me. I prepare for an inquiry into my murky past, or perhaps an evaluation of drug options. Dr. Sleep pursues neither of these avenues. “Do you bake bread?” he asks benignly.

I stare at him. As a matter of fact, I bake bread every Friday. But what can that have to do with anything?

“Think of your sleep as a ball of dough,” Dr. Sleep says, cupping his hands as if he’s holding one himself.

“Okay,” I say hesitantly. I imagine my challah dough: warm, heavy, eggy. Is this some visualization mind trick?

“You want your sleep to be compact, like a ball of dough,” says Dr. Sleep. “You want it to be compressed into just eight hours.” He moves his hands, as if firmly shaping the dough into an eight-hour ball. “When you stretch it out”—he moves his hands apart—”going to bed early, sleeping late, it’s like stretching the dough too far. It gets thin, full of holes, loses its integrity. That’s what you’ve been doing.”

Dr. Sleep is going to put me on a behavioral plan to compress my sleep, he tells me. That will fix everything.

“But I barely have any sleep to compress,” I protest.

He waves this away and explains the plan. Its main point involves breaking my mental association between wakefulness and being in bed. I am to stay away from my bedroom, except between the hours of eleven p.m. and six-forty-five a.m. At night, I am not to lie awake longer than twenty minutes at a time. After that, I must get up, go to another room, and engage in a “non-stimulating activity” until I feel sleepy. Then I can return to bed again. I am to repeat this as many times during the night as necessary. Also, I will cut my medication dose in half. The plan sounds implausible and exhausting, but I nod as if Dr. Sleep is handing me into a life raft, because maybe he is.

“You can read during your waking periods,” he tells me. “But nothing engaging. Do you have any boring books?”

I picture my biologist husband’s shelf of science texts. Yes, I tell Dr. Sleep, I certainly do.

That is how I find myself in my office at one-twenty a.m., headlamp shining on Mammals of the Pacific States by Lloyd G. Ingles. The first section of this heavy tome is devoted to teeth. I read about the tribophenic theory, which posits that our ancestral reptiles had molar cusps that migrated somewhere else in the jaw. I wait to feel sleepy, but even though this is possibly the most boring material I have ever read, I am wide awake. Eventually I yawn and go back to bed. I lie awake for another twenty minutes, then return to the office, and Ingles, and his damn teeth. This goes on for the rest of the night. By dawn I have gotten up and down a total of six times and advanced to the marsupials.

That morning, I fill in the chart Dr. Sleep gave me to track my progress: time in bed, number of times awake at night, final morning wake time, and so on. “This is the one you want to watch,” he told me, pointing to the space on the chart marked: TOTAL minutes/hours awake during the night. I pencil in four hours, forty-five minutes. In the box for notes, I scrawl: depressing and pointless.

But what else do I have? Half the medication is not enough to knock me out, so every night I follow Dr. Sleep’s plan, waking at 1, reading about mammals (Pacific shrew, vagrant shrew, dusky shrew, water shrew, marsh shrew, Inyo shrew, masked shrew, ornate shrew, pigmy shrew, gray shrew), not allowing myself to lie awake more than twenty minutes, scribbling my notes in the morning.

That first week, I run into an acquaintance in the park. We don’t know each other well, but I find myself telling her about the sleep plan. “More like the Guantanamo plan,” I grouse, demonstrating yet again the effect of sleep deprivation on my sense of perspective.

To my surprise, she confides that she, too, was prescribed this technique for insomnia. “It took a while, but it absolutely worked,” she says. “You have to hang in there.”

For the first time, it occurs to me that the plan is not some quixotic regime cooked up by Dr. Sleep, but an actual thing. A thing that might work.

On the sixth morning, I record something startling: although I got up to read four times, my total time awake was only two and a half hours. Even with half the medication, I got an astonishing five hours of sleep. By the end of the second week, my time awake has shrunk to one and a half hours.

My acquaintance was right. Dr. Sleep was right. Over the next month and a half, my sleep steadily improves. I go down to a quarter of a pill, then to no medication at all. By the end of June, nearly six months after the insomnia struck, it has vanished. The sleep plan was a life raft, after all, and now, incredibly, I am back on the mainland, with its rested, cheerful inhabitants, the weight of exhaustion lifted at last. This outcome is the result of science, I realize, in the form of a proven behavioral therapy. But it feels like something else.

It feels like luck: as random and inexplicable as the sleeplessness was.

•••

I will never know why I suddenly stopped sleeping, just like I’ll never know why cancer struck my grandmother, or my parents’ marriage ended the way it did, or why my first baby wouldn’t gain weight, no matter how much I nursed him. Possessions are lost, and love is sometimes unrequited, and we don’t always get to know why. I don’t believe that everything happens for a reason, not in the cosmic sense, anyway. If I did, I might conclude that insomnia was supposed to teach me something. Or maybe I would be less troubled by my knowledge that the Syrian woman is still lying awake.

I think about her now. I think about her every day. I think, too, about all the people who manage to meet hardship with dignity and grace and courage. Maybe the Syrian woman is one of them. Or maybe she isn’t. Maybe she’s more like me. Because when it came right down to it, I wasn’t one of those people. Confronted with adversity, I was irritable, profane, despairing, and self-absorbed. In a real Guantanamo scenario, I would never be the gutsy captive, steadfastly refusing to betray her comrades. Deprive me of sleep, and you can have the plans to the Death Star.

But then, no one expected me to be a hero, least of all myself. I’ve stood on the other side of that line. I’ve been the one to hold it together, to carry more than my share of the weight. This time, someone did those things for me. Wherever she is, and whatever she’s facing, awake or asleep, I’m wishing the Syrian woman the same luck.

•••

KATE HAAS is a senior editor at Literary Mama. Her essays have most recently appeared in the New York Times, the Boston Globe Magazine, OZY, and the Washington Post. She’s a regular contributor to Full Grown People and lives in Portland, Oregon with her family. Read more of her writing at www.katehaas.com.

Read more FGP essays by Kate Haas.

 

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Birds

watch birds
By Gina Easley www.GinaEasley.com

By Daisy Alpert Florin

When my mother found out she had cancer, she said she wanted to do two things when she got better: learn to play the piano and get a bird.

“A bird? Why?” I asked, remembering the nasty parakeets I’d had as a child who kicked feathers and birdseed shells into my underwear drawer.

“Well, I have a friend who has this really beautiful bird, and I’d like to have a bird like that.”

I rolled my eyes, a childish act, that, at twenty-seven, I was probably too old to still be doing. It was so typical of my mother to want something simply because it was beautiful: bird as objet d’art. Her desire—requirement, really—for things to be aesthetically pleasing was not a trait we shared.

In the emotionally chaotic days after her cancer diagnosis, it still seemed reasonable to make plans for the future. My mother would stagger her chemotherapy treatments with her schedule at work. We located the city’s best wig store. She ordered shelving for her new apartment. And she was going to break up with her boyfriend, Steven, because, although he was nice, she said, “Nice is not enough.” She would stop postponing joy and make the time for things she always seemed to be putting off. So if a bird was part of the life she imagined for herself in her post-cancer future, who was I to argue?

•••

Can we ever think of our mothers as unfinished? When we are children, they are whole and entire. Everything that was meant to be for them has come to pass because it has brought them to us. But in time, we come to see our mothers as women with paths not taken, connections not made, choices left somewhere in the dust of the past. After my mother’s death, I often imagined the turns her life might have taken had she lived: a new man, maybe not so nice but right; weekly piano lessons in her apartment surrounded by her lovely things; a beautiful bird inspiring her. It was all so close, and yet beyond her reach.

•••

I walked into the garage to grab a box of waffles from the freezer. The birds—barn swallows, we’d learned from Google images—were flying in and out, tending to the nest they built in our garage each spring. My children and I loved to watch their life cycle play out, while my husband, Ken, was less tolerant of the feathers and the mess. Every morning he ran out in his suit and tie with a bottle of Windex and a roll of paper towel tucked under his arm to clean the poop off his car. But he softened eventually, as he did with most things involving his family.

On this particular morning, the baby birds were chirping frantically, opening their tiny beaks so wide the nest looked like one big mouth. There were five babies this time, the most we’d ever had, and the parents seemed more agitated than usual, if such a feeling could be ascribed to barn swallows. Every time I walked through the garage, they swooped down at me, coming so close I was afraid of an Alfred Hitchcock-like encounter.

I stepped over a pile of desiccated dragonflies and saw that one of the baby birds was lying on the ground. I was surprised to see it there, like I’d somehow forgotten that these birds weren’t here for my family’s amusement alone; this was the circle of life, the universal struggle for survival writ small, the real deal. The bird looked dead, so I grabbed a shovel to scoop it up. But as soon as I touched it, it scooted away. Fuck, I thought. A sick or injured bird seemed far worse to me than a dead one. If it were dead, I could toss it into a bush. But a bird in crisis: That shit needed to be dealt with.

I went inside and Googled, “how to get bird back in nest.” I read that birds don’t always fly straight from the nest. Sometimes they need to hop around for a few days on the ground or on low branches while getting acclimated to flight. Since the parents were still around and the bird was fully feathered, I should just leave it alone. Leaving things alone and letting them sort themselves out—that I could do.

When I returned to the garage, the bird was still on the ground. I looked up at the nest and saw the four tiny faces of its siblings poking over the edge, the tips of their beaks joined together in a line of collective worry.

•••

My mother learned she had cancer on a Monday. A colonoscopy she’d had the week before had revealed a large mass in her colon, and she was scheduled for surgery that Friday, the day before Memorial Day weekend. Looking back, the speed with which her surgery was scheduled, plus the fact that it was happening in a New York hospital the day before a holiday weekend, should have clued me in to the urgency of the situation. But, like most things involving my mother’s illness and death, I only made sense of things later, when everything was over.

My mother spent the week before her operation organizing and making plans as if she were getting ready to go on a trip instead of to the hospital for a bowel resection. I stopped by every night, bringing Chinese food, which only I ate, and searching endless iterations of “stage three colon cancer” on her computer while she sat on the couch with our cat, Firecracker. What I read scared me: The five-year survival rate for my mother’s disease was low, less than fifty percent, depending on how many lymph nodes were involved, which we still didn’t know. But if my mother was concerned, she kept it to herself, placing the bulk of her worry on the cat instead. He was lethargic, not eating that much. She brushed him over and over until the wire bristles were matted with thick tufts of silvery grey hair. Then she would throw the wad in the trash and start again.

I had burst into tears when my mother first told me, over the phone, that she had cancer. I could tell my reaction had frightened her—such an outward display of emotion was uncommon in my family—so I pulled myself together and tried to ask clear-headed questions about next steps. I decided to act as though everything was going to be fine and that this was just a temporary inconvenience, something to get through. My mother acted the same way, as did the rest of our small nuclear family: my father—from whom she was separated but still close—my younger brother, my mother’s sister, Marianne. If privately we were frightened, we kept it to ourselves. We worried about the cat.

One night, as I walked to my mother’s apartment, I saw a dead pigeon lying in the middle of the sidewalk. It was in a fetal position, although I wasn’t sure that term could be applied to pigeons. What did they look like as fetuses anyway? All I knew was that in all my years living in New York, I had never seen a dead pigeon. I thought immediately of the bird my mother had just spoken about. I didn’t believe in omens, but I was convinced this was one. I looked at the bird for a few moments and then continued down the block. I didn’t tell my mother about what I had seen.

•••

An hour after I found the first baby bird, all five were on the ground, huddled together near the freezer. I called Ken.

“Can you get them back in the nest?” he asked. I could hear  street sounds in the background placing him in the city, far away from the life-and-death struggle taking place in our garage.

“Are you kidding?” The nest was a good ten feet off the ground. “I’ll kill myself getting up there. Besides, they’re fully feathered. They’re supposed to be flying.”

After my mother’s death, I became extremely sensitive to birds. If I saw a dead one lying in the road, I would become certain that something terrible was going to happen. Ken would have to grab me and say, “It’s just a bird, Daisy. It doesn’t always mean anything.” And after a while, I convinced myself he was right: It was just a bird. And yet, standing here with broken birds at my feet, that feeling of doom flooded over me again. Perhaps Ken sensed my old worries surfacing and was trying to calm me down.

But there was also a part of me that was annoyed by the entire scene. I wanted the birds to do what they were supposed to do, without my help. They were supposed to jump out of the nest and fly, not cower pathetically on my garage floor.

“Well, what do you think we should do?” he asked.

“I don’t think we should do anything. If they can’t even make it out of the nest, they have no chance in the wild. There’s nothing I can do.”

•••

When I was nine years old, I found out that my mother had been engaged to someone before she’d met my father. His name was Leif, and he was Swedish, like her. “If you had married Leif,” I said to her, “I’d be Swedish!” This felt like magic. If only I could be Swedish like her, I’d know how to knit and crochet and speak Swedish, that secret language she spoke only with my aunt or with the au pairs who lived in the room off our kitchen. If my mother had married Leif, I would finally have access to the part of her that had always been a mystery to me: the her that existed before I did.

“If I had married Leif,” she said, bringing her long, thin cigarette to her lips, “you wouldn’t exist.”

•••

After ten days in the hospital, my mother came home. The surgery was grueling, but she didn’t have to wear a colostomy bag, which pleased her. She wasn’t well enough to return to work or to begin chemotherapy. She didn’t talk about getting the bird anymore, and Steven—poor guy—was still around.

We were taking things day by day, absorbing one bit of bad news at a time, nibbling on it like a dry biscuit, and then opening our mouths for the next bite. The mood in her apartment was somber. My fifty-six-year-old mother, who a few months earlier had celebrated New Year’s Eve with friends in St. Barth’s, needed help getting in and out of the bathtub.

“You have to get her over to Sloan-Kettering,” her friends told me, certain that the right doctors would be able to help her. They didn’t understand how sick she was, I said. She didn’t have the time or strength to doctor-shop. The ways things were going, it didn’t seem like anyone could make it better, maybe just different versions of bad. I was tired of listening to these pushy New Yorkers who thought they could control everything, that I could control everything. I didn’t want control, not over this. I wanted someone to tell me what to do. So I focused on managing her pain medications and sticking to the doctors’ instructions. Try this, then that, they said, and I did. I was always good at following the rules.

One night, while Marianne was visiting, Firecracker, the cat, collapsed.

“Do something!” my mother shouted, so Marianne shoved him into his cat carrier and raced across town in a taxi to the emergency vet. He was dead by the time she got there. Marianne, always so fragile, was traumatized, weeping as she told us how she had looked into the carrier and seen Firecracker lying on his side, his eyes bulging, tongue protruding from his mouth. I wanted to kill her.

“I think he died instead of me,” my mother told me the next day, a shadow of hope passing across her face. Her high cheekbones were as hard as rails beneath her pale skin. I was surprised to hear her speak so magically, surprised also to hear her mention the possibility of her own death. But maybe she was right. Maybe Firecracker and the dead bird hadn’t been bad omens but offerings. This made perfect sense.

•••

After school, I took Ellie and Sam to the garage to see the baby birds. They were still on the floor, tucked beneath the curve of my car’s tires. I could tell, although the kids couldn’t, that two of the birds had died. The once-charming experiment was no longer so charming.

“Why won’t they fly?” Ellie asked, her eyes wide with concern.

“I don’t know,” I said. “But they have to. If they don’t, they’ll die.”

When Ellie and Sam went back inside, I tossed the dead birds into a bush. I wasn’t sure what to do with the other three. If I left the garage door open over night, the parents could tend to them, but I was worried about predators. I decided to close the door and hope for the best. Would they really starve in one night? I brought out an aluminum tray of water, although I wasn’t sure if they needed it or if they could even reach over the lip of the tray. I watched them as they sat there, not even moving toward the water, and I decided I didn’t like them anymore. I wished in equal measure that they would leave or die, anything so that I didn’t have to deal with them anymore. I just wanted it to be over.

•••

By July, my mother was back in the hospital. After several tests to determine why she wasn’t getting better, the doctors discovered that the diagnosis of colon cancer had been wrong. She had neuroendocrine tumor, a rare and aggressive form of cancer that had spread throughout the lining of her abdomen, including into her colon. We had lost precious time fighting the wrong cancer.

During this time, Ken and I left my mother in the hospital to go to a Yankees game. My mother was on the phone with J. Crew ordering a birthday present for Steven, and I lingered in the doorway listening to her chat pleasantly with the woman taking her order. I doubted she had any idea my mother was calling from a hospital room or that she would die so soon after the clothing arrived that Steven would be too shaken up to ever wear it. I worried for a moment about leaving, but my mother waved me off. “Go,” she said, the phone tucked between her shoulder and her ear. “I’m fine.”

Ken and I took the train up to the Bronx and, as we walked down from the subway platform, we saw a pigeon lying on the stairs with its wings spread open like a book. The crowds of people on their way to the stadium stepped carefully around it.

I stopped walking as soon as I saw the bird, tears streaming down my cheeks. “Oh, Jesus,” I said to Ken. I doubled over, suddenly out of breath. “What the fuck is that?”

He calmed me down, and we stayed for part of the game. But when we walked back a couple of hours later, the bird was still there, still breathing, its tiny chest rising and falling with great difficulty. Someone had propped a piece of newspaper around it, a tiny version of a hospital curtain. I wanted to smash my foot down on its ribcage. It was the most horrible thing I’d ever seen.

We went straight back to the hospital and found my mother talking to one of her doctors, the only one who had known her before she got sick. The steady drip of pain medication had improved her mood, and she seemed closer to her usual, upbeat self. On his way out, the doctor pulled me into the hallway.

“Do you know how serious this is?” he asked, and I think I kind of nodded, although I really have no idea. And then he apologized to me, either for what had already happened or for what was still to come; I think he had tears in his eyes. But he didn’t go any further. Perhaps he could tell that I couldn’t grasp what he was saying, that his words had barely touched the protective net of my consciousness. Everything I came to understand about that conversation, I filled in later.

•••

The next morning, I walked into the garage brandishing a snow shovel. I tapped the ground next to the birds and shouted, “Let’s go!” It was a beautiful, sunny spring day, and I had decided it was time for them to fly.

With me and my shovel behind them, the three birds hopped out of the garage, across the driveway and onto the grass. Just seeing them against the backdrop of green, with a little sun on their faces, made them look better. One of the birds kept moving away from me, picking up speed until it was off the ground and flying. Not very high, and not very strong, but flying. I watched it cut a jagged line across the lawn and out of my view.

I crouched down next to the other birds. They looked terrified, shocked, their spindly feet as delicate as toothpicks, their coats more fluff than feather, and I realized I wasn’t scared of them anymore. They weren’t a bad omen or a harbinger of death at all. If they represented anything— and I wasn’t sure they did—it was the future my mother had planned for, the one in which she got an exotic bird and redid her kitchen and lived to see her grandchildren. It’s just what we do, plan for a future we know is not guaranteed because we can’t live any other way. And look how fucking fragile it is.

•••

Shelley was the astrologer for British Vogue and a friend of a friend of my mother’s. When she came to New York, my mother sometimes went to her for a reading. A couple of months after she died, Shelley offered to read my chart, gratis. I asked her if she had been able to see my mother’s death on her chart during her final reading. I was pretty sure I knew the answer, but I wanted to hear what Shelley would say.

“Not exactly,” she said. “We might be able to see that there will be a transition, but we can’t tell if that transition will be death or not because in astrological terms, everything is continuous.”

•••

Despite everything, my mother’s death, when it finally came, surprised us all. Just the day before, her oncologist had ordered a course of chemotherapy. A young resident had come by earlier that week to refill a prescription for the eye drops she used to control her glaucoma. Now they were telling us there was nothing else they could do.

It was evening, about eight o’clock. The hospital air-conditioning was on full blast, and I was freezing. My mother lay in bed, unconscious, surrounded by photographs I had taped to the wall behind her, proof to everyone who cared for her that she really had once been a person. One of the pictures had been taken on New Year’s Eve. In it, my mother stood with one foot crossed in front of the other like an actress posing on the red carpet. Her painted toenails peeked out of her pink, sequined slide.

My mother was really gone by then, her breathing labored, the smells appalling and vile. We had already sat in another room with her doctors and hospital administrators who had reviewed her DNR orders. I was the only one who spoke. I signed whatever it was we were supposed to sign. My father seemed folded in on himself, my younger brother shocked into silence.

We went back into her room. Steven and Marianne were there; Ken, too. There weren’t enough places for all of us to sit so I leaned awkwardly against the side of the bed, stroking my mother’s hand. I wondered if I was supposed to stay there until she died. I became acutely aware of the woman she was sharing a room with and thought how terrible it must be to room with someone so close to dying. Then I was annoyed with myself for worrying about her when I should have been thinking about my mother. The thought of staying in that room until my mother died became unbearable. My teeth were chattering, and all I wanted to do was lie down. So I kissed my mother goodbye and walked out into the hot, humid July evening. I planned to come back in the morning, although by then she was dead.

•••

The birds didn’t seem in any rush to go anywhere, so I sat there, letting the weak spring sun warm my back. I thought about how tenuous our hold on life is, how easily the thread is snapped, despite everything we think holds us here. We fall from the nest, unable to fly, powerless to fight the gravity that pulls us down; if we’re lucky, our parents stick around to feed us dead insects. Perhaps there are no omens, nothing to let us know that bad luck—or worse—is around the bend. Nothing had prepared me for my mother’s death; the only signs were the ones I had chosen to ignore.

Then I stood up and walked away, leaving the birds on the grass. I needed them to do what they were supposed to do, without me, just as I had needed my mother to complete her journey so that I could continue mine. She never got the bird she planned for, but I got five of them, birds that grew in the cradle of my garage. Some died early, others clung to the earth beneath their feet. But one flew.

•••

DAISY ALPERT FLORIN is a writer and editor. Her essays have appeared in Under the Gum Tree, Halfway Down the Stairs and Brain, Child, among other publications. She lives in Connecticut with her family. Read more at www.daisyflorin.com.

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Neighborhood Watch

By Tom Reynolds/Flickr
By Tom Reynolds/Flickr

By Beatrice M. Hogg

On Saturday night, October 10, around 11:45 PM, I almost became Trayvon Martin.

After a pleasant evening enjoying decadent cheesecake in Midtown Sacramento with my friend Nicole, she drove me back to Woodlake, where I have stayed with friends for over three years. She parked her bright yellow car across the street from the house.

I have lived in this middle class, predominantly Caucasian neighborhood since April 2012, staying with Caucasian friends while I looked for permanent employment. As we sat in Nicole’s car, I told her about the apartment that I had looked at in another part of town. I mentioned that I had never felt comfortable in Woodlake and had always felt like an unwelcome outsider. We talked and listened to music, prolonging our nice evening. A Mustang drove by and pulled into a nearby driveway. We continued to talk while the young male driver got out of the car and walked into the house.

While we continued to talk, the young man came out of the house and stared in our direction. “I wonder what he’s looking at,” Nicole commented. A calico cat sat on the sidewalk near him.

I wondered if he was watching something that the cat had caught. Sometimes, the friend I stayed with walked around the neighborhood at night, looking for grubs for her turtles. We watched as the man went back into the house.

A minute later, he came out of the house again, this time with a large baseball bat. He started coming toward the car. “What are you doing here in my neighborhood?” he shouted at us, holding the bat aloft menacingly. Nicole quickly rolled up the windows and locked the doors. We were getting scared.

“I live here!” I shouted through the closed door, but he continued to come toward us, holding the bat as if he planned to break windows of the car—and maybe continue with our heads.

“I’ve never seen you,” he responded. Hate dripped from his voice like sweat. An older man came out of the house and stood in the yard watching. Was he going to hurt us too?

Nicole called the police on her cell phone. “Someone is threatening me and my friend with a baseball bat. We are sitting in my car on Fairfield Street. We are terrified. My friend lives here, but she is afraid to get out of the car.”

I called the friend that I stayed with and told her what was happening. She had lived in the neighborhood for over twenty years and knew everyone. She could vouch for my right to be there. She came out of the house a few minutes later and walked down the sidewalk to talk to the older man.

Nicole and I watched as they had a heated discussion and the young man was convinced to move away from the car. Finally, I felt safe enough to get out. My friend brought the older man over to us. He said that his son thought that someone was threatening the neighborhood, as several cars had been vandalized recently. I told him that I had lived there since 2012 and he said that he had seen me but had never met me. “Do you have to meet every one who lives on this street?” I asked.

He admitted that he did not. He said that his son had anger issues and that they were “working on it.” He said that he would have stopped his son before he “went too far.”

Too far? What would have been “too far”? Breaking the windows? Bludgeoning us to death? I thought of George Zimmerman and Trayvon Martin. Like Zimmerman, this was a young Hispanic man claiming that the term “Neighborhood Watch” gave him the right to take action against any unfamiliar face, especially if the face was black.

But we were not Trayvon Martin. Instead of a lone teenage boy, we were two adult women. Nicole was the supervisor of a nearby branch of the Sacramento Public Library. In September, she was featured in a full-page profile in Sacramento Magazine. She was very active in the community and had made presentations to the Woodlake Neighborhood Association. I’m a social worker for Sacramento County, working with victims of domestic violence and assisting people in danger of becoming homeless. I am also a freelance writer. Last year, Nicole and I were commended in the Woodlake neighborhood newsletter for a tour of the Del Paso Boulevard murals that she had organized. I assisted her by giving a dramatic reading of the poems incorporated into each mural.

We were two well-educated, professional women enjoying a Saturday night. But all that the youthful vigilante saw was a black face in a car. A black face can only mean one thing—a dangerous perpetrator, a foreign, dangerous presence. Perhaps an escapee from the “other” side of Arden Way. Like George Zimmerman, he only thought of violence. He did not see two harmless women—one black, one white—who could have been his librarian or his social worker. He only saw a black face, reason enough to take lethal action.

Once I entered the house, my friend tried to say that the incident wasn’t racially motivated. But Nicole and I knew better. If it had been a lone white woman in a car, I doubt if the young man would have come outside brandishing a weapon. Fear caused adrenaline to course through my body for several hours. Neither of us could sleep and we texted back and forth for an hour. We realized that if the young man had picked up a gun instead of a baseball bat, we would have been killed. We would have been like Trayvon, additions to a long time of victims killed because of their color or because they were in the wrong place at the wrong time. It only takes an instant to end a life, even in Sacramento. Even in Woodlake.

I sure hope that I get that apartment.

•••

BEATRICE M. HOGG is a writer and social worker in Sacramento, California. A coal miner’s daughter from Western Pennsylvania, she has a MFA in creative writing from Antioch University Los Angeles and a BA in social work from the University of Pittsburgh. Her novel, Three Chords One Song, was published as an eBook by Genesis Press in 2012. She writes a monthly column, “Financial Graffiti,” for the online publication The Billfold. Her blog, “Marvellaland,” can be found at www.marvellaland.wordpress.com. She is currently working on an essay collection about her experiences with long-term unemployment and homelessness. She got the apartment.

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Maybe Nobody’s Born Anything

By Katherine Johnson/Flickr
By Katherine Johnson/Flickr

By Lori Jakiela

My bio-brother says his father was in the movie business. He says his father played piano. His father, my bio-brother says, was an amazing piano player, long fingers, a real natural.

Bio is what my brother and I sometimes call each other to make sense of things. It’s hard to find language for what we are and how we feel about it, so sometimes we don’t bother at all.

I’m forty by the time my brother and I meet. He’s a few years younger. When we’re together, my brother and I like to compare hands. We press our palms together, measuring. Our hands are big, long-fingered.

“We get it from the old man,” my brother says.

•••

My brother and I weren’t raised together. His mother gave me up for adoption before he was born. His father abandoned his family for Hollywood years ago.

My brother’s mother is my birth mother, but when I say mother and father, I mean the parents who raised me. I say “real.”

When my brother says mother, he means the mother who raised him, a woman I’ve never met. When my brother says father, he means a stranger.

•••

My brother asks if I play piano.

I tell him I do.

He says he hopes I’ll play for him some time.

I tell him I will.

•••

Soon my brother and I will be together in my basement, and I will play songs on the piano I learned on as a child. The piano is over thirty years old, an upright Kimball, but the keys are good. My mother, the mother who raised me, kept the wood polished with oil soap so it still shines.

I do my best to keep it up.

I polish it when I can.

I play my brother “Begin the Beguine,” my father’s favorite song. My father, the father who raised me, was a singer, before the war, before the mills, before he got bitter and sad and stopped singing.

Once he won a contest and got to sing on the radio in Braddock, Pennsylvania, and for a while everybody knew him as the boy who sang on the radio.

Then they forgot what song it was he sang.

Then they forgot it was him who sang it.

Then they forgot my father’s name and how to spell it.

Then they forgot my father ever sang at all.

The song he sang was “Begin the Beguine.” The story goes, my father cut a record that day as part of his prize, but I never saw a record. No one did. My father must have kept it hidden or destroyed it.

Or maybe there never was a record. Maybe that was just a story. Maybe there was just that one time in the radio studio, one take, the D.J. picking his fingernails, saying, “This is it, kid. You got five minutes.”

My father always thought the song’s title was “Begin the Begin,” as if any minute his life would start over, as if any minute it would be good.

I tell my brother this and laugh, even though I think it’s sad.

It’s one of the saddest stories I know.

•••

I play my brother another song—“Somewhere My Love,” my mother’s favorite, the theme song from “Dr. Zhivago,” a sap story set in the Bolshevik Revolution.

I have always hated this song.

My mother would make me play it over and over for guests.

I tell my brother this story, too.

I tell him about the time my mother made me play it for her cousins, Dick and Stella.

“Dick was a bastard,” I say.

“I know a lot of bastards,” my brother says.

“Me too,” I say.

My brother says, “I know that’s right,” and puts a hand up for me to high-five.

•••

I’m sixteen, and Dick and Stella have just pulled up in their paneled station wagon. They’re staying for the weekend. I hear Dick say, “Jesus fucking Christ,” and I hear Stella apologize three ways.

I’m hiding out in my room when I hear my mother call, “Oh, Lori baby. Come say hi to Dick and Stella. Come play ‘Somewhere My Love’ for us.” It’s her sing- song, welcome-to-my-perfect-home voice.

My mother watches a lot of old movies. She’s spent a lot of money on me—piano lessons, dance lessons, doctors, clothes and food. What she wants every once in a while is to impress people—in this case, Dick and Stella. What she wants is for me to come out and be, just once, a perfect daughter. What she wants is a lacey white dress and pigtails and for me to say “Oh, yes, Mother dear.”

What she wants is for me to skip.

Most times I try. We keep our fights between us. In front of other people, I want her to be proud of me. I love my mother. I want to prove I haven’t been a complete waste.

With Dick and Stella, though, there’s a problem. Dick is nasty. He’s also a drunk. He beats Stella. I do not know how often or how bad, but she is always nervous and he is always rough, and everyone in the family knows this and no one says much about it.

“You know how men are,” the aunts say.

“They have a lot of passion between them,” the aunts say.

“Dick has an artistic temperament,” the aunts say, that word again, temperament.

I think Dick’s name suits him. I tell my mother this.

“You will be respectful,” my mother said before Dick and Stella arrived. “They’re family,” she said, as if that explained anything.

By artistic, the aunts mean Dick is a musician, a barroom pianist, and a good one. When he plays, Stella sings along, like the terrified little lab mouse she is.

Dick is not trained, like me. He reminds me of this each time we see each other.

Trained pianists, Dick says, are like trained monkeys. Real musicians don’t have to be taught how to run a scale or play the blues any more than real monkeys have to be taught to swing from trees and fling shit.

“You’re either born with it or you’re not. Me, I never had one goddamn lesson,” he says now as he settles into my mother’s good wing-backed chair.

He’s wearing Hawaiian shorts and a tank top, black socks and sandals even though it’s October, even though there’s frost coming. He has a can of Iron City in one hand. The other hand keeps time to some music only he can hear.

I think Dick is like a dog in this way. He’s always hearing things.

He taps out those rhythms on the arm of the chair. He rolls the beat through his fingers, like they’re already on the keyboard, like they never can rest. I watch his fingers, how thick they are, how big and hard his hands seem.

I imagine him hitting poor Stella, those fingers coming down again and again in a slap. I can’t imagine what she’d do that would make him so mad.

“My sweet Dick,” she says, and her voice warbles and clicks, like a cotton candy machine filled with pennies. “He plays like an angel.”

Maybe it’s something awful and simple.

Dick the angel-playing pianist can’t bear the sound of his wife’s voice.

“I’m a natural,” he’s saying. “I play by ear. Have since I was this high,” Dick says, and he takes his rhythm hand down low, an inch above the carpet, to show he’s been playing since he was a fetus.

Stella’s tweaking, a Pekinese on the Fourth of July. When Dick tells her to get up to the piano, when he tells her to sing along to what I am about to play, she jumps like an M-80 just went off in her shoe.

Poor Stella with the horrible voice sings when Dick says sing, even if he’ll slap her for it later.

I play my best for my mother, who wants to be proud, who wants to show me off, her well-trained and talented daughter. My mother sings along with Stella. They smile at each other as they sing. They hold hands, like singers do in those movies they watch.

The two of them could torture dictators into giving up their countries, their families, their stashes of fine cigars, their own ears, they’re so beautifully unimaginably off-key.

When it’s over, Dick just sits in his chair.

“Well aren’t you two the bee’s knees,” he says to my mother and Stella. He doesn’t smile. His fingers thrum their invisible keys. He’s quiet, then he says to me, “I can see you’ve practiced that one a lot.”

I nod and think for a minute he’s going to praise me.

He says, “You’ve been taking lessons for how long— three, four years now?”

He says, “How about I give it a go?”

He hoists himself out of the chair and walks to the piano like a linebacker. He sits down on the bench and it creaks under his weight. He rolls one wrist to loosen it, then the other.

Then he plays.

I’d like to say he’s terrible. I’d like to say he hits the keys with a jazzy rendition of chopsticks. I’d like to say he thumps the keys like the brute he is.

But he plays beautifully. His fingers don’t even seem to touch the keys. His whole body becomes part of the instrument, the music. There’s no separating it.

Dick is a beautiful pianist and the world is worse because of it.

“There,” he says when he is finished. “That’s how a piano’s meant to be played.”

Weeks later, I’ll get a letter from Dick, who will tell me I have the technical skill to be a concert pianist but not the heart. I have the physical ability but not the soul. I should give up and not waste any more time.

“I figure I should tell you now for your own good,” he says. “You are not a born pianist.”

It’s a crushing thing.

“You’ll thank me,” Dick writes.

•••

I didn’t thank him that day. I didn’t thank him ever.
 I wished him dead more than once. I wished Stella would kill him in his sleep—a pillow to the face, a stove left on, something easy like that.

Still, Dick was right. I wouldn’t become a pianist, though all these years later I still play, and one day I find myself sitting in the basement of my childhood home, playing the piano Dick once played, the very same piano, for a man who is my brother.

“You’re really good,” my brother says. “Just like my old man.”

Maybe I wasn’t born a pianist.

Maybe nobody’s born anything, though Dick thought he was.

“I know a lot of dicks,” my brother will say. “My father was one most of the time.”

I won’t know if my brother’s father is my birthfather.

I won’t be sure if it matters or not.

“Do you know any Bruce?” my brother will ask, and he’ll mean Springsteen.

•••

LORI JAKIELA is the author of the memoirs Belief Is Its Own Kind of Truth, Maybe; The Bridge to Take When Things Get Serious; and Miss New York Has Everything, as well as a poetry collection—Spot the Terrorist! (Turning Point, 2012). She teaches in the writing programs at Pitt-Greensburg and Chatham University, and co-directs the summer writing festival at Chautauqua Institution. She lives outside of Pittsburgh with her husband, the writer Dave Newman, and their children. For more, visit lorijakiela.net.

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Shelter Girl

fairyhome
By Gina Easley www.GinaEasley.com

By Chareen Ibraheem

I hoped to say goodbye to it in 2015. But the year ended and I was still here.

So many factors revolve around being homeless. I can look at the factors all day long, and we as a society can engage and look at the factors all day long. But the truth of the matter is I can only look at myself.

I was always uneasy with looking at myself in the mirror, even as a child. But I find it even harder to do now. I may glance at myself for a minute to make sure my cornrows are neat and well kept, but when I look in the mirror—I mean really look in the mirror—I see the embarrassment of the adult I’ve become. I see an embarrassment to the little girl I was, who grew up in the projects of Brooklyn, New York. I haven’t been fair to the little girl who loved to create, create something, and create anything that would lead her away from the harsh reality of the projects. Her imagination was her key to unlock her way out, her creativity the strength to push open the door. To a world of possibilities, or so she thought.

I’m watching myself in the mirror, standing over a sink and trying to squeeze enough water out of my washcloth to quickly wash before someone in the church (where I will stay tonight out of the cold) needs to come in. I monitor the door and try to finish up, and I think about how I got to this point in my life. Especially with two college degrees. I didn’t think an A.S. in Theater and a B.A. in English were so great, but down here where I am located, it’s like a prize just to finish high school.

Someone bangs on the door and curses that they need to use the bathroom. Sighing, I turn off the water, dry off, and put fresh clothes on (especially underwear, since they’re scarce around here for women). Opening the door, I walk past a young guy who is looking at me all angry. I ignore him as I walk over to my mat, squinting my eyes in the semi-darkness. On several other mats, some people are whispering in conversation, others cough, and some have settled down for the night.

I finally spot my mat that has a small red blanket on it, and my heart soars with relief, thankful to be indoors from the cold. Except for the hardness of the mat, it’s okay. It’s much better than sitting in an airport, hospital, or stairway building all night. Removing my dirty sneakers that already have holes formed in them, I step onto the mat and lie on it, but not before trying to find a comfortable spot. When I do, I adjust my now-dirty cross bag like a pillow and lay my head on it.

Immediately my mind starts to wander back to a time—eight years ago, in another state—when I sat at a bar in a strip club. I don’t want to go there; I often pray I don’t. I fight hard to move on from that chapter of my life as well as other chapters, but the human brain is fascinating at recapturing things you don’t want to remember.

•••

This was not my first time being met with homelessness. You’d think after years of knocking on doors for jobs, jobs in my field, any kind of jobs, I would be settled by now. But, it hasn’t worked that way. I’ve run around town, dressed in my best interview clothes, and talked in my proper professional etiquette, and I’ve had years of experience working in corporate office setting. How many closed doors in one’s face can one take? No criminal background, no drugs, no illegal history of any kind. That would hinder me to getting that “dream” job that I dreamed since I was a child. Timing? Maybe. Years of inquiring, and still knocking, honing skills needed the best as I could.

I was weary. I fell into a deep dark depression, and I couldn’t see my way out of it. Usually I could, but this time, it was like a black hole that sucked me in deeper each day. Destructive habits were starting to resurface, ones I had long tried to suppress, work on, or pray about. But they found a way back, a door open, and a trigger. Growing up in a family full of destructive habits, it was easy to fall into the same pattern.

Not able to meet a motel room I stayed in briefly, I headed down to the local city shelter. It was place that was surrounded by all kinds of people that were destructive on many levels. Strangely enough, I felt at home. I felt a kind of high being there. This was my first time in one. Feeling alone and abandoned by family, church, and friends, I didn’t care. Old thoughts of sexual abuse as well as other abuse I faced as a child kept popping up in my mind. Years of trying to “let it go” had not worked for me. Suddenly it was like a gulf overtaking me, the years of rejection gnawed at me.

I guess it made sense—I was just rejected by a guy I was semi-getting to know a few weeks ago. I felt the need to prove myself and show him I was what he wanted.

All around me I heard bits and pieces of conversation about local strip clubs in the area. The idea to feel beautiful and sexy at the same time and become every man’s fantasy was alluring. Not to mention, I heard if you were “good” at what you did, the money rolled in rather quickly. Naive to this, I didn’t understand all of what “good” meant.

A woman who was a former stripper said to me, “You’re not ready,” when I asked her about it. She briefly schooled me on the basics of the “business,” and the more she talked the more excited I became. It sounded like a glamorous lifestyle. I was feeling desperation and a need for attention from this guy, so I took what I wanted from our talk and ignored the rest. After all, it was only one night. What would it hurt? I had nothing to lose. I couldn’t get any lower than where I was.

I had heard about amateur night at this local club everyone knew about, where all you wear is a bikini and dance for money. Sitting at the bar, I watched a nude woman with stilettos on stage dance, surrounded by colored lights. I was mesmerized by how this woman boldly worked the pole, dancing in sync to the hip hop and R&B music, moving in time with the music. Men threw money gracelessly at her feet. Excitement building in my chest, I wanted to be like this woman, who was not only attractive but had men falling at her feet. I felt self-conscious about my apparel: no bikini, but jeans and sneakers. Not to mention my puffed-out relaxer and slight odor from not being able to use the showers at the shelter that day.

I turned towards the bar and ordered a Hennessey and Coke. I took a sip, enjoying the way it tasted on my tongue. I wasn’t a drinker, but this was what I needed. As I sipped my drink, I causally chatted with a guy who sat next to me. I held onto my drink and watched him carefully. He encouraged me to get up on stage and said I could do it.

Insecurity settled on me like a familiar blanket, and I again scanned the room to see women in bikinis and thongs handing out drinks to guys at the tables. Their hair and makeup fixed in sexy styles, neatly done, they skillfully walked in stilettos. I kept wondering what was I doing there. These women were gorgeous. They had an art to dancing and working the pole that I would never master, I thought.

I ordered another Hennessey and Coke. I felt like I was inside a dream, a hazy dream. The pulse of the music sounded out sexual and raunchy things to be done. Time was going by quickly. I wanted desperately for the guy to call me back and say, “Shorty, I am on my way.” (He always called me shorty). But in the whole hour, his phone just kept ringing and going to voicemail. Left messages. No answer. Glancing at the door now and then, I still expected him to walk through the door. I was frustrated and hurt. I stopped calling. I imagined he must be laughing at me with his chick. Taking another sip, it went down my throat easily again.

A couple of drinks later, I felt myself loosen up as I relaxed and waited for them to call us new girls to the stage. All the while I felt myself falling into a deeper depression. If this was it for me, I at least wanted to enjoy the night. Death was on my mind. I felt it all around me. I didn’t care. I didn’t want to live anymore. Consumed with my thoughts as I listened to the music, a loud voice snapped me out of it.

“IT’S AMATEUR NIGHT LADIES! TO THE STAGE!” I looked up at a short guy with a booming voice. The guy in the seat next to me waved me on and winked. I grinned slightly at him. The music was lowered a bit. My favorite song by rapper TI—”You Could Do Whatever You Like”—was playing.

I asked the female bartender, “Is it time?”

My head felt woozy as my heart beat against my chest. I steadied myself on the bar stool.

“Yeah,” she said eyeing me briefly, before she gave the guy next to me a quick glance. I quickly jumped off the seat and followed behind a group of girls to a back room. I noticed everyone else had their bikinis on, and I didn’t have anything.

“Here.” A girl threw a bikini set to me. It landed easily in my hands. “Keep it.” Nodding, I rushed to the bathroom and tried to wash myself.

Doing the best I could with a small piece of soap and paper towels, afterwards I changed into the bikini, so small the thong part showed my butt cheeks. I guess this was supposed to be the desired effect. Adrenaline pumped through my veins—just the excitement of it was like drug.

Before I hit the stage, I tried to straighten out my semi-afro with my fingers and some water. I really wished I had found someone at the shelter to cornrow my hair for me. For free. Glancing at myself one last time, I looked down at my shoes. Church shoes, it looked like, with a heel. Not cool. But this was all I had. Everyone said it was okay. It was just “amateur” night. This was to see if they really wanted to keep you.

“Okay, ladies, let’s go!” a woman said outside the bathroom.

I took a deep breath, walked out, and headed to the stage with the other girls. At first, I danced with the other girls as a group, my nerves and fears getting the best of me.

It was different from what I had imagined. When it was my turn, I danced solo. My name was “Candy, and as I danced, I felt some money hit my leg and foot. Pleased, I kept moving until my turn was up.

Backstage, the lady who worked at the club grabbed my arm and said, “You gotta fix yourself up more, then you’ll have a chance.” I nodded and went to change. I knew I shouldn’t, but the wheels in my mind kept spinning as to who I could find to do my hair and coach me some more.

It was an early October morning and dark outside. I prepared to stay in the club until daylight when a big, built guy with glasses appeared in front of me and asked if I needed a ride. “Sure, thanks,” I said, uncomfortable.

“Come on.” He waved me outside. I followed as I tried to push away the advice the lady at the shelter gave me a few days ago.

I hopped in the black Jeep and slammed the door. He made small talk along the way. His car swerved the car a bit as we rode down the dark road. “I liked your dancing,” he said, taking turns eyeing me and the road.

I wasn’t the slightest bit interested in him at all. I laughed, smiled, and flirted a bit to try to buy time.

“You live around here?”

“No.” I shrugged my shoulders coolly. “With a friend downtown.” I held tight to the twenty-five dollars he threw at me on stage.

“I really liked what I saw. You’re sexy,” he said, staring at me in the dark car as we sat waiting for the light to change. We were almost downtown. My heart was doing flip-flops. I was for this ride to be over.

“Let me give you my number,” he said.

“Yeah, let me get it,” I said calmly, with a giggle in my voice.

We were finally downtown, and he quickly wrote down his number. “Call me.”

“I will.”

“Let me get a hug, shorty.” Expectation still lingered in his eyes.

I moved over and hugged him, and he squeezed as he hugged me. Smiling, I told him, “I’ll call you.”

We moved away from each other and I quickly grabbed the handle and got out of the Jeep. With one finally smile and a wave, I walked away quickly around the comer. Leaning against a wall, I closed my eyes and took a deep breath. I waited for my breathing to return to normal. Then I opened my eyes and walked the few steps towards Landmark Diner, my favorite diner. I went inside and ordered my favorite meal.

As I ate, I thought about the events that took place. I was happy I had tried this new thing. A surge of excitement passed through me as I quickly pulled out my phone and redialed the guy again.

He picked up. “I see you’re answering your phone now,” I told him. I was nervous about what he would say next.

“What happened?” he asked a little too calmly. I went over the details with him. We stayed on the phone briefly because most of the time I was jotting down information he was giving me. He seemed impressed by my “attempt” at stripping so far and gave me a club to go to the next day and he said he would meet there. Although I was doubtful he would, my hopes still soared. This one would at least be closer to the shelter downtown.

I left the diner and headed back to the shelter. Things were busy as usual there, people trying to get help with getting placed, men standing outside looking for a hustle. People on in wheelchairs, drug addicts, pimps, prostitutes, women with children, women with baby daddies by their side. Impatient, sometimes grumpy, social workers.

I walked into the nearest bathroom ready to take a shower after getting a paper pass to do so. All that ran through my mind was getting ready for tonight. I’d find someone to do my hair to make it look halfway descent and find a sexier bikini this time and find someone to do my make-up. The excitement was building, the attention, the need to make more money, the glamor of it all.

I was about to step into the shower when, all of the sudden, I fell. My right ankle slammed against the floor hard. Not noticing the pool of water in front of me, I started to get up when the ankle or leg couldn’t hold me and I fell to the ground again. I cursed aloud, and I saw my right ankle begin to swell.

A lady who came in the bathroom, said, “Don’t move, honey. Someone gonna call the ambulance.”

She rushed out the bathroom. I sat there silently in shock, upset. My plans to self-destruct weren’t exactly working out as I had hoped. All I thought about was the guy I wanted to impress and how I wanted to be in his arms again. Really be in his arms, not some quick trip seeing me at a hotel room and that was it. I wanted to be his ride-or-die chick. I wanted to have his baby—I told him many times.

But I guess that wasn’t going to be. These thoughts went all around me, and that was more devastating than that my dreams of becoming a dancer were over.

I didn’t hear from the guy anymore. And when I did call, it was brief and or voicemail or a female who answered.

I wanted to die. I wondered why God had let me live. I hated my life. Not only was I homeless, but I was in a boot, walking around in crutches. I was reduced to nothing; the women in the shelter called me “Crutch.” What‘s up, Crutch?, You doin okay, Crutch? or Go, Crutch, as I struggled down the hall.

•••

As time went on, I stayed at different shelters for my ankle to heal—in the snow, rain and sleet at times—going out, to get clothes, documents needed, as well as information. That all basically led to nowhere. I was worn out, tired, hurt and confused.

People didn’t understand—that I would expect them to—that I wasn’t just homeless to be homeless. It was a reason behind it. I was struggling in life to get my life together. I was thankful I wasn’t in a corner of a shelter, rocking back and forth in a seat talking to myself, or receiving disability, or waiting for it to come, or waiting on child support. Or drug addicted. These were real problems to the shelter system people.

Not some woman who was clearly educated and so they thought she was trying to take advantage of the system. What was I to do when I pushed myself for years to get a better job more stability?

I still was with family until now. I don’t know, but maybe it wasn’t important. Maybe it wasn’t a big thing that my grandmother lived in a senior building, and for years the manager has been harassing me and her because the only people are supposed to be there are seniors. It doesn’t matter if I help her or go shopping for her, and still look for work and a place to stay for myself. It doesn’t matter that each day, I am on my grind. Doing what I have to do. Doesn’t matter that they threaten her if I continue to stay overnight with her. Where I have to try to sneak in and out just to have a place to stay. And after a while I am told I have to leave.

I guess it doesn’t matter or mean anything that I can’t stay with my mom in the projects I grew up in because the front door always locks to keep drug dealers and users out. And the only people who have the key are the people on the lease. Maybe it doesn’t matter that my mom has kicked me out of her apartment (if did get inside) and cursed me out and yelled at me and has physically put her hands on me.

Maybe that doesn’t matter to people because I am a grown woman and should be on my own. Not their problem. Maybe it doesn’t matter that the rest of my family doesn’t care. Again not their problem. I don’t know.

Maybe it doesn’t matter that I’ve traveled to another place to make a better life for myself and people seem kind at first, but then there is no money rolling in from you, and they tell you to leave. Or you return to their place at after looking for work all day and you can’t get in the house, or the key they gave you doesn’t work.

But in order get “help” from one of the shelter programs, you have to be literally homeless. If that was the case, then why couldn’t I get help when I was sitting in a chair in the airport, or sitting in the city hospital all night, or sitting in a stairwell of a building hoping no one would catch me just so I could be off the streets for the night? Then to go back to the local woman’s shelter to shower and eat lunch, but at three p.m., I have to leave, only to do this all over again until the shelter program for the week at a church opens up. Where I can lay on a floor on a mat. It wouldn’t bug me so much if I wasn’t still dealing with this right now in my life.

Yes, I am still dealing with this.

I am grinding every day to find work, more than temp that I’ve done many years now so I can at least secure a steady place to stay of my very own. I have to catch myself many times.

That child that once dreamed in the projects of Brooklyn still resurfaces a lot especially times like this. I have to tell that child, you’re an adult now—stop fantasizing about winning that Oscar and having your favorite actor by your side as you receive it. I try not to think about how I want to complete this novel I’ve tried to work on for years so I can make my grandmother proud. That how she took care of me most of the time was not in vain. I try to tell that little girl on a day like today when depression sets in, and I know she’s crying inside of me thinking about the abuse she suffered and the physical violence she witnessed and experienced. I tend to her for a minute—just for a minute—because if not she’ll want to live in the past and this is not the time or day to be stuck in the past.

This is not for people to feel sorry for me. I don’t like that. It’s to know and try to understand that not all homeless people are the same. But as I’ve sat, eaten, and slept with the homeless, I see that I have things in common with the women. The need to be loved and cared for, broken pain now and in the past, needing to get our lives together.

The only difference is I can say I am here because of God. No other reason. Why, I don’t know. But all I can do is stay on my grind one day at a time and hopefully make something wonderful happen out of all this pain and suffering. Maybe.

•••

CHAREEN IBRAHEEM is a writer living in Portsmouth, Virginia.

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Go That Way, Very Fast. If Something Gets In Your Way, Turn.

chippedhouse
By Gina Easley www.GinaEasley.com

By Erica S. Brath

I was on my way home from a writers’ conference. I was about to get on the highway when I noticed it was a three-lane parking lot. So I kept going, That’s when the GPS started freaking out, trying to turn me around. I put my turn signal on, until I realized it was taking me back to where I’d started.

“No! I will not turn around. I will not go back.” I was white knuckled, jerking my father’s pickup truck around unfamiliar roads in the middle of Ohio. I clicked off the screen, tossed the phone in the console, and started looking for a place to pull over to consult a map.

“Damn it. I fucking hate Ohio!” I screamed in frustration as no shoulder wide enough to keep a Dodge Ram safe from passing traffic appeared.

I’ve been in these situations before, unsure of where I am, just driving forward, fear growing in the pit of my stomach. It rises to just below my ribcage and sits, nagging, anxiety pushing my pulse higher no matter how many times I count to ten.

“When you find yourself in a situation that causes you stress, take a moment to stop, find your center and breathe,” the yoga instructors always say, calm, peaceful, so fucking Zen you want to push them over and hit up a pastry shop.

Which may be why I have never actually been able to find that rock-solid island in the middle of adrenaline- and coffee-fueled chaos.

But for some reason, as I started to feel the blood pounding behind my eyeballs, I simply stopped. Not literally, because I was still cruising through cow-infested verdant fields of summer green, dotted now and then with absolutely adorable farmhouses, many with hearse-like black buggies next to cherubic boys in dark pants, white shirts and wide-brimmed hats, standing like tiny undertakers all in a row.

But for a single, blissed-out moment I didn’t care if I was lost, or where I was going. The truck said I was going east. That was good enough for me, because I needed to be in Ithaca, New York.

The fields sped by in my peripheral vision. Farmhouses, barns, buggies all started to look the same; I worried I was just going around in circles. I thought about life: Just because the scenery changes doesn’t mean you’re going forward. Or anywhere at all.

Was I going anywhere? What the hell was I doing anyway?

•••

I’d spent nearly a decade taking dozens of road trips with my husband, Sean. We’d driven between Pennsylvania and Virginia more times than I could remember, the most epic when we headed south pulling a newly-purchased twenty-nine-foot travel trailer. This was before either one of us had smart phones―maps and calls to my mother-in-law had to suffice for directions or information on where to get a half-decent cup of coffee―and well before our best efforts at making a life together imploded.

Now, he was in Philadelphia in a full-blown crash and burn―the countless calls and text messages I’d received over the course of the conference confirmed that. He was broke, out of work, homeless, and battling addiction. He blamed me, his mother, and anyone else who, in his mind, had let him down over the course of his life.

I know the fairytale grown-up world I thought existed when I was in my teens , where my―of course, British―rock star husband provides me with enough disposable income to chase whatever creative muse might flit by. I’m cool with working my ass off in conjunction with an equally driven partner. But that’s not how things had turned out.

We’d gone to hell and back during the recession, but we’d managed to finally eke out a somewhat decent existence. He’d returned to masonry with a small company outside Charlottesville, Virginia, and I had lucked into a job as a screenprinter—finally utilizing my BFA—after nearly a year working retail for eight dollars an hour. I’d also found an amazing group of creative, talented friends. I’d never imagined anywhere below the Mason-Dixon could feel like home, but it was tolerable, considering I was northeast born and bred.

“I can’t do what I want here,” he’d started saying from almost the moment we moved to C’ville. “No one here plays the kind of music I do.”

His musical talent is unmatched, so I was sympathetic. I don’t feel that way because I married him―I wouldn’t have married him had he been mediocre. Cold, yes, but if I were going to fully support his creativity, I had to believe in it. He was the real deal. I wanted to see him succeed.

“What do you want to do?” I asked with some trepidation when his misery finally reached a fever pitch three years into our foray in the south.

“I need to move back north.”

He’d made several weeks-long trips to Philadelphia that year to practice and play with his band, which consisted of the same guys he’d been in a previous band with before I met him. He’d handed me their CD shortly after we met―I put it in my car’s player knowing that if it sucked I’d have to break up with him. They were amazing, with the kind of chemistry that doesn’t come around often.

“Well, so, what do you want to do?” I repeated. “What’s your plan?”

It seemed straightforward enough: He’d move back to Philly, where we’d met and lived before the recession kicked us south. I’d stay in Cville and continue working, providing a steady stream of income, stability, and health insurance. He’d get settled, and then I’d pick up stakes and move north.

It fell apart almost from the get-go. He said he couldn’t hold it together without me, and he sank into addiction. I found myself repelled by his neediness. I saw my life with him as a trap. So instead I moved further north. It wasn’t a plan so much as a reaction.

•••

I felt like an asshole, like I’d somehow abandoned him. The guilt still burned red hot as I navigated the winding Ohio roads a full year after he’d packed up a rented van and driven north, away from our cramped, aged camper and onto a completely different life. He wasn’t my kid, he wasn’t a child—he was a full-grown man who refused to take responsibility for his actions. His mother and I had spent countless days and dollars to keep him afloat until it became obvious no amount of assistance would ever be enough. Yet I still felt like a jerk, and I couldn’t shake it. I didn’t know if the guilt would ever go away.

And I was sad. I knew in my heart that, in the end, we’d go our separate ways, but it’s not that I didn’t care about him. It didn’t stop me from feeling paralyzed, plodding through life’s motions under a heavy weight. It felt like just another failure, another way I’d managed to veer off life’s path, whatever that was supposed to be.

In many ways the hardest part was the external judgment, which just added to my uncertainty about what I was doing, or should be doing, or should have done. It was almost like the second Sean fell down, those around me headed my way with knives out. They’d been holding back, barely, their disdain, but all bets were off. I found myself putting up walls, forcing my own disdain at what had been, so completely, my life, as if by swearing it off I could convince the world—and those around me—I wasn’t like him.

“I always knew he was bad,” they’d say. “What were you thinking?”

And I’d nod my head in agreement—“Yeah, what was I thinking?”—afraid that if I defended him, they’d judge me harshly, too.

Thing is, he wasn’t actually a bad person. He may have looked like your typical bad boy, and he most certainly embodied the stereotypical rock and roll persona. He was tall, thin, his body angled in sharp lines from hard living and hard labor. He smoked like a chimney, swore off whiskey and the rages it put him into, and sported one—intentionally—amateurish tattoo: a skull and crossbones with the words “fuck off.” He was wholly, unabashedly, loudly uncouth. But he was also a voracious reader and a constant questioner of the kinds of things most people just accepted as fact, which the journalist in me found a kinship with.

When the financial sector collapsed and everyone I knew turned their backs while we struggled, we only had each other to rely on. Losing my ally, my—albeit damaged—champion was like another floor dropping out. He may have been alive in the corporeal sense, but I wasn’t sure the real Sean was ever coming back. And if I waited to find out? How many second chances could I give him before it was too late? I hated myself for even thinking this way, and I hated him.

He’d dropped out of school at sixteen, lived wherever he could find a place to lay his head and was, for the most part, married to music, his second wife. I was his third. Drugs were, and always had been, his first.

•••

I wasn’t sure about moving north, but winter was coming fast and the camper was falling apart. I had to make a decision. I had family in Ithaca, but for all intents and purposes I was broke and alone, save for my two terriers. I was forty-four, not a single possession worth calling my own. Even my own truck, which I’d left for my dad to drive if needed when I headed to Ohio, was a slap in the face: I had a car I loved somewhere along the east coast, which I’d been forced to leave after its water pump quit. Sean was supposed to drive from Philly to Virginia to get it after I moved, and we’d trade in the spring―I’d headed north driving what had been our tow vehicle, our Behemoth, a ’97 Suburban. I had no idea where my car was, or whose dubious possession it might be in, along with the rest of my belongings. So I was limited to very local trips considering the advanced age and state of disrepair of the tow beast.

Which is how I wound up driving more than four hundred miles each way to Ohio in my father’s pickup. I’d attempted to rent a car, but was turned away when it was discovered I was a nomadic ne’er do well.

“My dad’s going to pay for everything,” I said sheepishly, handing over my driver’s license at the rental counter. I was, after all, well beyond the age of my father paying for anything. But he’d offered, and I was in no financial situation to say no. I’d taken a part-time job in Ithaca with the same chain store that had plucked me from jobless perdition in Virginia just to make sure I didn’t go without work. But the pay and hours provided little more than spare change in the adult world I had once been accustomed to living in.

I’d spent thousands of dollars on this particular car rental company; I had no reason to think there would be a problem. They’d gained my loyalty when the engine of my Volkswagen Golf self-destructed in 2010, melting to a puddle of oily, metallic goo on the side of Route 495 in Delaware, leaving me, Sean, and our puppy stranded as traffic zoomed by. Their gimmick was they’d come get you. We’d needed a car. I’d wound up renting from them for well over a month.

So it was a shock when they rejected me.

“If you don’t have a major credit card, we need proof of income and residence,” the woman behind the counter said. “And you’ll have to pay for everything yourself. No one else can pay for you.”

“You’re kidding, right?” I asked, still not comprehending the situation. “Why can’t he just rent the car and add me on as a second driver?”

“Because we need the same information from all drivers, so even if you’re a second driver and you don’t have a major credit card, you still need to prove income and residence.”

My cheeks grew hot, my pulse started to race, and my favorite feeling―enraged embarrassment―took over. I could prove my pittance of an income but not residence. I hadn’t had an actual, legal address in years. By federal law, even as a full-time RVer, I was considered homeless.

“This is outright discrimination,” I stated, digging my fingernails into my palm. “I do not have proof of residence, and why, exactly, do you need proof of income?”

As if I didn’t know: Because if you’re on the bottom rung of the socioeconomic ladder, you’re a lazy, shiftless thief. Because people without credit cards don’t work. Because being chosen to hold credit certifies you are an actual citizen in the eyes of the rest of society. That’s what matters―money. Anyone who doesn’t have it is scum and banned from normal activities. Like renting a car to attend a conference. Because lazy impoverished scumbags don’t go to conferences. They’re too busy collecting welfare and doing drugs.

It makes even the strongest-willed person want to crumble. Which is why I can almost understand Sean’s compulsion to numb himself no matter the consequences. Almost.

It’s no secret: I bought into the lie that as an educated person I deserved to live a life of comfort, free from things like being turned away when trying to rent a car. But the life I’ve lived and its choices—some made by me, some hoisted upon me—have shown me that there’s really no escaping the mess that is life.

But I was neither a total failure nor the victim, but something in-between. I loathed working retail and the pittance I earned, but I also hated working seventy-hour weeks in uncomfortable shoes so some CEO could feel impressive and buy something else. I’d been given the chance, an existential Scrooge story in reverse, to decide what, exactly, had to change. Would I keep pushing forward until I found my way? And if it all went to shit, if the traffic stopped moving, was I agile enough to veer off and figure it out without crashing again?

I figured I needed to find the fine line between living in the moment and looking at the long-term ramifications of what I was doing. I’d been cruising along for decades, certain I’d always find another on-ramp and everything would work out for the best. There’s merit in that approach, but also some nasty potholes. Getting hitched in the basement of a bland, brick apartment complex with no witnesses and celebrating afterward with a cup of Dunkin Donuts might have been a place to start thinking about the path I’d been on. But I hadn’t. I needed to find balance. I dreaded becoming stuck, but the other option—full-on hedonism—was also something I couldn’t even bear witness to, let alone indulge.

With the conference behind me, and its amazing writers inspiring me to just get to fucking work, I had to accept I was alone, wandering on the eastern edge of the Midwest. The guilt, the hurt, and the anger still burned in my gut, and probably always would. But was anyone else’s happiness my responsibility? Was it okay to put myself, my ambitions, first?

I’d been taking the most circuitous routes my entire life, but they were mine. I owned them. The writing conference was just another start, a way to meet people like me, wake the muse up and keep going. It wasn’t fucking up so much as it was just life. Could I cut myself some slack? Should I? And more importantly, could I stop feeling sorry for myself and everyone else and do what needed to be done?

“Aha!” I hollered as I spied a sign for the highway. I could see it off to my left, cars and semis flying along. “So there!” I exclaimed, slapping the wheel in triumph, shaking off the melancholy.

•••

ERICA S. BRATH is a non-fiction writer currently living in Ithaca, New York. She works as a graphic designer and editor, and has written for publications including the Philadelphia Inquirer, Philadelphia Weekly, and Men’s Health. She is currently working on a nonfiction book detailing her experience living full-time in a travel trailer during the Great Recession. Her website is esbrath.com.

Read more FGP essays by Erica S. Brath.

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Behind the Clickbait

By Ruth Hartnup/Flickr
By Ruth Hartnup/Flickr

By Sarah Broussard Weaver

 

She Stopped Taking the Pill—but What Happened Next Shocked Everyone!

She and her husband wanted a child—a “little-Nick-and-Sarah-baby.” She stopped taking the tiny daily pill. Nothing happened. Her body, young and healthy, refused to ovulate more than three times a year— a practice of inadequate irresponsibility it had begun with Menstruation Number One, when she was almost sixteen. She worried, a lot. She could become one of the women forced to smile through tight teeth. The mouths sing-songing, “We’re trying!” “Whenever God blesses us!” “Someday!” The ones who cry to see blood on the soft, snowy cotton, those who stare surreptitiously at the lucky. The experts on aiming a bad-news-bearing pee stream on a plastic stick, the minds trying to will nothing into a pink line.

 

After Months of Suffering, She Made an Amazing Discovery That Would Change Everything!

In the end, her body would fail for only a little over a year. The worry had eaten away at her for no reason. She could have saved the tears for something better. When she felt her way to the gray dawn bathroom and she vomited into the bowl, she knew it must be true and it was. It was a bad time—they had just moved across the state—and they had stopped actively trying, wanting to get more settled in their new city. But she hadn’t started using birth control again; she’d been lulled by their failure thus far. Now they were, at the same time, happier and more worried than they had ever been.

 

The Appalling New Ways in Which Her Body Betrayed Her!

She should have spent those worry-months picking up extra waitressing shifts. When the sickness came, she wasn’t ready. Her body failed her in a new way now. Her blood rushed harder through the highways. Her doctor, bony and cruel faced, the only female doctor who’d accepted Medicaid, berated her for gaining weight—it was too much, too quickly. She’d thought only a woman could understand what she was going through, but she saw no sympathy in the stony eyes, just disgust. The prescription for high blood pressure—get off your feet and stop eating so much. Her worry over her inability to conceive morphed quickly into another worry, as her body struggled, as the money quickly became not enough.

 

Groundbreaking Research Uncovers the Top Five Things to Avoid When Pregnant!

She needed to keep waiting tables—they couldn’t pay their bills with only his tips. She left her restaurant and he left his, so they could get a new restaurant together. This way, he could carry her heavy trays. Sinking into their sofa after midnight, after working a double shift, her feet and legs rebelled. They tingled, ached, screamed at her as she held onto the stove for support. She stirred canned soup and heated hot dogs—all against doctor’s orders, but they were quick, cheap, and she was too tired to deal with more. They sat on the green sofa with the Southwestern design—ugly but free—and binge-watched episodes of Friends he had downloaded—illegal but free—as they fueled their bodies with salt, sugar, and fat. These nutritional sins were the only luxuries they could afford so they savored them. They went through all 236 episodes in that dark apartment. She doesn’t think Friends is funny, anymore.

 

They Had Nowhere to Turn—and Then, an Unexpected Phone Call!

They had to choose which bills to pay. The apartment’s rent was the most important, of course, the truck payment second. All frivolities had already been cut, and all bills were already in or past their grace periods. The truck insurance was allowed to lapse, which meant they now were in danger of their only vehicle getting repossessed. One chilly night, his parents called him. They weren’t rich, or even super comfortable, but they had read between the stress lines in foreheads and the pauses in phone calls. They offered to share what they had. They offered to make room. She threw everything in cardboard boxes, nervous and relieved about the offer. He used their last dollars to rent a U-Haul, and they drove it, along with their uninsured truck. They drove from Dallas to the Hill Country; from the cold apartment complex surrounded by strangers to the warm house surrounded by family.

 

The Aging Effects of Stress—Doctors Say You Can IMPROVE YOUR MENTAL HEALTH by Letting Go of Unrealistic Expectations!

The stress wasn’t over, but it was lesser. It was now the stress of preparing for childbirth, of two women sharing a kitchen, of heads butting, of chore parceling, of packed cardboard boxes in the garage with no plans to unpack them anytime soon, and of feeling beholden by the knowledge that this graciousness could not be repaid. It was no longer the stress of unpaid car insurance, eviction, and having to choose cheaper food over healthier food. She still couldn’t bring herself to care what the scale said—she’d deal with it later. Her new doctor-who-accepts-Medicaid was a man; she felt that she could accept the advice that resonated in her and release the rest as “something he knows nothing about.” He didn’t mention her weight—either he was more compassionate toward her feelings or too busy and uncaring to take the time. Either way, she was grateful to ignore it for now.

 

The Shocking Aftermath of Her Life Choices!

She gave up canned soup, doctors with cold eyes, waitressing, and Friends. She gave her body her blessing to grow their baby girl for the remaining three months. His parents gave all they could spare to the preparations for their granddaughter’s arrival. She and her husband felt the relief of release as hope returned to their eyes. It wasn’t the perfect start for a young family, but it was a safe and loving one. They accepted it gladly.

•••

SARAH BROUSSARD WEAVER lives on a hill in beautiful Portland, Oregon. She is a senior at University of Portland. Her work can be found or is forthcoming in Eastern Iowa Review, Tahoma Literary Review, and Mulberry Fork Review among other journals. You can visit her at sbweaver.com or tweet hi @sarahbweaver.

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4×6, 5×7, 8×10

photos
By Gina Easley www.GinaEasley.com

By Kathleen McKitty Harris

My father doesn’t want the pictures anymore. When he finds them in drawers or old shoeboxes, he passes them on to me—in used mailing envelopes bearing his new address, or in secondhand shopping bags printed with the names of retail stores long defunct, with curlicued fonts that spell names like “Bambergers” or “Gimbels.” When he does so, I am struck by the incongruence of my childhood memories, grouped together in no particular order.

The pictures usually make me cry when I take a moment to look at them later by myself. They guide me back to living rooms in houses long since packed up and sold, to the feel of scratchy rompers and dresses sewn by my mother from McCall’s patterns, and to the smell of my grandmother’s Chanel No. 5 perfume, cloying and comforting on hot July days in Brooklyn backyards. They return me, quite viscerally, to the freedom of childhood summers, to the comfort of love and acceptance craved by an only child and bestowed by a dysfunctional—albeit well-meaning—extended family, to days when what has become would never have been foreseeable or possible.

My parents divorced ten years ago, after more than thirty-five years of marriage. They were high school sweethearts, who amassed decades of memories between them. These pictures are markers of what once was and what never should have been, of what cannot be fixed, and what will never return. So they’re put aside, someplace dark, and tucked away.

I was thirty-five, in my own marriage for nearly ten years, as I witnessed the dissolution of my parents’ union. The small, lacquered coffee table, the Pfaltzgraff dishes, the Christmas ornaments, the kitchen chairs with cane seats—all once merely functional items—were now essential to my mother and father, after passing through their lives largely unnoticed. They were life rafts, and my parents clung to them, alone and adrift, as they became unmoored from the weight of their married life. It was jarring to visit each of them in their makeshift apartments and see the physical objects of our former home, now unmatched and without their counterparts. Tables without chairs. Couches without pillows. Cherished collections, now halved.

The photographs, however, were largely left by the wayside. Who wants the wedding album from the marriage that didn’t survive? Who needs the box of Kodachrome slides from the honeymoon in late-sixties-era Kauai, that Christmas in the first apartment in Manhattan, the first ride in the new car, or the time we went on that trip north to Vermont and stopped along the way for fruit pies to take home? Who wants to remember that there was good there, even if it was only as bright and brief as the flash of light capturing it? Who wants visual proof of the dour, cold faces, the spark gone from someone’s eyes, the distant body language, the signs, all the signs—long before the other had awakened to it?

Most of our family photographs remain in a storage unit that my mother has rented for too long in Connecticut, because she still can’t bring herself to sort through everything. When her promised dates of delivery come and go unfulfilled, I don’t press her for them, out of kindness. My father has a few in his possession, and he offers them to me when he thinks of it. When he does, I discover moments I’d forgotten, or that I had never been cognizant of, given my age in the photos.

There are familiar memories, new to me again from alternate angles of relatives’ cameras. I sift through shots of birthday cakes and party hats, cellophane-wrapped Easter baskets, tricycles with streamers, toys long since lost or sold at garage sales, presents stacked under tinseled Christmas trees, and every-day moments on outerborough summer streets and in backyard pools. There are blurry ones, many poorly framed, with ripped edges and creases. They were captured with cameras that we no longer own — my parents’ old Instamatic with the blinding flash bulb box, from my uncle’s old Nikon, or from the Polaroid we kept for a while around the house.

Sometimes, they humble me as I realize how little we had—and how much there still was to go around. We all lived in close quarters, seemingly on top of each other, in two-family houses and apartments and row houses. We were together. Often. This explains why several relatives often usually weren’t speaking to each other, my desire to have borne my husband more children, and why I yearn for a houseful of people yelling and clattering together on any given holiday.

One photograph will never be returned to me. It’s a vertical shot of me in cap and gown, bearing a broad, white smile, at my college commencement. I’ve taken my glasses off, for vanity’s sake, which ironically worsened my look with the tight squint of near-sighted eyes. I can sense that my father is there somewhere before me, squeezing the shutter button, but I’m not exactly sure of anything except his shadowy shape.

I was the first woman in my family to graduate with a bachelor’s degree from college, and the first person to go away to college at all. My parents were proud of my accomplishments, and of their numerous sacrifices to get me there. After my graduation, my mother had a large print of the photograph framed to suit the decor of my father’s office. It matched the cherry credenza behind his desk, and he displayed it there for several years in his midtown Manhattan office.

When my father’s company moved downtown to the World Trade Center in the mid-nineties, he brought the picture to adorn his new office on the 92nd floor. On September 11, the day the towers fell, he survived because he was simply late to work that morning, and had not yet arrived at his desk.

In the weeks that followed, I thought of the photograph’s journey and wondered what its fate had been. Had it fluttered out to the murky Hudson River? Had it incinerated in the collapse? Would it be recovered in someone’s backyard in Brooklyn, clinging to a chain-link fence and wrongly labeled as the photo of a 9/11 victim? The thought process was my irrational way of distancing from the physical horrors that had occurred. The thought would surface when I could only focus on the chaotic flight path of flimsy photo paper, unable to humanize the abject pain and fear that took place on that day.

Photographs are small truths. They house our past. They help us to remember who we once were, when we have strayed so far from our beginnings.

•••

KATHLEEN MCKITTY HARRIS is a writer and native New Yorker, living in northern New Jersey with her husband and two children. Some of her work has appeared or is forthcoming in Creative Nonfiction, The Rumpus, Literary Mama, Brain, Child, and McSweeney’s. She has also been named as a Glimmer Train Press short story finalist and as a three-time finalist at the Woodstock Writers’ Festival Story Slam. Her website is sweetjesilu.com.

 

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A Lonely Dude

man on beach
By Gina Easley www.GinaEasley.com

By Noah Renn

Leslie had been deployed nine months when Troy tried to grab my dick. He lived in the apartment next door, and I would go over there when Carmen went to sleep for the night. I would bring the baby monitor so I could hear if she woke up while Troy and I drank Dominican rum and smoked cigarettes. He was a flight attendant and would be gone for weeks at a time, but when he returned, he was always looking to hang out. His place provided brief moments of relief from the loneliness of our apartment. I always felt guilty, like I was doing something dangerous or neglecting my kid, but she was a good sleeper. Once she went down for the night, she wouldn’t wake up until the morning. Plus our building and apartments were so small; in his kitchen, I was literally two rooms away from her crib.

He was a nice guy but kind of a weirdo. Overly cheerful about his obviously isolated life. Overly enthusiastic about his one year in college at Colorado and his choice to drop out and follow Phish for a couple years. He was a rambler, jumping from subject to subject, not ever really allowing or needing me to get a word in. A bit spaced-out in his explanations about the beauty and connectedness of things, like he’d dropped too much acid in his twenties. Troy was also a close talker, always leaning in my face or ear as he talked, as if he were divulging something important and as if I were the only one he made privy to that information, though he probably told those stories to anyone who would tolerate them.

His stories always had to do with him on vacation. As a flight attendant, he got free trips to the places on his airline’s routes, so on his breaks, he would take advantage and travel. It seemed these free rides were pretty much limited to the eastern seaboard or the Caribbean, and appropriately, so were the settings of his stories; this limited his stories to places less exciting than I’d like to hear about.

“Where else have you been?” I’d ask.

His favorite place was the Dominican Republic where he would always describe lazy beach days and wild nights clubbing with a woman name “Tamia” who he called his girlfriend. I always found his relationship with her suspect. How could he spend enough time there to not only find someone but become romantically involved? It’s not like he was visiting every week. He could only take off a couple days a few times a year.

Another thing always in the back of my mind when he described Tamia was that a couple of neighbors who had lived in the building long enough to know Troy more than I did had indicated that he was gay.

Adam, in the unit directly below mine, said that Troy tried a little too hard to hang out with him all the time. That Troy was “trying to put moves on him.”

Ashley, in the first floor corner unit, outright asked Leslie about Troy. “He’s gay, right?”

Gay or straight, his life paralleled my own. We were both guys who lived in small apartments. Our partners were far away from us. This, besides the fact that he was generous with his booze, was one of the reasons I liked hanging out with him. We shared a similar struggle. He would sometimes ask me about Leslie, and what is was like for her to be in Iraq while I was taking care of our one-year-old.

That night he added, “You have a beautiful family. You’re so lucky, dude.”

I took a deep breath and said, “It’s not that hard.”

This was how I responded to most people in my life:

“Seems like I’m able to handle it.”

“Sometimes it’s easier than when she was here because there’s less conflict.”

Or: “I get to make all the decisions”

Even though I felt that way sometimes, it was mostly that I wanted to come off strong to my friends, coworkers, and family members. I didn’t ever want to be someone who needed sympathy or help. What was I going to do? Wallow in tears because my wife was in a war zone? I was in grad school, writing poetry while she was off driving tractor trailers over the Tigris River. Stereotypical gender roles were reversed. I was trying to be tough and macho.

Other times I had to admit to myself that parenting is hard, especially for one person. And for all the stories I heard growing up in Norfolk, Virginia, home of the largest Naval Base in the world, about military wives recklessly spending their husband’s money, letting the house go to shit, or sleeping around on them, I came to realize it’s not easy to be alone with the kids for so long. When a spouse is so far away, so close to death and destruction, to war, the absolute worst thing in the world, so near the possibility of being killed or maybe even worse— having to kill—there’s a certain longing for recklessness back at home, even though it seems everything in our nature should guide us toward the opposite of that, to comfort, stability, and safety.

I was thankful that family gave me great support. My mom, who lived close by, would take Carmen any time she could. And every once in a while Leslie’s parents would come down from Winchester and take Carmen for a week or so. We called it Camp Grandparents. These week-long breaks allowed me to catch up on the overwhelming amount reading, writing, and grading I had piling up, and gave me a chance to live momentarily as a carefree bachelor—kind of. I would have no child to take care of and no wife to answer to, more or less, so I would try to go out and have a good time. But there was something odd about having a good time in public when my friends knew my wife was deployed. So mostly, I found myself not doing much. I wouldn’t really go out or spend a lot of money. I mostly just drank some beer by myself and went to sleep earlier than I would when Carmen was there. This, I thought, was probably more relaxing than calling my single friends and hitting a bar. So I didn’t regret it.

One morning when Carmen was away at Camp Grandparents, I ran into Troy in the hallway. He’d just returned from a two-week trip. I hadn’t seen him in a while, so we agreed I’d come over that night. I could drink and smoke, and at least I didn’t have to do it alone.

That night as we settled in, he picked up a framed picture of him and Tamia standing at a hotel pool. He shoved it in my hand and looked at it with me.

“She’s so beautiful, isn’t she? We are in love.”

In it she was wearing a server or staff uniform and looked like she could just be an employee who agreed to take picture with him. There was no indication of romance.

I gave a general response like always. “That’s nice. She seems great.”

He took it back and stared at it longingly before putting it down on the table. I could imagine he needed someone or something in his life that he could say was permanent. Flying around and staying at hotels for weeks on end would probably compel most people to latch onto any connection they might make—whether it was real or imagined.

We shot rum and chased beer. I lit a cigarette and feigned laughs as he told me work stories.

The buzz provided a moment of clarity. I was putting on a front. Some of my strength and resolve at that point in my life, like Troy’s relationship with Tamia, was just imagined.

He put on a cassette tape of some Pink Floyd, closed his eyes, and swayed. He was drunk. I was drunk. Realizing it was time to go, I pointed to the clock.

“It’s pretty late, man. I should roll out.”

Not ready to end our “chill session,” he swung around me in the narrow, galley-style kitchen, reached across my chest and shoulder into a top cabinet, and grabbed a bag of weed and a pipe.

“I can’t smoke ’cause they’ll test me, but you should smoke some. It’s so good.”

His eyes were just slits. His grin curled.

I was reluctant, but I relented even though I knew it would mean I’d have to hang around even longer. I couldn’t just smoke a dude’s weed and leave. He said he wanted to close the door, so I didn’t smoke out his whole apartment. I thought this was odd because he didn’t have a problem with chain smoking Camel Lights in every room. Breaking up the nuggets of weed and loading up the pipe took me back a couple years—back to undergrad when I worked in bars, before I was married, before Carmen.

When I found myself making stupid decisions during the time Leslie was deployed, I chalked it up to the fact, that as a country, we had found ourselves tumbling recklessly into a war we should never have started, so I could justify letting myself tumble recklessly into something stupid, into places I should have never found myself. I was a stateside casualty of war. The terrible foreign policy decisions that got my wife deployed begot any terrible life decision I could make. This was a lame excuse, and I knew it.

I lit the pipe. Troy flipped the tape.

An hour or two later, the bottle of rum was empty and the kitchen was starting to turn at a carousel pace. I needed out. I made my way to the kitchen door.

“All right, Troy-boy. I gotta go.”

He snapped out of his musical trance and hurried after me. “Just drink one more beer.”

I turned so my back was against the door, the fridge to my right. Before I could respond he had opened up the fridge and was grabbing two more beers. For a second I was pinned between the two doors. He emerged and dropped a can at my feet. As he bent down to grab it, his hand didn’t move toward to floor. It stayed at crotch level and his body lunged forward. He was right on me. He went for me. I opened the door and moved back and out of the way. On one knee now he looked up at me. He suddenly seemed completely sober.

“Aww, come on… What’s wrong, man?”

It was like he knew his move didn’t work, but he still had some hope that something might happen. I turned my head at him in confusion.

“I’m leaving.”

When I got back to my bedroom, I noticed how messy it was. Clothes on the floor. Baby toys scattered around Carmen’s crib. Disorganized changing table. I don’t think I made the bed once since Leslie left. I had escaped, but Troy was still just two rooms away.

I couldn’t give much more thought than that to what just happened—I didn’t really want to be sure that it did, but there was an awkward feeling, a sense that this dude had just tried to grab my crotch, molest me. I tried to rationalize. Maybe he was just falling or not paying attention. It was an accident. He couldn’t have really…

But I knew. When he moved at me, it was like the way I had moved at girls in high school—I’d be ready for things to escalate, to get under their shirts or in their pants. The way I moved away tonight was like how those girls might have moved away from me. Okay with staying close but not ready for that kind of touch. I felt creeped out that I had made someone feel the discomfort I now felt. It was that discomfort that let me know his move was real. That he was going after something. And what if I’d let him? What if I didn’t move away? What did he think was going to happen? What was his end game? This I still don’t know.

As time went on, I tried to avoid Troy as much as possible. It was pretty easy since he really wasn’t home much. When I ran into him weeks later outside the building, I just gave a passing nod and said, What’s up? There wasn’t any bad blood or even real tension. It was just that we both knew we weren’t going to be hanging out anymore. We went back to being our lonely, isolated selves. I could consider my loneliness and isolation as a lingering effect of war. Something that absolutely affects every military spouse, something that isn’t calculated with cost and casualties. But if they can’t even provide proper treatment for soldiers with PTSD, it’s understandable why a depression like this often gets pushed to the side, forgotten about. But I had Carmen, so I wasn’t really alone. Right? Troy was still alone. Leslie was still alone.

The next day when I Skyped with her, I told her about it. She seemed as surprised and confused as I was.

“Oh man,” she said. “I’m glad you got out of there.”

It became a joke between us, and we thought that any questions we had about Troy’s sexual orientation were answered.

“Well, Adam was right.” I said. I even joked that now I knew I was desirable to men.

“Don’t you cheat on me,” Leslie joked. We could make light of it, but when she would bring up the guys she was deployed with and how they would constantly say how horny they were, how they objectified the women, their fellow soldiers, I got worried.

What if something like that happened to her? That was the one and only time anything like that had happened to me, but women in the military are more likely to be sexually abused or raped than to suffer injury or be killed in combat. The abuse often occurs during periods of deployment. The majority of women who are sexually abused don’t feel like they can report it. Out of those who do report, large numbers have faced worse repercussions than the men they accuse. She’d have no door to escape. She’d have no apartment to hide in. I couldn’t imagine what she would do if she found herself in that situation.

Another part of me was scared of the possibility that she’d want someone to make an advance. She could in be in a such a state of isolation and fear and trauma that intimacy would be the one thing she needed—that so many of the those lonely, horny men would be willing to provide.

I’m not mad or weirded out by the thought of what Troy did. I do wonder what would have happened if I had gone super-hetero on him, punched him in the face, and said terrible things to him. How dare he do some gay shit like that? But I don’t fight. I’m not macho. My wife is the warrior. I write poetry.

I can understand that his attempt at having something, even just for a moment, to feel like someone wanted to be with him, to touch another human, wasn’t necessarily something so terrible. I can say that during that year Leslie was gone I don’t know how I might have reacted if a woman made the same move. I may have been just as vulnerable and desperate as he was.

I woke up the morning after, sore in the head and body. My eyes peeled open to the messy bedroom, Leslie’s side of the bed and Carmen’s crib, empty. First the bells, then the lyrics from Pink Floyd’s “Time” rushed into my blurry mind, “Ticking away, the moments that make up the dull day… “ It would be three more months before Leslie came home. Before I could touch, be touched by her.

•••

NOAH RENN is writer and teacher living in Norfolk, Virginia. His poetry and nonfiction has appeared in The Virginian-Pilot, The Quotable, Undressed, Princess Anne Independent News, and Whurk, among other journals. He is a 2015 Pushcart Prize nominee. He teaches composition and literature at Old Dominion University, and he leads a poetry workshop at the nonprofit organization, The Muse Writers Center.

 

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Something

bandagedheart (1280x1262)
By Gina Easley www.GinaEasley.com

By Penny Guisinger

I held his hand as we crossed the street from parking garage to hospital. The black-and-white lines painted on the asphalt guided us to the automatic door that whooshed us into the building. He was eight years old, and his fingers felt sticky from breakfast, sugar, and sweat. I let go of him only for a moment so I could check my watch. We were on time. Neither of us wanted to do this, though I had tried my best to spin it as a grand adventure.

“You’ll get to see a cool video of your own heart,” I had told him at least two hundred times leading up to this day.

“I know, Mama,” he had come to say. “I know.”

“Don’t you think that will be cool?” I had said it again that very morning at the Dunkin Donuts.

He had plucked a sugar-covered chocolate donut hole from a bag, and said, “Yes.” He popped it in his mouth and licked the sugar from his fingertips. “Very exciting.” He was like this all the time. Even his understatements were understated. He endured me.

I had known what would happen when I told his doctor what Owen was regularly saying. “He says his heart feels like it’s beating funny, and sometimes his chest hurts.” You can’t say those words to any responsible medical professional and not set this chain of events in motion. Though our doctor had said all the appropriate “I’m-sure-it’s-nothings,” she ordered an x-ray, EKG, and an echo, and referred him to a pediatric cardiology practice no fewer than one hundred and ten miles from our rural home.

“Oh, look,” I said, finding the name of the practice on a directory. We had entered the cool and quiet of the medical building. The floor glistened beneath our sandals. “We need to go to the fourth floor. We get to take the elevator. Want to press the buttons?”

“Yes,” he said, scanning the length of the hallway. “I do.” He was carrying Tiny White, the floppy, dirty, white bear with a blue hat and scarf that Santa brought to our house many holidays ago. The bear didn’t exactly go everywhere with us, but he was pressed into service for special events.

In the elevator, he reached up and pressed the four button. The doors dinged and closed and the floor started to rise. Owen smiled. “I like elevators,” he said.

To call our area “rural” doesn’t quite capture the experience of living over a hundred miles from the nearest Starbucks, airport, shopping mall, or franchised restaurant without a drive-up window. In easternmost Maine, we all drive to Bangor to do anything much of anything. We grocery shop, do our banking, and fill our prescriptions locally, but if we need running shoes, jeans from someplace other than Walmart, a roller rink, or to see a medical specialist, we all make the trip across Route Nine, through the dense, endless wild. So to Owen, an elevator was a relatively big deal. A trip to Bangor was a celebration, and I was determined that our day would include some fun to underscore that this was nothing.

We found the right door and let ourselves into the waiting room. The receptionist gave me a clipboard and a pen, and Owen flipped through a Lego magazine while I wrote his name and birthday on at least nine different pieces of paper. Then we waited together in side-by-side chairs with wooden arms and scratchy upholstery. I ran my fingertips across the surface of his back, scratching him through his tee-shirt. He had picked out a Lego Star Wars shirt especially for today. With his tee-shirt, Tiny White in his lap, and the Lego magazine opened across his knees, he looked exactly like who he was, and it was my own heart that assumed an irregular rhythm.

In the first room, where they did the EKG, he told the nurse or the PA or whatever she was that he had an irregular heartbeat. She nodded, looked at me, and said, “He’s right. He does.”

I thought about how our family doctor had looked at me and said, “I’m sure it’s nothing,” and for the first moment since she said that, I doubted. This doubt would not linger past the appointment’s end, just an hour later.

•••

While we waited for the next room, for the next nurse or PA or whatever she would be, I said to him, “Let’s do something fun after this.”

He was looking at something. What was it? The Lego magazine? A book? The television? The floor? I have no idea, but I know he said, “Okay, Mama. Like what?”

“I don’t know,” I answered, trying to think of something we could do in Bangor, something fun, something different. It was summer in Maine. There has to be something.

Something, yes, but this was nothing. It would be nothing.

The echocardiogram was, as predicted, incredibly cool to him, but only for the first ten minutes. “Is that my heart? How is that my heart?”

The black and white, fuzzy images on the screen, constantly in motion may as well have come from a probe on the moon or from distant Tatooine, so unlike were they from any images we understand of the human heart. It was not pink, not red, not even heart-shaped. No black outline, no arrow through it. Its valves opened and closed the way a praying mantis lifts and lowers its legs, and the cross sections were bell-pepper-shaped.

“I don’t see how that’s my heart,” he insisted once more before drifting into the spell of the cartoons on the television high on the wall, strategically placed for viewing from the table. Then he added, “These aren’t very good cartoons.”

The echo tech did her job by not interpreting anything. She didn’t share any reassuring commentary. It was like the ultrasound I had when I was pregnant with my oldest, Abby. Because of her positioning in my uterus, I had a lot of ultrasounds throughout that nine months, and most of the techs were like tour guides of the baby, pointing out toes, elbows, her heart, her little space-alien movements. But one tech was wordless throughout, creating an absence of sound that was louder than any noise I had ever heard. She spoke only at the end when she said, “Do you have an appointment with your doctor this afternoon?” Panic set in, and I went to that appointment already in tears, prepared for a terrible piece of news that was, of course, nonexistent. It was just a tech doing what they are supposed to do: collect, not interpret.

There, next to my son, who was complaining about bad cartoons, I listened to the silence of the tech. She was clicking on her keyboard, capturing measurements, snatching images of Owen’s heart doing various tricks. And I knew. I knew it was bad. I knew it the way I know that there is gravity and that the sun sets and rises each day and the way I knew that I too would eventually die. The scenario spun out in my head—he would need a transplant. This would be our life now. That very day, everything would change and whatever fun thing I thought of to do that afternoon might be the last moment of fun we would have for years, or for months, or maybe forever. This news sank into my bones like a cold front. I checked my watch again. I interpreted, then misinterpreted. We had been in here too long.

•••

It gets hot in July, even in Maine, and it was a day too warm for go-karts. But go-karts were what we decided to do. I drove us across the bridge from Bangor to Holden, following a rush of summer traffic; tourists heading to Bar Harbor, heading to the coast. Owen sat behind me in the back seat, and together we watched for the signs for the go-kart track I had found online. I spotted it. “Is this it?” Owen asked, leaning forward against his seat belt for a better look out the window.

“Yes!” I almost shouted. “Let’s have some fun!” My emphasis on that last word was, perhaps, much more enthusiastic than the situation called for. But he was eight, and I was his mother, and we were going to have some fun.

It was about ninety degrees, and the go-kart track was in full sun. The young attendant who sold us our tickets asked how many minutes I wanted to ride. Rides were sold in seven-minute chunks of time, so I bought three. I looked down at Owen and said, “Let’s ride for twenty minutes the first time. We can go again after that if we want.”

He looked across a grassy expanse that sloped down to the fenced-in go-kart area. A fleet of small vehicles, with lawn-mower-style engines, was lined up, ready to go. Not a single other driver was on the track. We had the entire, squiggly-shaped road to ourselves.

Owen was too small for his own kart, so we were assigned a two-seater. The attendant showed us how to buckle ourselves in, how to steer, and how to brake, then he pulled on the start and the engine noisily fired up. I pulled onto the track, got a feel for the quick, tight steering. With hot wind now blowing through our hair, I stomped on the accelerator, and the kart responded by quickly coming up to racing speed, but there was nobody to race.

Owen gripped his seat. “Mama, I’m not sure you should go this fast.” He was like this all the time: a worried, middle-aged little man in dark-rimmed glasses.

I leaned into a tight turn, felt the tires grip the track. “We’re okay, Owen,” I reassured. “Are you nervous?”

He nodded but was grinning a grin that I took as evidence that I was being an awesome mom in the face of a hard day. We were having fun. His expression proved it, even though his little knuckles were ivory-colored and he had that edge in his voice when he said, “I think you should slow down so we don’t crash.”

I eased off the accelerator and slowed as we took a turn. The breeze stirred up by our forward motion fought the heat. We settled into a comfortable speed, and I steered the vehicle around and around the track. Owen’s body seemed to lighten as he relaxed into the activity, though I did not sense any actual joy. He watched the scenery pass by—the entrance gate, the parked row of karts, the booth where the attendant sat, the highway, the entrance gate again—over and over and didn’t say anything. I sped up and slowed down and leaned over and yelled over the noise, “Isn’t this fun?”

He met my eyes with his, grinned, and nodded, then went back to watching things go past us. His heart, I knew, was beating its irregular rhythm under his Star Wars tee-shirt and moving blood through all the veins in his small body. It ran through the small veins in the fingers he was using to grip the sides of his seat, though his grip had become less fierce. His small heart—how small was it? They say the adult heart is the size of a fist, but perhaps that is an adult fist. Perhaps his heart was the same size as his little, seat-gripping fist that was given its gripping ability by his irregular little heart. Perhaps it was my adult-fist-sized heart that made me grip him this tightly.

Another family appeared at the ticket booth, buying some turns in the go-karts. I thought that this was good, that it would be more fun if there were some obstacles, some challenges, some easy, fun competition. I navigated two turns while watching the group walk to the gate. They waited there. The attendant did not make a move to let them in. I wasn’t sure how many minutes we had been spinning around these arcs, but it seemed that we had a lot of time left.

The other group watched us through the chain link fence, and I felt obligated to pick up the pace. Owen’s knuckles grew white again, but he didn’t say anything. Members of the other group shuffled their feet, glanced at their wrists or their phones, the sun hot on their bare heads. We flew past them, past the parked fleet, past the attendant, letting the hot July wind blow across our bare heads.

“Are we almost done, Mama?” Owen asked me, but I couldn’t hear him over the din of the engine, and he had to say it again. If he had been wearing a watch, he might have checked it.

“I think so,” I shouted back, then added, “This is fun, isn’t it? Do you like it?” I reminded myself to stay in the moment, to experience this summer-in-Maine joy, to stop interpreting and do some more collecting. In a few weeks, Owen would start fourth grade. Summer was short. And here we were, with this new clean bill of health—he did not need a transplant. “A lot of kids have arrhythmias like this one,” the cardiologist had told me. “He’ll grow out of it.”

He will, I know, grow out of all of this. He will grow out of summer and Lego tee-shirts, and go-karting with me. I should be grateful. We should finish this joyous ride in triumph, then go inside the pizzeria next door and order the largest one they make with whatever toppings we want. We should drive home with Owen’s favorite band, The Beatles, cranked all the way up and with both of us singing. We should be awash in summer-healthy-heart joy. I pressed the gas pedal and took a turn as fast as I could. The g-forces pressed Owen into my hip. The wind flattened his hair against his forehead, and he squinted up at me, still hanging on tight to the seat, and I thought, “This is something.”

•••

PENNY GUISINGER’s first book Postcards from Here, published by Vine Leaves Press, will be released on February 16th and is available for pre-order on the 1st. In 2015, one of her essays was named a notable in Best American Essays, and another was nominated for a Pushcart Prize. Other work has appeared in Fourth Genre, River Teeth, The Rumpus, Guernica, the Brevity blog, Solstice Literary Magazine, Under the Gum Tree, multiple anthologies, and other places. She is an Assistant Editor at Brevity Magazine, the Founding Director of Iota: The Conference of Short Prose, and a graduate of the Stonecoast MFA Program at the University of Southern Maine. To learn more, visit: www.pennyguisinger.com.

 

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