Nothing is simple. Nothing is pure. Sorrow folds inside the wings of happiness. And, as Louise Bogan says, “At midnight tears run into your ears.”
•••
Late last April, when the fist of winter in Michigan was finally letting go, I sat in my tiny office and received the news that my essay “The Art of Being Born” had been selected for inclusion in The Best American Essays. I let out a little whooping sound that died quickly, and then I bounded into the hall looking for someone to tell. The hall was empty. I took big gulps of air and sighed. I even hit my chest to quiet its banging. Returning to my office, my euphoria began to trouble me. Didn’t I remember how once before, when I was carried away with my own good fortune, I looked through the windows of my dining room and watched as my neighbor’s hospital bed was wheeled out the front door? Roger had died that morning, the morning of my good news.
Nothing is simple, no one emotion comes without the accompaniment of another, the wolf inside the grandmother, the tears running into the ears.
•••
And sure enough I lost my balance.
In those early moments when the trees were finally leafing out and the world seemed warm and green again, I had only happy thoughts. I marveled at how an essay I had written for my daughter, detailing the day of her birth would be making its way to a larger audience. And then something brought me to a halt just as that hospital bed bumping down the front steps of the Gifford’s house had tutored me in the scale of human suffering.
•••
The Saturday evening before Mother’s Day, my daughter called, the Clare whose birth I wrote about in “The Art of Being Born.”
“Could you put the speaker phone on,” she asked, “so I can speak to you and Daddy?” As we moved into the bedroom I thought that she might be calling to tell us she was in love. She’s at the age when it wouldn’t be surprising news.
No, it was nothing like that. She called to tell us she had cancer. I don’t remember what words she said. My head was pounding too loudly to absorb everything she said. She tried to soften the blow, put a positive spin on it. I remember she said, If you have to have cancer, thyroid cancer is the kind to have. She was having a routine physical, and the doctor thought she felt something unusual in the area where the thyroid resides. She didn’t think it was anything, Clare said, but just to be sure, she told Clare to have a biopsy.
Clare joked with her friends that she had goiter, and she hadn’t been in a rush to have the biopsy done. She had just gotten the results a few days ago and they were positive. She did not call us with the news right away, I noted. It had taken a day or two for her to compose herself. She and her doctor felt certain they had caught the cancer early and that the prognosis was good.
Of course, it wasn’t that simple. Her doctor had shielded Clare from the more complicated scenario. And Clare, in turn, shielded us, minimizing her illness at every turn. A few days later, the specialist ordered more biopsies. The cancer wasn’t contained to the thyroid; they hadn’t caught it early, and the removal of the thyroid was no longer going to be enough because the cancer had spread into the lymph nodes in the neck. Now she was going to have to have a radical neck dissection.
•••
Mother’s Day was cold. As if the weather was in concert with my internal revolution, it snowed. A week before when the weather suggested spring, friends had invited my husband and me to ride our bikes to the Potter Park Zoo in Lansing. I wasn’t in any mood to go to the zoo or ride my bike through the snow. I was in shock. We should have bailed on the outing, but we didn’t. I’m not sure why. Unbelievably, we thought it would be easier to go than to cancel. Or maybe we were just frozen. We both felt an obligation to be as positive as Clare was being. I felt her presence in everything I did or didn’t do, and I knew she would be upset if we cancelled.
We went to the zoo with our friends, but we were shaken. I hadn’t been to the zoo in over a decade. Zoos have always been mixed affairs for me. On the one hand, it’s the only way to come into contact with wild animals, to be in their presence for a few moments. On the other, I can’t glory in them for long without thinking about their caged existence, how their world has been shrunk to the size of whatever exhibit that the zoo was able to construct. Each exhibit is accompanied by signage that narrates a sad fate. Almost all the stories are of loss —the word endangered comes up over and over, shocking tales of the disappearance of habitat, poaching, with only the slightest ray of hope that something can be done in time. In time.
The others had moved inside the reptile house. I stood outside the bars of the snow leopard exhibit remembering the last time I had stood there with my children. I wondered if the snow leopard high up on the rock ledge, whose great grey eyes could be seen despite the camouflage by trees and shrubs and dusting of snow, was the same leopard I had seen before, or had that leopard died? I learned Serena is the current resident, born in captivity and fourteen years old, which would make it probable that she was the same snow leopard I remembered. Famously reclusive animals, they don’t come down to preen close to the front of the exhibit where we would be able to see the deep grey and black rosettes on her body and the smaller spots on her head clearly. They hold themselves apart and, as in Yeats’s epitaph, cast a cold eye “on life, on death.”
A child several feet away said to his mother, the animals don’t look happy. And it was true. The Amur tigers in the next exhibit—what was supposed to pass as a range– paced in agitated circles, never settling down. When they looked in my direction, they looked angry, waiting for something that would never come. Just then the snow leopard rose up onto her wide paws, flicked her enormously long tail and leapt from her ledge across the open space to another rock where she landed softly as she must have thousands of times in her fourteen years of captivity.
•••
Shaken, shaken, shaken, that’s what I was. The cold eye of the snow leopard, practiced in a kind of dying every day, was beyond me. There’s nothing like thinking your child is safe and finding she is not and knowing nothing you can do will help. Everyone says this. I will hear it many times in the months to come and it will be true each time. Terrible things happen and we are daily surrounded by the news of them, but this wasn’t a terrible thing happening to someone else—it was happening to my child, the child I had carried inside me and given birth to and held on my chest, the child who had changed my life in every conceivable way, who had made me jump across the abyss and love her.
I had spent much of my early adulthood steadfastly believing I didn’t want children. I had doubts about my fitness as a mother born primarily from having been raised by a mother whose troubles had shaped my life. But as I started to turn away from the damage of my early life, I wanted to make the journey from young woman to mother, a journey, it turns out, that never ends, and decided to risk the free fall of childbirth.
In the last moments of my labor with Clare, she went into distress and I was wheeled into surgery. Despite pleas to stop pushing, I couldn’t and as she crowned my midwife could see what was causing the distress—the umbilical cord had wrapped around Clare’s neck. Each time I pushed, the cord tightened, cutting off her air. The mother knot, child and mother tied together, the essential couple. The midwife’s quick hands undid the cord and set Clare free. For a moment, though, things were complicated, one thing attached to another, life attached to death, nothing simple, nothing pure, one thing turned into another in a blink of an eye. And though that first cord was cut, Clare and I are not severed. There is nothing that undoes me from her even as life undoes itself. Perhaps it would be better to be as practiced in resignation as the snow leopard perched on her allotted rock and not like the tigers who wait for what might never come, but I can’t. I won’t.
•••
MARCIA ALDRICH is the author of the free memoir Girl Rearing, published by W.W. Norton and part of the Barnes and Noble Discover New Writers Series. Companion to an Untold Story won the AWP Award in Creative Nonfiction. Her website is marciaaldrich.com.
Mandolin? Mandoline? I’ve never been able to figure out the pronunciation of this device or how it connects to music. I have angered it. It has just sliced lengthwise through my right thumb.
I have been battling a series of small but debilitating injuries since I hit my fourth decade—an ankle orthoscopy, plantar fasciitis, arthritic knees, unexpected bursitis in my shoulder. It’s old hat now. Maybe this explains why my first thought is the purely prosaic: “Fuck. Now I can’t finish dinner.”
But there the potato sits, half scalloped; there is the mandoline, so swift and clean in its retribution that I do not bleed until several seconds after I hang my thumb under the running faucet.
The water begins to turn a deep shade of rose. Anthropomorphizing the mandoline is a bad idea. Inaccurate. I turn my hand over, gingerly, and see that there is no flesh behind a portion of my thumbnail.
The shaking starts.
“Honey?” I call.
•••
I have slung my teacher’s bag onto my single shoulder, often dozens of pounds, unprotected, for over a decade. In a misguided fit of back-to-nature, I spent a summer in “minimalist” sneakers, not realizing that my tendons weren’t strong enough to handle the strain. And what preventable loss of focus drew me away from noticing where my fingers had gone today?
Surely, as with all truths, the reality is a confluence of things both within and outside of my control, but I realize as I clutch the bloody paper towels around my hand that this doesn’t matter. I have already decided that I have not earned the right to cry.
I take deep, shuddering breaths over and over as I sit in the lobby of the urgent care facility. “I can’t scare the kids,” I keep thinking, although the kids aren’t there.
My husband negotiates the paperwork.
“You have to sign these,” he finally says, grimacing.
“Seriously?”
The irony makes me laugh, softly, and then a little hysterically.
I grip the pen between my index and middle fingers and, by the fourth form, I have managed something like my name.
•••
“I am not going to be your friend right now,” says the nurse and briskly dumps a syringe full of saline onto my thumb. I am glad my husband is still outside finishing up the papers, so he doesn’t hear my swallowed scream.
A doctor pauses only long enough in the exam room to assure me that I have not damaged any nerves or tendons, that nothing drastic is needed for healing, and to explain that they will place a special foam on my thumb to stop the bleeding. “Okay?” he says. His mouth smiles, and his eyes say, “Now is when I need to smile.”
“Okay,” I say, and he has left before the second syllable hits the air.
The nurse, my husband, and I joke about “Carrot Guy” who came in just before me (now dubbed “Potato Girl”) as the nurse binds me tightly with a pressure dressing and compliments me on my pain tolerance.
I’m grateful. Really. I’ve seen a few doctors recently, and I’m grateful for them all, no matter how busy they are. I try to catch the nurse as we leave, but he wishes us a cheerful goodbye, determinedly eye-contactless, and starts rapidly wiping up the drops of blood I have scattered on the floor. It’s six o’clock, and the office is closing.
My husband scoops up the mandoline the minute we get home. It was expensive, but I don’t feel the slightest bit unhappy about watching him pitch the whole thing into the garbage can, scalloped thumb slice still stuck to the underside. We agree that you’re better off with a plain old knife. You can see where it’s going.
•••
Three days later, I find out what I did to myself officially. It’s Ingrid who tells me, my primary care doctor. She’s unhappy, in the way doctors are unhappy who don’t want to besmirch their colleagues.
“They didn’t give you bandages that wouldn’t stick to the wound?” she says lightly but frowning. The nurse who took me in said something similar but far less diplomatically.
Ingrid has just come back from seeing the patient scheduled after me, allowing me to sit in an examination room and soak the dressing off my thumb in warm salt water. It takes almost an hour. I’ve had to work at it, pulling gently, literally asking my skin aloud to let go of the material and hoping that no one can hear me. The wound is reopened and throbbing out little tendrils of blood into the water by the time it agrees.
I’m disoriented by Ingrid’s question, because she’s staring right at me and typing into her health care software at the same time, without looking at her fingers. It hits me belatedly that she’s doing this on purpose, to make sure I don’t feel sidelined by what her hands are doing.
“It’s called degloving, what you did,” she says. I laugh until I realize that she is using an actual medical term. I am struck by its poetry.
She fills a bag with non-stick gauze, soft antibiotic ointment, and magical bandages that are impregnated with Vaseline, and she redresses my hand. She takes her own right hand and wordlessly rubs my knee for comfort.
•••
I am turning in a tight circle, flapping my arm around as I try to shake off my bathrobe.
“Ah! A penguin in need of assistance!” says my husband, in the plummy tones of Superman.
I grumble wordlessly as the robe drops off my wrist just as I was about to take him up on his offer. As a pair mismatched almost exactly by a foot (I’m five foot three), we have evolved a silent vocabulary of gestures to indicate when I could use a taller person to step in. Standing forlornly in the kitchen with my hand floating in midair means, “Please get that damn coffee mug off the top shelf,” for example. Approaching him silently from behind with a light bulb is also effective.
Today, though, I unequivocally need him not because of my bathrobe, but because I can’t hook my bra straps together. It’s one of those tasks, I discover, which demands working opposable thumbs. I am more and more aware of these kinds of minute movements. I collect them, the way I used to collect small semiprecious gems in grade school. The heel kicks back to close a door when my hands are filled. The fingers hook the collar of a t-shirt to toss it up over the head. The shoulders, astonishingly, comply. Garnets. Rose quartz. Fool’s gold.
My husband, with fingers too large for these delicacies, is fumbling with hooks and eyes. “How do you people do this?” he mutters.
But he was the first to gently pull away the bloody paper towels and just as gently shoo the kids to the neighbors’ house and bundle me into the car. He reached across the seat and buckled me in with the same calm as when he held my hand, almost a decade ago, while I contracted blindly and endlessly to bring our two babies into the world. He saw both resulting c-sections performed behind the curtain placed in front of my head. He was too tall for it to obscure the view.
I finish my ablutions in the bathroom, wrapping up my thumb, lower palm, and wrist with the magic Ingrid bandages, then gauze, then cloth tape.
When I am finished, I open and close my four free fingers over the resulting thick tube for several moments, as if I am making a shadow puppet duck. This shape is reminding me of something, but it takes a while to bring it back.
It’s mittens. I remember suddenly, out of nowhere, how I would stay out for so long on snow days that ice would coalesce into small hail-like balls on the knitted wrists, with strands of wool as their nuclei. I remember the gritty feeling of the wool scraping across my mouth as I took off the mittens with my teeth.
•••
My eleven-year-old daughter has just ripped open a package of litmus papers we’ve ordered for her school science fair project—she’s cleaning pennies with solutions of varying acidities. Once she discovers the rainbow of results, however, she becomes an unstoppable cyclone of litmus testing.
“Oh! Orange juice!” I hear her gasp, and the fridge door rattles open.
I am deciding at our laptop, after a long internal debate, that I’m going to post about my accident on Facebook. I’m preternaturally sensitive to sounding like I’m whining on social media.
I don’t define “degloving” in my post on purpose, hoping people will feel its weird beauty as I did. This turns out, amusingly, to not have been the best idea.
“WORST.GOOGLE.IMAGE.SEARCH.EVER,” a friend responds.
“What else, what else?” my daughter ruminates out loud. “Hair spray!”
“Oh god, it’s not that bad,” I type back, after seeing for myself what “degloving” brings up.
“Bleach!” my daughter sings out.
“Wait, hang on, you don’t have—” I call to her, but she’s already flung herself down into the basement where we do our laundry.
I lurch up from the computer and down into the basement after her, thinking to find her some latex gloves to use. She’s perversely saddened that we don’t have enough corrosive bases in the house for her to get the deep plum shade of the higher numbers of PH.
I don’t find gloves. She could care less. She brightens when she discovers that at least in the PH world, there appears to be no difference between slamming a glass of cranberry juice or one of red wine vinegar. This is good to know.
On the way back up from the basement, I pass the shelf where we store our less-used cooking contraptions. My eyes pass over the standing mixer, the apple peeler, the cherry pitter, and I shudder. I realize that I have now renamed this shelf in my head “Things That Can Hurt Me Really Badly.”
What is getting older but a yawing, a slipping and widening, of that shelf to hold more and more things? Pots. Pans. The stairs. My ankles. Ice. My blood pressure. My brain.
I look down at my hand. How on earth am I going to do this?
My daughter tears off another strip of litmus paper. “Maybe I can spit on it,” she says thoughtfully.
I can’t help it. I laugh, loud and long, and she joins me.
•••
Just before I go to bed, I notice there’s a new comment on my Facebook thumb post. It’s from Rachel, an old college friend, whipsmart and wonderful.
“This is why we don’t own a mandoline,” she writes. “Or a mandolin, which is what autocorrect wants me to own.”
At least I’m not the only one. As I settle down to sleep I picture a clueless, cartoon Autocorrect and I, with a potato in one hand and a mandolin in the other, looking confused.
I cradle my bandaged hand in the crook of my left arm. I’ve re-wrapped it once more, once a day, as Ingrid showed me. “Don’t roll over on it,” my husband says sleepily, already in bed. My daughter is reading quietly about bacteria cultures in her room. The ibuprofen kicks in.
You’re not always going to see where the knife is going. Sometimes you’re going to look for a stringed instrument to make music, and find it is a bloody blade instead.
But what else is there to do? You reach out. You strip off your gloves. You play.
•••
DINA STRASSER is a language arts educator of many stripes. She has been published in the New York Times, The London Times Online, and Orion Online, and she runs an award-winning blog on education at http://theline.edublogs.org. This is her second essay for Full Grown People.
The moment I poured the runnier-than-my-usual batter into the pan, I had a feeling. I had an hour or so on Saturday morning to make this cake—before I took my nearly six year-old-daughter to her gymnastics class. Later that day came the party. For the eleven children in attendance, I still needed pizza, gluten-free cupcakes for the girl allergic to gluten who’d bring her own pizza, and some ice cream maybe. It’s safe to say that by this—our fourth turning-six-years-old party—we’ve become relaxed. To call dancing a theme would be stretching it. To say we’d prepared would be stretching it.
That the cake did not come out of the pan in one piece wasn’t a surprise. Even the help of a carefully wielded spatula, the larger part of the cake headed to the wire rack with a halfhearted momentum, accompanied by the sad inertia from the rest still glommed to the pan.
A friend called right as I began to contemplate cake triage.
Her kids were fine. Her brother wasn’t. “He’d gotten clean,” she launched in. “And then he stole my stepmom’s jewelry.”
This guy had been in and out of trouble, more in than out, for years. His parents disagreed at this point about what to do. He stayed with them much of the time, because he was out of work. His mom—my friend’s stepmom—was at a rope’s end, and the jewelry theft—family treasures much more than dollar values—made her feel violated, stripped of all dignity. “She just wants him out. It must have felt so hostile,” she said of her stepmother’s response. “I can understand how she feels, although I don’t relate to jewelry like that.”
“Your dad?” I asked.
“He can’t abide the possibility that my brother would hurt someone else or himself,” she says. “He wants to have my brother on his watch, because he says he couldn’t live with himself if something happened and they were estranged.” The something my friend’s father imagined: homicide or suicide.
“I guess you never want to give up on your child, and yet you know that unless he gets help and it works, this can’t end well,” I said.
If you try to spackle chocolate cake with yellow frosting, you get little crumbled bits of chocolate cake interspersed in your thick yellow paste no matter how hard you try not to, like tiny flecks of dirt. “This cake could be on Cakewrecks,” I said. I had just enough frosting and enough salvageable cake to restore about three-quarters of the disastrous top layer, the one I’d meant to be the bottom layer.
“It’s made with love,” she reasoned. “It’s cake, and you put it in a bowl with ice cream and no one notices.”
I had already decided this particular cake required ice cream. In the morning, I’d told myself I had just enough time to make a cake. I’d done so little for this party and asked myself why should the smallest one lose out on a homemade cake? The bakeries that offered pretty decorations had shut down and no way would I buy a supermarket cake, for no reason other than I didn’t want to. My cakes are generally good. They are generally pretty enough. Not so this time. Then again, it wasn’t my son stealing my jewelry to buy heroin so there was that.
“Small children, small problems, big children, big problems,” I quoted one of those in-the-ether parenting aphorisms.
“Ooh boy, I know. I can’t imagine what I’d do,” she said. Her oldest is four. She cannot imagine. That’s the truth. My oldest is eighteen and I can’t imagine but more so. Enough distress of the way-beyond-Band-Aids kind has occurred now to make me appreciate how small the small children problems really are. I let myself marvel at my cake in this light and was surprised by how unworried I felt by its imperfection. It’s a cake. It’s not a drug addicted, jewelry thieving son. Let my problems start and end at cake—memorably cakewrecked cake. If only the wish could make it so.
•••
A few weeks ago for some work-related research, I had to read through a stack of alumnae quarterlies’ class notes sections. According to convention, class notes start with the earliest classes and advance in time. The most recent grads go last. This means the first pages focus solely upon who died. Reports then drift back through the life cycle: ailments, assisted living and family travel, retirement, adventurous travel, gatherings of friends and grandchildren, professional accomplishments and empty nests, full nests, babies, weddings, engagements, first jobs. You can see years like ribbons—swaths of experiences, one after another across the thick, matte pages. Stories repeated.
One of the milestones that many women described were their seventy-fifth birthday celebrations. Quite a few took trips: with children or spouses or friends, to far-off places or somewhere cushy for family gatherings. That was the week my mother turned seventy-five. When I called to wish her a happy birthday, she remembered how hard her sixtieth birthday had been. Her sister had cancer and was only a few weeks from death. She was just a month shy of sixty-five.
“We did this big Chinese dinner with our closest friends when I turned sixty,” my mom recalled. “It was as if, in the face of everything that hurt we had to affirm the friendships. I didn’t feel like celebrating at all, not at all. I was so sad. In retrospect, until then, other than my divorce, I really hadn’t experienced loss.”
Following her sister’s death, my mother got a crash course in loss, including but not limited to her brother-in-law’s death and her mother’s. We did, too; ours included my father-in-law’s death and two of my peers, both of whom had small children.
We’d been so stunned by all the losses—numbed, crushed, battered, humbled, calloused. By the time we weren’t in the midst of some crisis, I felt different. There was no more denying the inevitability that life ends. Although I felt heartbroken more than once, I also felt more grateful, even for the hard parts. I understood that it was a privilege to get to be sad.
It turned out that my mother spent the weekend before her seventy-fifth birthday in search of a nursing home for her brother-in-law. He’s younger than she is, but his MS has progressed that far. “Nursing homes are depressing places,” she told me. Both of her parents managed to avoid them. I asked how about her birthday celebration. She and my stepfather had gone out to lunch. “We’re both so defeated,” she said. “I’m glad I didn’t have to muster energy to do anything more than that. I couldn’t have pretended to have fun today.”
Unlike the women who wrote of their milestone travel adventures or spa vacations with their female family members, my mother has no such plans. “The girlfriends’ lunch is in a couple of weeks,” she reported when I suggested the celebration didn’t have to happen that very day. She knows my sister in California will make cake with her three girls and that when she and I go with my kids to Florida next month, we’ll eat ice cream from the homemade ice cream place we ride a trolley to reach. None of that—ice cream and cake with her grandchildren—would be notable enough that she’d think to submit to the alumnae quarterly for her college.
•••
So much doesn’t go into the class notes. What of those moments? The burning baby tummies and bottoms of feet, their slack eyes and wan skin that made the red cheeks look clownish. The first time I experienced it, there were two sick, the baby and the preschooler. The labored breaths and the gloppy, encrusted noses, the coughs like wounded seals, and all that heat—and it was on me because their dad had it too. So did our housemate. By the time I’d reached the doctor’s office, I’d wrung about a million tepid washcloths between them.
While I clutched seven-month-old-baby, the doctor patted my arm. We were standing in the exam room. “I’d like to get a chest x-ray,” she said. “If the baby has pneumonia, we want to treat it, but it’s hard to tell when they’re so little.” I couldn’t say anything just then. I’m sure I looked crazed, crestfallen, and scared. “It’s okay—it’s a precaution to check,” she reassured me and added, “You’ll never forget this.”
This: the illness that filled the house with all that labored breathing and filled me with exhaustion and panic in equal measure. This: the patience needed to care for all those patients. And beyond our household, more exhaustion and patience and panic while my mother’s sister, my beloved aunt was dying and my father-in-law had just received a diagnosis of myeloma. There was no place calm. No one could really help us and there was no way to help anyone else beyond the sick people I could touch. Islands of illness—and only ours promised a happy ending.
It was snowing. Big flakes flew at the windshield and tossed slickness on the roads. The flakes fell by the handful. I leaned in toward the windshield to squint between the wiper swipes, and I gripped the steering wheel as if I held tight enough, it would take over and deliver me safely to my destination. I am never a happy driver in the snow, and that day I was even less happy with the sick baby in the backseat and the need to pass home for the hospital. Cars inched along, the roads narrowed by snow. The tracks where tires tread muddied by sand and salt remained slick despite the intervention.
At the hospital, the x-ray technicians fawned over my chubby, ill baby. I stripped him down to a diaper as requested, his hot, velveteen skin under my rough, desperate hands. The way you take a chest x-ray for a baby unable to stand is this: You place him in a cylindrical plastic contraption, which holds him upright, his arms aloft so that the machine can capture an image of what’s beneath the skin. His chubby fingers waved like tassels to some comical, fleecy hat atop his head. “He’ll cry,” the technician promised. “That’s good. We want him to cry because crying expands the lungs so we get a good image.”
He cried as they placed him in the cone-shaped seat and pulled his hands up onto the top of his head. Then, all set in the odd little seat, he smiled at the technician.
“We’ve never had a baby smile here,” she said, as she stepped away toward the switch. “Maybe, he’ll get bothered, now that he’s alone.”
Nope. He just chilled in the seat with those tassel fingers and smiled. The technicians paused. “He’s a happy baby,” one concluded. “Let’s try to take the image,” she suggested and they did.
“I hope this works,” the technician said, as I slipped my sick baby back into his clothes. I added the possibility that the x-ray would be inconclusive to my long list of worries. I took him home.
He did not have pneumonia. Eventually, the household recovered. After that storm, which went on for a couple of days, like a prairie blizzard, there was a thaw. I walked to town.
The sun shone and the snow melted with such palpability it was as if we all were thawed ourselves. The high thirties felt like summer. Snow dropped in clumps from trees and in sheets from roofs, and there were puddles the size of swimming pools on the sidewalks and streets. I reached town and ate a frozen yogurt cone outside. I turned my head to drink in the sun. I gulped the fresh, warm air, grateful to be removed from the house and the clinging arms, the hot skin, the raw winter and for a few minutes to feel myself alone. It was my first outing away from everyone since illness overtook.
Anxiety and sadness flashed there, too, blinding as sunshine. My aunt, my strong, tall, smart, capable aunt, she was practically gone and my mother was inconsolably sad. Unlike my parents’ divorce when I was a child, there wouldn’t be a next chapter to imagine that could exactly ameliorate her loss. Sure, we all understood life would go on and we’d experience happiness again. You don’t get a second sister if you have one, though. Besides, right then, the loss loomed so close, like all those big snowflakes that had walled us in. I took more breaths. I clomped back in my soggy boots, my pants legs soaked. I cried on the way home. The sunshine and freedom gave me the chance to cry. I couldn’t let in the idea that all this might happen again, with my father-in-law, but then it did—about eighteen months later.
•••
The thing that salvaged the cake wasn’t the ice cream, although I got both chocolate and vanilla. (We had more takers for chocolate; the vanilla was much better.) I bought rainbow sprinkles. I stuck two Playmobil figures, a knight and a princess on the low platform left by the lack of a complete top layer. I stuck two red plastic toothpicks with big lips bright as Taylor Swift’s red pucker. I placed all seven candles, six plus the one for a new year around the top layer’s ledge. The cake blazed; the loving lips and the smiling figures led the way. She blew. Her friends clapped. The candlelight danced against the glint in her happy, nearly six-year-old eyes. The imperfection didn’t change her joy. Imperfection really never does. The trick, I guess, if it’s a trick, is to see where you slip from problems you can spackle together with butter and confectioners’ sugar to the ones that require something else—and the ones that simply require your acceptance of them as part of a natural order. I saw the cake and heard the six year-olds’ squeals and remembered to look at it all.
•••
SARAH WERTHAN BUTTENWIESER has had essays in the New York Times, Salon, the New Haven Review, and Brain, Child magazine amongst others. Her articles have recently appeared in American Craft, Ceramics Monthly, and Berkshires Magazine. She’s a regular contributor to Full Grown People. She lives in Northampton, Massachusetts, and is on twitter: @standshadows.
Of course I know better, but after sitting in the car for five minutes, I hit the horn. We’re ready. The pies I got up at six that morning to bake are ready. Frances’s change of clothing for the night is ready. Even the dog is ready, sitting expectantly in his crate in the back of our station wagon.
“Where’s Daddy?” Frances asks from her car seat.
“Daddy’s coming,” I say, which is true, he is. Eventually. Getting myself anywhere on time is challenging enough; getting our whole family anywhere on time is a triumph, and I almost pulled it off, at the cost of great anxiety and strategizing.
And now he’s ruining it. He’s in there brushing lint off his sweater or giving the sink one last wipe with the sponge or re-checking to see if we turned the heat off.
So I honk the horn, and it’s not a cute little hey there, the light is green! tap. It’s a get a move on already, asshole blare. Joe finally emerges from the house thirty seconds later, shaking his head, his mood as foul as mine. We will, once again, be late.
•••
I have ADD. My husband has OCD, and our daughter has ADHD. The difference between what she has and what I have is the H. It stands for “hyperactivity.” I’m excitable, but I’m not hyperactive. Some goes for our dog, who’s half border collie and half Jack Russell terrier. If you know about dog breeds, you understand that Scooter is a furry summary of our family dynamics. The collective metabolism of our household is off the charts.
Of course we didn’t get a dopey, mellow lab. Of course our dog is a mix of the two most intense, high-strung breeds. Of course Scooter sheds his silky-soft white coat prodigiously, and my husband descends upon those million stray hairs with a sense of purpose only matched by Scooter’s determination to attack the vacuum cleaner. Joe vacuums a lot, sometimes when the carpet marks from my previous vacuuming are still fresh. Many Scooter bites scar the vacuum’s plastic exterior.
An OCD-ADD union is the bleach and ammonia of marriages. We were in our twenties—what can I say? Existing was easy back then, and the pleasurable things that pushed our ugly acronyms into the margins of our consciousnesses were readily accessible. The list of what makes us compatible is long, delicious. And, on the other side of the column, there are those harsh capital letters, scrawled in black permanent marker. The delicate balance between the columns teeters, at best. We aim for teetering.
•••
For years, when I talked about my ADD, I described it as “the girl kind, where you’re dreamy and spacey.” But I stopped talking about it, because saying, “I have ADD” is like saying, “I have lungs” or “I often eat a few more potato chips than I originally set out to eat.” These things are fairly universal. Who doesn’t have ADD? So I concluded that its frequency neutered its power. All of the goals that I failed to achieve had nothing to do with that pesky nuisance. Obviously, I failed because I sucked.
Even the things I liked in school—English, art—I had to do my own way, or they didn’t get done. Filling out my math workbook in first grade, I always drew a Smurf next to each problem. The Smurfs would be polishing the subtraction figures or writing the answer in under the horizontal equals bar. Every Smurf had to be distinct. This, to me, was clearly the most important aspect of our math assignment.
Another boy in my class had ADD, but the kind with the H. His name was Ben. When seated, he created facsimiles of Transformers by sloppily cutting and folding pulpy blue- and red-lined writing tablet paper. Many of the things we covered in class are now a blur, but I clearly remember our teachers’ frustrations with Ben, the minutes dedicated during lessons asking him to stay in his seat, telling him to raise his hand before speaking. Every morning Ben’s mother sealed one of his pills in a white envelope, decorated the outside with a Snoopy sticker, and tucked it in his lunch box. One day, when our class organized our desks, about a dozen unopened envelopes tumbled from the chaos of crumpled worksheets and paper Transformers in Ben’s desk.
I didn’t have white envelopes with Snoopy stickers. My teachers expressed their concern to my mother during parent-teacher conferences, and sometimes in painfully earnest heart-to-heart talks with me. These talks invariably included the phrases “not meeting potential” and “so very smart.” This was back in the 1980s, before the rise of individualized education programs for kids with tricky learning needs. The adults in my life tried their best to reach out to me with the one tool they had: their hearts. It was not enough.
It wasn’t until high school, when it became impossible for me to coast by academically, that my mother got me diagnosed. We drove to a specialist about an hour away. He asked me to write out the alphabet in cursive and in printing, and then repeat a series of numbers after him. “Do you ever reach out and grab something without thinking about it?” he asked, and I gave him a frigid teenage fuck you look. What did he think I was, a toddler?
After the appointment, my mother took me to the bead store, a safe zone. I often stayed up late into the night making my own intricate clay beads in those days. It’s too bad the SAT didn’t have a bead-making section.
We did no follow-up. I didn’t want to take drugs; I was afraid they’d irrevocably change something fundamental about me, like a lobotomy.
There was no talk from anyone—my teachers, my parents, that worthless excuse of a specialist—about modifying my study habits, or about creating study habits, period. I dropped out of college, twice. I quit my first desk job—staff writer at an alt-weekly, a coveted gig for a twenty-something with no college degree—after a year and a half. ADD people do not handle deadlines well. They take on disproportionately epic importance until the scope of the deadline eclipses the project itself.
Another thing I did was work at libraries. Four of them, over the years. This I excelled at. I spent the majority of my time shelving books. There was no question about where things went. The alphabet is always the alphabet; the Dewey Decimal System is always the Dewey Decimal System. Pick up a book, look it its spine label, slide it between two other books in its appropriate place on the shelf.
At home, piles upon piles of sadly abandoned projects littered my office. The unfinished novel, the stalled book proposal, the unsent query letter. I had no idea where to begin making sense of it all. There it was, the demon phrase: “Not meeting her potential.”
Pick up a book, look at its spine, slide it on the shelf. Numbers and letters. The alphabet. P-Q-R. J-K-L. I can say it backwards in a heartbeat. It was my religion, the rosary I fingered for strength.
Five years ago, I got a prescription for generic Ritalin, hoping it to usher in a sunny new era of productivity. It’s helpful to some, but, alas, not to me. I still have the very same bottle, with maybe a dozen pills left. One day I decided to give them another chance, and I took two instead of one. The resulting freak-out was like a tweaker’s version of a bad acid trip. I drew a skull and crossbones on the bottle and hid it in the very back of the medicine cabinet. Back to the drawing board.
•••
Frances is not diagnosed, not officially. But when I see her do things, I see me. Her brain works faster than her body does. She hits, she grabs, she utters hurtful phrases. Her latest is “poopy mama.” This is when I tell her she can’t do something or have something. She wants everything all of the time, and she does everything all of the time.
This is very ADD. It’s one of the things I like about it, and it’s why Attention Deficit Disorder is poorly named. Actually, we have a surfeit of attention. The world is so full of awesome ideas! They surge through your brain like electric joyrods! Every morning, you wake up and taste the magical possibilities of the day! A hundred of them! And which one to pick? And how can all of those magical possibilities be realized in twenty-four measly hours, because they absolutely cannot wait? And oh shit, the day is already half over, because managing those electric joyrods takes an incredible amount of energy, and it turns out you will bring none of those possibilities to fruition before the sun sets. Depression sets in. Time to go home. The day is a wash. (Difficulty prioritizing. Having totally unrealistic expectations. Not handling failure well.)
Frances isn’t there yet. Her days are filled with free play and a fairly flexible structure. She usually enjoys preschool and has only had one biting incident. The school follows what is called “The Creative Curriculum.” It’s child-led, a good fit for her. My inimitable girl is a square peg. You can count on an ADD person to run black or white. We love things or hate them; we are enthusiastic or despondent; we bellow or sit silently. The world at large requires a lot of functionality in the sloggy grey middle. When we try to hit those notes, we’re out of tune. I fear that once she heads off to the round-hole obligations of standardized tests and lots of sitting still, we may be screwed.
Until then, I spy on her when I arrive to pick her up. I file away her loud voice and her bossiness and her quickness to respond to a classmate with anger. I file away her laser-like focus when she sits on a cushion by herself in the reading area, surrounded by willy-nilly stacks of books. I file away the ten minutes of cajoling and reminding it can take to get her to do something simple, like hang up her jacket or put away blocks. In the morning, when she gets dressed, she will have one leg in one underwear hole, see a My Little Pony on the floor, and then grab it and play for fifteen minutes, half-naked, half-underweared. The agenda she follows is hers and hers only. Just like her poopy mama.
•••
I have the advantage of insight with Frances. Joe does not. And we, mother and daughter, are so immersed in the rapid flow of thoughts coursing through our own brains that we can’t be bothered to consider the military dictatorship occupying his. But our domesticity has idyllic periods. We take walks together, we read picture books, we giggle at family jokes. We sit down to a home-cooked meal every night.
And that’s usually where it falls apart. Frances is the wildest eater in the four-year-old kingdom. She can render a peanut butter sandwich into a three-foot radius of crumbs and greasy fingerprints in about thirty seconds. And she never just sits at the table; she squirms, flops, slides out of her chair, a dynamic smear of motion. Joe’s watchful eyes zoom in as if a massacre were in progress. “Frances!” he’ll chide. “Don’t do that!” Then, to me: “Can’t you see the mess she’s making? Why aren’t you stopping her?”
I don’t stop her because I’m totally engrossed in the cookbook that I brought out to occupy myself while waiting for Joe to come to his perfectly executed meal. “Risotto waits for no one,” the Italians say. I have no idea what on earth Joe does in those lost minutes it takes him to get his ass to the dining room, where his plate of pasta or curry or—god forbid—risotto sits impatiently, its freshness plummeting. I know what Frances does, though. She digs in without him. For a while I made her wait, but no longer. Why should she? She got to the table on time, and Frances showing up anywhere when she’s asked to is a giant deal.
After dinner, we clean up. I try to do most of it, because if Joe takes on the clean-up, he’s sucked into a black hole of feverish wiping and sweeping and wiping. The kitchen sink is his trigger area. He’ll walk by and grab the sponge and dab at a non-existent drop of water, and then do it again, and then again.
“I already got that,” I’ll say.
“There’s still stuff here, I can see it,” he’ll say.
“Just put down the sponge and do something else,” I say. “I told you, I already got it.” This is an affront to me, to the miracle of me being tidy and conscientious instead of sloppy and careless. It is an affront to me swimming with all my might against the mighty current of my own nature.
And he goes on, wipe wipe. Dab dab. Oh, the sex we have not had because of a fucking sponge.
I do not shelve the cookbook.
•••
Joe has pretty awesome ways of coping. He makes colorful art using exactingly spaced rays of narrow drafting tape. Patterns. Repeating. He plays the drums. Patterns. Repeating. Like me, he eschews drugs. He says the ones he’s taken, Paxil and something else, made him feel at a creepy removal from everything going on around him. Joe’s OCD isn’t just with physical actions. It’s about thoughts, repeating. It’s dark in ways that I can’t penetrate. He grabs his skateboard and grinds his favorite manual curb over and over again. That’s on the weekend. On weekdays, there’s always the sponge and the counter.
At home, our alphabet is in ribbons. There’s no A-B-C-D, like my divine library days. It’s got extra letters in some spots, and it’s missing other ones entirely, and it’s not even in the right order. It goes ADD-OCD-ADHD.
You might have your own alphabet, too. It could go OMG-MS or PTSD-FUBAR. Your hard alphabet is its own unique code, like DNA, even if its letters happen to match my hard alphabet exactly.
You can go looking for people to cut you slack, and maybe they will, a little, but the alphabet will still be there. You can tell yourself that you’ll triumph over it, but you’ll be wrong. A hard alphabet has no eraser. The only thing you can do is cope. All the people telling me to not eat gluten, or that Ritalin will fix me, or that my disorder is totally imagined? Go answer that knock at your door. I sent you a present. It’s an otherwise sane man with a vacuum and his cute little dog. They’ll be spending the night. Have fun.
Sometimes I meet people and spot the ADD in them. It’s like Gaydar or Jewdar. Hmm, I think. Does she? I find myself wanting to embrace that person, tell her I get it, that I’m part of her tribe. But my non-ADD self prevails; I buckle down that thought and keep it from wiggling out of my mouth. Just knowing it’s real is enough to keep me going. I grab the hand of the invisible, impulsive companion in my brain and look it in the face. We have to walk through life together, grapple for some kind of sync. We will cut the OCD and the ADD some slack. We will not honk the horn. We will have an awesome Thanksgiving, Scooter and pies and everything, even if we are half an hour late. And we will own our hard alphabet, backwards and forwards.
•••
SARA BIR meets professional deadlines and is occasionally late for personal appointments. Her writing has appeared in Saveur, The Oregoninan, The North Bay Bohemian, and on The Huffington Post; she’s a regular contributor to Full Grown People. A graduate of The Culinary Institute of America, Sara writes about food and develops recipes in her southeast Ohio home. Her website is www.sausagetarian.com.
It wasn’t as if I hadn’t been dumped before. Or ended my share of relationships that had disaster written all over them. But this particular break-up hit me harder than most, even though, technically, I wasn’t the one being dumped.
It happened at my eight-year-old’s school on her first day of second grade, the hottest day of the summer. Seeking shade while I waited for the screech of the bell to release her, I headed for the courtyard with the big oak—the one the kids called The Barney Tree—by her classroom. The mother of Sadie’s closest friend was already sitting on the wide, tile-studded concrete planter that surrounded Barney. I smiled and sat down beside her.
I liked Janet. I considered her my friend. We made small talk—about the weather, our husbands’ annoying habits—as we had so many times before while we waited for our girls.
That summer, they’d spent hours bouncing on the trampoline in my backyard, dissolving in peals of laughter as they played a game they called “Butt War.” They dressed up like Hannah Montana and danced around my living room belting out “The Best of Both Worlds.” They went to day camp together and called each other B.F.F.
Just before the bell rang, Janet turned to me and sighed. “I need to let you know what’s been going on,” she said.
My stomach clenched. I was pretty sure I knew what was coming.
She told me that during their last playdate, Sadie kept punching and pinching her daughter, Amy. It wasn’t the first time this kind of thing had happened, Janet confided. Sadie had even kicked her in a fit of anger.
“I’ve never seen anything like it,” she said, her eyes wide.
I stared at the tawny oak leaves scattered on the asphalt and pushed them around with my foot.
Sadie was diagnosed with early-onset bipolar disorder when she was five. Frequent mood swings—including extreme irritability that can be triggered by something as innocent as a playmate saying “hi” to someone else—are symptoms of the illness.
Usually, she saves her explosions for home. It’s where she feels safe to lose control. Maybe all the time she’d spent with Janet and Amy made her comfortable enough to reveal her ugly side to them, too.
When the girls first became friends, I expected each playdate to be their last. Although she’d never physically attacked another child before, Sadie’s explosions had pushed most of her few other companions away. But as the months rolled by and their get togethers continued, I made myself believe everything was okay. I was desperate for my daughter to hold on to her one good friend. And Janet never mentioned any problems.
I’d told her about Sadie’s condition, although I’m not sure if she understood it. And I get that. It’s easy to see my little girl’s outbursts of rage as bad behavior. Or the product of poor parenting.
I wouldn’t want Sadie to play with someone who hurt her, either. But that knowledge didn’t soften the blow when, as the classrooms’ turquoise doors swung open and chattering kids flooded the courtyard, Janet said she thought our girls should “take a break.” It wasn’t hard to read between the lines: I knew their friendship was over. And so was ours.
I broke the news to Sadie as gently as possible on the drive home. She kicked the back of my seat and pummeled it with her fists. She shrieked that she hated Amy. But by the time I pulled into the driveway, she was sobbing as the realization of what her behavior had cost her began to sink in. Inside the house, she grabbed paper and crayons from a kitchen drawer to make a card.
“I’m so, so, so sorry!” she scrawled beside a giant purple heart with a sad face and a jagged line severing it in half.
I squeezed her tight and told her I was proud of her for taking responsibility for her actions. But I warned that the card wouldn’t magically fix everything. She said she wanted to give it to Amy anyway.
I wish I could say that I handled the situation with as much grace. I didn’t. I’d expected my child to be destroyed by the break-up. I wasn’t prepared for how devastated it left me. I missed talking to Janet, who, like me, was an older mom with one child. I missed our occasional outings to the beach, barbeques, and dinners at the girls’ favorite pizza parlor.
Like a scorned lover, I obsessed over every conversation I’d had with my former friend; I tried to pinpoint the exact moment our relationship had soured. Was it the afternoon when she’d called me a soft touch when it came to discipline? Or the evening I showed up at her house to pick up Sadie and she’d hesitated a second too long before answering when I asked how the playdate had gone?
“Great!” she’d said with a strained smile, peering over my head into the dusk. “Everything went just great!”
The more I kept hitting the rewind button on our relationship, the more bitter I became. I went out of my way to avoid Janet at school. One day at pick-up time, I saw her walking toward me as I sat in the car line waiting for Sadie. She was holding hands with Amy and another girl I recognized—a docile creature, who, I was sure, never lost her temper or hit anyone. As I slouched in my car and watched the happy trio cross the parking lot, a wave of envy and anger crashed over me. How could they move on so easily with their lives after leaving such a gaping hole in ours?
I hit rock bottom a few weeks later. I was walking my dog in our neighborhood when a blue minivan chugged by. The driver lightly beeped the horn to say hello. I recognized docile girl’s mother behind the wheel. I gripped Max’s leash tighter, wondering if this woman lingered in Janet’s living room to chat after playdates the way I once had.
From the back seat, Sadie’s ex-bestie and her new sidekick turned to grin and wave at me. I feebly wagged a few fingers in return. What I really wanted to do was flip them off. Because I so wished that my daughter was crammed in the back of that van with them. I ached for her to have a normal childhood, for me to be a normal mom. As the van disappeared around a bend in the road, it felt as if the life we were supposed to have was vanishing with it.
I yanked Max’s leash and turned for home, ashamed of the jealousy and self-pity churning inside me. Janet had every right to protect her child. That’s what mothers are supposed to do. It wasn’t her fault that Sadie is the way she is. It wasn’t my fault, either. A gray river of fog tumbled through the valley below the street where I was walking. I imagined it washing away the anger and pain I’d been lugging around since the break-up.
That night, I clicked on the website of a local support group for parents of kids with special needs. I’d thought many times about going to one of the group’s monthly coffees but always found an excuse not to when the day came around.
The following Friday, I printed out directions to that morning’s coffee and drove to the house. With a trembling hand, I pressed the doorbell. A woman with long black hair and a kind face opened the door and welcomed me. She led me into her living room where a dozen or so other women sat on a cream sofa and dining chairs, nibbling blueberry scones and talking. No one looked shocked when, after introducing myself, I told the story about Sadie hurting her playmate. They just nodded or flashed sympathetic smiles.
The next time I saw Janet heading across the school courtyard in my direction, I didn’t look away. I said, “Hi,” and asked how it was going as we passed each other. It still stung to know that she and Amy weren’t part of our lives anymore. But I was finally ready to start moving on with mine.
•••
DOROTHY O’DONNELL is a freelance writer who lives in the San Francisco Bay Area with her husband and daughter. Her stories and essays have been featured on greatschools.org, brainchildmag.com, mothering.com and NPR. She is currently working on a memoir about raising a child with early-onset bipolar disorder. You can find more of her writing at dorothyodonnell.com.
Roger lived in the kind of house I coveted: a swatch of deep green manicured lawn, the clean white paint of a new development, and high ceilings. The higher the ceilings, the more desirable the home. That’s what I thought at nineteen, living in a two-bedroom apartment where, when you flipped on the light, cockroaches scattered. This was our first place as a family—Rik, me, and our seven-month-old baby, Sylvia. We’d just gotten married and everything we owned was second hand. We would go to yard sales every weekend, holding things up to each other, as if to say, “This? Is this what grown ups own?”
We bought a little tabletop ironing board and an iron so that I could press Rik’s thrift store button-ups and slacks. He was working at a dealership trying his best to sell cars to people who wandered onto the lot. He didn’t have the bloodlust for it and would come home dejected and wrinkled after sweating all day on the blacktop. We were living off of meager commissions and mercy checks from my family, waking up every morning with the dread of having to make another call—either to the bank to argue overdraft charges or to feign a casual tone as I worked up the courage to call my mom or grandparents to ask for more.
Late one night, I picked up the worn Want Ads that Rik had fallen asleep with and began looking for something I could do. I only had one year of community college under my belt, but I could type and write. I began feeding a fantasy of becoming a secret shopper or someone who “makes money from home,” going so far as to pay fifty dollars to get the catalogue for products one could assemble. It turned out to be dollhouse furniture. They would send you the pieces. I did the math and realized it would take thousands of tiny desks and bunk beds to even pay the electricity bill.
Then I saw Roger’s ad in the Personal Services section: “I’m a disabled man in need of light cleaning, grocery shopping, and assistance with physical exercise. Some experience necessary.” We had only lived on our own for a few months, but I was learning quickly how to manage the domestic. I wasn’t meticulous, but we cleaned enough to hold the roaches back. I knew how to shop on a budget. In fact, some nights I would take the baby and go wander the aisles of a store, loading up the cart and then putting everything back. I was rehearsing for the day that we would have enough money and could buy whatever we wanted. That’s what success meant to me then. That’s why I was practically salivating when I pulled up to the white tract house when I arrived for an interview the next day.
•••
People in wheelchairs don’t scare me. My grandmother, who had contracted polio at twenty-five, lived her life—and mine—on wheels. My cousin and I would fight over her chair when she would get into her recliner for an afternoon nap, using a slide board to bridge the distance between the wheelchair and her destination. Careening down the long, marble hallways, we could balance on the back wheels, spinning in circles. As we got older, Nonie needed more help getting in and out of her chair. They eventually bought a nylon sling that hooked to a manual lift. Once you hooked each corner to the mechanism, you pumped a lever that incrementally lifted her into the air. She would hang there in the cradle of the nylon sling as you wheeled her to where she wanted to go.
It was my experience with this that convinced Roger to hire me. He was impressed that I knew what a Hoyer Lift was and that I could easily identify all of its parts. That first day, he showed me around his huge three-bedroom house: the office where he had a massive computer set-up with voice recognition, his kitchen with flats of Gatorade and Mountain Dew, his bedroom with one wall covered from floor to ceiling with jerseys and t-shirts signed by rock stars and athletes. He loved heavy metal. His long red hair was tied back in a loose braid, something that would eventually become my job to maintain.
I met Roger on the decline. The first few evenings when I came to work, he had me help him into his hot tub, after which I would dress him, then hook up the lift and place him into the waterbed. It was an ordeal, but the process promised to bring him some relief from his muscles, strung tight and prone to spasms. Roger had always been afforded any technology or machinery that could help him function independently, but he had advanced cerebral palsy and his body was nearing its limits.
There were a series of exercises and stretches that he needed me to assist him with. He would lie on his back, and I would put one leg up onto my shoulder and push it toward his upper body. It was part porno, part gymnastics coaching. His already contorted face would twist into agonized knots as he slurred for me to keep pushing. Then I would take turns sitting on his thighs, straightening his stiff, bent legs. Most nights, he would fall asleep with me on his lap, some infomercial droning from the TV next to the bed, the remote out of my reach.
And he coughed through everything. After many bouts of pneumonia, he had a compromised respiratory system and he would hack to the point of vomiting. Nothing seemed to help. It would just eventually stop, and he’d lie there panting from the effort of it all.
At midnight, I could go home. I ached toward those illuminated numbers on his nightstand, littered with cough suppressant, bottles of Gatorade, and empty bottles for him to pee in during the night. My breasts would be rock-hard and full of milk by the end of my shift, and I would selfishly hope for my baby to be awake as I maneuvered through the empty streets toward our tiny apartment. Just to take the pressure away. To soften me enough that I might fall asleep, still hearing, in my sleep, Roger’s incessant cough that sounded like dying.
As we worked to get him ready in the mornings, I had to train myself to not ask if he was okay. No matter what coughing, vomiting, muscle spasm that had just occurred, Roger would nod vigorously that he was fine and wanted to move on to our next task, undeterred by physical discomfort that would undo most people. We had more important issues at hand. He relied on me to not only dress him but to make sure he looked good.
“This one?” I would ask, holding up a pressed black button-up shirt.
“Nope. K-k-ke-keep looking,” Roger urged me deeper into his walk-in closet, decades of clothing lining each side.
I held up two more, “Either of these?” Vigorous head shaking. No.
“Wh, wh, what, what would your hus-hus-husband wear?”
I thought about Rik and the pile of faded black band t-shirts he pulled from most days, and then the ironed polos on hangers from his short-lived career as car salesman.
“Probably something like this,” I assured Roger, holding one up with the tags still on, the fabric heavy and liquid over my hand.
“That’s g-g-good then,” he relented, as I bent each of his arms and slipped them through the unwilling holes, buttoning the shirt from the second one down, revealing just a hint of fine red chest hair.
Roger was a two hundred pound man, and although it may be unfair to make the comparison, there was something seamless about my days diapering and clothing my infant daughter and my nights spent cleaning up vomit and squeezing his unrelenting legs into sweatpants. Sometimes, I was there until the day’s end. Others, just to get him ready for school in the morning. He asked me if I might be able to type his papers if he spoke them to me, and I agreed. I said yes to everything he asked, whether I could or not. I needed to be indispensable to him. Every hour meant another $4.25 on my paycheck.
•••
His tract home was near the grocery warehouse. I shopped there after work sometimes when everything but the forklifts had emptied the vast aisles of mealy produce and Spanish generics. At this hour, there was no one around to see me pull out the stack of WIC vouchers I used to pay for our peanut butter, milk, and cheese. Sometimes Roger would give me a twenty to pick up a few things for the next day. Amongst his line of plastic bottled drinks and frozen dinners, I would occasionally throw in a candy bar or Chapstick. I wouldn’t tell him and he never noticed.
Was this stealing? By definition, yes. Yet, sitting in the empty parking lot at one in the morning, breaking off pieces of chocolate and letting them melt slowly between my sore-from-grinding teeth, it felt like a reward. A bonus for getting through another day of a life I had never imagined. I told myself, Roger would give this to me. He often offered me food or a beer. I never accepted his offers, but I took this as permission.
Sometimes, I stole time. I would add twenty minutes to a shift. Not much, but over the course of weeks, would equal to days. I’ve earned this, was my mantra leaving after midnight, sleeping for a few hours between breast feedings, and then getting back into the car to meander back to that big gleaming house. Tiptoeing in, he would often still be sleeping, and I would fear that he had died. Aspirated in a coughing fit in that stretch of hours that I had gone home. But then he’d shift or fart or just be lying there with the TV on, and I’d wheel the lift to his bed, roll him side to side to place the sling, hook in and begin pumping the handle as if getting water from a well. He would fold into a perfect bundle, rising above the twisted sheets and sloshing bed.
I wasn’t the only one who worked for Roger. He had other girls who would do the day or night shift, depending. None of us could work more than twelve hours a week, so I asked for more clients through the agency.
By this time, Rik had been let go from his third dealership and was collecting unemployment. Once a week, he would wake up at five a.m. to inquire about a tree cutting job one town over. Each time they would tell him to come back next week, so he’d drive home and crawl into the California King bed that had been passed down from my grandparents, to my mother, then finally to us. He’d stay there with Sylvia, sleeping, and I would rouse to get to another shift.
Most of the work was bland—helping Joyce, a high-functioning woman with Down Syndrome, to create a budget; making sure Ron got his three-wheeled bicycle to the shop for a new set of tubes; cooking a week’s worth of meals for Susan, a fifty-year-old woman blind since birth.
But then there were cases like Martin, who was so large he couldn’t wipe his own butt and had stains running down the back of his pants. Porn-addicted and developmentally disabled, he’d sit in his oily tan recliner, a gallon of milk in his grip, asking me again and again if I liked “man and woman love movies.” Because the smell was unbearable, the agency arranged for him to take public transport to the grocery store to meet me. I would follow him through the store, listening for his grunts of agreement as I pointed to various foods.
•••
As my clientele was growing, Roger began getting sick more often. He dropped out of school and spent his days at home. I would sometimes stay, off the clock, to watch a movie or listen to some music. It was hard to understand his words, slurred and truncated by gasps and hiccups, but being in each other’s company was simple. In this way, I was escaping from home and what waited for me there. There was no middle space any longer, just layers of need and necessity and care, often beyond what I knew to do or to manage. Like Susan’s face when I attempted to cook eggplant, soggy with canola oil, bitter and tough. Like the unimaginable softness of her shoulders when she would ask me to rub them for her, little hums of pleasure emitting from her at being touched.
I was running late to Roger’s one day, exhausted from being woken in the middle of the night by police. The downstairs neighbors, a reclusive Asian woman and an old man who drove his Cadillac up and down the circular driveway, called the police with a noise disturbance. “There was a report of a baby crying,” the officer informed us. We were bleary eyed, holding our rosy cheeked, feverish baby.
“They do that,” Rik offered, and they apologized, citing our neighbors as having called frequently on past tenants. I had overslept my usual alarm and I knew that one of the other girls was getting Roger up that day. It would take me a half hour to grab his groceries and head over. I dawdled at the store though, completely unmotivated to face the bottles of cold piss on the nightstand to be emptied, the chunks of dandruff I’d have to comb through to tie his hair into a ponytail, or the crusted toothpaste at the corners of his mouth, waiting to be wiped away.
I was readying my excuse for being late when I clicked the lock and heard shouting. Incoherent and muddled as his speech was, I could clearly distinguish, “Help!”
I ran through the maze of hallways and rooms to find him in the bathroom, crumpled to his knees and hanging by one arm from the metal bar next to the commode. His entire body weight was held by the torsion on his upper bicep and bone, both spare to begin with. I tried at first to work his arm out of the tight space, but I realized quickly that the gravity of his body was too great. I’d have to lift him up and slip his arm out from there.
Not thinking, I held him under his arms and grabbed him in a big bear hug, pushing up with all the strength in my legs. I wasn’t strong enough. I could get his upper body lifted incrementally, shifting the point of pressure, but he was dead weight. He said to call 911 and his mother, who lived an hour away. I tried one last time to lift him and felt a terrible wrenching in my back.
The paramedics came and, with the strength of two men, lifted him up and wrested his arm from the bar. I sat on the bed, watching and holding my lower back with two hands, willing myself to stay upright until he was taken away. He was in shock, and from what they guessed, suffering permanent nerve damage. Finally, the house empty, I put the groceries away, left a note for his mother and drove home, wincing with every turn.
Stumbling up the stairs and through the door of my apartment, I made my way to the rocking chair. Rik, surprised to find me home, held a delighted Sylvia out to me. I burst into tears and cried, every sob radiating through my torn lumbar muscles. It was excruciating, but I couldn’t stop. Nothing could stop me.
The threshold of my body was one I had not yet met. Trying to make sense of the calculations it took to make a life in close proximity to the needs of others, I had fractured into too many pieces to hold. Rocking myself that evening, ice pack against my back, I wondered how we would keep everything together despite the limits of our two young bodies, no marketable skills, and the mounting responsibilities of an adult life.
My own parents had had me young, not much older than Rik and I were. I remembered falling asleep to the rhythmic tapping of the electric typewriter as my mother wrote her term papers, working her way through college by day and pulling shifts at Montgomery Wards each night. At her graduation, I was as tall as her hip, on which my baby brother was balanced.
I kept working with clients a few hours a week, but I also signed up for classes at the local community college. Sylvia went to the child development center on the days I went to school and when I transferred to the university, she began kindergarten. This is how we built a life, with paystubs and textbooks piled on thrift store tables, each apartment slightly bigger than the last. No high ceilings, but we have a garden grown by Rik’s two strong hands and a bed bought solely for us. We worked hard. We were lucky.
•••
SARAH PAPE teaches English and works as the managing editor of Watershed Review at Chico State. Her poetry and prose has recently been published in Pilgrimage, The Rumpus, Mutha Magazine, California Northern, The Superstition Review, The Southeast Review, Hayden’s Ferry Review, and Cadence of Hooves: A Celebration of Horses. Her poetry chapbook, Road Z, was published by Yarroway Mountain Press. She is currently working on a book-length manuscript of essays.
“What song do you want to dance to, Dad?” I asked, scrolling through lists of popular father-daughter dance songs.
Nothing seemed right. No Michael Buble or Paul Simon or Stevie Wonder would cut it; this, after all, was my father—my flannel-shirt-and-faded-blue-jeans, muddy-work-boots, calloused-hands, five-o’clock-shadow, “fetch-me-a-Miller” father. What qualified as “our song?” Maybe “Feed Jake.” Maybe “Friends in Low Places.” Maybe “Act Naturally.” Maybe “There’s a Tear in My Beer.” Hank and Garth and Buck and the Pirates of the Mississippi sang about misery, friends, beer, and mama; they didn’t sing anything about their daughters.
By the day of our wedding, Mom and Dad had settled on a song. “It’s a surprise,” they said.
Four months earlier, I had come home from college graduation with my boyfriend who they liked well enough but were still warming to, and an engagement ring. Brandon had asked my dad’s permission first, of course, out of my hearing the day before, and Dad had said yes—he hugged me extra-long before I left, cap and gown still on.
In the early planning days, Mom and Dad offered to write us a check instead: big party vs. down payment on a house. We waffled for a day or two, but in my head were visions of a white dress and a man in a tux waiting for me, dreams of dancing and spinning under a spotlight, all of our friends and family clapping and celebrating.
It was my day to plan, along with my mom, who navigated the wedding planning with me like she was my maid-of-honor. Mom and I picked the flowers—sunflowers and blue delphinium—the same that decorated the cake display we chose. We taste-tested the catering, got weepy-eyed over my bridal gown and veil, and designed the party favors together. The reception venue was our decision, too, even as my soon-to-be mother-in-law raised her eyebrows and said, “Really, a barn?”
After the father-daughter dance to whatever song Mom and Dad had picked, Rhonda and Brandon would get the party started. Rhonda’s choice for the mother-son dance was easy: Louie Armstrong would sing “What a Wonderful World” for thirty seconds, then the record would screech to a stop. Brandon and his mom would look confused for a second until Lou Bega’s “Mambo No. 5” would begin to play. It fit them perfectly.
I wrote the order of music and communion and rings; I designed the program and inscribed a poem; I recruited our friends as musicians. Brandon and I selected most of the songs and all of the Bible verses for the ceremony. We picked the pastor and the bridal party and the style of music to be played at the reception. We determined the flavor of this wedding, and this wedding would taste just like us.
The guest list: that was their decision—the parents—and it grew, and grew, and grew, until we all silently stared at it sitting on the kitchen counter. Who could we possibly cut? No one. Maybe there were a lot of other commitments that weekend, and the guest list would just… trim itself. Maybe in true Father of the Bride fashion, we could declare, “Well, cross them off, then!”
Also their decision: the alcohol. We toyed with the idea of a dry wedding for about a twelve-hour timespan because Brandon had just gotten a job at a new school, and we weren’t sure yet exactly how conservative they were. A few of his new employers made Round One of the guest list. It hadn’t been decided if they’d make the Round Two cuts.
“You want a what?!” Dad asked, his voice rising steadily. “We are not going to invite all of our friends to a wedding and not have alcohol. What kind of a party is that?”
“But, Da-ad,” I said. “We just thought, you know, the school… and maybe…” but it was no use. My excuses were weak, anyway; it wasn’t like Brandon and his family and our friends and our relatives never kicked back and drank a glass of wine or a can/ six-pack /case of beer, so why pretend otherwise and ruin a good time? Besides, it was Dad’s call. Dad’s decision. Dad’s lead.
So, okay, beer and wine, Dad. And yes, invite all of those people, even those people I won’t know when they come through the receiving line, and I’ll look at Brandon and he’ll look at me, and we’ll both smile and shake their hands and give them hugs and thank them for coming. And, okay, yes, pick our father-daughter dance.
•••
Down the aisle we went, Dad in his black tuxedo looking sharp, no John Deere hat to cover his balding head or shadow his features. His hand was tight in mine, tense against a few hundred sets of eyes that watched us while we two-stepped—left-together, right-together—our paces matched, the Fugman stride slow and easy like a mosey.
I saw only my future husband at the end of the aisle where Brandon waited for me. When we reached the pastor and he asked, “Who gives this woman to be married to this man?” Dad answered gruffly, “Her mother and I.” I turned my gaze back to him for just that second and wrapped my arms around his neck, and he held on, squeezed and squeezed, then released me to my groom, taking his seat in the sanctuary while I remained standing.
Later, after the bridal dance ended and I parted with a kiss from my new husband, our spunky blue-haired emcee called Dad onto the floor. Dad had donned his Father-of-the-Bride ball cap as soon as the wedding ended and wore it now as he met me for our dance. The bubbles from the bride and groom dance settled and popped on the dance floor. A slow piano, slide guitar, and light percussion played.
The cut-time of Mickey Gilley singing “True Love Ways” carried us along the hardwood, Dad’s calloused palm in my manicured hand. I smiled, even though the tune was unfamiliar to me. I guess it went to number one on the country charts in 1980, the year my parents started dating. Dad would sing it to her in the car as it played on the radio. So romantic, Mom says later. But this was our dance, our slow turn under the spotlight. It didn’t seem like the right fit—know true love’s ways—but what would have been?
Earlier in the afternoon, Dad gave me over, his daughter, his only daughter, his dazzled blue-eyed daughter grinning with confidence over the man she had chosen. I came into the sanctuary my father’s daughter. I walked out of the sanctuary my husband’s wife.
How long had I dreamed of becoming Mrs. Anyone? A boyfriend, a boyfriend, a boyfriend: I wanted one, as long as he would stay around. And then another one, and then I wanted that boyfriend to become a fiancé and that fiancé to become my husband, so I could become Mrs. Anyone. In college, that was the title that mattered: I wanted a partner. I wanted someone I could pour my heart into. That’s what I thought you did after high school and certainly after college. My mom and dad had grown up across the street from each other; she was nineteen when they married and twenty when she delivered her first baby: me. Today it’s ill-advised to marry young, trouble from the start, they don’t know what they’re getting into, a whole life ahead, plenty of time for that, but from where I stood, I felt behind already.
Yes, I also earned a bachelor’s degree. I sought out opportunities to lead and to stretch and to achieve, to do more, earn praise, perform. Dad always said Fugmans aren’t afraid of work, Fugmans are hard workers. He instilled this drive. He was the man who had been my guide. But Brandon was the man I had chosen to walk with me out of the sanctuary, the man who would walk beside me from the altar forward. He brought me a different sort of pride. We had weighed and measured our potential, considered our compatibility, discussed the ways we would raise children, established our priorities. In him, I had found a worthy Scrabble opponent, someone I could adventure with, a man who could say “I’m sorry,” a man who would forgive me, too. For all of that and more, I had chosen him.
Now, Dad held the hand and waist of Mrs. Brandon Wells as we danced. Far in the past, a little girl crawled across his chest and stole his John Deere cap, blue eyes grinning into the face of the camera. She asked for Hooper Humperdink at bedtime again, and now we can all recite it from memory—Pete and Pat and Pasternack, I bet they come by camel back! Back there, too, she watched her mom and dad spin slowly in the living room to “If We Make It Through December,” not knowing then the depth in that melody, not knowing then the weight behind eyes connecting and smiles, what it means to make it through December, together. He taught that little girl the cast of a rod, the slow click and reel after the bobber plunked onto the surface of the water, how to bait a hook with a squirming night crawler. He coached the in-and-out of orange construction cones for hours until she mastered how to parallel park before her final driving test. Whether intentionally or accidentally, he had been preparing me.
Now, we turned slow around the dance floor, each sway a step closer to the last note in the song. Gone was the night we stared up at the cloudless sky on the hill by the old maple and waited for the meteor shower. Evenings swaying in front of a fire pit, turning front ways then back to warm our bodies as we talked about God and faith and family and regret, until the coals flashed red and black, flames dying, then walking slowly into the house to bed. There would be no more creasing wrapping paper in the dry heat of the excavator’s shop on Christmas Eve with him, no more Dad topping off and lifting my bushel basket of corn from the end of a row and spilling it with ease into the bed of the red pickup truck, Dad gunning the accelerator of the snowmobile through the fields with me clinging to his coat toasty in my snowsuit and helmet, Dad showing me the slow slide of a cue stick between thumb and index finger and then the thrust that sent the cue ball breaking against the racked triangle of billiard balls.
All of life before that day squeezed between his dusty calloused hands and mine, a slow turning, slow turning until the end notes began to play. My fingers are my father’s; long and lean, rough along the palms from a summer shoveling mulch, tough where a pen had rubbed and formed a writer’s bump. They were made for work; they were made for pouring your sweat into the thing you loved.
Even over the black tuxedo, fresh trim, and aftershave, I could breathe him in when we embraced, the scent of sweat and sun and earth and oil, “I love you, Sare,” he said.
“I love you, too, Dad.”
“It is a beautiful song,” Mom tells me later, “and we chose it for a beautiful girl.” Sometimes we’ll sigh, sometimes we’ll cry, and we’ll know why, just you and I… Maybe it was perfect. As Mickey Gilley lulled a final “…know true love ways,” Dad spun me out, then pulled me back in, my white dress billowing, the bill of his father-of-the-bride cap shadowing his smile.
•••
SARAH M. WELLS is the author of Pruning Burning Bushes and a chapbook of poems, Acquiesce. Poems and essays by Wells have appeared recently in Ascent, Brevity, The Common, The Good Men Project, New Ohio Review, Poetry East, Puerto del Sol, River Teeth, and elsewhere. Sarah’s poetry and essays have been honored with three Pushcart Prize nominations. Two essays were listed as notable essays in the Best American Essays 2013 and 2012. Her memoir-in-progress on dads, husbands, and the girl between is tentatively titled American Honey. She is the Administrative Director of the Ashland University MFA Program and Managing Editor of the Ashland Poetry Press and River Teeth. http://sarahmwells.blogspot.com.
I’m holding in my hand an inexplicable jewel. It’s about an inch and a half long, just the right size to nestle inside my closed fist, and smooth; it feels slightly warm, not cold as a stone would be. When I was a child, I thought it looked like an eggplant—a miniature, precious eggplant. Not only because of its fat teardrop shape, but also because of its color—in my hand, it looks dark, almost black, but when I hold it up to the light it glows deep purple-red. On its blossom end is a bright gold cap that comes down in points just like the green stem part of an eggplant, which makes me think its maker intended it to look like an eggplant, and it wasn’t just my childish imagination. At the top of the cap is a gold loop, so that it can be worn on a chain.
This object used to belong to my Korean grandmother, my father’s mother. She gave it to her daughter-in-law, my mother, who kept it in her jewelry box, unworn, for years, where I used to love to find it. Not long ago, my mother passed it along to me.
•••
The eggplant is not the only jewelry my grandmother gave my mother. My grandparents made the trip from Korea to Boston to see us perhaps once every two or three years, and when they came my grandmother brought gifts. Matching sweaters she had knit for my two older brothers. Tiny rings for me: turquoise and amethyst. Cash, hidden in the hem of a coat. Once, my mother parted the wrapping paper in a large box; inside it was gleaming, dark fur. My mother reached for it, exclaiming, “A mink stole!” When she unfolded it, though, it turned out to be a tiny fur jacket that tied at the neck with big mink pom-poms. For a five-year old: me. I can picture my grandmother hiding a smile.
My mother and her mother-in-law were never close. It did not help that my father himself did not have a good relationship with his mother—“she’s a bullshitter,” he would always say of her. But my father was the first of his brothers to marry and so my mother was the recipient of a number of gifts from my grandmother, all of which are embedded now in my earliest memories.
When my mother gave me the eggplant, I was caught off-guard. My mother has a long, rich history of giving me presents I don’t like, although I have never believed she has done this intentionally. Gift-giving is simply not something she cares about, and thus she approaches it like the chore she finds it to be, to be accomplished with the least inconvenience to herself.
She frequently gives me old things that have been lying around her house, or that she has picked up at the swap table at the town dump. Now that I’m an adult, I’m glad that she just gives me old stuff because then I don’t have any qualms about throwing it away. But sometimes this tendency of hers annoys me, as when she wraps up things that are already mine. I’m not sure what she is thinking when she does this. It could be that she has forgotten that they belong to me, as when she presented me with a set of twelve wooden place-card holders, carved to look like miniature Korean villagers, that I somehow acquired on our one family visit to Korea when I was eight. When I unwrapped them, I said, “Mom, these are mine.” She seemed genuinely surprised. Since I had never bothered to remove them from her house, I suppose she was justified in thinking that they were hers. That still does not explain why she thought I would like to receive them as a gift, however.
For my fortieth birthday she gave me a set of gold-plated miniature spoons bearing the crest of my grandmother’s alma mater (Ewha Women’s College, in Seoul, Korea).
“Mom,” I said, letting the gift wrap fall to the floor. “If you want to get rid of old, ugly, useless crap, why don’t you just sell it on eBay?”
“What?” she said, incredulous at the suggestion. “Who would buy it?”
The point is, when opening a gift from my mother—when smoothing out the previously used gift wrap bearing the ghostly marks of old scotch tape and lifting the lid of a cardboard box bearing the logo of a long-extinct department store (Jordan Marsh recurs with some frequency)—expectations are low. It could even be said that the sight of a wrapped box can fill me with dread and anticipation of disappointment and bewilderment.
But when she began, within the past few years, to give me her old jewelry, I was moved. For the first time, I felt that she was giving me things that had some meaning for her, things she specifically wanted me to have.
The first time I opened a small box and found one of the bracelets she had been given by my grandmother, I believe my mouth actually fell open and I uttered a word I rarely say when I open her presents: “Thanks!!” This bracelet is made of oval domes of a material with the hue and translucency of apricot jelly. No, not apricot. Something redder, darker, something that must be plucked from a tree with blossoms and is juicy and tastes like honey—maybe quince? I can picture this bracelet as it used to nestle against white cotton in my mother’s cream-colored, red-silk-lined jewelry box. I used to love to look through this box and carefully handle the colored gems. My mother is a pianist, and I remember watching her get dressed for a recital, how exciting and disconcerting it was to see her put on little screw-back earrings that dangled and swung and caught the light and transformed her from mere mom to someone perfumed and lipsticked, floral and fine, an artist and a performer in a pretty dress and high heels. My mother was giving me part of my childhood, and part of her youth.
In addition to the bracelet, she gave me the earrings that match it. The earrings are more of a teardrop shape, but of the same deep clear orange. Another time she passed along to me a necklace and earrings of dime-sized slightly curved disks the color of the ocean at its greenest, set inside circles of silver. I also have heavy earrings of a green-gray stone carved into flower baskets that hang from enameled flower backs.
But my favorite piece of all was always the eggplant. My mother gave it to me in the condition in which it had sat in her jewelry box throughout my childhood—without a chain or any way to wear it, just its gold cap, and a rough patch on one side as if someone had dropped it in something sticky that then hardened forever.
•••
When I’ve asked my mother what these objects are made of, she has always been vague. There are so many opportunities for misinformation. It was never clear to me exactly why my mother was uncertain, but it could have been because she thought it was impolite to ask directly, and so my grandmother just hadn’t told her exactly what the pieces were; or perhaps she doubted what my grandmother had said; or maybe my mother just didn’t understand her because of the language barrier. My grandmother could be the source of uncertainty, or it could be my mother herself. At various times my mother told me she thought my grandmother had said the quince jelly jewelry was made of red jade. She told me maybe the ocean necklace was green jade. The flower basket earrings were white jade, perhaps. And the eggplant—she didn’t know, but she guessed amber.
All the references to “jade” made me suspicious. My mother doesn’t like to say that she doesn’t know something. And I know the “jade” answer solves a lot of problems for her. When she says something is made of jade, it is her way of saying: it’s from long ago and far away and however little I know about jade, you know even less, so just be quiet.
So I tried asking my father. My father is a scientist, a person who believes that facts matter.
“Dad, do you think this is red jade?”
“How would I know?”
“Grandma said it was red jade.”
“Then it’s bullshit.”
I wonder if my mother actually liked any of these pieces. The fact that she wore them doesn’t necessarily prove that she liked them. But she herself might not even have been able to answer that question. I don’t recall ever hearing her say, about a piece of clothing or jewelry, or item for the house, “I love this!” or even, “This is nice!” I heard her say, “It was on sale and it just fits the bill!” or, “It was right there in the back of the closet!” Liking or not liking something was not particularly relevant to her. Which also explains why, when giving gifts to others, she doesn’t tend to take their personal preferences into account. It’s not because she doesn’t care about them or intends to displease them—personal preference simply is not something she thinks very much about.
•••
I considered taking the pieces to an appraiser, but most of them were in need of repair and I didn’t want to take them anywhere in the condition they were in. In addition, I had been to an appraiser once, in New York. Their policy was to charge ten percent of the value of each piece, which, it seemed to me, provided an odd and transparent incentive to appraise on the high side. It was a transaction loaded with more than the usual distrust and positioning, and I didn’t want to go through that with my few family heirlooms.
Last winter, however, while skiing in Vermont over Christmas vacation, my husband and I came across a small, family-owned jewelry store in the base village, and we went in so I could choose my Christmas gift. The young woman standing behind the case of blinding diamond rings was wearing a great deal of jewelry. I thought that if I wore that much jewelry I would look like a crazed kleptomaniac, or a hoarder heiress. But Roxanne looked like a radiant goddess. She guided us through our options patiently, enumerating each piece’s characteristics with the deep, husky voice of a fortune teller, and by the time I finally settled on a pair of gold dangly earrings, I trusted and loved her like a sister. As she wrapped the earrings, I told her that I had some old, broken jewelry that I wanted to have fixed.
“I can help you with that!” she said. “Bring them in the next time you come.”
So when we returned home to New York I packed my pieces carefully in pouches, and when we went skiing over Martin Luther King Day weekend, I brought them to Roxanne.
She and I sat opposite each other under a bright light, with a small table between us. I suddenly felt afraid for my little jewels. Here’s the thing about them: they are all I have from a grandmother I barely knew and whose life was essentially unimaginable to me. We are not a family that has much in terms of handed-down possessions. My mother’s family left Korea when she was a child of six, and no family possessions came with them across the Pacific on that boat, the last to leave Yokohama for the United States in 1940.
My father’s family, still in Korea, fled their home in Seoul for the south as the Communists advanced at the beginning of the Korean War ten years later. On our one visit to Korea when I was a child, I explored my grandparents’ home and found doors hidden in walls, rooms behind panels, places where they could hide if the Communists came. My father calls his mother a bullshitter, but I prefer to think that she simply was a keeper of secrets, a role that often necessitates obscuring the truth. There are reasons why the provenance of things is unknown—in all that fleeing and hiding, all manner of things were lost and forgotten.
But now it feels important to know about these few things that remain, these things that comprise my inheritance: what is their value? Perhaps it is because my grandmother is gone, and my parents are aging, and soon this information will be irretrievable, unless someone makes an effort. Perhaps it is because I want to give these things to my own children, and I want to know what it is that I am giving them.
Roxanne placed a little pad on the table and carefully laid out each piece. She examined each with interest. I sat silent. I didn’t tell her about how I always thought the bracelet looked like jelly or the necklace like seawater.
She started with the bracelet.
“My mother always said that was red jade,” I ventured.
She shook her head. “It’s carnelian,” she said, eying it through a loupe. “Pretty, and it’s set in a high karat gold. The bracelet is lovely just as it is. And the simplest thing to do with the earrings is just to put them on gold wires so you can easily wear them. I can do that for you right now.” And she disappeared into a back room, re-emerged with two gold wires, and, with a twist of a pair of pliers, replaced the screw-backs.
She next picked up the green necklace and weighed it in her hand. I could tell from the quickness with which her hand lifted and fell that the weight was underwhelming. She showed me how the green color was pulling away from the edges of each little disk, leaving them clear. I was very disappointed in them. They plainly had no value at all. Roxanne, seeing my expression, held them up against her neck.
“They’re a pretty color, “ she said. “A fun piece, for your daughter, maybe.”
“Hum,” I said. I didn’t want to give my daughter anything crappy, not even for fun.
The jade flower baskets interested her. “Look,” she said. “The baskets and the rings they dangle from are cut from one piece of jade—see how there’s no break in the ring? “
“So they are really are jade?” I said, brightening a bit.
“A great piece of workmanship,” she said. “A real conversation piece. The enamel backs are going to be too difficult to clean, though, especially since I can’t tell what the metal is. So if you want to wear them we’ll find you just a simple pair of gold hoops, and you can hang the baskets from them. “
“Should I be careful with these, then?” I asked. “Are they fragile?”
“Well, they’ve obviously been through a lot—you can see how the rings are wearing thin in places. They can’t be as fragile as all that. And it’s not so much that they’re worth a ton of money—they’re just interesting. Nice pieces.”
And then we came to my little eggplant.
“Oh,” Roxanne said. She held it, and thumbed the rough patch. She weighed it in her hand. I told her to hold it up to the light, and she did.
“Oh, look at that,” she said. She weighed it some more. Finally, she spoke.
“I have no idea what this is,” she said.
“Neither do I, “ I said.
“It’s very light. I’m going to guess some kind of resin,” she said. “Amber.”
“Amber sounds right,” I said.
“But this gold cap is very high-karat,” she said. “And the workmanship on it is very fine. It indicates to me that it’s something of value. No one would put a fancy cap like that on something worthless.”
“You didn’t know my grandmother,” I said.
“Let me hold onto this one,” she said. “I’ll ask the people at our studio what they think it is, and what they think can be done with it. I’ll let you know.”
•••
I wear my new carnelian earrings quite a bit. I like their length, their color, and the way they dangle. But I still do not know what they are worth. Roxanne would not put a dollar value on any of the things I brought her. She said she didn’t know what they were worth, and determining exactly what they were made of would involve subjecting them to tests of various kinds to determine things like hardness and melting points that would probably damage them irreparably. Her view was, if you like them, then wear them—what difference does it make what they are worth?
This wasn’t a satisfying conclusion for me, though, so I went on eBay and plugged in “Carnelian earrings” to see what I could find. “Carnelian earrings,” it turns out, are a dime a dozen. Almost literally. I found a pair that approximated the size and shape of my teardrops, and the bidding started at: thirty-nine cents.
•••
I heard from Roxanne a few weeks later.
“The artists at the studio could not determine what the material is,” she said. “Our best guess is still amber. But I have to tell you that there is a possibility that it is plastic. We can’t rule it out.
“We can repair the loose cap by putting in a new pin, and we can take off whatever is stuck to it,” she said. “And I’ve found a perfect gold chain for it. The chain runs …”
I can’t even tell you how much. More than I would ordinarily pay for a piece of jewelry, especially one that could not be ruled out as being plastic.
I wrote back. “I would like to be able to wear this piece. But is there any way to guarantee that it is not plastic?”
“No,” she wrote back. “But it is a lovely piece, and I think if you love it, you should wear it.”
If I love it. It was as simple, and as impossible, as that. Being my mother’s daughter, I don’t ask myself that question very often. Do I love it? Is there an answer to that question that is separate from the questions of its utility, its dollar value? Of course I don’t love it. I don’t tend to feel love for inanimate objects. Although, you know, if I ever were to love an object, the eggplant might be the one.
“I wanted her to tell me what it’s worth,” I complained to my husband. “She didn’t answer my question at all.”
“Go ahead and get it fixed,” he said. “Otherwise, it will certainly be worth nothing.”
Ultimately, I gave Roxanne the go-ahead. In a few weeks she let me know that it was ready. She said it was gorgeous.
And it was. And it is. The chain is Italian gold, richly colored but not overly brassy or bright, substantial but not heavy. Roxanne had two loops put in so I can wear the pendant at different lengths. As it turns out, I wear it all the time. It suddenly seems that every outfit is enhanced by a possibly plastic eggplant on a lovely gold chain. I will never know what my eggplant is really made of, but at this point I’d almost rather not know, for its unknowability may be its most precious feature. When I give it to my daughter, she will know at least this part of its story: I took my mysterious inheritance of indeterminate value, and I put it on a gold chain, and I gave it to her, with all my love.
•••
CAROL PAIK lives in New York City with her husband in a half-empty nest. Her writing has appeared in Brain, Child, Tin House, The Gettysburg Review, Fourth Genre, and Literal Latte, among other places, and has been anthologized in The Best Plays from the Strawberry One-Act Festival, vol. 6, and Contemporary Writers of/on Creative Nonfiction, fifth ed. More of her writing at: www.carolpaik.com. More about her short film, Pear, at www.facebook.com/pearthemovie.
Follow
