Driving Home

By Dana Salvador

As I slipped away from the city lights on the four-lane highway, the land opened up like a collapsible box. The sides, filled with trees and undulating rises, slowly flattened to make room for the prairie, the sky as wide as intention. In my beat-up Riviera, I drove towards our abandoned farmhouse, suffering from nostomania, an irresistible compulsion to return home.

The ache for my family and our farm—torn apart by my father—radiated through my body. After twenty-eight years of marriage, my father walked through our farmhouse, took his clothes from the closet, and left—an action so out of character that over twenty years later I still struggle to reconcile the man I thought he was with this moment. I’ve no idea how long my father cheated on my mother before he moved in with his mistress, four miles away. The veil of secrecy my parents created about their marriage, and the deceit my father displayed leaves the events of my memory out of focus, a grainy film that never uses the correct camera angle.

After my father left, and my mother was uprooted, I walked through campus as if a piece of bailing wire were tied to my breastbone. Suddenly something pulled the wire taut, and I’d drive away from Greeley, Colorado—the ugly stepchild of the Front Range where I attended college—to the prairie. I could be eating a bagel for dinner, studying at a coffee shop, or talking to a friend on the phone and a moment later find myself in my car headed east to an empty house.

On this particular night in the fall of 1998, it was almost ten, and I had classes in the morning. I knew it was dangerous for a woman to drive alone down deserted roads—a flat tire would mean I’d spend the night in my car waiting for enough daylight to change it and risk who might stop to help. I also knew if I drove fast, I could make it to the farm in two and a half hours. Usually people drive as quickly as they can through the prairie. They want to get somewhere. I drove the speed limit to take my time.

These moments are the impulse of youth, the moments I fear for my young twin sons who I hope never have to make such pilgrimages to their childhood home. Somehow, back then, part of me felt that if I returned, even for a few hours, I might make the divorce, the abandonment less real, that my presence could conjure my family’s existence. But maybe I just wanted to float out to the deepest part of my sorrow and wallow.

While I’d lived in Greeley attending college for several years, I hadn’t adjusted to the horizon obscured by houses and businesses, the streetlights and traffic, the fast talkers and strangers living on the other side of the wall of my apartment. The house became a Siren, something I couldn’t pull myself away from. I traveled the prairie like an ocean.

•••

Houses nestled next to the road became less and less frequent. Sweet grass grew in wisps like cats’ tails around the posts of barbed wire fences. Purple thistle filled pastures on either side of the road. In the moon’s white-gold glow, clumps of yucca and sagebrush gleamed like forgotten glass ornaments fallen off covered wagons years ago.

Occasionally, I passed iron gates with family brands and cattle guards marking the entrance to large ranches. The gravel driveways led to houses, outbuildings, and barns far enough off the highway to be covered in darkness. I imagined the people in these houses asleep in front of the TV or in bed, curled up like kittens beside each other, just like my own family is now if someone were to drive by our stucco house in Albuquerque.

On the interstate, a stream of headlights greeted me heading in the opposite direction, towards Denver. The farther east I drove, the more traffic thinned. I passed Ft. Morgan as steam billowed from the two concrete columns on the south side of the interstate. I breathed the decayed fumes from the beet processing plant, a smell as stale as dog breath.

After fifteen miles, I took the Yuma exit and followed the two-lane road. I thought about turning around, heading back, but there was nothing waiting for me in Greeley, either.

•••

Wide stretches of pastureland lined the highway. Every few miles, at an intersection, I saw mailboxes. Some sat on top of fence posts like ours at home. Others rested on homemade wrought-iron stands. Yard lights dotted the countryside. I saw few cars. I knew my friends from college, all city girls, would be nervous driving for miles without seeing another car. The isolation comforted me. There are times now, living in Albuquerque, when I still long for this isolation, for space around me and for the comfort of solitude.

In sixty miles, I passed through two small towns, each only a few blocks long. Clustered streetlights glowed like a lighthouse miles before I approach the town. Pickups lined the main street outside the local bar. In Yuma, at one of three stoplights, I turned north onto Highway 59.

I rolled down the window; the cold air smelled like plowed fields. Short blades of green wheat sprouted out of dark soil near the edge of the road. Once in a while, I spotted evergreen windbreaks. Some sheltered foundations of houses that fell apart years ago.

Highways in the country are narrow; few allow for a shoulder. Reflectors, paced every hundred yards or so, lead the way. I watched for deer. Almost everyone I know has hit a deer or had a close call. I’ve been taught never to swerve. It’s better to pump the brakes, take the blow—swerving might cause the car to slide into the ditch, flip. Maybe that’s what these late night drives were about: facing the hurt head on.

After twenty-five miles on asphalt, I reached Clarkville, an abandoned community.

Thistles and sunflowers grew waist high around the two remaining buildings. White paint peeled and cracked on the siding of the church and left boards exposed to the harsh sun, the cold winters. Maybe it’s all changed now. Maybe the church collapsed. Maybe the trailer’s gone.

I left the solid feel of pavement underneath the tires and turned onto gravel roads.

•••

As I drove closer to home, stories attached themselves to places void of meaning for most: the corner where my brother and sister wrecked their car, putting both of them in the hospital; the airstrip on the edge of a field where Mr. Hadler landed his spray plane in the summer; the old Holcomb place where the bus picked up children for several years and then one day the family disappeared, blown like chaff to far away places. Their house, like so many houses in this area, still stands empty.

Even though it was one in the morning, I worried about seeing another vehicle on the narrow gravel road. I might meet someone checking cows or getting home late from the bars. Great-uncles and aunts, countless cousins and neighbors will recognize my car. They’ll tell my dad or my grandparents they saw me. I didn’t want anyone to know. I didn’t want my grandparents, who live just four miles away from our house, to worry about me driving so far alone at night. I didn’t want my dad to call me. If they found out, I’d lie. I’d tell them I forgot something I needed, which wouldn’t be as much of a lie as intended.

Eventually, I saw three silver bins like metal cairns on the left hand side of the road. I’d reached our field.

•••

Rounding the corner, my chest swelled. I knew every inch of this mile. I ran on this road when I was in high school and the past two summers when I returned from college. I jogged in the morning before I started chores. As the sun came up, wild sunflowers in the ditch raised their heads towards the light. Rabbits and field mice scampered across the road. Cows bawled as I passed by, and the gravel crunched beneath my weight, my breath labored but even.

Sometimes, I ran at night. I could only see a few feet in front of me. The maintainer’s blade left a strip of dirt on either side of the road. I used it to navigate the road’s edge. Every noise—crickets chirping, wind blowing through milkweeds, coyotes’ calls—magnified itself in the darkened silence. From the ditch, the glow of stray cats’ eyes followed me; at least that’s what I told myself. It could have been skunks or coyotes or raccoons. At night, I only went to the nearest corner, a quarter mile away, and back several times. Fear held me back from pressing further into the darkness.

To most people, there’s hardly a dip in the road. But I knew every washboard, every soft shoulder, every drainage route. I’m home.

The elm trees my great-grandmother planted stood like guards beside the road. I entered the driveway and toke note of the wild mustard, at least a foot tall, growing up through the lava rocks in front of the house. There must have been a storm because part of the gutter over the garage hung off the roof. Small branches had fallen onto the overgrown lawn. The elm tree my parents planted on the south side of the house had doubled in size. As I followed the driveway around back, I noticed the suckers growing at its base.

The headlights glared on the large deck my father and brother built. My mom talked about buying whiskey barrels and loading them with flowers to put on the deck. She never did. She’d say, “We should put lights along the sidewalk” or “We should plant new trees.” Action was never her strong suit. She also didn’t realize everything would fall apart so quickly.

I got out and heard the echo of the car door shutting. From the glow of the yard light, I noticed dandelions and sandburs growing through the cracks in the sidewalk. Buffalo grass encroached the gravel driveway. The deck needed another stain. I paid attention to these things because they were my jobs—weeding, mowing, staining.

Cows gathered in the corral. A few bawled. When I look up into the sky, the Milky Way and a thousand other stars seemed strewn across the sky like seeds thrown by a pioneer from a grain bag slung over his shoulder.

I unlocked the door with one of two house keys we ever had made. I’m not sure how I ended up with one. I walked through the garage, up the wooden steps to the side door.

•••

During the divorce settlement, my mother had a choice: keep the house or sell it to my father. With all the siblings’ consent, my brother said, “Sell it.”

We assumed my father wouldn’t let go of the house—there’s little market for farmhouses. He didn’t need the house. The day he left my mother, he moved in with his girlfriend, Susie. I knew nothing of their relationship. She’s a ghost who has stolen my father and haunts the rest of us.

Three months after my father left, my sisters and I helped my mom move to Greeley, into an apartment. We took essentials—her bed, sheets, a few pots and pans, her clothes, the kitchen table and chairs, a love seat and recliner. My mother wandered around the house, unsure what to take, unsure what to leave. She’d point to the TV cabinet or the floral living room sofa, and ask, “Do you think this can fit?” We’d shake our heads, compromise on something smaller. By afternoon, we loaded all we thought could fit into the small two-bedroom apartment my mother and I’d share for two years.

The apartment never felt like home. In fact, even with a husband and children of my own, nowhere has ever felt so truly like my home except the farm. But the apartment my mother and I shared felt like a stopping point on the way to somewhere else—somewhere better. Living together while we both went to college reversed our roles. She relied on me to help her adjust to college and living in town. From day to day, I didn’t know what to expect. Some days we’d talk and laugh about classes like roommates. Other days, I’d find her sobbing at the kitchen table. I’d talk her through getting flipped off in traffic or prioritizing the myriad projects due for her classes. Most of the time, she couldn’t be a mother. I didn’t expect her to.

•••

When I visited the house, I wanted my mother to be at the table sipping a cup of tea, reading a book, waiting. I wanted my father to be asleep in his chair like so many other nights. Always, I imagined the idealized version of my parents, the version I’d actually had for many, many years, rather than the desperate pair I last witnessed: the woman who locked herself away from us; the man stumbling home, drunk.

I opened the door to darkness. Staleness filled the air like in an empty grain bin. I turned on the hallway light and wandered from room to room like a sleepwalker. I don’t know what I was looking for—I don’t know what I expected to find.

From the garage door, I walked into the kitchen. A towel hung in the refrigerator door. A teacup and plate rested in the dish rack. A 1996 calendar on the wall showed the month of March, the month my father left.

•••

I could’ve grabbed the cookie sheet or the over-sized pan my mom talked about missing. I could’ve taken the flower-print sheets for her bed from the hallway closet filled with towels, sheets, and linens. But I didn’t. I wanted it to stay the same like a shrine or museum. If I took something back, my mother would know I visited the house. She thought I was out with friends having fun.

We had an understanding—I can come back to the apartment whenever I want without question, as long as no boys stay the night. I didn’t want to see the men my mother might have stay the night at the kitchen table in the morning, either. Yet, I shouldn’t have worried. My mother has never been on a date. I’m sure she worried about me, but it would’ve compounded her worry to know I made trips to the house.

As I wandered into the combined living room and dining room, the absence of the table, chairs, and recliner reminded me everything had changed. Shannon’s basketball and track pictures stood on top of the TV cabinet, though the TV is missing. I walked into the hallway to my parents’ room.

I saw the imprints in the carpet where their bed had sat. I looked at the long, oak dresser with a mirror attached. On top, my mother always placed a crocheted runner, her Chanel perfume, our school pictures, and a framed wedding picture to one side. As things deteriorated in the marriage, she took everything down but the framed 8 x 10 wedding picture in the center of the dresser.

My parents stand at the altar facing empty pews of the congregation. They are young; my mother holds a bouquet in manicured hands; my father looks stiff in his white jacket and black dress pants, a crew cut. It’s the only picture my mother ever displayed of their wedding. They had an album, but my mother rarely let us look at it. She didn’t want us to put fingerprints on the pictures. She wanted it to be perfect. Though so many times, even before my father’s affair, her distance and moods created strange obstacles we carefully navigated like cows walking on ice.

I don’t know why she left the wedding picture on the dresser. I like to think she wanted my father to see it, that she wanted to show she’d always been committed, that she’d done her best.

I didn’t stay long in my parents’ room; I couldn’t make myself. I turned off the hallway light and headed downstairs.

I entered my room at the foot of the stairs. I scanned a few framed photos of high school friends on the wall and wandered over to my bureau. I opened the top drawer and shuffled through papers: canceled checks, notes from an old boyfriend, and birthday cards from my grandparents.

On top of my bureau sat a jewelry box with a small drawer for earrings or bracelets. Because I only have a couple pairs of earrings, I put cash inside. When I opened the drawer, a wad of bills spilled out. I counted thirty-seven dollars. I shoved them back into the drawer. I must’ve been saving for something. I don’t remember what.

I scanned my closet filled with old clothes. I hadn’t had time to pack them for Goodwill the day we moved my mom. After a while, I switched off my light.

I knew it was late. It must have been close to two in the morning. I should go back. But I didn’t want to leave. Even though it was abandoned, even though only memories lived there, even though I couldn’t actually stay, I longed for the place even more.

•••

Upstairs in the kitchen, I pulled out drawers filled with silverware, dishtowels, and recipe books. I rummaged through the junk drawer filled with duct tape, Christmas bows, and birthday candles. I opened each cupboard. I looked at the canned soup and vegetables, Tupperware, plates and glasses. I stopped in the hallway just before the garage door and looked at the bulletin board on the wall.

An old school menu and a few jokes clipped out of the newspaper were tacked to the board. Our kindergarten pictures lined the bottom of the bulletin board. But at the top was a family picture, one of only two we ever had professionally taken.

I’m about two. I sit on a stool beside my father’s chair. My father is in the middle of the photo holding Shannon on his lap. Lisa props herself up on her hand on the floor by my father’s feet. My brother and mom stand behind my father on either side, their hands on his shoulders. We wear our best seventies outfits in the color of tangerines and avocados.

While Shannon and I have blank expressions because we’re too young to know what’s going on, the other four seem happy. Darren smiles as though he’s heard a joke. Lisa’s heard the same joke but won’t allow her teeth to show in her smile. My parents look bright, content. They seem to have no inkling of what’s to come—the joys, the heartaches, and everything in between.

I locked the door behind me.

•••

In August 2000, my sister and I were back in mom’s apartment in Greeley for the summer when my father called. He decided to rent the house to a couple with twins. The young man had moved back home to work on his family’s farm, like my father had, over thirty years before.

I hadn’t visited the house for almost two years. To accommodate the renters, we drove from Greeley to the farm three times in one week. Darren had to work; Lisa lived out of state. On the first trip, we wandered around for hours putting a few items in boxes, but mostly we were mesmerized. One of us would find an object—the cast from when I broke my wrist in fourth grade, my mother’s wedding china, the dress Shannon wore for prom—and we told stories.

The next time we made a plan to work room by room. It helped us focus. The third trip, we brought a moving truck. Like a cowboy trying to zip a winter jacket with too many layers underneath, we crammed the truck full, barely leaving space to close the door. We left odds and ends inside—an old bookcase, bunk beds, a broken record player, among other items. We figured my father could move the rest.

After we loaded the truck, each of us took one last walk around the house. Near dark, Shannon said, “We should go.” My mother asked for a few more minutes. She went to the front living room, pulled back the sheer curtains and looked out across the lawn. It hadn’t been mowed. The limbs of the elm trees swayed slightly. The pasture across the road was brown from the August sun. Tumbleweeds caught in the barbed wire fence dangled and thrashed against the barbs, trying to break free.

The setting sun left brush strokes of orange and red across the horizon. My mom turned from the window and said, “I’m ready.” Before we walked out the door, I put the key on the kitchen counter.

•••

Last June, my husband Miguel and I drove by the house with our boys. We were traveling through on our way to work a summer teaching job in Nebraska. I hadn’t been back inside the house since that August, almost fifteen years before. I asked Miguel to slow down as we approached. Wild irises bloomed at the lawn’s edge. A large flowerpot filled with petunias sat on the cement steps leading to the front door. Fewer trees stood in the backyard, and a plastic infant swing swayed in the breeze on an elm bordering the road.

Because Miguel drove slowly, the boys thought we were stopping and said, “We get out Papí? Get out?”

“You have to ask your Mama.”

“Get out Mama? Get out?”

I leaned over to look at them in their car seats, their hazel eyes wide with anticipation then turned back to the house. I scanned the yard, the line of trees, and the outbuildings. I examined the front window and envisioned the formal living room the way we left it so many years ago: the piano against the south wall, the couch tucked between two lamp tables facing the large windows, the swivel chair to the side; a place just big enough for everyone to return.

I thought of all the secretive trips—how I couldn’t stay away. I want to talk to that girl standing in the kitchen. I want to tell her she needs to stop holding on to everything with clenched fists; she needs to let go. But I’m sure if the younger version of myself and I could be in the same room together, she might say the same thing back to me.

What would that girl think if she knew years later she’d still be troubled, that she’d be married but have paranoid moments when she thought her husband would leave, that no other place had yet felt like home? What would she think if she knew she’d so internalized the shape and feel of the land that memories would never satisfy her?

I knew if I asked, the family who lives there now would open their door, would let us wander through each room. But it would be their furniture, their pictures on the wall, their memories filling the house. I want my sons to see where I grew up, to somehow understand, but that would mean breaking the spell, the one that holds my childhood family suspended in time, just beyond the sheer curtains in the front windows.

I turned and said, “No, not yet. Not yet.”

•••

DANA SALVADOR’s work is forthcoming in South Dakota Review and has been featured in Fourth Genre, Cold Mountain Review, North Dakota Quarterly, Literary Mama, among others. Additionally, she’s the recipient of a Vogelstein Foundation Grant and the recipient of the 2016 Patricia Dobler Poetry Award. She sometimes leaves posts at www.danasalvador.wordpress.com.

Titanic

Photo by cea+/Flickr

By Susan Goldberg

Rachel and I told the kids that we were separating on a Saturday night—also known in our then-household as Family Movie Night. Family Movie Night was pretty much exactly what it sounds like: we each took turns picking a film, and then the four of us hunkered down with pizza and popcorn in the basement and watched it together.

Family Movie Night was about as democratic as it gets, which means that if I had to sit through Soccer Dog: European Cup and suffer the unrelenting vulgarity (and grudging hilarity) of Dumb and Dumber, then in turn my sons had to put up with my fondness for classics like Annie, School of Rock, and Beetlejuice, and with Rachel’s fascinating but maybe slightly off-base pick of Beasts of the Southern Wild.

We’d decided to separate a couple of months earlier, in an eerily calm conversation, one of us at either end of the living room couch, an afghan covering our feet in the middle. “Decided,” perhaps, isn’t entirely accurate; I, at least, had decided weeks earlier that I was done, that there would be no more couples counseling, no more trying to fix what was irreparably damaged. More precisely, then, we acknowledged that the marriage was over. If I’d had any lingering doubts, they were dispelled when Rachel excused herself from the conversation to use the bathroom. As she walked up the stairs, the thought that rose, gleeful and unbidden, in my head was, “Now I can renovate bathroom exactly how I want it.”

Since that day, we’d been white-knuckling it to get through the winter school break, through Christmas (and an accompanying, weeklong visit from my mother-in-law), through the regular school/music lessons/soccer/swimming/meals/homework routine.

It was a surreal, slightly desperate time, punctuated by the confusing beauty of occasionally lovely family dinners and moments of pure joy with the boys, moments when Rachel and I looked at each other across the dining room table and shook our heads in disbelief that we were undoing this, even as we both knew exactly why. Ending the marriage was the right decision, and the much more frequent moments where we seethed silently, argued in whispers, retreated to our various corners of the house—or left it altogether, shaking in anger and grief—confirmed that.

Before we told the kids, we had needed time to figure out some basic facts — who would move out (her), how we would divide our time with the kids (50/50), how much the house was worth (I called an appraiser), how we would create a separation agreement and what it might look like (we hired a mediator, engaged our lawyers), how we’d handle living arrangements until she found a new place (we’d alternate spending time in the house with the children and staying with friends).

In focusing on those details, we were also making space to let the enormity of our decision sink in, to shift from envisioning a future together to a future apart, its unknown possibilities both exciting (bathroom!) and terrifying (money, loneliness). In figuring out schedules and valuations, we began the process what it would mean to let go, to be able to stop trying to work things out as a couple. In my better moments, it occurred to me that at least the problems we were dealing with now with had solutions.

And now, we had to figure out how to tell the boys.

On this particular Saturday evening, our seven-year-old son got to choose what we’d be watching for Family Movie Night.

“He wants Titanic,” Rachel texted me that morning. “It’s a metaphor.”

“I’ll miss your gallows sense of humor,” I wrote back. It was true.

Is there any good way to tell your children that their parents are splitting up? We’d been putting off the conversation until we could give them some credible information about why and how and where and with whom they’d be living, at least in the shorter term. We’d rehearsed the basics of what we needed to say — that it wasn’t their fault, that we loved them both deeply, that we’d tried really hard for a long time, that no one hated each other, that we’d still see lots of each other even on the days we weren’t all together.

Still, I felt entirely unprepared for the conversation, my dread mounting as the day (soccer practice, diving lessons, Pokémon club, playdates) wore on. I will admit that I dropped by a friend’s house in the late afternoon and took her up on her offer to share some of her clonazepam stash. In the end, I didn’t take any of the tiny pink pills that she’d carefully cut in half, but their very presence, in a baggie in my jeans pocket, felt like a talisman, warding off the worst.

Plus, we had a three-hour, sinking ship of a movie to watch. Subject matter aside, the sheer length of Titanic meant that we had to get the conversation over with quickly if we had any hope of actually watching the movie and getting to bed at a reasonable hour, putting the day and its challenges behind us.

Looking back, my focus on the logistics of the evening seems misplaced, a minor technicality in the grand scheme of what we were about to unleash on our kids. But so much—perhaps most—of parenting is about seemingly minor technicalities, details around snacks and screen time and who sits where and the right socks. In the midst of chaos, these details took on, at least momentarily, as much weight as housing appraisals and custody schedules. Or maybe it was simply that I had some control over them, could use them as a roadmap for the conversation, for the evening that would follow it.

We called, as planned, a family meeting. What we didn’t plan was our younger son insisting on having a tickle fight with Rachel immediately beforehand. On, of all places, our bed, the bed that we both, often, still slept in together, if awkwardly and chastely. (We didn’t have a spare room; the couch was uncomfortable; many nights we were simply too exhausted to bother contemplating other arrangements.) Eventually our ten-year-old joined in, as did I—because things were already strange enough, because who knew how many more moments like this we’d ever have, this family, together?

So there we were, the four of us, wrestling and giggling, the two of us with a secret and the two of them with no idea that their mothers’ marriage had hit its own iceberg.

Finally, I looked at my watch, and then at my ex. “We have something we need to talk to you about,” Rachel said, cutting short the tragic, gleeful puppy pile.

“What?” asked our firstborn.

“About a decision that Susan and I have made about our partnership,” she said, carefully.

“What about it?” asked his younger brother, utterly jovially. “Are you gonna get a divorce?”

Rachel and I looked at each other, and then back at them. “Well,” she said, “yes.”

I watched the expressions on their faces change slowly, identically: from open, tired delight to cloudy confusion, to fear, and then shock, then disbelief. “Really?”

“Really.”

Both kids looked from each of our faces to the other’s, scanning our expressions for some sign that we were joking, that this was just some warped continuation of our previous frolicking.

We launched into our prepared talk. There were tears, and hugs, and, eventually—because my children are children—talk of new kittens at the new house, “and maybe an Xbox!”

And then we ate pizza and watched Titanic, the hockey game dialed up on the iPad as well.

For days afterward, our younger son would repeat, “That was weird, the way that you told us.”

“Yeah,” I would say back. “It really was.”

“I wish you could’ve told us slower,” he’d say. I didn’t know how to answer. How could I explain that I’d been carrying around the news for so long that the weight of it was almost unbearable? That the months of that secret felt like the longest, slowest ones of my life?

“I was having a really good day until you told us that,” our older boy kept saying. “I won my soccer game, I won at Pokémon, the Blackhawks beat the Canadiens the night before, and then you told us you were getting divorced.”

“Yeah,” I finally answered. “It wasn’t a very good way to end the day. But, what if you had a really terrible day, and this was just the icing on the cake? And then you’d be all like, First we lost at soccer, and then I lost Pokémon, and the Habs won, and to top it all off, my parents told me that they were separating.” I managed to get a smile out of him.

“Maybe one day,” I said to him, “maybe one day, the way we told you will be one more story that we can tell about our family. Maybe one day, we’ll be able to look back on this and laugh and say, Remember when Rachel and Susan told us in the middle of a tickle fight that they were getting separated, and then we all watched Titanic together? And it will be strange and a little bit sad, but it will also be funny, and it will still be our story. All of ours.”

As we watched Titanic on that final Family Movie Night, Rachel and I looked at each other, often, over the heads of our sons. Once, we touched hands, nodding to each other silently: We got through this. We’re going to get through this.

Our younger son loved the film. His older brother was indifferent.

And Rachel and I?

We agreed, wholeheartedly, that it was a disaster.

•••

SUSAN GOLDBERG is a writer, editor and essayist, and coeditor of the award-winning anthology And Baby Makes More: Known Donors, Queer Parents, and Our Unexpected Families. Her writing has appeared or is forthcoming in the New York Times, Ms., Toronto Life, Lilith, Today’s Parent and Stealing Time magazines, and several anthologies, including Chasing Rainbows: Exploring Gender-Fluid Parenting Practices and Here Come the Brides! Reflections on Lesbian Love and Marriage. She is a regular contributor to several websites, including CBC Parents. Susan lives with her sons in Thunder Bay, Ontario, where she is one of approximately thirty-odd Jews.

Other People’s Clothes

Photo By Gina Easley www.GinaEasley.com

By Amanda J. Crawford

The dress was stiff and boxy, made from that awful faux-suede fabric my mother wore in the 1970s, rubbery on the inside and velveteen on the outside. It was far too large for me. The pressure of my office chair pushed the collar up toward my chin so that the shoulder pads seemed cantilevered from my neck, and the belt, otherwise too low for my waist, found a niche in my short torso to rest. And while the deep merlot color of the dress would have been acceptable on another day, today I was certain it brought out the shadows under my sleepless eyes and the bruises darkening on my upper arms.

I sat at my desk in the sunny ninth-floor newsroom of Phoenix’s daily newspaper with my legs crisscrossed underneath me and my shoulders hunched, folded into myself as if trying to construct a purple faux-suede wall around my heart. I had spent my entire adult life in newsrooms, where there is no escape behind office doors or cubicle walls, and I usually relished the collective energy—the perpetual chatter, collegial banter, ringing phones and occasional shouting—that sucks you into your role as a cog in the daily grind.

The distraction of a busy newsroom, where I could never wallow in my own thoughts for too long, had kept me going for years as my personal life fell into shambles. On this day, though, I struggled to concentrate as I put together simple items for Sunday’s political column. I wanted to disappear. I practiced not looking up, not catching eyes, staring at the flashing cursor on the white screen of my computer. When that didn’t work, I fled one floor down to the brown tweed couch in the small, austere parlor off the women’s bathroom that was set up for nursing moms, locked the door, and cried.

That morning, my friend Sarah, four inches taller and three sizes bigger, had produced this dress from the back of a closet filled with the work clothes she had worn in a former life as a payday-lending executive. Now expecting her second child, she was planning her exit from the business world for good. Sarah offered me the dress and a ride downtown.

The night before, her husband had reluctantly paid the cab that delivered me to their home in the suburbs. I was hysterical and had run into oncoming traffic on the six-lane road by my house. Sarah made me herbal tea in a large, brightly painted mug and listened as I tried to explain what had happened through tears. She dismissed questions from her husband, who was friends with mine, and set me up to sleep for a few fitful hours on their couch.

With no place else to go, I headed into the newsroom early the next morning, wondering if anyone could tell I was wearing someone else’s clothes.

•••

I’d never been good with clothes. I learned to shop cheap and fast from the blue-light special sales at K-Mart. I’d sip a red Icee until my lips, teeth, and tongue were tinted its unnaturally red cherry color, waiting for the cart with the blue light to illuminate the kids’ section and put everything in our price range.

When I was in elementary school, my grandmother made most of my clothes, in cotton prints that matched my mother’s. In middle school, I remember standing at the bus stop with my friends as they bragged about their tee-shirts with prices inflated by the word “Esprit.” My mother was too practical to spend money on brands, so I began supplementing my discount store clothes with items dug out of the back of her closet: a patchwork skirt, a tweed jacket, and a cowl-neck sweater from the 1970s. In high school, as I embraced grunge music and its associated style, I wore my dad’s oversized yellow and gray flannel, smothered under his large Army jacket.

By my young adult years, though, that creative fashion spark was gone, extinguished under the weight of responsibility carried too soon. I married my high school sweetheart at nineteen and began working full-time during college to support us. My clothing, like my life, became almost entirely utilitarian—bland “work clothes” purchased in haste from the clearance racks of department stores or casual items picked up on sale at the outdoor stores he frequented. My wardrobe was as joyless as our marriage, and I spent my twenties trying not to think about either situation too much.

It wasn’t until I was almost thirty that I started to pay attention to my clothes again. I made a good salary at the newspaper and could afford to move beyond the clearance racks. I had a cache of stylish professional women friends who counseled me in my shopping. And I was propelled by an internal stirring, the nature and ramifications of which I was not yet fully aware. I started wearing high heels, tight pencil skirts, and clingy blouses. I was never the type of woman to turn heads, but I felt sexy for the first time in my life. People noticed. One day in the newspaper’s breakroom, the photo editor asked why I was dressed so conservatively. I looked down at my outfit, a short-sleeved red sweater and black dress pants, unsure what he meant.

“Most days you look like someone about to get divorced,” he informed me.

•••

The first time I left my husband I had time to pack a duffel bag. I tossed it in the trunk of my friend Emily’s white Honda Civic coupe and put my miniature schnauzer in the backseat. A few hours later, my husband tried to set our house on fire. I stayed with Emily in her small condo for two weeks, living out of that duffel bag, taking my dog on long walks along the nearby desert canal, and seeking solace in the arms of a married coworker.

The second time I left my husband, I left with nothing but my purse. It was sitting in a room on the other side of the house with my cell phone and keys inside when he held me in a room and told me, “You will never leave this house on your own two legs again.” When he wasn’t paying attention, I sprinted across the house, grabbed my purse, and ran into the street to flag the cab that took me to Sarah’s house. I borrowed clothes from Sarah and another friend, Yvonne, before sneaking back into my house for some of my own clothing a few days later. I lived in a friend’s vacant rental house for six weeks.

The third and final time I left my husband, I had just changed out of my pajamas. As I poured our morning coffee, I sensed it: a tingling in the air foreshadowing violence. I put on a coral tank top, jeans, and a simple necklace I had made out of a circle of marble and hemp twine. If you had told me to pick just one ensemble from my wardrobe that I would get to keep, that would not have been it. But that night, as I sat in that same vacant house I had stayed in a few months before, staring at my disheveled reflection in the mirrored closet doors and trying to decide what to do with my life, my husband packed up almost everything I owned—clothes, shoes, jewelry, photos, keepsakes, and even my writing. Stolen, dumped, sold, set on fire—I don’t know. By the next day, nearly all of it was gone.

•••

I didn’t know how to start putting my life back together again, but I knew I needed things to wear. I remember walking listlessly through Target with Yvonne just before the store closed, dejectedly checking the price tags of items on the clearance racks. Yvonne lingered a few feet behind me, alternating between perky chatter and croons of empathy. I bought underwear, sweat pants, capris, a tee-shirt and a short-sleeved green knit blouse I found on sale. It was all I could afford.

It was the summer before I turned thirty-one. I was homeless, single for the first time since I was fifteen, and broke. A few months earlier, partially in a bid to save my marriage, I had put in notice at the newspaper to teach at the state university and complete my graduate degree. The move would mean less hours at the office but also less than half the pay. I was sure now that my marriage was over, and I made the move anyway with virtually nothing to my name.

After our shopping trip to Target, Yvonne and I returned to the house she shared with her boyfriend in a neighborhood along one of Phoenix’s desert mountain preserves. She had moved in with him a few months earlier, despite being uncertain about their future. She took me upstairs to a spare bedroom, taken over by the things that she had still never put away. There was a metal rack overflowing with clothing, and she began going through it, pulling out things she thought would fit me and throwing them in a pile on the bed.

I was petite, but Yvonne was even smaller, not even five-feet-tall, and her style was flamboyant in comparison to mine. Yvonne was born in Mexico but adopted and raised by Anglos in Idaho. In the Southwest now, she had been reconnecting with her Latin American roots and attending a lot of cocktail parties with her boyfriend, who was in politics. Her clothing reflected both. The rack was filled with brightly colored silk and bejeweled dresses. I sifted through the pile, holding clothing up before me in the mirror and trying on things that didn’t seem too small or ostentatious. I took a plain red blouse and a sleeveless brown dress. Yvonne insisted I also take a strapless silk cocktail dress with ruffles and a bright tropical flower print that she thought was perfect for newly single me.

As the word spread that I needed clothes, other friends culled their closets for things that might work for me, too. For some reason, it seemed we were all going through major transformations in our lives around that time—an epoch in our collective history—and my friends empathized with my predicament. (In the years since, I’ve wondered what it was about that time. Maybe it was hormonal, since we were all, more or less, around the age of thirty—a biological pull to reinvent, rejuvenate, redo or reproduce. Or maybe there was, for some reason at that point in our world, a collective metamorphosis, radiating from one of Arizona’s desert vortexes and sucking all of us in.)

My friend Emily, a cutesy blonde who I stayed with the first time I left my husband a year earlier, had recently left the newspaper to work in politics. Despite all of our grave concerns, she was marrying a religious conservative from far across the aisle. She cleaned out her closet so he could move in and gave me a black A-line skirt.

My friend Megan, a brash cocktail writer raised in a family of park rangers, was trading in her hiking boots for sequins and a personal brand. She gave me a green terrycloth hoodie and a couple of tee-shirts.

And Sarah, the former payday lending executive adept at reinvention, was taking massage classes, seeking out a more natural lifestyle, and trying to figure out what was missing in her comfortable family life. She gave me a black linen wrap-around blouse and pink pajama pants.

As I wore each of the items from my friends, I felt like I was trying on pieces of their current or former lives. My existence was so pliable at that moment, with no structure, definition, mementos, or even a set address, that I wondered if a blouse or a skirt could set a new course, one that might turn out better than the one I was on before. I allowed each piece to shape a part of the new me: The new professor wore Emily’s A-line skirt, and the newly single party girl wore Yvonne’s ruffled silk cocktail dress. I tried to get in shape in Megan’s green hoodie, and I tried to prove I was strong and independent in Sarah’s black linen blouse. But more than anything else, what my new wardrobe changed in me was my thinking about clothes.

•••

I can’t remember how long it was—if it could be counted in months or merely weeks —before I returned home for the first time. There, I found a pile of shoes in the corner of my closet. I sat on the floor hopefully sorting through them only to discover that not a single one had a match.

I had been stuck in agonizing paralysis about my future, but had finally settled on a new place to live when my estranged husband called and told me he couldn’t make the mortgage. He moved out, and I returned home that day and immediately changed the locks.

It was 2008, in the throes of the Great Recession, and every indicator of Phoenix’s bursting housing bubble told me I should run away from the house, too. Still, here was something I could own at a moment when so much else familiar in my life was gone. I threw away all the matchless shoes and any other reminders of what had been, cleansed every square inch with disinfectant and burning sage, and posted an ad for a roommate. A nineteen-year-old college student moved in and, almost immediately, so did Yvonne.

Yvonne had met someone new at a conference. She told her boyfriend she was moving out, packed her car with clothes still on the hangers and stuffed it all into the small closet in the back bedroom of my house. I learned to be single living with these two women – one of them new to adulthood, the other my own age but newly in love. I also learned the secret to Yvonne’s expansive wardrobe: a local chain of name-brand consignment shops. We shopped there together, sorting through the designer racks, experimenting with our fashion and inexpensively figuring out what the new “us” would wear.

Yvonne didn’t live with me long. In a few months she got pregnant and moved out to begin a new life as a wife and mother. Megan introduced me to her ex-boyfriend, Marcus, who moved in. Marcus was a buyer for a trendy recycled fashion boutique. He picked out clothes for me at his store and patiently helped me figure out my style in front of a heavy full-length mirror in the hallway. He also began taking me on thrift-store hunts throughout the city.

Before I lost everything, I had done very little second-hand shopping. Raised on the blue-collar edge of middle class, I realized that new clothes—even from K-mart—were a mark of something I had always been reluctant to concede. Now, headed into my thirties, I rebuilt my wardrobe almost entirely with second-hand clothes, from friends or consignment and thrift stores. The process made me conscious of the waste of fast-fashion and clearance-rack junk—cheap clothing that I had, for so many years, bought and thrown away without ever really looking or feeling good in it anyway. At the same time, I began to marvel at how people (including me for a while) could spend so much money on a few items at a boutique or an upscale department store.

Learning to shop second-hand allowed me to live out my ethics, recycling and repurposing more fully in my life. I began shopping for other things second hand: furniture, dishes, silverware, curtains, a bicycle. It became my nature to think first about Goodwill or Craigslist. I continued to exchange things with my friends, too.

Soon after my divorce, Sarah left her husband and became a single mom as she finished massage school. I was searching for myself, but Sarah’s quest was more specific. “I want to experience passion—real passion—before it’s too late,” she told me. As I cycled through my new wardrobe, deciding who I would be, what I wanted and what that new person would wear, I passed on dresses to Sarah.

•••

After my grandfather died a few years ago, I followed my mother down the creaky wooden steps into the musty basement of my grandparents’ house where decades’ worth of flannel shirts hung on a metal rack.

“We’re just going to get rid of them all,” my mother told me.

She remembered my penchant for my dad’s old flannels when I was a teenager.

“I thought Toby and Beck might want some, too,” she offered.

My second husband and stepson are Goodwill pros. Toby is a musician and had been a single dad on a budget, with a punk aesthetic crafted by thrift-store finds. All three of us took flannel shirts that belonged to my grandfather.

When we got back to my parents’ house, my dad saw the Army shirt Beck brought home and went to the basement for a special hand-me-down of his own. He brought up his Army jacket that I had worn throughout my teenage years and gave it to his new step-grandson.

I was back at my grandparents’ house last year after my grandmother died, helping my mom sort through things. My mom pulled out a thick beige sweater of my grandmother’s that she said suited me perfectly, and I picked out some costume jewelry. When we got back to her house, my mom brought out the trench coat that she had worn throughout my childhood from a wardrobe in the basement where it had been covered in plastic for decades and had me try it on.

“I think the eighties are back in style,” she told me, approvingly.

In the winter in Kentucky, where I moved with my husband and stepson a few years ago, you can find us all in layers of other people’s clothes. My whole family is donned in the flannels of a gentle Maryland man, who wore them as he went fishing or watched Westerns, and my stepson is wrapped in my father’s Army jacket, which had been a staple of my own teenage years. When I’m feeling lonely, I put on the taupe trench coat that I remember my mother wearing to church on the rainy Sundays of my youth and swear I can still smell her perfume after several washings.

As I write this essay, I fondle the large wooden triangle on a necklace that had been my grandmother’s and think of Betty Jane, the stylish woman who pulled herself out of poverty and gave me my middle name. I ponder how my world has changed in the years since I began wearing other people’s clothes, and I find beauty in the cycle, the threads of which are intrinsically mine.

•••

AMANDA J. CRAWFORD is a recovering political reporter whose literary work has previously appeared in Creative Nonfiction and Hippocampus. She is a journalism professor at Western Kentucky University and performs with the Americana gothic band Former Friends of Young Americans. www.amandajcrawford.com

McCleaning with the Dustbuster

By Brooke Champagne

My mother twice bought the pitch of a salesman at the door, and both were, in one way or another, a response to one or another of her failed marriages.

The first sell came in 1992 from David Vitter, chinless Republican candidate for the Louisiana House of Representatives from the 81st district, running on the amorphous platform of family values. He was conducting, in his words, a traditional, old-school campaign, knocking on constituents’ doors and actually listening to their needs and concerns about the future. My mother invited him into our dustbusted living room. My father had been a radical Vietnam/Watergate leftist, lying across the busiest intersection of Robert E. Lee Boulevard in New Orleans to protest the draft, kicking a hole into the TV during Nixon’s “I’m not a crook” telecast. After a few of years of marriage, his behaviors lost whatever charm they once possessed. When Vitter arrived at our door, my parents had been divorced for eight years. For my father, politics was sacrosanct, and supporting a Republican was anathema to everything he believed to be good and true. It was perhaps on this ground alone Mom promised Vitter that he could count on her vote.

Soon afterward, another salesman introduced us to the exorbitant Tri-Star vacuum cleaner, a silver, futuristic-looking contraption with a long hose separating the motor from the power brush. The Tri-Star promised everything: healthier environment, enhanced home appearance, peace of mind. My mother was finalizing her second divorce—she required some sense of “here is something I will never have to think about again.” The Tri-Star, purchased around the time Vitter was sworn into the state legislature, has lived through more than a dozen political cycles, including the public admission by Vitter in 2007 that he’d habitually solicited DC prostitutes over the years. His wife Wendy joined him in solidarity at the press conference. Hands clasped at her front, she wore a form-fitting leopard print dress while her husband repeatedly asked her, his constituents, and God for their collective forgiveness. She said nothing. They remain married today.

My mother passed that Tri-Star vacuum cleaner on to me just after my wedding. Nearly ten years later I remain married to my husband, breaking my mother’s record for her first two marriages.

•••

Dusting my writing desk I recall a foremost precept of cleaning: dust accumulates most quickly in unused spaces. Thus, I am not writing enough. If I wrote more, the dust might more readily fall upon the nightstand, on the oscillating fan next to it, on the sewing machine in the corner of my office which I never use because, as my mother has joked more than once, women shouldn’t learn to sew—they should divorce if it came to that.

Dusting is the minutiae of moving objects around. So is marriage and, sometimes, so is divorce.

I bump my silver philodendron too forcefully with my dust rag—its soil dumps neatly into the small cubic space between my writing desk and bookshelf. The Tri-Star’s hose attachment is broken, and I can’t sweep away the wet soil because it will grind into the carpet. If only an appliance existed, I consider, that will pick up just this dirt, in just this small space.

•••

I have forgotten all about the Dustbuster. For children of the eighties, dustbusting was an invigorating verb. After dinner it was my job to dustbust the crumbs from the table and sometimes, gleefully, from my little sisters’ shirtfronts. Through easy tasks like dustbusting we learned the virtues of responsibility and cleanliness, in the Mc sort of way. My eighties were filled with Mc-food (frozen or fast), Mc-parents (stepfathers), and Mc-neighborhoods (subdivisions built up in a few weeks with the same three house plans multiplied endlessly down the block). Mcs were shoddy replacements for the real thing.

One summer afternoon I attempted a cleaning shortcut: rather than vacuuming the living room, as I’d been tasked, I resolved to dustbust every inch of its twist pile carpet in long, straight lines. But the Dustbuster clogged on my third row, and it died on the fourth. To clean it out, I detached the nozzle from the handle and spilled crumbs everywhere, for which I reluctantly lugged out the Tri-Star.

•••

The Dustbuster was invented in 1979, the same year as the McDonald’s Happy Meal, and a year after that, both the Chicken McNugget and I were born. Carroll Gantz, Black & Decker’s Industrial Design manager, marketed the Dustbuster as a portable suction device for picking up light dirt and debris. But that was the thing: it didn’t do much else. It sucked the surface grime but couldn’t penetrate to the root. In the eighties I knew, McDonald’s Mc-fed and the Dustbuster Mc-cleaned.

•••

The original Dustbuster was a cream-colored plastic duckbill with a single brown button to rev its tiny motor. To charge one meant matching it up to its opposite-shaped wall holder. It looked like two hands clasping together. Like a prayer.

Our Dustbuster hung next to my mother’s wood carving of the Serenity Prayer, which seemed the most permanent thing in our house by virtue of its basically being a letter to God—God, grant me the serenity to accept what I cannot change—though I never heard Mom ask God to grant her a thing. It might have been during one of her fights with my stepfather when the prayer was knocked from the wall. Once rehung, the carving remained askew for a long time, a rearrangement I thought appropriate.

•••

Were my mother’s remarriages what Samuel Johnson called “the triumph of hope over experience”? Or, ultimately, the failure of assignation? Promises weren’t just made at the end of a church aisle, I intuited. A couple’s foundation wasn’t so simple as “man and wife,” and the sickness and health and love and death weren’t even the half of it.

Often before those bigger tests play out, a couple lives together, slowly ages together, moves around in lockstep or with four left feet, depending on the day. And rather than acceding to the unequal dynamic of our earlier parent-child relationships, in which the parent figure dictates appropriate rules and chores for the child, a married couple makes up the rules together.

Both my stepfathers were natural tinkerers, so they’d be our home’s occasional handymen—cleaning gutters, repairing the toaster, performing tasks inconceivable for my idealist father who was versed in the oeuvre of Graham Greene and themes in Don Quixote but couldn’t hang a picture frame. And my mother, in her postfeminist sensibility that women could do anything and have it all (and much more secure in that ideal than most women I know today) reflexively took up the mantle of “You do the tinkering, and I’ll take care of everything else! I’ll dust and cook and clean and work full time and do pretty much all the kid stuff and still love you unconditionally, because I’m that strong and powerful!” In other words, rather than balancing their duties or at least having a conversation about them which might allow for future fluidity, it was: mother = everything, Mcfather = whatever he’s in the mood for.

At some point, probably when the burden of her constant doing began outweighing her husband’s facility with a screwdriver, or how hilarious he could be when drunk or stoned, my mother’s purview on their respective roles and personas sharpened considerably. Both my Mc-parents, for example, were—in the beginning—described by my mother as real men’s men: handy, diffident, fun. After a few years they were lazy, selfish drunks, that last word always like an uppercut—there was nothing more to say or think about who they were. That lovely marriage pronoun, the we, was gone. Each spoken I became a towering, dauntless god, while the you was a stub of the toe, a malignant growth, something grossly foreign and unrecognizable. Marriage became a war with clearly-defined sides, and as with most warring parties, both sides saw themselves within their struggle as the victims and heroes.

In my adolescence, when my mother was gradually falling out of sync in her second marriage, she became enamored with an epigram of unknown origin, pithy and reductive enough to sound to my young ears like a frightening admonition regarding my future: “Men may work from sun to sun, but women’s work is never done.” The couplet became such a popular refrain for her that, in seeming solidarity, my second Mcfather occasionally parroted it as well, letting us all know he too was aware of its truth: men, in effect, have a singular job in a marriage, while women own all of them. To me the phrase sounded dirty coming from him, a prolix substitute to the beautiful brevity of “thank you,” or “I’m grateful.” But it was even more cringeworthy coming from her, equitable to the “it is what it is” shrug of the shoulders. Why did she accept a position within her own home that drove her crazy? Was it the married woman’s fate to passive-aggressively, ineffectually complain? Was every marriage doomed to stasis until at some point both partners tacitly agreed to stop working on it altogether?

Here’s how, in each of my mother’s marriages, the stopping started: more and more frequently after one of their fights in which words were no longer sufficient to communicate their disgust—his hands on her throat, her nails in his cheeks, each sound and scene a rolling pin across my insides—the most interminable sound became their protracted silence. Weeks without acknowledgement of each other, ghost parents floating around the house. The standard emotional cleanup following a fight—the I’m sorry, honeys and never agains—regressed to a spit-and-shine job at best, hardly even Dustbuster-worthy. Eventually, every ignored resentment piled up too high and deep for anyone to tackle. Betrayal and fear shoved into every closet, mutual antipathy ground down into every thread of our twist pile carpet. I wanted to dustbust the marriage detritus, dustbust her justifications, but I’d already learned: the Dustbuster can only hold so much.

•••

In my marriage I’ve broken all the rules I made for my future self as a child: I’ll never yell, he’ll never drink too much, I’ll never swear or shove, we’ll love just enough to forever keep us in an orderly, perfect alignment. I didn’t know then that getting dirty isn’t a choice—it’s inevitable.

In my marriage, we fight. In our fights my past is often transmogrified. We get mad, we ruin dinner, I break a remote, then break another, he slams a door, punches the wall, I throw myself off the porch and scream into the grass. Yet the difference is the aftermath: that incontrovertible grime it leaves behind that we willfully, immediately recognize, and labor at once to scrub away. Rather than allowing our bitterness to slowly boil then hopefully evaporate with time, mirroring the paradigm of fights I grew up on, we call out the other’s mess when we see it. With every why and what for and please can we not anymore and what did you mean, we wipe down the obvious films of dust and move on to where decay resides: those concealed psychic baseboards and window panes, the forgotten space behind the toilet. We take on this grit together to see clearly where it is we live, and with whom. It is not in a carving on the wall but in this work where we find our prayers, and help each other answer them.

•••

Still, despite these ideals, in my marriage I’ve spent more time than I’d like to admit parsing out whose mess is whose. Sure, I’m happy to dust my desk in my office, but when my husband announces our dining room table looks dusty, I ask “Does it?,” give him a look, and wait for him to clean it. The longer I’m married, though, the more I wonder who is delineating the his role and the hers. It’s difficult to unlearn what our childhoods have encoded, what we never believed but enacted for the families who would accept nothing else, because we were playing the parts they’d prescribed.

According to my mother, I should grow up to never take shit from men, let them clean up their own messes. According to my Mc-fathers, I should become the kind of woman who doesn’t give men so much shit. It’s through the continual polishing of my relationship that I’ve been able to gradually reject that either/or dichotomy. The more time we spend dusting ourselves off after a fight, or spot-cleaning our marriage when we’re not, the more the influence of Mc-everythings from the past starts to subside.

Because there is no precedent for the scene in which I often find myself: my husband in our kitchen, mixing sauces for Chicken Mario or a red pepper and tofu stir-fry, working purposefully toward each meal that feeds us fully. We never eat from the paper sacks of my youth. For an aesthetic sense of parallelism, and as a gesture of gratitude, I make sure we eat his lovely dinners on my shiny tables. No: our dinners, our tables.

When the Smithsonian acquired an original model of the Dustbuster in 1995, the year my mother began her third marriage, 100 million had been sold. McDonald’s, meanwhile, heavily marketed the Arch Deluxe sandwich in an effort to cultivate a more adult image. Only, no one bought it. It was a standard burger with all the regular fixings, but with the lagniappe of sweet Spanish onions and, as noted in one advertisement, “a secret sauce for grown-ups.” The problem, it seemed, was the tremendous effort and dollars spent in the narrow hope of catering solely to adults. Millions of sesame seeds atop their potato flour buns went uneaten, went unspilled upon the twist-pile carpeted floors of America, went un-dustbusted. McDonald’s experiment with maturity resulted in one of the most expensive flops in the history of branding.

•••

Black and Decker now sells nine popular models of the personal vacuum that pivot easily to pick up larger debris, use lithium-ion technology powered by cyclonic action, offering a more hygienic cleanup with less clogging than ever before. The world apparently still needs the Dustbuster, but I don’t. When I spill plant soil on the carpet I vow to get the old Tri-Star repaired. I’ll accept no substitutes if we’re going to go all the way, because a real partnership calls for a real vacuum.

•••

BROOKE CHAMPAGNE was born and raised in New Orleans, Louisiana, and now writes and teaches in Tuscaloosa, Alabama. Her work appears in Los Angeles Review, New Ohio Review, Louisiana Literature, and Bending Genre online, among other journals. She is at work on her first collection of personal essays.

After the End

By Cameron Gearen

There comes a time when you’ve seen the underside of the bus too many times. When you stand up, brush yourself off, and decide you will not be near the bus when it comes flying by. That you’ll be beside it or away from there, but not under.

•••

Three days before our twentieth wedding anniversary, my husband told me he was leaving the marriage. He had talked of being unhappy for some time. We had spent years—weekly—in the office of a marriage counselor. But this time he meant it: he planned to leave. When I asked about the timing, he said he couldn’t stand to go through with the anniversary. I cancelled the hotel, the babysitter. I couldn’t return the custom gift I’d had made for him, a drawing I commissioned by his artist cousin depicting a note that was important to us both from our first months together. If you are wondering why, of two people in the same marriage, one would be commissioning art for a gift while the other would be planning his moment of exit, then you have a good point. We were not, as they say, on the same page.

•••

Before that, many good years.

Our two daughters and I would wait for him to come home at the end of the workday. Since I was a classroom teacher, I got home first. We would sit on the front steps of our house and watch the corner for his bike to come around it. Then there was a race and happy shouts, girls running toward their daddy, my husband: he would stop on the sidewalk and ruffle their hair, listening to their important stories about their days. Up the stairs together, all four, and into the house for dinner. Even as I write this, I can still feel how much his face, his smile, him, would melt me back then.

It’s palpable, the change. Slowly he started to withdraw his hand from mine. One day we finished an errand early and found ourselves without kids, near a favorite restaurant downtown where we had a gift certificate. I suggested we park and grab a meal, just the two of us with a stolen hour. He wanted to go back home and get our kids first. Not because the sitter had to go. Like the anniversary, he couldn’t face the meal alone with me. That’s what we did. We fetched the kids, let the sitter go, and ate as a family.

Say what you like. Maybe it was the brutal cancer treatment I did, coming on the heels of some difficult years as I recovered from childhood sexual abuse. But I’ve seen other couples with as much on their plate, strengthened by the challenges, bolstered by the hard work. I’ve seen it done—with nerve and with grace.

•••

It was probably already too late when we started couples’ therapy.

The pattern became familiar.

Our hour with the clinician began.

My husband would point out my flaw: You don’t fight fair. Something.

I’d agree with him and hustle to change my pattern. (Who doesn’t have a flaw or three?) I’d work on it hard with my own therapist for a week or two until I could shift, show progress. I loved him and I really wanted my treasured marriage to work, so I did it.

The next week he’d agree I had addressed the original flaw and improved. But he had a new flaw for me to work on.

Ad infinitum.

•••

I shouldn’t take online quizzes. I take them sometimes, looking for an answer. What changed? When I see that he gets a 25-out-of-25 as I score him for “behavior your spouse might show if he’s having an affair,” I’m sad for us. It doesn’t ring true—I don’t believe he would cheat. He says no when I ask. In my mind, I retitle the quiz “behavior your spouse might show if he has removed himself emotionally from the marriage.”

•••

Once we moved to Chicago, we would occasionally walk with our daughters by the looming stone building with gargoyles where we spent our wedding night almost twenty years before. I remember we’d had the penthouse suite that night and I’d stood by the leaded glass windows in the dark, watching the full moon over Lake Michigan. I’d felt full of magic and promise that night, like the luckiest girl in the world: sent off by my loving family into the arms of this perfect man.

Whenever we passed the building with the girls all those years later, in the thick of the crowd on the sidewalk, I would point my daughters up to that floor, to that night, where their parents’ official union began. He would shove his hands deeper into his pockets and walk on, ahead of us, silent. They knew not to ask me what was wrong with Dad. We followed in his wake.

There were so many signs, had I wished to read them.

•••

We married in February, my attempt to add something—our love, our anniversary—to a month that, with its gray end-of-winter, wasn’t my favorite. If I disliked February before, I now loathe it. November, the month our divorce was final, bookends the grief. The specific days within those months: February 26 the delirious beginning, November 2 the sober end. Time will return the months to me. Soon I will say to myself, What day was it again? And in this way be healed.

•••

He was livid that I sometimes took a sticker off a piece of fruit and, instead of throwing the sticker immediately away, affixed it to the side of the kitchen sink briefly until throwing it away later. Livid.

He was upset that he had to be the one to make coffee for my visiting, out-of-town friend when he thought I should have made it for her, should have gotten up a half hour earlier.

The bad years. The last ten.

•••

Under the bus. I lived there. Thrown or situated there of my own will. Even in that ditch, I remembered my spunky self who had lost her voice.

Among the signs, according to the Internet:

One partner creates a more private life.

The hours he stayed up with his computer after I went to bed.

His refusal to introduce me to his new friends. “I’ll be back late.”

His weekly poker game to which I wasn’t invited.

His solo appearance to his work holiday party.

His refusal to give permission for our couples’ therapist to speak to his personal therapist.

•••

Disclaimer: Yes, people do find they are in the wrong marriage. He did.

Disclaimer: People can also leave their marriage.

Disclaimer: I’m sure I have many annoying qualities.

Disclaimer: But I have great qualities too. Loving truly and never quitting are two.

Disclaimer: Yes, he can still leave. And he did.

Disclaimer: I don’t get to understand it from his point of view. But I know how I felt. I felt finished.

•••

On the day our divorce was final, almost twenty-four years after our wedding day, I had lunch with my mother. I think I had tuna sashimi and barely touched it, took it home. I think I had wine at two p.m. I kept insisting I was fine, but some iceberg inside me was calving. Later that day, I got an email from my now ex-husband. It was about dividing bank accounts. He said that all in court had “gone smoothly.” (In Illinois, only the one who files must go to court. I stayed home.) It had been so long and, since there was no going back or changing his mind, I did want to be free, but I couldn’t help splintering a little more as I read that note from him. We had undone what we did that beautiful, snowy, hopeful February day so long ago. He did not say there were many things I loved about being married to you. He did not say thank you for the love. I didn’t say those things either. He said that the divorce went smoothly and here are the forms I should sign to divide the assets.

•••

I stayed for my children and because I believed we were having a “rough patch.”

I am not religious, but I believed marriage was forever. At least I believed my marriage was.

I believed in our past. We had been happy. I believed that that husband would come back.

I stayed because I loved him.

•••

February 23, 2014. We were both watching an early hockey game on TV. The weak, February sunlight filtered in through the bay windows of our rented apartment in Chicago. Our pre-teen daughters were asleep. I was on the side of the couch closest to the wall, and he was on the side closest to the doorway. He stood and turned the TV off to make the room silent. Then he told me quietly that it was over and he was leaving. He said he was leaving.

•••

When he graduated from his Ph.D. program the year before that, a triumph even the girls had been involved in, he didn’t want us to fly and attend the ceremony with him.

Of course we would! I said. And I bought the plane tickets.

In his blue robe and cap, in all the photos, his disappointment is evident. He didn’t want to celebrate with us. Or maybe just with me. Like the anniversary, the meal out, birthdays. Like the night of Obama’s second election when I had two VIP tickets and I took a friend because he, a huge Obama fan, preferred to stay home on that same couch. My younger daughter saw me on TV that night. I was in the front row—with a friend.

•••

Once, when I was sobbing at the mediator several months after that fateful February morning of the hockey game and my husband was joking with her, turning on the charm, I asked him why he had filed for divorce.

At first he didn’t hear me over the laughter, so I repeated my question.

He said—smiling, directing his comment to the mediator—“Oh, you weren’t meeting my needs.”

Then they smiled together about it.

I got a lawyer.

•••

I’m embarrassed that I tried for as long as I did.

•••

Two years after my cancer diagnosis, I wrote in a journal that he had said to me that day: “I’m having a midlife crisis and I don’t know how I feel about you.”

It’s a tired old line. This exact line is #14 in the Internet quiz of twenty-five items.

Which doesn’t mean he was having an affair. But it does mean he was removing himself emotionally.

•••

I thought I wouldn’t survive it, his leaving.

The man I had planned to die next to, whom I had loved with all my cells, was gone—to his weekly poker game, his friends, maybe even to his sadness. He took the dining room table and one of the cars, and he was entitled to that. The kids and I were home after school and work, on weekends, and no one would be coming back from work by bicycle just before dinner.

I especially hated the weekends I spent alone when the kids went to his house. I wrote my way through them, pages I would make sure no one ever saw but that still got me to morning. I hardly noticed as it became less acute, as I didn’t need to call a friend or force myself to go to a movie, as I could sink into the evening and know that whatever it brought would be fine. I got to know myself again. I rediscovered my natural spunk, a ferocity that had been burnished during my married years.

The idea that we won’t survive something is a failure of imagination. Now I know: I might not have survived his staying. I’m sure I would have had all the trappings of being alive and fine—but my spirit. Being on my own gave me my spirit back.

•••

He liked to say, especially in couples’ therapy sessions, that he thought I suffered from borderline personality disorder. The first time he said it, I was worried and suggestible. That was a big claim, an incendiary one. He was “diagnosing” me with a disorder that doesn’t respond well to treatment or medication. I went back to my own therapist, with her Ph.D. and thirty years of experience, and I asked her. I asked her, crying, shrinking into the comfy green chair where I spent a lot of time these days. She laughed kindly. She said, “You have PTSD. That’s it,” referring to the fall-out of the childhood sexual abuse I suffered from. Later I asked my psychiatrist as well, my glamorous runner psychiatrist who vacationed in farthest south Chile, who was also a mom: warm and compassionate, worthy of respect, who knew me well. She also swore that that was not my diagnosis.

I was reassured by their confidence. I had confidence in their confidence.

But he and I had to discuss it many times when he brought it to the couples’ therapist over and over.

A marriage starts to unravel. So many things are said, and most of them are best forgotten. But this piece, this particular grenade he lobbed and relobbed. This “claim” or “concern”: it is outside the way I believe people should be treated. It’s the thing I’ll remember, sadly, more than the father coming home by bike, more than our happy years when he still enjoyed dining out with me. I will remember this little piece of cruelty—repeated and sharp. I looked at him and wondered what in the world, who in the world? And although I didn’t know it yet, I was looking at the end. And the beginning of my spunky, messy life. Hard-won. It turned out that I could survive his leaving. I imagined it, and then I stepped toward that life, my life, the one that had been waiting for me.

•••

CAMERON GEAREN is a poet and essayist living in Chicago. Her work has appeared in The Washington Post, Dame Magazine, Hippocampus, Ravishly, and elsewhere. She is the Writer-in-Residence at the Ernest Hemingway Foundation. In 2016, her book of poems, Some Perfect Year, came out from Shearsman Press. On Twitter she’s @camerongearen.

Rocket Science

By Kate Haas

They gazed at me impassively, the man and the woman, each carefully neutral face masking—or so I imagined—the boredom of the entrenched bureaucrat settling in for a fifth hour of substitute teacher interviews.

“You arrive at the classroom,” said the guy, reading from a paper in front of him. “You find a vaguely written lesson plan. There are no administrators around to help. No one in the main office at all. What do you do?”

It was an implausible scenario, containing a hole a second-grader could have spotted. I was not here to point that out, I reminded myself. I was not here to be a wise-ass. This was my first formal job interview in seventeen years. I was here to play the game.

•••

Back in the 1980s, yanked by divorce from the stay-at-home life she’d imagined would continue indefinitely, my mother took the first job she could find, writing jacket copy for a major evangelical publishing company. My sister and I snickered at the freebies she brought home from the office: Christian Archie comics; spiritual marriage advice; and our favorites, a series of YA novels by a guy who operated a ministry for teen prostitutes, each book titled with the name of a girl (Vicki, Lori, Traci), its plot detailing her sordid downward spiral from teenage rebellion to the streets, followed by an uplifting finale at the ministry’s safe house, and a tearfully repentant Lori (or Vicki or Traci) flinging herself into the arms of Jesus.

My mother was an agnostic whose crammed bookshelves reflected her highbrow literary tastes: Jane Austen, Henry James, The New Yorker. But the divorce settlement favored my father, a man with a sometimey attitude toward child support. So with kids to raise and bills to pay, Mom peeled from our VW’s bumper the sticker proclaiming the Moral Majority to be neither, pulled on her nylons, and went to work.

“A woman’s got to do what a woman’s got to do,” she used to tell my best friend Clare’s mother when they got together on weekends to drink cheap white wine and swap stories about their lawyers and no-good exes.

•••

“It’s not about how good you are,” Clare counseled a few days before my interview. Like me, my old friend had quit teaching years ago. She’d recently gotten back in. “It’s whether or not you can speak the lingo.”

I remembered the acronym-larded professional development sessions back in the day, mandatory powerpoint presentations aimed at tired teachers surreptitiously trying to grade papers and plan lessons while simulating dutiful attention to the flavor of the month in educational strategy.

“It’s way worse now, with all the Common Core,” Clare said. “Don’t get me started. But you remember: redirect, assessment, collaborative learning, ownership, SSR.”

“SSR—shoot, I forgot all about that.” (SSR, for the uninitiated, stands for Sustained Silent Reading. SSR is to regular old reading as “sanitation engineer” is to “janitor”: the same damn thing.)

“Don’t worry, sister, you know what you’re doing,” Clare said. “Just tell ’em what they want to hear. Play the game.”

•••

I quit teaching high school at the turn of the millennium to stay home with my baby. It was a choice I was able to make because my husband earned just enough to support the three of us. But there was another reason I quit my job: I didn’t have the passion. The great teachers had it. Walking past their classrooms, you heard the bustle, felt the energy. Those teachers shone, with a core of dedication that couldn’t be faked. Sure, they griped about the troublemakers. They rolled their eyes, recounting some mouthy tenth grader’s outrageous comment. But their voices—exasperated yet understanding—gave them away. They loved those troublemakers.

I didn’t.

I was a decent teacher. I worked hard and planned my lessons carefully. I told my students that everyone has a story to tell. Real or imagined, we all have that story. I explained point of view, and starting a new paragraph every time the speaker changes, and providing necessary background information. I reminded them, more times than I ever imagined I would, to end sentences with punctuation.

My students wrote stories and essays and workshopped them together, drafting and revising multiple times before presenting their finished work. As a class, we applauded each presentation, and I pinned the finished pieces ceremonially to a special bulletin board with a shiny silver border. The kids acted like all this was no big deal, but it was.

When I informed my ninth graders that they would memorize the prologue to Romeo and Juliet, they didn’t believe they could do it. “Fourteen lines, guys, fourteen lines,” I told them. For the next month, we started every class by standing up and reading the prologue in unison. Sometimes we marched around the room reciting it. My students made a great show of rolling their eyes and muttering. (“Dude, can you believe this?”) But around they went, quietly at first, shuffling on the scuffed floor, then with increasing gusto: Two houses, both alike in dignity, in fair Verona where we lay our scene…They had it down in two weeks. It was only fourteen lines, after all.

Sometimes, even at the end of a long day, the thrill of this would hit me: these words, ringing in the California air, four centuries and a world away from their birthplace.

But I didn’t have the passion. I was weary of contending with the core of disruptive students who filled my classroom, angry kids I couldn’t seem to reach. I envied people who were done at the end of the workday. My job was a never-ending slog of lesson-planning, essay-reading, and grading. It ate up every evening, and every weekend, and I couldn’t imagine continuing and raising a family, too. When I quit to stay home, the freedom was exhilarating.

Still, four years later, I felt a pang when my license expired. I didn’t want to teach again, but it was disquieting to realize I couldn’t. The licensing commission had a lot of nerve, I thought. No longer good enough were my master’s degree, years of experience, and the slew of National Teacher Exams I’d passed. Now they wanted coursework before I could renew. That meant going back to school. My children were one and four. It wasn’t going to happen.

But what if the worst occurred? What if I was left on my own, like my mom, to raise my children? All the stay-at-home mothers talked about that. Few of us were in a position to easily re-enter the professions we’d left. Without my teaching license, what job was I qualified for that could support a family?

I tried to ignore those questions. Life insurance would take care of me if anything happened to my husband. As for the other possibility, I tried not to think about that, either. My husband brought me flowers every Friday and sent hand-drawn postcards when he was out of town, even for a night. He wasn’t going to leave me.

Part of me didn’t believe that. It was the part that remembered the wave. That’s what we call it now: the divorce wave, the surge of broken marriages beginning in the 1970s and peaking when my mother got her job with the Christian publisher. By the time those waters receded, not one of my friends’ families remained intact. Forty years later, Clare and I are still sloshing through the ruins, trying to spot the faulty foundations, the unstable beams, to identify exactly which imperceptible weaknesses rendered our parents unable to withstand the tide. Even now, part of me can’t help thinking of divorce the way I did as an eleven-year-old: a catastrophe that strikes without warning, a tsunami on a clear day.

That teaching license was my only route to higher ground. I needed it back.

When the kids were finally in school, I dug out my expired license and called the state to find out how much coursework was involved in renewing it.

“Fill out Application C and send in fingerprints and $225,” said the young man on the phone.

“Yes, I know,” I said. “But what about the education credits? How many will I need?”

“No credits. They changed the law four months ago. All you need now is the application, the fingerprints, and the $225. Do you want me to send you the forms?”

They changed the law.

I was unprepared for the elation that surged through me, the rush of astonished gratitude—all of which I promptly poured forth upon the hapless guy on the phone. It felt, at that moment, as though he had personally intervened on my behalf; if I could have reached through the phone to embrace him, I would have. Then, like Cagney or Lacey interrogating a perp, I proceeded to grill him. Was he absolutely sure about this? It applied to all licenses? Finally, I thanked him profusely, my brain thrumming like a violin string. In the space of a few minutes, with no effort at all, my employment prospects had shifted from service industry to professional grade.

Not that I wanted to teach again. I’d built up a freelance editing business over the years, and it was paying for extras, like summer camp and music lessons. I was done with the classroom. We didn’t need the money. I didn’t have the passion. But now—now I had the option. I was standing on higher ground.

•••

Just ask an English teacher, and they’ll tell you: nothing gold can stay. The easy license renewal turned out to be a one-time deal. Four years later, it wouldn’t be so simple.

“I don’t care what you have to do,” Clare said. “Don’t let that license expire.”

She didn’t need to elaborate. For three years now, ever since her husband left their marriage, Clare had been wading through deep water. From the opposite coast, I’d cheered her efforts get back in the classroom: enrolling in graduate school, taking after-school teaching gigs, updating a resume with a thirteen-year gap. The hardest part was renewing her expired license, an epic bureaucratic campaign spanning eighteen months and involving the tracking down of records in three states.

“Letting the license expire was my biggest mistake,” she warned me every time we talked, a speech that always reminded me of the anti-drug commercials of our youth. “Don’t let it happen to you.”

I didn’t intend to. After a semester of online coursework at my local community college, I possessed the fresh transcripts necessary to satisfy the state licensing commission for another three years.

Now here I was in the district administration building, interviewing for a job. Not that I wanted to be a substitute teacher, exactly. But this time, it wasn’t about whether or not I had the passion. What I had was two teenagers, one of whom would be applying to college in a year. What I had was residency in a city where substitute pay is among the highest in the nation. I could set my own schedule if they hired me here, contribute to the college fund, and still have time to write and edit. What I had, in fact, was the prospect of an ideal side gig. Yeah, I wanted this job.

But I didn’t need it.

My husband’s position at a public agency survived the recession, thanks to a stable tax base. And after his seventeen years there, we’re no longer balancing on a financial tightrope, the way we were when I first quit teaching. The mortgage would be paid on time if I bungled this interview, and the orthodontist’s bill. No one would go hungry in my house if these two didn’t like my answers.

I wasn’t thinking about that—not consciously, anyway—as I explained how I would amend that vague lesson plan on the fly, make it specific. I was focused on playing the game, nimbly referencing stalwarts of the Language Arts curriculum, like Of Mice and Men and Raisin in the Sun. I avoided pointing out that under no circumstance—except possibly the Rapture—would a public school’s main office be devoid of personnel at eight a.m.

Neither interviewer spoke when I finished. They looked at me expectantly.

I’d already described my disciplinary strategies and my approach to lesson planning. I’d talked about meeting each learner at their level. Wasn’t I speaking the lingo? Hadn’t I demonstrated my professional competence?

I launched into another example, this one based on using classroom clues to devise a lesson. Art on the wall indicates a unit on the Middle Ages? I’d have students write a dialogue between a serf and a knight, or an artisan and a priest.

Still no response. What more did these people want?

“I could do dozens of things in this scenario,” I said, perhaps inexpertly masking my exasperation. That was when it happened, when I heard myself add, “You know, this really isn’t rocket science.”

•••

My interviewers flicked glances at each other, then fixed me with identical fishy stares. After a long pause, the woman said “Do you have any questions for us?”

No, I did not.

I berated myself all the way to the parking lot. Substitute teaching is not, of course, rocket science. But Clare, or anyone who really needed that job, would never have permitted herself to say so. She wouldn’t have been so careless, not with the water rising around her.

But we all have a story, and in the one that’s mine to tell, my toes have never even gotten wet. I’m still not certain how to account for it.

At forty or fifty, not everyone is the same person they were at twenty or thirty or wants the same things. No one understands that better than people like Clare and me, who lived through the wave, who watched our fathers—and it was mostly the fathers—decide that, after all, our mothers were not the women they wanted to grow old with. For us, marriage felt like an extraordinary gamble, like stepping aboard a rocket, equipped with nothing to calculate its trajectory but love and hope.

My judgment is no better than Clare’s, or her mother’s, or mine. I haven’t worked at my marriage any harder than they did. Yet in my story, the man who seemed fundamentally decent and kind at twenty-five is still both of those things twenty years on. The young woman who decided to spend her life with him hasn’t changed her mind about that. The waters have held back from us. Which is why I’m standing here on dry ground, secure enough to be a wise-ass at an interview, a writer who doesn’t actually need a day job. Most of the time, it all feels like the sheerest luck.

Maybe they appreciated my honesty. Or maybe anyone with a credential and a pulse was going to get that job. Either way, I was hired. And that felt lucky, too.

•••

KATE HAAS is an editor at Literary Mama. Her essays have been published in The New York Times, The Boston Globe Magazine, OZY, Slate, and other venues. A regular contributer to Full Grown People, she lives in Portland, Oregon with her family. Read more of her writing at www.katehaas.com.

Read more FGP essays by Kate Haas.

Falling

By Betty Jo Buro

Yesterday I ran into my mother at the mall while I was waiting for the elevator outside the food court. It was midafternoon, and I had just finished eating for the first time that day.

I’m going through some stuff. I couldn’t decide what I wanted to eat or even if I wanted to eat, so I settled on turkey soup. After the first bite of salty broth and soft noodles, I realized I was starving. And since I had just overspent on a pair of ripped jeans, I decided it was time to go home. When the elevator doors parted, the usual crowd of mothers with babies rolled out, a teenage couple—obviously and thoroughly in love—and then, the very last person to walk off was my mom. And I was surprised to see her because my mother is dead.

I’ve been in love a bunch of times. There is really nothing like that free-fall into desire. The whole world seems friendlier, more sharply focused, like when I got my first pair of glasses in fourth grade and I could suddenly see each individual leaf on the maple trees, and the sharp letters on the street signs felt like precise miracles. Falling in love warps time, making it speed up then slow down and it’s difficult to sleep or concentrate.

I’ve fallen out of love, too. It’s happening to me now. And it’s not nearly as much fun as it was going in. There is that sense of falling, but into darkness, into a mysterious place that may be cold and lonely. The butterflies in my stomach are more like panic. Sometimes insomnia wakes me at four a.m. I imagine the imminent scene where we’ll tell our daughters. I picture the For Sale sign piercing the grass in front of the house where we’ve raised our family, where our bones have settled into a quiet routine. On the days I’m especially sleep-deprived, I wonder if I’ll die alone.

My husband and I saw our first of many marriage counselors twenty years ago, when our oldest daughter was still a baby. We brought her with us to our appointments in her infant carrier. We went at night, in winter, the baby bundled into a tiny snowsuit, the black cold biting through our coats. I remember, on our first visit, the therapist told us we had an opportunity to change not only ourselves but generations to come. We quit her, like we quit all the therapists that came after, and I wonder now what kind of disservice we’ve done to our children, and our children’s children. How many generations have we fucked up?

We plan to tell our girls over spring break, since the college student will be home and in a rare alignment of schedules, we will all be together under the same roof. The date looms with a dread similar to the one I felt traveling to Boston two years ago, to sit with my mother while she died. Anticipatory suffering lodges itself under my sternum, and accompanies me wherever I go, an uninvited guest. Yesterday, while tossing a pair of sneakers in her room, I catch sight of my high school daughter’s desk calendar. SPRING BREAK!! is written across an entire week. I look away, quickly, but my body has already registered the all caps, the bright pink sharpie, the joy in the exclamation marks. Later, it will occur to me that this may have been one of the saddest moments I’ve ever experienced, but at the time it’s visceral. A punch to the gut. My knees go a little weak.

My mother left my father when I was the same age as my oldest daughter, and I was angry with her in vague and selfish ways. It’s disturbing how accurately history is repeating itself. My mother stepped out on her own in the late nineteen-seventies, when divorces where rare in my predominately Catholic hometown. What is commonplace now, was for her, an act of fierce independence. Maybe, I think now, my mother was setting an example, modeling for her daughters the kind of strength we might someday need: this is how to be courageous, this is how to walk into the face of the unknown, this is how to take care of yourself.

In the elevator, there’re just two older women and me. After a couple of minutes, they tell me, in the kindest way possible, that I need to push the button to make the elevator descend. I apologize and say, “That woman reminded me of my mother,” and then I start to cry on the elevator in the mall with the strangers, holding the bag with my ridiculous jeans. “It’s hard,” they say. “It’s never easy,” they say, and “Have a nice day,” when the door finally opens onto the floor where the overwhelming scent of Abercrombie blankets the air, where the fake greenery rings the fountain in perfect rows, and a new batch of stroller-moms wait to get on. I wonder if this may be a sign, that my mother is going to help me, that she is going to send me surrogates, glimpses of her to remind me to be strong, and kind ladies in elevators to comfort me.

•••

BETTY JO BURO holds an MFA from Florida International University. Her work has appeared in Cherry Tree, Hippocampus Magazine, Hunger Mountain, The Lindenwood Review, The Manifest-Station, Compose Journal, and Sliver of Stone. She was a 2016 finalist for Southern Indiana Review’s Thomas A. Wilhelmus Award, and a 2016 semi-finalist for American Literary Review’s Annual Creative Writing Awards. She lives and writes in Stuart, Florida.

What Remains

wedding candle — By Gina Easley www.GinaEasley.com

By Patrice Gopo

Just off Central Avenue they’re tearing down Eastland mall—the dead mall as I like to call it. Bulldozers and cranes cluster near broken concrete and piles of rubble. In the beginning, I saw the front of the building removed, the insides exposed like a little girl’s dollhouse. As the rubble grew, I wondered if between the dust and crushed walls, a lone hanger could be found, a pair of new shoes, or perhaps a going-out-of-business sign. Do dead malls hold on to any of that?

“Mommy, what are they doing?” my preschool-aged daughter asks from the back seat. My throat tightens. In an uncharacteristic neutral voice, I explain the demolition of the empty building and the city’s desire for something new. Given Sekai’s keen sense of observation, I wonder if she notices how I stare when we drive this block of Central. How can I explain to her my want to stop the car and bury my head in my hands when I can’t even explain this to myself? Who cries over a mall?

As a recent arrival to Charlotte, I never knew the dead mall when it was alive with the hum of eager shoppers and squalling children. I never walked through the stores and ran my hand across soft fabrics or sifted through piles of sale CDs. I never sipped lemonade while middle schoolers exchanged first kisses just beyond the food court. I don’t know what it was to circle and circle around bright green trees in search of an elusive parking spot. Still I keep driving by, watching the demolition of a mall I never knew. A few more weeks and the dead mall will be a wasteland of concrete. Hundreds and thousands of parallel and perpendicular lines will provide parking for nothing. Not even an abandoned building.

What happens each day off Central makes me think of my hometown. A few blocks from Anchorage’s local college is the University Center. Or to be more accurate: my own dead mall. Mine. As in the theater where I watched movies with high school friends I no longer know. The stores where I spent my babysitting money on books, cheap jewelry, and the occasional hair scrunchie. The studio where my family posed for one of our final portraits before the divorce. My dead mall.

I’m not sure anyone else—my parents or my sister—remembers that day where we slipped in the back entrance by the movie theater. Still dressed in our church clothes, we walked through the doors as the smell of liquid butter coating stale popcorn flooded my nose and the click of my sister’s high heels tapped the tiled floor. That family portrait remains among the last with frozen smiles on a mother, father, and two girls. Did my parents allow their fingers to entwine with each other’s when I stopped to flip through comics at the bookstore? Did my father’s face shine with pride as the sun’s rays streamed through the skylight and streaked his wife and daughters’ coordinated spring dresses? Does it matter that no one remembers the photo except for me?

•••

A few hours before dawn, the baby’s hiccupped cries shake me from my dreams. Before I can shrug off the weight of sleep, the mattress creaks as my husband, Nyasha, rolls out of bed, and his bare feet pad across the carpeted floor. He brings Shamiso back to me where I fall asleep nursing her. Both of us too tired to return her to the crib, she’s still there when the door handle turns, and Sekai shuffles towards us with a blanket dragging behind. She exhales a hot breath near my cheek. “I can’t sleep, Mommy.” As I drift back to sleep, she climbs onto the foot of the bed. A few hours later when the blue-black shadows of night dissolve into day, we still remain there with our bodies brushing against each other. Shamiso sleeps between Nyasha and me, and Sekai is perpendicular to our feet. The stuffy smell of sleep sweat wakens me, and my baby’s warm hand touches my nose. Lying there I wish the sun would forget for a moment its command to climb higher in the sky and let me stay here, near my family, forever.

When my sister and I were small, the dark of night and the quiet of the house made us tiptoe towards our parents’ bedroom. We crept down the hallway in our pajamas, tapped the wood, and pressed our faces to the slit between frame and door. In soft voices we said, “We’re scared. Can we come in?” Then the click of the knob turning, and my sister and I piled into the warm bed.

Back when I used to whisper to my parents in the middle of the night, could they have guessed the light in their marriage would dim, and they would clutch regret amidst their crumbled dreams? When the morning sun snuck through the blinds, and they saw their daughters resting next to them, could they have predicted what they had wasn’t the kind of structure to survive a generation?

•••

It’s senior year of high school, and I lie on my bed with a book in my hand. The radio on my nightstand spits out one pop song after another, and I hum along, a disconnected soundtrack for the plot unfolding in my book.

“Well aren’t you just righteous.” I hear my father’s words from beyond my closed door. My mother’s cries muffle her response before I can make them out. “You think you’re better than everyone else.” And then I am not on my bed, the book tossed on the floor where the cheap pages display their frailty against the carpet. On the middle stair, I stand between the volley of words moving up the steps and sliding back down. From the bottom of the staircase, my father stares at me, and I feel my mother standing behind.

“Stop it. Stop it,” I say. “Don’t say that. Stop saying mean things.” My voice grows louder as something in me bubbles. Anger? Annoyance? Fear?

“Go back to your room, Patrice. You don’t understand.” My father walks away, and I hear the door to his basement office slam. Behind me, my mother disappears into their bedroom. I am left on the middle step where I lean against the cold wall. By the time I stand up, I wear an imprint of the wall’s texture on my temple and the side of my forehead. In the background the soundtrack continues with the levity of top forty hits.

•••

I’ve seen other dying malls. A few cars may sit near the entrance while a scraggly tree or two sway in the wind. In the parking lot dotted with potholes, a gush of wind skips across deserted concrete that once held rows bursting with cars. A large sign hangs over the entrance. Yes We’re Still Open, the taut plastic reads. Inside an elderly couple rummages through the clearance rack. A handful of workers stand behind the counters of the food court peddling soft pretzels and day-old cookies. Of the shops with the lights still on, the names display unfamiliar words since the chain stores have vanished leaving behind only local establishments. Still Alive. For now.

But declining marriages elude me. Growing up in the eighties, the culture of divorce no longer shocked as in previous generations. During childhood, friends and classmates shuffled between parents every other weekend and through the summer. Still, my breath shortened into rapid pants when my parents separated after twenty-three years when I was eighteen years old. What makes a marriage survive? A cup of love? A bushel of respect? The anchor of loyalty? Uncompromising fidelity? Extra laughter? A shared purpose? A common faith? Perhaps all of that? Perhaps more? Holding my wedding pictures, I stare at my scarlet dress that reminds me of the small, faded photograph on the wall of my childhood home. Framed inside, the twenty-something version of my father wears a bright red suit. His arm loops through the arm of my mother, who’s dressed in a traditional white gown. When Nyasha and I lace our fingers together and sit close, is there something our eyes ignore, hidden beneath what we create? A sign to illuminate what stretches beyond our view?

•••

In the middle of the night, a few months after I marry Nyasha, my water glass accidentally crashes into shards against the tiles of our kitchen. In the dark I stand with my bare feet against the cool floor. Crumbs of glass splay around me, stretching beyond the beam of moonlight shining through the window. Not even a moment passes, and he stands at the light switch.

“Let me get your slippers,” he says as he flips on the light.

“I’m sorry,” I say. “So sorry.” Fat tears appear in the corners of my eyes.

“Not to worry,” he says, setting my slippers on the ground, reaching his hand to me. “Why don’t you go back to bed,” he says. “I can take care of this.”

Back in the room under the comforting weight of the duvet, I see the yellow light from the kitchen, hear the crinkle of swept glass, and wonder why I am still crying.

In the year following my parents’ divorce, I asked my sister if she was surprised when she heard. Beneath my question, there was a longing to share the remembrance of the unexpected. “Not really—they used to fight,” she said matter-of-factly.

•••

A while back, I returned to my hometown and walked through the University Center. I was surprised to see the building still limping along. Even a year earlier, the mall’s fate had seemed destined for dark hallways and caves of empty shops. “The local university gave it new life. They reclaimed it as an extension of their campus,” my mother explained.

My mother and I joined a sprinkling of other mall walkers in search of sanctuary from the single-digit temperatures beyond the sliding glass doors. We walked the faded hallways with a spattering of shops: a furniture store, a hair salon, a restaurant, all butting up against the green and yellow wing owned by the university. In the repurposed section, I saw the portrait studio had transformed into meeting rooms. The bookstore had become an office or a classroom. When I reached the entrance of the old movie theater, the lights were turned off. The locked door refused to let me see what now existed in the dark space.

As my hand touched the metal handle of the once familiar door, I felt transported back to my final time in the old theater, several months before my parents announced their divorce. In that awkward summer between high school graduation and the start of college, when my friends and I had shed girlhood but had yet to determine what womanhood looked like, we filled a row in one of the dark theaters. Tubs of warm popcorn and boxes of M&M’s moved up and down the line. In the smooth vinyl seats, I watched as Julia Roberts tried to sabotage her best friend’s wedding. Along with everyone else, I walked out of the theater believing something magical about marriage.

•••

I’m six or seven years old. In front of their bedroom mirror, my father’s arms wrap around my mother’s body. He leans over and kisses the top of her head and feels her silky hair beneath his lips. For a moment I watch and then burrow between them to stretch their hug to include me.

Despite the past, I still believe in lifetime marriages with elderly couples and their wrinkled palms pressed together. On my wedding day, I walked down the aisle sandwiched between my parents. I rested one arm on the curve of my father’s elbow while I looped the other through my mother’s arm. As our trio of bodies moved as a unit, I pretended that I walked between something breathing, something that still flourished. Moments later I stood before my husband where, with our hands entwined and eyes alive, we made vows to begin. We slipped rings on our fingers, the cool metal sliding on clammy flesh. While my sister held my white calla lilies with the scarlet bow, my husband and I declared forever to each other. And with our fingers laced together, we walked back down the aisle into something new.

And I still give my subconscious space to imagine. In routine moments of life like a drive home, I let myself see my parents together. I envision my daughters speaking of Grandma and Grandpa as a single phrase. When my palm brushes my daughters’ smooth cheeks, I pretend the place I thought I would bring my children to swaddle them in the memories of my childhood still exists.

•••

I started running after my parents called during my first year of college to announce their divorce. First down the hallway to where everyone gathered in a friend’s dorm room. Then to the mall where I swiped my credit card as if it were a magic wand that could give me a different life. Ribbed turtlenecks, soft sweaters, double-zip boots. Perhaps beautiful clothes draping my body could make my life beautiful, I thought.

Finally, I sprinted across the world. A decade of traipsing the globe. I called it “finding myself” or “spreading my wings.” I believed tired clichés could disguise my desire to not go home. A year in England, ten months in Madagascar, a semester in Spain, a first job in upstate New York where I knew no one. Thanksgivings were spent with a college friend’s family to avoid interacting with my father and his new wife. During a backpacking trip across Europe, as a night train zipped from Rome to Venice, I refused to admit to a friend that I longed for a beautiful marriage that lasted. Instead I said that I didn’t believe in love and certainly not the kind of love that could survive the years.

And then I met Nyasha. On the final stretch of my lap around the world, during a ten-week trip to South Africa to fulfill the requirements of a grant I wrote, twenty minutes after my plane landed, I met this quiet man. He listened while I made sweeping statements about how I would make the world a better place. He challenged me to give greater thought to what I said. Our conversations hovered in the realm of ideas, and his reserved ways balanced my impulsive personality. At the end of the ten weeks, we stood in the international departures terminal of Cape Town’s airport.

“I’ll write,” Nyasha said.

“Once a month?” I asked, attempting to make the moment light. I forced a teasing smile to appear on my face.

His face mirrored mine. “At least once a month. Absolute minimum.” His arms wrapped around me and drew me close before his whispered response tickled my ear. “And maybe more.”

Nine months later, he slipped an engagement ring on my finger, and six months after that we exchanged our wedding vows.

•••

Fifteen years after my parents divorced, they still don’t communicate with each other, and I don’t talk much with them about the past. My father speaks in hyperbole tainted with anger, a conversation combination I avoid. My mother’s eyes grow sad. It’s a clothing store of blame where everything that could have gone wrong fits the other person. But crumbs of the past trickle between their words, and I become a timid mouse trailing behind, grabbing phrases, sniffing them inside. “Be careful. Some women don’t care that your husband is married,” my mother says as she helps me bring in the groceries. “Don’t try and change him,” my father remarks while the ocean salts the air and our feet sink into sand near where Nyasha and I will wed.

“You remember Grandpa,” Sekai says to my mother. My daughter stands in the doorway of the laundry room and holds the phone to her ear. From where I crouch pulling warm clothes from the drier, I can hear her side of the conversation unfold. My father and his wife left yesterday, and Sekai is telling my mother about their visit. “Gammy, you remember Grandpa. When Mommy and Auntie were girls, you were together a mommy and a daddy.” For the length of my mother’s response, I stop my work. Instead of remembering the past, I linger over the fresh smell of my husband’s shirts and my daughter’s pastel socks.

One day I may ask my parents what happened to their marriage. Maybe we’ll sit across from each other in an all-night diner with thick slices of blueberry pie between us. As my fork scrapes the remains of the violet filling, I’ll ask them if they understand what happened or how their marriage could have been different. I imagine my father raising his diet coke with beads of condensation sliding down the glass and my mother squeezing a fresh lemon in her hot tea. From across the table, they will look away from me for a moment. All around us waitresses will take orders, plates will hit tables, and perhaps a glass will break in the kitchen so the silence at our table won’t become awkward. Then they’ll begin to speak; slow at first but gaining momentum. Perhaps the talk will center on what disappeared, how they changed, or what may not have been there from the beginning. Maybe I’ll discover some answers. Or perhaps just sitting together will be more important than what I hear. As the night transforms to morning and the smell of scrambled eggs and bacon wafts past us, I will reach my hands across the table and rest mine in theirs. With damp cheeks, I’ll tell them, “It’s okay. We are okay.”

•••

A few weeks before Christmas, Nyasha, the girls, and I slip in the side entrance of a mall. Not Eastland mall with its empty parking lot stretching wide, its wrecking balls and broken concrete. But another mall in Charlotte where cars circle and circle in search of a spot near the door. The windowless structure beckons for people to disappear behind the guise of shiny trinkets and the smell of new clothes. With our outfits coordinated in red and faces ready to smile, we join other families in the portrait studio waiting our turn. Just as I straighten Sekai’s dress and slide a matching headband on the baby, the photographer calls for us.

Christmas music bounces in the background mixed with the rumble of waiting voices. “Move in. Your faces almost touching,” the photographer says as she snaps an image. Then she stretches us into a row and with the help of stools and boxes, our heights stagger into a descending staircase. Arms rest on shoulders, and I hold Shamiso in my lap.

In a week or so, I will find a slim package with our family prints waiting on the stoop. Sekai will sit near me as I tug at the cardboard to release our memories. Later, I will hold up the two 8x10s of our family for her to choose between. “Which one should we display?” I will say to her.

Sekai will first stare at the one of our faces almost pressed together and then at the one of our staggered heights. She will point to the second photo, the one where Nyasha and I sit in the middle, Sekai leans against her father, and I hold Shamiso in my lap. “We are all looking ahead in this one,” she will say. As I slide the new family photo into the frame and place it on our bookshelf, I will think that she is right. We all look ahead, this small family, linked together, staring at what may come.

But today, after we sit for the portrait, we slip out the side entrance of a mall. I hold Sekai against my hip, and Nyasha carries the infant car seat. Beyond the doors, thick raindrops plop against the ground, and the musty smell of wet cement tells me to inhale this moment and remember the day. We stand beneath the massive umbrella of awning that stretches over our heads for just a moment before Nyasha suggests I wait while he gets the car. As he sets the baby next to me, his palm brushes against my bare hand. The touch of warmth against the chill creeping through my fingers reminds me of the beauty of all that remains. I watch my husband walk across the parking lot, through the rain, and I think this moment could be hallowed ground.

•••

PATRICE GOPO’s essays have appeared in a variety of publications, including Gulf Coast, Sweet: A Literary Confection, and Creative Nonfiction. Her radio commentaries have appeared on Charlotte, North Carolina’s NPR Station WFAE 90.7. She lives in North Carolina, and she is at work on a collection of essays.

Read more FGP essays by Patrice Gopo.

My Dead Father Shops at Trader Joe’s

ocean man — By Gina Easley www.GinaEasley.com

By C. Gregory Thompson

I see my dead father. Not in dreams, but physically, alive, out in the world. He’s always alone. I’ve seen him numerous times. He seems at peace, not lonely or struggling to understand his fate, his new whereabouts. Not laboring to return to the earthly plane. Problems endured alive, resolved; no longer important. On his own, no one else to answer to, to provide for, or support. Children, ex-wife, and wife number two no longer a responsibility or concern. Mistakes made, unmet expectations abandoned and not rectified. Unfulfilled and incomplete duties not complete and not fulfilled. Pain and sorrow, remorse and apology, lifted. A freedom he didn’t know in life. An aura of wonder surrounding him. He died on April 23, 2009, at age seventy-four, his cremains now interred at a cemetery in South San Francisco.

I saw him while on a Caribbean cruise in 2015. The ship docked at St. George’s, Grenada, and we had a half-day to explore the island. Walking back from Grand Anse Beach I noticed a man sitting on a pylon looking out to sea—my father, Ed. At least, it looked exactly like him. The bend of his back, the slope of his shoulders, the side-view of his face, his gray hair, even the clothes—K-Mart Bermuda shorts, a well-worn tee-shirt, brown leather fisherman sandals; his favored outfit. My father, Edward Willis Thompson. I did a double-take. I stopped and stared, studying, wondering, wanting, and needing. I wanted to go to him, but I did not. I wondered if it could actually be him, knowing—in my rational mind—it was not. In my fantastical mind, wishing it to be truth. I needed the healing that didn’t happen when he breathed.

He sat alone; no one else on the beach or near him. The way he gazed out at the water—as if he was there, on that pylon, permanently. Like he’d found his place to rest, to live out his eternity. Possibly, I was meant to pass him, to discover him there, at his final resting place. So I’d know he was okay, now at peace. The sereneness of my vision of him led me to believe this was the case—a communication from his beyond to my within. And it could have been him. Who’s to say it wasn’t? We don’t actually know where the dead go. Maybe “Heaven” is a favored place from life. The beach—any beach, especially a tropical one—Dad’s favorite place in the world.

Before the Caribbean sighting, I’d seen him a handful of times: in a Home Depot parking lot; in a crowd at the mall; on the street in Glendale, California, where we live. Each time I had the same experience, I thought: Jesus, that man looks exactly like my father. After the third sighting, I didn’t question whether it was or was not. For me, it was. Even if it’s as straightforward as me seeing my father’s corporeal doppelgangers, it was still him. This is not something ghostly. It is something else. Ghosts are fine, I like them, I have no problem with them, but these sightings are not phantasms. And it’s okay. I’m not sure I need to understand or label them. They simply are. I find them soothing and calming. Is he reaching out to me? Possibly.

•••

I was never all that close to my father. My parents divorced when I was five. He left the family and wasn’t around much when my sister and I were growing up. We’d see him on summer vacations, spending a week with him staying at a cheap motel in Avila Beach, California. The days filled with sun, sand, and water—and a whole lot of fun. He seemed to enjoy the time we spent together. He spoiled us rotten by buying us everything we wanted: ice cream at all hours; any toy we pleaded for; cash to spend ourselves. Standard absentee father conduct—making up for ever-present guilt. At the end of the week, he’d drop us off at home, our white skin now a dark brown, temporarily happy, father-sated yet sad all the same. We wanted him to park the car and come inside, return to our mother, to the family.

The vacations ceased when I was eight, the moment he married his second wife, Mabel. She wanted as little to do with us as possible. He went along with what she wanted. A strong-willed, opinionated woman married a weak-willed and lazy man. A mama’s boy, he wanted to be taken care of—the way his own mother had spoiled him. Mabel provided a clean, comfortable home, three squares a day, and her body at night. They had an unspoken understanding. He did what she wanted, and, pretty much—sadly too—only what she wanted. From that point on my interaction with him was sporadic at best.

•••

When he was sick and dying of lung cancer, I visited him in the hospital. A shell of the man I once knew, he recognized me despite his dementia; he knew I was there and was happy to see me. Dying in a hospital bed at the VA facility in Palo Alto, California, his six-foot-four frame, legs twisted yet still gangly long, slid down the hospital bed so his feet dangled uncomfortably off the edge. I only spent a couple of days visiting; there was little to do except be in his presence and pull him back up the bed so he didn’t dangle off—over and over. He’d move, or wiggle, or shift his body, and down the bed he slid. Due to dementia, his stage four lung cancer, and the medications he was on, holding a conversation with him was not possible. Expressing my anger and displeasure for the way he treated us—his two children—would not be happening. Instead, I sat close to the bed and held his hand, or helped him eat ice cream or his lunch or dinner, feeling sorry for him in so many ways. I hurt for him and for myself. I did my best to do the prescribed things a person does for another, a relative, a father, who is in the throes of dying. I told him I loved him. I wish I’d done all of it because I truly felt love for him.

And, I can’t say I felt much either when he died. Mostly, I was saddened by what we were unable to achieve: a loving father and son relationship. A seemingly ethereal idea foisted upon me by societal expectations, out of reach, a dream in our family—but something I still desperately wanted. I didn’t mourn his loss in the accepted ways one is supposed to when losing a loved one. My grief was tied to lost possibility, to what would never be, not to losing my “father,” my “Daddy.” I hadn’t spent enough time with the man for the type of familial intimacy to develop that would warrant true and deep feelings of grief over his loss. To add to my confusion and misery, his wife cremated and interred him without telling my sister or me. There was no viewing, no service, and no burial—at least none we were invited to. Even in his death, we were treated the same as when he lived—excluded like we didn’t belong or exist.

•••

A recent sighting took place at our local Trader Joe’s. Dad was putting groceries into the trunk of a car. I found myself thinking, there he is again. Like before, it looked exactly like him—the height, the build, his movements, the clothes, all Ed Thompson, my father. A rote calmness emanating from him—a task as mundane as grocery shopping joyful. Not a care in the world. Similar to the island pylon resting place, I’m left thinking he’s still in that Trader Joe’s parking lot, still loading groceries into his trunk, over and over, on a continuous, never-ending loop, stuck in time and not unhappy about it in the least. A chore no longer a chore but a happy task. A final resting place or action could be malleable, or exist in multiple places, couldn’t it? The world of the dead not curtailed by human, earthly barriers of time and space.

Observing him, I wondered if he was buying groceries for us. Like this father, the version I saw in the present day, might go back in time, and do the right thing. Was he going to bring groceries to help feed my sister and me? To add to our food stamp-supplied coffers? To remove some of the burdens on my overworked mother? To ease her financial strain? He’d bring the groceries when he came to pick us up for a weekend visit. Like a good father and ex-husband, he’d hand the bag of groceries to my mother and then help us with our suitcases. We’d drive off with him to a motel for another spoil-us-rotten weekend, momentarily forgetting how he wasn’t in our lives. Or, would this be one of the numerous occasions when he didn’t show up?

One of those times, my sister and I, dressed, coats zipped up, suitcases ready, waited patiently by the front door. Then, the allotted time passed and no Dad. Hours went by, still no Dad and no phone call. Our mother tried to locate him by making a series of calls. Her anger with him—for us, for herself—palpable. Coats removed, suitcases stashed, she wiped away our tears, and finally, a phone call came days later. He didn’t have money for gas, or his car broke down, or he had to work, or who knows what the fuck else of an excuse he’d come up with. Not once, but over and over this took place. Our childhood a never-ending, continuous loop of disappointment.

•••

How to explain simultaneous love and hate? Or concurrent joy and anger? Recently, since seeing my dead father out and about in the world, I realized how I felt about him: I loved him and hated him; he made me happy and so fucking mad. I now see my entire involvement with him existed on a yo-yo continuum. He could be the most charming man—father—in the entire world one day—bringing us gifts, taking us to the movies, showing us a good, fun, time. Through a child’s filter he loved us, he brought us happiness, and we loved him back. Followed by a long absence, a cancellation or a no-show when he was supposed to take us for the weekend, or some other equally injurious hurt. After one of these, the tears, the anger, and the hatred bubbled to the surface, polluting the prior felt love. This up and down, love to hate, joy to anger went on all through my childhood, into my adulthood, up to his death.

Buddy—the nickname he earned growing up with four siblings outside Oklahoma City—was a jokester and a kidder; a big, overgrown kid. Bighearted too, generous of spirit, he was kind to small children and animals. Without question, I know a gentle soul resided within the man. Social, he loved people, he loved his family; he had Okie and country blood in his veins. He used to sing Merle Haggard’s lyrics “I’m proud to be an Okie from Muskogee” over and over. And he meant it. From him, I learned to appreciate my Okie heritage. The salt of the earth, hardscrabble people my relatives were and still are; survivors. People and a place he evolved from.

But, there was another side to the man that didn’t jive with the Okie-identifying, softhearted big kid version. Life kicked him in the teeth over and over, and he took the hits. He didn’t fight back. His divorce from my mother. His unintended abandonment of his children. His failed career—stuck in middle management after earning an MBA. His second marriage to a horribly controlling woman. A woman who cut him off from his siblings, from his children, from his friends. The parts of him I hated were the results of him quitting, giving into life: his confusion about right and wrong when it came to us kids, his passivity, and laziness in not doing the right thing or allowing others to decide what he wanted, or even what he felt, and the selfishness all of this manifested. He ended up a depressed, inadequate, and indolent wimp, and he knew he was. And I hated him for it.

I now see the hatred overrides any love I may have felt. It is the stronger of the two emotions, and I don’t know if it is changeable. I have often wondered if it would have been easier not to have a father, to not know there was a man out there in the world, living and breathing, who was my so-called “father”—the man who gave me life. The mere fact he existed and ignored us feels more problematic, difficult, and painful than if he simply didn’t exist or had permanently disappeared. The hurting hurt over and over and over, and it still does. And, once dead, no going back. A door slammed shut, hard, in my face. I’d forever believed there would be enough time to fix it. Then, there was not.

•••

I have a French friend who, when she was a young girl, lost her mother to suicide. She once told me a story of walking along the crowded streets of midtown Manhattan where she lived during her early twenties and passing a woman who looked exactly like her long-dead mother. Her mother she hadn’t seen since childhood. She stopped and turned around to look for her, and when she did, the woman wasn’t there.

I understood why she told me the story. It gave me chills then, it still does now. Was the woman she saw her mother, a ghost, something else? Who can say? It’s not important. For her, it was real. Somehow, the woman who brushed past her and then vanished was her mother. I feel the same about my fatherly sightings. He can be real for me, there in the flesh, if I decide he is. He hasn’t ever come to me in my dreams, not that I remember or am aware of—only in these sightings. Unfinished business, it could be. I suppose we have quite a bit. I wanted something from him he could not give, and I know he was aware of failing my sister and me. I know he felt guilty and remorseful but not enough to fix it. That’s the unfinished business.

No matter the explanation or understanding of the sightings, they bring me comfort. These are unanswerable questions. I accept he might be somehow trying to reach me. Why would I ever not? Why would I cut myself off from that possibility, from any possibility? I wouldn’t and I won’t. After all, who truly knows the truth of what is out there, of how these things work? The dead versus the living. We should all be open, like a conduit, to all of it, to any possibility. Shouldn’t we?

•••

C. GREGORY THOMPSON lives in Los Angeles, California where he writes fiction, nonfiction, plays, and memoir. His work has appeared or is forthcoming in The Offbeat, Printers Row Journal, Reunion: The Dallas Review, Every Writer’s Resource, and 2paragraphs. He was named a finalist in the Tennessee Williams/New Orleans Literary Festival’s 2015 Fiction Contest. His short play Cherry won two playwriting awards. He earned an MFA in Creative Writing and Writing for the Performing Arts at the University of California, Riverside/Palm Desert. He is on Twitter as @cgregthompson.

RePair

tinyhouse — By Gina Easley www.GinaEasley.com

By Gina Cooke

My dishwasher broke. So I’m standing at my sink, hand-washing all of the dirty dishes I’d rinsed and loaded into the dishwasher the day before, plus the rest of what had accumulated since. Doing the dishes always means looking out the kitchen window. In the warm weather, with the window open, I can hear the bullfrogs and waterbirds from down in the creek. Today I’m washing and watching, my rubber-gloved hands warm in the soapy water, Joe’s work-gloved hands lifting broken cinder blocks and chunks of concrete off of the back lawn and onto the trailer, which is hitched to the back of the John Deere.

His arms still bear bruises from the beating he took changing the John Deere’s blades the week before. His shins are scratched from mushroom hunting in shorts deep in the woods, and his right knee is scabbed over from where the guardrail on the bridge gouged him impressively as he tried to climb over it. Last week, he took a weedy thorn to the front of his nose, and it bled and bled and bled, but he said he wasn’t hurt. Now he’s outside my kitchen window, in the fenced-in part of the back yard, bending over and righting himself, lifting and moving one jagged hunk at a time. His black gloves say CAT in big yellow letters. After he has removed the blocks, he mows inside the fence. I go upstairs to get some work done on my laptop, the push mower sputtering in the background. After a while it’s quiet, and he comes in to ask for a burger. I’ve learned to keep ground beef, Swiss cheese, and buns on hand at all times.

I head back to the kitchen and open the fridge, hunting and gathering, tomato, lettuce, ketchup, provolone, that brown mustard that he likes, butter for the cast iron skillet and to toast the buns. I look out the window to see the shorn lawn out back, and Joe in reverse motion now, heaving new cinderblocks off the trailer into a tidy little octagon in the grass, his yellow-lettered CAT hands swinging with each heavy hoist. I quickly pat the beef into concave disks and set them on a smear of butter in the pan. For nearly two decades I was a vegan, but today the sound and smell of sizzling fat and flesh make my mouth water without compunction. Outside, Joe stands back to admire his work: We have a sweet new fire pit in the back yard now. He comes in, washes up, and sits down to his burger and a Gatorade. Purple, low-calorie. His favorite.

There are always a million repair projects around my property. Or maintenance. Sometimes I lose track of the difference. And there are upgrades too. Things that work perfectly well but are ugly or old or otherwise undesirable. I don’t expect Joe to take on everything all on his own. I make calls, set appointments, take care of the household business. I need to have the heating vents cleaned. And several stumps ground out of the front yard to make it easier for Joe to get the mowing done. It’s a part time job, the mowing. A few hours a day, a few days a week, in season, to keep everything sensible around here.

And I had a painter come out the other day to give me a quote on several smallish jobs: My kitchen ceiling has that horrible popcorn texture on it and it’s impossible to clean, so it has this greasy little beard on it right over the stove. Twenty-three years of the detritus of cooking here, ten of them mine. My son’s bedroom needs painting too, and then there’s the trim on the inside.

•••

It used to be that I would come home from work in the late evening to find the house a wreck, my husband and son still in their pajamas, homework incomplete, no dinner or bath or bedtime stories in progress. Upstairs in the master bedroom, my husband would proudly show me the fruits of his day of labor: tiny, elaborate, repeating patterns of flowers and leaves and berries that he had painstakingly painted on the wooden trim around the windows and doors and the crown molding framing the room. He would spend the hours I was at work on a stepladder in the bedroom, choosing and mixing paints and delicate brushes, dabbing dots of gold and silver highlights on his acrylic flora, all the while neglecting the real plants on our small farm and the real boy pinging off the walls downstairs wondering what would ever be for dinner.

•••

The kitchen ceiling and the boy’s room are easy enough problems to solve. The trim is another story. “You could sand it and prime it and paint it,” explained the man through his fuzzy gray beard, “but you’d still be able to see it.” I nodded. “Some days the light will hit it just right, and even with a few coats of paint, those patterns will make themselves known to you again.”

I could imagine exactly what he meant, and there was no way I was going to pay someone to do all that work only to still see those flowers in relief just refusing to die in the afternoon light.

“Call Kevin,” he suggested. “He’ll come in and redo that trim for you, and it’ll be much nicer than what you have now. Get those corners right with a miter saw.”

I think to myself, Joe’s such a real man to be able to lie with me in my big marital bed with that shitty trim and the painted ramblings of an unbalanced mind insistently outlining the bedroom.

•••

My first divorce hearing was scheduled for Valentine’s Day, 2014. We were still living together, but my husband had moved himself to the guest room in the basement. The night before the hearing, the tension in the house was horrific. There was screaming and wailing and it was so, so dark. It finally simmered down to a wretched and tearful talk in the kitchen, just outside my son’s bedroom door. I was exhausted and just wanted to sleep, wanted to be out of my son’s earshot, for crying out loud. I excused myself from further conversation. My husband responded sorely, “I hope you sleep well in the bedroom I made beautiful for you.”

•••

Like my divorce, all these repair projects always cost more than I think they will, and at this point it’s all money I don’t have. In the nineteen months since the sheriff removed my husband from the house, I’ve had to put in a new water treatment system and a new barn door. I bought a new used car on credit—appropriately enough, a Ford Escape. Bought a new doghouse and a new compost bin too.

I put in a security system after my husband broke in. I guess that’s an upgrade, though, not really a repair. I’ve had to replace siding and remove birds’ nests and repair both garage door openers after a bad windstorm. Fixed the refrigerator once and the dishwasher twice; now it’s not working again. I should’ve just replaced it the last time. Sometimes things aren’t worth repairing; it’s cheaper to get a newer, more efficient model than it is to keep sinking money into something that just doesn’t work. I know, I know, that’s how our landfills get full: planned obsolescence. Things don’t always last like they should.

Once Joe moves in, money will be a lot less tight. It’ll be different having a second income in the house after all these years of family breadwinning by myself. He’s not afraid of work. He brings in good money and he’s handy. Strong, incisive, good at figuring out how everything works: people, machines, plants, animals, electronics, toys.

I’ve never once heard him holler at things that get in his way, not even the stump that took out the blades on the John Deere. “There’s no point,” he says. “You can’t reason with inanimate objects.” This property has long felt to me like just a lot of work, but Joe says he’s always wanted to take care of a place like this. I can see that it satisfies him. I hope it stays that way. I’m trying everything I know to make sure that he feels like it’s his home too, even though it’s technically my house. I call it Our House, in the Middle of Our Street. I ask him to help me pick out area rugs and bedding. I’ve made space literally and figuratively: cleaning out closets and dressers, and learning to stop hosting him when he’s here because then he feels like a guest. But nothing that I do or don’t do is really key, because the thing that makes him feel most at home here is working on the place. He likes that John Deere. He was proud of those bruises.

•••

I’ve been known to tell people that owning a home is a lot like being in love: At the outset, it’s all spacious and bright and airy. It looks and feels perfect and seems worth all the sacrifices you had to make to get it. But then you move in and you start to fill it with your crap and you notice its flaws. Spaces fill up. Cracks start to show. New things get old. The dust settles, and one day you look around your place and realize that it’s not only not perfect, it’s a hell of a lot of work. Everything needs repair or maintenance or replacement. So you sand and you prime and you paint, and one day the light hits things just right and those old patterns just make themselves known all over again. An adult lifetime of monthly payments starts to seem a lot longer than it once did.

I also tell people that this home is a dream home, but it was someone else’s dream. I’m a city girl, a third-generation Angeleno. I lived in Paris and Chicago before I married, and I thrived. I never really even imagined myself paying a mortgage, let alone paying for a stump grinder or a John Deere or a barn door. I never dreamed of this place: a big pine-log home with a pitched metal roof and skylights, perched atop hilly green acreage in the rural Midwest. This winding road runs between two small central Illinois towns, and all my neighboring farmers—real farmers—have gone organic.

This place is beautiful, no question, when I take a longer view, when I can see past the claustrophobia of repairs and projects and dust. Out front, I have a porch swing and a healthy ecosystem and a pretty good sunset almost every night. There is no time of year that the view out my bedroom window is not breathtaking, if I look beyond the framework of florid trim. When it’s winter and the air is frozen clean, the early twilight colors the snow on the ground periwinkle blue. It happens every year. I’ve spent a decade in this house all told, long enough to see the patterns emerge.

•••

My husband had two favorite lies, and he told them louder and more frequently the closer I got to divorcing him: One was “you’ll never be able to take care of this place without me,” and the other was “no one else will ever love you.” I’m in my seventh season on my own here now; soon Joe will move in and that will change. It’s a good change, I think. The light is hitting everything just right, and from my perspective, it all seems to be in good repair.

•••

GINA COOKE is a linguist working toward her second graduate degree, a pursuit that has spanned half of her adult life. She lives and works on a small farm in the rural Midwest with her son and her dog. She typically writes about spelling: word histories, word structure, and word relatives. This is her first foray into the personal.