My father doesn’t want the pictures anymore. When he finds them in drawers or old shoeboxes, he passes them on to me—in used mailing envelopes bearing his new address, or in secondhand shopping bags printed with the names of retail stores long defunct, with curlicued fonts that spell names like “Bambergers” or “Gimbels.” When he does so, I am struck by the incongruence of my childhood memories, grouped together in no particular order.
The pictures usually make me cry when I take a moment to look at them later by myself. They guide me back to living rooms in houses long since packed up and sold, to the feel of scratchy rompers and dresses sewn by my mother from McCall’s patterns, and to the smell of my grandmother’s Chanel No. 5 perfume, cloying and comforting on hot July days in Brooklyn backyards. They return me, quite viscerally, to the freedom of childhood summers, to the comfort of love and acceptance craved by an only child and bestowed by a dysfunctional—albeit well-meaning—extended family, to days when what has become would never have been foreseeable or possible.
My parents divorced ten years ago, after more than thirty-five years of marriage. They were high school sweethearts, who amassed decades of memories between them. These pictures are markers of what once was and what never should have been, of what cannot be fixed, and what will never return. So they’re put aside, someplace dark, and tucked away.
I was thirty-five, in my own marriage for nearly ten years, as I witnessed the dissolution of my parents’ union. The small, lacquered coffee table, the Pfaltzgraff dishes, the Christmas ornaments, the kitchen chairs with cane seats—all once merely functional items—were now essential to my mother and father, after passing through their lives largely unnoticed. They were life rafts, and my parents clung to them, alone and adrift, as they became unmoored from the weight of their married life. It was jarring to visit each of them in their makeshift apartments and see the physical objects of our former home, now unmatched and without their counterparts. Tables without chairs. Couches without pillows. Cherished collections, now halved.
The photographs, however, were largely left by the wayside. Who wants the wedding album from the marriage that didn’t survive? Who needs the box of Kodachrome slides from the honeymoon in late-sixties-era Kauai, that Christmas in the first apartment in Manhattan, the first ride in the new car, or the time we went on that trip north to Vermont and stopped along the way for fruit pies to take home? Who wants to remember that there was good there, even if it was only as bright and brief as the flash of light capturing it? Who wants visual proof of the dour, cold faces, the spark gone from someone’s eyes, the distant body language, the signs, all the signs—long before the other had awakened to it?
Most of our family photographs remain in a storage unit that my mother has rented for too long in Connecticut, because she still can’t bring herself to sort through everything. When her promised dates of delivery come and go unfulfilled, I don’t press her for them, out of kindness. My father has a few in his possession, and he offers them to me when he thinks of it. When he does, I discover moments I’d forgotten, or that I had never been cognizant of, given my age in the photos.
There are familiar memories, new to me again from alternate angles of relatives’ cameras. I sift through shots of birthday cakes and party hats, cellophane-wrapped Easter baskets, tricycles with streamers, toys long since lost or sold at garage sales, presents stacked under tinseled Christmas trees, and every-day moments on outerborough summer streets and in backyard pools. There are blurry ones, many poorly framed, with ripped edges and creases. They were captured with cameras that we no longer own — my parents’ old Instamatic with the blinding flash bulb box, from my uncle’s old Nikon, or from the Polaroid we kept for a while around the house.
Sometimes, they humble me as I realize how little we had—and how much there still was to go around. We all lived in close quarters, seemingly on top of each other, in two-family houses and apartments and row houses. We were together. Often. This explains why several relatives often usually weren’t speaking to each other, my desire to have borne my husband more children, and why I yearn for a houseful of people yelling and clattering together on any given holiday.
One photograph will never be returned to me. It’s a vertical shot of me in cap and gown, bearing a broad, white smile, at my college commencement. I’ve taken my glasses off, for vanity’s sake, which ironically worsened my look with the tight squint of near-sighted eyes. I can sense that my father is there somewhere before me, squeezing the shutter button, but I’m not exactly sure of anything except his shadowy shape.
I was the first woman in my family to graduate with a bachelor’s degree from college, and the first person to go away to college at all. My parents were proud of my accomplishments, and of their numerous sacrifices to get me there. After my graduation, my mother had a large print of the photograph framed to suit the decor of my father’s office. It matched the cherry credenza behind his desk, and he displayed it there for several years in his midtown Manhattan office.
When my father’s company moved downtown to the World Trade Center in the mid-nineties, he brought the picture to adorn his new office on the 92nd floor. On September 11, the day the towers fell, he survived because he was simply late to work that morning, and had not yet arrived at his desk.
In the weeks that followed, I thought of the photograph’s journey and wondered what its fate had been. Had it fluttered out to the murky Hudson River? Had it incinerated in the collapse? Would it be recovered in someone’s backyard in Brooklyn, clinging to a chain-link fence and wrongly labeled as the photo of a 9/11 victim? The thought process was my irrational way of distancing from the physical horrors that had occurred. The thought would surface when I could only focus on the chaotic flight path of flimsy photo paper, unable to humanize the abject pain and fear that took place on that day.
Photographs are small truths. They house our past. They help us to remember who we once were, when we have strayed so far from our beginnings.
•••
KATHLEEN MCKITTY HARRIS is a writer and native New Yorker, living in northern New Jersey with her husband and two children. Some of her work has appeared or is forthcoming in Creative Nonfiction, The Rumpus, Literary Mama, Brain, Child, and McSweeney’s. She has also been named as a Glimmer Train Press short story finalist and as a three-time finalist at the Woodstock Writers’ Festival Story Slam. Her website is sweetjesilu.com.
There is a visiting writer scheduled to visit the military hospital where I lead writing sessions with recovering Service Members. I’ve been planning his visit for months. The patients have read some of his stories and are looking forward to this opportunity. Some have even bought their own copies of his book. I was informed, as I was leaving the end-of-the-year elementary school parent social, that the class play was scheduled for the same day as his visit. A few of the mothers were leaning over the granite-topped island in the gleaming kitchen, becoming wine-affectionate with one another. I came in to say goodbye. Thank you so much. I’ll see you next week. Is the play at 5:30 or 6? There is an exchanged glance (I may have imagined this).
The play is at 2:30, Alisha Stoneman tells me, eyebrows raised. That was definitely not imagined.
There had been about thirty minutes of conversation over white wine about how best to simulate a boulder on stage, about whether fake blood would traumatize the children. The husband and wife parent team that sews the costumes for nearly every school play—they are an adorable couple—has been discussing their plans. They both work. They both have important, high-profile jobs. I’m the asshole who didn’t know when the class play was.
Which means I will have to make a choice: class play or veterans. This is how my choices always unfold: birthday party or veterans. Sick day or veterans. Rollerblading, swimming pool, elaborate home-cooked dinner or veterans. I make a plan to have it all: I will leave early, see him through the workshop with the patients who are in the partial hospitalization program, the session I have to be there for, and have a colleague cover the other writing workshop which is open to the entire hospital, including staff.
He’s generous and honest with the group of twelve or so service members in the workshop I attend. Each of them writes about their military experience, even those who are openly angry whenever they are assigned to my writing group. Each wants to share their work. The group is supposed to end at 1:50. I planned to run to my car at 1:55 and make it to the play, which starts at 2:30. It is 2:00 and they are still reading and waiting for the writer’s comments, which he offers slowly and thoughtfully. I can’t leave before I’ve asked them to applaud and thank him, before I remind them to take their work, if it stirred something that will not settle, to their respective mental health providers. I jiggle my leg impatiently, clench my hands and then relax them, remind myself that my job is to maintain calm in the room. When finally we close, it is 2:05. I thank the writer, shake his hand with both of mine and run to my car. It is summer, an afternoon storm has begun, and my drive is delayed by a downpour that limits visibility. I enter the church basement just as the final applause has broken out.
I stand in the back, soaking wet, a halo of frizz forming around my head, and join the clapping. Other parents turn to look at me sideways, sympathetic and judgmental. Glad they are not me. My plastic hospital badge is still clipped to the collar of my dress.
In the third row, my older son Sam is sitting with his father and a woman I recognize (from light social media research with my cousins) as Karim’s girlfriend, who lives with my children half the time, in the house I raised them in and left behind two years ago. Who I have not yet met. Her hair is straight and brushed and dry. She is carrying a Burberry bag and looks more like the other private school mothers than I do.
One of the teachers—who just last week began reading my blog and sent me an email saying she is proud to know me, that Zaki brags about me—leads me to the makeshift backstage, puts her hands on my shoulders, and tells me that Zaki only had three lines, the play was short, that she is so sorry.
You’re better than this, Seema, she tells me while I cry. I wipe my tears, thank her, and face the room of parents milling about.
Zaki is showing Karim and the girlfriend his schoolwork, which is laid out on a table for parents to peruse. Karim is dressed in a blue button down shirt tucked into salmon colored trousers. He is wearing yellow alligator loafers. He glances at me briefly when I approach. He has new glasses that do not suit him. This is a small gift.
Hi, I’m Seema, I say, reaching forward to shake her hand. We haven’t met. I’m Sam and Zaki’s mother. This comes out harsher and more pointed than I meant it to; the emphasis on mother sounds jealous and territorial.
Her smile is nervous. Yes, I’ve heard so much about you. Nice to meet you.
I turn away to make small talk with some of the other mothers. Alisha Stoneman is serving punch. What I need in this room are established allies. What I really want to do is hang out with kids. When I’ve made some loose promises to definitely get the kids together sometime over the summer, I go play with the kids, who are high from the combination of unsupervised cupcake eating and post-performance exhilaration. We are having a dance party on the part of the blue-tiled floor that had been used as the stage. After a few minutes, a teacher comes over to tell the kids to calm down. I don’t know why you think this is a way to behave indoors, She tells them sternly without looking directly at me. You should know better than this. I want to flick her off as she stomps away. I shrug at the kids, who roll their eyes and giggle.
It’s Tuesday, so the boys will be going home with Karim. He and Sam come to where I’m standing and the crowd of children disperses. The girlfriend is sitting in a chair looking at Zaki’s new yearbook, which I purchased, and so should be going home with. The order form came to both of us. If Karim wanted a copy for his house he should have ordered one. This is petty of me, and I know it. I turn to Sam and ask him to just make sure the yearbook makes it back to our house, which, while still petty, seems less so.
This infuriates Karim. Just because you’re standing on a stage doesn’t mean you have to be so dramatic. He walks over and snatches the yearbook out of the girlfriend’s hands and pushes it at me. He turns on his alligator heel and walks toward the door. The boys give me quick hugs and the girlfriend offers her hand. It was nice to meet you, she says before quickly following after him.
She has such nice manners. Where is her mother? Shouldn’t someone warn her?
That night in a lover’s bed, the heat of his body wrapped around mine disrupts my sleep and her face rises again and again.
•••
SEEMA REZA is a poet and essayist based outside of Washington, DC, where she coordinates and facilitates a unique hospital arts program that encourages the use of the arts as a tool for narration, self-care and socialization among a military population struggling with emotional and physical injuries. An Alumnus of Goddard College and VONA, her work has appeared or will appear on-line and in print in The Beltway Quarterly, Duende, Bellevue Literary Review and Hermeneutic Chaos among others. When the World Breaks Open, a collection of essays and poetry will be released by Red Hen Press in March. Pre-order the book here.
We are clearing out his apartment, sorting papers and photographs, and bottles upon bottles of medication when my sister, Rebecca, asks for one more favor. The mortuary has called and said her ex-husband’s ashes are ready for pick-up. Can we please go with her? She isn’t up for a solo trip.
It’s two days after her wedding, which was one week after her first husband’s memorial service. The entire family is still reeling from the juxtaposition—it was all we’d talked about before, during, and after the actual wedding celebration. In conversation we’d put air quotes around “celebration.” We used anger and sarcasm to mask our sorrow and confusion.
Rebecca hadn’t known her ex-husband was going to die the week before her wedding when she’d planned it, of course. She’d gotten engaged almost immediately after the divorce had been finalized, while Charles was undergoing chemotherapy; but she was living with her boyfriend already. We all knew a wedding would happen sooner or later. “But why couldn’t it have been later?” our mother had asked me, crying, the day before the wedding. “Much, much later?”
I had no good answer to give her.
Now, two days after living through the wedding, we go out to lunch first before visiting the mortuary to pick up Charles’s ashes. While we eat Rebecca wants to talk about her wedding. What did Mom think? Did it go okay? I take a big bite of fish and chew, ruthlessly leaving my mother to answer.
“That was the most beautiful wedding dress I’ve ever seen,” our mom says tactfully. She always starts with a positive statement unless we’ve really pissed her off. I shove in a bite of mixed vegetables because the critical portion of Mom’s sentence is about to arrive and I want a physical excuse (my mouth is full!) not to intervene.
Focusing on my food helps me not think about Charles. Two weeks after his death I’m still accustoming myself to not thinking about him. While he was sick, then sicker, then dying, he took up so much space in my thoughts. My life was planned around chemo trips, emergency visits to the doctor or the ER or just the grocery store and pharmacy runs. For the last few months, whenever the phone rang, my heart filled with hot liquid and my fingertips would go numb.
It wasn’t just worry for him, dread for the end; I was so damn tired—it was dread that it would never end that seized me. Sometimes I’d worry that I’d never stop feeling guilt for my relief at it ending and anger for my guilt—it was much easier to be angry at my sister. It is much easier to keep eating instead of acknowledging how I feel at all.
They have stopped discussing the wedding dress. It was a beautiful dress, like something a classy lounge singer would wear in the 1940s. If Rebecca and I had figures even remotely similar—she got the butt, I the boobs—I’d steal that dress, dye it black or scarlet and wear it to her next wedding. But the conversation has moved on from the dress. My mother is expressing her displeasure with the ceremony. “It was all Cheshire, all the time.”
Our family wasn’t included in any aspect. The groom’s niece and nephew sang. The groom’s sister (not our eldest sister) was Matron of Honor. The groom’s family composed two-thirds of the guests and as for those speeches… Well, “inappropriate” is too mild a word. Did Rebecca know that the two of her kids who’d come to the wedding (her oldest daughter flat-out refused) wept through the Best Man’s speech when he’d revealed that my sister’s affair with her new husband had been going on for two years longer than anyone had known?
“I didn’t know the kids cried!” my sister says. Here’s the weird thing, though—she isn’t upset that Mom is displeased with her. Normally Rebecca does not take criticism well. Off-hand comments that our other sister or I would shrug off have been known to send her, this new bride, into her closet to indulge in angry weeping. A chance directive from our mother, something about keeping cats as indoor pets, led to my sister not speaking to Mom for two years. Two years of silence for saying, “Keep your cat away from Rachel, she’s allergic.” But bashing the wedding as inappropriate, liquor-soaked, and hurtful? My sister is fine with it. No, it is weirder than that. My sister seems pleased.
Don’t get me wrong—she’s not happy. She defends the liquor consumption. She defends the inappropriate speech by blaming the liquor consumption, and she defends the lack of her family’s inclusion by offering, “Well, everyone is so sad because Charles died—I didn’t think they’d want to be included.”
Choking laughter overtakes me. I cover my mouth with a napkin. My mother slides my water glass closer, and my sister pats my back. I laugh harder. Tears are running from my eyes. They start to laugh, too. Other restaurant patrons are staring.
None of us wanted to be included, I don’t tell Rebecca. None of us wanted to fucking be there at all. Her daughter was the only honest one. We’re all wiping our eyes now and we don’t have to say anything.
We don’t have to say that we are angry that my sister remarried a week after her ex-husband’s funeral because she knows. I don’t have to say that I’m laughing because her reasoning is always so self-centeredly skewed because they both know. She doesn’t say that she’s pleased that Mom is unhappy with her and critical of her wedding and her general behavior these last few years because we know. Rebecca knows that we forgive her and she knows that we forgive her because we know that she is never going to forgive herself.
After a lunch like that, it’s understandable when we get in the car and Rebecca starts it, she has a brief freak-out. “Oh my god! I don’t know where we’re going! I mean, I know where the mortuary is, but not how to get there!” There is a shrill lining of panic around her words, and the air in the car tastes like chewing on aluminum foil.
Our mom pats her shoulder, not knowing what to say, what directions to offer, but recognizing panic. I back-seat-drive to the location. From spending time with Mom when she lived here, as well as Charles, I am more familiar with Hemet than my sister.
It’s an ugly city. The cracked, ill-kempt streets are laid out in a tidy grid, but it seems that if one drives too far in any direction, one hits the same boggy agricultural field. The air is brown and fetid from smog and pesticides trapped in this weird little valley populated mostly by the elderly. Traffic is both slow and erratically dangerous. Sometimes in my dreams, I drive the city’s streets, a sick animal in the backseat that I can’t clearly see or reach to comfort, its whimpers of pain forcing me to wake myself up to avoid crying myself.
When we reach the mortuary, there is an atrium filled with birds. A faux-desert scene houses little pheasants, and tiny roadrunners wander forlornly, glassed in on all four sides. They can never not be on display, but Rebecca is happy to see them. She likes birds. Watching them calms her. We wait in a musty room. I poke around, examining the literature, how the place is decorated, and what is stored in the credenza against the wall (mostly off-brand tissue boxes and religious bookmark looking things I don’t understand). I am writing a novel that is set in a mortuary; I can use this.
A man comes and shows us to a room where a wooden box sits on a table, shrine-like. We all back up. We put our hands behind our backs. No one wants to take it. We engage the man in conversation, admiring the box without actually looking at it. We all three flirt with the man; we are expert flirters. My mother and sister share a flirting style, I see for the first time. They cajole and flatter; there is a tone in their voices not normally heard, like jollying a petulant child out of his mood.
Finally, Mom tries to take the box. She is the brave one. It is too heavy for her. I help the man set it into a red velvet bag and he puts in into my sister’s arms. She does not look comfortable with this. We walk out to the car and I get my mother settled in the front passenger seat, and my sister sets the bag containing the box on my mother’s lap. My mother rhythmically pats it, as if comforting a fussy baby.
Mom agrees to take the box home with her and put it in her closet next to our stepfather. They can hang out. No one mentions that they never really got along while they were alive. At Charles’s sadly empty apartment, where Rebecca drops us off and Mom and I climb into my car, I belt the box into my back seat and start home.
Mom is unusually silent. This is understandable, I think, and a bit of a relief after the tense day. Up in the mountains she says, “You’ve come full circle. You were his ride when he found out he was sick. Now you’re his ride home.”
We are in the highest part of the mountains. We have been climbing the twisting, looping, steep, two-lane road, and then the top opened up to a stunning view—any way we look is stark California mountain. Here, on this flat opening amongst them, we seem higher yet still protected by ranges surrounding us.
I pull over because I can’t see out of my tear-filled eyes and am having trouble getting air. I’m parked on the side of the road, gasping, feeling like I’m about to vomit. My mother is apologizing and I look out the window and realize where I am. This is where I stopped to talk to Rebecca on the phone that horrible day. This is where I talked to Charles after her, reassuring him it wasn’t all a nightmare, the cancer wasn’t a mistake that my sister had the power to make him “take back.” Years before that, this is where I used to stop and vomit when my body was flush with hormones, natural and injected during my decade of infertility treatments. I am beginning to hate this beautiful spot.
“I am ready to go home,” I say. “I am ready to be done.”
2.
My sister puts her head through the open passenger side window and says, “My husband was always a pain in the ass. Why should he be any different now that he is dead?” And she gestures to the backseat where the wooden casket containing his ashes has been sitting all this long, hot afternoon, carefully belted in.
This is the fourth stop we’ve made in our search for a decent spot to illegally scatter his ashes. Charles chose this road in a remote part of Riverside County, telling everyone who’d listen he wanted to be “thrown to the wind” here. But he never went into specifics. He never said exactly where, he never said why, and we’re wondering if maybe chemo brain was responsible for his decision because this is a damn-awful place to drift into the wind.
August is the worst of the summer months in Southern California. June and July have sucked any moisture gone, so August is lip-cracking dry and the intense heat casts a yellow glare over the afternoon. It feels like the sun is personally angry at us, driving all over these dusty roads, and has persuaded the wind to join him in tormenting us as it swirls and eddies in mini-dirt devils, flinging gravel at our toes exposed by inappropriate sandals when we dare to leave our vehicles.
The first stop we made was above a house surrounded by dead cars and some very mean looking dogs. The second stop was next to a gun range where armed rednecks were actively shooting. The third stop, we realized was outside of Charles’s specified location and his three grown children got into an argument over whether proximity mattered.
This fourth stop is a dirt fire road clinging precariously to the side of a slippery, dusty mountain, ruts and boulders line the edges. We are caravanning and my sedan doesn’t fit on the road. I am perched half in the two-lane, busy highway. My elderly mother is in the passenger seat. Even with the a/c turned all the way up, she is red and sweaty.
“Are you getting out?” Rebecca asks. I think our mother is about to cry.
“Take the ashes,” I tell my sister, leaning into the backseat to pop the seat belt loose. “I’m taking Mom home.”
“You’re not staying?”
“We’re not?” Mom asks, and she smiles at me in relief. Her back is to my sister, who doesn’t see the smile.
“I can’t drive up that road, Mom can’t walk it, and look at her”—Rebecca does and my mother flips open the visor mirror to see herself. “I think she has heatstroke. She’s seventy-four. She’s too old for this shit.”
My sister laughs while my mother nods seriously. “I am too old for this shit.” She starts to cry and my sister hugs her through the open window and kisses her goodbye.
My sister won’t take the ashes. She calls for her middle child, who calls for her boyfriend to carry the pretty little casket. I loan them my pocket knife. They look confused.
“There is a plastic zip tie on the baggy inside,” I explain. “You’ll have to cut it loose.”
I discovered this at the first stop when everyone except my oldest niece’s husband ran to look over the edge of a cliff rather than deal with the ashes. My nephew-in-law, a sweet boy from Kansas, only shrugged when I snarled, “Why the hell are we the ones dealing with this?”
I was shocked out of my irritation by the contents of the baggy. What had once been Charles was now strangely dry, chalky dust with surprisingly large shards of bone in it. I shifted the sealed bag in my hands, listening to the rustling, slushing noise, examining the end sum of my friend. When I was growing up, Charles was so handsome, he was the standard by which I judged all male beauty. Now that beauty, whittled away by his cancer, is reduced to the contents of this gallon-sized plastic bag.
There was one shard of bone, not quite arrowhead shaped, a littler smaller than my littlest finger. I planned on slipping it into my pocket when no one was looking. I wanted to keep it. I wanted to carry it in my mouth.
But Charles’s children decided to move on—they didn’t like the junk-yard look of this stop and I had to force the ash-baggy back into its covering box, shaking it roughly like a colander of pasta to make it fit. Several family members watched, but no one offered to help.
By the fourth stop, by the side of the road, I am ready to hand over the ashes. I am ready to go home. We call good-byes and love-yous out the window and drive away. “I’m sorry to make you miss it,” our mom says.
“I’m not,” I reply. “I’ve done what I could. I did what I could for him while he was alive. My duty is to the living. You look like hell.”
“Gee, thanks,” she says and points the last air vent at her face. All the air vents now hitting her, she rummages in my purse.
I place the back of my hand on the hot window at my side. “I’ve done what I could,” I say, but to myself.
My mother pulls a red lipstick out of my bag. “How ‘bout I put on some lipstick and you take me out to dinner?”
“All right,” I agree. A cool, dark restaurant would be soothing. My hand is still on the burning glass.
3.
We are sitting around Rebecca’s new kitchen table, eating lunch, reading aloud from a book about healthy cholesterol levels, when she expresses how angry she is at her husband. My mother looks up. “Which one?”
I laugh. My sister does not. Her face is tight, but then crumples as I watch.
“Charles never did anything to help himself and then he got sick and his family never did anything to help and never brought his father to see him before he died. And his bitch sister had the audacity to hint to my little girl, at her daddy’s funeral, that we should reimburse Grandpa for the money he paid to the private nurse.” Rebecca is crying so her speech is almost unintelligible, and her “little girl” is twenty-five, but I take her point.
Our mother cries in sympathy. I bring them tissues and make cups of tea and pat them on the back occasionally. I don’t cry. I am tired. I think about the shards of bone in the bag of chalky dust that used to be Charles. I think about my stepfather’s ashes in the pirate chest in my mother’s closet. I remember that my mother has filled in paperwork naming me responsible for her ashes when the time comes. I wonder who will deal with my chalky dust when I am dead.
On the drive home my mother asks if my sister does that often, cries out of anger with her dead husband. I think Rebecca must clean up her emotions when talking to our mother alone.
“She didn’t deal with her anger at the time,” I say, feeling enlightened. “She took off. So she’s gonna have to deal with that for the rest of her life.”
“You’re right,” my mother nods her head, begins to cry once more. “You’re right.”
At that moment I see a Starbucks up ahead. I’m about to offer to pull in, buy a vente pumpkin spice latte (damn whatever the seasonal cut-off date might be) to cheer her up, but then I remember that it’s my mom in the car next to me. My mom hates Starbucks and doesn’t drink much coffee at all. It isn’t her panacea. Now who is confused? Now who is angry? Now who is unenlightened?
Months later, my throat feels choked when I see a Starbucks. I want to go in and order a pumpkin spice latte, but I want my brother-in-law back with me. I want him healthy or at least not actively dying. I want the coffee klatch to be for fun, not a treatment for the chemo shakes and sickness. I want too much, I know.
I have a terrible suspicion that I will never be able to drink coffee again. I am angry about that. I am angry about a lot of things. I am okay with this anger.
•••
SARA MARCHANT received her Master of Fine Arts in Creative Writing and Writing for the Performing Arts from the University of California, Riverside/ Palm Desert. Her work has appeared on The Manifest-Station and Every Writer’s Resource. She lives in the high desert of California with her husband and varying amounts of poultry.
My only job for the next few hours is to stay in this small home in the outskirts of Seattle with my ninety-one-year-old father and make sure he doesn’t start a fire in the kitchen or wander away from the house he built himself, but now doesn’t always recognize. Every other Thursday, I show up here to give my stepmother a break. Dad seems more confused every time, but his wife, Donna, says that he has good days and bad. I like to take him out to lunch or for a drive, but today Dad is tired and wants to stay home. He’s asleep now, his recliner tipped back and a quilt covers his long legs, even with the thermostat set at eighty-five degrees. A scrawny slippered foot dangles out from under the blanket; a gnarled hand grasps the quilt’s edge. From the sofa across the living room, I look up from my book every few minutes to watch his chest to make sure there is still movement. I’m petrified that he’ll die on my watch.
Behind Dad’s chair is a floor-to-ceiling window overlooking North Seattle’s Thornton Creek, and a forest of alder trees. My father designed this A-frame house for Donna soon after they were married in 1965. The small rooms are uncluttered: my stepmother’s piano against one wall, a few stacks of books. A seashell collection is arranged next to pictures of their thirty-eight-foot sailboat on the coffee table. Although for years a visitor would find no evidence of my father’s children here, these days, there are also photographs of my sister Linda and me on the kitchen counter labeled with our names, so that Dad will be able to place us in case we stop by.
Dad’s normally thin frame has become skin and bones, his slacks cinched in at the top with a belt on the last hole. When he goes outside, he uses a cane, or sometimes a walker, but in the house he hangs on to the wall or the back of the couch, lurching from one stationary object to the next across the room. Around noon, when he rouses for lunch, I’ll watch each precarious, rickety step he takes from his chair to the kitchen table, and whisper under my breath, don’t fall, don’t fall.
Dad can still recite stories from his distant past; snatches of childhood are sometimes clear in his mind. More recent information becomes confused, bits of one event merging with another. Faces become indistinguishable. One day he might see his deceased brother in the room, or I might register in his brain as his mother or his wife.
I wait for the moments when I’m me. Over the years, I’ve longed for time alone with my father. I’ve called him on the phone once or twice a month for decades, but Donna invariably picks up the extension to join the conversation. Back before his mind went, he and I occasionally arranged to meet for lunch at a coffee shop. She came along. Now, when I finally have my father to myself for a few hours, he will no doubt wake up from this nap today, look at me quizzically and ask, “Who are you?”
•••
Before my parents divorced in 1961, my family lived in this same neighborhood, the one where my dad and Donna live. On the way here this morning, I took a detour and stopped in front of my childhood home. Dad built that house, too, overlooking the same creek and woods. For years I’ve avoided driving by the old place; too many memories. But on this day I felt compelled to see the home where our family started out.
Back in the 1950s when we moved into our house in the suburbs, this was a new development teeming with young families. I ran with a pack of kids around my age, splashing in the creek and racing on our bikes. Our dads, mostly salesmen and small business owners, barbecued out on the carport, while our housewife moms sipped cocktails on the patio.
I remember my mother in an apron, singing as she cleaned the house. Showing me how she walked the runway as a part-time model for the Ship ‘N’ Shore Blouse Company. My dad, the jokester, hung our clothes in the branches of a tree outside our house if my sister and I left them on the floor. He owned a construction company, and between jobs he took on the task of packing our sack lunches and getting us to school. On those days I peered into my brown bag with apprehension, expecting to find a raw potato or a lemon, waxed paper between the bread of my sandwich. He didn’t like to discipline; instead, he commiserated with us behind our mother’s back after we’d been scolded. He was stingy with that part of himself, and with his time, away for long stretches working in other cities or out on his boat alone.
If I turned left and headed west down a short hill, I’d end up where my mother’s lover Bruce once lived with his wife and their three children. Back when I was seven, when I was eight and nine, I was oblivious to any friction between my parents, though plenty existed. My mother’s infidelity might have triggered their split, but based on the rigor with which she clung to her bitterness toward my dad, I believe she had her reasons for being unfaithful. All her days, she held fast to anger, the only emotion between my parents for a good forty years.
My sister Linda severed her relationship with our mother ten years before Mom died in 2001, and, in the last few years, has done the same with our dad. Maybe Linda can’t face our parents’ aging. Or she may have decided peace of mind is possible for her only if she’s shed of her family. She’s lumped me in with our parents and refuses to speak to me about it, so I have lost my sister, too, at least for now.
On this day, as I drove to my father’s house to face the deterioration of his brain, his slow fade from life, I asked myself why I still try to connect with him. Do I think caring for him will fill a hole in me, created when I was ten, twelve, fifteen, and he repeatedly left me behind? Am I bound to him by blood, no matter what has happened in the past? Why can’t I turn away like my sister has and wash my hands of the whole sad and messy process of death? Am I still the child who wants the thing she can never have, or is what I feel simply a daughter’s love? The only way I know to find the answers is to look hard at my memories of the fifty years since my parents’ bitter divorce.
I drove on then, east toward my father’s place, past houses where my playmates once lived. There are no signs of children in the old neighborhood now, no bikes in the yards, or basketball hoops mounted above garage doors. I should have expected these changes, after so many years. But I was surprised to see those barren streets, the graveyard of my childhood. I stepped on the gas, and looked at the road ahead.
•••
When my father wakes, I watch him try to figure out where he is. His eyes scan the room, and he blinks and shakes his head slightly before he asks the inevitable question, “Who are you?” Once I say my name, he smiles at me, relieved. In ten minutes he might decide that I’m Donna or his mother. He’ll need to be told many times why I’m here, that his wife is out shopping.
I take the sandwich out of the refrigerator that Donna prepared for him before she left—she knows better how to make it the way he likes—and warm up some canned soup. He ambles over to the kitchen table and lowers himself into his chair. I put his lunch in front of him and kiss the freckled top of his bald head. He smells of Old Spice, same as always. He thanks me, calls me “honey” so he won’t have to conjure my name.
While he eats his lunch, I show him pictures of my children’s families—his great-grandchildren—and try not to be hurt when he recognizes no one. He points a crooked finger toward a hummingbird hovering at the feeder outside the kitchen window. Along the windowsill are cards that he and Donna have saved, with pictures of boats on the fronts, or special notes inside, mostly from relatives. All but one or two of his friends have passed on.
I ask him about building this house all those years ago on what the city considered an impossible lot; the place sits on a steep hillside and is supported by wooden braces. He’s pricked by memory and recalls details that surprise me. He tells me that he built two houses in this neighborhood but lost the other one in his divorce. “I guess she sold it,” he says, forgetting that “she” was my mother, that our family lived in that house together.
I mention nothing about the past; instead, I pull my chair around to sit next to him. I lay my head on his shoulder and take his hand. We sit for a time. The only sound is the creek rushing past, the occasional birdsong from the woods. I point in silence to a fat squirrel, and we watch him scramble up the side of an alder and fling himself like an acrobat at a neighboring tree.
Then Dad clears his throat and says, “You know, honey, your ma and I didn’t plan for things to turn out the way they did.”
Startled, I lift my head and look into his momentarily lucid eyes. I find myself willing him back into his fog; the memories he might dig up are painful, and in that moment I want him spared. Or is it me I want to shield?
“I know, Dad,” I tell him before he forgets again. “I know.”
•••
JOYCE TOMLINSON is the mother of four and lives in Seattle, Washington, with her husband of forty-three years. She received her MFA in Creative Writing for Pacific University, and her work has appeared in The Gold Man Review and in We Came to Say, a collection of essays. She is working on a full-length memoir about learning to accept human flaws and frailties, including her own.
We go to see a counselor. Karim will not accept that he should see someone for his anger, but he agrees to couple’s therapy. I’ll take what I can get. Based on the bio on the office’s website, it appears that the primary focus of this therapist’s career has been on issues of gender identity and homosexuality. But she is available on the day we need, and I don’t want Karim’s compliance to dissipate. Lainey has short hair, thick wire-rimmed glasses, black socks, and orthopedic shoes.
Karim tells the story of spanking Sam with a shoe in our hotel room on our vacation. Of telling me, when I stood between them, I have another shoe for you. In his retelling, Sam pushed his brother and sent him flying headfirst into the wall. He could have seriously hurt him. It was unacceptable.
I see, Lainey says. So you wanted to make a strong statement.
Yes. And then Seema challenged my authority in front of the kids. I got mad. I shouldn’t have said that to her.
It seems so simple, so reasonable explained this way. I wonder if I’ve been overreacting all along. Maybe we’re not so badly off. Maybe we just have a few little issues.
She asks Karim, Why do you want to stay married?
Because of the kids. And she can’t afford to be on her own.
She turns to me. Seema, what do you think about that?
My teeth are white, my hair is thick. I know this man, know that he loves me. I laugh. That’s bullshit. I’m an excellent cook and the sex is fantastic.
•••
For the rest of the summer and into the fall, we see Lainey nearly every Monday evening. Lainey prods us to say kind things about one another and encourages us to implement date nights.
In October, after the push that changed my perspective, that shook me from my slumbering pretense, we go back to see Lainey. I’ve decided that I’ve outgrown the fight. Now, he begs me to visit the therapist one last time. I agree, taking along a ball of wool and knitting needles. We sit in the now familiar office, meeting at our regular time, but days are shorter and the room is darker than usual. He begins to talk, and I begin to knit. He catalogues my crimes: making him jealous at seventeen, rekindling a friendship with an old boyfriend at twenty, disliking his mother from the start, dancing with another man at a nightclub one night. He tells it chronologically, has clearly been rehearsing this narrative—collecting the evidence.
Several times anger rises up from my core, forces my mouth to fall open, but I knit more furiously, shut my mouth. I am determined to give him this opportunity. After thirty minutes, Lainey interrupts him. The clock is ticking; he needs to wrap up. He moves to my most recent crimes: not believing him when he said he didn’t make romantic advances toward my friend, forcing him to have to push her because he felt backed into a corner, because he thought we were ganging up against him. Forty of our fifty minutes are up.
Lainey looks at me. Seema?
I look up from my knitting. I let it fall to my lap, push my glasses up. I take a deep breath. I’m done. For a moment, I consider responding to the accusations he has made, defending myself, reminding him that he has left out his responsibility in all of it. But the feeling evaporates with my exhale. I don’t want to do this anymore.
Okay, she says. Let’s talk about divorce counseling.
•••
Afterward, Karim is livid. How could she have given up on us like that? What kind of counselor is she? It’s your fault. Why were we seeing a social worker anyway? He goes to see a therapist on his own, and he tells me that therapist said we shouldn’t get divorced. That therapist thinks that Lainey was wrong to have told us what to do.
She didn’t tell us what to do. I told her I was done.
You told her you were done after she told us to get divorce counseling.
The order of things is always uncertain with us. He remembers it one way; I remember it another.
•••
SEEMA REZA is a poet and essayist based outside of Washington, D.C., where she coordinates and facilitates a unique hospital arts program that encourages the use of the arts as a tool for narration, self-care, and socialization among a military population struggling with emotional and physical injuries. Her work has appeared The Beltway Quarterly, HerKind, Duende, Pithead Chapel, and McSweeney’s Internet Tendency. When the World Breaks Open, her first collection of essays, is forthcoming from Red Hen Press.
In the early mornings of the spring that I turned twenty-nine, I drove on a stretch of Ohio’s Route 68 to work. I liked it best when the road showed up for me alone, when I could steer in a kind of solitary silence from village into county, from Epic Books and Ha Ha Pizza to the stoplight on Cemetery Road, then past pastures and swaths of farmland and the occasional framed house onto which the sunlight warmed the lives of families rising into day. I had known the road so long—not just the yawn of corn and soybean fields, but also Young’s Jersey Dairy with its red barn and white fence; Ebenezer Cemetery with its crumbling cement wall; the turnoffs for Sparrow, Collier, and Cottingham roads; even Walt’s, the junkyard where the highway doglegged—yet that spring I studied each moment of the way as if remembering it well meant that I could somehow keep it.
Back then, I wanted to believe in beginnings, but I can see now that I held onto the ends.
•••
Corazón: the Spanish word for heart. The admissions receptionist, Joann, had scrawled the international student’s name—Miguel Corazón—next to mine on the interview sheet for later that May morning.
“With me?” I asked Joann.
“He said he was from Torreón, Mexico,” she said. “He asked for you.”
“Because I know Spanish?” (I’m half-Mexican. My relatives live in Torreón.) “Does he know my family?” Another Wittenberg University admissions officer typically handled foreign applicants.
Joann shrugged.
“Well,” I said, “then I’d better get ready.” I plucked brochures and an international application from the shelves and settled in at my desk, right off the lobby.
I had worked in this very office from my freshman year until graduation then returned years later to my alma mater for full-time work. But in three months, I would be giving up this job, my home state, the places where I belonged, to move to Chapel Hill, North Carolina. My fiancé, Bill, refused to stay in Ohio, where he had come only to earn his master’s degree, and I had acquiesced to leaving, even though my chest tightened when I thought about it. When I was twenty-nine, I believed that surrendering what I wanted for the sake of someone else was the cost of love, and that I should bear it.
•••
Through my office wall, I could hear Joann’s muffled voice mingled with a deep one. Apparently, Miguel Corazón had shown up early. I was sitting at my desk, talking on the phone, my back to my door when I heard it open, and Joann say, “You can sit down, she’ll just be a minute.” Always, I met prospective students out in the lobby, but I hurried off my call and only after hanging up did I then swing my chair around and rise to meet—
I froze. The words I’d begun to say hung mid-air.
From his chair, Michael rose, too, like an apparition ascending from memory.
* * *
For the appointment, as a ruse, and to back up his false claim of hailing from Mexico, Michael had used the Spanish version of his first name, and Corazón in place of his last.
Five years earlier, Michael and I had fallen in love. After only a few months, I wanted to marry him, move across the country for him, never be apart. I spent much of the first part of our relationship longing for not just a ring, but to come before the stack of priorities standing between me and first place: his research, post-graduate school goals, his solo life plan that only vaguely—perhaps later—included me. Eventually, I had fled to Mexico to teach, and when this propelled him to propose, I turned away entirely, no longer sure of who I was or what I wanted. It was easier for me, by then a mere twenty-five years old, to move on alone than to figure all that out with him.
In the years that followed, when I was twenty-six and twenty-seven and back in Ohio, Michael had shown up. One time he drove eight hours from DC through a snowstorm to see me; another time, when I was lonely and depressed, he drove two hours from his hometown in Indiana, where he was staying for the summer, to take me salsa dancing. He wrote me letters, even when we had just talked or seen each other. Over the years, he’d given me a book of Neruda love poems, a picture frame with blue flowers pressed beneath glass, a bird feeder. His biggest gift, though, was a sacrifice: Michael put off a semester of his Ph.D. program in Nebraska to live closer to me. He had gone to great lengths to show me that I came first, but I had told myself, repeatedly and with admonition, only foolish girls believe a man will change.
Until he showed up in my office on that warm and clear May day.
* * *
Michael stood before me and grinned, clearly proud of having flown in from Nebraska and surprised me. We had been in contact, but eighteen months had passed from the time that we’d last seen each other to the moment Joann led him to me. My hands trembled because I was happy to see him—and aware I shouldn’t be. He knew about my engagement. This fact stood between us, arms folded across its chest, and shook its head.
The best that I could blurt out was, “What are you doing here?”
He laughed. “I wanted to see you.”
A few moments later, I said, “If you’re here to change my mind, I won’t.”
He didn’t hesitate or blanch. His impeccable posture alerted you that this man held few, if any, doubts about anything he set his mind to. He looked me straight in the eye. “I only want to see what’s possible,” he said. Then he asked me to lunch.
We walked across campus in the brightness of the late morning light to the student center cafe and found a table by a wall of windows. We laughed and lingered as if we were undergraduates and had all the time in the world for big choices and hard lines, as if none of those things mattered now. Later, we rambled around Wittenberg, eventually settling on a bench overlooking Myers Hollow, near the slope I had slipped down after an ice storm my freshman year before smacking into a tree.
For a minute, we stared out onto the hollow.
Ever fearless, he broke the silence. “Marry me,” he said. He reached into his pocket and pulled out the same ring he had, four years earlier, offered me. Except now, instead of a diamond in the setting, a green stone the size and color of a pea perched on top.
As he looked at me, I studied him: his blue eyes I remembered squinting at me in the dim morning light before he would reach for his glasses; his freckles that faded, forgotten in winter, but that would sprinkle across his nose and cheeks when flushed out by summer sun; his bushy brown hair, unruly after sleep, that could be tamed with water and a comb.
Finally, I said, “I can’t.”
“I don’t believe you,” he whispered, almost to himself.
“I won’t,” I said. The words tasted metallic.
We sat in silence and let the sun break against us on our bench and let the gap—between now and his flight back to Nebraska, between now and my future husband and married life in North Carolina—get a little narrower.
Then we ambled, taking the long way back along the hollow’s edge toward the place he had parked. We descended via a tree-lined path veiling us in shadow and emerged into the glare of sun and asphalt. When we embraced goodbye, I held onto him longer than he held onto me, and when I stepped away from him and toward Recitation Hall, toward my office and the life I knew, I had to force myself to do so, to train my eye on the glass door, push the metal bar that spanned it, and go through and not look back.
He left me the little gold ring with its pea stone, and it burrowed into my pocket, planting itself deep: a seed of doubt that would grow and grow.
•••
Three and half years later, in late and cold November, my marriage disintegrated into the fifty percent statistic I had sworn that I’d never belong in. It would be a lie to say that I’d been in love with my ex-boyfriend during my marriage because I had not, but his big love, big gestures had become the ruler against which I—however unfairly—had measured every disagreement with Bill, every incident in which I felt not loved enough. I mourned not just my impending divorce but what might have been, had I only chosen differently.
A few months earlier, Michael had moved from Nebraska to North Carolina, but I had found this out only weeks before the divorce decision. I’d discovered through a mutual acquaintance that he lived a mere twenty-five minutes away.
In late November, I wanted to go right to him, but the grief of my marriage ending clouded and rumbled in my chest. I knew, too, that grief passes, that it is only weather in the vast sky of the heart.
In early January, I asked Michael to come over. He showed up with a loaf of bread that he’d kneaded and baked for me, with all the ingredients he still remembered I loved: whole grains, seeds and nuts, and plump, black raisins. Just as he had years earlier, he took me to a salsa club that night, and I clung to his hand as he twirled me, as if we could wind back to where we had stopped and start again. Just as before, he gave me gifts as the weeks passed: a white cotton top with three-quarter sleeves and a buttonhole neckline; the fragrance of gardenias, a bouquet on my front stoop; a white colander; a brown umbrella with faces of dalmatians and cocker spaniels splashed across the fabric. But unlike before, he had become born again, and now he threaded Bible verses into emails and letters and tried to stitch me back together with Jesus’s words.
Although my spirituality was private and quiet and rested in a God who favored heart over creed, I didn’t say no when Michael asked to pray out loud with me; I didn’t say stop when he offered biblical passages as balms.
Without the physical intimacies and commitment of real couples—because of his religion and because I was still emotionally reeling from the divorce—we became, still, devoted to each other. I drove him to Lasik surgery and nervously thumbed through magazines in the waiting room. I helped haul his truckload of furniture into his new house, and together we painted a clean coat on each wall. It was he who steered the car through hordes of I-95 traffic to whisk me to DC for a weekend and to point out landmarks and pick restaurants. It was he who rubbed my back the day I officially divorced, when I wept face down on the bed, boring into a pillow. And it was he who sat beside me as the mortgage broker shuffled refinance papers across the desk for me to sign, the pages stacked like a book that I could not bear to read alone.
God, I loved him. He resurrected me.
But our differences sank into my belly. At night I felt them, cold and hard and unmoving. I thought the world was too big for only one religion, so we argued about how many paths led to God and about interpreting the Bible literally. I also conjured up hypothetical questions to test how he would prioritize his beliefs in relation to me; I know now that I was really testing his love. I asked inane questions like, “If you and I were married, and you believed God wanted you to go live in Africa, even if it meant leaving me behind, would you go?”
In the end, Michael always said he would have no choice but to do whatever he thought God or Jesus wanted him to do, but that God would not ask him to do something that would harm our relationship.
You’re stirring up trouble, I chided myself, and for a while I stopped peppering him with questions I didn’t want to know his answers to.
Then one night over the phone, I prodded more about his beliefs, poking a fire I knew that I could not contain if the flames leapt. I thought about all of my gay and lesbian friends, and I jabbed the topic open. He told me that homosexuality was a sin, and I asked him how he could make such a judgment. He said that he was not making that judgment: God was.
Suddenly, I wanted to dampen all of it, and I flooded him with questions until I found a concocted safe and middle ground: yes, he loved all people, straight or gay, and though he did not think gay couples should be able to get married or adopt, yes, he thought all people were equals.
Though I cried when we hung up the phone and lost my appetite for a day and a half, I clung to the word “equals.” I reminded myself he had always been nothing short of welcoming and warm to all of my friends, and I convinced myself that the place where he stood and where I stood were not so far apart, that if we both leaned toward each other, we could still touch.
It was spring by then, the season of possibility.
•••
This was not the first time our views had clashed, that we’d tried to convince each other of our rightness, of the other’s implied wrongness.
Over the years, Michael and I had argued about little things—the safety of microwaves, whether eating organic fruits and vegetables was really better for you—and big things: whether we should get married, whether we should break up, and (after we had finally ended our relationship, back when I was twenty-five) whether we should get back together. This last disagreement endured more years than it should have. Sometimes we had talked about it; other times, I had avoided the talking, and in doing so, I must have hurt him more by what I did not say.
If you have ever not felt loved for exactly who you are—by someone who professes to—then that love is the one thing you will seek. After my divorce, I craved it as if my life depended on it. But he must have, too—not after my divorce, but in all the times he had shown up in my life and asked me to try again, long before I married or had even met my ex-husband, in all the times we had both been so young, so free to choose each other.
One time he had called to check on me and rescue me from loneliness when I was twenty-seven and living in Oxford, Ohio. He was spending the summer just two hours away in his hometown in Indiana, and he felt like a lifeline.
“Come on, Shuly. We’re going dancing,” he’d said when I picked up the phone. A statement, an urging, not a question—so rarely a question from him—something I both loved and resented.
I had given in. It was so easy to give in then. I changed from shorts and t-shirt to blouse and skirt, and when he arrived at my door, I followed him out of my apartment, down the narrow hallway and stairs and out to the parking lot. I got into his car. He could have driven me anywhere that night; I would have gone.
I let the air blow onto my face through the half-down window as he drove, as he stole me from Oxford. How I wanted to be stolen. He steered and gunned the engine toward highway and Cincinnati and city lights, away from small town, small apartment, what felt like such a small life. I do not remember where exactly we went salsa dancing, but if I close my eyes, I can feel the weight of his hand in mine on the dance floor, and his touch on my back as he led me in turns. I can taste the sweetness of the vanilla frozen yogurt he bought me afterward, something he had done dozens of times when we had been dating and had strolled along the gritty sidewalks on Ohio’s summer nights.
I remember that I laughed and laughed next to him in the car, and for those hours I forgot everything that hurt in my life. The sadness lifted and floated from my body like a bad and broken spirit only he could command away.
For that evening, I leaned into him. I had always been able to because he exuded confidence—his wiry frame buzzed with energy and a can-do attitude. An extrovert, with a near-constant smile on his face, he uplifted me. The summer we had fallen in love, and then that summer when I lived in Oxford, he shone: like a sun, like a full moon, like a star that could lead me home.
He drove me back to Oxford on highways then two-lanes and pulled off South College Avenue and idled in my parking lot as I got out. I walked to my building’s entrance, toward the glass door which led to a dark stairwell and to my apartment where loneliness clung like webs to the corners.
Before I went in, I looked back.
I did not want to go inside, and I did not want him to drive away, but I did not stop him when he did. I waved goodbye.
In all those years before my marriage, I had let him go each time. I had said no until it hurt, until he hurt, until I could not say it anymore. I had said no until the word became its own kind of religion that I did not question anymore.
And now, after my marriage and its implosion, I wanted to believe in yes so badly, I prayed for it.
•••
In late summer—that time of year in North Carolina when the heat feels more like rage, when stems and leaves go limp in reply—Michael wrote me a letter, as he sometimes did.
I had always loved his script because I knew it so well: small loops in perfectly straight lines across the page, as if he were sewing sentences on white fabric. I could nearly feel their softness if I ran my hand across the words.
He started the letter by calling me precious. On page three, he told me my heart was beautiful, and then that Jesus wanted all of it. “Choosing Him is the most important prayer I have for you,” he wrote. “Please commit your heart to Him fully.”
He wrote that he knew it would not be easy. “Turning from your past, and breaking from the pressure of family and culture can be difficult.” What he meant was that I needed to steer away from how my parents—the most generous-hearted people I knew—had raised me religiously, a blend of world faiths.
On the hardest days, their beliefs, now mine, buoyed me: that everything happens for a reason I might not understand yet; that life is a series of lessons I can get right or repeat; and that kindness and respect matter more than doctrine.
He was asking me, in essence, to take it all back: relinquish what I had known, abandon what had come before.
But what I wanted to take back was not my faith, or my God, or my version of the Truth. I wanted to take back that night in Oxford—not the whole of it, just the moment when I had pulled at the door handle, stepped outside his car, and moved away from him and toward the building’s entrance. If I could have taken it back, I would have let the car idle with me still in it, let the exhaust drift from the tailpipe like grey plumes into the darkness, let the humidity crawl in through the window and around us. I would have said to him, “Don’t go.”
But Oxford lay 534 miles northwest of Chapel Hill. In another state. Six years too late.
And in the end, if I had taken it back, what then? Would that have severed the storms from our story? We might have never saved ourselves from the rest of it.
Maybe in Oxford, I had let him drive away because I’d had the kind of faith in myself that I thought only other people had in other things. The kind of faith that pushed you past your failures, made you rise up from the pain; the kind of faith that waned and nearly broke in two, but if you kept it, it kept you.
•••
We have not spoken in a decade, but I remember him. Now, I use the dog umbrella, but only during light, un-slanted rains, as it’s small. I wear the top with the buttonhole neckline, but only when the seasons shift, as it’s made for neither hot nor freezing weather.
I still have the ring, although I don’t wear it or keep it in my jewelry box. Instead, the ring with the round stone drifts like a vagrant around the bottom of a purse. I move it from handbag to handbag but without any reason I can find logic in now.
Sometimes many months pass before I happen upon the ring again, and when I do, I am surprised by the little gold band, and how shiny it is, and the smooth stone that looks like a green eye staring up at me from the pit of the purse, and how fine and slight the ring is for how large a promise it once held, how big its memory.
•••
SHULY CAWOOD is a writer and editor who is currently in the MFA creative writing program at Queens University. Her creative writing has appeared in publications such as Red Earth Review, Naugatuck River Review, Camel Saloon, Rathalla Review, and Under the Sun. Shuly has work forthcoming in Ray’s Road Review, Fiction Southeast, and Two Cities Review. Her website is www.shulycawood.com.
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In the early stages of my parents’ divorce, we started talking a lot about boundaries. Growing up we had none. My parents had been young when they had kids: twenty-four, then twenty-five, twenty-seven. At that age, I was still learning about the proper nurturing of hangovers. (A tablespoon of honey before bed, Advil and water in the middle of the night.) But my parents spent their mid-twenties raising babies. By the time my brother, sister, and I made it through college, my parents seemed relieved that we were all finally adults; now we could all hang out.
Even before the divorce, I knew more about my parents’ sex life than I did about most of my close friends’. At some point during my sister’s stint in therapy (all three of us had them), she started talking about boundaries, and it became a thing we’d sigh and roll our eyes about, comparing stories we never should have heard. It was nice to have a name for the thing we’d lacked. But we laughed about it too, treating missing boundaries like an annoying but fundamental aspect of our family, like our deep reverence for our Christmas traditions.
During the divorce, it stopped being funny. When my dad’s anger—at my mother, my brother, my sister—overtook him and had nowhere to go but into my ears, into my heart, I started thinking about walls and fences. About the differences between them.
“I can’t take this anymore,” I said to him during one conversation that had started with a list of ground rules that I attempted to present to him for our talks and ended with him screaming at me.
“Oh, you can,” he said. “You’re strong. You’re not going to die tomorrow.”
There was a small and fucked-up part of me that took that as a compliment.
But then I remembered that I was tired of being strong; I wanted to be protected.
•••
In some ways walls are easier. You can build them by yourself. Gather the stones: roundish but flatish, their shades of gray and their heft a reflection of your heart. Stack them carefully and pour cement between the cracks. You will sweat and you will curse, but eventually the person on the other side of your wall will disappear from view.
I thought about building a wall against my father. My father, who could not contain his anger or respect my ground rules. But he was also my father who flew across the country and stayed for three weeks when my daughter arrived a month early and my husband and I were barely holding our young family together; my father who would rock my fierce and jaundiced baby from eight until ten every night while my husband and I slept, steeling ourselves for the night ahead; who mounted shelves in our mudroom—anchored, he showed me, those suckers never coming out—even after he loaded them with mason jars, dinners that would last us for months. I thought about boundaries and pictured the wall I could build, and then I heard my son asking to call Grampa, to Skype with Grampa, to go and visit Grampa and maybe this time go fishing and the wall in my mind crumbled, an impossibility.
It would have to be a fence. Forget about white picket. We were long past that. I pictured split rail instead, the wood rough and splintery, already bleaching in the sun. Not a week after I erected it in my mind, my father simply climbed right over.
“Listen, I need you to ask your mother something for me. If you’re comfortable doing it. It’s a simple yes or no question.”
My mother has a wall: a new address and phone number that my father doesn’t know and filters on her email to keep his messages from ever touching her eyes. Her wall is guarded by lawyers, but not against me. Of course my father knew this.
“Okay,” I answered hesitantly. I was standing in a corner of a crowded Hertz office at the San Francisco airport, surrounded by a pile of bags and car seats. As my children ran in circles around me, pausing occasionally to eat trail mix off the carpet, and my husband stood behind seventy-five other people in line to get our car, I cursed myself for returning my dad’s call. But I’d wanted to get it over with, whatever he wanted.
“I need you to just ask her if she is willing to start paying me for half the mortgage. Just yes or no. I need to know right away for the bank.”
“That seems like a question for the lawyers,” I answered.
He launched into a much longer explanation that I didn’t follow then and still don’t understand now, the point being that it was a simple thing really. He’d been prepared to pay her for half, and now she would just be paying him. Simple.
The question of what to do with the mortgage and who gets to keep the house is, of course, one of the central questions of the divorce, hanging in the air until a judge decides how to divide up thirty-nine years of my parents’ lives. My dad talked fast, and the noise from the rental office was deafening. My children screamed and jumped around and my daughter started licking my thigh, passing her tongue fully up and down over my jeans until they began to soak through, and I really had no idea what he was asking. I briefly imagined a world in which divorces were settled via messages passed through middle children. I refused to ask her. For a moment, I thought my fence might hold.
It didn’t hold. After I called my mother and fumblingly asked her a question that I didn’t fully understand but still knew was ridiculous, I felt like a failure. I wondered if I would spend the rest of my life caving in to other people’s demands of me, bullied and unprotected.
Metaphors can explain, and they can also absolve. Imagining that split rail fence—the awkward weight of the wood in my hands, difficult to hold, nearly impossible to nail into place by myself—made the setback easier to take. I hadn’t failed; I just really didn’t know how to build a fence.
•••
What seems to have saved my father and me were conversations that didn’t require fences. Conversations important enough to drown out the divorce: my disappointing news from the mortgage lenders first, then the drastic and inexplicable degeneration of his vision, the subsequent eye exams, diabetes tests, MRIs. I live across the country from my father but I was his emergency contact, the only family member at the time without a wall. His MRI was scheduled for eight in the morning, East Coast time. “I know it will be early for you,” he told me, “but can you leave your phone on, just in case?” I left my phone on and tried to imagine what a tumor in my father’s brain would do to my fence.
He doesn’t have a brain tumor. After a barrage of tests, his doctors could find no explanation for his loss of vision. He saw a new ophthalmologist, a better one, who gave him a new prescription and told him to come back in a couple months for another check. Wait and see. During the weeks that this unfolded, the pressure I felt from my father—to absorb his anger or deliver his messages—subsided. Maybe he came to understand the boundary I needed, or maybe my mother simply faded from his view as he was forced to navigate his first health crisis without her. Either way, he has left me alone since then, just me and my fence.
•••
I don’t know any more of the details of the divorce—the date of the hearing or who is asking for what, who is stalling or refusing to compromise. I don’t know how my parents spend their evenings, my father in the house I grew up in, my mother in her apartment; don’t know what my father eats for dinner, if he eats it at all; don’t know any longer the shape of his anger, of my mother’s sadness.
While ignorance has turned out to be an important rail in my fence, it’s a difficult one for me to maintain. In the vernacular of my family, “keep me posted” means I love you. We amass each other’s disappointments and anxieties as a way to show we care, and then we trade them, like currency. A middle child, I was always rich in other people’s problems. I am trying to equate ignorance with freedom, but right now it just feels like poverty. I built the fence, though, and now I have to stay behind it. It’s lonely here, but I tell myself that I will get used to the terrain.
•••
MELISSA DUCLOS received her MFA in creative writing from Columbia University and now works as a freelance writer and editor, and writing instructor. She is a regular contributor to BookTrib, Bustle, and Mommyish, and the founder of The Clovers Project, which provides mentoring for writers at various stages in their careers. Her fiction has appeared in Pound of Flash,Blue Skirt Productions,Scéal, and Bodega Magazine (forthcoming) and her non-fiction in Salon, Electric Literature, Cleaver Magazine, Fiction Advocate, and English Kills Review. Her first novel, Besotted, is a work of literary fiction set in Shanghai, for which she is seeking representation. She tweets at @MelissaDuclos.
I am parked out front of a Cape on Chesterford Road. I don’t know whose house this is, only that my grandparents lived here when my mother was born in the 1940s.
Occasionally, a wistfulness will settle over me, a haze that suspends clock-time, and I’ll turn left at the Hess Station instead of heading home, to the next town over, where I now raise my own children. From the opposite side of the street, I stare at the front steps, imagining my grandmother on the top stair, her ankles crossed and tucked to the side, holding her auburn-haired daughter. Above the stairs is the window in front of which my mother’s crib once sat. I picture my mother climbing the wooden rails to look out onto Winter Pond and the world beyond her windowpanes, decades before a place in her went vacant.
•••
There are children-of-divorce, and there are children-who-follow-divorce, who have their own experience of its aftermath.
Children-of-divorce and children-who-follow-a-divorce often live together in blended families, where they are introduced as his, hers, and ours. There can be whole-, step-, and half-siblings all under one roof, and depending on parental visitation, different combinations of siblings at any given time. I am a child-who-followed-divorce. I have five half-siblings, but I have always disliked the qualifier: half, as in less than whole, so I often would drop it when describing them. But this, too, would feel inauthentic because, when I was little, they weren’t always around or, when they were, they weren’t always accessible: they had other families and homes—homes I only ever drove past. I spent my childhood guessing what went on inside of them.
In fact, as a child, I was driven past a lot of homes.
Even blended families come to share habits, although their origins are harder to trace. The custom in mine is that if you are near a place where you, or some family member, once lived, you ride by it. This doesn’t mean chatting with the current occupants or even stopping to get out of the car. A nod can suffice. A snap-inventory of changes in structure or color, a sizing-up of tree growth, but almost always, one last glance before pulling away, in case what we’ve come in search of may, finally, burst through the front door and chase us down the road, waving at us to turn the car around.
•••
When my father’s mother passes, he organizes the family into a long caravan to drive by the places that he knew as a child.
His father was a builder. They lived in the houses his father built until it was time to sell.
The afternoon after the memorial service, my father drives with his window rolled down, us following behind, and when we near one of his former homes, he slows the car, reaching out the window to point at the one that matters.
I’m not in the car with him so I can’t hear what stories he would have told, but I’ve heard them before. He’s taken me on this tour once, maybe twice, when I was a child and we happened to be passing through Rhode Island. I recognize the white house with the grill over the front door as the one he lived in when he was seventeen and his father died in the den.
•••
Eight years after the memorial service, when my father turns seventy, I ask him if he’d like to take a road trip to see the factory where he had made polystyrene before I was born. I had always wanted to see the old Union Carbide plant, to see where he spent a decade of his life. Before I was born, around the time of his divorce, he left plastics for a career in public service. He had changed religions, too, but he rarely speaks about how he rebuilt his life.
After a false start of my own, I became a sociologist who studies environmental legacy—everlasting things like plastic or pollutants that pose a burden passed between generations. I’ve been trying to understand how I came into my strange fixation with abandoned factories and polluted places. Only now do I see some continuity. I’ve broadened the family habit to include driving by other kinds of places that harbor past hurts inherited by subsequent generations.
•••
It was my father who suggested we add old homes to our itinerary.
So en route from Boston, we pull off the Parkway to see the north Jersey house where I spent my childhood. The maple out front, the one I remember my brother leaping over, now blocks the front window out of which, as a toddler, I waved to my father as he left for his job at Town Hall.
As a child, living in this house, my five siblings are teens. I sometimes ride in the backseat of our station wagon when my father picks up his three kids for the weekend. They live in homes I never see inside, although once, my sister sneaks me in to use the bathroom in her mother’s house.
Mostly, I am alone riding out the tide of my siblings’ ebb and flow from the household. By the time I reach grade school, they have stopped visiting or moved out, two sisters to college, one brother to boarding school, another to mechanic school, and my oldest sister following a boyfriend to Wisconsin. We never get to know the interior of each others’ lives.
When my father steers the car down Webb Court, I feel a pang of familiarity. It is the arc of that curve, that way my body senses the shift in direction as I ride in the passenger seat next to him, rather than the sight of the actual house, which to my surprise, doesn’t induce nostalgia at all.
We drive by, turn around on the cul-de-sac, one more rolling pass and that is it. We don’t stop. I don’t look over my shoulder. There is no need.
•••
The next morning, my father takes me by his first central New Jersey apartment, a slouch-roofed ranch at the back of another home’s property. I try to picture him, a newlywed with his high school sweetheart, riding his bicycle past the junkyard to make polystyrene for the plant down the road.
My father and his first wife don’t stay long then. Neither do we. Before the features of the place can develop into memory, Dad pulls away, heading to the next town to see the duplex, where after a miscarriage, my oldest sister is born.
From there, we press on to Leland Gardens, a complex of red-brick garden apartments nearby. Once inside, he quickly turns around, disoriented by the labyrinth of similar structures that look much as they did in the sixties. He stumbles on the apartment, as if some visceral homing device steers the car to the place where my second sister is born.
Next we pass the Randolf Road house, my brother’s place of birth, where it occurs to me I’ve never seen a baby picture of him.
My father drives on, effortlessly navigating the grid of streets and storefronts.
But as we approach the turn for the next house, I see him slide his foot off the accelerator. Only momentum carries us forward. I look over at him from the passenger seat. He stares straight ahead, one hand on the wheel, the other covering his mouth. This is where I lost them, he says.
He inhales and exhales deliberately, through pressed lips, before swinging the car down Dixie Lane. He ducks to see out the passenger window as we creep along. And when we are finally out front, he pulls over. The tires squeak against the curb.
The conversation stops, but I sense an opening, and I begin to feel my way around it.
The white house hugs the road, its porch covered with a canopy of foliage. A steep flight of stairs climbs from the sidewalk to the front porch. I imagine his feet clambering up them, moving in his family box by box, and within a short time, carrying what few belongings he has back out.
Do my siblings watch his last descent? There are questions I have never asked, and until only recently, probably couldn’t have asked. I couldn’t bear to know the extent of their suffering upon which the very possibility of my life has been contingent.
I inquire about custody. My father’s voice cracks. It was the early seventies, he says. Mothers got custody, without question. It’s raining, and the windshield wipers strain to keep up. I have asked him too much.
Something unresolved still resides in this house. I wonder if its current family can sense its distress the way I do sitting at its curbside.
•••
Two more houses complete my mother’s side of the story. I’d been driven by them before.
On this trip, we don’t drive past the Kempshall Terrace house, the house into which my sister and brother were born. Even without seeing it again, I can picture it. My mother tells me often how on the day she first walks through this house, the owner, a widow, has a pot of baked beans in the oven. It is the homey smell that sells her—the scent of a life she longs to lead within those walls.
The house we do drive by was a trim Colonial on Graymill Drive, where my mother and her first husband move to make room for their growing family and which holds the possibility for a third child. She turns thirty in this house. Her husband has thrown her a surprise party to celebrate, and then the next morning, moves out with the woman from two doors down.
After he has closed the door behind him, I imagine my mother collapsed, fallen to her knees, her hand pressed to the window that she won’t look out to watch him leave. But she can’t wallow. My brother and sister are little and will need her soon. She lives there for a while longer as a single mother on Valium.
My father stops the car to comment, of all things, on the chimney.
When he married my mother and moved into Graymill Drive, the brick chimney had started to split away from the house. They lashed it to the side, cheaper than rebuilding from its foundation. The braces remained more than three decades later. Look at that, he says, it’s still holding on. This is symbolic of my parents, who married into each others’ heartbreak, and remain married, defying expectations, possibly even their own.
I am conceived in this house. It strikes me then that conception is cellular union followed by cleaving, again and again, splitting apart to carry on, until, at last, something whole and unbroken comes into the world. But I am a half-sibling, conceived only after the split and merging of two other families, and born from the fact of their devastation. Sitting in front of this house I realized how much my identity has been shaped by things that I imagined to have happened inside its walls.
Sometimes I would wonder whether some part of my parents still lived in those houses where their first attempt at family fell apart, especially my mother, who still talks about her first husband, their divorce, and the house she left behind, though he died in the late 1990s. Nevertheless, the stories she tells read like scripts. She repeats them often, always with the same phrasing. Sometimes, she’ll launch into a memory, and though I’m sitting beside her, I long for who she might have been had she not been left behind.
Which is why, a year after the road trip with my father, I’ve come back to her childhood home.
From my car parked across the street, I see two teenage girls shuffle out in flip-flops and climb into the Jeep parked in the driveway. They glance at me and are gone. I hear the bass-line from their stereo fade into the distance. A scruffy Labradoodle wanders to the curb, its gaze fixed on me in anticipation. And I realize it’s time to move on.
•••
REBECCA ALTMAN serves on the Board of Directors of the Science and Environmental Health Network and has taught seminars on environmental health for Tufts University. She is working on her first book with Vanderbilt University Press. Other creative non-fiction has appeared in Brain, Child, Interdisciplinary Studies of Literature and the Environment, and The Journal of Compressed Creative Arts. She occasionally blogs at tothescratch.blogspot.com.
The children wriggled and cursed in the old SUV, summoning me to exhortations about proper car-riding behavior. “Y’all know better!” I warned. I turned down whatever music was playing. I did these things while I watched traffic conditions on 30th street, which, if you’re traveling east in Tacoma, has a precipitous, San Francisco-esque drop. As you drive, you will feel your fingers tighten against the steering wheel once you realize that you can’t see beyond the approaching precipice. You’ll slow down, and that’s when you’ll catch a glimpse of it—the entire Puget Sound. You’ve got your bluish water and snow-capped mountains, the old barges dotting the coast. Porch lights wink from houses pushed far into the hills. This view is tantamount to falling in love.
Driving west, though, it’s all uphill. That’s the direction that I was traveling. My Rodeo was, at the time, twelve years old. I liked the vehicle just fine even though its manufacturer was a company best known for making good lawnmowers. As the children teased each other and bucked in their seats, my Rodeo stayed focused on the road. She climbed the hill with all her inelegant noise: a sound like cicadas trapped inside the engine.
“Do not call your sister names,” I said, or something close to that. Perhaps, I told my raucous kids to “Shut up.” I don’t recall. It was late and I was tired, plus my night vision is poor and there was very little light. The sky had a moon so slight that evening, you could say that it wasn’t even there. When we reached the top of the hill, I stopped to turn left onto Union Avenue. I waited and waited and waited. Each set of headlights that passed by blinded me for a couple of seconds. Finally, there was a break in cars and I completed my left turn. This is when I saw the delicate fawn in the street.
The fawn tottered on its pencil legs, froze, then bounded away. The poor thing probably saw us before we spotted it. Nocturnal animals like deer have what’s called tapetum lucidum, a layer of tissue over the eye that reflects light and gives them good night vision. I pounded my brakes and swerved the car. We stopped within inches of the deer. “Ohhhhh!” my daughter said. “Where is its mom? Why is it all alone?”
“I don’t know,” I said. My heart thumped in my chest. “It’s a rough world out here in the animal kingdom.”
•••
According to its website, the state of Washington’s Department of Fish & Wildlife gets phone calls each year about orphaned fawns. People stumble across the fawns curled up in tall grass in the woods, seemingly alone in the world. Usually they are not alone. The mother-doe is hidden nearby where you can’t see her. She keeps a watchful eye on her offspring, but the range she allows her young to roam is far and wide.
•••
After we settled down, I drove my children back to the 1920s cottage that I was renting near the university where I worked. The kids were visiting me for one week. They lived most days with their father, my ex-partner, whose home was just outside of Phoenix. Like the animal we’d encountered that night, my children were seemingly without a mother during most of that year. I’d decided in May to take a two-year, visiting faculty position in Tacoma. My ex and I decided that the kids would stay with him during the first year of my appointment. It only seemed to make sense. From the time I got the job, I had less than twelve weeks to find a place to live, to move from Phoenix to Tacoma, and to prepare to teach three classes. There was no way that I could also uproot my children and enroll them in a school system I did not know.
So, instead of spinning my wheels over how I would bring the children with me, I planned for their year without a mom. We all have certain details about parenting which we covet. I knew the details that I paid attention to might be overlooked by their father while I was away. So before I left, I investigated babysitters and talked with relatives and friends about how they could help us watch the kids. I made sure the woman who braided my daughter’s hair had my ex’s cell phone number. I purchased school supplies for the upcoming year. Even after I was gone, I kept in touch with the kids’ school teachers via email and phone. Although I would not be there in the flesh with my children, I was still around keeping a watchful eye.
•••
Deer are a uniparental species. The father deer, the ones with the big, scary antlers, are around to make the babies and then they’re gone. You will not see them hanging out with doe or fawn. If you spot a male deer in a herd, chances are that every deer in that group is male. Fawn are cared for by their mothers only. The mama deer do everything for the babies, including eating their droppings and urine so that predators won’t catch scent of them.
•••
What surprised me most about my decision to leave my children in Arizona was the reaction of my friends and relatives. You would think my kids didn’t have a working, able-bodied father who loves them madly. “You can’t leave them with their father. Their father? Children need their mothers,” one friend said.
“Why don’t you take them with you? Your students will babysit the kids,” another friend said.
Each person I consulted was well-intentioned. They were expressing genuine concern for my family’s well-being. Still, the tone of alarm in their voices and the repetition of frightful scenarios like the ones my father liked to put in my ear, made me doubt my own decision. For example, my daddy insisted I research the sexual predators in my neighborhood so we’d know who was watching the kids walk to the school bus stop while I was away. I told him that we’d lived there for nine years without such information.
Other people’s fears and doubts became my own. As a result, the hardest part of my year away from my children was not the months when I was on a mountain and they were in the desert; it was having the courage to leave them with their father in the first place. I was trusting that I was making the right decision for everybody involved. The conventional wisdom was that I was the primary caretaker and needed to live in the same house with my children. But I was also a provider, and taking a job that increased my income counted as taking care of my kids, too. I can’t imagine that a man in my position would have been counseled the same way about this transition. I can’t see him being told that moving to a new city while single-parenting and starting a new job was a sane or normal balancing act. In the end, I decided I would not multitask in this way. It was hard to trust my own conscience about this. Then there was the actual moment when I had to say goodbye.
We said our farewells in mid-July, two days after movers loaded my boxes onto a twenty-two foot straight truck. My shipping order included the usual domestic items, like linen and dishware, but also fifty small and medium-sized boxes of books. The only furniture that I took from the Arizona house was a bed and writing desk. Their absence—the way the bookshelves and floor had visible gaps of unoccupied space—was, by the time the airport shuttle arrived, the only evidence that I was leaving. The rest of the house was intact. My ex had even moved back in for this one year. A clear light came through the windows that morning. Its brightness made me hopeful even though the shuttle driver, who was five minutes early, had robbed me of final moments with my kids.
My son was the first to rise from the couch and walk in shiny athletic shorts and no shirt to where I’d paused at the door. At eleven years old, he stood nearly my height. His thin body and sway-backed posture at one time reminded me of an apostrophe. Now, as his shoulders broadened over a small waist, his upper body resembled an inverted triangle or wings. We hugged. My daughter, who was six, ran up and wrapped her thin arms around my thighs. Then I embraced my ex. For a brief moment, we were a family huddled near our home’s threshold. In the next second, I would be through that door and inside the blue airport van. I wouldn’t see my kids for the next three months.
The other difficult part of leaving was accepting that my life could be full of similar curveballs in the future. I had never anticipated divorce; nobody does. Similarly, it never crossed my mind that I would have to take a job in another state in order to care for my kids. Nor did I think I’d be single in my forties, that I’d have to think about my safety at night or how I present at private parties where everyone else is coupled-up.
I’d told my daughter the night we saw the deer that the animal world wasn’t quite like ours, that it was unpredictable and dangerous. “Sometimes a fawn is just on its own,” I’d said. But the truth is that we are just as vulnerable as animals that walk on cloven hooves. This becomes most clear when we’re stripped of institutions like marriage or when we experience health problems or economic insecurity. It’s when our bodily functions fail us or we’re hungry without knowing when we’ll eat; it’s when we’ve been physically harmed by another person that we recognize life’s brutal underbelly. Sure, we erect boundaries between civilized society and the wild side, but these boundaries are easily crossed and civilizing tendencies require our constant attention.
•••
Deer are mostly vegetarian, although they will eat meat on occasions. Some of the vegetation that can attract deer to your yard are dandelion, clover, wheatgrass, mushrooms, and other fungi. If you want to keep deer out of your yard, the Washington Department of Fish and Wildlife suggests deer-repellant landscaping. Shrubs which deer don’t like to eat include globe thistle, lavender, oregano, rue, pine, birch, fig, trillium, lilac, and yarrow.
•••
A friend in the Midwest recently told me about a family of deer living in her mother’s backyard. She used this story as an example of the way that nature was making its return to this urban area that has been in decline for several decades. It was a way to paint the picture of a crumbling city and infrastructure. “Can you believe it? Living in the backyard!” she said. I was struck by how the appearance of deer were interpreted by my friend and how differently they are seen here in my neighborhood in the Pacific Northwest. I don’t have deer living in my backyard, but they sure bounce through it on occasion, and I’d wager that my neighbors consider deer as part of the area’s charm. Living close to wildlife means different things depending on a person’s context.
Take the deer I saw this summer in the South on a college campus where I attended a writers’ conference. The deer were considered by most writers as magical and spritely, as evidence that we were in a pastoral setting conducive to ideas, instead of the crammed cities where so many of us live. The deer, for their part, pranced in and out of our view as if the college campus was their world and we were in it by happenstance.
I have summers without the children, now, which allows me to attend professional events like writing conferences. My kids live with their dad in the summer and they live with me during the school year or nine months out of the year. It’s an arrangement that works, but again, it’s one I didn’t anticipate years ago. As I walked this latest conference one night, I saw a herd of deer near a tree. There were at least seven or eight of them huddled together. I’ll admit right here that I was slightly drunk, but I’m pretty certain of what I saw. As I walked closer to the animals I saw young and old deer, mostly doe, and one gargantuan male. As the doe and fawn nibbled the grass, heads down, the antlered deer kept his eyes on me as if saying, “Keep it moving, woman, and don’t step any closer.” I was in awe. The next morning, I told another writer who’s a good friend and poet and he said, “That’s incredible! The males rarely hang out with females and fawns.” He was right. That’s what I’ve read to be true about these creatures of the forest and woods. But stranger things, I imagine, happen all the time.
•••
RENEE SIMMS writes fiction and essays which have beeen widely published. She is putting the final touches on a story collection, Because We Were Miles from Home, while teaching and parenting outside Tacoma.
Shivering in the crisp December air outside Papà Giovanni, a restaurant on the corner of Via dei Sediari and Via del Teatro Valle in Rome, my husband, Chris, and I wait for the sliding glass door to open. We see couples inside, nestled in red leather banquettes and wooden chairs at two of the half-dozen close-set tables. Red and white tablecloths set off vintage china, and glittery poinsettia decorations remind me that it is just a few days after Christmas, even as fresh tulips in the center of each table hint at the coming spring. Dusty wine bottles line the room, tucked into alcoves or perched on ledges. An eclectic mix of drawings and paintings, along with faded postcards of Sicily, clutter the brick walls.
It is just as we remembered.
We are in Rome to celebrate our tenth year of marriage and also to escape a stressful year at home. Our relationship is strained by a multitude of factors: family drama due to the messy divorce of my husband’s parents, which has taken a broader emotional toll than we expected; Chris’s demanding job, which keeps him out of town for weeks at a time; and my perpetually tired and frazzled state due to graduate school, with two classes each semester on top of a full-time job. We need a break, and I hope our holiday to Rome will be a bright spot in the brewing storm—if not a full repair, then at least a period of some romance, a reminder of what it was like when we were happy.
After we are seated at one of the small tables, the waitress brings us aperitifs of warm spiced wine in small china cups on saucers, and the chill of the evening retreats as I sip. She hands us menus, blue for “the gentleman” and pink for “the lady”: the blue version includes prices for each item, while the pink version lists calories. If this were a restaurant at home in the United States, I would be offended, but here it seems charming.
The wine list is a worn tome that resembles a guest book from a wedding. As Chris turns the pages, I notice the list of wines written by hand, some entries scratched out or modified, others smudged by water stains. I laugh at the small size because, in my memory, the wine list has taken on mythical proportions. As I recall from the first time I saw it, the book had been the size of a dictionary and had been wheeled out on a cart, attracting stares from the other customers.
•••
Our first trip to Rome ten years ago was my initiation into the world of international travel, and all of my memories shine with the luster of this perspective, fresh and new. We had an extravagant five-course dinner and then wandered the cobblestone streets to the nearby Piazza della Rotonda, where people milled around one of Rome’s most impressive monuments, the Pantheon. Sixteen towering Corinthian columns support a triangular pediment inscribed with the stamp of Marcus Agrippa: M. AGRIPPA.L.F.COSTERTIUM.FECIT. The domed roof is larger than that of the U.S. Capitol building in Washington, D.C., and, at 142 feet in diameter, nearly the length of an Olympic-size swimming pool. In the center is a large oculus from which red rose petals rain down on Pentecost.
The interior of the Pantheon was closed that evening, but we passed the obelisk-topped fountain that pierces the sky like an upturned sword, water babbling from the mouths of the marble masks at its base, and climbed the steps of the monument anyway. We stood among the columns of the portico, and Chris suddenly dropped to one knee.
“What are you doing? Get up,” I said. I thought he’d had too much wine at dinner, and I pulled his arm, trying to get him to stand.
“Oh, no,” he said as he reached into his pocket. “I’ve been planning this.” He pulled out a gold band accented with a row of seven small diamonds and held it up to me.
“Really?” I was floored. We had moved in together after dating for only a few months, but in the past year of our shared life we hadn’t discussed marriage. Our relationship was comfortable and fun, and I had assumed it would be at least five years before we took the next step.
“Well?” He was still on one knee.
“Really?” I still didn’t quite believe it. “Really?”
His brow, framing earnest, clear blue eyes, started to crease with worry. “Will you say yes already?”
“Yes!” He put the ring on my finger, and we kissed. The streetlights around us seemed to brighten, and the other people in the piazza faded away.
An enterprising street vendor approached us, and Chris purchased an armful of red roses and presented them to me. As we walked back to the hotel, the outlines of buildings seemed fully in focus; everything was crisp and clear. We passed the Monumento Nazionale a Vittorio Emanuele II in Piazza Venezia, and its marble walls and columns glowed bright white against the night sky, the twin statues of the winged goddess Victoria and her chariot soared, it seemed, in celebration high above us on the roof of the monument.
•••
Back in 2002, we were still going through the transition from college student to adult. We’d had internships and temp jobs, but hadn’t yet started our “real” careers. We had academic knowledge but little actual experience; we were fairly broke but full of optimism. Our tastes then had only recently shifted from Boone’s Farm and Miller Lite to Tanqueray or Chateau Ste. Michelle. Now, after years of wine tastings, we can tell the difference between a Malbec from Argentina and a Cabernet from California, and on our return visit to Papà Giovanni, my husband confidently makes a selection from the list.
The wine decanted, we look again at the menus as we nibble on focaccia with truffle butter and reminisce about our last visit. “What did we even order?” I say.
Chris recalls some kind of eggplant stack, slices of the vegetable layered with tomato sauce and cheese and balanced on a plate like a small, square Tower of Pisa. I’d had veal for the first and only time in my life, a choice that had seemed so elegant then, but after eight years as a vegetarian would be unthinkable to me now. We had tried to order five courses and share them, but we were unable to convey our wish to the waiter and ended up with two of each dish. It was the biggest and most expensive meal we have ever had in a restaurant.
This time around, we order separately, and only one course at a time. I begin with a salad of arugula, pears, walnuts, and parmesan—a medley of sweet and salty, soft and crunch. The server returns to take our orders for the main course, and I select Cacio e Pepe, a traditional Roman dish of spaghetti with black pepper and parmesan. The strength of the dish lies in its simplicity. The noodles are al dente, and the sharp cheese and spicy pepper flavors mingle and dance on my tongue. For dessert, a decadent chestnut soufflé is perfect with a cup of Italian espresso, strong and smooth enough to clear a path through the gastronomic haze that begins to cloud my mind.
After dinner, we wander the cobblestone streets. Strings of lights twinkle overhead, criss-crossing between the buildings like spider webs weighted with shimmering drops of dew. I catch faint whiffs of cigarette smoke as we amble along. Italian couples walk arm in arm, parents navigate strollers over the uneven pavement, and Asian tourists pause to take photos. Unlike cities at home, nobody here seems to be in a hurry. As we exit the narrow alley, the Pantheon, bathed in golden light against the dark night sky, rises before us.
The enormous bronze doors are open. “Do you want to go in?” Chris asks.
“Yes.” Entry is free, so we join the flowing crowd to explore the space together. The interior of the temple is harmoniously symmetrical—the distance from the floor to the top of the dome is equal to the dome’s diameter. The floor and walls are inlaid with marble, rectangular patterns of muted gold, maroon, and blue interspersed with swirling veins of grey and white.
As we wander through the vast interior, I am suddenly hungry to learn everything I can about this building that has such a prominent place in my memory, and I stop to read every information plaque available. Built by Marcus Agrippa around 25 B.C., the temple was originally a place to worship Roman gods, but, like so many historical places in Rome, it was later converted to a Christian church. Alcoves along the rounded wall hold statues and murals—some of Christian significance and some depicting more ancient figures. The more I learn, the more appreciation I have for the detailed architecture, the majestic beauty, and the fascinating (if not always pleasant) history of the temple. Grand tombs hold the remains of Vittorio Emanuele II, the first ruler of a united Italy, and Umberto I, a king in the late nineteenth century under whose orders hundreds of starving peasant protesters were killed. The famed Renaissance painter Raphael is also interred there, along with his fiancé, Maria Bibbiena, despite rumors that his early death at age thirty-seven was the result of a tryst with one of his mistresses.
How could I have missed all this on our first visit?
Chris and I have weathered our own conflicts over the past decade. We’ve dealt with jealousy and baggage from past relationships, struggled to find time for each other, moved far from everything familiar to a new city with no network of social support. We married young at twenty-four, and we’ve worked hard to create harmony in a home where our evolving personalities, interests, and worldviews are often at odds. Any discussion about politics, for example, quickly spirals downward from friendly debate to contentious argument. We’ve felt the ripple effect of marriages crumbling around us, from my step-sister and brother-in-law, who filed for divorce barely a year after their wedding, to my husband’s father and step-mother, who called it quits after more than two decades together. How long can we avoid the afflictions of infidelity, boredom, and financial distress that spur the downfall of so many other couples? Other couples who began their lives together just as we did, filled with optimism.
Even an edifice as strong as the Pantheon needs to be rebuilt from time to time. Agrippa’s original structure burned in 80 A.D. Then, after being rebuilt by Domitian, it burned again in 110 A.D. It was restored by Hadrian in 126 A.D. and could not have remained “the best-preserved building in Rome” without periodic restoration projects throughout the centuries.
That monument was an apt place to begin a marriage, and restoration is precisely the reason we returned to Italy. More than just a building, the Pantheon is solidly built, with walls that are twenty-five feet thick, and it can certainly withstand the occasional crack—even a deep one—as well as the repairs necessary to maintain its majesty. It has survived two thousand years of wars and conflicts and cultural changes. It has been home to dueling religious and political philosophies, and it serves as a place to remember and celebrate people with complicated pasts. Yet despite its age, or maybe because of it, the temple is still a magnificent site to behold. Instead of shutting out the elements, the oculus remains open, and allows sunlight to shine and rain to fall inside its walls.
Chris’s proposal to me in Rome has become something of a legend for us, the first story we tell when others ask about our relationship, the memory we recount each year on our anniversary. It’s as much a part of our history together as the day we first met. Revisiting a place with such personal significance carries risk, and I had been worried that this trip might be a disappointment, that the rosy glow of recollection and the passage of time might have morphed the actual events into something mythical that could never be recreated, that the story now only held its romance in the retelling. My memories of the first visit are like a giant Impressionist painting, vivid, yet vague. Ten years later, I pay more attention to the details—the postcards on the walls, the dust on the bottles, the inscriptions on the tombs—than I did the first time around. Will the cathedral of our marriage weather another ten years?
The passage of time allows for physical wear, for philosophical shifts, for falls from grace, but it also allows for rebuilding. Perhaps we can learn from past mistakes … a bit like I learned to order the perfect dinner from a foreign menu. Perhaps we can learn to communicate clearly. Not to be greedy. Learn to appreciate simple flavors, and to savor each bite. I will think of this when times are difficult, as they have been lately, and I feel the way I did outside Papà Giovanni, shivering in the cold, waiting for the door to slide open and let me back into the familiar warmth inside.
Coda: As it turned out, our marriage would not weather another decade, and two years after Chris and I returned to Rome, our divorce was finalized. Restoration isn’t always possible, but while we may not always be able to depend on the strength of buildings or institutions, in their destruction we sometimes find a greater strength in ourselves.
•••
LISA LANCE is a writer living in Baltimore, Maryland. She earned an M.A. in Writing from Johns Hopkins University. She currently serves as an editor for The Baltimore Review, and her articles and essays have appeared in publications including Baltimore Magazine, National Parks Traveler, Outside In Literary & Travel Magazine, Seltzer, neutrons protons, Bmoreart, and Sauce Magazine. This is her second essay for Full Grown People. Learn more at www.lisalance.com.
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