Love and Loathing in Las Vegas

joy
By Gina Easley www.GinaEasley.com

By Lynn Marie Houston

If you want to expound on love,

take your intellect out and let it lie down

in the mud. It’s no help.

 —Rumi, “The King and the Handmaiden and the Doctor” trans. Coleman Barks

“What’s it like outside?” my friend Catherine croaked from under the covers. I walked past her bed nearest the door, balancing a cardboard carton of coffee for the three of us: me, Catherine, and the British man who had spent the night in bed with me.

“It’s bright and loud,” I grumbled in the throes of a hangover. “And hot,” I added, looking at the muscular leg and arm that were twisted up in my sheets like a man candy-cane.

Just then, someone knocked on the door. “Housekeeping,” a woman’s voice called with an accent.

“Shit,” I whispered to Catherine as I trudged toward the door. “What’s Spanish for come back after the British guy puts his clothes on?”

I opened the door to a woman whose face said she’d seen it all. I mustered what Spanish I could, “Uh, mas tarde, por favor.”

Later. But it was already so late, the last weekend before my teaching contract started up again for the fall. I had planned a trip to conduct research for the ethnographic study of Las Vegas that I was supposed to be doing. And then Catherine decided she needed to get out of town, too, so she booked a flight to join me. She was a few years older than me and married (and, as I discovered the previous night, a sound sleeper), but she could drink me under the table, and regularly did. I wasn’t getting any research done.

Simon stirred, opening his blue eyes. “Bloody hell, that was some fun we had last night.” He propped himself up bare-chested, stomach muscles rippling down under the sheet, and broke into a boyish grin.

Yes, the problem was the Brit. Or rather, the problem was my hooking up with a complete stranger when I was supposed to be in Las Vegas for serious intellectual work. I had crossed the not-so-fine line between immersing yourself in your subject and getting into bed with it.

Catherine was up now, searching for a bottle of Advil. Simon was sipping coffee in nothing but his boxer-briefs and helping himself to a box of chocolate on the nightstand. I sat down at the small table in the corner of our room, rested my elbow on the Formica top, and placed my forehead in my hand. Unless I figured out the right way to spin this for the research project, Big S was going to kill me.

Big S was the lead researcher on the Vegas project. One of her previous joint-authored projects had been required reading in most graduate programs in cultural studies. The Vegas book was to be her next project. Collaborating with her on it was an incredible opportunity, one that shouldn’t be squandered for casual sex, even if it was with a Norse god. But if I didn’t produce something acceptable soon, Big S would kick me off the project. She had already threatened to do so. Without this project, I didn’t stand a chance of getting a position at a better university. After working with Big S for two years, if she didn’t give me a good recommendation I would be dead meat on the academic job market. So why was I screwing around? It would probably have taken thousands of dollars in therapy to answer such a question. I was well aware that even though Big S’s idea of doing research was just to “hang out,” that that didn’t mean without any clothes on, and yet I did it anyway. My contribution to the book was originally supposed to be a chapter about Las Vegas wedding chapels, but it had quickly become more about women’s issues in Las Vegas. Now, the research was stalled because of my own issues. The last advice Big S had given me after disproving of yet another draft but not giving me any specifics about what I could revise, was that I should “put my soul on the line.” I didn’t know what that meant.

Two months before this trip to Vegas with Catherine, I’d travelled to Connecticut to stay at Big S’s farm. My nickname for her, I discovered then, was actually a misnomer. There wasn’t anything big about S, not her size (she was short and petite), not her heart (she could be stingy), and not her farmhouse (we packed five people into nine hundred square feet). I was there, along with many of her kids and step-kids, for her birthday weekend, but I had only been invited to stay for a few days prior to the actual celebration, at which time more people would be coming to the farm and, Big S had told me, there wouldn’t be enough water for everyone. “The well is low,” she said, “and it can only support so many people.” Even though I was not counted among those worthy enough to burden the water supply, I did visit for three days before the party.

I had offered to help Big S on her farm in exchange for conversations about my writing and advice about my career while I was there. We talked about her philosophies of writing while weeding her garden, how she first conceived of joint writing projects as a way to help her fellow colleagues advance in their careers and a way to achieve multiple perspectives on a topic.

From her property she was running a small CSA, where people in her neighborhood paid a flat fee at the start of the season and she brought them weekly baskets of the produce that was in season. Something about the CSA matched the idea of a collaborative research project. Just like she enlisted a group of us to help write about Las Vegas, with the help of a few graduate students she grew a few varieties of greens, zucchini, squash, tomatoes, peppers, onions, carrots, and eggplant on her farm. In addition, her weekly CSA customers received fresh eggs; some even took raw, unpasteurized milk from her goats. While staking her pepper plants, Big S talked to me about how she thought I could get a job at a university where the teaching load wasn’t so high, so that I had more time for research. Her husband was an internationally award-winning scholar, and she told me that if I made a satisfactory contribution to the Las Vegas book project that she could get him to write me a letter of recommendation. Just the night before, her internationally renowned scholar-husband had complained about the excess of mustard I had used in the zucchini pie that Big S had asked me to make. I hoped he would leave that out of the letter.

Big S also told me about how much of a burden the farm was. It took time away from her writing. It didn’t sound like she actually enjoyed the farm work very much. She said that she couldn’t even take a vacation unless she had someone watching the place who knew how to handle chickens and milk goats.

“Is it really hard, milking a goat?”

“Only one of my kids was able to pick it up.”

“Do you think you could show me how to do it? I’ve always wanted to learn.”

“Yeah, I could let you try. The trick is to pinch off the teat with the upper part of your hand and pull down on it with the lower part of the palm.”

I practiced moving my hand the way she described. Big S looked doubtful but said nothing.

She took me into the barn and rounded up the goats that needed milking. She led one in through the back of the barn and up onto a metal stand. The goat put its head into a contraption on the end and waited for Big S to put its food in the slot. She closed a bar over the back of its head to hold it in position. Then she got down on the stool, grabbed its swollen teat, and pinched it.

“Here’s where you cut it off. Then you pull down.” She demonstrated once, then got up from the stool, motioning for me to try.

It was very difficult to hold the top part closed while running the rest of your hand down, but little squirts of milk started coming out. A few more tries and I had a steady stream. It was taking me forever to get anything in the bucket, though. By now the goat had finished its bagel and was getting restless. The height of the metal bench on which it stood placed its hooves level with my head. The pail was about half full when the agitated goat stepped into it with one of her hooves.

Big S frowned.

“You’ve got to dump that pail now. Her hooves have all sorts of bacteria on them, and we don’t pasteurize here.”

Annoyed, Big S motioned for me to get up off the stool and she took over milking with a fresh pail and without any further acknowledgement of me.

She had never mentioned that I had to somehow keep the goat’s hooves out of the milk.

When we got back to the farmhouse, she announced to her family, “Lynn ruined the milk. She let the goat step in it.”

Big S was not very forgiving of mistakes. Nor was she a great teacher.

•••

The half-naked man in my bed shook me from my reverie, “Do you mind if I use your computer?”

I handed it to him. Catherine was packing a beach bag to take with us to the pool. Simon, now checking his email, was making no motion to leave us. In fact, he seemed rather lonely. He’d already been in Las Vegas for a week, part of his plan to tour the United States until his visa ran out. After this next week, he wasn’t sure what he was going to do. That day, though, our plan was clear: we would sit poolside and drink mojitos.

But as we sat there in the reclining chairs and hot sun, I realized that I needed to at least attempt to get some research done. One good session of information about Las Vegas, and I might have enough to fill in the chapter I was working on. I got on the internet from my phone and purchased a ticket for a historic tour. I wasn’t sure if this would give Simon his opportunity to ditch us, but the three of us made a tentative plan for later. Simon and Catherine would go to dinner and walk around while I went on a tour and get some research done. It was a bus tour that promised to give information about the history of the area and some of its notorious figures. Finally, I might have something to write about for the research project. It was the kind of project where I would probably end up writing more about the dynamics of the tour I went on—how it presented Las Vegas to the public—than about the information it presented.

I left Catherine and Simon at the hotel and walked to the location where the tour bus boarded. On the way, I wondered if Simon would really hang out again with us that night, or if he would just silently wander off to something or someone else. I hoped he wouldn’t disappear. But it was silly to think he would follow through on plans with us; he was just some random guy I’d started talking to at the bar.

After the small group of people on the tour took seats on the bus, we were en route to the first stop. The tour guide announced our approximate return, a good hour and a half later than what I had thought. I would be late for meeting Catherine and Simon, if he was even still with us. The guide also announced that with the exception of the first stop, the Flamingo Hotel, we would be in the outskirts of Las Vegas, so there would be no easy way to exit the tour midway and return to downtown. Then he started a video for us to watch about the mob and its influence on Las Vegas. None of it interested me. I only had two more nights left before I had to go back to my crummy life buried by stacks of student papers. I would probably never see Simon again after that. Suddenly, I was overwhelmed by the desire to get off that boring tour bus and go find him. It seemed there was some larger life choice playing out here. Was I going to spend my time working on chapters of writing that were never good enough for Big S, that would be read by maybe a handful of scholars in my field? Or was I going to go find the hot guy—laugh, drink, and make love?

What would Big S do? I asked myself as motivation to stay on the tour, but I knew that she and I were as far apart in personality as Simon’s home in England was from mine in California. But I needed to be a part of this research project, I reminded myself. Without it, my career would fail. Then I turned to look out the window and saw my own reflection. “How to live?” I asked it softly. The tour guide droned on, delivering worn-out jokes with little enthusiasm. When we stopped at the Flamingo, I pulled him aside and told him I wouldn’t be getting back on the bus. Then I texted Simon to find out where he and Catherine were. Her job of babysitting Simon done, Catherine went back to the hotel and let the two of us to catch up over drinks at NY NY. I went back with Simon to his room that night. We hung the “do not disturb” sign on the doorhandle.

“Vegas feels like cancer,” I moaned the next morning to Simon who was already awake next to me. I was suffering from a cumulative hangover. Every part of my body ached. I returned to my room to catch up with Catherine and sleep for a couple more hours.

That afternoon Simon took me on a coffee date, like normal people who don’t hook up in Las Vegas the first night they meet each other. We spent hours at the Starbuck’s in the Excalibur. Simon told me about his upcoming trip to Los Angeles to attend the Sunset Strip Music Festival. Slash would be playing, as would Smashing Pumkpins, and a group called White Tiger. Rock music was his thing. Growing up, he lost himself in it to escape an abusive stepfather.

“Come with us tonight to a concert at the Hard Rock,” I told him. Tonight would be my last night in Las Vegas, and Catherine and I had tickets to see a band. I couldn’t imagine going without Simon.

“Who’s playing?”

“Wolfmother.”

“They’re pretty good,” he smiled.

“We’re going to see a piece of musical theater beforehand, so maybe you could meet us at the Hard Rock?”

“Maybe. We’ll see.” Then he grabbed my hand and squeezed it. “Ready to go sit by the pool?”

I stood up smiling, but I doubted that I would see Simon later. Eventually this good thing had to end. Did it really matter whether it was now or the next day when I left for the airport? And yet somehow it did matter to me. He mattered to me. More than Big S and the research project.

We found Catherine at the pool and Simon taught us to play Top Trumps with a deck of Star Wars cards. It was a game of luck that you won by being dealt the best hand. After Catherine won twice, and after a few more rounds of mojitos, we fell back into our pool chairs, our faces numb in the fleshy bosom of a rum buzz.

I thought about how I had to go back home tomorrow and confront the fact that I had done no research, that I had to go back home where Simon wasn’t.

“I’m feeling a bit melancholy,” I said. Simon turned his head toward me and opened his eyes. He reached out and grabbed my hand, interlacing his fingers comfortably with mine, then closed his eyes again, our hands still touching.

The time came and went for Catherine and me to leave if we wanted to get to the musical we’d bought tickets for. We didn’t move. Well, that’s not exactly true. We raised a hand to call the poolside waitress and ordered another round of mojitos.

“Vegas feels like paralysis,” Simon said.

We took long sips from our drinks so we had to reach for them less. Eventually the time came to leave for the next show.

“Well,” I said. “Who’s going to this concert? We should go get ready.”

“I am,” said Catherine.

“I am,” said Simon.

Catherine had purchased a bottle of vodka and some mixers at a convenient store, arguing that drinks were so expensive at the bars it made sense to buy some in larger quantity. It was an alcoholic’s logic, but somehow, in Las Vegas, it worked. Simon picked us up at our room and we had drinks before leaving. He looked dashing in a pair of form-fitting jeans and a black dress shirt.

Drinks were indeed expensive at the outside bar by the pool of the Hard Rock Hotel where Wolfmother was playing. Simon and I switched to beer. We were in for the long haul. Catherine stayed with vodka and made the mistake of trying to go drink-for-drink with us as Simon and I alternated buying rounds. Before long, she was having trouble walking in her heels. I got her a water. She wasn’t going to make it until the end of the concert.

“She’s saying she wants to go,” I explained to Simon. “I’ll take her and put her in a cab. Will you wait here for me?

He nodded.

I put Catherine into the cab and gave her money, silently betting she would miss her eight a.m. flight. And I stood there for a moment looking out onto the city lights. The Las Vegas night felt like a lover’s body under the sheets with its warm spots and cool spots. The sidewalks emanated the heat they’d collected during daylight, while a slight breeze trickled down from the red rocks of the Spring Mountains. Simon had indeed come to the concert. This was our third night together. But it was all over tomorrow. I’d gotten no research done and would return to California empty-handed. No hope of a future either with Simon or in my career. But I hardly cared. Somehow in that moment I felt more myself than I ever felt working on the chapters for Big S. In that moment, Vegas felt like freedom.

I returned to the raging crowd. Rounding the corner of the bar, I saw Simon right where I left him, waiting. Sensing me, he turned around, put his arm out, and drew me to him. Pressing my head against his chest, I inhaled his man smell. He held me tighter. No book ever hugged back like that.

•••

The next week, during the first week of classes back in California, I got kicked off the Las Vegas project. Big S sent me an email calling me “infantile” and claiming that I was more suited to writing Harlequin romances than I was to cultural studies projects.

Was I an insolent child who sabotaged her own career? Maybe. But I would have done anything that Big S had asked me to do, if only she could have articulated what that was.

Or maybe every day of our lives is another opportunity to choose who we want on our team. I’m still in touch with Catherine and Simon. I just contributed to a fundraising campaign that he was leading for the homeless population of London. I haven’t spoken to any of the members of the Vegas research project in four years. If I were to put together my ideal team—not for a research project, but for life—it would be made of the Simons of the world. The generous spirits, the large hearts, and the easy-going forgivers. And that’s what I chose in Las Vegas.

•••

LYNN MARIE HOUSTON’s essays and poems have appeared in South Atlantic Quarterly, MELUS, Postmodern Culture, Proteus, Prick of the Spindle, Poydras Review, Uppagus, Boston Literary Magazine, 3Elements Review, Extract(s), Watershed Review, and M/C Journal, among others. She is the author of book of poetry exercises for beginners, The Poet’s Playground (Five Oaks Press, 2014). After attending Arizona State University for her Ph.D. in American literature, she now resides in Newburgh, New York, where she lives in a renovated 1968 Airstream camper. When she isn’t teaching English, she tends her honeybees and kayaks the Delaware River.

Pin It

Love and Death at the Gas Station: A French Suicide

gas station
By Gina Easley www.GinaEasley.com

By Cindy Price

Hey, hey, I saved the world today. And everybody’s happy now the bad thing’s gone away.

—The Eurythmics

I was in no way thinking along the lines of a proposal. I boarded the plane to Paris with Norman Mailer’s The Executioner’s Song in hand; earlier, I’d had my boyfriend run an X-Acto blade through the thousand-page tome, dividing it into three cartable sections. “Who brings such a depressing book to the south of France?” he’d asked, shaking his head and pressing the knife deeper into the bind. I watched the sinew flex in his forearm and shrugged.

“Don’t be silly,” I’d countered. “The entire country is depressed.”

He asked me to marry him a week into our trip, kneeling down on a grassy hill in Bourgogne. I had to hug myself to keep the wind from whipping up under my jacket, and the sun had dipped so low it was hard to see. “Yes,” I blurted out of custom, and then demurred. “Can I think about it?”

It wasn’t that I didn’t want to commit—we’d lived together faithfully for five years and I wanted kids with him. I’d just always been vocal about the fact that I thought a marriage certificate was irrelevant—not to mention a possible death warrant for romance—and this was the first I was hearing that he did not. In retrospect, my position seems facile: what did I know about an institution that I’d never been a part of? That night, we dined in a hideaway restaurant with a huge brick oven that warmed the entire room. “If I say no, will you still grow old with me?” I asked, the wine drowning out my anxiety.

“Of course,” he said without hesitation, and I knew he meant it.

When I ask him now where the suicide happened in the span of that trip, he never says, After I proposed to you and you said maybe. He says, “After Arles and before Collioure.” He cannot tell me how he felt about it or if he was frightened that day, but seven years later he can tell me the exact gas station where it happened. “Here it is,” he says, pulling it up on Google maps. “Just outside of Montpellier.”

I remember thinking that the rest area felt almost comically American in scope—a football field–sized scrape out of the French countryside with a long row of gas pumps and two convenience areas flanking each end of the asphalt. The bird’s eye view of us, a young couple on a road trip pulling into it, dragged to mind the pivotal scene from The Vanishing—not the original Dutch version, but the American remake with Kiefer Sutherland and Sandra Bullock. “She disappears into a gas station,” I explained, shoving the middle section of The Executioner’s Song into the floorboard and pulling on my sandals. “And then Kiefer Sutherland can’t find her and becomes obsessed and then when he finally finds out what happened—well, it’s the worst possible thing.”

“You and your macabre stories,” he joked, parking outside of the smaller convenience store.

“I don’t like them because they’re macabre,” I said defensively. “I read them to be prepared. In case something bad happens.” I walked across the asphalt lot alone to the bigger convenience plaza, looking for food. In the Mailer book I was reading, people also met terrible fates at the gas station. Gary Gilmore killed a gas station attendant, Max Jensen, for no practical reason. I had told my boyfriend that these stories gave me a sense of control—that if I studied them, I might know how to save people. But Jensen had done exactly what Gilmore asked—given him the money, lain down face first on the floor—and Gilmore had executed him anyway. Now I realized that there was something more important they were cautioning me against: taking people for granted. The people we love, nothing more than a cluster of atoms, too easily destroyed. The narratives implored me to hold tight.

Returning, I cut through a line of cars flanking the side of the store where we’d parked. As I approached the driver’s side window of a small sedan, I saw the back of a man’s head propped against his window. Asleep, I thought, and then had the unmistakable feeling that I should look closer. My eyes shifted downward to his door, which was ajar by maybe a centimeter, and through the tiny sliver I could see his arm slack by his side and a steady line of drool trickling down his chin.

I looked around for help. In the car to my left, a middle-aged French couple sat talking and languidly smoking cigarettes in the afternoon sun. I waved my arms, and when the woman in the passenger seat turned I motioned to his window, flipping my palms heavenward.

She shook her head at me and mouthed, “Non,” then shut her eyes and put her head to the back of her hands to mimic sleeping. Then she turned back to the driver and started talking again.

My face flushed—the cliché of the unflappable French blowing off the overdramatic American—but I steeled myself and tapped the couple’s window again. “No dormir, no dormir,” I mouthed, hating my terrible French. Wearily, she got out of the car, stubbed out her cigarette and tapped his window. When he didn’t respond, she narrowed her eyes at me and cautiously walked around to the passenger side. She opened it and pulled out a note: A Dieu, pour tout ce que tu m’as fait.

To God, for all that you have done to me.

I ran into the gas station. My boyfriend stood at the espresso vending machine, a tiny paper cup in front of him. “Come,” I croaked, “a man is trying to kill himself. Can you tell the attendant to call 911 in French?”

Outside, a small group formed around the man in the car: the smoking couple, a pretty teenaged girl and her mother, the gas station attendant, and us. The six of us looked like stock characters in a canned farce, frozen in indecision until the mother announced she was a registered nurse. Under her direction, we slipped into action—grateful to stay busy until the ambulance arrived.

Combing through his backseat, someone unearthed sleeping pills and an empty six-pack of Heineken. With the car doors open, I could see dozens of small stuffed animals, some with the word Grandpa stitched across them. My stomach knotted: somebody else’s irreplaceable cluster of atoms. My eyes passed over the driver’s legs, which were small and atrophied. He was disabled. To God, for all that you have done to me.

When the paramedics finally arrived, they sauntered out of their vehicle slowly, like tourists stretching their legs at a vista. Even facing calamity, the French took their time. My boyfriend and the man from the smoking couple helped the male paramedic bring him into a tiny back room inside the station, while the female paramedic asked me questions and the nurse translated. After a while, they carried him to the back of the ambulance and my boyfriend returned with a smile.

“They think he’s going to be okay. They’re taking him to the hospital now, but they’re almost positive he’s going to make it.” I smiled, relieved, and he smiled back. “You saved him,” he said, his eyes uncharacteristically big with adrenaline. “You helped save his life.”

I nodded slowly, unsure how to process it. “But what if it isn’t okay with him?” I whispered. The man had wanted to die, and I had intervened. I was instinctually proud, sure that I had done the right thing—but a small part of me still felt uncomfortable altering another man’s life course. I could never know the extent of his suffering. I looked at him. “He was clearly in pain,” I said. “Maybe he needed peace.”

Walking back to the espresso vending machine, he picked up his cup. It had sat there for well over an hour, and nobody had touched it. Only in France, I thought. “If he doesn’t like it,” my boyfriend said, taking a sip, “he can always try again.”

The next year, I married him.

•••

CINDY PRICE (www.cindyprice.net) has written for the New York Times, Condé Nast Traveler, The Wall Street Journal, Philadelphia Weekly, Hemispheres, and The New Leader. Her food and travel writing has appeared in three New York Times anthologies and the American Michelin guides, and she has taught classes for the New York Times Knowledge Network, Mediabistro, and Gotham Writer’s Workshop. Born, raised, and educated in the South, she now lives in Maplewood, NJ, with her husband and two sons. Follow her on Twitter @cindyeprice.

The Curious Thing about Doubt and Faith

man in street
By Gina Easley www.GinaEasley.com

By Shuly Cawood

In the early mornings of the spring that I turned twenty-nine, I drove on a stretch of Ohio’s Route 68 to work. I liked it best when the road showed up for me alone, when I could steer in a kind of solitary silence from village into county, from Epic Books and Ha Ha Pizza to the stoplight on Cemetery Road, then past pastures and swaths of farmland and the occasional framed house onto which the sunlight warmed the lives of families rising into day. I had known the road so long—not just the yawn of corn and soybean fields, but also Young’s Jersey Dairy with its red barn and white fence; Ebenezer Cemetery with its crumbling cement wall; the turnoffs for Sparrow, Collier, and Cottingham roads; even Walt’s, the junkyard where the highway doglegged—yet that spring I studied each moment of the way as if remembering it well meant that I could somehow keep it.

Back then, I wanted to believe in beginnings, but I can see now that I held onto the ends.

•••

Corazón: the Spanish word for heart. The admissions receptionist, Joann, had scrawled the international student’s name—Miguel Corazón—next to mine on the interview sheet for later that May morning.

“With me?” I asked Joann.

“He said he was from Torreón, Mexico,” she said. “He asked for you.”

“Because I know Spanish?” (I’m half-Mexican. My relatives live in Torreón.) “Does he know my family?” Another Wittenberg University admissions officer typically handled foreign applicants.

Joann shrugged.

“Well,” I said, “then I’d better get ready.” I plucked brochures and an international application from the shelves and settled in at my desk, right off the lobby.

I had worked in this very office from my freshman year until graduation then returned years later to my alma mater for full-time work. But in three months, I would be giving up this job, my home state, the places where I belonged, to move to Chapel Hill, North Carolina. My fiancé, Bill, refused to stay in Ohio, where he had come only to earn his master’s degree, and I had acquiesced to leaving, even though my chest tightened when I thought about it. When I was twenty-nine, I believed that surrendering what I wanted for the sake of someone else was the cost of love, and that I should bear it.

•••

Through my office wall, I could hear Joann’s muffled voice mingled with a deep one. Apparently, Miguel Corazón had shown up early. I was sitting at my desk, talking on the phone, my back to my door when I heard it open, and Joann say, “You can sit down, she’ll just be a minute.” Always, I met prospective students out in the lobby, but I hurried off my call and only after hanging up did I then swing my chair around and rise to meet—

I froze. The words I’d begun to say hung mid-air.

From his chair, Michael rose, too, like an apparition ascending from memory.

* * *

For the appointment, as a ruse, and to back up his false claim of hailing from Mexico, Michael had used the Spanish version of his first name, and Corazón in place of his last.

Five years earlier, Michael and I had fallen in love. After only a few months, I wanted to marry him, move across the country for him, never be apart. I spent much of the first part of our relationship longing for not just a ring, but to come before the stack of priorities standing between me and first place: his research, post-graduate school goals, his solo life plan that only vaguely—perhaps later—included me. Eventually, I had fled to Mexico to teach, and when this propelled him to propose, I turned away entirely, no longer sure of who I was or what I wanted. It was easier for me, by then a mere twenty-five years old, to move on alone than to figure all that out with him.

In the years that followed, when I was twenty-six and twenty-seven and back in Ohio, Michael had shown up. One time he drove eight hours from DC through a snowstorm to see me; another time, when I was lonely and depressed, he drove two hours from his hometown in Indiana, where he was staying for the summer, to take me salsa dancing. He wrote me letters, even when we had just talked or seen each other. Over the years, he’d given me a book of Neruda love poems, a picture frame with blue flowers pressed beneath glass, a bird feeder. His biggest gift, though, was a sacrifice: Michael put off a semester of his Ph.D. program in Nebraska to live closer to me. He had gone to great lengths to show me that I came first, but I had told myself, repeatedly and with admonition, only foolish girls believe a man will change.

Until he showed up in my office on that warm and clear May day.

* * *

Michael stood before me and grinned, clearly proud of having flown in from Nebraska and surprised me. We had been in contact, but eighteen months had passed from the time that we’d last seen each other to the moment Joann led him to me. My hands trembled because I was happy to see him—and aware I shouldn’t be. He knew about my engagement. This fact stood between us, arms folded across its chest, and shook its head.

The best that I could blurt out was, “What are you doing here?”

He laughed. “I wanted to see you.”

A few moments later, I said, “If you’re here to change my mind, I won’t.”

He didn’t hesitate or blanch. His impeccable posture alerted you that this man held few, if any, doubts about anything he set his mind to. He looked me straight in the eye. “I only want to see what’s possible,” he said. Then he asked me to lunch.

We walked across campus in the brightness of the late morning light to the student center cafe and found a table by a wall of windows. We laughed and lingered as if we were undergraduates and had all the time in the world for big choices and hard lines, as if none of those things mattered now. Later, we rambled around Wittenberg, eventually settling on a bench overlooking Myers Hollow, near the slope I had slipped down after an ice storm my freshman year before smacking into a tree.

For a minute, we stared out onto the hollow.

Ever fearless, he broke the silence. “Marry me,” he said. He reached into his pocket and pulled out the same ring he had, four years earlier, offered me. Except now, instead of a diamond in the setting, a green stone the size and color of a pea perched on top.

As he looked at me, I studied him: his blue eyes I remembered squinting at me in the dim morning light before he would reach for his glasses; his freckles that faded, forgotten in winter, but that would sprinkle across his nose and cheeks when flushed out by summer sun; his bushy brown hair, unruly after sleep, that could be tamed with water and a comb.

Finally, I said, “I can’t.”

“I don’t believe you,” he whispered, almost to himself.

“I won’t,” I said. The words tasted metallic.

We sat in silence and let the sun break against us on our bench and let the gap—between now and his flight back to Nebraska, between now and my future husband and married life in North Carolina—get a little narrower.

Then we ambled, taking the long way back along the hollow’s edge toward the place he had parked. We descended via a tree-lined path veiling us in shadow and emerged into the glare of sun and asphalt. When we embraced goodbye, I held onto him longer than he held onto me, and when I stepped away from him and toward Recitation Hall, toward my office and the life I knew, I had to force myself to do so, to train my eye on the glass door, push the metal bar that spanned it, and go through and not look back.

He left me the little gold ring with its pea stone, and it burrowed into my pocket, planting itself deep: a seed of doubt that would grow and grow.

•••

Three and half years later, in late and cold November, my marriage disintegrated into the fifty percent statistic I had sworn that I’d never belong in. It would be a lie to say that I’d been in love with my ex-boyfriend during my marriage because I had not, but his big love, big gestures had become the ruler against which I—however unfairly—had measured every disagreement with Bill, every incident in which I felt not loved enough. I mourned not just my impending divorce but what might have been, had I only chosen differently.

A few months earlier, Michael had moved from Nebraska to North Carolina, but I had found this out only weeks before the divorce decision. I’d discovered through a mutual acquaintance that he lived a mere twenty-five minutes away.

In late November, I wanted to go right to him, but the grief of my marriage ending clouded and rumbled in my chest. I knew, too, that grief passes, that it is only weather in the vast sky of the heart.

In early January, I asked Michael to come over. He showed up with a loaf of bread that he’d kneaded and baked for me, with all the ingredients he still remembered I loved: whole grains, seeds and nuts, and plump, black raisins. Just as he had years earlier, he took me to a salsa club that night, and I clung to his hand as he twirled me, as if we could wind back to where we had stopped and start again. Just as before, he gave me gifts as the weeks passed: a white cotton top with three-quarter sleeves and a buttonhole neckline; the fragrance of gardenias, a bouquet on my front stoop; a white colander; a brown umbrella with faces of dalmatians and cocker spaniels splashed across the fabric. But unlike before, he had become born again, and now he threaded Bible verses into emails and letters and tried to stitch me back together with Jesus’s words.

Although my spirituality was private and quiet and rested in a God who favored heart over creed, I didn’t say no when Michael asked to pray out loud with me; I didn’t say stop when he offered biblical passages as balms.

Without the physical intimacies and commitment of real couples—because of his religion and because I was still emotionally reeling from the divorce—we became, still, devoted to each other. I drove him to Lasik surgery and nervously thumbed through magazines in the waiting room. I helped haul his truckload of furniture into his new house, and together we painted a clean coat on each wall. It was he who steered the car through hordes of I-95 traffic to whisk me to DC for a weekend and to point out landmarks and pick restaurants. It was he who rubbed my back the day I officially divorced, when I wept face down on the bed, boring into a pillow. And it was he who sat beside me as the mortgage broker shuffled refinance papers across the desk for me to sign, the pages stacked like a book that I could not bear to read alone.

God, I loved him. He resurrected me.

But our differences sank into my belly. At night I felt them, cold and hard and unmoving. I thought the world was too big for only one religion, so we argued about how many paths led to God and about interpreting the Bible literally. I also conjured up hypothetical questions to test how he would prioritize his beliefs in relation to me; I know now that I was really testing his love. I asked inane questions like, “If you and I were married, and you believed God wanted you to go live in Africa, even if it meant leaving me behind, would you go?”

In the end, Michael always said he would have no choice but to do whatever he thought God or Jesus wanted him to do, but that God would not ask him to do something that would harm our relationship.

You’re stirring up trouble, I chided myself, and for a while I stopped peppering him with questions I didn’t want to know his answers to.

Then one night over the phone, I prodded more about his beliefs, poking a fire I knew that I could not contain if the flames leapt. I thought about all of my gay and lesbian friends, and I jabbed the topic open. He told me that homosexuality was a sin, and I asked him how he could make such a judgment. He said that he was not making that judgment: God was.

Suddenly, I wanted to dampen all of it, and I flooded him with questions until I found a concocted safe and middle ground: yes, he loved all people, straight or gay, and though he did not think gay couples should be able to get married or adopt, yes, he thought all people were equals.

Though I cried when we hung up the phone and lost my appetite for a day and a half, I clung to the word “equals.” I reminded myself he had always been nothing short of welcoming and warm to all of my friends, and I convinced myself that the place where he stood and where I stood were not so far apart, that if we both leaned toward each other, we could still touch.

It was spring by then, the season of possibility.

•••

This was not the first time our views had clashed, that we’d tried to convince each other of our rightness, of the other’s implied wrongness.

Over the years, Michael and I had argued about little things—the safety of microwaves, whether eating organic fruits and vegetables was really better for you—and big things: whether we should get married, whether we should break up, and (after we had finally ended our relationship, back when I was twenty-five) whether we should get back together. This last disagreement endured more years than it should have. Sometimes we had talked about it; other times, I had avoided the talking, and in doing so, I must have hurt him more by what I did not say.

If you have ever not felt loved for exactly who you are—by someone who professes to—then that love is the one thing you will seek. After my divorce, I craved it as if my life depended on it. But he must have, too—not after my divorce, but in all the times he had shown up in my life and asked me to try again, long before I married or had even met my ex-husband, in all the times we had both been so young, so free to choose each other.

One time he had called to check on me and rescue me from loneliness when I was twenty-seven and living in Oxford, Ohio. He was spending the summer just two hours away in his hometown in Indiana, and he felt like a lifeline.

“Come on, Shuly. We’re going dancing,” he’d said when I picked up the phone. A statement, an urging, not a question—so rarely a question from him—something I both loved and resented.

I had given in. It was so easy to give in then. I changed from shorts and t-shirt to blouse and skirt, and when he arrived at my door, I followed him out of my apartment, down the narrow hallway and stairs and out to the parking lot. I got into his car. He could have driven me anywhere that night; I would have gone.

I let the air blow onto my face through the half-down window as he drove, as he stole me from Oxford. How I wanted to be stolen. He steered and gunned the engine toward highway and Cincinnati and city lights, away from small town, small apartment, what felt like such a small life. I do not remember where exactly we went salsa dancing, but if I close my eyes, I can feel the weight of his hand in mine on the dance floor, and his touch on my back as he led me in turns. I can taste the sweetness of the vanilla frozen yogurt he bought me afterward, something he had done dozens of times when we had been dating and had strolled along the gritty sidewalks on Ohio’s summer nights.

I remember that I laughed and laughed next to him in the car, and for those hours I forgot everything that hurt in my life. The sadness lifted and floated from my body like a bad and broken spirit only he could command away.

For that evening, I leaned into him. I had always been able to because he exuded confidence—his wiry frame buzzed with energy and a can-do attitude. An extrovert, with a near-constant smile on his face, he uplifted me. The summer we had fallen in love, and then that summer when I lived in Oxford, he shone: like a sun, like a full moon, like a star that could lead me home.

He drove me back to Oxford on highways then two-lanes and pulled off South College Avenue and idled in my parking lot as I got out. I walked to my building’s entrance, toward the glass door which led to a dark stairwell and to my apartment where loneliness clung like webs to the corners.

Before I went in, I looked back.

I did not want to go inside, and I did not want him to drive away, but I did not stop him when he did. I waved goodbye.

In all those years before my marriage, I had let him go each time. I had said no until it hurt, until he hurt, until I could not say it anymore. I had said no until the word became its own kind of religion that I did not question anymore.

And now, after my marriage and its implosion, I wanted to believe in yes so badly, I prayed for it.

•••

In late summer—that time of year in North Carolina when the heat feels more like rage, when stems and leaves go limp in reply—Michael wrote me a letter, as he sometimes did.

I had always loved his script because I knew it so well: small loops in perfectly straight lines across the page, as if he were sewing sentences on white fabric. I could nearly feel their softness if I ran my hand across the words.

He started the letter by calling me precious. On page three, he told me my heart was beautiful, and then that Jesus wanted all of it. “Choosing Him is the most important prayer I have for you,” he wrote. “Please commit your heart to Him fully.”

He wrote that he knew it would not be easy. “Turning from your past, and breaking from the pressure of family and culture can be difficult.” What he meant was that I needed to steer away from how my parents—the most generous-hearted people I knew—had raised me religiously, a blend of world faiths.

On the hardest days, their beliefs, now mine, buoyed me: that everything happens for a reason I might not understand yet; that life is a series of lessons I can get right or repeat; and that kindness and respect matter more than doctrine.

He was asking me, in essence, to take it all back: relinquish what I had known, abandon what had come before.

But what I wanted to take back was not my faith, or my God, or my version of the Truth. I wanted to take back that night in Oxford—not the whole of it, just the moment when I had pulled at the door handle, stepped outside his car, and moved away from him and toward the building’s entrance. If I could have taken it back, I would have let the car idle with me still in it, let the exhaust drift from the tailpipe like grey plumes into the darkness, let the humidity crawl in through the window and around us. I would have said to him, “Don’t go.”

But Oxford lay 534 miles northwest of Chapel Hill. In another state. Six years too late.

And in the end, if I had taken it back, what then? Would that have severed the storms from our story? We might have never saved ourselves from the rest of it.

Maybe in Oxford, I had let him drive away because I’d had the kind of faith in myself that I thought only other people had in other things. The kind of faith that pushed you past your failures, made you rise up from the pain; the kind of faith that waned and nearly broke in two, but if you kept it, it kept you.

•••

We have not spoken in a decade, but I remember him. Now, I use the dog umbrella, but only during light, un-slanted rains, as it’s small. I wear the top with the buttonhole neckline, but only when the seasons shift, as it’s made for neither hot nor freezing weather.

I still have the ring, although I don’t wear it or keep it in my jewelry box. Instead, the ring with the round stone drifts like a vagrant around the bottom of a purse. I move it from handbag to handbag but without any reason I can find logic in now.

Sometimes many months pass before I happen upon the ring again, and when I do, I am surprised by the little gold band, and how shiny it is, and the smooth stone that looks like a green eye staring up at me from the pit of the purse, and how fine and slight the ring is for how large a promise it once held, how big its memory.

•••

SHULY CAWOOD is a writer and editor who is currently in the MFA creative writing program at Queens University. Her creative writing has appeared in publications such as Red Earth Review, Naugatuck River Review, Camel Saloon, Rathalla Review, and Under the Sun. Shuly has work forthcoming in Ray’s Road Review, Fiction Southeast, and Two Cities Review. Her website is www.shulycawood.com.

Like this? Want thirty more FGP essays in honest-to-Betsy book form? Order here! (Awesome holiday gift. Just saying.)

How to Build a Fence

fence
By Gina Easley www.GinaEasley.com

By Melissa Duclos

In the early stages of my parents’ divorce, we started talking a lot about boundaries. Growing up we had none. My parents had been young when they had kids: twenty-four, then twenty-five, twenty-seven. At that age, I was still learning about the proper nurturing of hangovers. (A tablespoon of honey before bed, Advil and water in the middle of the night.) But my parents spent their mid-twenties raising babies. By the time my brother, sister, and I made it through college, my parents seemed relieved that we were all finally adults; now we could all hang out.

Even before the divorce, I knew more about my parents’ sex life than I did about most of my close friends’. At some point during my sister’s stint in therapy (all three of us had them), she started talking about boundaries, and it became a thing we’d sigh and roll our eyes about, comparing stories we never should have heard. It was nice to have a name for the thing we’d lacked. But we laughed about it too, treating missing boundaries like an annoying but fundamental aspect of our family, like our deep reverence for our Christmas traditions.

During the divorce, it stopped being funny. When my dad’s anger—at my mother, my brother, my sister—overtook him and had nowhere to go but into my ears, into my heart, I started thinking about walls and fences. About the differences between them.

“I can’t take this anymore,” I said to him during one conversation that had started with a list of ground rules that I attempted to present to him for our talks and ended with him screaming at me.

“Oh, you can,” he said. “You’re strong. You’re not going to die tomorrow.”

There was a small and fucked-up part of me that took that as a compliment.

But then I remembered that I was tired of being strong; I wanted to be protected.

•••

In some ways walls are easier. You can build them by yourself. Gather the stones: roundish but flatish, their shades of gray and their heft a reflection of your heart. Stack them carefully and pour cement between the cracks. You will sweat and you will curse, but eventually the person on the other side of your wall will disappear from view.

I thought about building a wall against my father. My father, who could not contain his anger or respect my ground rules. But he was also my father who flew across the country and stayed for three weeks when my daughter arrived a month early and my husband and I were barely holding our young family together; my father who would rock my fierce and jaundiced baby from eight until ten every night while my husband and I slept, steeling ourselves for the night ahead; who mounted shelves in our mudroom—anchored, he showed me, those suckers never coming out—even after he loaded them with mason jars, dinners that would last us for months. I thought about boundaries and pictured the wall I could build, and then I heard my son asking to call Grampa, to Skype with Grampa, to go and visit Grampa and maybe this time go fishing and the wall in my mind crumbled, an impossibility.

It would have to be a fence. Forget about white picket. We were long past that. I pictured split rail instead, the wood rough and splintery, already bleaching in the sun. Not a week after I erected it in my mind, my father simply climbed right over.

“Listen, I need you to ask your mother something for me. If you’re comfortable doing it. It’s a simple yes or no question.”

My mother has a wall: a new address and phone number that my father doesn’t know and  filters on her email to keep his messages from ever touching her eyes. Her wall is guarded by lawyers, but not against me. Of course my father knew this.

“Okay,” I answered hesitantly. I was standing in a corner of a crowded Hertz office at the San Francisco airport, surrounded by a pile of bags and car seats. As my children ran in circles around me, pausing occasionally to eat trail mix off the carpet, and my husband stood behind seventy-five other people in line to get our car, I cursed myself for returning my dad’s call. But I’d wanted to get it over with, whatever he wanted.

“I need you to just ask her if she is willing to start paying me for half the mortgage. Just yes or no. I need to know right away for the bank.”

“That seems like a question for the lawyers,” I answered.

He launched into a much longer explanation that I didn’t follow then and still don’t understand now, the point being that it was a simple thing really. He’d been prepared to pay her for half, and now she would just be paying him. Simple.

The question of what to do with the mortgage and who gets to keep the house is, of course, one of the central questions of the divorce, hanging in the air until a judge decides how to divide up thirty-nine years of my parents’ lives. My dad talked fast, and the noise from the rental office was deafening. My children screamed and jumped around and my daughter started licking my thigh, passing her tongue fully up and down over my jeans until they began to soak through, and I really had no idea what he was asking. I briefly imagined a world in which divorces were settled via messages passed through middle children. I refused to ask her. For a moment, I thought my fence might hold.

It didn’t hold. After I called my mother and fumblingly asked her a question that I didn’t fully understand but still knew was ridiculous, I felt like a failure. I wondered if I would spend the rest of my life caving in to other people’s demands of me, bullied and unprotected.

Metaphors can explain, and they can also absolve. Imagining that split rail fence—the awkward weight of the wood in my hands, difficult to hold, nearly impossible to nail into place by myself—made the setback easier to take. I hadn’t failed; I just really didn’t know how to build a fence.

•••

What seems to have saved my father and me were conversations that didn’t require fences. Conversations important enough to drown out the divorce: my disappointing news from the mortgage lenders first, then the drastic and inexplicable degeneration of his vision, the subsequent eye exams, diabetes tests, MRIs. I live across the country from my father but I was his emergency contact, the only family member at the time without a wall. His MRI was scheduled for eight in the morning, East Coast time. “I know it will be early for you,” he told me, “but can you leave your phone on, just in case?” I left my phone on and tried to imagine what a tumor in my father’s brain would do to my fence.

He doesn’t have a brain tumor. After a barrage of tests, his doctors could find no explanation for his loss of vision. He saw a new ophthalmologist, a better one, who gave him a new prescription and told him to come back in a couple months for another check. Wait and see. During the weeks that this unfolded, the pressure I felt from my father—to absorb his anger or deliver his messages—subsided. Maybe he came to understand the boundary I needed, or maybe my mother simply faded from his view as he was forced to navigate his first health crisis without her. Either way, he has left me alone since then, just me and my fence.

•••

I don’t know any more of the details of the divorce—the date of the hearing or who is asking for what, who is stalling or refusing to compromise. I don’t know how my parents spend their evenings, my father in the house I grew up in, my mother in her apartment; don’t know what my father eats for dinner, if he eats it at all; don’t know any longer the shape of his anger, of my mother’s sadness.

While ignorance has turned out to be an important rail in my fence, it’s a difficult one for me to maintain. In the vernacular of my family, “keep me posted” means I love you. We amass each other’s disappointments and anxieties as a way to show we care, and then we trade them, like currency. A middle child, I was always rich in other people’s problems. I am trying to equate ignorance with freedom, but right now it just feels like poverty. I built the fence, though, and now I have to stay behind it. It’s lonely here, but I tell myself that I will get used to the terrain.

•••

MELISSA DUCLOS received her MFA in creative writing from Columbia University and now works as a freelance writer and editor, and writing instructor. She is a regular contributor to BookTrib, Bustle, and Mommyish, and the founder of The Clovers Project, which provides mentoring for writers at various stages in their careers. Her fiction has appeared in Pound of Flash, Blue Skirt Productions, Scéal, and Bodega Magazine (forthcoming) and her non-fiction in Salon, Electric Literature, Cleaver Magazine, Fiction Advocate, and English Kills Review. Her first novel, Besotted, is a work of literary fiction set in Shanghai, for which she is seeking representation. She tweets at @MelissaDuclos.

Tell Us About Yourself

kissylips
By Gina Easley www.GinaEasley.com

By Rae Pagliarulo

In the later half of my twenties, I went on upwards of fifty dates, mostly firsts with no encore, thanks to everyone’s favorite exercise in social humiliation: online dating. Of the limitless options, three platforms emerged as major resources. E-Harmony, perfect for serious, generally religious, mid-thirties marriage hunters; Match, for a subset of the same not willing to pay as much because the guy from the bar around the corner might still turn into something; and most often, OK Cupid, the web version of a hipster bar, packed to the gills with tattooed Peter Pans in tight pants just waiting to quote obscure Neutral Milk Hotel lyrics to a knitter/baker/anarchist/novelist with a body like a Victoria’s Secret model and a genuine interest in brewing her own kombucha.

I’ve paid for three-month subscriptions and then renewed. I’ve paid for one-month trials and then cancelled inside of a week. I’ve been honest and succinct; I’ve lied and been verbose. I’ve posted artsy, moody pictures, smiling pictures, and full-body pictures with my hips turned so my belly pooch didn’t show. I’ve left a trail of carefully chosen breadcrumbs behind me with no guarantee that they would lead to who I was.

I’ve met men in bars, in restaurants, in parks, at the movies, and coffee shops. I’ve kissed them full on the mouth before we even decided whether or not to split the check. I’ve faked explosive diarrhea and left before the waiter could take our second drink order. I’ve told darling little lies, like I’m just getting over someone, or You remind me of my exfiancé. I’ve told awful truths, like I feel as much chemistry with you as I do a Brill-o pad, or We have so little in common that I’m amazed we made it past the half-hour mark. I’ve been compared to someone’s mother, my hips a mirror to her own childbearing ones (and it was meant as a compliment).

Before almost every single one of my numerous first dates, I have made myself sick. I have doubled over with awful stomach cramps and gone to the bathroom six times in an hour. I’ve eaten, then thrown up, then eaten again so I could drink on the date without passing out plastered on the sidewalk. I’ve taken herbal sedatives, shots of whiskey, and tiny pills etched with Valium Vs. I’ve meditated and done yoga and chanted. Legs up the wall, mind clear. Nothing worked.

Sometimes just getting in front of another person made the anxiety disappear. I could ask questions and focus on the answers instead of the awful ticker tape in my head. “Where did you go to school?” Get out before he realizes you’re so messed up. “Wow, the youngest of six kids?” God, why do you even bother?

Thoughts like that, and worse, have been running through me since childhood. Within the codependent universe of an alcoholic household, I grew up believing that something as insignificant as a drink or two could turn my biggest fan into my worst enemy. In middle school, after years of navigating my father’s volatile but high-functioning alcoholism and its effect on my family, I was diagnosed with panic disorder, a form of anxiety that catapults mere thoughts into inescapable physicality. One troubling feeling can snowball into a full-blown attack in minutes, and once it has landed in the body, reason is a pitiful remedy. Meeting new people was tremendously challenging, and I was relentlessly worried about falling for a duplicitous charmer like Dad. The question was not if every man I met would devastate me—it was when. Better to beat them to the punch.

Sometimes, within minutes, I knew the person I was with wouldn’t be enough to distract me, and the pain and sickness would escalate to the point where the date would end and I’d smile blankly, knowing I hadn’t heard a single word he said. I’ve sent myself home claiming I suffered from migraines, stomach viruses, a sprained ankle, a sore throat, and once or twice, in moments of breathless, sweaty desperation, I’ve admitted to ailing from the only thing I ever actually had: panic attacks.

Sometimes I hurled myself into the next passing cab, only peering out the slammed door to wave apologetically. Sometimes they insisted on walking me home, and I would want to scream, Leave me here! Turn back now! They would lean in near my front step to kiss me, smelling of too much Aqua Velva and a stealthily chewed piece of gum, and if the date had been awful, I’d dodge their eager mouths and hug them, hips held far back, before bolting up the stairs. If it were merely unfortunate or strange, I’d think the kiss could save things, maybe just a little, and I’d make out with a stranger while the neighbors watched from suspiciously parted mini-blinds.

Those kisses never saved anything. They didn’t save the Republican cook who fried tater tots in the back of a topless go-go bar when he lit up a bowl of weed in his living room, never bothering to ask me if I minded. They didn’t save the overzealous and surprisingly effeminate dancer/photographer who placed his hands on my hips and complimented the fashionable details of my dress like a jealous girlfriend on a shopping trip, instead of sending lightning bolts down my thighs. They didn’t save the milquetoast retail worker who had no professional aspirations or genuine taste in music, beer, or movies, or the tattooed music teacher who wrote manifestos on cocktail napkins and was ceaselessly “just about done” his novel, or the sensitive Jewish middle school teacher who harbored badly hidden desires for unprotected sex and hand-jobs given in public.

They didn’t save Jon, a beer brewer who looked more like a pen salesman—mousy and unassuming in his photos, but I was taking my best friend’s advice to heart and giving anyone with half a personality a chance. “Shots on goal,” she’d say to me when I slumped home from another disappointing rendezvous. “Even if you shoot and miss every time, you’re upping your average.” My analytical brain leapt with deranged joy at the chance of standardizing and measuring a process that felt completely unpredictable and random. It became my new mantra, the thing I mumbled when I responded affirmatively to dates I had no interest in attending.

Jon and I met at a whiskey bar, lit low with mason jar candles and old-fashioned yellow-stained pendants. He was nice enough. He looked fine. He made me laugh once or twice, and when he kissed me on a busy street corner at the end of the night, I didn’t stop him. A homeless man told us to get a room, and in response, Jon placed his hand respectfully on my right ass cheek, as carefully as he would on a Bible while taking an oath.

I saw him twice more, simply because I didn’t have a good enough reason to stop. There was nothing wrong with Jon, but nothing quite right, either. Where I looked for sex appeal, magnetism, and a slanted take on the world, I found only politeness, consistency, and a rut right down the middle of the road, where he and his views so comfortably walked. On our third and final date, we had weak drinks, pleasant conversation, an uneventful walk up Walnut Street, and a boring stroll through Rittenhouse Square. We sat on a bench and the moment his arm reached up, over, and around my shoulder, it started.

The sweating, the heart palpitations, and terrible shortness of breath. Suddenly, his arm weighed a ton and I was being pushed under the bench, into the ground. I felt suffocated. “What do you want to do?” he asked courteously.

I want to run, I thought. I want to throw up right here on the ground and then run home. “I dunno,” I mumbled, trying to smile. I hid it for as long as I could, licking my lips, wiping the sweat from the back of my neck. I had all the composure of Tammy Faye Bakker in the last hour of a telethon. Before I knew it, I was yelling something about the stomach flu to him as I ran across 18th Street, ignoring the red light, waving my arm desperately for the five occupied cabs hurling down the lane towards me. I wheezed and shook the whole way home, and ignored his text messages: R U OK? When can I see U again? I knew the answer was never. He couldn’t see me—nobody could.

Those kisses, they didn’t save me, either. Each subscription lapsed, and I dejectedly read each vaguely threatening auto-response email from behind my brick wall. If you don’t act now, we will take down your photo and profile. You will not be able to see your match. He’s out there. We’ve got him right here, in fact. He can’t wait to meet you. Just update your credit card information. That’s how they get us, the hopeful and desperate. This site is the one place we haven’t looked. His profile is the one we haven’t yet clicked on. Signing up for these websites feels like gambling through a losing streak. If you pull the lever enough times, you’re bound to get a cherry or two. The cocktails, the small-talk, the hundred different ways I came up with to describe my favorite foods, my aspirations in life, the places I’d vacation if I had a million dollars—I wonder if it all brought me closer to the final goal, The Guy, or if it just kept me distracted during the inevitable wait.

That’s the thing about fate. Those of us who keep a white-knuckled chokehold on reality want to believe that things happen because we work for them. The idea that it all occurs the way it’s meant to, no matter what we do, is dizzying and takes the ground from under our feet. So whether it’s true or not, whether it’s a lie I tell myself or the God’s honest truth, I’m grateful to E-Harmony, to OK Cupid, to whiskey in dark bars and coffee on Sundays, to panic attacks and stomach cramps, to lies told to strangers and truths admitted over the phone after midnight. I’m thankful I didn’t give up even though I wanted to a million times.

It feels cheap to admit that after all that, it actually worked once—that I met someone on OK Cupid who, for some reason, never made me want to throw up or run away. He was the last person I messaged before I decided to deactivate my profile for the last time, after a particularly rough streak. Feeling an uncharacteristic surge of hope, I took a final shot towards the goal, writing a curt but cute message to him around dinnertime, and issued an unspoken deadline of midnight for a response before I clicked the “Delete My Account” button with an outstretched middle finger. Twenty minutes later, we had made plans to meet. Why did he lock into place so effortlessly when so many others felt around in the dark for a connection? It could have been instinct, his deep-set blue eyes, the cosmos, the wrinkle along his left ear, or maybe my tired, agitated soul felt the same fidgety weariness in him. But I think I’m okay with not knowing for sure. It’s not my job to understand why some things crash and burn while others flourish. It’s my job to tell the story when it all shakes out.

•••

RAE PAGLIARULO is an MFA Creative Writing Candidate at Rosemont College. Her work has been featured in West Chester University’s Daedalus Magazine of the Arts and Philadelphia Stories, and is anthologized in The Best of Philadelphia Stories: 10th Anniversary Edition. She is also the 2014 recipient of the Sandy Crimmins National Poetry Prize. She works and lives (and dates) in Philadelphia.

Love, Luck, and Letters

heart stone
By Gina Easley www.GinaEasley.com

By Glendaliz Camacho

Letters from JR (2012)

On a February night in 2012, there was a knock at my door. When I looked through my door’s peephole, I saw a young man in my hallway. My neighbor’s son from upstairs. I figured that he was going to ask if I had heat or hot water or to borrow something, so when I opened the door and heard him say, “I’ve been wanting to talk to you for a long time. Are you seeing anyone?” I put my hand up for him to stop talking and told him I’d get my keys and come out into the hall.

JR stood on the second step of the landing between our floors. He was built like the high-school football player he’d been—thick neck, broad shoulders, muscular legs. By the way his eyes, the color of wet soil, drifted up into a corner of the ceiling like a student remembering what the textbook said, I could tell that he’d rehearsed this in his head until he’d finally built up the nerve to do it. I knew what I should say. Point out our age difference—he was twenty-three, I was thirty-three. Point out how different we were as people—he wore his pants three sizes too big and I’d once heard him have a yelling match in the front of our building with his ex-girlfriend, while I stopped liking guys who wore baggy jeans in ’96 and kicked my previous boyfriend out for being too chaotic.

It would have been easy, too; it would’ve taken me all of a minute to say, This is sweet but no thanks. Instead, I gave him my phone number.

Breaking both cardinal rules I’d laid down the next day in his bedroom—this is not a relationship and discretion was required—JR and I went on dates, he met some of my friends, and we held hands in public. I played Otis Redding songs for him, introduced him to Carlos the Jackal via a mini-series, and read him Thich Nhat Hahn. He’d drive me to work and pick me up almost every day and make me tea in the evenings.

To see myself through his eyes was to witness feats of sorcery. The thrill was in coming up with more and more things to expand and amaze him with. All random things that I was into that he’d never been exposed to or never had the freedom to express interest in because of the street life he was drawn to. If I stopped too long to think about it, I knew I would find my relationship with JR to be unsustainable, but I swatted the thought away in exchange for how good the attention felt.

One evening, detectives knocked on JR’s door. I lied and said he wasn’t in. They left their card, saying they just wanted to ask him a few questions. JR admitted he’d committed a robbery. There was a good possibility it was caught on video. A week later, he decided to turn himself in.

We spent that evening sitting on the steps of the elementary school that we’d attended, across the street from our building. We had started out the same—two kids with cartoon backpacks and fresh pencils. As much as I joked that my School of Making Better Men was closed, I believed that boy could reemerge, the boy that went to the same gifted junior high school I did and earned a college football scholarship. From the corner at the top of the hill our building sat on, I watched him walk away until he disappeared into the precinct. He was sentenced to five years.

We wrote each other almost every week, at first. JR’s first letter began, “I miss and love you so much. I wish and pray I can go home to see, hold, and sleep with you again.” Another letter continued, “I also find myself trying to ascertain how or why you love a monster like myself. I know I haven’t shown you that side of me, but based on my way of living alone, it should’ve kept you at a distance from me.”

In another letter, “I still can’t believe I’m so lucky to have a woman like you on my side. My shrink tells me that I should call it a blessing, but I call it luck, because blessings have nothing to do with love. Luck has everything to do with it. Then he asked me how do I figure that and I explained, love is luck because not everyone in this world will ever know what love is, nor will they ever experience it. It’s like stumbling upon money in the street. That’s not a blessing, you was hit with enough luck to find that money.”

He closed another letter with, “please don’t leave me alone because without you, I’m just the same old monster I’m known to be.”

After a few months, I stopped writing back.

First letter from John (April 2013)

One afternoon, I checked my OK Cupid account to find a message from JLRodriguez. “Had I recognized you for you I never woulda stopped, but I did, and you probably already got a message that I did…so I will play this however you want me to,” it read. I had randomly popped up on his matches, and he didn’t recognize me until he was already in my profile.

I recognized JLRodriguez as John, a poet I met at a reading in the lower east side two years prior. We’d already been connected on social media, but the reading was our first interaction in real life. He leaned in conspiratorially and asked what happened between me and a publisher that caused the short-story anthology I was editing—that included one of John’s stories—to come to an abrupt halt. Wary, I gave John a diplomatic answer, something about my sense of timing with the publisher’s not being compatible. We didn’t speak again until a year later when we were reading at the same event. We were cordial, nothing more.

In his message, John closed with, “I’m looking like you are, and you look good. At any case, I do hope you find whomever you are looking for.”

I got called out on something I thought I’d hidden well. I was looking. I had been tirelessly looking since I was a child: for answers, love, approval, freedom, happiness. When I found some form of these things—in a conversation with my father, in a new love interest, in an acceptance letter—I sought it out in another way—spirituality, a new love interest, an acceptance letter to something else. Contentment is only a plateau, never a permanent state.

I liked that John offered to meet me on this plateau, as a fellow seeker, but with the openness to know that we might not remain there. If, scrolling through online profiles, I would’ve seen and recognized him, I also would’ve passed, but there was some significance to my appearing on his feed. One that was worth exploring.

Love letter from John (June 24, 2013)

On our first date, John and I had lunch at a Mexican restaurant that had a photograph of Marilyn Monroe on the bathroom wall. I told John I had been reading about the siren archetype and Marilyn Monroe, the prime example. I didn’t tell him that I took a photo of the picture thinking it was a good omen. We talked about Mourid Barghouti’s memoir and Rita Moreno’s autobiography in the park across the street from the restaurant. He gave me a tour of the college campus where he taught freshman English composition courses. It was one of the best dates I ever had.

John was the type of guy to listen to me over the phone so intently, I would ask if he was still there. One day, when I was marooned on my couch with a fever, he brought over tea, Gatorade, and croissants. We often spent time wandering through museums or at readings. He’d send me YouTube links to Wu-tang mashups and I’d send him Robi Rosa or Florence and The Machine songs. He introduced me to Vampire Hunter D and Dungeons and Dragons alignments. I was on equal footing with him intellectually and emotionally, standing on that plateau of contentment. If there was a right way to do a relationship, this was the one I’d gotten the most right. JR was the last page of Act I and John was the first page of Act II.

John was also the type of guy who when I ran out of toilet paper or Brillo pads, brought it up constantly as something that should never happen to an adult. In his thirty-nine years, he’d never once let that happen. The first time I made a meal for him—vegetable lasagna—he said that it was almost, but not quite, as good as his mom’s. In social situations, things could go either way: he was sweet and inquisitive or visibly uncomfortable until he was a block of ice. I wrestled with these pros and cons, but the pros still far outweighed cons.

When I was accepted into a week-long writing workshop in Berkeley, John dropped me off at the Airtran at JFK Airport. We hugged and kissed. “It’s just a week. I’ll see you Monday,” he said. A couple of days later I received a letter via email.

My Glendaliz:

We are far now, so very, and I want you to know how wonderful you make everything.

More than that day, when I saw that picture and wondered who was that beautiful woman; more than when I knew who she was; more than the red-cheeked rush of wonderment in writing you; more than reading your acceptance; it was your willing hand in mine.

You made me feel worthy of love. No one else ever has. It was always me dreaming, forcing the clichéd longing of pseudo-romance. You welcomed me and accepted me and for that, more than anything else that I have experienced, I love you.

You make loving so easy. My time, my concern, and even my Gmail password— it comes as no surprise that I share these things with you, that you find me good at sharing, at noticing, and that you are great at reading me, that you understand, and are willing to deal with the strange seeds watered around me.

With all my love,

Your John

I called to tell him he was the absolute best for sending me a love letter. We talked for about an hour. I can’t remember about what exactly, mostly about how things were going for me in the workshop. It was the last time that I ever heard his voice.

When my week in Berkeley was drawing to a close, my instructor pulled me aside during a break from our workshop and told me John was dead. His mother’s body was found earlier in the week, in her apartment, a hammer next to her bed. John was found a couple of days later when he never checked out of a hotel room where he slit his wrists in the bathtub. When I received his letter, he had already killed his mother and I imagine he had already decided he was going to kill himself.

That OK Cupid message, at first so ripe with fate, now seemed like nothing more than a cosmic joke, a lesson sent by a god in a Greek tragedy to humble me. I reread his letters daily. So many things had to align for John and me to meaningfully cross paths: algorithms, previous break-ups, the science behind what we found attractive. I kept regressing down that line of thinking until it seemed possible that even our parents leaving their respective homelands were part of this enormous web that extended further and further into history itself. If this wasn’t an aleph, it was the closest I ever came to a moment where every thing was visible at once, and painfully so. It was overwhelming to grapple with thoughts of chance, fate, and the way time moves more like nesting dolls rather than in any linear fashion, all while crying, making John’s final arrangements, and trying to meet the daily demands of work and parenting.

I did, however, begin to feel that there was still significance in joining John on that little ledge of contentment, beyond notions of good or bad. There is a quote by the sorcerer Don Juan Matus, from Carlos Castaneda’s books, that says, “The basic difference between an ordinary man and a warrior is that a warrior takes everything as a challenge while an ordinary man takes everything as a blessing or a curse.” The challenge for me was to hold on to goodness and mercy, and the world as a place where these things still existed.

Something in John’s letter prodded me. “My time, my concern, and even my Gmail password.” A list of things he’d given me, except for the password. Yet, here he was saying I had it. John was a poet and he had established a rhythm here, then disrupted it. One night, I was up with newly acquired insomnia when I remembered that he’d once asked me for a favor. He’d given me his Submittable password and asked me to send his manuscript to a publisher. I typed that password into his email and it worked.

John had emailed himself a letter and addressed it to me. The subject line was “just in case,” but I think that he knew I would find it because he counted on my looking. He apologized if I was hurting. His use of the word “if” was grating, as if there was any way I couldn’t be hurting. He said his favorite times were with me. The last five lines read:

You.
You made me a believer in love.
You made me believe.
You did that.
You.

Letter to John. (June 24, 2014)

On the morning of the one-year anniversary of John’s death, I wrote to him.

Hey John,

We haven’t spoken in a minute, I know. You’re certainly making up for that. This morning, I hear you everywhere. And I know there are things we still won’t talk about.

I workshopped an essay about you last week. My group critiquing it said they couldn’t see my love for you. They felt distance there. And they were right. It’s because I still feel shame for having loved you. You left me with a lot of shame, John. To be ashamed of good memories is a fucked up thing.

Anyway, it made me think well, how to do I revise this? What were the things that made me feel love for you? And I keep coming back to that morning we wrote together. You, working on that sci-fi novel. Me, on a short story. That morning, I looked over at you and thought this could be a lot of Sunday mornings. Our equivalent of reading the Sunday Times or going to farmer’s markets or whatever couples do on Sundays. It was symbiotic. It wasn’t that aficiamiento where you’re half-crazed over someone, and I think you knew that. It was the sense of partnership, of working, creating, side by side. Harmony. That’s what I didn’t say in my essay. That this part was so stellar that I was more than willing to work with the more jodon parts of you. Yes, jodon.

People ask me if I think we’d still be together. I always say no, without missing a beat. I don’t know whose benefit that is for. I say the critical, unbending parts of you would’ve swelled like a supernova to overshadow everything.

You know, eventually, I don’t want to remember this date. You, of course, I’d like to remember random things and laugh, but this date, no. I won’t mark it forever so maybe I will talk to you next year. Maybe I won’t. In any case, I’ll see you around, John.

-G

Last letter to JR. (September 2014)

I intended to write to JR because I was working on this essay. I didn’t. It’s been about a year since I’ve written to him. I know that the last time was after John died because I have a letter from him that says, “I won’t lie, I’m glad you’re still single but I’m very sorry about your friend.” I didn’t see the point of getting into details.

I save his letters, the first ones still bound with white ribbon as if I would be able to keep everything that neat for the duration of JR’s incarceration. The ones that came after, the ones I had time to read, but never got around to answering, are piled haphazardly on top. Maybe I’ll still receive the sporadic letter from JR, but one day the letters will stop completely because he will be home, a twenty-eight-year-old man who may not see love, or perhaps me, in the same fortuitous light as before.

I used to wonder if JR grasped the nuance between the terms “luck” and “blessing” when I reread his letters, but it was I that had been using them interchangeably, like shrimp and crab in the same chowder, close enough that I couldn’t be bothered to distinguish between them. Blessings elicit gratitude because of their benefit, suggest having taken action to achieve or suffering to earn. Only good people are blessed. Luck, on the other hand is as transitory and undiscerning as love itself. A spin on a wheel. But lucky or unlucky, blessed or cursed, none of those words really seem to be a good fit for the magnitude or complexity of loving or being loved by JR or John. It was both and neither and all.

•••

GLENDALIZ CAMACHO was born and raised in the Washington Heights neighborhood of New York City. Her writing has appeared in All About Skin: Short Fiction by Women of Color (University of Wisconsin Press, 2014), Southern Pacific Review, and The Acentos Review, among others. She was a 2013 Pushcart Prize nominee and is currently working on a short story collection.

Summers of Smoke

smoke
By Christopher Najewicz/ Flickr

By Susan McCulley

Late on a Connecticut summer night, a young man drives home after a date. He smells smoke. But he doesn’t see the fire until he gets to the pond at the bottom of the hill. Across the water a house is burning. Orange flames reflect on the water between the lily pads. He and a neighbor climb through a window, into the blackness, and pull an old man out of the smoking building. It is 1973. The old man is my grandfather.

•••

In early June 2014, my builder husband Frank complains of back pain for several days running. That can happen when he’s busy, and right now has several construction projects going at once. One house is in the last stages so there are thousands of details to track and a string of sub-contractors to direct. As he hobbles across the kitchen, we exchange pained smiles: Frank’s stress shows up in his back. It’s just stress. But the next morning, my beloved Frank crawls to the bathroom.

•••

My father gets a call at two a.m. at our house on Buzzard’s Bay near Cape Cod. His father, probably in a haze of alcohol, has fallen asleep while smoking in his favorite leather chair. The ambulance is taking him to the hospital with terrible burns from the fire that has destroyed his home. Dad immediately starts the two-hour drive back to Connecticut, headed for Middlesex Hospital. An hour later, doctors decide to transfer my grandfather to the burn center at Yale-New Haven. Realizing that Dad is driving in the wrong direction, his closest friend waits for him on the shoulder of I-95. At three-thirty in the morning, he waves Dad down and gets him to Yale-New Haven.

•••

We find a pair of crutches for Frank but they are awkward and uncomfortable. He settles on using the gnarled walking stick that he made from a dried Arizona cactus. Doubled over and shuffling along, he looks like a six-foot Yoda. The Force, however, is not strong with him. It is painful for him to sit, stand, or lie down. He goes to two massage therapists and a chiropractor and walks out of each appointment in more pain than when he walked in. We cancel a dinner with friends and then a visit with my family. At eight o’clock on a mid-June Saturday night, I call a friend who had back surgery not long ago and beg for Percocet. She gives me kindness, compassion, and every painkiller she has.

•••

My grandfather’s neighbors board up the fire-smashed windows of his home the next morning. In the hospital, Poppa is heavily sedated and asks my Dad to “clean up the house a bit” to get ready for a visit from his sister and her husband. My father has a long conversation with Poppa’s doctor about his condition, his prognosis, and his personality. The doctor says they can keep my grandfather alive, but he would need constant care and would be completely immobile. Poppa has no living will, so the doctor asks my father how he thinks Poppa would feel about that. Dad tells the doctor honestly about his father’s stubbornness, his fierce independence, and his recent battles over needing an in-home health care nurse. The next morning, the doctor calls to say he is terribly sorry but Poppa has died.

•••

Frank says he knows that the pain will go away. He’s been researching back pain, and he’s pretty sure it is just a matter of time before he feels himself again. It’s also possible that it’s not just stress. Maybe something else is going on. He goes to his doctor and gets some steroids and his own prescription for Percocet. He wades into the health care system to figure out what is happening in his spine. He has an X-ray that shows no arthritis and no bone damage. The doctor submits the paperwork for an MRI but it will take a week to ten days before it will be approved. The steroids make him sleepless and sweaty as a teenager. His right shoulder now has bursitis from his sleeping in only one position. We are at sea as to what to do and how to drag ourselves through the pain: his physical pain and my emotional pain watching him.

•••

My father’s father, my Poppa, was older—both in years and in spirit—than my tractor-driving, sailboat-captaining maternal grandfather. In my nine-year-old eyes, he was scratchy on the outside with a prickly mustache, wool suits, and a wool hat with bristly feathers. He had a bristly personality, too, and scolded me for eating like a bird. But his tender insides showed when I trick-or-treated at his door or when I sat with him on his deep leather chair to watch the Rose Bowl Parade on his color television. He drank more after my grandmother died and he smoked until his fingers were stained brown. My strongest memory of Poppa is his thorny-mustache kisses that smelled smokily of cigarettes.

•••

With a cocktail of painkillers, Frank can sleep but, after a couple of hours, the pain pokes him awake. After weeks of determined optimism, he finally crumples. At midnight, he sobs hot tears of pain, fear, and frustration, “What is wrong with me?” Hands resting on him gently, I am paralyzed with the exquisite anguish of helplessness. I’m in such despair that I can’t even cry, furious that no one can help us. After a time and another Percocet, Frank quiets and lifts his head with irritation, “What is that noise?” A scratching, like a mouse or a bat is coming from the woodstove stovepipe and it is driving my sweet man crazy. I leap into action. I can’t make the pain go away, but I can make the bat go away! Intent on new-found usefulness, I stuff paper into the woodstove and light it—not thinking that it’s late June and hot outside so the chimney won’t draw. In a minute, smoke fills the house and I’m crazily sealing Frank safely in the bedroom, opening windows to the thick, humid air, squashing out the burning paper. In the morning, I’m sure that the whole ridiculous scene was a Lucille Ball nightmare except the smell of smoke lingers in the living room.

•••

When Poppa dies, Auntie Jane, my father’s only sibling, flies in from California. She comes for the funeral, presumably, but my only memory of her visit is of my mother and her at the kitchen table drinking and smoking cigarettes. I have never seen my mother smoke. She sees me staring and mumbles that she shouldn’t be doing it. “You deserve it, honey,” says Auntie Jane loosely holding a glass heavy with ice and amber and leaning against the bright yellow kitchen wall.

•••

Frank’s MRI is finally scheduled but his morning appointment is scuttled. He simply cannot lie flat and still in the tube of the machine. My kind, gentle Frank yells and swears at everyone in earshot. “I feel like a fucking old man!” I don’t argue. In just a few weeks, he’s aged decades. The technician tells him to get as much painkiller as he can from the physician and come back.

Hours later, after a torrential rain, we return to the hospital with Frank double-dosed with Percocet and Valium. We pull up to the main entrance under towering pink-gray clouds like billows of smoke from a nearby fire. Between the drugs and the pain he can barely put two steps together, so an elderly hospital volunteer and I help him into a wheelchair and I roll him to the imaging lab. I do my best to make light of it, slaloming down the hallway, but the sight of my strong fit man withering in a wheelchair breaks my heart. The MRI technician suggests I sit in the waiting area, but I will have none of it. I’m not leaving him. Together, the tech and I slide Frank up to the MRI bed and gingerly he hoists himself up. The tired-looking technician arranges Frank’s legs straighter and he is howling and swearing again. She looks at me. “Do you have any more drugs?” I do: two Percocet and two Valium. Frank takes them down.

•••

The rest of the summer of 1973 is soaked in the smell of wet smoke. Every morning, my parents go to the wreckage of Poppa’s house, pull out whatever they can salvage, and toss the rest. They come home every night reeking of soggy soot. Everything in Poppa’s bedroom is destroyed. The intricate family silver and my grandmother’s cobalt blue glasses are melted and unrecognizable. The leather chair and the color TV blackened and soaked. Mom and Dad find some photographs and the big leather-bound family Bible with the metal clasp. Decades later, it still wafts the unmistakable smell of fire whenever it is opened.

•••

Frank sits in the wheelchair with his head is in his hands. The beleaguered MRI tech ushers us into an empty examining room. “Give the drugs some time to kick in,” she says and closes the door on us. I squat down, roll him up close, and press my forehead to his. “I’m right here with you, sweetheart. I’m right here.”

Frank cracks into sobs and says thinly, “It hurts so much. I just want it to stop.”

After a time, all those drugs make his eyes go smoky soft. I put my head into the tech’s office and tell her that he’s ready. We gently slide him onto the machine, straighten his legs, and look at him cautiously. “Okay?” we both say at once. He nods. She hands us both ear plugs like the ones airline workers wear on the tarmac. “You can stand right there and reach in and touch him. It won’t hurt anything,” she says. I put my hands on his head and stroke his hair while the machine sings and groans and zings oddly for nearly thirty minutes. Only after it’s finally over do I look up and notice a back-lit oversized photograph of purple and yellow crocuses on the ceiling.

•••

In the summer of ’73, long before playdates are a thing, a different family takes care of my sister and me every day. Since we had planned to spend the summer on Buzzard’s Bay, we have no day camp or activities in place—only friends. Every day, when my parents go off to dig through Poppa’s burned house, another family has us over to go to the pool or the beach, play in the sprinkler, go out for ice cream. Once, we spend the afternoon with my grandfather’s next door neighbor, the one who pulled him from the bedroom window. He has kids our age and a great swimming pool so it’s a welcome place to be, but the pull of the fire-wrecked house next door is strong. I can smell it across the yard. The kids dramatically tell me not to look, not to go over there, but with equal drama, I sneak to the edge of the yard and peer through the bushes. The plywood-covered windows are like empty eyes. The gray siding above each window is smeared with long black soot smudges like bristly eyebrows.

•••

After the MRI, I drive Frank home, slide him back onto his perch of pillows on the couch, and go to get him tea and an ice pack. When I come back he’s looking at me with tears in his eyes. “How does anyone ever do this alone?”

Up until then, I had made only shy, tentative requests for help from my sister and my closest friends. Gingerly asking if maybe, possibly, would you mind too much, could you please help us? My dearest ones were right there in an instant. Even so, I was ashamed to ask. I felt like I should be able to handle this, that I shouldn’t feel so overwhelmed. That I shouldn’t need help.

Frank’s MRI shows a herniated disc in his lumbar spine that is pressing on his sciatic nerve. Just as the pain branches out from Frank’s compromised disc, I decide to reach out and ask for help. I send out a group email to friends and family explaining what is happening, what we know, what we don’t. In less than a day, friends start pouring in. Some bring enormous meals with funny, handmade cards and flowers. Some come play cards and Backgammon and watch World Cup matches. One sings him a song about chickens. The love pours in our door like a river.

•••

Frank’s back begins to heal, but the summer continues to burn. Four close friends’ fathers die. Another friend, younger than we, is diagnosed with colon cancer. Yet another friend has abdominal surgery to remove a painful and suspicious tumor. A neighbor is killed in a biking accident. A therapist of several friends commits suicide. The sadness and loss is staggering, relentless. The summer suddenly feels unpredictable, scary, dangerous. I take Frank to physical therapy and to get an epidural shot. I write sympathy cards, bring a bag of bagels to one family, bowls of cold summer soup to another. I feel disoriented, suffocated, blinded by all the sadness.

•••

I’m delivering a platter of roasted vegetables and a bowl of melon to another friend singed by the summer of 2014 when I suddenly remember the smoky summer of 1973. I remember the play date at Poppa’s neighbor’s house. I remember the smell mostly—the rest is hazy, except for how odd and disorienting it was as a child. I wonder what it was like for my parents.

When I ask my father about the summer of 1973, he says that what he remembers is the kindness and generosity of so many people: of the young man who spotted the flames, of the neighbor who helped him pull Poppa free, of my father’s friend who flagged him down on the highway, of the wise doctor, of people who just did what needed doing. “People are pretty awesome,” he says.

This summer has cracked me open. It’s challenged me to do things and be with things beyond what I thought I could. The edges of my heart are sore and aching from all the sadness and disappointment and loss. The fibers of my compassion and empathy muscles have been stretched and strengthened. I hug longer now, look with softer eyes, am gentler with my words. I’ve let go of any illusion that I have control over a single thing.

Memory is a funny thing. My father looks back on the tragic death of his father and it is the support, care and kindness that he remembers. As traumatic as it must have been, for my dad the summer of 1973 was about love.

It’s been forty years since Poppa died, but it’s only been a couple of months since Frank’s been walking without his Yoda stick. The string of memorial services is still unwinding. The soreness and bruising from the summer of 2014 are tender, and it is a tenderness that I hope never goes away. I have been tempted to call it The Summer of Sadness, but honestly, that’s not how it feels. The feeling of the summer of 2014 is love. The rest disperses like the smoke from a single match.

•••

SUSAN MCCULLEY is a mindful movement educator and a Black Belt Nia Instructor who has been dancing, traveling, and teaching since 2000. Her blog, Focus Pocus: The Magic of Inquiry and Intent (www.focuspocusnow.com), is dedicated to taking body~mind practices from the studio into life. This is her second essay for Full Grown People and others have been published on Elephant Journal. She lives with her (now fully healed) husband in Charlottesville, Virginia.

The Perfect Song

mixtape2
By Chris Breikks/ Flickr

By Browning Porter

My daughter Shannie is singing an old song. It goes:

Meet me in the middle of the day.
Let me hear you say everything’s okay.
Bring me southern kisses from your room.

She’s eight, though, and she has a lousy ear for pitch, so it’s all off-key, sliding around the melody like a kid in socks on a hardwood floor. Which she is also doing literally.

Meet me in the middle of the night.
Let me hear you say everything’s all right.
Let me smell the moon in your perfume.

The song is called “Romeo’s Tune,” by a guy named Steve Forbert, and it was a hit in 1980. It made it to #11 on the charts. Shannie likes it. Maybe because she’s a precocious Shakespeare fanatic, and Romeo and Juliet is her second favorite Shakespeare play, or maybe because it’s a pretty good song.

I remember when I first really became aware of this song. It was the summer after my first year in college, and my friend Phil and I were trying to score some weed. So we decided to drive two hours from DC all the way down to Charlottesville to visit my cousin Missy. Missy was a few years older than me, twenty-two or so, and she was one of my favorite cousins. She was very pretty and sweet, a kind of fun-loving hippy chick with a boyfriend who played guitar for a popular Grateful Deadish jam band, and I was pretty sure she would know where we could get some marijuana. So we went to visit Missy, and sure enough she did have a little sack of weed, which, because she was such a sweetheart, she just gave to us. But before we left, she said, “You should listen to this tape.” And she pulled out this cassette tape and put it in a boombox, and we all smoked a bowl and started listening.

This tape was a work of art. The little paper insert to the plastic case had been made by hand, a collage of old comic strips and wrapping paper, with a title drawn across the spine spelling out VARIOUS MUSICKS. The K was pretentious, or ironic, or both. It had a song list typed by an old ink-blotchy typewriter and pasted in place, and it was filled with deep cuts from Blondie and Neil Young and NRBQ and The Stranglers and “Romeo’s Tune” by Steve Forbert. I asked Missy who had made it, and she said, with a hint of embarrassment, the name of a boy. I can’t remember the name. His name meant nothing to me. But we kept listening. “Do you like it?” said Missy. “You should take it.” And I did.

I listened to VARIOUS MUSICKS with a K for years, riding in my car, or in the background on a sunny afternoon. One of the things I loved about that tape was that its creator was so clearly smitten with my cousin Missy. The whole thing was filled with longing and hope and despair. Which I understood completely. Missy was lovely. She must have had guys falling in love with her all the time. And I knew how that felt to fall in love—not with my cousin—but with girls like that, and so I couldn’t even remember this guy’s name, but I felt a kinship with him when he tried to speak to her through Steve Forbert’s “Romeo’s Tune. It was the perfect song for a mixtape. Meet me in the middle of the day. Let me hear you say everything’s okay.

I felt a little sad for him that his mix tape to Missy had missed its mark. That it had fallen into hands of some random younger boy cousin.

Oh, Gods and years will rise and fall,
And there’s always something more.
Lost in talk, I waste my time,
And it’s all been said before,
While further down behind the masquerade
The tears are there.
I don’t ask for all that much.
I just want someone to care.

Well, I was someone—not the right someone—but I did care. It was the least I could do, to appreciate how he felt, and I did, often, for many years, until the invention of the CD. All the mixtapes I made myself over the years were a little inspired by his.

•••

Years later, I was standing in line at the grocery store, and my eyes were drawn to this woman waiting in the next line over. I didn’t recognize her, and yet somehow I did. It was the strangest feeling. I was sure that I’d never seen her before, and yet I felt I’d known her all my life. I couldn’t keep myself from sneaking glances. I never believed in anything so silly as love at first sight, but there was something happening here that refused to be explained. It wasn’t that she was extraordinarily Helen of Troy beautiful or anything. I just had this feeling, like we’d known each other long ago in a dream that I could almost remember, and all I wanted to do in that moment was to meet her and make sense of this. Which was awkward. Not least of which because I was married. Maybe not blissfully married, but still. What the hell was wrong with me?

And then—BAM—suddenly I understood. I knew who she was. She was the older sister of my best friend in high school. I hadn’t seen her over a decade, long enough for me to enter some eerie, liminal state between remembrance and forgetting. It felt a lot like being in love. I don’t know, maybe those two states occupy the same region of the brain or something. But stranger still, and kind of sad and lucky given that she and I were both all grown up and married, was that as soon as I knew who she was, the sensation of being in love went away, and she went back to being a girl I once knew grown into a woman. It was like losing your footing and catching yourself, a second of being airborne and weightless and in peril, except that the peril is delicious in a way that didn’t even know you missed, and when you are safe again in the gravity of your life, you go on missing it for a bit as you carry your bags to the car.

It wasn’t as though I’d even had a crush on her in high school. I liked her well enough, but I liked all girls back then. And she was three years older than my friend and I. We were pimply little frogs, and she was a benevolent, big sister, soon off to college. I had only a handful of memories of her. One of them was that that summer we’d been at my friend’s house, and I had been playing VARIOUS MUSICKS, and she popped her head in to say hello, and she’d heard “Romeo’s Tune,” and she said, “Oh, I love this song. I always liked that line about how they fade like magazines.”

I hadn’t really noticed that line yet. And after she said that, I always noticed it. And ever since I’ve always loved that line as well.

•••

I met Steve Forbert. My band opened for him one night at the Gravity Lounge. All these years later, he was still touring, driving himself from town to town, playing tiny rooms, rooms so small that a band as obscure as mine could share the bill with him. I was kind of excited to meet him, though what could I have to say to him except that I’d always loved his song “Romeo’s Tune.”

And it occurred to me that this was probably something he’d heard so often that he must be sick of it. I would be. Think of it. He had one hit song in 1980. It made it to #11. And that was the highwater mark of his fame and fortune. I couldn’t name another song that he’s recorded in the next thirty years, and I was willing to bet that few people could, and so everyone who remembered this song would have to mention it, and he would have to graciously acknowledge their admiration for this one song, this one sentiment that he’d felt once back when he was young and pretty and ambitious.

I wrestled with this as I waited to meet him. But he never showed up for our set, and then he breezed in fast to play his own. And he was good, though not amazing, and at the end of the night he dutifully played “Romeo’s Tune,” and then the show was over and he was packing up to leave. I bought his Best Of CD, put the cash in his hand myself, because it had the one song I knew on it. I invited him to have a beer with us, and he said no thanks, and we wished him well, and he hurried for the door. Maybe I felt a little snubbed. The club owner told me later that he had hours left to travel for another gig in another state.

It’s king and queen and we must go down
Behind the chandelier,
Where I won’t have to speak my mind,
And you won’t have to hear
Shreds of news and afterthoughts
And complicated scenes.
We’ll weather down behind the light
And fade like magazines.

•••

Nowadays when people want to make mixtapes, they do it on iTunes. It’s not the meticulous labor of love that it once was, cuing up the vinyl and the tape, and punching fat, clunky buttons with twitch-fingered timing, and lettering the cases in ink until your hand cramps. Now it’s kind of easy. You drag and drop songs into a list, and you can reorder them on a whim, or if you change your mind and decide that song reveals too much or too little of what you feel, you can just delete it, and the hole fills in as if it were never there.

One day I was looking at the playlists in iTunes on our family computer, and I saw a list that I didn’t recognize, and I opened it. I could tell by reading the titles that it was mixtape. A mixtape in love. Yes, “Romeo’s Tune” was on there. Ripped from the CD that I bought from Steve Forbert the night I met him. It’s the perfect song for a mixtape. Even the mixtape that my wife was making for her lover.

Meet me in the middle of the day.
Let me hear you say everything’s okay.
Come on out beneath the shining sun.
Meet me in the middle of the night.
Let me hear you say everything’s all right.
Sneak on out beneath the stars and run.

This was not the moment that I knew, or anything so dramatic as all that. I knew already. This was just one extra little punch in the gut. Everything is not okay. Everything is not all right.

Since she moved out, there are some nights that the kids and I need cheering up, so we do something that we never used to do when we were all together. We have a little dance party in the living room. I put on the music on the family computer. I make a little mix for them. I don’t know if it’s a kind of masochism that made me put “Romeo’s Tune” in that mix. Maybe it’s that I wanted to take it back. I was not ready to let her take that song away from me and give it to a stranger. I don’t want to wait for the pain to fade like a magazine. I want to take seeing that song in that context and tape over that experience by hearing again and again and again in a new context. So I put it in the mix for me and my kids to dance to. And now my daughter loves the song, and she dances around the living room like a hippy chick, singing “Romeo’s Tune,” all out of tune, sliding, and holding on.

•••

BROWNING PORTER has been in two musicals, both times in the chorus, first as a singing pirate, and then as a singing Nazi. He started smoking cigarettes when he was a singing Nazi. It took him twenty years to quit.

Roman Holiday

coupleonstone
By Gina Easley www.ginakelly.com

By Lisa Lance

Shivering in the crisp December air outside Papà Giovanni, a restaurant on the corner of Via dei Sediari and Via del Teatro Valle in Rome, my husband, Chris, and I wait for the sliding glass door to open. We see couples inside, nestled in red leather banquettes and wooden chairs at two of the half-dozen close-set tables. Red and white tablecloths set off vintage china, and glittery poinsettia decorations remind me that it is just a few days after Christmas, even as fresh tulips in the center of each table hint at the coming spring. Dusty wine bottles line the room, tucked into alcoves or perched on ledges. An eclectic mix of drawings and paintings, along with faded postcards of Sicily, clutter the brick walls.

It is just as we remembered.

We are in Rome to celebrate our tenth year of marriage and also to escape a stressful year at home. Our relationship is strained by a multitude of factors: family drama due to the messy divorce of my husband’s parents, which has taken a broader emotional toll than we expected; Chris’s demanding job, which keeps him out of town for weeks at a time; and my perpetually tired and frazzled state due to graduate school, with two classes each semester on top of a full-time job. We need a break, and I hope our holiday to Rome will be a bright spot in the brewing storm—if not a full repair, then at least a period of some romance, a reminder of what it was like when we were happy.

After we are seated at one of the small tables, the waitress brings us aperitifs of warm spiced wine in small china cups on saucers, and the chill of the evening retreats as I sip. She hands us menus, blue for “the gentleman” and pink for “the lady”: the blue version includes prices for each item, while the pink version lists calories. If this were a restaurant at home in the United States, I would be offended, but here it seems charming.

The wine list is a worn tome that resembles a guest book from a wedding. As Chris turns the pages, I notice the list of wines written by hand, some entries scratched out or modified, others smudged by water stains. I laugh at the small size because, in my memory, the wine list has taken on mythical proportions. As I recall from the first time I saw it, the book had been the size of a dictionary and had been wheeled out on a cart, attracting stares from the other customers.

•••

Our first trip to Rome ten years ago was my initiation into the world of international travel, and all of my memories shine with the luster of this perspective, fresh and new. We had an extravagant five-course dinner and then wandered the cobblestone streets to the nearby Piazza della Rotonda, where people milled around one of Rome’s most impressive monuments, the Pantheon. Sixteen towering Corinthian columns support a triangular pediment inscribed with the stamp of Marcus Agrippa: M. AGRIPPA.L.F.COSTERTIUM.FECIT. The domed roof is larger than that of the U.S. Capitol building in Washington, D.C., and, at 142 feet in diameter, nearly the length of an Olympic-size swimming pool. In the center is a large oculus from which red rose petals rain down on Pentecost.

The interior of the Pantheon was closed that evening, but we passed the obelisk-topped fountain that pierces the sky like an upturned sword, water babbling from the mouths of the marble masks at its base, and climbed the steps of the monument anyway. We stood among the columns of the portico, and Chris suddenly dropped to one knee.

“What are you doing? Get up,” I said. I thought he’d had too much wine at dinner, and I pulled his arm, trying to get him to stand.

“Oh, no,” he said as he reached into his pocket. “I’ve been planning this.” He pulled out a gold band accented with a row of seven small diamonds and held it up to me.

“Really?” I was floored. We had moved in together after dating for only a few months, but in the past year of our shared life we hadn’t discussed marriage. Our relationship was comfortable and fun, and I had assumed it would be at least five years before we took the next step.

“Well?” He was still on one knee.

“Really?” I still didn’t quite believe it. “Really?”

His brow, framing earnest, clear blue eyes, started to crease with worry. “Will you say yes already?”

“Yes!” He put the ring on my finger, and we kissed. The streetlights around us seemed to brighten, and the other people in the piazza faded away.

An enterprising street vendor approached us, and Chris purchased an armful of red roses and presented them to me. As we walked back to the hotel, the outlines of buildings seemed fully in focus; everything was crisp and clear. We passed the Monumento Nazionale a Vittorio Emanuele II in Piazza Venezia, and its marble walls and columns glowed bright white against the night sky, the twin statues of the winged goddess Victoria and her chariot soared, it seemed, in celebration high above us on the roof of the monument.

•••

Back in 2002, we were still going through the transition from college student to adult. We’d had internships and temp jobs, but hadn’t yet started our “real” careers. We had academic knowledge but little actual experience; we were fairly broke but full of optimism. Our tastes then had only recently shifted from Boone’s Farm and Miller Lite to Tanqueray or Chateau Ste. Michelle. Now, after years of wine tastings, we can tell the difference between a Malbec from Argentina and a Cabernet from California, and on our return visit to Papà Giovanni, my husband confidently makes a selection from the list.

The wine decanted, we look again at the menus as we nibble on focaccia with truffle butter and reminisce about our last visit. “What did we even order?” I say.

Chris recalls some kind of eggplant stack, slices of the vegetable layered with tomato sauce and cheese and balanced on a plate like a small, square Tower of Pisa. I’d had veal for the first and only time in my life, a choice that had seemed so elegant then, but after eight years as a vegetarian would be unthinkable to me now. We had tried to order five courses and share them, but we were unable to convey our wish to the waiter and ended up with two of each dish. It was the biggest and most expensive meal we have ever had in a restaurant.

This time around, we order separately, and only one course at a time. I begin with a salad of arugula, pears, walnuts, and parmesan—a medley of sweet and salty, soft and crunch. The server returns to take our orders for the main course, and I select Cacio e Pepe, a traditional Roman dish of spaghetti with black pepper and parmesan. The strength of the dish lies in its simplicity. The noodles are al dente, and the sharp cheese and spicy pepper flavors mingle and dance on my tongue. For dessert, a decadent chestnut soufflé is perfect with a cup of Italian espresso, strong and smooth enough to clear a path through the gastronomic haze that begins to cloud my mind.

After dinner, we wander the cobblestone streets. Strings of lights twinkle overhead, criss-crossing between the buildings like spider webs weighted with shimmering drops of dew. I catch faint whiffs of cigarette smoke as we amble along. Italian couples walk arm in arm, parents navigate strollers over the uneven pavement, and Asian tourists pause to take photos. Unlike cities at home, nobody here seems to be in a hurry. As we exit the narrow alley, the Pantheon, bathed in golden light against the dark night sky, rises before us.

The enormous bronze doors are open. “Do you want to go in?” Chris asks.

“Yes.” Entry is free, so we join the flowing crowd to explore the space together. The interior of the temple is harmoniously symmetrical—the distance from the floor to the top of the dome is equal to the dome’s diameter. The floor and walls are inlaid with marble, rectangular patterns of muted gold, maroon, and blue interspersed with swirling veins of grey and white.

As we wander through the vast interior, I am suddenly hungry to learn everything I can about this building that has such a prominent place in my memory, and I stop to read every information plaque available. Built by Marcus Agrippa around 25 B.C., the temple was originally a place to worship Roman gods, but, like so many historical places in Rome, it was later converted to a Christian church. Alcoves along the rounded wall hold statues and murals—some of Christian significance and some depicting more ancient figures. The more I learn, the more appreciation I have for the detailed architecture, the majestic beauty, and the fascinating (if not always pleasant) history of the temple. Grand tombs hold the remains of Vittorio Emanuele II, the first ruler of a united Italy, and Umberto I, a king in the late nineteenth century under whose orders hundreds of starving peasant protesters were killed. The famed Renaissance painter Raphael is also interred there, along with his fiancé, Maria Bibbiena, despite rumors that his early death at age thirty-seven was the result of a tryst with one of his mistresses.

How could I have missed all this on our first visit?

Chris and I have weathered our own conflicts over the past decade. We’ve dealt with jealousy and baggage from past relationships, struggled to find time for each other, moved far from everything familiar to a new city with no network of social support. We married young at twenty-four, and we’ve worked hard to create harmony in a home where our evolving personalities, interests, and worldviews are often at odds. Any discussion about politics, for example, quickly spirals downward from friendly debate to contentious argument. We’ve felt the ripple effect of marriages crumbling around us, from my step-sister and brother-in-law, who filed for divorce barely a year after their wedding, to my husband’s father and step-mother, who called it quits after more than two decades together. How long can we avoid the afflictions of infidelity, boredom, and financial distress that spur the downfall of so many other couples? Other couples who began their lives together just as we did, filled with optimism.

Even an edifice as strong as the Pantheon needs to be rebuilt from time to time. Agrippa’s original structure burned in 80 A.D. Then, after being rebuilt by Domitian, it burned again in 110 A.D. It was restored by Hadrian in 126 A.D. and could not have remained “the best-preserved building in Rome” without periodic restoration projects throughout the centuries.

That monument was an apt place to begin a marriage, and restoration is precisely the reason we returned to Italy. More than just a building, the Pantheon is solidly built, with walls that are twenty-five feet thick, and it can certainly withstand the occasional crack—even a deep one—as well as the repairs necessary to maintain its majesty. It has survived two thousand years of wars and conflicts and cultural changes. It has been home to dueling religious and political philosophies, and it serves as a place to remember and celebrate people with complicated pasts. Yet despite its age, or maybe because of it, the temple is still a magnificent site to behold. Instead of shutting out the elements, the oculus remains open, and allows sunlight to shine and rain to fall inside its walls.

Chris’s proposal to me in Rome has become something of a legend for us, the first story we tell when others ask about our relationship, the memory we recount each year on our anniversary. It’s as much a part of our history together as the day we first met. Revisiting a place with such personal significance carries risk, and I had been worried that this trip might be a disappointment, that the rosy glow of recollection and the passage of time might have morphed the actual events into something mythical that could never be recreated, that the story now only held its romance in the retelling. My memories of the first visit are like a giant Impressionist painting, vivid, yet vague. Ten years later, I pay more attention to the details—the postcards on the walls, the dust on the bottles, the inscriptions on the tombs—than I did the first time around. Will the cathedral of our marriage weather another ten years?

The passage of time allows for physical wear, for philosophical shifts, for falls from grace, but it also allows for rebuilding. Perhaps we can learn from past mistakes … a bit like I learned to order the perfect dinner from a foreign menu. Perhaps we can learn to communicate clearly. Not to be greedy. Learn to appreciate simple flavors, and to savor each bite. I will think of this when times are difficult, as they have been lately, and I feel the way I did outside Papà Giovanni, shivering in the cold, waiting for the door to slide open and let me back into the familiar warmth inside.

Coda: As it turned out, our marriage would not weather another decade, and two years after Chris and I returned to Rome, our divorce was finalized. Restoration isn’t always possible, but while we may not always be able to depend on the strength of buildings or institutions, in their destruction we sometimes find a greater strength in ourselves.

•••

LISA LANCE is a writer living in Baltimore, Maryland. She earned an M.A. in Writing from Johns Hopkins University. She currently serves as an editor for The Baltimore Review, and her articles and essays have appeared in publications including Baltimore Magazine, National Parks Traveler, Outside In Literary & Travel Magazine, Seltzer, neutrons protons, Bmoreart, and Sauce Magazine. This is her second essay for Full Grown People. Learn more at www.lisalance.com.

Immortality and Architecture

guggenheim
By missvancamp/ Flickr

My father loved architecture the way a 1950s teenager loved rock and roll. He was an art professor by trade but admired the craft of architects with the ardor of a fanatic and the admiration of a fellow artist. Frank Lloyd Wright was my father’s Elvis and the Solomon R. Guggenheim Museum in New York his Jailhouse Rock.

Bruce—or Dad, as I never called him—died before I was old enough for him to tell me of his passion. But for as long as I can remember, there’d been proof hanging in our house: a framed black and white print promoting a German Frank Lloyd Wright exhibit from 1964, the year my parents were married. The only pictorial reference to Wright was that of the Guggenheim, in various degrees of pixilation as if printed in an old newspaper and blown up to abstractness. The image is unmistakable. As a child, the form of the building loomed like a mammoth, multi-tiered spaceship that, in my imagination, rotated and hummed and twinkled and could rise effortlessly from the ground before soaring upward toward infinity. Long before I could read, the architect’s name in bold, art-deco lettering at the top was a cryptic alien code designed to prescribe the spaceship’s astral trajectory.

The poster didn’t have the name of the museum written on it. I knew it was called the Guggenheim, though, because I’d been told. The glottal G’s and hard vowels in the name made me giggle. The sound brought images of clowns and bubbles and circus acts.

To me, Wright took pride of place in our home gallery amid other names I’d grown up with: Ben Shahn, Hundertwasser, as well as Bruce’s own sculptures and watercolors. Maybe it was the graphic, monochromatic minimalism that appealed to me; maybe it was that spaceship thing. Or maybe it was because the framed print was imbued with the few scattered memories I had of my father.

By the time we moved out of my childhood home in Toronto, my mother had collected new favorites to take center stage so FLW got seconded to the unlit, low-traffic zones of the new house. Eventually it was removed from the wall and stored in the dank, cement basement where its wooden frame dampened and sagged and eventually broke. When I moved out for the first time shortly thereafter, I salvaged it from its indifferent hiding place and had it reframed. I like to say I inherited it from my father. Today the poster crowns the top of the stairs in my south London home.

•••

Last year during a chilly, late-winter afternoon, I found myself heading up 5th Avenue toward the Guggenheim. It was my first trip to Manhattan in over twenty years and the first time I’d had the opportunity to visit the museum. I could have taken a taxi or the subway after my meeting near Union Square but instead I walked the eighty or so blocks up the east side of Central Park. Call it a pilgrimage of sorts.

As the street numbers got into the 60s and 70s, I thought about the print on my wall and the excitement my father must have felt in purchasing it more than forty years earlier. When I was growing up, my adventurous weekends were spent taking the subway into downtown Toronto to find posters in the head shops along Yonge Street. I couldn’t wait to put the new image of David Bowie or The Police on my bedroom wall. But none of those earned the esteemed framing treatment that my father’s Frank Lloyd Wright poster deserved.

Approaching 88th Street, I expected to see the great flying saucer of my childhood magically hovering over the leafless trees on the edge of Central Park: broad, white circles spinning and buzzing in preparation for take-off. But it was smaller than I’d imagined, the smooth, white cement dwarfed and hemmed in by the surrounding brick brownstones. The famous circular rotunda, an inverted round ziggurat, sat compactly on the street corner. It appeared weightless, lifting from the sidewalk like a dandelion in seed on the wind. Far from being disappointed by its size, I marvelled at the scale and eagerly went inside.

The indoor space belied the first impression given by the exterior. The spiralling gallery seemed to rise magnetically up toward an infinite glass dome. The endless sources of natural light created intimate shadows that mingled with the reverential whispers of the gallery’s visitors. If the outside seemed unnervingly squat, the interior had quite the opposite effect. It existed in a constant state of levitation; a swirling, weightless eddy of white light.

Sitting among the dizzying ramps of the Guggenheim, staring at the buoyant structure and the artwork—secondary to the building in which they were housed—I was struck by two things. First, the building so favoured by my father, that to me had been little more than a two-dimensional representation of his joy, was very much real. Secondly, so was my father.

As I explored the scrolling halls and surprising annexes, I was aware that Bruce had scaled them, too, and, like me, was taken more by the building than the priceless Kandinskys and Chagalls. But whereas the museum’s unique architecture and cultural grandeur drew my father close, it was his visceral crush on Frank Lloyd Wright’s masterpiece that brought me there. In doing so, it brought me closer to Bruce than I’d felt in many years.

When my father died, I felt his loss the least; I was the youngest in my family. I understood that he was gone, but I didn’t grieve as an adult would. What I lacked in melancholy, though, I more than made up for in appreciation for the good fortune my life had given me in spite of his death. It was as if some mystical authority was atoning for the missing Dad in my life. The stories I knew of him were generally the ones told to me as family myths by those who remembered him more clearly. In this way, his presence remained.

In New York, I reclaimed memories of my father, no longer relying on the words given to me by others. Flashes of him that simmered like mirages and grew threadbare with age became fluid and elegant in the Guggenheim. He showed me how to swing a baseball bat; he let me throw clay on the wheel in his pottery studio; he taught me that it was okay to laugh at myself. His toothy smile and brown beard were at home in a gallery with portraits both traditional and contemporary. For a moment I thought I heard his voice, a sound I’d missed for nearly forty years. In this building I was infused with him in his eternity.

Like the museum, my father’s memory had always seemed to levitate and rise toward infinity. It coiled around me, at once ethereal and tangible, like a celebratory cloak that waved in the wind as I flourished and settled over my shoulders when I needed reassuring. This was all the proof of immortality I needed: testimony of our ability to create life after death by keeping ourselves alive and experiencing those who died over and over again.

If I believed in heaven, I would imagine the entrance to be more like the Guggenheim: a slow-rising ramp rotating with centrifugal equilibrium and endless promise. Not a rigid stairway with lavish, baroque gates at the top. And if I believed in heaven, then this is where my father would live out his eternity. After all, shouldn’t we be allowed to choose what our heaven looks like? I would certainly choose this place for Bruce.

After a couple of hours visiting the memories inside the Guggenheim, I crossed 5th Avenue into Central Park. By the time I’d reached the footpath that circles the reservoir, I looked back over my shoulder at Frank Lloyd Wright’s gleaming white spaceship, Bruce’s heaven. But it was gone, discreetly grounded behind the curtain of winter trees. Or perhaps it finally lifted off. I walked on alone, leaving my father inside where he belonged.

•••

JON MAGIDSOHN is originally from Toronto, Canada. He’s been featured in the Guardian and Bangalore Mirror, also on Brevity, Chicago Literati, Good Men Project, Mojave River Review, 100 Word Story, and currently publishes three blogs. This is his second essay for Full Grown People. He’s been an actor, singer, waiter, upholsterer, sales representative, handyman, and writer. He and his family are now in Bangalore, India, where Jon writes full time. www.jonmagidsohn.com