We’re Done Here

cabin
By Gina Easley www.GinaEasley.com

By Ellen S. Wilson

The smell hits the moment you walk through the back door into the kitchen—damp wood, mildew, and sadness. In just a few minutes, it is possible to acclimate to all three.

My sisters and I have come with my mother to The Mountain House, a sturdy little family vacation home in western North Carolina, built up on a ridge that is said to be haunted by the ghost of Mrs. Heaton. We’re here, as my mother says more than once, to “tear the house apart.”

But first, the ghost story: This ridge was the property of the Heatons years ago, and greatly beloved by Mrs. Heaton. When financial hardship hit, Mr. Heaton, less emotionally wrapped up in the land, wanted to sell. Mrs. Heaton, whose name may or may not have been Loesa Emmalie, resisted. The years went by, the times got tougher, and one day Mr. Heaton made a sneaky trip into town and sold the land without telling his wife. He didn’t have to—by the time he got home, she had hanged herself from a tree, and an enormous white owl sat in the branches above her nodding head, screaming “like a woman,” the storytellers always say.

To placate the ghost of Mrs. Heaton, whose white owl still screams in the night, or perhaps to honor her memory, the inhabitants of the vacation homes that now dot the hillside have representations of owls on their placemats, hand towels, coffee mugs, everywhere. My own mother collected hundreds of tiny owls, and we all abetted her habit because a souvenir owl was a small and convenient gift for her when we traveled or hunted for stocking stuffers. An owl for Mom, from Turkey or Kenya or Lake Tahoe. Bookshelves laden with owls made of stone, glass, crystal, and porcelain are partly why we have come. It’s time, we have decided, to save anything we care about from the encroaching damp. We are rescuing our treasures from the future. If we have learned anything from the mountains, it is that appearances to the contrary, not even they are eternal. We are here to make one last stand against that reality.

The owls belong to my mother, but the ghost of my father sits in every corner of this house, in the barn wood paneling, fine rugs, bird prints, and odd collectibles. We lost him once already, seven years ago, and we dread losing him again to creeping mildew and anonymity.

•••

I’ve been coming to these mountains and tolerating the stomach-churning hopelessness they inspire in me since I was two years old, long before The Mountain House was built. Every summer—every goddam summer—my parents would load my three sisters and me into the car in Louisville, Kentucky, and drive seven hours over the mountain roads while I lurched and puked in the back of the station wagon. The way, way back. This began before there were seatbelts. Once we arrived, there would be warm ginger ale to quiet my heaving guts while we settled into our cabin at the High Hampton Inn and Country Club, a worn, sprawling establishment well over a hundred years old that prizes tradition and simple virtues and has now added a spa and some llamas (llamas being indigenous to the Blue Ridge Mountains).

Our regular cabin was a wooden structure with twin beds, soft, thick linens that never felt completely dry, and a lovely veranda overlooking the lake. The place smelled of boxwood—subtle, sweet and green—and my normally spider-fearing mother loved it so much she suspended all her fears when we arrived. The mountain air reassured her. Not me.

The lake our cabin overlooked was still, small, and—to me—fathoms deep. Potential death lurked in its depths, and there was said to be a dam that you shouldn’t paddle your canoe too close to, although when I found it as an adult I realized the silty pool at its base was hardly lethal. But even now that lake, which I have swum in, and paddled over, and hiked around, can fill me with dread. The memory of my pale legs dyed green by the murky water, my vulnerable white body suspended over god knows what dark threat, and my forcing my teenaged self to dive down and swim out to a tethered float, causes an internal quake when I’m sitting on my own dry porch in Pittsburgh miles away.

During those family trips, my sisters and I were habitually shunted over to the Children’s Program, and since I’m the youngest, I was rarely with any of them. My happiest day was when I cut myself on a rusty nail in the donkey barn and one of my sisters had to rescue me and take me to my mother, once she had finished on the golf course and was available to tend to my wound, and perhaps to worry about me a little. My unhappiest day was the evening hayride (this happened frequently, this unhappiest day) in a wagon filled with prickly bales and noisy children, pulled by a mean woman on a tractor. I remember ghost stories I took very seriously, and kids only a little older than me singing songs I didn’t know. I remember feeling powerless, and suffering the necessity to either pee in the woods or wet my pants, and not knowing which was worse.

There was no reason to have been so miserable. My mother and father were loving and attentive enough. I know now that parenthood means a gentle pushing away, and that the only time one can encourage dependence is during the first months of breastfeeding. Apart from that, it’s all “you can walk across the room unaided, you can survive a morning at preschool without me, you can sleep at a friend’s house, go to college, go to France.” But what did I know, at age four? The mountains made me then, and make me now, feel irresistibly lonely, pressing-on-a-sore-muscle lonely.

Somehow the eternal mountains embodied impermanence and loss. My oldest sister, the one who was my surrogate mother much of the time, was found sleepwalking toward the lake one night when she was fourteen, and the story was presented as a near tragedy. My father caught her just in time, before her pale foot was sucked into the black greeny goop and she was lost to me forever, becoming the next ghost story. The image of her small figure in a white nightie (she would have needed one, if she was to haunt the lakeside), foot extended from the slippery rocks along the shore, rocks alive with snakes and toads, entered our own family lore, those unsettling tales on which the mountains depended to keep you from feeling too comfortable as you sat in a rocker and digested a doughy mountain dinner. The lake was peaceful and silent, we swam in a little fenced off part during the hot humid afternoons, but the grabby mud bottom was never trustworthy.

•••

The summer I was nineteen, my father got me a waitress job at the resort. I don’t remember being given an option about that. The owners couldn’t say no to him, either—he’d been a patron there for years, had bought that piece of property on the ridge they owned that overlooked the resort, and was building himself a house. And perhaps most important, my father was one of those charming, friendly people that strangers took to on first sight and never had reason to change their minds. When he was dying, the mail carrier came in to say goodbye. His funeral was standing room only. Naturally, the president of High Hampton Inn agreed that I could wait tables in the creaking sunlit dining room.

I felt the old lurch of nausea and loss as my father drove away at the beginning of that summer. His natural optimism (along with his desire for me to stop being such a lost puppy) convinced him that I would manage. He had been mostly abandoned by his own father at age five and sent off to live with relatives to save money, and he turned out just fine. He knew I would meet this minor challenge and I did, befriending another summer hire and convincing her to let me share the trailer she had rented—housing was not included in our stingy wages.

And there I was, stuck in a place of fear and loathing, zipped into a gold polyester dress and ferrying glasses of iced tea to guests in my section. It was an easy job, and I managed to pay my rent in tips and send my paycheck home to my sister in Louisville, who put it in the bank for me. By August, I had more than enough to buy the electric typewriter on which I would write my senior thesis in college.

In the meantime, my trailer-mate and I sat on our tiny porch, listened to the radio because there was little else to do, smoked (or I did, again because there was little else to do), and necked (or I did, see above) with the boys across the driveway who were also there for the summer. When we got off work, we grabbed sleeping bags and ran up the various mountains to spend the night, no tents, no food, no supplies. We went into work the next morning needing a shower and a good nap and convinced that we were living much more intensely than the middle-aged people waiting for me to pour their coffee. Being middle-aged myself now, I know that that was true.

•••

My parents came to spend their customary week in the mountains that summer and check on the construction of their new house, and one day during the long afternoon break, I saw my father sitting on the lawn in a shaded Adirondack chair. I invited him to go with me to, as I put it, “see something pretty,” and luckily for us both, he accepted. I drove him to my favorite waterfall, a big one that rushed thirty or forty feet over a cliff, reachable by an easy path from a rough parking lot. Above those falls, I had camped and swam and slid into the pools in a game that terrified the older waitresses at the resort, who knew of people swept to their deaths doing that. I had slept on the flat rocks at the very top, rocks that were surely submerged when the water was high. The waterfall was mine, and I wanted to share it with my father.

This outing led to further discoveries as my parents began to find more in their summer vacation than golf and cocktails. The new house acquired some new dimensions, and the family a veneer of rustication. We hiked in the mountains and provided our own names for favorite spots (Toe-Mash Creek was one). We picked thumb-sized blackberries from the brambles down the hill from the house and made jam and pie. My father bought a small used pickup truck.

High Hampton Inn had its charms, with the grease from its famous fried chicken embedded in the pine walls along with the odor of loneliness, but the mountains themselves acquired characters wholly separate—blooming, gray, and fearsome. People do die there—my own father slipped on moss once, reached for my hand, said later that I had saved him from a fatal fall. I did not remember it that way, but that didn’t help. To love the mountains the way Mrs. Heaton did is to wordlessly accept the inevitability of loss, all kinds of loss.

Years passed. One summer, the wild blackberry brambles were mowed to the ground and never grew back. If we had known they were a temporary pleasure, they would have become too precious and we would have enjoyed them less.

The rough parking lot at my waterfall was paved and a map installed, and I felt it like abandonment, like my old secret lover was openly dating other people. Trails were marked clearly, construction and condos were everywhere, and the hidden pools and perfect little glens were all discovered. Now when you hiked in a place that felt deserted, you came across used tissue and empty Perrier bottles. The town of Cashiers that provided High Hampton with a mailing address grew from a minimal crossroads to a town center with shops devoted to baskets (just baskets) and delis, and cuteness. There was more to offer a nineteen year old—artisanal coffee, for example—but none of it felt relevant anymore.

•••

My family’s own history unfolded at the Mountain House. It wasn’t any messier than most, just the run-of-the-mill ending of marriages, illness, disappointment. And into this soup of memory and history we have come, to tear it all to pieces in a hopeless attempt to rescue the parts we want to save. The Audubon print has mildew behind the glass – it needs to be taken to dryer quarters and re-matted. Is there any way to remove the spots on the silk hanging from China? The big rug in the living room smells musty. Something must be done. So we go round robin in a civil exercise to say what we really want, what we can’t live without, and we try to be generous. “I gave Mother and Daddy that, but I’m so glad you want it.” Of course the thing we want—do we?—is to undo some of that passage of time, to go back to the miseries of childhood, to put the past in a box as though that meant not losing it.

I took my own children when they were small to see the donkeys and feed them carrots and crackers, and if my urban kids recognized the sadness in the donkeys’ faces, they did not let me know. There was no need for a salutary cut on a rusty nail for them—I was right there, and rightly or wrongly I had no plan to send them on any hayrides. They have their own vulnerabilities, their own dark lakes that are not to be found at High Hampton.

At the end of the weekend, I say goodbye to my oldest sister, and tell her I love her, and she looks at me questioningly and I know that we have not said everything there is to say and that we never can. If we sit in a circle in the living room now stripped of the colorful rug and travel mementos, the walls bare of pictures, and we acknowledge what we have done, we will be devastated. We can’t turn and look the sadness in its face, we can’t tell my mother it’s all over, which at ninety-one, she understands well enough. Here in the stoic, silent mountains, it is better not to say.

•••

ELLEN S. WILSON lives and writes in Pittsburgh, PA. Her work has appeared in the Pittsburgh Post-Gazette, Carnegie Magazine, and other local and national publications. She is proud to have her first essay in Full Grown People.

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The Uterus Must Go

candies
By Gina Easley www.GinaEasley.com

By Zsofi McMullin

I’ve always had this fantasy that one day I would find a baby. I’d be driving down the road, or walking on the street, and a bundle would catch my eye—nobody else would notice it but me. Maybe there is a small toe sticking out, or an arm, and I know immediately that it’s a baby. I call the police, of course, but they just hand it to me to take home. Finders keepers.

Everywhere I go, especially when I am driving along long stretches of highway with so much trash littering the side of the road, I keep an eye out. Every discarded tee-shirt or tarp or trash bag could potentially hide a baby. I never slow down, or actually check, but I carefully consider whether a certain pile of trash would be big enough to harbor one.

I sort of forget how small babies are.

•••

My last period is a bit dull—I can’t even remember now its start or end date, or how many days it lasted, or whether it was heavy or light. This is a bit disappointing, especially after all of the drama and fanfare it put me through over the past few months.

The most memorable was the time I passed a blood clot the size of my hand during our vacation in Aruba—it just slipped through my fingers as I was taking a shower. It landed with a splat at my feet and I stared at it for long minutes, letting the water run over my back. The clot was the shape of an embryo. You know those science books with the pictures taken inside the woman’s body—the translucent embryo floating in the blackness of the womb? This one would have been at the stage when the arms and legs are just tiny stubs, with a square-ish head and a body. I poked the thing with my toes and it slowly dissolved in the water and slipped down the drain.

I stood there a bit longer, considering whether it actually could have been an embryo. But no, no, there was no way.

•••

I am fascinated by those shows on TV where women think they have food poisoning, go to the hospital, and push out a baby. How do you not know that you are pregnant? How is it possible to not know what’s going on inside your body? My boobs started to ache the day after my doctor injected me with my husband’s semen. It was Mother’s Day. I was getting a pedicure with my mom.

•••

My fibroid feels like a pregnancy. It feels heavy and low in my abdomen and there’s a constant feeling of something—cramps? twinges? contractions?—in my belly. I feel it the most at night, when I am no longer moving around, going about my day. If I lie on my back, I can feel its weight pushing against my bladder, and my lower back aches. “It’s a good size,” my doctor tells me and holds up his closed fist to demonstrate—he has small hands for a man—and he means that as assurance right before he examines me. And anyway, how big is my uterus? It’s hard to know whether something the size of a small man’s fist in my belly is cause for concern.

The thing has to come out. My surgeon is an older man and he looks at me with sad eyes when he says, “But you are so young.”

•••

At forty, I am too old for the following things:

Non-supportive bras.
Non-supportive friends.
TV shows about college and/or single women.
To be noticed by the young men at the pool in Aruba.
Face lotion without SPF.
Tacky jewelry.
Holding grudges.
Bad haircuts.
Artificial sweeteners.
Anything that takes too long.
Cheap clothes.
Cheap shoes.
Cheap makeup.
Cheap wine.

Not having a uterus? Maybe, yes, I am too young for that.

•••

“Are you sure?” the surgeon asks one last time during my pre-op appointment.

How is one ever sure about these things? We do the best we can, with the information we have available at any given time. Right now, it’s this: I am in pain and hemorrhaging every month. I drink iron supplements by the gallon to keep up. Our son is six. My husband has a bad heart. The freaky blood clot ruined my vacation.

I think about all the babies I could have had—with the blond boy I loved with the sparkly smile, with the Palestinian with the olive skin and dark eyes, with the dancer with the smooth hips and long fingers.

At some point, life has to go on. You tally all of the things that could have, should have, would have happened, and you say “fuck,” and then you move on. The uterus must go and let me live my life.

I am sure.

•••

The uterus is not an organ you think about too much. It has one job, really, and once it’s done that, what is there to think about?

Until now, I never thought about mine. I knew from my OB that it was “tilted”— whatever that means—but other than that, I never paid much attention to it. But now I think about it all the time. I think about the space it occupied in my body and wonder what’s in its place now. I think about how my son referred to it as his “hotel” when I was explaining to him where babies come from. I think about it being sliced in half and pulled out of my body. I think about it in the specimen bag as it’s carted over to the pathologist. I think about practical things like where does my vagina end now? And if there’s no uterus and no fallopian tubes, what’s holding up my ovaries? Are they just hanging out there, in the pink sliminess of my insides?

These are things I should really ask my doctor about.

•••

I am vaguely aware of the pain in my vagina when I wake from surgery. But everything hurts, everything is tender and sore, so I don’t pay it much attention.

The doctor mentioned before the surgery that he might take my uterus out through a small cut in my lower belly, or through my vagina. He couldn’t say for certain—it just depended on the size of the fibroid.

As the anesthesia wears off and I drag myself to the bathroom to pee, it definitely feels like I have just given birth to a baby. “Why does it hurt so much down there,” I ask my husband. “Oh,” he says. “The doctor told me he had to give you an episiotomy. Your uterus didn’t fit through your vagina.”

Even in my dopey, drugged-up state, sitting on the hospital toilet, holding on to an IV pole as I try to relocate by bladder, the irony does not escape me: I gave birth to my uterus.

I would laugh.

But it hurts too much.

•••

You can never really be sure that you are done having babies. You can list all of the logical reasons why you “should” be done with babies: your age, the state of your marriage, finances, your love of sleeping through the night, and not having to wipe anyone’s butt anymore. These are all great reasons.

Then you see an announcement on Facebook—or several in a week, as it happened—and it suddenly feels like someone punched you in your non-existent uterus.

Rationally, I know I don’t want another baby. But there is nothing rational about this urge—it was not excised along with the offending organ. I mourn the ability, the possibility, the what-if.

I have never known anyone who found a baby on the side of the road. I don’t even think I’ve ever heard about something like that in the news.

But it’s possible. It could happen.

•••

ZSOFI McMULLIN is a writer living in Maine. Her essays have been published by Motherwell, The Butter, Paste Magazine, The Washington Post, The New York Times, and several other publications. She is a regular contributor to Full Grown People, where her Pushcart-nominated essay “This Body” appeared. You can see all of her work at zsofiwrites.com and find her on Twitter as @zsofimcmullin.

 

Read more FGP essays by Zsofi McMullin.

Imagining My Grandfather Eating Samosas at My Wedding

By Claudia Heidelberger/Flickr
By Claudia Heidelberger/Flickr

By Jessica McCaughey

I was twelve when my grandfather told me not to date any Puerto Rican boys. We were sitting across from one another in the Brooklawn Diner in South Jersey, in a big green leather booth in the non-smoking section, which he loudly and distinctly requested each time we walked in.

This was in contrast to the smoking section, where he sat the other six days of the week, when I wasn’t with him. The owner would give him a pronounced nod, and say, “Right this way, sir,” but the waitresses would sometimes blow his cover and ask, “What are you doing over on this side, hun?” He hid his smoking from his family, which was something we had in common for a brief period later on. Fifteen years later, when I was twenty-seven and he was very close to the end of his life, I can remember sneaking out the back door of his house after giving him his medication and getting him to sleep. I sat crying and smoking on his patio, the moon reflecting off of the overgrown ivy leaves in glints like a disco ball. I thought about waking him to come outside with me, but I didn’t.

We almost certainly ordered pancakes and eggs that morning, with a coffee for him and a very large chocolate milk for me, dark and thick from too much syrup. Although it’s possible we were talking about the boy band Menudo, my best guess at how we got onto the subject is that I mentioned Marco, a boy at school who wore very cool black-and-white checkered shorts. Either way, it was 1990, and I was talking to my then-sixty-five-year-old grandfather about Puerto Ricans.

And out of nowhere, he said: “If you dated a Puerto Rican guy, I wouldn’t really come around anymore.”

I don’t recall how I responded outwardly, but I felt like I had been pushed, hard, in the back. My grandfather was, at that time, my best friend. And I wasn’t dating Marco (even in the adorable way that twelve-year-olds could hold hands or pass notes and call it dating), but I did occasionally crank call him with my friend Karla on Friday night sleepovers. Because I liked him.

•••

I’m four months out from my wedding. My fiancé, who has been my partner for more than five years, is not Puerto Rican, but his Indian skin is, in fact, similarly dark and gorgeous and Marco-like. Our Hindu-American mash-up wedding has been the source of much family unrest. My partner and I find ourselves walking around in a state of near-constant upset, working all angles of negotiation, throwing emotional and logical appeals at our otherwise delightful parents weekly in an effort to show them what we see as the beauty of two families, two cultures, blending, evolving.

•••

My grandfather’s wife, my grandmother, had passed away when I was nine, three years before we found ourselves sitting at that diner. When she was alive, I didn’t have a whole lot of access to my grandfather. I saw him often, but my grandparents were of the generation where the men rode up front and the ladies in the back on a double-date, and spending time with their grandchildren wasn’t too different. My brother, older than me by six years, spent time with Pop at the arcade, while my grandmother and I would go off on our own to the Ben Franklin to look for doll clothes. We’d reconvene for dinner somewhere in the mall food court, but ultimately, our time was mostly split along gender lines.

And so I didn’t know my grandfather very well until he was a widower in his mid-sixties, which was also around the time that he retired and sold his printing shop, and that my brother, at fifteen, aged out of spending Friday nights riding shotgun in my grandfather’s Baltic Blue Cadillac. At nine years old, though, there was nothing I’d have rather done at the end of a long week of fourth grade than to hit up the Olive Garden and then spend two hours at Waldenbooks in the Deptford Mall, and that happened to be my grandfather’s idea of a good time, too.

He said to my mother, “I never thought I’d find another lady to spend time with, but I have.” He was talking about me.

•••

He evolved after my grandmother died, and in odd, delightful ways. He took up baking, and, to sustain the habit, we sometimes went blueberry picking over in Ocean County. He made fudge and went on trips. He dated. Before my grandmother died, I had what would have perhaps been the chapter headings of his biography—Childhood During the Depression and World War II Soldier and Sunday School Teacher and Active Lions’ Club Member—but after her death, when we began spending time alone together, I learned the more nuanced—and infinitely more interesting—stories.

During Prohibition, while his father made extra money running moonshine, my grandfather had sat on top of the blanket-covered barrels in the back of the car. I heard about his time in Okinawa and Oahu during the war, never stories about combat or death, but about the time he had his head shaved on the beach and his discomfort with the way the women in Japan had walked a few paces behind him. Although my grandparents didn’t have a great relationship, I learned that they had gone dancing every Saturday night of their married lives, even when they hadn’t said a word to each other in days.

•••

I thought about what my grandfather had said in the diner all that afternoon while we walked up and back along the Ocean City boardwalk, stopping for ice cream and to stare at the circling sea gulls. I thought about it all night in my purple bedroom, and the next day at school. When I got home that afternoon, I called him.

“I’ve been thinking a lot about what you said yesterday, that if I ever dated—“

“I was thinking about that, too,” he interrupted, “and I don’t know why I said that. That’s not true.”

“It wouldn’t matter?” I was stunned and pleased.

“Nothing would keep me from coming to see you. I’m sorry. Can we forget I said that?”

Relieved, I said we could. But, of course, I didn’t. As I’ve gotten older I’ve learned that even if we forgive, we seldom actually forget. Words, especially those that are strikingly out of character, stay with us long after reparations are made. The apology-command, “Forget I said that,” is fruitless. It’s something more like a metaphor. At best, “Forget I said that” means, “Let’s please act, please pretend, as if I never said that.”

I’m surprised by how often I wonder what he would make of this wedding. He would attend—our phone conversation twenty-four years ago assures me of that. But I can’t quite imagine his facial expression as I enter the hall wearing my ornate saree, heavy bangles lining my arms, a gold piece hanging from the part of my hair onto my forehead. I try to picture him dancing amid a sea of darker faces, my future husband’s family, in his stiff late-seventies suit. Would he try the samosas? What would he make of the Ganesh statue, or the fire we’ll circle during the ceremony?

He’d love my future husband; I am sure of that. They are both spiritual but notably private about it. A perfect night in both of their minds is a book and a fire and a Manhattan. They both laugh a lot and tell really good stories, in which they are never the hero, despite often being one in life. They both, I think, see or saw themselves as a character open to change.

The version of my grandfather who was a little boy swimming in South Jersey creeks and riding on the moonshine barrels had to evolve into a uncompromising soldier, eating eggs on the beach in Japan. And that man turned into a husband, and then the father of a little boy, and then the father of a man, and then a father-in-law. He became a grandfather who built elaborate dollhouses for his granddaughter and attempted to skateboard with her on the back patio. When she gave them to him, he read books like Breakfast of Champions and Love in the Time of Cholera.

From 1925 to 2007, he was many different people, and so it is with mostly honesty that I imagine him joyful at my wedding, open to the unfamiliar, thrilled by the love between my partner and I, and dancing in celebration of everything that can happen, everything that can change.

•••

JESSICA MCCAUGHEY’s writing has appeared in the Boston Globe Sunday Magazine, The Chronicle of Higher EducationThe Best American Travel Essays, Gulf Coast, and a variety of other literary magazines. Jessica teaches academic and professional writing at George Washington University, and she lives in Virginia with her husband.

Glimpsing Richard

boy running
By Gina Easley www.GinaEasley.com

By Randy Osborne

We had reached that routine-but-often-dramatic juncture in testimony when the victim is asked to point to his assailant and describe what the perpetrator is wearing.

It shouldn’t have been difficult.

Richard Ackerman—gaunt, pockmarked, in his mid-thirties—had finished telling how he was beaten and robbed by two men. One suspect had eluded police but today the other, a blond, sneering youth in a navy-blue jail jumpsuit, sat at the defense table with his lawyer. “He’s right there,” Ackerman said. “He’s got red hair and he’s wearing a black cape.”

On this slow courthouse afternoon in 1981, a nutty, disruptive event taking shape in what should have been an ordinary string-up for a standard-issue mugger could turn into column inches. Journalist me, in the public section, leaned forward. After a pause, the prosecutor sighed. Fists on hips, he regarded Ackerman: a problem. And a problem not for the first time in Rockford, Illinois.

“Let’s start over,” he said. “Can you point to the person who did this to you, and describe what he’s wearing?”

Ackerman’s deep-set eyes darted at three people in the benches with me: a young woman (probably the defendant’s girlfriend); a retiree picking his teeth with his fingernail (he was a courthouse regular); and me, in my red plaid shirt, sniffing out a possible story.

“There,” Ackerman decided. “He has brown hair and he’s wearing a red plaid shirt.”

I doubt Ackerman remembered me. More likely he panicked and, believing he had done the wrong thing, sought to fix his blooper—may it please the court —by the quickest available means. But I won’t forget Ackerman.

•••

Nine years old, summer, I trudge across the Whitman Street Bridge, aimed for the Burpee Museum of Natural History, where I will traipse the creaky floors—alone but for the stout curator, who checks me sideways—amid the stuffed birds and the glassed-in replicas of dinosaurs. Visit to visit, they stay the same, which pleases me and lets me down. A fatherless boy, I become an appreciator of artifacts.

I don’t notice Ackerman until he is beside me, and says hello.

A teenager with bombed-France acne scars, he wears an East High School jacket (cloth vest, fake leather arms) despite the heat. I’m already scared because of the bridge—height, water—and now this. His eerie solemnity and a slow manner, like a spider about to strike. Apropos of nothing he volunteers that he owns one hundred pairs of Levi’s jeans and sleeps at night in a coffin. Do I want to see the jeans, the coffin?

I run like a kid in flames.

In the following weeks, Ackerman pops everywhere in my neighborhood. The other boys, I discover, know all about him. “Has he showed you his dick yet?” Mickey Lindell wants to know. Everybody laughs. Ackerman, they say, is always talking about his denims and casket, and asking boys to visit his house. (Nobody does). And, at every opportunity, Ackerman is showing his dick.

Later I find out his first name and miss the pun. He terrifies me. All the grown men of our households have abandoned us—because of me, somehow, I believe. My father leaves my mother who sends me for raising to my grandmother, whose husband abandons her for another woman the year after I arrive. I am bad luck for grown-ups, goes my mantra, bad luck. Later, twice divorced, I will become bad luck for myself. But today this Ackerman apparently wants to be my big brother. When I tell my slightly-older-than-me uncle about Ackerman, he says, “I’ll bust his face!” but he’s laughing, too, and plainly useless.

Thanks to the ever-present jacket and his distinctive posture—rigid, soldier-like—I can spy Ackerman a block away, make detours. For the rest of my years in grade school, I manage to evade him. Other boys, I hear, are less fortunate.

My mother remarries and we relocate a few miles west of town. High school comes and goes. I suffer college briefly, and drop out for my first job in journalism, covering cops and courts.

Again, still, Richard is everywhere.

He keeps getting busted on misdemeanors—disorderly conduct and, of course, indecent exposure. At this point I’m equipped to see the humor in his escapades, which I chronicle for the newspaper with quiet glee. What an embarrassment to his family, Ackerman! Especially his older brother, a cop who ends up taking Richard into custody on his most serious offense, car burglary.

Officer Ackerman must have included in his narrative the make and model of the vehicle his brother pried into with the crowbar. Later I wished I’d had the sense to track this information down. Didn’t seem important at the time, but it would later.

•••

“There,” Richard said, and pointed at me in court. “He has brown hair and he’s wearing a red plaid shirt.”

The prosecutor shook his head, the judge grinned into the sleeve of his robe, and the public defender leaned back in his chair, half-smiling as if Ackerman’s horse had crossed the finish line first but would shortly be disqualified.

“Fifteen-minute recess,” the judge said.

The trial ended with a guilty verdict for Ackerman’s attacker. Over the years, Ackerman continually found for himself more low-grade trouble. Free on bail, Richard he misbehaved again.

He joined an open-casket funeral where he didn’t belong. Until someone singled out this odd stranger, Ackerman spent long minutes gazing at the body—almost meditatively, a mourner told me later. Officers had to drag him away. In another incident, Ackerman complimented the ass of a sign painter downtown, who didn’t see the humor, and gave chase. “You’re cute when you’re mad!” the fleet-footed Richard yelled over his shoulder, according to the police report. Repeatedly, incorrigibly, Richard showed his dick.

After the car burglary, the state made a move to revoke Ackerman’s probation and send Ackerman to prison for a while. (This clownish freak!) I flipped through the weighty file. A manila envelope slid into my lap: the pre-sentence report, a confidential document that clerks are instructed to remove before handing over any paperwork. Secret because it contains hearsay—interviews by officials with family, friends, and associates, material used by the judge to decide whether to give the probationer another chance or lock him up. I opened it.

Although, in my published account of the matter in re: Ackerman, I couldn’t quote from material that I was never supposed to see, but I’m at liberty to tell you here. Richard is beyond harm. He died in 1998.

His mother said in the report that Ackerman had not been normal since he was a lad—not since about the age I was when I met him, not since the day he tapped his pale father on the shoulder, shook him gently, and opened the car door wider to let the cold body fall sideways onto the garage floor. Tailpipe smoke must have floated around them, boy and man. His mother found him running in circles and screaming. The report does not disclose if the car is a Ford or Chevy or Oldsmobile. I wonder if things might match up.

Match up, like two images of him that persist for me. Ackerman in frantic motion, dizzy from the carbon monoxide and from whatever this loss had begun to mean for his soul, never fully known or understood, maybe, by him. Surely not by me.

And then Ackerman on the witness stand, trying to make right his wrong. His finger extends at me, the plaid-shirted one, an ill portent—the damned boy who makes the men run away. As if I am again and forever accused.

•••

RANDY OSBORNE’s work has appeared in many small literary magazines online and four print anthologies. It was nominated three times for the Pushcart Prize, as well as Best of the Net. One of his pieces is listed in the Notable section of Best American Essays 2015. He lives in Atlanta, where he is finishing a book. He’s a regular contributor to Full Grown People.

Read more FGP essays by Randy Osborne.

D Is for Daughter

flying
By Gina Easley www.GinaEasley.com

By Tamiko Nimura

I am the straight leg of a capital D: leaning towards the curved window and wall of an airplane, insistent, staring at the arc of the horizon. I’m in between deep space and blue sky and white clouds and brown earth. I have to tell myself to stop holding my breath. The sun keeps setting faster as I fly east, towards the hospital where you, my niece, are about to be born. It’s getting darker and darker.

•••

Last week your uncle Josh called me, walking to his bus stop in Seattle after work. He was on his way back to Tacoma, where we live. His voice was uncharacteristically high and tight, and he was slightly out of breath. “My grandpa died,” he said.

“Oh, hon,” I said. Exhaled. “Are you okay?”

“Yeah,” he said, but he hesitated.

I took a deep breath, too. From the first time I met him some twenty years ago, Grandpa Dave greeted me with an exclamation point, every time, every year: “Hey, Tamiko!” he’d say, and give me a big hug.

•••

What it has meant for me to live in this space where death and birth follow each other so closely? It has felt like both parts of a capital D: the straight rigid line, the soft curving out, both lines working together to create an open space. Something like a mouth. Something like the halves of an ancient chapel door. Something sacred.

•••

I’m flying from Washington State, where I live with my family: your uncle Josh, your cousins, who are my daughters. All of us can’t wait to meet you for the first time. I’ve had your first picture, a fuzzy ultrasound, on my desk in our kitchen. I’m flying down the West Coast to the Bay Area, where your mother and father went to school. From there I’ll take a different plane that travels south over Monterey, where your parents were married, then make a left and head farther south and east into Texas. I’ll return to Seattle after that. The round trip looks like a D on the map. D for death? I think and quickly push the thought away.

•••

The day before my flight, I was on a freeway ramp, racing back from a meeting to pick up your cousins from school. I got a series of texts from your mother. She was going to the hospital to be induced, she said, because a number of risk factors indicated the increased possibility of stillbirth. My anxiety skyrocketed. I started to make myself breathe deeply, calling on every single mind-trick that I knew from yoga to calm myself down.

•••

Maternal deaths in childbirth are much less frequent these days, but somehow I can’t help but project into the very worst-case scenario. Your mother and I already lived through some of the worst together, when our father died so many years ago. She was six years old, and I was ten. If I am facing the prospect of your death or your mother’s, it is because your mother and I met death intimately as children. The worst and unthinkable has already happened to us, and so death never feels very far from me.

•••

During the first part of the trip, I can’t think about very much else but you. I don’t know just when you’ll arrive, but I know you’re really on your way now. On the plane ride I sip plastic cups of ginger ale, refuse the snack mixes. I’ve just turned to a chapter in the book I’m reading. Believe it or not, the chapter is called “It’s A Girl!” But as it turns out, the child in the book is stillborn. I breathe out. I close the book, put it in the seat pocket in front of me. D is for daughter.

I don’t want anything like stillbirth hovering close to your arrival. But the word’s been mentioned by doctors often enough that the specter’s there anyway. Until now I haven’t known that kind of haunting, the specific terror that your uncle Josh felt during both of my pregnancies: the terror of something bad happening to mother or child or both. He hid it well. I was too focused inward to notice, towards growing and welcoming life.

•••

On the plane I’m thinking about a character from a TV show that your mama and I both adore: Downton Abbey. In one episode, a much-loved sister dies of complications from her daughter’s birth. In my mind I am watching that episode, watching a loop of that endless minute, watching that character shudder through a violent seizure and die.

•••

Our grandfathers died before your mother and I were born. Adoptive grandfathers were special to us. So Grandpa Dave was one of the only grandpas I knew, even though he was really your uncle Josh’s grandfather. At ninety-two, Grandpa had lived a beautifully long life. He retired some thirty-five years ago, spent most of his retirement at his own house and at his daughter’s house in the very last few years. He lived to see many grandchildren and even several of his great-grandchildren.

Grandpa Dave and I connected very early after we met, most often through food. Cooking food with him and for him—he loved to watch me cook with Josh, together—was one of the greatest pleasures of our trips home. He cured his own olives, grew and harvested his own avocados. His daughters and grandchildren used to call him every Christmas morning to talk about how many raviolis they’d made together at their houses. Grandpa Dave loved trying sukiyaki and egg rolls from our family’s New Year’s gatherings and he loved my family’s recipe for teriyaki sauce. Food was central to his life as it has been in mine, good simple food. He grew up with very little, but savored so much.

•••

Caught one plane, about to catch another, I am still tense. I don’t watch the news on the TV screens. Only later do I find out about the attacks in Paris and Beirut. Instead, I walk miles in the airports so I can walk through some of that tight energy. I am taut like a bow before it’s released the arrow, I am the arrow flying towards you. Are you here yet?

•••

At the end, Grandpa didn’t have any prolonged suffering or hospital stays. He woke up one morning feeling badly. He had difficulty breathing. He just didn’t come back from the emergency room that day. And in the grand scale of deaths, his was as good a death as might be wished.

For the holidays we will go to California to visit our families, as we do every year. But I can’t believe I’m not going to be able to hug Grandpa in his flannel shirt, watch him take off his glasses, see him rub his forehead, hear the exclamation point in his voice.

•••

In storytelling rules, this is where I should probably talk about your mama—my little sister—and how much I love her. I can tell you about her first cries, all the way from the delivery room and in the elevator and into the nursery. I was four years old. I can tell you where I was sitting on the couch in our childhood house when I held her for the first time.

I should tell you more about what and who is at stake if she dies. But I can barely write those last three words. There are not enough words to tell you about my love for my little sister. This is where my words leave me.

•••

I am talking about Grandpa’s death as a “good death,” as if I can manage my grief away by talking about his loss as something good. And there’s a part of me that thinks I’m a terrible aunt for mentioning his death in a letter to you. Death and a newborn baby? As if any mention of the two in the same pages, much less the same paragraph or sentence, will tarnish this new life for you. The hard truth is that they’re not so far apart, after all.

•••

Once I had to say goodbye to a yoga teacher, a teacher that I really loved, without her knowing I was saying goodbye. I hadn’t realized just how much I loved those classes until I knew I wouldn’t see her anymore. I knew she was leaving before anyone else in the class. In fact, I don’t even think she knew I knew. But yoga is one of the best places to hold space, and this teacher was so good at creating and holding space for her students to feel deeply. She talked about the strength it takes to let go. So I sat, allowing myself to feel a deep sadness for an hour and a half. Not trying to escape it, not trying to fix it or numb it.

That hour might have been the first time I welcomed grief. Now I can think back to that class, that teacher, that shadowed room with its pale yellow walls, and I am grateful. I wonder how many are able to hold space for the hard questions. How do we say goodbye to a life? How do we welcome a new life? To keep the heart open enough and long enough to do these things with love? I think part of the answer’s in the breath.

•••

It’s early evening and I’ve left the sunset far behind on the West Coast. I’m here at the Austin airport, texting, trying to find out where you and your mother are. I check Facebook, and somehow, there’s a green dot, saying that your mama is online. “Oh,” your mama writes. “You’re here early. Baby’s not here yet.”

•••

These last couple of weeks have felt like living among the raw edges of death and birth. But maybe this is how we all live, so many of us unaware most of the time.

When you choose to feel your emotions, a wise woman has said, you can’t just choose to feel the good ones. You have to feel the good ones and the bad ones. I am learning how to un-numb myself, then, even as I write this sentence to you. Feeling a deep grief at Grandpa Dave’s death, I can feel that kind of deep joy over you. They are all tangled up together, my grief and joy. I wish you could have met him. He would have welcomed you, too.

•••

It’s Saturday morning, the day after I’ve landed in Texas. Several hours in the waiting room, a couple of hundred feet from where you are. Other fathers are coming out from behind double doors, being greeted by family members with balloons and flowers. Your grandmother and I are still waiting, jumping every time those double doors open.

At last, a picture appears on my phone from your daddy. And there you are, little one. You are all soft curves, sleeping. To see your face: the faces of my babies. A few hours later, holding you, I see your mama’s face: my baby sister’s face when she was a baby. How incredible just to watch you breathe.

On your first day, I am finally bending after so many waiting hours of sitting straight. I am curving towards you. We are breathing together and I am whispering to you: this is life, this is life, this is life.

•••

TAMIKO NIMURA is a freelance writer living in Tacoma, Washington. She is a contributing writer for Discover Nikkei, the International Examiner, and the Seattle Star. Recent writing has appeared in HYPHEN, The Rumpus, and Full Grown People. Find more of her writing at tamikonimura.net.

 

Read more FGP essays by Tamiko Nimura.

The Little Man

By frankieleon/Flickr
By frankieleon/Flickr

By Sobrina Tung Pies

It was May 22 when Alan died last year. Everyone around me was amazed by how well I managed, but that’s because they didn’t know the whole truth. By June, a little man had set up shop inside my chest. To be clear, the little man doesn’t live in my chest—he doesn’t have groceries in the refrigerator or put his feet up on the coffee table at the end of the day. To say he works there would be more accurate. The most surprising part of it all is when I look in the mirror: My husband is gone, my body harbors an invader, and I hardly look any different for it. I can see why people might think I’m fine.

I have never heard the little man say anything, not even a sigh, but I feel him. He’s the busiest when I miss Alan the most. I don’t know what his full job description states, but I have a good idea. His job is to ensure I feel everything I can’t show: the homesickness for a place I can never return, the crushing weight underlying the finality of it all. To get his point across, he launches intermittent campaigns throughout the day—“grief attacks,” I call them. Sometimes the attacks are big and violent, forcing me to crumple onto my couch, blinded by tears. Sometimes they are small, squeezing all the air out of my lungs. At first, living with the little man frightened me, but over the past nine months, we’ve learned how to co-exist. When he wages his attacks, I can only let him.

I alluded to the little man in the very beginning, back when people were still dropping off casserole dinners. They nodded with their mouths turned upside down and tried to imagine what it must be like. But after a while, everyone went back to their normal lives. I couldn’t blame them. I tried to, too, but nothing felt normal anymore. People stopped asking about the little man wreaking havoc in my chest. They wanted to know about my vacation plans, work, my new haircut. I brought him up less and less until I eventually stopped talking about him.

•••

This morning, the little man is very busy, making it hard to get out of bed. My body feels twice as heavy as normal, as if long, lead bars now occupy space in each of my limbs. The bars don’t take up all the space in my arms and legs, but they don’t rattle around either. They’re heavy, after all. The little man shields his eyes with his hand, looks up, and frowns. Dark clouds are in the forecast, threatening rain. They’ve been brewing in my head over the last couple of days. I roll over onto my side, summoning the energy to get ready for work, and feel the lead weights follow a second later.

•••

I work at a mid-size tech company in Mountain View, California, where I do B2B marketing. Mostly that means putting together PowerPoint presentations that the sales team use to pitch solutions to clients. It sounds straightforward enough, but somehow my days are full of back-and-forth email exchanges, meetings, and rough drafts. Everything takes longer and involves more people to complete than you’d imagine. For instance, this morning I am in a meeting with eight people to discuss logo designs and venue possibilities for an upcoming event. Two people present in the meeting, one person makes the decisions, and the rest of us are just along for the ride. The meeting eats up an entire hour of everyone’s day. Normally, I would get antsy thinking about the other things I could be doing in that hour, but it’s hard to care with the little man going on as he is.

It’s strange being at work in the middle of one of his violent attacks. All my Alan memories, the sad ones reserved for when I’m alone at night, bubble up dangerously close to the surface. I look around the room in a slight panic, but no one is paying any attention to me. All eyes are focused on the screen at the front of the room. I sit back in my chair and try to focus on the presenter’s explanation of this particular logo’s type treatment.

After the meeting, I go back to my desk, and, in an attempt to keep the grief attack at bay, I scroll through the endless emails that have poured in over the weekend. I delete the ones that are spam, ignore ones that require nothing of me, and flag the rest to respond to later. Some emails are marked with an exclamation mark to denote the urgency of their contents, but after reviewing them again, I decide they can wait and begin making my list. Every day I make a to-do list. First, I write down each task that I need to complete. Then I go back through the list, writing a number next to each item according to its deemed priority. Priority assignment is based on the project requester, the deadline, and the number of people depending on it. These are just loose guidelines, though. Sometimes I’ll assign a task a higher priority just because I feel like working on it at the time. It’s funny because they’re just numbered items on a piece of paper, but as soon as I finish making it, I can focus. Without it, the fear that I’m overlooking something else more important that I should be working on creeps in and paralyzes me.

I have only prioritized about half of my tasks when I can feel my resolve crumbling at the edges. I catch myself slipping and hope the little man doesn’t notice. The little man, however, doesn’t miss a beat and seizes the opportunity to make inroads on his attack. He pulls me in, and I am helpless to stop it.

•••

I am back in our living room on that last day. Alan is lying in his hospital bed, next to the fireplace. He’s moving his arms and muttering words under his breath, as he has been for the past week. This morning his lips are the slightest shade of blue, his breathing has changed, and his knees are purple. Everyone else had missed it when they’d left for my sister’s college graduation that morning. But I saw it. I knew everything was about to be different.

I call hospice and talk to the nurse manager, explaining the changes in his condition. When I mention his purple knees, she pauses. Purple knees, I learn, are a sign that your time together is almost up. I ask the million-dollar question we’ve been asking ever since he was first diagnosed: How long? The nurse manager tells me she’ll send someone who’ll be able to assess the situation and give me a better timeframe. I hang up the phone. I don’t know what to do, so for the moment, I do absolutely nothing. I have never known Alan’s knees to be so telling.

After I gather myself, I break apart again, crying in the chair next to Alan’s bed. I’d been preparing for this moment, but I’m not ready. I don’t even know if now is the right moment. If he has hours left, I should say goodbye now, but if he has days left, shouldn’t I wait? The silence settles over us like a heavy layer of dust. I decide to say goodbye now, just in case, but everything that comes out sounds stupid. My voice isn’t my own.

Finally, I lean into his ear and whisper. It sounds better when I don’t have to hear that voice that isn’t mine. I tell him how much I love him, that I’ll be okay, that he can go if he needs to. I read in one of the booklets hospice gave me that it’s important to “grant permission” for your loved one to let go. I don’t believe myself when I tell him I’ll be okay, but I hope they might be the magic words to bring him comfort. I sit back down and stare into his face, convinced I’ll see something register. But if it does, I can’t tell. His expression is unchanged, his arms still moving—

•••

A steady stream of people walk by my desk. I look at the clock in the corner of my computer screen. Lunch is fifteen minutes late. It’s normally served at eleven-thirty, and if it’s not served within ten minutes of that, people go crazy. That’s a slight exaggeration but not by much. Fearful that we might never eat again, people begin lining up in the cafeteria as if somehow that might help. I check the lunch calendar I keep pinned to my wall. Today we are having lunch from a restaurant named Pizza?. There is an actual question mark in the name.

The food finally arrives, and I can hear the soft roar in the cafeteria from my desk. After enough people walk past me with salad and pizza slices piled high on their plates, I walk to the kitchen to see what’s left. I place two slices of veggie pizza on a paper plate, fill a cup with water, and head to the lunch table where I usually eat with the rest of my team. At the last second, I think better of it and make a beeline for my desk. I don’t have the energy to make conversation today.

It makes people uncomfortable when you just sit and listen. Most people need to fill the empty space with some kind of noise. In my experience, it’s only a matter of time before people run out of things to talk about. They start asking questions they already know the answer to or bringing up inconsequential topics. I find myself repeating things I already said or feigning interest. Short of wearing a tee-shirt that says “I don’t feel like talking, but I like sitting with you,” the only thing I can do is watch more movies. Whole worlds unfold in front of me, and I don’t have to say a word. And sometimes, though not always, movies can make me forget the little man’s even there.

My favorite movie genre is science fiction, especially those of the apocalyptic and post-apocalyptic variety. People think it’s somewhat strange, but when your husband dies at thirty-one, the idea of everyone else dying en masse, holds a romantic allure. Almost every night, I watch a movie—sometimes even two or three. A part of me wonders if I’m abusing them, like an illicit substance. I’m sure a psychologist would ask if my movie-watching negatively affects my everyday life. I suppose it doesn’t really, except it irritates me to participate in conversations when I would much rather have them play out in front of me like on a movie screen. That might be one negative impact. But you never hear about movies ruining someone’s life, do you?

If I could only watch a movie right now, it might help me deal with the little man. But, being alone at my desk with only my veggie pizza to occupy me, I know he won’t let me off easy. As I chew, he taps around my right lung like he’s testing the quality of a cantaloupe. When he hears a sound that pleases him, he uses one hand to mark the spot and, with his other hand, removes a tiny straw from his back pocket. He raises it high above his head, then swiftly brings it down, puncturing a hole in my lung. I let out a small gasp. It’s a small straw, but I can feel the air escaping through it.

I wonder if this is how it feels to have a collapsed lung. I know two people whose lungs collapsed: my friend Sue and a co-worker’s boyfriend. Neither of them even knew it had happened. Sue found out during a check-up the day after getting a lung mass the size of a golf ball biopsied. She says she didn’t feel a thing. The co-worker’s boyfriend was in college at the time, partying at a hotel in Mexico. He fell off the third-floor balcony and, if you can believe it, was picked up and carried back to his hotel room where his friends tucked him into bed for the rest of the night. It was only the next morning, after he’d been taken to an American hospital by medevac, that his collapsed lung was discovered and a steel rod was placed through his body. Still, I think the average individual would feel something if his lung collapsed. Shortness of breath to say the least. So maybe it’s like this: You feel a collapsed lung, unless you have bigger things to worry about. Like the possibility of lung cancer or a broken back.

Speaking of bigger things, the little man has finished with the straw, content with its placement, and is walking around with an Allen wrench. I’m impressed by how much he’s able to store in those tiny pockets of his. I watch him scramble around, kneeling down to tighten screws in three separate places, knitting my ribs closer and closer together. When he is satisfied, he slips the wrench into his back pocket where it disappears with the rest of his toolbox contents. He wipes the sweat off his brow and admires his handiwork. The tightness in my chest is even more pronounced now. I swallow my last bite of pizza and it settles like a lump in the back of my throat. The combination of the straw in my lung and the bolts in my chest makes it incredibly hard to sit up. I want to writhe around, to shake the little man loose. Or at the very least, I’d like to lie down.

Maybe I will just keel over and die. You hear about that, don’t you? It happens all the time with older couples: After years of marriage together, one dies and the other, perfectly healthy, save for the usual creaks and aches that old age brings, follows shortly after. I used to think maybe I could be so lucky. I’m sure my friends and family worried for a while that I might do something stupid to harm myself, but I’m afraid of pain and suffering. I’ve seen enough of that. However, if I could somehow relay the message to my heart to just stop beating one day, that wouldn’t be such a bad deal. Nice and neat. To pull off such a feat must require a tremendous amount of trust and coordination between organs, the kind that only comes after spending a lifetime together. That’s the only way I can explain why only older people die of a broken heart. Young people just aren’t there yet with their anatomy. Even if they tell their hearts to stop beating, there’s no way for their hearts to know how serious they are.

Sitting at my desk, I can’t move around too much or lie down, but I need to do something or else I might implode. I could cry. I’ve cried at my desk before, the kind of tears that are hot and silent. But I don’t trust the character of these tears today. I feel them swell inside me, a water balloon the little man has filled too full. It threatens to burst at any minute. I throw the rest of my lunch in the trash and try to get it together.

“Sobrina?” My boss Lisa calls me from two desks away.

“Yeah?” I look up. The little man pauses.

“Can you come take a look at this?” Lisa asks.

I get up and walk towards her. Because I don’t know what else to do with it, I bring the water balloon with me, gingerly carrying it in my hands.

She whips around and smiles at me. I nearly drop it.

“I thought that meeting went well today. Do you?” Lisa asks.

“Yeah, I thought it went well, too,” I say.

The water balloon is shaking. I look down and realize my hands are trembling. I want to tell her everything—that I can hardly breathe today, that the water balloon might pop at any minute. I open my mouth, but before I can get a word out, she turns back around to face her computer screen.

“I’m just recapping the discussion in an email to the group. Am I missing any next steps here?” Lisa asks.

I swallow hard. The water balloon in my hands creates a space between us so I lean in closer to read her screen.

“I think you got it all,” I say.

“Thanks.” She smiles warmly and goes back to finishing her email.

•••

I have one more meeting before the day is over. This one is with my marketing communications team, a sub-group within the larger marketing department. We meet once a week, usually on a Monday, to provide status updates on our projects. Sometimes we’ll show each other what we’re working on. We go in a circle, one by one. I try to focus on what my teammates are saying, but it’s hopeless. I sit quietly, taking shallow breaths in an attempt to keep everything inside.

“And how about you, Sobrina? What are you working on?” Lisa asks, pulling my attention back into the room.

A lump rises in the back of my throat.

“This week…” I trail off. I look down at the to-do list I’ve been working on all day. Just read off the list, I tell myself. “I’m working on the positioning for the new media product.”

Lisa nods and jots it down in purple ink on her clipboard.

I shift in my seat.

“And I’m working with the design team to finalize the retail brochure,” I say.

The water balloon has stopped quivering quite as much. I place it on the table next to my notebook so I can read through my list faster. I’m surprised that it stays put and doesn’t roll off the edge.

“I was hoping to share our editorial ideas with the PR team this week. Did you get a chance to review those?” I ask Lisa.

“I’ll make sure I look at those,” Lisa says, circling a note to herself.

“And that’s it,” I lie. I need to get out of the room. I can feel the little man boring holes in my chest, and I’m certain everyone can see my discomfort. When I look up from my list, though, everyone is buried deep in their laptops. Lisa retracts her pen and places it back down on the table, concluding the meeting.

•••

Nobody can see the little man like they would a scar on my forehead. But he’s there in my chest all the time. So it’s just me and him. Me and him and the lonely thought that Alan would know but will never know. He would understand in the same way that he understood when we watched the movie about the retired couple visiting Paris. They go away together in the hopes of sparking romance in their tired marriage. It’s just a movie, of course, but watching them wandering through the cobblestone streets, arm in arm, made me feel a terrible pinch inside. I wanted to be in the middle of all those lights, walking on those streets, feeling Alan’s arm wrapped around me. I wanted all of those things I thought we would have. I hated the old couple.

I looked at Alan asleep next to me, his face and body a shadow of what it used to be. He looked so peaceful, even though I knew seething pain waited for him just around the corner. The tumors in his pelvis ate away at his sacral bones, and physical activity as simple as shifting his weight had become a burden. It hit me that we would never adventure to a new city again, at least not in this life. Bitter tears rolled down my cheeks in disciplined silence. I was Alan’s cheerleader, his eternal optimist—that was my job. He could never know about my fears and doubts.

As I cried, hating that old couple—hating all old couples—Alan’s hand reached out for mine. I turned, surprised he’d woken up, to see his blue eyes fixed on me. I tried to stop crying, but I couldn’t. He held onto my hand, patiently waiting.

After a minute, I told him, “I just always wanted to go with you.”

“I know,” he said softly.

•••

SOBRINA TUNG PIES is a writer and tech marketer living in the Silicon Valley.

 

Swimming with the Sharks

beach chairs
By Gina Easley www.GinaEasley.com

By Linda L. Crowe

2015 should go down in history as the Year of the Shark. The Atlantic was eerily vacant of swimmers last summer because of all the shark attacks—even in North Carolina, where our family has vacationed every year since 1963, the year my little sister, Laura, was born.

“Are we going to swim this year?” I asked Laura in June as we planned for our August week at the beach.

“Linda, we’ve got to!”

In July I told her what my boss said when he called from his vacation at Baldhead Island. “It’s weird.” I imitated his soft southern accent and the way he emphasized certain words. “You look up and down the beach and there is not a soul in the water, as far as the eye can see.” Baldhead is not far from Kure Beach, where we go.

There are always sharks, my sister reminded me. But last year, the predators seemed to be a bit more aggressive. In fact, the number of attacks at North Carolina beaches in 2015 set a state record.

They bit surfers, of course, but ordinary swimmers, too. Even waders. They bit the arms off two teenagers.

And not just in North Carolina. Shark attacks made headlines in Florida, South Carolina, Malibu, Hawaii, Australia, and South Africa. Great whites were sighted off New York beaches. Cape Cod, too—the setting for Jaws, a book I first read on the beach at Kure when I was in high school. A great read, yes, but it did not keep me out of the water. It was fiction, after all.

In the newspaper and on radio and TV, experts cited theories on why the sharks were so bitey:

  • Climate change was making it hotter, so more people were spending more time in the ocean, upping their odds of getting bitten.
  • The sharks’ normal food was in short supply, so they were changing up the menu.
  • Low rainfall was making the near-coastal seawater saltier, which the sharks just loved.

I believed that the sharks were pissed off. That this was their well-coordinated revenge for all the fishermen who caught them, sliced off their fins, and threw them back in the ocean to die. One hundred million sharks a year are killed for their meat and/or fins, according to recent estimates. So many that shark populations are taking a dive. If the same number of people were getting killed each year, America would send in troops or provide air support to rebels.

The conspiracy theory made sense to me because what else can sharks do? They can’t make bombs. They can’t take hostages. If this is the reason, it serves our species right, I said. My sister seemed doubtful.

•••

August rolled around, and Laura and her gang made the annual trek on I-95 from Virginia over to Wilmington and down to the beach. I joined them a day later. By the time I arrived, everyone had been swimming, and no one had been attacked. I raced in, too, and the sharks did not bite me.

We floated, splashed each other, and frolicked in the temperate, briny goodness that is the ocean at Kure. But mostly we waited for just the right wave, then swam like hell to catch it the moment before it crested—our bodies stiff fleshy spears, shooting forward as the water surged landward.

At last we tired and, one by one, each of us rode one final wave back to the beach. Except me. I wasn’t ready to go up yet, so I treaded water alone and gazed out toward the vast horizon. A pelican hovered in the sky above me. I watched as it locked in on a target and folded its wings, then plummeted headfirst into the water and disappeared. Rising to the surface, it pointed its long beak toward heaven and gulped down a luckless fish. Just me, the pelican, and the distant horizon. And all that lurked beneath us.

I was not afraid. Or maybe I was a little, but the odds of a shark attack were miniscule compared to the wonder of bobbing in the ocean, salt on my lips as pelicans and gulls swooped and dived overhead.

Without the exertion of bodysurfing, I was soon covered with goose bumps, so I caught a wave in to shore. I dried off with my beach towel and plopped down in a canvas chair next to my sister. When she asked if it was scary out there all by myself, it occurred to me that she was watching me the whole time—once a lifeguard, always a lifeguard. Not really, I told her. It wasn’t that bad.

Laura was a certified lifeguard—the real deal—and this was how she made money summers during her college years. Even though I only took Junior Lifesaving, I’ve always considered myself to be a lifeguard, too, particularly where she is concerned.

•••

Maybe because my big brother ran out in front of car when he was eleven (he lived to tell about it), or because my little brother got shocked when he stuck his finger in the electrical outlet in the hall (he’s fine too—sort of), but I was always afraid that something dire was going to happen to my beloved sister, the baby of our family. And because a neighborhood kid was profoundly disabled by a hit and run car when their family was on vacation in Florida, I was especially nervous about our annual trips to the beach. How awful would it be for Laura—for the whole family—if she were maimed or killed while we were all enjoying ourselves?

A hard time would seem even harder if it happened on vacation, the same way it was worse if someone died on Christmas day. A tragedy must be avoided at all costs, and in my mind, it fell to me to keep Laura safe.

At age seven, my options were somewhat limited. I attended Sunday school and church, so I prayed that God would preempt any harm that might come to her. But our mother had told us of another neighborhood kid who had been killed when his bike slid under a steamroller, even though his mother had perfect attendance at First Methodist. To me this meant one thing: God might have his eye on the sparrow. He might be all knowing and all-powerful, but he was not to be trusted when it came to little kids.

As luck would have it, I was superstitious. Certain things had to be done each day without fail. Once Laura was big enough, I taught her how to leap onto the mattress from a foot away, so the cannibals who lived beneath our bed could not eat our feet. And how to shut the closet door at night so the man with the axe could not sneak out and chop our heads off.

The dangers of vacation required different strategies that I shared with no one. As the first week in August drew near, I would be especially careful not to step on a crack, drop a mirror, spill salt, or do any of the things that might bring bad luck. For additional protection, I developed a system where each night after I slipped beneath the covers, I’d select a number at random, then I would softly kiss my sleeping sister that many times. If she woke up, I’d have to wait for her to fall back to sleep, then start all over.

All of this, I believed, would weave a cloak of safety around Laura, providing that extra something which, along with my vigilance, would keep her from harm.

Obviously, it worked.

For fifty years, at least. But now sharks were biting people like their lives depended on it, and I needed a new strategy.

•••

It seemed disingenuous to pray for something when I no longer went to church. And I couldn’t very well sneak into my sister and her husband’s bedroom to kiss Laura a random number of times. Even if the thought wasn’t Manson-family creepy, I was too old for such superstitions.

Instead I armed myself with the various ways to avoid shark attacks, according to the experts.

  • Don’t swim after dark when sharks are most likely to feed. We used to sneak out late at night and swim in the ocean, so it was a wonder we’d survived to adulthood.
  • Schools of baitfish or pods of dolphins (which, like sharks, eat the baitfish) could be a sign that sharks are in the area, so stay out of the water if you see them. I wondered if the same were true of fishing pelicans.
  • Don’t swim near fishing piers, or near people who are surf fishing. We’d always obeyed this commonsensical rule, mostly to avoid getting hooked.
  • Stay out of the ocean if you’re bleeding. No duh.

I knew the rules. I also knew that, while extraordinary times called for extraordinary measures, there was no way the Lundquist clan was going to stay out of the water.

Once Lifeguard Laura took note that I survived my solo swim, we basked in the sun and relaxed into our read/doze ritual of vacation at the beach.

“I see one!”

Everyone sat up, eyes trained on the area just beyond the breakers. Erin, one of our gang, had spotted a shark. Or so she said.

Are you sure it was a shark? Not a porpoise? Not a dolphin? Erin assured us she knew what they looked like. Other families on nearby beach blankets shaded their eyes with their hands and looked seaward. Some swimmers got out of the water. I glanced toward the lifeguard stand, but the lifeguard had that devil-may-care affect that came with his certification card.

The shark was spotted once more before it vanished into the murky depths. Thankfully, it was late afternoon—time to head to the cottage to help with dinner preparations and line up for showers.

That night, we all walked up the beach to the Kure pier. We purchased ice cream cones and cotton candy and strolled down the weathered planks spotted with fish scales that gleamed under the lights. The air was redolent with saltwater, guts, and the occasional waft of cigarette smoke. We stood at the very end as we always did, and I felt the faint rocking of the pylons from the push and pull of the wind and waves. When we turned back, a crowd was gathered at the rail. We joined them to watch the phosphorescent glow of the breakers below and, just beyond, a large shark patrolled back and forth like a white ghost beneath the water.

We stared, fascinated. It wasn’t that far from where we swim.

“My God,” I said.

“There are always sharks,” my sister reminded me.

The next day, the whole gang headed back to the surf, making sure to arrive just as the tide turned and the waves started rolling in. Here comes the one that sunk the Poseidon! We all stampeded into the water and did the turn/swim-like-hell/catch the wave routine we’ve been perfecting since childhood. An hour later, the crowd thinned out as tired bodies migrated back to the sand. And then it was just the pelicans, Laura, and me.

The years have rolled by like so many summer waves. My sister tied the knot and had three kids a full ten years before I met my husband. As I navigate the sometimes treacherous waters of family life, it’s Laura I turn to for advice. I showed her how to avoid cannibals. She shows me how to be happily married.

While we floated up and down on the lazy swells, we caught up on hometown gossip, dissected our kids’ lives, and enjoyed easy silences.

Until I had to go the bathroom.

I ran up to the cottage. It was cold in the air conditioning, and my bathing suit was wet. I figured I was done with swimming for the day, so I changed into a dry suit before I headed back. It was so wonderful to be out of that damp suit, I could hardly stand it. I ran down the boardwalk to the beach and there was Laura—still in the ocean—looking out to sea all by herself. Just my little sister and the sharks.

I was warm and dry. She was a grown woman in her fifties, for God’s sake. With adult children. She was an excellent swimmer. There was a lifeguard, such as he was. I really didn’t need to look after her anymore. No one expected it. Least of all her.

Still…

I raced through the breakers before the sharks could get her. If nothing else, I could help fend them off. I feigned nonchalance when I finally made it out to her. “I didn’t think you were coming back,” she said, with a sidelong glance.

“Yeah, well…” Oh, what the hell—I might as well just say it. “I’m responsible for you.”

Laura just grinned and turned back toward the horizon. She knew that I knew that she was perfectly capable of taking care of herself. But after a lifetime of my holding her hand when we were out in the world and keeping the man with the axe out of our bedroom, this was nothing new.

Ever since the movie Jaws came out, my sister does this thing where she acts like she’s being attacked by a shark. She doesn’t scream, she just jerks like she’s been hit really hard under water, like in the film. With each lurch backward, her expression transitions from what the … to stunned terror. She does a perfect imitation and it never fails to crack us up. “I hope a shark does bite you,” our mother would say when she was still alive. “Then we’ll see how hard you laugh.”

We talked about doing it now while it was just the two of us, then decided against it. There had been so many actual attacks this year, we might start a mass panic. Not to mention the embarrassment we’d suffer if the lifeguard dashed in after us, as if Mr. Cool would notice. It pained us, but we decided to bag the routine for now. There’s always another summer. And we’ll be back.

•••

Because of their lifelong fascination with the Gordon Lightfoot song, LINDA L. CROWE and her sister have chosen the memorial to the Wreck of the Edmund Fitzgerald as the destination for their annual sister trip this year. Michigan or bust! Linda lives in Nelson County, Virginia. Her most recent work may be read in Studio Potter magazine; she’s a regular contributor to Full Grown People.

Read more FGP essays by Linda L. Crowe.